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Money and Power- Black Hand-Pulled 1-Color Silkscreen Print on Hand Deckled 290gsm Arches Rag Paper by Artist Cleon Peterson Limited Edition Art Artwork. 2022 Signed & Numbered Limited Edition of 75 Artwork Size 18x18 "Money and Power have become primary drivers in the modern world, pushing us toward a corrupt society. The days when our leaders looked out for the people's interests have become a thing of the past—replaced by the strong man who squashes the voices of dissent to set things straight. Money elects leaders; in return, they owe a debt to the people that put them in Power—enacting our new public policy of greed and gangster capitalism. We slowly accept corruption, Law slowly fades away, and people begin to feel like democracy and a fair and equitable society were always just an illusion, a dream from the past that never really even existed." -Cleon Peterson Money and Power by Cleon Peterson – A Stark Allegory of Corruption in Street Pop Art & Graffiti Artwork Money and Power is a powerful black hand-pulled 1-color silkscreen print created by Cleon Peterson in 2022. Produced in a limited edition of just 75 signed and numbered pieces, this 18x18 inch artwork is printed on 290gsm Arches rag paper with hand-deckled edges, emphasizing its artisanal quality and rarity. The stark yellow figures and flag, laid over a deep black background, serve as a searing visual metaphor of political decay and societal control. With simplified, militaristic forms, Peterson’s composition marches forward in rigid formation, symbolizing a collective submission to authoritarian rule driven by capitalist greed. The central banner bearing a dollar sign encapsulates the theme in one potent glyph: money has become the new god, the flag under which societies now march. Cleon Peterson's Street Pop Art & Graffiti Artwork – A Violent Mirror of Power Structures Cleon Peterson, born in the United States in 1973, is known globally for his uncompromising and provocative style that merges elements of street art, pop iconography, and a graffiti aesthetic into biting social commentary. His work does not rely on subtlety but instead confronts the viewer with raw and unsettling imagery. In Money and Power, Peterson explores how capitalist motives have become indistinguishable from systems of governance. The faceless, weapon-wielding figures invoke totalitarian control, with each character's uniformity and march-step illustrating the erasure of individual thought and freedom. Peterson’s use of a single bold color evokes propaganda art, recalling wartime posters and dictatorial regimes, reinforcing the critique that today’s economic elites and political figures have blended into a single oppressive force. Money and Power as a Visual Manifesto Against Gangster Capitalism This piece stands as a visual thesis against what Peterson terms gangster capitalism. He expresses the idea that leaders are no longer elected to serve the public good but instead owe their power to financial interests. These interests then dictate policy, ensuring that the cycle of wealth consolidation and systemic inequality continues unchecked. In the artwork, the figures do not march for justice or liberty, but for power sustained by money. The gun in each figure's hand underscores how violence or the threat of it is now a normalized tool for maintaining order in this corrupt structure. As law and accountability fade, Peterson’s image becomes a grim prophecy, showing a society where control is absolute and voices of dissent are methodically extinguished. A Defining Work in Modern Political Street Pop Art & Graffiti Artwork Money and Power exemplifies the essential mission of street pop art and graffiti artwork: to challenge viewers, provoke thought, and expose uncomfortable truths. Peterson uses minimalist design to deliver a maximalist message—every line, posture, and symbol communicates urgency and danger. The limited nature of the piece and the labor-intensive silkscreen technique elevate its importance as a collectible while preserving the raw authenticity central to street and graffiti art origins. It operates not merely as a print but as a declaration—one that distills Peterson’s disdain for performative democracy and unregulated capitalism into a concise, unforgettable image. The work’s impact lies in its clarity and its refusal to soften the critique, marking it as a seminal moment in Peterson’s body of work and a critical reflection of our time.

