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This Biohazard Neon Orange Slap-Up Label Sticker Original Tag Art by Saber Original Acrylic Paint Art Drawing on Biohazard Label Sticker by Graffiti Artist Modern Street Artwork. 2020 Signed Original Slap Up Graffiti Art Tag 6x6 Acrylic Paint Tagged on Medical Biohazard Label Sticker. Neon High Visibility Orange Biohazard Symbol Uline label #S-20794. Exploring the Fusion of Street Pop Art and Graffiti Artwork In the dynamic sphere of contemporary visual culture, street pop art and graffiti artwork stand out as potent forms of expression that encapsulate urban life's rhythm and raw sentiments. Among the luminaries of this genre is the renowned graffiti artist Saber, known for his striking contributions to the street art panorama. The piece under scrutiny is a vibrant example of his ingenuity—a 6x6 acrylic or marker piece tagged on a medical biohazard label sticker featuring a neon high visibility orange biohazard symbol from Uline label #S-20794. Distinctive Aesthetic of Saber's Tag Art Saber's original permanent marker art drawing on a mailing glossy arrow sticker presents a striking visual paradox. The neon orange of the biohazard symbol evokes a sense of caution, typically used to warn of dangerous substances. Contrasted with the blue drips of paint that appear haphazardly splashed across the surface, there is intentional defiance and palpable tension between structure and chaos. This work is a signed 2020 original slap-up graffiti art tag that showcases not just the artist's signature style but also his ability to transform ordinary objects into powerful statements. The choice of a biohazard label as a canvas is a commentary on the infectious nature of art and ideas. Saber effectively takes a symbol that denotes hazard and contamination and recontextualizes it within the aesthetic of street pop art. By doing so, he challenges the viewer to reconsider the connotations of biohazards, not just in the physical sense but in the metaphorical contagion of art in public spaces. Impact and Significance in Modern Street Art Saber is an American artist whose real name has been as influential in the graffiti community as the images he creates on walls and in galleries. His use of a mailing label as a medium is a nod to the guerrilla tactics of early street art culture, where quick, impactful statements were essential, and materials were often repurposed or found objects. This sticker art, often called a 'slap-up,' is a form of street art that is quickly applied, or 'slapped up,' onto a surface in a public space. It allows for transient yet assertive communication, echoing urban life's fast-paced and often impermanent nature. The neon orange and blue artwork transcends its simple components, becoming a canvas for a larger discourse on visibility, legality, and the permanence of art. As a form of street pop art, it retains the accessibility and mass appeal of pop culture while embedding itself in the more subversive and counter-cultural roots of graffiti. This duality is where its power lies; it is both a bold declaration and a subliminal whisper, a fixture on the streets that can be as quickly removed as it is noticed. In the context of graffiti artwork, Saber's biohazard label sticker becomes an artifact of the streets, a testament to the artist's ability to command attention and communicate through symbols and color. With its saturated hues and deliberate drips, the piece resonates with the energy of the streets and the people's voices. It is a piece that marks a physical space and stamps a moment in time, encapsulating the essence of street pop art in its ability to capture the pulse of contemporary urban life. The interplay of color, symbol, and medium in this piece illustrates the innovative potential of street pop art. Saber's work disrupts the monotony of urban environments, offering passersby a moment of aesthetic arrest amidst the concrete canvas of the city. In modern street artwork, such interventions are not just decorative but are vital narratives that articulate the identity and the undercurrents of a city's cultural dialogue. Through works like this, Saber and his contemporaries continue to influence the trajectory of street pop art, ensuring its evolution and relevance. They remind us that the streets remain a powerful platform for artistic expression, where the voices of the marginalized and the spirit of rebellion can find their visual lexicon. Saber's neon orange slap-up label sticker is not just a mark made with acrylic or marker; it is a statement, a challenge, and a vibrant echo of the energy that drives the city's heart.

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Health Hazards Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Marker Art Drawing on Mailing Glossy Warning Sticker by Graffiti Artist Modern Street Artwork. 2020 Signed Original Slap Up Graffiti Art Tag 4x4 Marker Tagged on Health Flammability Special Instability Hazard  Warning Label Uline S-724 Sticker.  Slap Up In Perfect Condition. Artistic Alchemy on Hazardous Grounds The transformation of ordinary objects into visual spectacles is a hallmark of Street Pop Art and Graffiti Artwork. In this vein, the "Health Hazards Slap-Up Label Sticker" by Saber, real name Ryan Weston Shook, from the United States, stands out as a captivating fusion of warning label iconography and graffiti artistry. Created in 2020, these pieces symbolize how graffiti artists repurpose everyday items, such as health flammability and particular instability hazard warning label stickers, to make bold statements through art. Saber's original permanent marker art drawings on these glossy arrow stickers testify to the genre's ingenuity and ability to imbue commonplace materials with new life and meaning. Symbolism and Significance in Saber's Work Saber's art on hazard warning stickers is particularly poignant. The stickers' inherent message of caution and danger is juxtaposed with Saber's tags' freeform and expressive nature. This contrast is not merely aesthetic but symbolic, alluding perhaps to the inherent risks and hazards of graffiti creation. In the urban jungle, the graffiti artist is both a creator and a transgressor, and Saber's work captures this duality perfectly. The use of bright, contrasting colors over the hazard symbols does not obscure the warning but instead invites the viewer to reflect on the layers of meaning within the piece. Reflections of 2020 in Street Pop Art 2020 was not just another year in the annals of history but a turning point for societies worldwide. The original slap-up graffiti art tags on these health and hazard stickers by Saber reflect a year marked by global upheaval and a reevaluation of what is considered safe and dangerous. In his 4x4 marker-tagged creations, Saber captures the spirit of an era where the world grappled with health crises and societal instability. By signing each piece, Saber not only claims authorship but also anchors the artwork in time and place, offering a permanent marker — literally and figuratively — of a moment in time through the lens of Street Pop Art and Graffiti Artwork.

