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Pandemonium Hand-Pulled Deckled Color Silkscreen Print on Fine Art Paper by Desirable Artist Hijack Limited Edition Pop Art Artwork. 2020 Hand Numbered & Artist Stamped Limited Edition of 100 Hand-Deckled Artwork Size 22x22. Global Food Bank Covid Charity Print by Hijack. Introducing "Pandemonium" by Hijack: A Street Pop Art Reflection on Global Crisis Crafted amid the tumultuous era marked by the COVID-19 pandemic, the artwork "Pandemonium" by the street artist Hijack seizes the collective consciousness of a world grappling with uncertainty and upheaval. This piece is a hand-pulled, deckled color silkscreen print on fine art paper, embodying the artist's poignant response to the pandemic's impact on society. Hijack, whose real name remains part of his enigmatic persona, has become a notable figure in the contemporary street pop art and graffiti art scene, with works that often delve into the commentary on current events and social issues. The limited edition artwork, sized 22x22 inches, is a visual statement and a philanthropic endeavor, with its proceeds aimed at supporting global food banks during the pandemic. As a part of a limited run of 100 pieces, each hand-numbered and stamped by the artist, "Pandemonium" becomes a collectible piece of history, immortalizing the zeitgeist of the early 2020s. Symbolism and Technique in Hijack's "Pandemonium" "Pandemonium" exudes a striking balance between the immediacy of graffiti art and the calculated precision of pop art silkscreen printing. The image portrays a figure in protective gear, the silhouette and posture reminiscent of a healthcare worker and a biohazard cleaner. This duality highlights the frontline reality of the pandemic. The use of bright colors against the monochrome background draws attention to the subject and infuses the piece with a sense of vibrancy amidst the darkness, a hallmark of street pop art's capacity to find beauty and meaning in the grim and mundane. The fine art paper serves as the urban canvas for Hijack, much like the walls and alleyways of the cityscape serve other graffiti artists. The deckled edges of the paper echo the often rough and transient nature of street art, offering a contrast to the permanence that the limited edition print signifies. It is this interplay of the brief with the enduring that Hijack navigates through "Pandemonium," reflecting on the fleeting nature of the pandemic while capturing a moment in time that will be indelibly etched in history. The Cultural Resonance of "Pandemonium" in Street Art Discourse In the broader discourse of street pop art and graffiti artwork, "Pandemonium" resonates as a cultural artifact, a beacon of the times. The work emulates how street artists have historically used public spaces and accessible mediums to reflect societal sentiments, provoke thought, and inspire action. Hijack's choice to contribute to a global charity through his art reflects a tradition within street art to not only comment on social issues but also actively participate in societal change. The image's depiction of the character with a spray bottle labeled "COVID-19" evokes a sense of action and responsibility, an acknowledgment of the collective efforts to 'cleanse' the world of the viral threat. This representation goes beyond mere aesthetics; it is a rallying cry, a nod to the resilience of humanity in the face of a global crisis, and a testament to the role of art in documenting, responding to, and healing communal traumas. As a piece of street pop art, "Pandemonium" stands out for its ability to capture the essence of an unprecedented global event while maintaining the stylistic and thematic elements that define the genre. Hijack's work is not just an artistic response to a pandemic; it is a historical record and a commentary on the human condition, a reminder of the tumult and triumph that characterize our times. In the legacy of street art, "Pandemonium" will be remembered as a poignant reflection of the era it was created in, a testament to the power of art to encapsulate complex emotions and narratives. It is a visual dialogue between the artist and the world, a piece that speaks to the fear, hope, and indomitable spirit that has defined the human response to the COVID-19 pandemic. Through "Pandemonium," Hijack contributes to the rich tapestry of street pop art and graffiti artwork, which continues to evolve and resonate as a voice of the people in the public domain.

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Remnants 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Justin Santora Rare Street Art Famous Pop Artwork Artist. AP Artist Proof Remnants AP Silkscreen Print by Justin Santora

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Infectious Substance Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Marker Art Drawing on Mailing Glossy Biohazard Sticker by Graffiti Artist Modern Street Artwork. 2020 Signed Original Slap Up Graffiti Art Tag 4x4 Marker Tagged on Infectious Substance Warning Bio-Hazard Label Uline S-180 Sticker. Slap Up In Perfect Condition. Reframing Perception through Street Pop Art Street pop art and graffiti artwork, characterized by their vibrant immediacy and cultural resonance, have a way of capturing the zeitgeist of the era in which they were born. The "Infectious Substance Warning Bio-Hazard Label Uline S-180 Sticker" series by graffiti artist Saber, whose real name is Ryan Weston Shook, exemplifies this phenomenon. With his 2020 collection of signed original slap-up graffiti art tags, Saber converges the world of hazardous material warnings with the rebellious spirit of street art. Each 4x4 marker-tagged piece carries his unique interpretation, transforming the ominous implications of the bio-hazard symbol into a canvas that speaks to the broader impact of what is genuinely infectious in our societies. Saber's Artistic Intervention on Bio-Hazard Symbols Saber's choice of the bio-hazard label as a substrate for his art is particularly telling. The symbol, designed to alert to dangerous pathogens, is recontextualized in his work to question the infectious nature of ideas, the virulence of art, and the power of expression to permeate and affect the public psyche. The contagious substance label, meant to protect by warning, is overlaid with Saber's tags that neither obscure the message nor dilute its significance. Instead, they add a layer of meaning, an artist's signature that challenges the viewer to question the boundaries between safety, censorship, public health, and public discourse. Modern Street Artwork as Social Commentary In modern street artwork, Saber's creations are a powerful testament to the artist's role as a social commentator. His work on the Uline S-180 stickers is a visual metaphor for 2020, a period marked by global health crises and a heightened awareness of biological hazards. By tagging these stickers, Saber connects the dots between the literal infectious agents the labels warn against and the metaphorical contagion of fear, misinformation, and societal unrest that characterized the year. The permanence of the marker on the glossy sticker mirrors the lasting impact of the year's events on the collective consciousness, ensuring that while the hazards may be contained, the dialogue they incite is not. In every line and color choice, Saber's art on the bio-hazard stickers demands engagement and reflects the unyielding nature of Street Pop Art and Graffiti Artwork. As a documented figure in the graffiti community, Saber's American roots and contributions continue to shape the conversation around the power of street art to reframe our perception of the symbols that dominate our public spaces. Each tag is a deliberate reclamation, a declaration that even the most exemplary of symbols can become a medium for enduring artistic expression.

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Plowshire Terrace- Hohokum Limited Edition Giclee Print on Fine Art Paper by Richard Hogg counter-culture street artist art. Original Print Hohokum video game art series from Richard Hogg.

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Radioactive III Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Marker Art Drawing on Mailing Glossy Radioactive Symbol Warning Sticker by Graffiti Artist Modern Street Artwork. 2022 Signed Original Slap Up Graffiti Art Tag 4x4 Marker Tagged on Radioactive Warning Label Uline S-13849 Sticker.  Slap Up In Perfect Condition. Radioactive  Expressions in Street Art In Street Pop Art and Graffiti Artwork, the "Radioactive III Slap-Up Label Sticker" series by Saber, legally known as Ryan Weston Shook, stands out as a profound commentary on the interplay between hazard and creativity. His 2020 series of original permanent marker art drawings on the quintessential yellow and black radioactive warning stickers transform these danger symbols into compelling pieces of modern street artwork. Each 4x4 piece, tagged with Saber's moniker on the Uline S-13849 sticker, carries the weight of its message through the juxtaposition of the universally known hazard symbol with the personal style of the graffiti artist. Confronting Perceptions with Tag Art The choice of the radioactive symbol, a globally recognized sign of lethal materials and the presence of unseen dangers, is intentional and provocative. Saber's tags across these stickers confront our perceptions of risk and the unseen forces that shape our world. By marking these warning labels with his art, Saber injects a human element into the conversation about the hazards surrounding us, both seen and unseen, tangible and intangible. The act of tagging these specific stickers is a bold statement, challenging the viewer to consider the potential for harm that exists not just in the physical realm but in the realm of ideas and expression. Saber's Artistic Legacy An American artist, Saber utilizes his work to provoke and challenge the status quo. His artistry on the "Radioactive III" stickers reflects his capacity to take warning symbols and transform them into symbols of identity and resistance. The series, signed and dated, is a testament to a year marked by global unrest and a reevaluation of what constitutes a threat to our collective well-being. Through his work, Saber raises questions about the role of art in a world that is increasingly aware of and responsive to the dangers it faces, be it environmental, political, or social. In each piece, Saber's signature style — bold, assertive, and unapologetic — captures the essence of street art's capacity to engage with its environment in a dialogue that is both critical and hopeful. The radioactive symbol, once a stark warning, becomes through Saber's intervention a canvas for exploring the boundaries of art and the power of an artist's touch to change how we see the world around us. As an active contributor to the graffiti and street art scene, Saber's work continues to resonate, ensuring that his voice and vision are as enduring as the radioactive elements his chosen canvases warn us about.