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Gold Digital Scale Object Art by Ben Baller, Limited Edition Designer Collectible Pop Artist Artwork. 2022 Limited Edition Rare Golden Gram Digital Scale Object Art New In Box. Artistic Fusion in Everyday Objects: Ben Baller's Gold Digital Scale In the dynamic world of Street Pop Art and Graffiti Artwork, the interplay between form and function takes a compelling turn with Ben Baller's Gold Digital Scale. This 2022 limited edition collectible infuses a helpful device with the luster of high art, transforming the mundane into the magnificent. Ben Baller, known for his boundary-pushing designs that weave together the wealthy with the streetwise, once again challenges conventional notions with this golden gram scale. At first glance, the Gold Digital Scale is an emblem of luxury—a functional item veiled in the splendor of gold, a metal that has captivated human imagination for millennia. But to the discerning eye, it is a canvas where the rebellious spirit of street art meets the precision of digital technology. It represents a seamless blend of contemporary pop culture and the age-old allure of gold, making it a coveted piece for collectors and art enthusiasts. This rare object art reflects Ben Baller's ethos: every creation is a conversation piece. The bold 'B' insignia is not just a brand mark; it's a statement of identity and a signature of the artist's hand. The scale is a testament to the idea that, in our hands, everyday items can become artifacts of personal expression. Gold Digital Scale: A Synthesis of Art, Precision, and Philosophy Baller's Gold Digital Scale is more than a measuring device; it's a metaphor for balance in pursuing a life well-lived. The precise nature of a scale—a tool for measurement—juxtaposes with the inherent value and fluctuation of gold, creating a duality that speaks to the balance of practicality and luxury. This duality is at the heart of Street Pop Art, which often explores contrasts and contradictions, presenting them in a way that is both thought-provoking and visually stimulating. The scale's design encapsulates a narrative that is both personal and universal. The artistry lies in its aesthetic appeal and its ability to evoke a deeper contemplation of value—be it in terms of weight or worth. It compels the user to consider what we measure and why, urging a reevaluation of the things we hold precious. In the sphere of Graffiti Artwork, the scale becomes a symbol of the artist's interaction with the world—a tool to quantify, challenge, and disrupt. It is a physical representation of the artist's influence, weighing the impact of art on society. The Gold Digital Scale is anchored in the present as a limited edition piece, but its implications are timeless. Collectible Art in the form of a Gold Digital Scale The allure of collectible art often lies in the story it tells and the emotion it evokes. With Baller's Gold Digital Scale, the narrative is rich and multifaceted. As a limited edition piece, it speaks of exclusivity and the innate human desire to possess something unique. But it also talks of innovation, of the boldness to reimagine what a collectible can be. In the context of Street Pop Art, this scale is revolutionary. It defies the traditional canvas, instead embracing technology and everyday objects as vehicles for artistic expression. It is an invitation to view our daily tools through the lens of art, recognizing the potential for beauty and meaning in all facets of life. The collectible nature of this piece is underscored by its newness, its pristine condition preserved within a box. This presentation protects the art and adds to its mystique, the untold stories that await once the seal is broken and the scale is used. In conclusion, Ben Baller's Gold Digital Scale bridges the worlds of art, technology, and personal expression. It is a shining example of how Street Pop Art and Graffiti Artwork continue to evolve, pushing the boundaries of where and how art can exist. This piece is a modern artifact, a testament to the era of digital precision melded with the timeless pursuit of art. It is a collectible that weighs the worth of innovation and the balance of aesthetic pleasure, challenging us to find the golden mean in art and life.

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Oceanic Airlines 4-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2014 Signed Limited Edition of 150 Artwork Size 18x24