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Gattaca Metallic Ink Silkscreen Print by Justin Van Genderen Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2013 Signed & Numbered on Back Silver Metallic Ink Limited Edition of 50 Artwork Size 18x24 Location, Location, Location Series Silkscreen Print Hallway in Building Marin County Civic Center San Rafael CA From Gattaca. Gattaca Metallic Ink Silkscreen Print by Justin Van Genderen Gattaca Metallic Ink Silkscreen Print by Justin Van Genderen is a 2013 limited edition screenprint that captures the stark, futuristic aesthetic of the film Gattaca. Printed on fine art paper with silver metallic ink, this 18x24-inch artwork is a signed and numbered edition of 50. The design takes inspiration from the Marin County Civic Center in San Rafael, California, a location featured prominently in the movie. This piece blends the clean geometry of mid-century architecture with the surreal minimalism of Street Pop Art & Graffiti Artwork, creating an image that resonates with themes of destiny, control, and human ambition. Architectural Influence and Cinematic Minimalism The composition of this silkscreen print highlights the iconic curved hallway of the Marin County Civic Center, a Frank Lloyd Wright-designed structure that served as the perfect backdrop for Gattaca’s vision of a sterile, genetically engineered future. The artwork employs a minimalist palette dominated by deep blues and silver, reinforcing the film’s cold, calculated atmosphere. The curving forms of the hallway guide the viewer’s eye toward a distant rocket launch, an unmistakable reference to the film’s themes of space travel and aspiration. The human figure standing at the base of the composition is small, almost insignificant, emphasizing the tension between individual agency and systemic control. The use of perspective elongates the structure, making the architecture feel overwhelming, much like the deterministic society portrayed in the movie. This visual approach echoes the aesthetics of Street Pop Art & Graffiti Artwork, where stark contrasts and dynamic compositions create immediate impact. Use of Metallic Ink to Evoke a Futuristic Ambiance The incorporation of silver metallic ink into this silkscreen print enhances its futuristic quality. The reflective elements catch the light, mimicking the sleek, high-tech surfaces often associated with science fiction. This effect gives the artwork a dynamic presence, changing as it interacts with its surroundings. The contrast between the metallic ink and the deep, muted background colors creates a sense of depth and movement, making the print feel like a portal into the world of Gattaca. The choice of metallic ink also ties into the broader language of Street Pop Art & Graffiti Artwork, where materials and textures play a crucial role in creating immersive visuals. Much like graffiti artists use shimmering paints to catch the light on city walls, this silkscreen print uses metallic ink to enhance its otherworldly feel, ensuring that the piece stands out in any collection. Science Fiction and Street Pop Art & Graffiti Artwork Science fiction has long been a source of inspiration for street artists and pop art creators. The themes of surveillance, dystopia, and human resilience resonate deeply with the rebellious and thought-provoking nature of urban art. This print by Justin Van Genderen aligns with the tradition of using bold, cinematic imagery to explore larger societal questions. Many artists have drawn from Gattaca’s themes to comment on modern issues, from genetic engineering to corporate control. The film’s visual language—clean lines, sharp angles, and expansive, dehumanizing spaces—translates perfectly into the world of Street Pop Art & Graffiti Artwork, where structure and contrast are key elements. This print captures those themes while maintaining a timeless, aesthetic quality that can be appreciated both as a tribute to the film and as a standalone piece of modern art. Gattaca Metallic Ink Silkscreen Print is a stunning example of how film, architecture, and Street Pop Art & Graffiti Artwork can intersect. By distilling Gattaca’s visual and thematic essence into a single image, Justin Van Genderen has created a piece that speaks to both fans of the film and collectors of bold, thought-provoking art. Whether displayed in a modern home, gallery, or workspace, this print stands as a striking reminder of the human desire to break free from imposed limits and reach for something greater.