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The Greed Depression Large Format Silkscreen Print by NoName x Shepard Fairey- OBEY Hand-Pulled on Deckled Archival Cotton Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 80 Artwork Size 23.75x31.5 Silkscreen Print "My friend No Name and I collaborated recently on a print inspired by my cover for George Orwell’s “Down and Out in Paris and London” and our mutual irritation with greed and the brutality of many aspects of capitalism. No Name and I are both frustrated by the forces which convince much of the public to fall in line with a system that grinds them (and most of us) in its gears, and contributes to feelings of insecurity. With that in mind, don’t buy this print if you should use the money for something better or nothing at all. Should you think it over and still want a print, your money will support No Name’s public art endeavors and survival within the gears of capitalism… oh, and mine too! We both appreciate the support. No Name wrote about the print in greater depth, so I’ll let him take it from here!" -Shepard Fairey "I was introduced to Georg Orwell’s novels back in the late ’90s through my english teacher, an insignificant-looking sarcastic little man, who mantra-like implanted us the adage “use your common sense.” Nearly one decade later, I rediscovered Orwell’s books – and thoughts – through the appealing cover layout design by the kindred spirit street art activist Shepard Fairey, who I’m glad to call a friend today for many years. Shepard and I were discussing his illustration for “Down and Out” which he actually, for some reason, hadn’t made as a print edition yet. Due to the fact that Orwell’s dystopian books were/are one of the leading inspirations for our philosophy and work, Shepard offered to team up and use the illustration for a collaboration." -NoNAME

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Madison Avenue Ape Head Paper Weight Limited Edition Art Object Collectible Artwork by street graffiti artist Bape- A Bathing Ape. 2021 1G72-182-051 / Silver / F Madison Ave New York City Ape Head Statue of Liberty Paper Weight Art Object

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A Bar at the Folies-Bergère Archival Print by Adam Lister Limited Edition on 300gsm Hot Press Matte Fine Art Paper Pop Graffiti Street Art Artist Modern Artwork. 2016 Signed & Numbered Print Limited Edition of 50 Artwork Size 10x8 Archival Pigment Fine Art Archival Print Eouard Manet in Glitch Style From the avant-garde street art movement emerges a masterpiece that bridges the gap between traditional art forms and the digitally-modified aesthetics of the modern era: "A Bar at the Folies-Bergère Archival Print" by Adam Lister. Limited to a mere 50 prints, this distinct work of art encapsulates the essence of the revolutionary pop graffiti style that has taken the contemporary art scene by storm. Famed for his ability to merge classicism with urban energy, Lister transforms the famous painting by Édouard Manet into a 10x8 archival pigment fine art print. The interplay of pop, graffiti, and street art elements imbue this edition with a vibrant, modern feel that strays far from its traditional roots. Despite the dramatic transformation, the composition still retains its powerful ambiance, capturing the poignant solitude of the barmaid amidst the boisterous Parisian bar. Lister employs a unique technique known as glitch style, a digital manipulation that disrupts the image's normal flow, resulting in a visual 'glitch'. This approach imbues the artwork with an electric vibrancy, crafting a visually enticing piece that captivates viewers with its captivating distortions. Through this disruptive method, Lister invites observers to experience the artwork in a new, unconventional light. The print is rendered on 300gsm hot press matte fine art paper, a high-quality material revered for its superior archival properties. This choice of medium ensures that the colors remain vivid and the textures crisp over time, preserving the artist's vision in its purest form. Each print, signed and numbered by Lister, asserts its authenticity, elevating its value for art collectors and enthusiasts alike. In the ever-evolving realm of modern art, Lister's "A Bar at the Folies-Bergère Archival Print" is a tangible testament to how classic masterpieces can be reinterpreted through the prism of contemporary art styles. His creative fusion of pop, graffiti, and street art transforms Manet's work into a digital era triumph that resonates with the energy of our time. Amid the flux and dynamism of today's art landscape, this limited-edition print stands as a beacon of artistic innovation, capturing the spirit of the present while remaining deeply rooted in the past. As the boundaries between street art, pop art, and traditional fine art continue to blur, works like Lister's challenge conventional definitions, expanding our understanding of art's potential. This powerful amalgamation of styles and themes is emblematic of the freedom and innovation characteristic of contemporary art, demonstrating that the lines dividing genres are not concrete, but rather fluid and ever-changing. To appreciate "A Bar at the Folies-Bergère Archival Print" is to acknowledge the transformative power of art, its capacity to adapt, evolve, and redefine itself in the face of changing cultural contexts.

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Guerilla One x The Seventh Letter Collaboration 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print 18 x 24 inches Edition of 450 March 5, 2009 OBEY, Guerilla One, and The Seventh Letter have always had a strong long-lasting friendship and creative relationship with numerous collaborations including the late 90’s Free GKAE print, created by Shepard and Casey Zoltan from The Seventh Letter, to raise funds for GKAE’s legal fees. This current project was created to symbolize both strength in numbers and unity by way of collaboration. The Seventh Letter, Obey Giant, and Guerilla One have all stood individually and collectively as pillars in the graffiti /street art scene both domestically and internationally. Its apparent that the 3 collaborators will continue to support street art by creating new platforms that encourage and inspire many worldwide. “When we started doing graffiti, putting up stickers we had no idea the places it would take us, and no matter where we go from here we will stay loyal to those who have helped us get there.” – Eddie Donaldson, Founder of Guerilla One “I have always rolled with G1 and Shepard through thick and thin and will always have their backs forever on a street and professional level”. – Casey EKLIPS Zoltan, Founder of THE SEVENTH LETTER

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Contra Cocaine Silkscreen & Glitter Print by Robert "Robbie" Conal Hand-Pulled on Fine Art Paper Limited Edition Artwork. 2010 Signed & Numbered Limited Edition of 100 Artwork Size 18x24 Silkscreen Print Robert "Robbie" Conal's Contra Cocaine: A Landmark in Street Pop Art & Graffiti Artwork The artwork "Contra Cocaine" by Robert "Robbie" Conal is a watershed moment in the history of street pop art and graffiti artwork. The 18x24 silkscreen print, with its haunting skull imagery set against a camouflaged backdrop, is not just a visual statement but a political cudgel wielded with artistic precision. This hand-pulled print on fine art paper, a limited edition of 100, represents Conal's unapologetic foray into street art, a domain he has since come to dominate. Educated at Stanford and a master painter, Robbie Conal is known for his unflinching, intensely detailed portraits, often depicting political figures in grotesque forms. His highly political and active work provides a scathing commentary on political corruption and misconduct. "Contra Cocaine" is perhaps his most notorious piece, a symbolic representation of the Iran/Contra scandal that plagued the Reagan administration. Its original iteration in 1988 has the distinction of being a part of the permanent collection at the Los Angeles County Museum of Art (LACMA), underscoring its cultural and historical significance. Contra Cocaine: The Intersection of Art and Political Activism Conal's "Contra Cocaine" transcends mere artistic endeavor; it encapsulates the artist's commitment to confronting and exposing the dark underbelly of political power structures. The piece is a grim commentary on the Iran/Contra affair, with the skull serving as a macabre symbol of the deadly consequences of political gamesmanship. Using street art's stark, compelling visual language, Conal's work becomes accessible and engaging, drawing the public into a conversation about the often invisible mechanisms of government wrongdoing. The distribution of "Contra Cocaine" through street posters in cities across the United States marked Conal's initial exploration into street art. This guerrilla postering, a form of grassroots activism, was designed to provoke public discourse and bring political commentary out of the galleries and into the streets. The image became synonymous with a generation's disillusionment and rage, channeling the spirit of protest into a singularly impactful piece of art. Legacy and Influence of Robbie Conal in Street Art Robbie Conal's influence on street pop art and graffiti artwork is profound. His commitment to marrying art with activism has inspired countless artists to view the urban landscape as a platform for social commentary and change. Plastering "Contra Cocaine" posters around the country was not just an artistic statement but a call to arms, engaging a volunteer "army" of supporters to disseminate the powerful image far and wide. Conal's method of engagement—activating a network of volunteers to distribute his posters—echoes the collective nature of street art, wherein the community plays a crucial role in the dissemination and reception of the work. The "army" that Conal mobilizes speaks to the collaborative spirit of the street art movement, blurring the lines between artist and audience, between individual creation and collective experience. Contra Cocaine: A Statement of Artistic and Historical Importance The historical context of "Contra Cocaine" amplifies its importance in the annals of street art. Published on the occasion of the exhibition "The Missing Link" at Country Club in 2010, the print also belongs to the Beautiful Losers Archive and Iconoclast Editions, collections that honor the works of artists who have shaped the landscape of contemporary art outside traditional systems. "Contra Cocaine" not only cements Robbie Conal's place in street art history but also stands as a testament to the power of visual art as a means of political resistance and societal reflection. As a piece of street pop art and graffiti artwork, it represents the genre's potential to influence public opinion and spark dialogues that transcend the visual medium, entering the realm of collective memory and historical documentation. The continued relevance of "Contra Cocaine" lies in its unabashed confrontation with political corruption and how art can expose and critique those in power. Through this work and his broader artistic oeuvre, Robbie Conal demonstrates the enduring role of the artist as a provocateur and a social commentator, wielding brushes and silkscreens as others might wield pens or protest signs. His legacy in street art is defined by his distinctive visual style and his unwavering commitment to activism through art.

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Wynwood Walls 10th Year Commemoration Giclee Print by Inti Castro Artwork Limited Edition Print on 305gsm Cold Press Acid-Free 100% Cotton Paper Graffiti Pop Street Artist. 2015 Signed & Numbered Limited Edition of 75 Artwork Size 26.5x16 Published by Goldman Global Arts, Miami

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Quarantine High Vis Tagged Original Slap-Up Label Marker Painting/Drawing Art on Mailing Label by Tru Graffiti Legend Saber Urban Street Artist. 2020 Signed Marker Original Quarantine Collection Slap Up Graffiti Art Tag 6.5x3 Tagged on Virus Covid Quarantine High Visibility Neon Orange Warning Label.

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Hello Kitties AP Archival Pigment Fine Art Limited Edition Print on 300gsm Signa Smooth Paper by Artist Matthew Grabelsky, Street Pop Art Graffiti Legend. AP Artist Proof 2021 Signed & Marked AP 30x35.5 Limited Edition of Mother Cat With Hello Kitty Stylized Kittens In Humanized Form on Subway On Large Format Print. Diving into the eclectic world of contemporary art, one is often met with audacious blends of reality and imagination. Such is the allure of "Hello Kitties" by Matthew Grabelsky. This fine art piece seamlessly marries the urban aesthetic of street art with the playful nostalgia of pop culture, delivering a whimsical tableau set against the backdrop of a subway carriage. Grabelsky, a recognized name in the street pop art graffiti circuit, showcases his flair for infusing everyday scenes with elements of the fantastical. The artwork, crafted meticulously using archival pigment on 300gsm Signa Smooth Paper, spans a generous 30x35.5 canvas. The central figure, a poised mother cat with arresting blue eyes, anchors the composition. Yet, it's her companions – three kittens styled in Hello Kitty attire – that inject a sense of playful irreverence into the scene. These characters, dressed in vivid pink tracksuits, exude an air of childlike innocence, a stark contrast to the mundane setting of the subway. Their humanized form, juxtaposed with feline features, challenges the viewer's perception of reality, urging them to delve deeper into the realm of imagination. Released as an Artist Proof in 2021, "Hello Kitties" stands as a testament to Grabelsky's unique artistic vision. Each print is signed and marked AP, elevating its value and exclusivity. The artwork invites onlookers to suspend disbelief and embrace the extraordinary, all while reminiscing about a beloved pop culture icon. It's a celebration of the surreal, set amidst the ordinary, exemplifying the transformative power of art.