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7-Eleven Store Original Dunny Town Art Toy by Task One Kidrobot Vinyl & Plaster Art Toy Collectible Pop Artwork. 2012 Original Dunny Town Painted Plaster Kidrobot Custom Dunny Artwork Size Approximate 3x4 Town 7-Eleven Store Original Dunny Art Toy by Task One Task One's 7-Eleven Store Original Dunny Town Art Toy The "7-Eleven Store Original Dunny Town Art Toy" by Task One is a unique intersection of consumer culture and street pop art, encapsulated in a vinyl art toy collectible. This original art by Task One, released in 2012, is a testament to the artist's skill in blending every day with the extraordinary, thus transforming a familiar urban icon into a piece of collectible pop artwork. The work is a part of the Dunny Town series, which is highly regarded in the vinyl art toy community for its innovative representation of miniature urban landscapes. This piece features the recognizable storefront of a 7-Eleven, a convenience store that dots urban landscapes worldwide, reimagined in the stylized form of a Kidrobot Dunny. It's a work that comments on the ubiquity of consumerism and the way brands imprint themselves on the collective consciousness of society. Task One's craftsmanship is evident in the meticulous details of the piece—from the signboard with the 7-Eleven logo to the tiny rendition of the store's entrance and the miniature trash can beside it. Using plaster to create this custom Dunny artwork adds a textural quality that echoes the tactile nature of street art. Reflection of Street Pop Art & Graffiti Artwork in Task One's Dunny The 7-Eleven Dunny by Task One is not just a collectible; it reflects street pop art and graffiti artwork. By selecting a Dunny—a figure that is essentially a blank slate—Task One engages in a dialogue with the pop art tradition of utilizing mass culture and transforming it into high art. With its hand-painted, plaster-modified surface, this piece bridges the gap between the often transient nature of street art and the permanence sought by fine art collectors. The art toy becomes a canvas for social commentary, echoing the voice of graffiti art that often critiques or highlights elements of urban life. Task One's art toy challenges the viewer to reconsider the role and value of commercial objects in art. It's a bold statement on the infiltration of branding in our daily lives, presented through the lens of a street artist. Placing a 7-Eleven on a Dunny characteristically embodies street pop art's playful yet critical spirit, where the mundane is repurposed to serve as a medium for creative expression. In the broader context, the "7-Eleven Store Original Dunny Town Art Toy" exemplifies how artists like Task One redefine the boundaries of art and collectibility. Through the fusion of street art sensibilities with the collectible toy culture, Task One has contributed to the burgeoning art toy movement, which continues to gain momentum and respect within the art community. This piece serves as a poignant piece of Task One's legacy, capturing the essence of his artistic vision and the cultural zeitgeist of the time.

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UTLA- Stand With LA Teachers 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Ernesto Yerena Montejano (Hecho Con Ganas) Famous Mexican-American Pop Artwork Artist. 2019 Signed & Numbered Limited Edition of 300 Size 18x24 Embodying the spirit of advocacy and the essence of communal solidarity, Ernesto Yerena Montejano's "Stand With LA Teachers" emerges as a powerful example of art as a vessel for social message and cultural identity. This 2019 limited edition silkscreen print is a visual anthem created to support the Los Angeles teachers' fight for student rights, aptly produced under the artist's studio moniker Hecho Con Ganas. Each of the 300 signed and numbered prints, sized at 18x24 inches and pulled by hand, captures the enthusiasm of the United Teachers Los Angeles (UTLA) movement, celebrating educators' roles as pillars in the democratic framework. Yerena Montejano, widely recognized for his Mexican-American pop artwork, weaves together vibrant hues and bold graphic lines to craft a visage that is as evocative as it is iconic. This piece showcases a harmonious blend of reds, yellows, and teals—colors traditionally symbolizing passion, energy, and clarity. These colors leap from the fine art paper, igniting a sense of urgency and unity in support of the educational community. His style echoes the sentiments of classic pop art with a contemporary twist, making his work an intersection of fine art and street art. What sets this artwork apart in pop and graffiti art is its unmistakable purpose. It's not just an image but a declaration, a call to the public to recognize the crucial role that educators play in shaping the future. The striking image of a teacher in this print embodies the dedication and resilience of those in the profession. At the same time, the textual message “Community Schools Build Democracy” underscores the belief in education as a foundational element of societal progress. "Stand With LA Teachers" stands as more than a mere decorative piece; it's a historical timestamp and a socio-political tool that bridges the world of art with the concrete realities of educational activism. Montejano's work reverberates through the landscape of pop art, carrying with it the voices of educators and the strength of community-based advocacy.

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Joshua Vides X CC Cone Limited Edition Ceramic Traffic Cone Sculpture Artwork by Legendary Fine Graffiti Street Artist Joshua Vides. 2021 Limited Edition of 100 - 9.5” height x 6” base. in ComplexCon Exclusive Joshua Vides, a renowned name in the contemporary art world, has emerged as a unique visual artist adept at blending pop art, street art, and graffiti into his work. Known for his distinctive monochromatic style, he effortlessly creates an immersive experience that bridges the divide between the two-dimensional and three-dimensional worlds. The latest offering from his brilliant repertoire is the 'Joshua Vides X CC Cone Art Object Sculpture.' Inspired by commonplace objects, Vides transforms them into artistic marvels that captivate the audience, effectively turning the ordinary into extraordinary. The CC Cone is no different. This art object, in its essence, is a reinterpretation of the humble traffic cone, yet the transformation is nothing short of revolutionary. Vides' singular technique entails outlining objects in bold, black lines against a stark white background, mimicking the look of a sketch or comic strip. The CC Cone is adorned with this distinctive style, breathing new life into an otherwise overlooked item. The starkness of the black and white design, coupled with the everyday simplicity of the traffic cone, delivers a startling contrast that captures the quintessential paradox of Vides' work: simplicity in design, complexity in perception. As is characteristic of Vides' work, the CC Cone also serves as a comment on modern life, consumer culture, and the urban landscape. This sculpture represents an intersection of art and life, challenging viewers to perceive the world around them through a fresh lens. The intersection of pop art, street art, and graffiti in this sculpture underscores its vitality, pushing the boundaries of the three genres while merging them into a harmonious entity. The 'Joshua Vides X CC Cone Art Object Sculpture' is not merely an art piece; it's a commentary, a challenge, and a testament to Vides' unmatched ability to transform the mundane into extraordinary art. The sculpture serves as a powerful reminder of the blurred lines between art and life, celebrating the beauty and complexity that often goes unnoticed in everyday objects.