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Money and Power- Yellow Hand-Pulled 1-Color Silkscreen Print on Hand Deckled 290gsm Arches Rag Paper by Artist Cleon Peterson Limited Edition Art Artwork. 2022 Signed & Numbered Limited Edition of 75 Artwork Size 18x18 "Money and Power have become primary drivers in the modern world, pushing us toward a corrupt society. The days when our leaders looked out for the people's interests have become a thing of the past—replaced by the strong man who squashes the voices of dissent to set things straight. Money elects leaders; in return, they owe a debt to the people that put them in Power—enacting our new public policy of greed and gangster capitalism. We slowly accept corruption, Law slowly fades away, and people begin to feel like democracy and a fair and equitable society were always just an illusion, a dream from the past that never really even existed." -Cleon Peterson Money and Power by Cleon Peterson – Yellow Edition Silkscreen Print in Street Pop Art & Graffiti Artwork Money and Power by Cleon Peterson is a visually forceful hand-pulled 1-color silkscreen print produced in a striking yellow edition. Created in 2022 as a signed and numbered limited edition of only 75, this 18x18 inch artwork is printed on 290gsm Arches rag paper with hand-deckled edges, reinforcing its raw and crafted authenticity. Set against a saturated yellow background, the black silhouettes of uniformed figures march in unison beneath a banner marked with a dollar sign. This aggressive formation of faceless, weapon-bearing agents symbolizes how capital and authority have become intertwined forces shaping modern life. The contrast of black on yellow sharpens the urgency of the message, evoking caution signs and industrial warnings, reflecting the dangers of unchecked power. It is a bold statement, stark and deliberately unambiguous in its critique of political and economic systems. Cleon Peterson’s Visual Protest Against Gangster Capitalism American artist Cleon Peterson, born in 1973, has become known for creating art that exposes the mechanics of dominance, submission, and systemic violence. In Money and Power, Peterson addresses what he terms gangster capitalism—the merging of financial interest and authoritarianism. This yellow edition is not merely an aesthetic variation; it magnifies the intensity of the warning. The figures are rendered without individuality, acting not as civil servants or protectors but as enforcers of a corrupt economic order. Each character, with one hand saluting and the other gripping a firearm, marches without deviation under a banner where money is the emblem. Peterson’s use of militarized repetition critiques the dehumanization that occurs when loyalty is bought and dissent is extinguished by force. The visual simplicity masks a deeply complex message: society has drifted from democratic ideals into a structure where the value of life is weighed against the price of power. Symbolism and Execution in the Yellow Silkscreen Edition This edition’s choice of yellow background plays a crucial role in reinforcing the thematic content. Yellow, typically associated with visibility and warning, brings a harsh clarity to the disturbing unity of the figures. It forces the viewer to confront the image directly, without distraction or ambiguity. The hand-pulled technique and 1-color silkscreen process ensure that each print carries the physical presence of the artist’s vision, resisting digital detachment. Hand-deckled paper adds an organic imperfection that contrasts with the mechanical rigidity of the marchers, underscoring the tension between individual craftsmanship and institutional conformity. The entire composition operates as a visual manifesto, presenting a world where money is not simply a tool but a banner under which violence, obedience, and corruption are normalized. Money and Power as a Defining Work in Street Pop Art & Graffiti Artwork Money and Power belongs squarely in the tradition of Street Pop Art & Graffiti Artwork. It communicates political urgency through direct visual language, staying rooted in the protest origins of graffiti and the bold iconography of pop art. Peterson’s work challenges systems of authority by confronting viewers with uncomfortable truths, using art not for decoration but for disruption. This yellow edition distills contemporary disillusionment into one unforgettable image, showing how democracy erodes when capital becomes the highest power. As with all of Peterson’s most impactful works, it does not ask for quiet reflection—it demands awareness and accountability. It stands as a limited yet forceful artifact of protest, frozen in print but echoing across modern political consciousness.

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Shell Gas Station Original Dunny Town Art Toy by Task One Kidrobot Vinyl & Plaster Art Toy Collectible Pop Artwork. 2013 Original Dunny Town Painted Plaster Kidrobot Custom Dunny Artwork Size Approximate 3x4 Town Shell Gas Station Original Dunny Art Toy by Task One Task One's Commentary on Consumerism: Shell Gas Station Original Dunny Town Art Toy Task One's "Shell Gas Station Original Dunny Town Art Toy" is a remarkable piece within the Kidrobot Dunny Town series, revealing the artist's intricate craftsmanship and keen social commentary. Created in 2013, this particular art toy fuses vinyl with painted plaster to meticulously recreate a Shell gas station with the brand's iconic logo and colors. Measuring approximately 3x4 inches, the work encapsulates the ubiquitous nature of global consumer brands and their imprint on the urban landscape, interpreted through the unique aesthetic of street pop art and graffiti artwork. The miniature gas station symbolizes the global economy, energy consumption, and the environmental impact of fossil fuels. Task One's choice to embed such a potent symbol into the playful form of a Dunny is a powerful statement on how deeply corporate symbols are ingrained in our daily lives. It provokes thought on our reliance on such establishments, not just for fuel but as fixtures of the modern world that represent a complex network of commerce and industry. The Intersection of Urban Iconography and Artistic Expression With the "Shell Gas Station Original Dunny Town Art Toy," Task One continues his exploration of urban iconography, transforming a familiar city element into a piece of collectible art. The juxtaposition of Dunny's cartoonish form with the realistic details of the gas station creates a striking contrast characteristic of pop art's approach to blending high and low cultural imagery. This piece contributes to the dialogue of street pop art and graffiti artwork, where the line between commercial branding and artistic expression becomes blurred. The work is a microcosm of the streets, a tangible manifestation of the sights and symbols that define the contemporary urban experience. Collectors and enthusiasts of Task One's work are not only drawn to the visual appeal of his creations but also to the layered meanings and cultural critiques embedded within them. The "Shell Gas Station Original Dunny Town Art Toy" is a prime example of how art toys can transcend their initial perception as mere objects of play and become conduits to reflect broader societal themes. In the narrative of street pop art, Task One's Shell Gas Station Dunny stands as a testament to the power of art to encapsulate and critique the world around us. It is a collectible that captures the zeitgeist of the early 21st century, a time when questions about sustainability, consumer culture, and environmental responsibility are at the forefront of public discourse. Through this work, Task One affirms the relevance and potential of street pop art and graffiti artwork to challenge, provoke, and engage audiences in a conversation about the world they inhabit.