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This Biohazard Neon Orange Slap-Up Label Sticker Original Tag Art by Saber Original Acrylic Paint Art Drawing on Biohazard Label Sticker by Graffiti Artist Modern Street Artwork. 2020 Signed Original Slap Up Graffiti Art Tag 6x6 Acrylic Paint Tagged on Medical Biohazard Label Sticker. Neon High Visibility Orange Biohazard Symbol Uline label #S-20794. Exploring the Fusion of Street Pop Art and Graffiti Artwork In the dynamic sphere of contemporary visual culture, street pop art and graffiti artwork stand out as potent forms of expression that encapsulate urban life's rhythm and raw sentiments. Among the luminaries of this genre is the renowned graffiti artist Saber, known for his striking contributions to the street art panorama. The piece under scrutiny is a vibrant example of his ingenuity—a 6x6 acrylic or marker piece tagged on a medical biohazard label sticker featuring a neon high visibility orange biohazard symbol from Uline label #S-20794. Distinctive Aesthetic of Saber's Tag Art Saber's original permanent marker art drawing on a mailing glossy arrow sticker presents a striking visual paradox. The neon orange of the biohazard symbol evokes a sense of caution, typically used to warn of dangerous substances. Contrasted with the blue drips of paint that appear haphazardly splashed across the surface, there is intentional defiance and palpable tension between structure and chaos. This work is a signed 2020 original slap-up graffiti art tag that showcases not just the artist's signature style but also his ability to transform ordinary objects into powerful statements. The choice of a biohazard label as a canvas is a commentary on the infectious nature of art and ideas. Saber effectively takes a symbol that denotes hazard and contamination and recontextualizes it within the aesthetic of street pop art. By doing so, he challenges the viewer to reconsider the connotations of biohazards, not just in the physical sense but in the metaphorical contagion of art in public spaces. Impact and Significance in Modern Street Art Saber is an American artist whose real name has been as influential in the graffiti community as the images he creates on walls and in galleries. His use of a mailing label as a medium is a nod to the guerrilla tactics of early street art culture, where quick, impactful statements were essential, and materials were often repurposed or found objects. This sticker art, often called a 'slap-up,' is a form of street art that is quickly applied, or 'slapped up,' onto a surface in a public space. It allows for transient yet assertive communication, echoing urban life's fast-paced and often impermanent nature. The neon orange and blue artwork transcends its simple components, becoming a canvas for a larger discourse on visibility, legality, and the permanence of art. As a form of street pop art, it retains the accessibility and mass appeal of pop culture while embedding itself in the more subversive and counter-cultural roots of graffiti. This duality is where its power lies; it is both a bold declaration and a subliminal whisper, a fixture on the streets that can be as quickly removed as it is noticed. In the context of graffiti artwork, Saber's biohazard label sticker becomes an artifact of the streets, a testament to the artist's ability to command attention and communicate through symbols and color. With its saturated hues and deliberate drips, the piece resonates with the energy of the streets and the people's voices. It is a piece that marks a physical space and stamps a moment in time, encapsulating the essence of street pop art in its ability to capture the pulse of contemporary urban life. The interplay of color, symbol, and medium in this piece illustrates the innovative potential of street pop art. Saber's work disrupts the monotony of urban environments, offering passersby a moment of aesthetic arrest amidst the concrete canvas of the city. In modern street artwork, such interventions are not just decorative but are vital narratives that articulate the identity and the undercurrents of a city's cultural dialogue. Through works like this, Saber and his contemporaries continue to influence the trajectory of street pop art, ensuring its evolution and relevance. They remind us that the streets remain a powerful platform for artistic expression, where the voices of the marginalized and the spirit of rebellion can find their visual lexicon. Saber's neon orange slap-up label sticker is not just a mark made with acrylic or marker; it is a statement, a challenge, and a vibrant echo of the energy that drives the city's heart.

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Big Twinkie Ghostbusters Silkscreen Print by Tim Doyle Hand-Pulled 8-Color Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. 2015 Signed & Numbered Limited Edition of 150 Artwork Size18x24 Ghostbusters Movie Tribute, 4th Unreal Estate show

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Mild Man-nerd 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Dan Christofferson- Beeteeth Rare Street Art Famous Pop Artwork Artist. 3-color, 18"x24" screenprint from my Manners before Mayhem show at kayo gallery -Dan Christofferson

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Money and Power- White Hand-Pulled 1-Color Silkscreen Print on Hand Deckled 290gsm Arches Rag Paper by Artist Cleon Peterson Limited Edition Art Artwork. 2022 Signed & Numbered Limited Edition of 75 Artwork Size 18x18 "Money and Power have become primary drivers in the modern world, pushing us toward a corrupt society. The days when our leaders looked out for the people's interests have become a thing of the past—replaced by the strong man who squashes the voices of dissent to set things straight. Money elects leaders; in return, they owe a debt to the people that put them in Power—enacting our new public policy of greed and gangster capitalism. We slowly accept corruption, Law slowly fades away, and people begin to feel like democracy and a fair and equitable society were always just an illusion, a dream from the past that never really even existed." -Cleon Peterson Money and Power by Cleon Peterson – White Edition of a Stark Political Allegory in Street Pop Art & Graffiti Artwork Money and Power by Cleon Peterson is a 2022 signed and numbered hand-pulled silkscreen print, produced in a limited edition of 75. Measuring 18x18 inches and printed in black ink on pristine white 290gsm Arches rag paper with hand-deckled edges, this piece delivers a powerful statement using minimalism to reveal the mechanics of authoritarian control and capitalist dominance. The design features three militarized figures marching in unison beneath a dollar-sign emblazoned banner. Each figure salutes with one hand while gripping a weapon in the other, marching in lockstep toward a future defined not by democracy or justice, but by obedience to power shaped through wealth. The precision of the stark black-on-white imagery reinforces the rigidity and dehumanization portrayed, highlighting the shift from collective governance to capitalist-driven authoritarianism. Cleon Peterson’s American Vision of Modern Power Structures Cleon Peterson, an American artist born in 1973, is renowned for his distinctive graphic style that merges the brutal directness of street art with a pop art sensibility. His works are not decorative—they are confrontational, morally urgent, and reflective of systemic violence. Money and Power exemplifies Peterson’s ability to distill complex socio-political realities into singular, unforgettable images. This white edition removes any distraction and allows the viewer to focus entirely on the content and message. The absence of color echoes the perceived erasure of nuance in modern governance, where decisions are no longer dictated by ethical considerations but by financial allegiance. Peterson uses his background in design and graffiti to strip down the message to its essence—those who control money control the message, the law, and the people. Symbolism of Marching Figures and the Banner of Capital The figures in Money and Power are reduced to symbols of conformity and control. With robotic movements and identical expressions, they act not as protectors of the public, but as agents of a system that prioritizes wealth preservation over civic duty. The gun in each hand is not just a weapon—it is a metaphor for the threat that sustains the hierarchy. The saluting gesture, typically a sign of honor or loyalty, is here rendered as a chilling submission to corrupt ideology. Above them, the banner with a dollar sign takes the place of national or moral symbols, declaring money as the new flag under which modern societies march. This image captures what Peterson describes as gangster capitalism—an economy and government fused into a singular corrupt force that erodes public agency and the very foundation of democracy. Money and Power as a Landmark of Street Pop Art & Graffiti Artwork This edition of Money and Power exists as both a work of fine art and a political poster, calling attention to the social decay born of greed and power consolidation. It stands firmly within the tradition of Street Pop Art & Graffiti Artwork, using accessible imagery to convey truths that are often ignored or downplayed in institutional settings. Peterson’s decision to limit the edition to 75 hand-pulled prints adds gravity to its message, making each piece a personal call to awareness and resistance. As street art evolved from rebellion to collectible, artists like Peterson have held firm to the medium’s roots—using public-facing visuals to voice dissent. This piece does not seek to comfort or beautify, but to warn. It captures a world where money no longer funds democracy but replaces it, revealing a cycle where power begets power and the people are simply marched along.