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Priority Mail 228-2016 Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Drawing Art on USPS Mailing Label by Graffiti Artist Modern Street Artwork. 2020 Signed by Tag Original Slap Up Graffiti Art Tag 4.25x5.5 Color Marker on USPS United States Postal Service Priority Mail Label 228-2016.  Priority Mail 228 Labels: Slap-Up Canvas for the Streets Street Pop Art and Graffiti Artwork have become synonymous with urban landscapes' raw, vibrant, and often controversial energy. Amongst the most captivating forms of this art is the slap-up label sticker, a brief piece that combines the guerrilla tactics of street art with the aesthetic approach of pop art. These stickers, often found adorning city walls, lampposts, and mailboxes, carry the pulse of the streets and the artist's signature. The United States Postal Service's Priority Mail 228 label is a particularly iconic medium within this genre. Initially intended for postal use, artists have repurposed these labels as canvases for their work. With its distinctive red, white, and blue design, the label offers an instantly recognizable backdrop deeply rooted in American iconography. This juxtaposition of official symbolism with the rebellious nature of graffiti creates a powerful, provocative, and patriotic visual statement. Graffiti artists like Saber have transformed these labels into vehicles of personal expression and social commentary. Saber, an American artist named Ryan Weston Shook, is known for his work within the graffiti community and beyond. His involvement with the art form dates back to the 1990s, and he has since become a notable figure in the street art world.  Tag Art: Marking Presence and Identity Tagging, which involves writing one's alias or signature in a stylized form, is central to graffiti culture. It's a means of claiming territory, asserting identity, and engaging with the public in a dialogue often unmediated by gallery spaces' conventions. The Saber piece utilizes a blue permanent marker to create a tangle of lines and shapes that coalesce into his distinctive tag. Measuring 4.25x5.5 inches, this slap-up label sticker is a quintessential example of tag art, embodying the spontaneity and personal touch that are hallmarks of the genre. Created in 2020 and signed by the artist, this piece carries the weight of authenticity and the immediacy of street art. Despite its small scale, the tag commands attention, with the intensity of the blue marker standing bold against the label's pre-printed elements. The label's date, March 2016, provides a temporal context, anchoring the artwork in a specific moment of Saber's artistic journey. The cultural significance of slap-up label art lies in its accessibility and transience. These stickers can be produced en masse and placed in various locations, allowing for a wide distribution of the artist's work. However, their lifespan is unpredictable, as they can easily be removed or destroyed, mirroring the fleeting nature of fame and public attention in the digital age. Saber's use of the Priority Mail 228 label is a nod to a tradition in street art that values the repurposing of everyday items into something extraordinary. The label's transformation from a mundane postal accessory into a piece of art disrupts the ordinary and challenges the viewer to see the extraordinary in the everyday. This quality places slap-up label art firmly within the canon of Street Pop Art and Graffiti Artwork, genres that continually redefine themselves through unconventional materials and methods. The Priority Mail 228 Slap-Up Label Sticker by Saber is more than just a piece of art; it is a statement, a piece of cultural fabric, and a reflection of the artist's presence in the urban landscape. As with much of Street Pop Art and Graffiti Artwork, it encapsulates a moment in time, a burst of creative energy, and a dialogue with the public that is as vibrant and dynamic as the streets from which it was born.