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I Believe You Have My Stapler Limited Edition ICON Series 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by DKNG Graffiti Street Artist Modern Pop Art. Office Space Movie Red Stapler of Milton Fame. "Every film has one. A signature prop, set, or location. Something that, in a single image, can represent the entire movie. The design team of Dan Kuhlken and Nathan Goldman, also known as DKNG, call these images “Icons,” and they are the subject of their first-ever solo show at Gallery 1988 West in Los Angeles. The show, called simply ICON, is comprised of 50 pieces featuring iconic places and things from some of your favorite movies and TV shows of all time. Each piece is small – 12 inches square – and is of one thing that sums up an entire movie. And of course, each is done in DKNG’s distinctive bright, geometric yet detailed style.” - DKNG

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Painter Girl Original Pop Modern Street Art Ballpoint Pen and Collage Drawing on Fine Art Paper by Artist James Wilson. 2022 Signed Original Drawing. Ballpoint Pen, Cut Out Paper, Newspaper and Collage Size: 5.875 x 8.25 Inches Release: February 10, 2022 "The term 'Off the Grid' comes with a romanticized view of self-sustainability, getting back to nature and going back to 'a simpler time', this often neglects the forgotten trappings involved with stepping outside of your comfort zone. "This body of work can be seen as an aesthetic and thematic sequel to the previous 'Breakups and Breakdowns' collection where the idea of a broken relationship was the focus, it’s now been shifted to exploring new uncharted territory. Building on the pen on paper approach by physically cutting windows into the pieces takes them outside of the known and familiar into experimental and uncharted territory. "These works continue to look at escapism through different lenses whether it's a digital realm achieved by VR, the hopes poured into crypto, liquid courage found in alcohol or the distracting thrill gained by high risk environments, they all offer a reward but also contain their own risks. It’s through exploring outside the comforts of the safe and known without the usual safety nets where you find danger and risk, but the unknown is also where the most potential and growth can be found." –James Wilson

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Dave Minion- Chrome 100% & 400% BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. 2022 Despicable Me Minions Ditto. Everyone's favorite two-eyed minion, Dave gets the chrome treatment from Medicom Toy for this super sleek and shiny Bearbrick Set. Stands at 7cm and 28cm tall.

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Cup & Brushes Original Ceramic Hand Painted Sculpture by Joshua Vides Shattered Dreams Series Artwork by Graffiti Street Artist. 2023 Signed Original Hand-Made Sculpture One of A Kind Ceramic & Acrylic Paint Artwork Size 3x10 BMW Car Logo on Tall Slim Cup with Paintbrushes in It That Have Been Used With Colorful Paint Statue. Cup & Brushes by Joshua Vides: Handcrafted Commentary in Street Pop Art & Graffiti Artwork Cup & Brushes is a 2023 original ceramic sculpture by Joshua Vides, hand-painted and sculpted as a one-of-a-kind piece within his Shattered Dreams series. Standing at 10 inches tall and 3 inches wide, the sculpture is composed of ceramic and acrylic paint, presenting a stylized painter’s cup filled with color-dipped brushes. The object is marked with a distorted BMW logo, rendered with Vides’ signature black-and-white linework and cartoonish imperfection. The result is a satirical fusion of commercial branding and art studio realism, executed in static ceramic form but resonating with the vibrant and disruptive energy of Street Pop Art & Graffiti Artwork. The sculpture immediately strikes as an everyday object captured in transition. The tall, slim cup mimics a standard plastic or glass container typically found in a working artist’s space, now elevated to ceramic permanence. Inside it, five brushes—each dipped in a different primary color—rise with varying angles and tips, frozen mid-use. Paint splatters decorate the brush handles, hinting at past action, movement, and human presence. The BMW logo appears deliberately imprecise, drawn with an uneven hand, suggesting critique or humor rather than admiration. Vides transforms corporate symbolism into a malleable texture, destabilizing its glossy authority by recontextualizing it within the raw environment of creative labor. Material Tension and Visual Commentary Joshua Vides is known for his ability to distort reality through sculptural forms that look like sketches, flattening three-dimensional objects into cartoon-like representations. In Cup & Brushes, that visual illusion is secondary to texture and concept. The glossy ceramic surfaces are accented with drips, smudges, and brush marks, celebrating the mess of making while pointing to the polished image culture that often erases labor. By painting a luxury car logo onto a utilitarian cup used for cleaning brushes, Vides creates a sharp contrast between aspiration and effort, between consumer fantasy and creative reality. This kind of visual subversion is central to Street Pop Art & Graffiti Artwork. Vides uses the physicality of the sculpture to question the perceived value of brand versus process. The brushes, often overlooked tools in the creation of spectacle, become the spectacle themselves. The cup—humble and functional—now becomes a pedestal for critique. By freezing a studio scene in ceramic, Vides invites viewers to consider what is glorified and what is hidden behind polished design and global branding. Joshua Vides and the Language of Line in Three Dimensions Joshua Vides has become internationally recognized for his monochromatic comic-style transformations of everyday objects, environments, and fashion collaborations. While many of his installations utilize hard lines and sharp contrast to simulate two-dimensionality, Cup & Brushes allows texture, color, and volume to take center stage. It represents a matured shift in his practice—one where he does not rely on flat outlines but instead builds emotional and cultural critique through object and form. The Shattered Dreams series, from which this sculpture originates, is an ongoing exploration of how ambition, identity, and artistic purpose interact with capitalism and brand loyalty. The BMW emblem, distorted and casually placed, functions as a stand-in for broader themes of consumption and the dream of success. The sculpture implies that behind every polished brand lies a messy cup of brushes—used, dipped, stained, and repurposed in pursuit of creative expression. Cup & Brushes as Static Protest and Artistic Tribute Cup & Brushes is more than a still-life tribute to tools—it is a sculptural poem about the invisible effort behind visual culture. It challenges the viewer to look past the logo, past the clean gallery space, and into the workspace of the artist, where objects are not sacred until they are signed, not valued until they are sold. Joshua Vides brings this tension to the surface, capturing it in ceramic and sealing it in the aesthetics of Street Pop Art & Graffiti Artwork. This sculpture stands as a reminder that even luxury begins in labor, and that every mark of paint holds a story worth sculpting.