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The Raise- 17x10 Limited Edition Archival Pigment Prints on Museum Natural Fine Art Paper by Earth Crusher Graffiti Street Artist Modern Pop Art. "The Raise is my interpretation of the regular goings-on in the office life of the corporate elite. This piece is the largest of a 4 part series of billboards I built for my solo show "The Chosen One Percent" at Artgang in Montreal, Quebec, March 2016. I became interested in advertising and propaganda in the beginning of my art career and I especially liked the billboard as a medium and started experimenting with it. I see the billboard as being outside of the control of the people, a symbol of power and manipulation. I decided I'd build my own as an attempt to take that power and put it behind my own messages." - Earth Crusher

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Priority Mail 228-2016 Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Drawing Art on USPS Mailing Label by Graffiti Artist Modern Street Artwork. 2020 Signed by Tag Original Slap Up Graffiti Art Tag 4.25x5.5 Color Marker on USPS United States Postal Service Priority Mail Label 228-2016.  Priority Mail 228 Labels: Slap-Up Canvas for the Streets Street Pop Art and Graffiti Artwork have become synonymous with urban landscapes' raw, vibrant, and often controversial energy. Amongst the most captivating forms of this art is the slap-up label sticker, a brief piece that combines the guerrilla tactics of street art with the aesthetic approach of pop art. These stickers, often found adorning city walls, lampposts, and mailboxes, carry the pulse of the streets and the artist's signature. The United States Postal Service's Priority Mail 228 label is a particularly iconic medium within this genre. Initially intended for postal use, artists have repurposed these labels as canvases for their work. With its distinctive red, white, and blue design, the label offers an instantly recognizable backdrop deeply rooted in American iconography. This juxtaposition of official symbolism with the rebellious nature of graffiti creates a powerful, provocative, and patriotic visual statement. Graffiti artists like Saber have transformed these labels into vehicles of personal expression and social commentary. Saber, an American artist named Ryan Weston Shook, is known for his work within the graffiti community and beyond. His involvement with the art form dates back to the 1990s, and he has since become a notable figure in the street art world.  Tag Art: Marking Presence and Identity Tagging, which involves writing one's alias or signature in a stylized form, is central to graffiti culture. It's a means of claiming territory, asserting identity, and engaging with the public in a dialogue often unmediated by gallery spaces' conventions. The Saber piece utilizes a blue permanent marker to create a tangle of lines and shapes that coalesce into his distinctive tag. Measuring 4.25x5.5 inches, this slap-up label sticker is a quintessential example of tag art, embodying the spontaneity and personal touch that are hallmarks of the genre. Created in 2020 and signed by the artist, this piece carries the weight of authenticity and the immediacy of street art. Despite its small scale, the tag commands attention, with the intensity of the blue marker standing bold against the label's pre-printed elements. The label's date, March 2016, provides a temporal context, anchoring the artwork in a specific moment of Saber's artistic journey. The cultural significance of slap-up label art lies in its accessibility and transience. These stickers can be produced en masse and placed in various locations, allowing for a wide distribution of the artist's work. However, their lifespan is unpredictable, as they can easily be removed or destroyed, mirroring the fleeting nature of fame and public attention in the digital age. Saber's use of the Priority Mail 228 label is a nod to a tradition in street art that values the repurposing of everyday items into something extraordinary. The label's transformation from a mundane postal accessory into a piece of art disrupts the ordinary and challenges the viewer to see the extraordinary in the everyday. This quality places slap-up label art firmly within the canon of Street Pop Art and Graffiti Artwork, genres that continually redefine themselves through unconventional materials and methods. The Priority Mail 228 Slap-Up Label Sticker by Saber is more than just a piece of art; it is a statement, a piece of cultural fabric, and a reflection of the artist's presence in the urban landscape. As with much of Street Pop Art and Graffiti Artwork, it encapsulates a moment in time, a burst of creative energy, and a dialogue with the public that is as vibrant and dynamic as the streets from which it was born.

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Ben Baller Crowbar Limited Edition Aluminium Diecast Designer Art Object Collectible Artwork by Artist Designer Ben Baller. 2021 Limited Edition Aluminium Diecast Crowbar Gold Tinted Object Art Size 14" x 1.5" x 0.2" Luxury Gold Crowbar by Ben Baller New In Box The Fusion of Street Pop Art & Graffiti Artwork in Ben Baller's Limited Edition Crowbar Street Pop Art and Graffiti Artwork represent vibrant and often rebellious forms of artistic expression, prominently displayed in urban landscapes and sought after by contemporary collectors. Ben Baller, a renowned artist and designer, has entered this domain with his limited edition Gold Tinted Aluminium Diecast Crowbar. This object seamlessly blends practical function with the allure of luxury. Crafted with precision, this collectible item is more than just a tool; it's a statement piece that speaks to the culture of luxury within street art. The crowbar, sized 14 inches by 1.5 inches by 0.2 inches, is a quintessential example of how everyday objects are reimagined through an artistic lens. The gold tint adds a touch of luxury and transforms the crowbar into a desirable art object, challenging the viewer's perception of value and utility. Ben Baller's crowbar was released in 2021 and has become a coveted item for art lovers and street art collectors. The choice of material—aluminum diecast—is significant; it denotes industrial strength and durability while also allowing for a high level of detail and a smooth finish that complements the gold tint. Symbolism and Aesthetic in Ben Baller's Artistic Endeavor The crowbar's presentation, new in the box, is reminiscent of a product launch, creating a sense of anticipation and newness often associated with the release of limited edition streetwear or sneakers. However, by presenting a tool traditionally associated with manual labor and break-ins, Baller subverts expectations and elevates the crowbar to the status of art. This piece by Ben Baller exists not merely as a standalone object but as a commentary on the intersection of street culture and luxury. It touches on themes prevalent in Street Pop Art and Graffiti Artwork, such as consumerism, wealth, and the reappropriation of everyday items into objects of desire. By coating a rough and rugged tool in a luxurious gold tint, Ben Baller invites reflection on the contrasts between high and low culture, between the street and the elite. This crowbar, while no longer suited for its original purpose, becomes symbolic of the transformative power of art. It explores how context and presentation can redefine an object's intrinsic value and meaning. Collectibility and Cultural Impact of Ben Baller's Crowbar The limited edition nature of this artwork amplifies its allure, as scarcity often does in the art world. Collectors are drawn to the physical beauty of the piece and the cultural capital it represents. Owning a Ben Baller crowbar is akin to possessing a fragment of the zeitgeist—a tangible connection to the pulse of contemporary Street Pop Art. The cultural impact of such pieces is significant, often transcending the art world and permeating into fashion, music, and lifestyle. Ben Baller's crowbar bridges these worlds, crafted by an artist whose name is synonymous with blurred boundaries between art and life. In the grander narrative of Street Pop Art, Ben Baller's crowbar is a powerful addition. It's an artwork that demands attention, provokes thought, and embodies the spirit of a movement that continues to challenge and reshape our understanding of art and its place in society. In its golden splendor, the crowbar is not just an object but a cultural artifact, a slice of history, and a nod to the ongoing dialogue between street culture and the sanctified halls of art galleries.

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New Clear Power 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed & Numbered Limited Edition of 350 Artwork Size 18x24 "New Clear Power, my first solo art show in Germany (@amuseum_Munich) addresses systems, forms, and notions of power that we must all carefully consider as we pursue our vision for an ideal personal and collective future. In my visual strategy, I choose colors, patterns, and icons that powerfully engage the viewer, and I write the text for my pieces using words that have the power of clear and concise communication. The concept of power is almost always present in my art. Forms of power addressed in the subject matter of New Clear Power include abuse of power, power concentrated under capitalism, renewable power, political power, the power of creativity, power over information, and the power of controlling narrative." -Shepard Fairey "New Clear Power Silkscreen Print" is a work of art by the renowned American street artist Shepard Fairey, also known by his moniker, OBEY. The "New Clear Power Silkscreen Print" is a limited edition artwork created with Fairey's signature silkscreen printing technique. Silkscreen printing, also known as screen printing, is a process that involves applying layers of ink through a mesh screen to create an image on various surfaces. Shepard Fairey frequently uses this method to create his distinctive, bold, and highly detailed artworks. Fairey's work often explores political and social themes, with powerful imagery and messages to provoke thought and discussion. The "New Clear Power Silkscreen Print" incorporates similar themes and is intended to raise awareness about a specific issue or idea. Since the title plays with the words "New Clear Power" (sounds like "Nuclear Power"), it may address topics such as the use of nuclear energy, its potential benefits, and its risks to society and the environment. The artwork probably features Fairey's recognizable style, which typically combines elements of graphic design, illustration, and street art. As with many of Fairey's limited edition prints, the "New Clear Power Silkscreen Print" is highly sought after by art collectors and fans of the artist's work.

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Inhalation Hazard Skull Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Marker Art Drawing on Mailing Glossy Skull Sticker by Graffiti Artist Modern Street Artwork. 2020 Signed Original Slap Up Graffiti Art Tag 4x4 Marker Tagged on Inhalation Hazard Skull and Cross Bones Jolly Roger Warning Label Uline S-5563 Sticker. Slap Up In Perfect Condition. Subversive Aesthetics in Street Pop Art Street Pop Art and Graffiti Artwork are distinguished by their raw, pulsating energy and penchant for transforming the ordinary into the extraordinary. The "Inhalation Hazard Skull Slap-Up Label Sticker" vividly embodies this transformative power. American artist Saber, born Ryan Weston Shook, has redefined the boundaries of art by bringing his original permanent marker drawings to the glossy skull stickers typically found in shipping and packaging. Each 4x4 piece is not just a slap-up graffiti art tag; it is a signed original that stands as a testament to the creativity and rebellious spirit of the street art movement. The series, marked by the jolly Roger skull and crossbones of the Uline S-5563 sticker, represents a provocative fusion of danger and artistry. Saber's Visual Commentary on Risk and Art Historically associated with piracy and poison, the skull and crossbones symbol takes on new life under Saber's hand. His work on these inhalation hazard labels is a bold commentary on the risks inherent in the act of creation itself, especially within the often illicit world of graffiti. Combined with the bold, chaotic lines of Saber's tag, this imagery creates a striking juxtaposition – a dialogue between the formal symbolism of danger and street art's personal, anarchic language. The pieces, created in the tumultuous year of 2020, resonate with the global atmosphere of anxiety and the need for an outlet, a voice amidst the chaos.  Street Pop Art as Cultural Narrative In the context of modern street artwork, Saber's "Inhalation Hazard Skull Slap-Up Label Sticker" is more than an artistic act; it is a cultural narrative. These stickers, once indicators of physical danger, now signal the presence of a different kind of hazard – the stifling of expression and the toxic environments that threaten creativity. Through his artwork, Saber challenges observers to reconsider the implications of the symbols that populate our world and recognize graffiti's power as a form of social and political discourse. Each sticker is a bold declaration of presence, a signature that marks the world with a message of resilience and resistance. In the face of adversity, Saber's art stands as a beacon of the enduring power of Street Pop Art and Graffiti Artwork, testifying to the indomitable urge to leave one's mark on the world.