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Shell PP Printers Proof Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Cey Adams Graffiti Street Artist Modern Pop Art. PP Printers Proof Signed & Marked PP Limited Edition Artwork Size 18x18 Shell Archival Print by Cey Adams "The whole idea behind my Trusted Brands series was that I wanted to revisit many of the iconic logos of my youth to reconnect to familiar things. These pieces are mostly made of handmade fiber papers from India and Nepal. I wanted to do something rivaling my friends who used spray paint and connected with my graffiti roots, but I didn't want to do what everybody else did. I thought it would be interesting to challenge myself to use a medium I have never used before, and collage spoke to me." - Cey Adams. Cey Adams' "Shell" - A Convergence of Branding and Art Cey Adams, a foundational figure in graffiti and street pop art, presents a compelling piece in his "Shell PP Printers Proof Limited Edition." This work is part of Adams' "Trusted Brands" series, where he revisits the emblematic logos that marked his youth. The print, an 18x18 archival pigment on fine art paper, showcases his exploration into collage, setting him apart from his contemporaries who favored spray paint. This piece is a Printer's Proof, signed and marked by Adams, adding a layer of exclusivity and collectibility. Adams' choice to use handmade fiber papers from India and Nepal lends an organic texture that contrasts with the commercial sharpness of the Shell logo. His work is a nod to nostalgia and a dialogue between past and present, consumerism and craftsmanship. The "Shell" piece stands out as a testament to Adams' ability to innovate within his graffiti roots while pushing the boundaries of his artistic expression. In Adams' own words, his college journey was challenging to escape the graffiti norm. His "Trusted Brands" series, including the "Shell" print, reflects this personal and artistic quest to connect with familiar symbols uniquely, embodying the essence of modern pop art within the urban landscape.

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Workers Rights- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Varnished 100% Cotton Rag Archival Paper with hand-deckled edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. 4-Color Serigraph on Varnished 100% Cotton Rag Archival Paper. 30 x 40 inches. Signed by Shepard Fairey. Numbered edition of 100. Jim Marshall's photo was taken at the California State Capitol in Sacramento after Ces One- Rob Provenzano ar Chavez completed his 300-mile march in support of farmworkers' rights. Jim captured Chavez in a pose that suggests the vision and leadership that he truly embodied.

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Car Wash Original Dunny Town Art Toy by Task One Kidrobot Vinyl & Plaster Art Toy Collectible Pop Artwork. 2013 Original Dunny Town Painted Plaster Kidrobot Custom Dunny Artwork Size Approximate 3x4 Town Car Wash Original Dunny Art Toy by Task One Exploring Urban Narratives: Task One's Car Wash Original Dunny Town Art Toy Task One's "Car Wash Original Dunny Town Art Toy" embodies the creative spirit that defines street pop art and graffiti artwork. This 2013 masterpiece integrates the familiar Kidrobot Dunny vinyl form with the tactile, textured medium of painted plaster, resulting in a unique collectible that stands approximately 3x4 inches. Through the medium of this custom Dunny artwork, Task One explores the everyday urban experience, encapsulating it within the playful yet profound form of a car wash. The Car Wash Dunny is more than a mere representation of an ordinary city service; it is a microcosm of urban life, conveying the motion and activity of the streets in a static figure. The art toy features meticulously sculpted details, from the fringed wash curtains to the vibrant, conical traffic barriers, capturing the essence of a bustling car wash in miniature. The top of the Dunny is adorned with a "CAR WASH" sign, crafted in a font that echoes the signage seen in any neighborhood, adding authenticity and a touch of nostalgia to the piece. Task One's Artistic Commentary on Consumer Culture In creating the Car Wash Dunny, Task One delivers a subtle yet impactful commentary on consumer culture and the commodification of urban spaces. The art toy serves as a canvas for this discourse, inviting contemplation on the role of such establishments in our daily lives and their significance in the urban tapestry. The choice of a car wash as the subject reflects a keen observation of the mundane, elevating it to the level of art through the transformative power of Task One's vision. The Car Wash Dunny, as part of the more extensive Dunny Town series, exemplifies Task One's dedication to blending street art's immediacy and relevance with the collectible nature of vinyl toys. This fusion results in a thought-provoking piece that holds a mirror to the city's soul, reflecting the vibrant, ever-changing life of the streets. Collectors and admirers of street pop art are drawn to such works for their aesthetic appeal and their ability to encapsulate a piece of the urban experience. Task One's work, particularly this captivating rendition of a car wash, showcases the potential of art toys to act as vessels for storytelling and cultural reflection. Through his skillful use of materials and his intelligent approach to the subject matter, Task One has contributed a significant chapter to the narrative of street pop art and graffiti artwork, ensuring that the essence of the streets is preserved in the palms of our hands. The Car Wash Original Dunny Town Art Toy by Task One remains a treasured piece for those who value the intersection of art, culture, and the vibrancy of city life.