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Lampman Lamp Light Sculpture Object Art by Joan Cornellà Limited Edition Designer Collectible Pop Artist Artwork. 2024 Limited Edition of 300 Rare Battery Powered Lamp Sculpture Art Object Size 6x9.8 Artwork. Exploring the Intriguing World of Pop Art Objects The realm of Pop Art has always been one of intrigue and fascination, with objects that often blur the lines between artistic expression and everyday utility. One such captivating piece is the 'Lampman' lamp light sculpture, an art object conceived by the renowned Spanish artist Joan Cornellà. His limited edition designer collectible combines the functionality of a lamp with the aesthetic pleasure of a sculpture, creating a piece that is both practical and whimsically surreal. Joan Cornellà's Unique Brand of Satirical Artistry Joan Cornellà's work is known for its brightly colored, often unsettling representation of contemporary social interaction, rendered in his unmistakably crisp and cheerful style. The 'Lampman' piece continues this thematic exploration, encapsulating modern existence's absurdity and bizarre nature. Released in 2024, this rare art object is a limited edition release, with only 300 units crafted, making it a sought-after item for collectors and admirers of Cornellà's work. Sized at 6x9.8 inches, it is a compact, battery-powered lamp sculpture designed to fit into various spaces, from the intimacy of a personal study to the more public domain of a gallery. The 'Lampman' is not just a lamp; it is a statement, a piece that challenges the viewer to reconsider the boundaries between art and design, form and function, fun and critique. Through this work, Cornellà continues to push the boundaries of Street Pop Art & Graffiti Artwork, exploring how these forms can extend beyond traditional canvases and walls into three-dimensional objects that inhabit our daily spaces. The 'Lampman': A Fusion of Art and Everyday Life The 'Lampman' lamp sculpture represents Joan Cornellà's acute ability to transform the mundane into the extraordinary. Its bold colors and design echo the sentiment of Street Pop Art & Graffiti Artwork, where everyday items become the substrates for creative expression. The lamp, characterized by its distinctive figure with a lampshade for a head, sporting a content smile, invites reflection on the interplay between the light it emits and its shaded expression. This piece symbolizes a movement where art is not confined to the walls of galleries or the exterior of buildings but is integrated into the objects we use daily. Cornellà's 'Lampman' serves as a bridge, inviting art into the living spaces of individuals, allowing for an intimate and constant engagement with creativity. The playful yet provocative nature of the piece encapsulates the core of what Pop Art strives to achieve. This art form is accessible, relatable, and deeply rooted in the fabric of contemporary culture. The Collectible Nature of Cornellà's Creations The collectible nature of Joan Cornellà's 'Lampman' lamp sculpture speaks to the intersection of art commerce and the personal gratification of owning a piece of art that serves a functional purpose. The limited edition aspect of these 300 pieces creates an air of exclusivity and desirability among art collectors and enthusiasts. As a contemporary artist, Cornellà keenly understands the importance of making art that resonates on multiple levels - as an object of aesthetic pleasure, a functional item, and a valuable collectible. In making the 'Lampman,' Cornellà has once again demonstrated his expertise in crafting art that crosses the threshold from the artist's imagination into tangible reality. The lamp light sculpture is not merely an object to be looked at but to be experienced, its light serving as a metaphor for the illumination that art brings into our lives. As an active and influential figure in the art world, Joan Cornellà continues to explore and expand the possibilities of Street Pop Art & Graffiti Artwork, creating pieces that are at once familiar and provocative, practical, and exceptional.

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Respect Archival Print by BG183 Limited Edition Print on Fine Art Paper Pop Artist Modern Artwork. Signed & Numbered Limited Edition of 50 Artwork Size 14x20 Archival Pigment Fine Art

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Joy The Delivery Kid Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Mighty Jaxx x DHL. 2021 Limited Edition 4.5” Vinyl Art Toy 5 Interchangeable Faces "Joy Across The Distance" Meet Joy the Delivery Kid. Based on the iconic yellow and red DHL boxes, this emotive figure has a face for every step of the delivery process! From the “oh this is heavy” look to the “it’s delivered” elation, Joy the Delivery Kid is the delivery pal you’re missing. What’s in-store when you receive a package from Mighty Jaxx? Joy. Nothing beats opening up that yellow and red box and finding your limited-edition collectible inside. Together with our shipping partner DHL, the “Joy Across The Distance” collection explores all the happy feelings a collectible goes through on its journey to your home. So, take a look at the exclusive designs that deliver joy right into your hands.

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Kissing Coppers- Gold Rush Polystone Sculpture Limited Edition Artwork by Artist Brandalised of Pop Graffiti Painting & Street Art Fame. 2021 Polystone Product Size Height: 10" (25.4 cm) * Box Size Height: 7.50" (19 cm) Width: 8.00" (20.3 cm) Depth: 14.25" (36.2 cm) * Kissing Coppers returns! The second colorway of the highly sought-after piece brings a luxurious black and gold finish to the iconic stencil art. Icons of authority in a tender intimate moment. Advocating the acceptance of different sexual identities by society and humanizing a force that has been seen as violent in recent times. No matter which side we are on, or which pockets of society we belong to, we all seek a very human emotion - love. Gold is the color of love, passion, and magic. Let Kissing Coppers (Gold Rush) illuminate your collection with its gleaming finish, don't miss your chance to own this remarkable piece of art that is now immortalized as a special edition Polystone figure.