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Factory Stacks- Endless Power 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed by Shepard Fairey Numbered 18x24 inches. Screenprint on thick cream Speckletone paper. Numbered edition of 350. "These “Factory Stacks” images combine the austere, angular power of factory architecture with graphic elements commenting on what we promote and embrace as a society even when those things are destructive. The fossil fuel industries have tremendous power economically, but we now know that not only are fossil fuel sources finite but that using them is terrible for climate change and, therefore, the eco-systems that sustain life on our planet. Unfortunately, due to the political power of these industries and public apathy about climate change, the government subsidizes the fossil fuel industries for billions even as they damage the environment. The government works for the citizens, so the choice is ours. Do we support endless power for wealthy fossil fuel corporations? Or policies that put the earth first with the planet before profits? Please read Naomi Klein’s THIS CHANGES EVERYTHING to better understand the conflict between economic interests and climate change. A portion of the proceeds from the sale of this print will go to Greenpeace to fight climate change. Thanks for caring.” – Shepard Factory Stacks – Endless Power Silkscreen Print by Shepard Fairey Factory Stacks – Endless Power is a bold 6-color silkscreen print created in 2022 by Shepard Fairey, one of the most influential figures in Street Pop Art & Graffiti Artwork. Measuring 18x24 inches, this signed and numbered limited edition of 350 is printed on thick cream Speckletone paper and embodies Fairey’s hallmark aesthetic: a fusion of propaganda-style composition, socio-political messaging, and graphic design precision. It continues his Factory Stacks series, a visual campaign aimed at confronting environmental and systemic imbalances, particularly those surrounding the fossil fuel industry. Visual Language of Industrial Dominance This piece presents twin smokestacks emerging from a factory, exhaling thick plumes of smoke that bend into geometric arcs against a fractured backdrop. The composition is both imposing and elegant, rendered in Fairey’s signature palette of red, blue, cream, and black with accents of gold and grey. A section in the upper corner features graphic symbols such as currency and uniformed authority figures with the text “Endless Power,” visually connecting fossil fuel dependency to state and corporate control. Below, flames lick at the base of the structure, symbolizing destruction masked as progress. The stylized imagery and bold silhouettes evoke retro political posters, transforming the factory into an icon of unchecked industrial ambition. The title “Endless Power” is a biting irony. It speaks to the illusion of limitless energy consumption enabled by fossil fuels while referencing the political power structure that sustains this destructive system. Fairey uses the visual metaphor of pollution and fire not just as environmental warning signs, but as emblems of capitalism's refusal to pivot toward sustainability. Fine Art Printmaking as Street-Level Protest This edition is hand-pulled and silkscreened, showcasing Fairey’s technical prowess in layering crisp lines and vibrant color fields. The physicality of screenprinting—each layer applied with intention—parallels the artist’s belief in direct action. The Speckletone stock used adds texture and weight, reinforcing the piece’s physical presence and link to protest posters of the past. As a printmaker rooted in the street art tradition, Fairey embraces reproducibility without sacrificing uniqueness. His screenprints are both fine art artifacts and tools of mass communication. Factory Stacks – Endless Power does not rely on abstraction. It forces clarity, making its environmental critique visually immediate and emotionally provocative. Political Commentary Through Graffiti-Inspired Aesthetics Fairey’s work consistently straddles the space between fine art and graffiti, and this piece is no exception. By including symbols of nationalism, money, and smoke stacks, he aligns corporate power and environmental degradation in a single visual language. As part of the OBEY Giant campaign's broader ethos, the artwork invites viewers to question the legitimacy of authority, capitalism, and consumption. In the lower left of the piece, Fairey embeds the edition number and his signature, reinforcing its status as a collectible. Yet unlike conventional gallery art, this piece was made to communicate with the public. A portion of the proceeds from this release was donated to Greenpeace, underscoring the artist’s commitment to activism through art. Factory Stacks – Endless Power is not a lament—it is a visual demand. It reminds viewers that power, both political and industrial, is not endless unless people allow it to be. Through the bold format of Street Pop Art & Graffiti Artwork, Shepard Fairey transforms a grim industrial skyline into a battleground of ideas, urging action before the smoke becomes irreversible.

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Supreme Smurfs Deck- Purple Limited Edition Skateboard deck art by Designer Brand Supreme Supreme's highly anticipated Smurfs collaboration dropped during week 6 of the brand's Fall/Winter 2020 season. The Supreme Smurfs Skateboard Deck on October 1st, 2020. This box logo skateboard deck may go down in history as one of the most desirable and features classic Smurfs imagery alongside Supreme's iconic logo.

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Panacea Silkscreen Print by MEUBON Hand-Pulled on Superfine Eggshell White Fine Art Paper Limited Edition Screenprint Artwork. 2022 Signed & Numbered Limited Edition of 300 Artwork Size 20.25x15.75 Silkscreen Print. ยาตำราหลวง สถานที่จำหน่าย มาตำราหง เภสัชกรรม- Royal Medicine, Place of Sale, Ma Tamra Hong Pharmacy Panacea by MUEBON – Satirical Remedy in Street Pop Art & Graffiti Artwork Panacea is a 2022 limited edition silkscreen print by Thai artist MUEBON, hand-pulled on Superfine Eggshell White fine art paper and sized at 20.25 x 15.75 inches. Signed and numbered in an edition of 300, the print fuses traditional Thai aesthetics with a satirical street art vocabulary. The composition mimics the layout and tone of a vintage Thai pharmacy sign, including typographic references to royal medicine, location details, and regulatory insignia. Into this framework, MUEBON inserts his signature character—a mischievous black bird with a human-like stance—tending to rows of vibrant cannabis plants. The juxtaposition of state authority, medical legitimacy, and pop rebellion is executed with surgical visual clarity and conceptual sharpness. Every line, crack, and graphic element contributes to a broader message about legality, hypocrisy, and shifting cultural norms. Medicinal Symbolism and Sociopolitical Irony MUEBON’s use of the title Panacea speaks to the idea of a cure-all, a universal solution to societal ailments—yet the print suggests that what is marketed as remedy is often framed through layers of control and contradiction. The character, rendered in precise color and personality, waters marijuana plants with the casual indifference of someone who has normalized the taboo. The background replicates worn wall textures and weathered signage, suggesting an official public notice, now subverted. Thai script boldly states phrases such as ยาตำราหลวง and สถานที่จำหน่าย—Royal Medicine and Place of Sale—while the central figure undermines the bureaucratic tone with punk defiance. This visual collision is classic MUEBON: combining cartoonish humor with institutional critique in the style of Street Pop Art & Graffiti Artwork that functions as both documentation and protest. Silkscreen Technique and Aesthetic Precision The print is produced through traditional silkscreen methods, allowing each color to hold intense saturation and edge integrity. Printed on Superfine Eggshell White paper, the artwork’s subtle surface texture enhances the vintage signage effect, reinforcing the piece’s illusion of age and wear. The controlled layering of imagery—grime, text, plants, stamps, and character—demonstrates MUEBON’s precision in translating complex political narratives into vibrant, accessible artworks. While rich in local cultural codes, the piece is globally readable, making it a standout example within Street Pop Art & Graffiti Artwork of how regional voice can achieve international resonance through strong visual composition and thematic clarity. MUEBON and the Cultural Anatomy of Legitimacy Panacea is not merely a print—it is a conversation between law, commerce, and personal autonomy. MUEBON uses humor and pop-inflected satire to explore Thailand’s evolving relationship with medical cannabis, government oversight, and cultural taboos. His signature bird character becomes a stand-in for the everyday citizen, navigating a system that selectively legalizes what it once criminalized. The work functions as a visual metaphor for the ways power, propaganda, and public health intertwine. In the context of Street Pop Art & Graffiti Artwork, Panacea delivers a multilayered narrative disguised as public signage. It invites laughter, sparks dialogue, and challenges viewers to reconsider what authority looks like when it is repackaged in colorful ink and symbolic contradiction. MUEBON continues to assert himself as a master of visual irony and cultural dissection through the lens of urban resistance.

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Priority Mail 228-2013 Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Drawing Art on USPS Mailing Label by Graffiti Artist Modern Street Artwork. 2020 Signed by Tag Original Slap Up Graffiti Art Tag 4.5x3.5 Color Marker on the USPS United States Postal Service Priority Mail Label 228-2013.  Street Art's Intersection with Everyday Objects The 'Priority Mail 228-2013' slap-up label sticker featuring original tag art by Saber is a remarkable embodiment of how modern street artwork intersects with everyday objects. Saber, a recognized name in graffiti, transforms a mundane USPS mailing label into a canvas for his artistic expression. This piece, a 4.5x3.5 color marker on the USPS United States Postal Service Priority Mail Label 228-2013, is 2020 original, showcasing the artist's unique ability to repurpose everyday items into art. Saber's Artistic Commentary on Communication This work is more than an act of creative repurposing; it serves as a commentary on communication and how messages are transmitted in the modern world. By choosing a Priority Mail label, Saber taps into the theme of urgency and the importance of messages that such labels signify. His artwork disrupts this narrative of swift communication with a personal and cryptic tag, suggesting that amidst the rapid exchange of information, there are layers of meaning waiting to be uncovered. The tag, applied with a color marker, flows across the label in a style reminiscent of Saber's street art murals. The vibrant green strokes against the white and red of the Priority Mail label create a stark contrast, symbolizing perhaps the clash between the institutional and the individual, the standardized and the personalized. The use of a USPS label also points to the public domain as a space ripe for artistic intervention, where the artist can leave a mark that is both provocative and publicly accessible. Modern Street Art and the Culture of Slap-Up Tags Saber's choice of a slap-up label adheres to the culture of street pop art, where quick, spontaneous creations are integral to the art form. Slap-up tags are known for their immediacy and are often used by artists to leave a quick signature in public spaces. This piece emulates that culture, with Saber's tag being a literal and figurative mark of the artist's presence. In the context of street pop art and graffiti artwork, Saber's 'Priority Mail 228-2013' label is a testament to the genre's evolving canvas. It moves beyond walls and subway cars to find a place on portable, everyday items, thus expanding the reach of street art. Saber, an American artist, is known for such innovations, constantly challenging the boundaries of where and what street art can be. In sum, the artwork on the Priority Mail label is a statement on the power of street art to transform the mundane into the extraordinary. It captures the essence of street pop art's spontaneity and Saber's role as a pioneer in the movement. The tag, a signature of the artist's identity, reminds of the personal touch in an increasingly impersonal world dominated by digital communication and standardized services.