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Daniel Plainview Limited Edition Giclee Print on Fine Art Paper by Robert Bruno counter-culture street artist art. Based on Daniel Day-Lewis' movie There Will Be Blood character Daniel Plainview. "I have a competition in me. I want no one else to succeed. I hate most people...there are times when I look at people and see nothing worth liking. I want to earn enough money that I can get away from everyone." -Daniel Plainview

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Ballerina In Containers On The Edge Le Havre France 20 Color Lithograph Print by Atelier JR Jean-René Hand-Pulled Print on Marinoni Flatbed Machine Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 2023 Signed & Numbered Limited Edition of 250 Artwork Size 39.37x27.56 Presenting an exceptional piece of pop art straight from Le Havre, France - the "Ballerina In Containers On The Edge" lithograph print by Atelier JR Jean-René. This fine artwork, drawn from the thriving culture of graffiti and street art, serves as a vibrant testament to Jean-René's unique ability to capture energy and vitality in seemingly static subjects. The 20-color lithograph print, featuring a striking image of a ballerina poised delicately amidst an urban environment, exemplifies the transcendent harmony of beauty and resilience. Printed on a Marinoni flatbed machine, the method used is an age-old technique known as hand-pulled printing. This labor-intensive process demands precision and meticulous attention to detail, ensuring the highest degree of quality in every print. The choice of fine art paper further elevates the final product, allowing the colors to truly come alive and resulting in a superior-quality artifact that promises longevity. Limited to a special edition of 250 prints, each piece is signed and numbered by Atelier JR Jean-René himself, lending a unique touch of authenticity to every print. Measuring 39.37x27.56 inches, the large format brings a pronounced presence to the piece, inviting viewers to immerse themselves in the rich details and profound symbolism contained within the artwork. This lithograph is more than just a print; it's a carefully crafted work of art that celebrates the dynamism of the urban landscape, bridging the gap between the raw grittiness of street art and the elegance of ballet. It embodies Jean-René's passion for combining contrasting elements, offering an unparalleled amalgamation of pop art and street culture. With "Ballerina In Containers On The Edge," you're not just purchasing a limited-edition print - you're acquiring a piece of the vibrant and ever-evolving narrative of modern urban life as captured by one of the most innovative artists in the world of graffiti and pop art.

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Dangerous When Wet Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Marker Art Drawing on Glossy Flame Sticker by Graffiti Artist Modern Street Artwork. 2020 Signed Original Slap Up Graffiti Art Tag 4x4 Marker Tagged on Dangerous When Wet Label Uline S-176 Sticker. Slap Up In Perfect Condition. Challenging Conventions with Street Pop Art The "Dangerous When Wet Label Uline S-176 Sticker" series, created by the renowned graffiti artist Saber, whose birth name is Ryan Weston Shook, stands as a compelling intersection of street art innovation and cautionary messaging. Saber's 2020 collection of 4x4 marker-tagged artworks embodies the essence of Street Pop Art and Graffiti Artwork, repurposing warning labels meant to signify potential danger into canvases that question and provoke thought about the inherent risks in our daily lives and the nature of perceived threats. Fluidity and Permanence in Saber's Art The warning labels Saber selects are traditionally designed to alert individuals of the immediate physical dangers of substances that react with water. However, by incorporating his signature tag into these labels, Saber invites a dialogue on the fluidity of art and its ability to leave a permanent mark on both the physical and cultural landscapes. Through tagging, these stickers, which once served a single helpful purpose, are now transformed into a statement on the juxtaposition of danger and beauty, impermanence and endurance. This speaks to the heart of graffiti's ethos – creating art that can withstand the elements, much like the substances the original labels warn against. Saber and the Assertion of Artistic Presence Each signed original slap-up graffiti art tag is a declaration of presence, asserting the artist's voice in a reserved space for warnings and prohibitions. The choice of the 'Dangerous When Wet' sticker is especially resonant in the year it was created, a year fraught with global challenges where the metaphorical concept of being 'dangerous when wet' could be extended to the idea of ideas, movements, and expressions that gain momentum and power when combined with the elements of social and political change. In exploring this theme, Saber utilizes the language of Street Pop Art and Graffiti Artwork to navigate the complexities of communication in public spaces. His work demands recognition for its aesthetic appeal and its ability to engage with and transform the messages embedded within our environments. As a respected figure in street art, Saber continues to push the boundaries of how art can interact with and alter the fabric of society. Each piece he creates is not just an artwork; it is a challenge, a question, and a statement rolled into one, symbolic of the power and potential of street art to recontextualize and redefine the symbols surrounding us.