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These Violent Delights Giclee Print by Dave Pollot Artwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. 2020 Signed & Numbered Limited Edition of 15 Artwork Size 24x16.5 Vinatge Italian City on Riverway Populated By Workers From Westworld TV Show Dave Pollot's "Old Is New Is Old Again" is a compelling piece of limited edition giclee print artwork that has found its grounding in the intersection of pop art, street art, and graffiti art. Released in 2020, this stunning piece is a testament to Pollot's unparalleled ability to repurpose, reimagine, and recontextualize traditional art forms into contemporary and engaging works. As part of an exclusive series, only 10 signed and numbered copies of this masterpiece exist, each meticulously produced on fine art paper to ensure longevity and vibrancy of color. Measuring 8x10 inches, with a mat that extends the dimensions to 11x14 inches, "Old Is New Is Old Again" is a captivating representation of a Renaissance man in vintage attire. The main subject, distinguished and posed as a gentleman of a bygone era, sports a curious addition that beautifully exemplifies Pollot's creative aesthetic — a graphic of a wolf howling at the moon. This piece seamlessly integrates aspects of modern imagery with classical portraiture, resulting in a unique fusion that embodies the spirit of graffiti pop and street art. In the realm of pop art, Pollot's piece is a nod to the repetition and mass production synonymous with the movement. By embedding modern iconography into a traditional portrait, the artist creatively merges past and present, thereby urging viewers to explore the ubiquitous influence of pop culture on societal perception. The wolf, a symbol often found in street and graffiti art, adds an element of rawness and organic spirit to the otherwise refined and polished depiction of the gentleman. Street art, often reflective of social and cultural expressions, finds its representation in the artwork as well. Pollot's rendering of the gentleman is symbolic of the adaptability and fluidity of street art, with its roots firmly set in the culture of the streets but its reach extending far beyond. The unorthodox incorporation of a graffiti-style wolf into a classical portrait suggests a strong link to street culture, bridging the gap between fine art and popular expressions of creativity. Graffiti art, traditionally associated with rebellion and counterculture, takes on a new form in "Old Is New Is Old Again." The howling wolf, often used in graffiti as a signifier of freedom and independence, has been seamlessly incorporated into the artwork. Its presence offers a stark contrast to the gentleman's attire, suggesting a dichotomy between societal norms and the desire for personal freedom and expression. Through this piece, Dave Pollot has remarkably bridged the gap between varying art forms and historical periods, crafting a timeless piece that speaks volumes of his understanding of art and culture. "Old Is New Is Old Again" is a perfect example of Pollot's ability to draw from diverse artistic movements and social themes, creating a work that resonates with the complexity and diversity of the human experience. In essence, this piece serves as a visual dialogue between different eras and artistic styles, proving that in the realm of art, the old and the new can coexist in the most harmonious and visually striking ways.

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Limited Quantities Slap-Up Label Sticker Original Tag Art by Saber Original Spray Paint Art Drawing on Glossy US Flag Sticker by Graffiti Artist Modern Street Artwork. 2020 Signed by Tag Original Slap Up Graffiti Art 10x7 Neon Orange Spray Paint & Acrylic Paint Tagged on Limited Quantities Sticker. Saber's Signature Style and Medium The notion of exclusivity and scarcity often heightens the allure of an artwork, a concept that street pop art and graffiti artwork embody with particular zeal. In the realm of this artistic expression, the 'Limited Quantities' slap-up label sticker original tag art by Saber is a vivid exemplar of such rarity and desirability. This piece is a testament to the graffiti artist's signature style, where the urban landscape becomes a canvas for bold statements and visual disruptions. The artist, Saber, whose real name is respected in the street art community, chooses an everyday object—a glossy US flag sticker—and transforms it into a conduit for artistic expression. Measuring 10x7 inches, the work features neon orange spray paint and acrylic, a combination that Saber employs to create an arresting visual impact. The piece is a 2020 original, signed by the artist's tag, a mark of authenticity in the graffiti world. Saber's work is a dialogue between the artwork and its viewers. It is a conversation sparked by the vibrant hues and the vigorous, almost aggressive application of the tag that slices through the text 'Limited Quantities.' Using a slap-up sticker underscores the guerrilla nature of street art—fast, unexpected, and often fleeting. This mode of art-making aligns with the concept of limited editions; just as the sticker is quickly placed, it can be just as rapidly removed or covered, its existence as fleeting as the quantity it denotes. The Cultural Resonance of Limited Quantities in Modern Street Art In the culture of street pop art and graffiti artwork, the phrase 'Limited Quantities' speaks volumes. It is not just a literal indication of availability but also a symbolic nod to the transient nature of the genre. Street art is often at the mercy of environmental elements, city clean-up crews, or even other artists who may paint over a piece in the ever-evolving urban gallery. Thus, each work's existence is inherently limited, a transient moment of expression captured before it is altered or erased. Saber's piece serves as a literal and figurative marker of the times. In an age where consumerism often leads to mass production and replication, there is a growing appreciation for what is rare and unique. With its exclusive tag and vibrant spray paint on a glossy sticker, this artwork becomes a collectible item, a treasure hunt find for street art lovers and casual observers alike. The neon orange color, often associated with caution and high visibility, plays a dual role in this artwork. It demands attention, ensuring the message and the art cannot be ignored. Simultaneously, it satirizes the concept of caution by implying that the content, the 'Limited Quantities' of authentic street art, should be approached with reverence and awareness. Saber, an American artist, has contributed to the urban art scene and shaped the conversation around the value and significance of street pop art. Much like the 'Limited Quantities' slap-up sticker, his works reflect a societal commentary on the state of art, consumerism, and the politics of space and visibility. They are symbols of resistance, creativity, and the indomitable spirit of the street art movement. Saber's 'Limited Quantities' sticker is more than just a piece of graffiti artwork; it is a statement on street pop art's transient yet impactful nature. It is an emblem of the scarcity that often accompanies true creativity and originality in the bustling marketplace of ideas that is the modern cityscape. With each piece, Saber not only leaves his mark on the physical world but also imprints on the collective consciousness of a culture that continues to seek out the rare, the unique, and the authentic expressions of human experience.