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Oceanic Airlines 4-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2014 Signed Limited Edition of 150 Artwork Size 18x24

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The Bouquet of Business Men Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Urban Graffiti Modern Artist Naoshi. 2014 Signed in Verso with Hand-Drawn Face Limited Edition of 100. 8.25x11.75 Based on Sunae Sand Art.

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Does She Look Down Limited Edition 3-Color Hand-Pulled Silkscreen Print on Speckled Cream Paper by Pop Artist Shepard Fairey. 2012 Signed & Numbered Limited Edition of 450 Artwork Size 18x24

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Heath Ledger Joker Construction Zone Original Street Sign Painting by RD-357 Real Deal One of a Kind Artwork on Real Metal NYC New York Construction Zone No Trespassing Street Sign by Graffiti Art Pop Artist. 2012 Signed Mixed Media Acrylic & Spray Paint on Reclaimed NYC New York Construction Zone No Trespassing Sign Painting Original Artwork Size 24x24 Batman Villian Played by Heath Ledger in the Movie as Joker Looking at the Viewer. RD Tag in Rust Red. RD-357's Heath Ledger Joker: A Fusion of Street Pop Art and Iconography The Heath Ledger Joker Construction Zone original street sign painting by RD-357, also known as Real Deal, encapsulates the essence of street pop art through its provocative use of public signage repurposed for artistic expression. Created in 2012, this mixed media acrylic and spray paint artwork transforms a New York City construction zone 'No Trespassing' sign into a canvas, depicting the iconic Batman villain played by Heath Ledger in a way that both challenges and captivates the viewer. Contextualizing RD-357's Artistic Approach RD-357, an artist whose real name remains elusive in the true spirit of street art anonymity, is known for his gritty interpretations of pop culture figures on unconventional canvases. This particular artwork measures 24x24 inches and is a testament to street art's versatility, pushing beyond traditional boundaries. RD-357 draws upon the anarchic spirit of the Joker, using a symbol of law and order – a construction sign – to present an image of chaos and rebellion. The irony is palpable; the sign, which once stood as a warning against unauthorized entry, now invites viewers to engage with the art in a personal, almost aggressive manner. Symbolism and Impact in RD-357's Joker Artwork This piece is not just a portrait; it is a statement. By choosing Heath Ledger's Joker, RD-357 taps into the collective consciousness of a society fascinated by the anti-hero archetype. Ledger's portrayal of the Joker was posthumously celebrated, and his death in 2008 left a cultural imprint that RD-357 leverages in this artwork. The juxtaposition of the Joker’s figure against the backdrop of a New York construction sign speaks volumes about the chaotic undercurrents within the perceived order of urban life. The use of mixed media, with acrylic and spray paint, highlights street art's raw, visceral nature, while also paying homage to the vibrancy of pop art. The viewer is confronted with the Joker's gaze, which, coupled with the bright warning colors of the construction sign, creates an unsettling yet magnetic presence. This interaction compels the audience to contemplate the layers of meaning behind the piece – from transforming public property into a medium for personal expression to the dialogue between art and spectator that challenges societal norms and the very definition of public space. In conclusion, RD-357's Heath Ledger Joker on a New York City construction sign is an outstanding example of how street pop art can merge cultural iconography with subversive messaging. Through this piece, the artist immortalizes a beloved film character and raises questions about authority, ownership, and the role of art in public discourse. The artwork remains a one-of-a-kind testament to the power of graffiti art to redefine spaces and provoke thought long after the paint has dried.

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Choppa Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Fafi Graffiti Street Artist Modern Pop Art. By exploring femininity through stereotypes and using them to her advantage, Fafi not only knocked her male colleagues and competitors out of their socks, but she also locked toy manufacturing deals with Sony and Medicom, countless press stories and illustrations for Commons & Sense, Vogue, Elle, or The Face, big market collaborations with Adidas, M.A.C, Hennessy, Swatch, Samsung and Le SportSac, not to mention many solo and prestigious group shows in the most respected galleries around the globe.

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Supreme Smurfs Deck- Black Limited Edition Skateboard deck art by Designer Brand Supreme Supreme's highly anticipated Smurfs collaboration dropped during week 6 of the brand's Fall/Winter 2020 season. The Supreme Smurfs Skateboard Deck on October 1st, 2020. This box logo skateboard deck may go down in history as one of the most desirable and features classic Smurfs imagery alongside Supreme's iconic logo.

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Spray Happiness- Red Limited Edition 3-Color Hand-Pulled Serigraph Print With Acrylic Paint Embellishments on Hand Deckled Fine Art Paper by Mr Brainwash- Thierry Guetta Graffiti Street Artist Modern Pop Art. 2018 Signed & Numbered Limited Edition of 75 Artwork Size 30x22.5 3 color screen print and hand-finished paint splatter on hand torn archival art paper 57.2 x 76.2 cm (30 x 22 in) Edition of 75

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Time Off Blue Limited Edition Vinyl Art Toy Sculpture Collectible Artwork by Legendary Modern Artist Kaws. 2023 BFF Out of Print Edition Size 11.02x7.09 Displayed With Box Printed Foot "Time Off Blue Fine Art Toy" refers to a designer toy created by Brian Donnelly, an artist known professionally as KAWS. KAWS is an American artist and designer known for his work in various fields, including painting, sculpture, and design. His work is characterized by a unique blend of street art, pop culture, and commercial design, often featuring his signature "Companion" character, which has a cartoonish, skull-like head with crossbones for eyes. KAWS' designer toys, often called "art toys" or "urban vinyl," have become highly sought-after collectibles in the art and toy market. The "Time Off Blue Fine Art Toy" is one of KAWS' out-of-print open edition releases featuring his iconic Companion character, with a distinctive Blue color scheme. These art toys are out of print and can be pretty valuable.

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Camden Maid Polystone Sculpture Limited Edition Artwork by Artist Brandalised of Pop Graffiti Painting & Street Art Fame. 2021 8"- Have a secret you need to hide? A problem that needs ignoring? Questionable browser history? Or simply just want to sweep a bad year away? Camden Maid by Brandalised is here to help! Whatever secrets you have, she’ll sweep them into the wall where no one will find them. She’s the go-to and the most trusted when it comes to hiding secrets. The detailed polystone collectible features the stencil-like paintwork you’ve come to love with our Brandalised collaborations. Incredible details adorn the piece, from the folds of the lifted wall to Camden Maid’s facial details. Own an iconic work of street art like never before. Licensed by BRANDALISED™ © Full Colour Black Ltd. MMXXII

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Chase Bank Original Dunny Town Art Toy by Task One Kidrobot Vinyl & Plaster Art Toy Collectible Pop Artwork. 2013 Original Dunny Town Painted Plaster Kidrobot Custom Dunny Artwork Size Approximate 3x4 Town Chase Bank Original Dunny Art Toy by Task One Task One's Chase Bank Original Dunny Town Art Toy Task One's "Chase Bank Original Dunny Town Art Toy" represents a striking commentary on the omnipresent financial institutions in urban landscapes. Crafted in 2013, this piece combines the medium of Kidrobot's vinyl with the textural depth of painted plaster, embodying the distinctive essence of street pop art and graffiti artwork. The collectible stands at an approximate size of 3x4 inches, a miniature yet powerful representation of a Chase Bank branch, reinterpreted through the imaginative lens of Task One. This particular work is part of Task One's broader Dunny Town series, which showcases a variety of urban structures and establishments, each reimagined as a Dunny, the iconic art toy figure. The Chase Bank Dunny, with its detailed brickwork facade and the recognizable blue "CHASE" signage, invites reflection on the pervasive influence of corporate entities in daily life. It's a creative exploration of common themes in street art: capitalism, consumerism, and their interplay within the public space. Reflecting the Urban Experience through Art Toys By selecting an institution as ubiquitous as a bank and presenting it through the playful form of a Dunny, Task One elevates street art's engagement with socio-economic themes. This art toy serves as a microcosm of the city, encapsulating the essence of a corporate entity within the palm-sized dimensions of a collectible figure. It's a visual narrative that resonates with the observer, prompting thoughts on the role of such institutions in shaping the urban environment and the lives of its inhabitants. The Chase Bank Dunny is a reflection of Task One's artistic vision and a part of the growing movement that blurs the lines between street art and tangible collectibles. The meticulous attention to detail, from the ATMs to the miniature windows and doors, underscores the artist's commitment to quality and authenticity. As a result, the piece stands as a testament to the potential of vinyl art toys to serve as sophisticated mediums for cultural expression and critique. Task One's artistry in the "Chase Bank Original Dunny Town Art Toy" speaks to the heart of street pop art, where everyday scenes are transformed into thought-provoking artworks. Once a simple toy, the Dunny becomes a canvas for critical reflection. This characteristic has endeared Task One's work to collectors and enthusiasts of street pop art and graffiti artwork. Through his contributions, Task One has left an indelible mark on urban art's landscape, merging the streets' irreverent spirit with the collectibility and craftsmanship of art toys.

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Monkey- Business Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Joe Ledbetter. 2015 Limited Edition of 500 Artwork Size 10x8 Displayed In Box CEO? Wage slave? Either way, Monkey is ready for the rat race with his corporate duds and signature dour expression. Comes with a bossy bird telling him to make that money.