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The Raise- 17x10 Limited Edition Archival Pigment Prints on Museum Natural Fine Art Paper by Earth Crusher Graffiti Street Artist Modern Pop Art. "The Raise is my interpretation of the regular goings-on in the office life of the corporate elite. This piece is the largest of a 4 part series of billboards I built for my solo show "The Chosen One Percent" at Artgang in Montreal, Quebec, March 2016. I became interested in advertising and propaganda in the beginning of my art career and I especially liked the billboard as a medium and started experimenting with it. I see the billboard as being outside of the control of the people, a symbol of power and manipulation. I decided I'd build my own as an attempt to take that power and put it behind my own messages." - Earth Crusher

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Factory Stacks- Endless Power 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed by Shepard Fairey Numbered 18x24 inches. Screenprint on thick cream Speckletone paper. Numbered edition of 350. "These “Factory Stacks” images combine the austere, angular power of factory architecture with graphic elements commenting on what we promote and embrace as a society even when those things are destructive. The fossil fuel industries have tremendous power economically, but we now know that not only are fossil fuel sources finite but that using them is terrible for climate change and, therefore, the eco-systems that sustain life on our planet. Unfortunately, due to the political power of these industries and public apathy about climate change, the government subsidizes the fossil fuel industries for billions even as they damage the environment. The government works for the citizens, so the choice is ours. Do we support endless power for wealthy fossil fuel corporations? Or policies that put the earth first with the planet before profits? Please read Naomi Klein’s THIS CHANGES EVERYTHING to better understand the conflict between economic interests and climate change. A portion of the proceeds from the sale of this print will go to Greenpeace to fight climate change. Thanks for caring.” – Shepard Factory Stacks – Endless Power Silkscreen Print by Shepard Fairey Factory Stacks – Endless Power is a bold 6-color silkscreen print created in 2022 by Shepard Fairey, one of the most influential figures in Street Pop Art & Graffiti Artwork. Measuring 18x24 inches, this signed and numbered limited edition of 350 is printed on thick cream Speckletone paper and embodies Fairey’s hallmark aesthetic: a fusion of propaganda-style composition, socio-political messaging, and graphic design precision. It continues his Factory Stacks series, a visual campaign aimed at confronting environmental and systemic imbalances, particularly those surrounding the fossil fuel industry. Visual Language of Industrial Dominance This piece presents twin smokestacks emerging from a factory, exhaling thick plumes of smoke that bend into geometric arcs against a fractured backdrop. The composition is both imposing and elegant, rendered in Fairey’s signature palette of red, blue, cream, and black with accents of gold and grey. A section in the upper corner features graphic symbols such as currency and uniformed authority figures with the text “Endless Power,” visually connecting fossil fuel dependency to state and corporate control. Below, flames lick at the base of the structure, symbolizing destruction masked as progress. The stylized imagery and bold silhouettes evoke retro political posters, transforming the factory into an icon of unchecked industrial ambition. The title “Endless Power” is a biting irony. It speaks to the illusion of limitless energy consumption enabled by fossil fuels while referencing the political power structure that sustains this destructive system. Fairey uses the visual metaphor of pollution and fire not just as environmental warning signs, but as emblems of capitalism's refusal to pivot toward sustainability. Fine Art Printmaking as Street-Level Protest This edition is hand-pulled and silkscreened, showcasing Fairey’s technical prowess in layering crisp lines and vibrant color fields. The physicality of screenprinting—each layer applied with intention—parallels the artist’s belief in direct action. The Speckletone stock used adds texture and weight, reinforcing the piece’s physical presence and link to protest posters of the past. As a printmaker rooted in the street art tradition, Fairey embraces reproducibility without sacrificing uniqueness. His screenprints are both fine art artifacts and tools of mass communication. Factory Stacks – Endless Power does not rely on abstraction. It forces clarity, making its environmental critique visually immediate and emotionally provocative. Political Commentary Through Graffiti-Inspired Aesthetics Fairey’s work consistently straddles the space between fine art and graffiti, and this piece is no exception. By including symbols of nationalism, money, and smoke stacks, he aligns corporate power and environmental degradation in a single visual language. As part of the OBEY Giant campaign's broader ethos, the artwork invites viewers to question the legitimacy of authority, capitalism, and consumption. In the lower left of the piece, Fairey embeds the edition number and his signature, reinforcing its status as a collectible. Yet unlike conventional gallery art, this piece was made to communicate with the public. A portion of the proceeds from this release was donated to Greenpeace, underscoring the artist’s commitment to activism through art. Factory Stacks – Endless Power is not a lament—it is a visual demand. It reminds viewers that power, both political and industrial, is not endless unless people allow it to be. Through the bold format of Street Pop Art & Graffiti Artwork, Shepard Fairey transforms a grim industrial skyline into a battleground of ideas, urging action before the smoke becomes irreversible.