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Coffee Shop Original Dunny Town Art Toy by Task One Kidrobot Vinyl & Plaster Art Toy Collectible Pop Artwork. 2013 Original Dunny Town Painted Plaster Kidrobot Custom Dunny Artwork Size Approximate 3x4 Town Coffee Shop Original Dunny Art Toy by Task One Celebrating Urban Culture: Task One's Coffee Shop Original Dunny Town Art Toy The "Coffee Shop Original Dunny Town Art Toy" by Task One is a captivating work that encapsulates the essence of street pop art and graffiti artwork through the innovative medium of Kidrobot vinyl and painted plaster. Released in 2013 as a part of the celebrated Dunny Town series, this piece stands approximately 3x4 inches. It represents a quaint urban coffee shop, a common sight in cityscapes across the globe. This art toy collectible is a testament to Task One's ability to transform the mundane into the extraordinary, spotlighting the role of coffee shops as social hubs within the tapestry of urban life. The art piece showcases Task One's meticulous attention to detail and his commitment to bringing the vibrancy of street culture into the realm of collectible art. The coffee shop, complete with its iconic sign, outdoor umbrella, and a tiny patron, is an homage to the everyday gathering places that serve as neighborhood landmarks. The art toy stands not just as a collectible item but as a miniature homage to the communal spaces that play a crucial role in urban living and culture. Task One's Artistic Vision: Blending Daily Life with Pop Art Task One's "Coffee Shop Original Dunny Town Art Toy" exemplifies the fusion of daily life with the imaginative potential of pop art. This piece, part of a limited edition series, mirrors city life's familiar yet often overlooked corners, presenting them through a whimsical yet reflective lens. The coffee shop, an emblem of urban routine and comfort, is reinterpreted in the distinct shape of a Dunny, merging the playful form with a severe function. This work is particularly significant in street pop art and graffiti artwork, as it captures the spirit of urban storytelling through a tangible form. The coffee shop, a place of respite and conversation, reflects the city's diversity and dynamism; through Task One's artistry, it is celebrated and immortalized in vinyl. The "Coffee Shop Original Dunny Town Art Toy" is thus more than just a representation of a building; it's a piece of urban narrative, inviting collectors and art lovers to appreciate the small yet significant elements of the urban experience. In creating this piece, Task One has reinforced the idea that art can be found daily and that the buildings and spaces we often pass by without a second glance hold stories worth telling. Through art toys, he has made these stories accessible, creating a bridge between the street and the shelf, between the ephemeral and the enduring. The "Coffee Shop Original Dunny Town Art Toy" is a vibrant slice of urban life. This collectible carries the flavor of the streets and the creativity of one of the most innovative artists in street pop art and graffiti artwork.

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Cheese Dollar Original Stencil Cut Dollar Bill Mixed Media One-of-a-Kind Painting Artwork Framed by Popular Street Art Pop Culture Artist RYCA- Ryan Callanan. 2017 Signed Original Artwork Size 6x2.5 RYCA Cheese Dollar Stencil cut dollar bill 2-1/2 x 6-1/8 inches (6.4 x 15.5 cm) Signed on lower right corner. Framed Dimensions 6.25 X 9.75 Inches. RYCA's "Cheese Dollar" as a Statement in Street Pop Art & Graffiti Artwork The "Cheese Dollar" by RYCA, a piece by Ryan Callanan, is a compelling embodiment of the fusion between street pop art and traditional currency. This one-of-a-kind mixed media artwork, signed and created in 2017, encapsulates the spirit of street art's incursion into the world of pop culture and economic commentary. At the dimensions of 6x2.5 inches, with a framed presentation extending to 6.25 x 9.75 inches, it is a testament to Callanan's work's meticulous craft and thought-provoking nature. In "Cheese Dollar," RYCA utilizes the stencil cut technique on an actual dollar bill, a medium that serves as an icon of commercialism and capitalism, reimagining it with a whimsical yet pointed message. By altering this ubiquitous symbol of value, Callanan injects humor and critique into the conversation about money's role in modern society. The artwork's title, "Cheese," a colloquial term for money, further plays on the intersection of language and symbolism often explored in street pop art. Significance of Mixed Media in RYCA's Work The mixed media nature of "Cheese Dollar" indicates RYCA's innovative approach to street pop art, blending non-traditional materials and techniques to create something entirely new. Using an actual dollar bill as the canvas for this piece challenges the viewer to reconsider the value we ascribe to currency and the objects we deem worthy of artistic transformation. Callanan's signature on the lower right corner is a seal of authenticity and a claim of the artist's role in transforming the object. This piece by RYCA reflects the artist's broader engagement with consumerism, value, and pop culture themes. By appropriating and altering currency, RYCA's "Cheese Dollar" becomes a vehicle for social commentary, aligning with the tradition of street pop art and graffiti artwork meant to provoke and engage public discourse. The choice to frame this piece elevates it from a mere object of transaction to a protected and valued piece of art, further complicating its interpretation and significance. RYCA's Ongoing Influence in Artistic Circles RYCA's "Cheese Dollar" symbolizes the artist's ongoing influence in street pop art and graffiti artwork circles. Through such works, Callanan continues challenging perceptions and engaging viewers with his clever blend of cultural references and commentary. The piece contributes to a dialogue on the materialism inherent in contemporary culture, using art to question and critique the systems of value that dominate our society. As street pop art and graffiti artwork continue to evolve, artists like RYCA play a crucial role in steering the conversation and challenging the status quo. Works like "Cheese Dollar" ensure that the discourse remains as dynamic and multifaceted as the art forms, offering new perspectives and insights into the complex interplay between art, culture, and economics. Through his art, RYCA captures the essence of the times and shapes the future of how street pop art is perceived and understood.