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Health Hazards Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Marker Art Drawing on Mailing Glossy Warning Sticker by Graffiti Artist Modern Street Artwork. 2020 Signed Original Slap Up Graffiti Art Tag 4x4 Marker Tagged on Health Flammability Special Instability Hazard  Warning Label Uline S-724 Sticker.  Slap Up In Perfect Condition. Artistic Alchemy on Hazardous Grounds The transformation of ordinary objects into visual spectacles is a hallmark of Street Pop Art and Graffiti Artwork. In this vein, the "Health Hazards Slap-Up Label Sticker" by Saber, real name Ryan Weston Shook, from the United States, stands out as a captivating fusion of warning label iconography and graffiti artistry. Created in 2020, these pieces symbolize how graffiti artists repurpose everyday items, such as health flammability and particular instability hazard warning label stickers, to make bold statements through art. Saber's original permanent marker art drawings on these glossy arrow stickers testify to the genre's ingenuity and ability to imbue commonplace materials with new life and meaning. Symbolism and Significance in Saber's Work Saber's art on hazard warning stickers is particularly poignant. The stickers' inherent message of caution and danger is juxtaposed with Saber's tags' freeform and expressive nature. This contrast is not merely aesthetic but symbolic, alluding perhaps to the inherent risks and hazards of graffiti creation. In the urban jungle, the graffiti artist is both a creator and a transgressor, and Saber's work captures this duality perfectly. The use of bright, contrasting colors over the hazard symbols does not obscure the warning but instead invites the viewer to reflect on the layers of meaning within the piece. Reflections of 2020 in Street Pop Art 2020 was not just another year in the annals of history but a turning point for societies worldwide. The original slap-up graffiti art tags on these health and hazard stickers by Saber reflect a year marked by global upheaval and a reevaluation of what is considered safe and dangerous. In his 4x4 marker-tagged creations, Saber captures the spirit of an era where the world grappled with health crises and societal instability. By signing each piece, Saber not only claims authorship but also anchors the artwork in time and place, offering a permanent marker — literally and figuratively — of a moment in time through the lens of Street Pop Art and Graffiti Artwork.

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Supreme Smurfs Deck- Red Limited Edition Skateboard deck art by Designer Brand Supreme Supreme's highly anticipated Smurfs collaboration dropped during week 6 of the brand's Fall/Winter 2020 season. The Supreme Smurfs Skateboard Deck on October 1st, 2020. This box logo skateboard deck may go down in history as one of the most desirable and features classic Smurfs imagery alongside Supreme's iconic logo.

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Gattaca Metallic Ink Silkscreen Print by Justin Van Genderen Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2013 Signed & Numbered on Back Silver Metallic Ink Limited Edition of 50 Artwork Size 18x24 Location, Location, Location Series Silkscreen Print Hallway in Building Marin County Civic Center San Rafael CA From Gattaca. Gattaca Metallic Ink Silkscreen Print by Justin Van Genderen Gattaca Metallic Ink Silkscreen Print by Justin Van Genderen is a 2013 limited edition screenprint that captures the stark, futuristic aesthetic of the film Gattaca. Printed on fine art paper with silver metallic ink, this 18x24-inch artwork is a signed and numbered edition of 50. The design takes inspiration from the Marin County Civic Center in San Rafael, California, a location featured prominently in the movie. This piece blends the clean geometry of mid-century architecture with the surreal minimalism of Street Pop Art & Graffiti Artwork, creating an image that resonates with themes of destiny, control, and human ambition. Architectural Influence and Cinematic Minimalism The composition of this silkscreen print highlights the iconic curved hallway of the Marin County Civic Center, a Frank Lloyd Wright-designed structure that served as the perfect backdrop for Gattaca’s vision of a sterile, genetically engineered future. The artwork employs a minimalist palette dominated by deep blues and silver, reinforcing the film’s cold, calculated atmosphere. The curving forms of the hallway guide the viewer’s eye toward a distant rocket launch, an unmistakable reference to the film’s themes of space travel and aspiration. The human figure standing at the base of the composition is small, almost insignificant, emphasizing the tension between individual agency and systemic control. The use of perspective elongates the structure, making the architecture feel overwhelming, much like the deterministic society portrayed in the movie. This visual approach echoes the aesthetics of Street Pop Art & Graffiti Artwork, where stark contrasts and dynamic compositions create immediate impact. Use of Metallic Ink to Evoke a Futuristic Ambiance The incorporation of silver metallic ink into this silkscreen print enhances its futuristic quality. The reflective elements catch the light, mimicking the sleek, high-tech surfaces often associated with science fiction. This effect gives the artwork a dynamic presence, changing as it interacts with its surroundings. The contrast between the metallic ink and the deep, muted background colors creates a sense of depth and movement, making the print feel like a portal into the world of Gattaca. The choice of metallic ink also ties into the broader language of Street Pop Art & Graffiti Artwork, where materials and textures play a crucial role in creating immersive visuals. Much like graffiti artists use shimmering paints to catch the light on city walls, this silkscreen print uses metallic ink to enhance its otherworldly feel, ensuring that the piece stands out in any collection. Science Fiction and Street Pop Art & Graffiti Artwork Science fiction has long been a source of inspiration for street artists and pop art creators. The themes of surveillance, dystopia, and human resilience resonate deeply with the rebellious and thought-provoking nature of urban art. This print by Justin Van Genderen aligns with the tradition of using bold, cinematic imagery to explore larger societal questions. Many artists have drawn from Gattaca’s themes to comment on modern issues, from genetic engineering to corporate control. The film’s visual language—clean lines, sharp angles, and expansive, dehumanizing spaces—translates perfectly into the world of Street Pop Art & Graffiti Artwork, where structure and contrast are key elements. This print captures those themes while maintaining a timeless, aesthetic quality that can be appreciated both as a tribute to the film and as a standalone piece of modern art. Gattaca Metallic Ink Silkscreen Print is a stunning example of how film, architecture, and Street Pop Art & Graffiti Artwork can intersect. By distilling Gattaca’s visual and thematic essence into a single image, Justin Van Genderen has created a piece that speaks to both fans of the film and collectors of bold, thought-provoking art. Whether displayed in a modern home, gallery, or workspace, this print stands as a striking reminder of the human desire to break free from imposed limits and reach for something greater.

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Gold Vacuum Sealer Object Art by Ben Baller, Limited Edition Designer Collectible Pop Artist Artwork. 2022 Limited Edition Rare Golden Deep Storage Vacuum Sealer Object Art New In Box. Gold Vacuum Sealer as a Canvas for Street Pop Art and Graffiti Artwork The intersection of practicality and luxury often presents itself in unexpected forms, and the Gold Vacuum Sealer Object Art by Ben Baller is a quintessential example of this fusion. As a 2022 limited edition release, this golden deep storage vacuum sealer elevates a commonplace household item to a collectible status, embodying the essence of Pop Artist Artwork in its design and function. With its surface adorned by the iconic "BB" logo, the object exudes exclusivity and indicates the modern collector's drive for unique, high-end items. Ben Baller's use of gold, a material associated with wealth and status throughout history, bridges the gap between domestic utility and opulent artistry. The lustrous finish not only enhances the visual appeal of the vacuum sealer but also serves as a nod to the extravagant nature of Street Pop Art, where everyday objects are transformed into luxurious pieces. Including vacuum seal bags and an instruction manual does not detract from its value as an artwork; instead, it emphasizes the blend of form and function characteristic of designer collectibles. In the realm of Graffiti Artwork, the vacuum sealer is a metaphor for preserving the transient nature of street art itself. Just as the sealer protects and maintains the quality of food items, graffiti art aims to capture and hold onto moments of cultural significance, often in the face of transience and change. This piece is a testament to the lasting impact of street-inspired artwork and the artist's vision to seal a moment in time with his distinctive style. The Role of Functional Art Objects in Contemporary Street Art Movements Contemporary Street Pop Art and Graffiti Artwork movements often explore the dialogue between art and everyday life, and Ben Baller's Gold Vacuum Sealer is a material manifestation of this discourse. By taking an ordinary kitchen appliance and rendering it with a gold finish, the artist challenges our perceptions of what constitutes an art object. This work blurs the boundaries between the practical and the aesthetic, pushing the viewer to recognize the artistic potential in all forms of matter. The choice of a vacuum sealer, a device used to preserve perishables, is particularly evocative in the context of Pop Art. It symbolizes the preservation of food and the desire to maintain the freshness of ideas and art in a rapidly changing world. The appliance becomes a metaphor for the role of art in society: to keep culture from becoming stale and to protect it against the degradation of time and memory. Moreover, the inclusion of Ben Baller's "BB" logo front and center on the vacuum sealer acts as his signature, akin to the tags used by graffiti artists to mark their work in the urban landscape. The logo signifies authenticity and ownership while contributing to the narrative that every object tells a story through its design and use. Collectible Art in the Age of Street Pop and Graffiti Expression As a collectible, the Gold Vacuum Sealer straddles the worlds of high art and high utility. Its status as a limited edition piece ensures that it is a functional device and a valuable asset to collectors who appreciate the convergence of art and everyday items. This object art reflects the increasing trend in Street Pop Art and Graffiti Artwork, where the tools and objects of daily life are repurposed as canvases for creative expression. The new vacuum sealer in the box carries the air of anticipation akin to unwrapping a piece of fine art. It encapsulates the excitement of the unboxing experience, which has become a ritualistic moment of revelation in the digital age. Collectors and art enthusiasts acquire not just a tool for preservation but a piece of Ben Baller's artistic vision—a vision that encapsulates the street's raw energy and pop art's colorful vivacity. Ben Baller's Gold Vacuum Sealer is a shining example of the innovative spirit driving Street Pop Art and Graffiti Artwork. It is a testament to the evolving nature of art, where the line between what is an art piece and what is an appliance is continuously blurred. This object art is not just a tribute to the artist's creative prowess but also a beacon that illuminates the path for future artistic endeavors that seek to merge the realms of functionality with the extraordinary.

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Madison Avenue Paper Weight Limited Edition Art Object Collectible Artwork by street graffiti artist Bape. 2021 1G72-182-195 / Clear / F Madison Ave New York City Paper Weight Art Object

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Dollar Sign- State 4 Limited Edition Hand-Embellished Oil Paint HPM Silkscreen Print on Canvas by Steve Kaufman Graffiti Street Artist Modern Pop Art. AP Artist Proof, Unstretched, Mint directly from the artist in 2002

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Professor of Poetry Limited Edition Archival Pigment Fine Art Prints on Fine Art Paper by Graffiti Street Art and Pop Culture Artist Adam Hancher.