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Paint Mug With Brushes Original Ceramic Hand Painted Sculpture by Joshua Vides Shattered Dreams Series Artwork by Graffiti Street Artist. 2023 Signed Original Hand-Made Sculpture One of A Kind Ceramic & Acrylic Paint Artwork Size 4x7 Matte Black & White Mug With Magic Marker Pencil & Pen Statue. Paint Mug With Brushes by Joshua Vides: Sculptural Illusion in Street Pop Art & Graffiti Artwork Paint Mug With Brushes is a 2023 original hand-painted ceramic sculpture by graffiti artist and visual innovator Joshua Vides. Created as part of his Shattered Dreams series, this one-of-a-kind artwork measures 4 x 7 inches and is composed of ceramic and acrylic paint. The piece depicts a white coffee mug rendered in Vides’ signature graphic black-and-white cartoon style, filled with hyper-stylized tools of creation: a yellow pencil, a magic marker, and a black pen. The sculpture captures a studio scene in physical form, using handcrafted materials to simulate objects that are typically disposable, immediate, and overlooked. What makes this piece stand out is not only its visual precision but its conceptual subversion—turning something utilitarian into a sculptural emblem of artistic practice and cultural parody within the context of Street Pop Art & Graffiti Artwork. The mug is marked by a bold comic-style halftone pattern and a speech bubble reading MATTE BLACK, stylized in block lettering that references print-era pop art and advertising aesthetics. The black drips along the rim of the mug are meticulously painted to resemble real ink overflow, but they are frozen in glaze. Each tool within the mug is permanently affixed, not removable, turning everyday drawing instruments into elements of a crafted illusion. The surfaces are covered with splatters and wear marks, evoking the raw energy of a working studio while being entirely sculpted and sealed in ceramic. Vides plays with texture, contrast, and cultural association, creating a sculpture that is both playful and disruptive. Material Transformation and Static Gesture Joshua Vides is best known for transforming real-world objects and environments into bold black-and-white renderings that mimic sketches or early animation cels. Paint Mug With Brushes continues this practice, but in a compact and highly intimate scale. The mug and its contents simulate the artifacts of creative labor, yet they are recontextualized as permanent objects. This transformation from ephemeral to collectible underscores the tension between process and presentation, central themes in Vides’ sculptural work. The halftone pattern and comic elements nod to pop art traditions while being reinterpreted through a graffiti-informed lens. The tools inside the mug are exaggerated in size and form, creating a slight distortion that brings humor and stylization to the piece. While each item appears familiar, the collective presentation turns them into a visual statement about repetition, effort, and value in the creative process. Joshua Vides and the Language of Urban Object Culture Vides has become a leading figure in the dialogue between fine art, fashion, and graffiti culture, known for his crisp aesthetic and thematic consistency. His Shattered Dreams series extends his exploration of artistic labor and commercial identity, embedding critique within deceptively simple forms. Paint Mug With Brushes brings this inquiry to a domestic and personal scale. The ceramic surface, usually associated with functional craft, is retooled here as a sculptural medium for visual metaphor. This sculpture is not about function—it is about meaning, about what it means to create and the tools we use to do it. The speech bubble containing the phrase MATTE BLACK also functions as a cultural code—referring to both the literal aesthetic of the sculpture and the contemporary obsession with branding and limited-edition polish. In Vides’ hands, the cup is not just a vessel but a commentary on taste, trend, and artistic voice. It reflects a blend of comic book irony, street practice, and pop conceptualism that defines Street Pop Art & Graffiti Artwork at its sharpest. Paint Mug With Brushes as Icon of Process and Personal Symbol This sculpture is more than an object—it is a symbol of the artist's internal and external world, where tools become trophies and marks of use become style elements. Paint Mug With Brushes is a visual celebration of imperfection, process, and persistence. It captures a quiet, familiar scene—the artist’s cup of pens—and renders it permanent, elevated, and infused with satire. Joshua Vides transforms the mundane into iconography, pulling from the same instinct that fuels street art: mark your tools, leave a trace, tell a story in bold lines. Within the broader world of Street Pop Art & Graffiti Artwork, Paint Mug With Brushes operates as a miniature altar to creativity itself. It is clean yet messy, playful yet loaded, sculpted yet sketched. In freezing the moment when art begins—the reach for the pen, the dip of the brush—Vides delivers a static performance of creative energy. It is both studio relic and cultural artifact, and its message is simple but powerful: even the smallest tools can carry the loudest voice.

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2Vth Revolution Under Construction Artwork Giclee Limited Edition Print on Cotton Rag Paper by Pop Culture Graffiti Artist Marwan Shahin. "Revolution Under Construction" 2018 30.6"x25" Giclée on Cotton Rag Each print is Signed, Numbered & Branded

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