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Study Silkscreen Print by Pose- Jordan Nickel Hand-Pulled 28-Color on 2ply Rising Museum Board Fine Art Paper Limited Edition Screenprint Artwork. 2024 Signed & Numbered Limited Edition of 75 Artwork Size 30x30 Silkscreen Print Exploring the Vibrancy and Technique of Street Pop Art The fusion of street art sensibilities with the colorful dynamics of pop art has given rise to a unique artistic expression known as Street Pop Art. Within this genre, the work of contemporary artists like Jordan Nickel, widely recognized under his moniker 'Pose,' stands out. Nickel's approach is symbolic of a generation of artists who combine the street's rawness with pop art's aesthetics to create visually arresting and culturally relevant pieces. One of the latest contributions to this vibrant field is the 'Study Silkscreen Print' by Pose, a remarkable 28-color hand-pulled screenprint on a two-ply Rising Museum Board Fine Art Paper. The artwork, produced in a limited edition of 75, measures 30x30 inches, and each piece is signed and numbered by the artist, making it a coveted item for collectors and enthusiasts alike. Jordan Nickel's Place in the Continuum of Graffiti Artwork Jordan Nickel hails from the United States and has significantly impacted the world of graffiti and street pop art. Not confined to the street corners and dark alleys of urban landscapes, Nickel's work reflects a sophisticated and nuanced understanding of color theory, graphic design, and visual storytelling. His pieces are often characterized by bold, vivid colors and intricate compositions that capture the viewer's attention and invoke a sense of familiarity and nostalgia. This is particularly true for the 'Study Silkscreen Print,' where the artist's choice of colors and the complexity of the print process showcase his mastery of his craft. The screenprint technique used by Pose is a testament to the evolution of street pop art from spray cans to more elaborate and technical forms of production. This transition signifies the acceptance of graffiti art into the fine art world and represents the artist's growth and versatility. Using 28 distinct colors in the 'Study Silkscreen Print' requires a meticulous and labor-intensive process, as each color must be applied separately to achieve the desired effect. The result is a layered, textured work that leaps off the paper and captures the essence of the urban environment that inspired it. Impact and Significance of Limited Edition Street Pop Art The limited edition nature of Pose's 'Study Silkscreen Print' elevates the work within the art market and the community of street art collectors. By limiting the series to only 75 signed and numbered prints, the artist creates scarcity and exclusivity around the piece, enhancing its value monetarily and as a cultural artifact. Each work becomes a part of a select group owned by those who appreciate not just the visual splendor of the piece but also the cultural statements embedded within it. Moreover, releasing limited edition prints allows access to a broader audience than a singular mural on a city wall. It enables the dissemination of the street pop art ethos to various parts of the world, transcending geographical boundaries and inviting a global audience to engage with the art form. Collectors and admirers of Pose's work can thus own a piece of the vibrant street culture that is often temporary and fleeting in its original context. The 'Study Silkscreen Print' carries graffiti artwork's spirit into the refined fine art paper domain. This choice adds a layer of contrast to the intrinsic nature of street art, which is typically temporary and confrontational. This choice reflects a broader conversation within the art world about the place of street art and its evolution. Pose's 'Study Silkscreen Print' is a compelling representation of the contemporary street pop art and graffiti artwork genre. Through this limited edition series, Jordan Nickel underscores the technical prowess involved in creating such pieces and celebrates the vibrant, eclectic essence of street culture. The artwork stands as a colorful testament to the evolving narrative of street art and its rightful place in the annals of fine art.

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Workers Rights- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Varnished 100% Cotton Rag Archival Paper with hand-deckled edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. 4-Color Serigraph on Varnished 100% Cotton Rag Archival Paper. 30 x 40 inches. Signed by Shepard Fairey. Numbered edition of 100. Jim Marshall's photo was taken at the California State Capitol in Sacramento after Ces One- Rob Provenzano ar Chavez completed his 300-mile march in support of farmworkers' rights. Jim captured Chavez in a pose that suggests the vision and leadership that he truly embodied.

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Selfie Gun Blue Silkscreen Print by Joan Cornellà Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2024 Signed & Numbered Limited Edition of 250 Artwork Size 16.14x22.44 Silkscreen Print Selfie Gun Blue Silkscreen Print by Joan Cornellà Selfie Gun Blue is a 2024 silkscreen print by Spanish artist Joan Cornellà, known for his satirical and unflinching commentary on modern life. This limited edition piece, hand-pulled on fine art paper, is signed and numbered out of an edition of 250. Measuring 16.14 by 22.44 inches, the artwork presents a bold visual punch with clean lines, flat blocks of color, and a composition that captures Cornellà’s iconic absurdist humor. The image depicts a smiling figure holding a selfie stick topped not with a phone, but with a handgun pointed directly at their own head. The bright cyan blue background serves as a jarring contrast to the image’s grim thematic undertones, echoing the aesthetic cues of commercial design while delivering a sharp critique. Joan Cornellà and Satirical Extremism in Street Pop Art & Graffiti Artwork Joan Cornellà, born in 1981 in Barcelona, Spain, has emerged as a crucial figure in the evolution of Street Pop Art & Graffiti Artwork. His visual language is instantly recognizable—smiling characters, polished cartoonish lines, and saturated colors serve as vehicles for biting, often darkly humorous reflections on society. Selfie Gun Blue stands as an archetypal example of Cornellà’s approach: presenting a cheerful scene that reveals something deeply unsettling upon closer inspection. This tension between style and substance is a hallmark of his work. In this silkscreen print, the fusion of an everyday object with an instrument of violence creates a jarring metaphor about technology, self-obsession, and the superficial culture of digital validation. Technique and Visual Economy as Subversive Tools The artwork’s strength lies in its visual economy. There is no clutter, no background narrative, and no textual explanation. Every element in the frame is calculated and precise. Cornellà uses simplicity as a form of satire, stripping his characters of individuality while heightening their symbolic impact. The man’s suit, smile, and vacant eyes are rendered in bold primary hues, reducing him to an archetype. The gun, rendered in muted gray and pink tones, is stark in contrast but seamlessly integrated into the composition. This hand-pulled screenprint showcases Cornellà’s command over flat color layering, a classic method in fine art printing now repurposed for modern commentary. Modern Irony Encapsulated Through Visual Absurdity Selfie Gun Blue is not merely a visual gag; it is a stark reflection on societal detachment. Cornellà uses cheerful aesthetics to critique real-world issues—narcissism, desensitization, and the commodification of identity in digital spaces. Through Street Pop Art & Graffiti Artwork, he confronts the viewer with uncomfortable truths hidden beneath polished surfaces. His work has resonated globally, in galleries, books, and public installations, because it forces a confrontation with the absurdities of modern behavior using the very visual cues that have become familiar and trusted. This piece, like much of Cornellà’s portfolio, demands not just observation but introspection, challenging the viewer to question the hidden implications behind every filtered smile.

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Look, Busy The Boss is Coming... Original Hand-Painted Multiple Mixed Media Spray Paint Artwork on Laser Cut Wood Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2020 Signed Limited HPM Edition of 10 Artwork Size 13.5x11.5 "My work speaks of impending doom and many crass, sinister themes, but that should not mean I want this to happen. I hope my work would suggest only the opposite: to show the ridiculousness of it all and how we may find better solutions for the future." -Denial Denial's "Look Busy The Boss is Coming..." as a Commentary in Street Pop Art "Look Busy The Boss is Coming..." is a striking piece of modern pop art by the graffiti street artist known as Denial, a pseudonym for the Canadian artist Daniel Bombardier. His 2020 creation is a signed, limited hand-painted multiple (HPM) edition of only ten pieces, each with dimensions of 13.5x11.5 inches. This mixed media spray paint artwork on a laser-cut wood panel is a ready-to-hang piece that encapsulates the humor, irony, and critical commentary that street pop art and graffiti artwork are known for. Denial's work is often lauded for its vibrant use of color, layered meanings, and thought-provoking content that challenges societal norms and behaviors. In "Look Busy The Boss is Coming...", Denial uses laser-cut wood panels to bring a three-dimensional quality to the work, emphasizing the text's impact and the message's urgency. The layered text, with its bold letters popping against the dark background, creates an illusion of depth, while the cartoonish eyes add a playful yet satirical element to the piece. Denial's signature style, which often includes a combination of text and image, invites the viewer to engage with the artwork on multiple levels. Exploring the Layers of Meaning in Denial's Artistic Expression Denial's artistic expression in "Look Busy The Boss is Coming..." is multifaceted, reflecting the complexities of the human condition and the often-absurd workplace reality. The phrase "Look Busy" is a satirical take on the performative aspect of productivity in modern society, where appearances can sometimes outweigh actual efficiency or contribution. The addition of the watchful, exaggerated eyes serves to underscore the constant surveillance and pressure employees feel in the professional environment. This piece speaks volumes about the current state of work culture, where the fear of authority and the need to appear perpetually occupied can overshadow the value of genuine work. The statement made by Denial through this artwork echoes his broader perspective on life and society. As the artist himself has noted, his work addresses severe and, at times, sinister themes through a lens of absurdity and satire. The goal is not to promote a bleak outlook but to use humor as a tool for reflection and, ideally, to inspire conversations that lead to better solutions for societal issues. The whimsical yet incisive nature of "Look Busy The Boss is Coming..." exemplifies this approach, as it holds up a mirror to the audience, prompting them to question and perhaps laugh at the absurdities of their daily routines. Impact and Reception of Denial's Street Pop Art The impact of Denial's "Look Busy The Boss is Coming..." is significant in the street pop art community and among art collectors. As a limited edition piece, its value lies in its scarcity and potent commentary wrapped in an aesthetically pleasing package. The work resonates with a broad audience due to its relatable content and accessible presentation. Denial's ability to distill complex social critiques into visually engaging street pop art makes his pieces sought after by both seasoned collectors and new enthusiasts alike. Denial's work, including "Look Busy The Boss is Coming...," contributes to the ongoing dialogue about the intersections between street art, pop culture, and social commentary. His unique voice in art has garnered attention and respect, illustrating how street pop art and graffiti artwork can transcend traditional boundaries and enter meaningful discourse with a broader public. Through his creations, Denial continues to challenge perceptions, provoke thought, and offer new perspectives on the world we navigate daily.

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