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These Violent Delights Giclee Print by Dave Pollot Artwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. 2020 Signed & Numbered Limited Edition of 15 Artwork Size 24x16.5 Vintage Italian City on Riverway Populated By Workers From Westworld TV Show Dave Pollot These Violent Delights Limited Edition Giclée Print These Violent Delights is a 2020 signed and numbered limited edition giclée print by contemporary pop artist Dave Pollot. Measuring 24 x 16.5 inches and released in an ultra-low edition of only 15, this fine art print exemplifies Pollot’s signature practice of recontextualizing traditional landscape paintings through unexpected pop culture interventions. As with much of his work, the piece balances reverence for classical aesthetics with sharp, contemporary narrative contrast. Romantic Italian Cityscape Interrupted by Westworld At first glance, the artwork presents a tranquil European riverside scene reminiscent of vintage Italian masterworks. Sun-dappled trees line a cobblestone promenade, café tables sit beneath deep red umbrellas, and an elegant stone bridge arches gently over reflective water. Warm pastel architecture and flowering greenery create a dreamlike, nostalgic atmosphere rooted in romantic landscape painting traditions. However, Pollot disrupts this serenity by inserting workers from the television series Westworld into the composition. Clad in white uniforms with striking red accents, the figures stand awkwardly within the idyllic setting, subtly unsettling the viewer. The title, These Violent Delights, references the iconic Shakespearean line repeated throughout Westworld, reinforcing themes of artificial paradise, hidden control, and inevitable chaos. The collision between classical beauty and dystopian science fiction creates a layered visual irony that rewards closer inspection. Rare Contemporary Pop Culture Reimagining Printed as a museum-quality giclée on fine art paper, the edition preserves the rich tonal transitions, painterly textures, and luminous color palette of the original altered painting. With only 15 signed and numbered examples produced, this 2020 release is exceptionally scarce. These Violent Delights stands as a compelling example of Dave Pollot’s ability to blend fine art tradition with modern television mythology, transforming a romantic cityscape into a commentary on illusion, narrative control, and the fragile veneer of perfection.

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Money and Power- White Hand-Pulled 1-Color Silkscreen Print on Hand Deckled 290gsm Arches Rag Paper by Artist Cleon Peterson Limited Edition Art Artwork. 2022 Signed & Numbered Limited Edition of 75 Artwork Size 18x18 "Money and Power have become primary drivers in the modern world, pushing us toward a corrupt society. The days when our leaders looked out for the people's interests have become a thing of the past—replaced by the strong man who squashes the voices of dissent to set things straight. Money elects leaders; in return, they owe a debt to the people that put them in Power—enacting our new public policy of greed and gangster capitalism. We slowly accept corruption, Law slowly fades away, and people begin to feel like democracy and a fair and equitable society were always just an illusion, a dream from the past that never really even existed." -Cleon Peterson Money and Power by Cleon Peterson – White Edition of a Stark Political Allegory in Street Pop Art & Graffiti Artwork Money and Power by Cleon Peterson is a 2022 signed and numbered hand-pulled silkscreen print, produced in a limited edition of 75. Measuring 18x18 inches and printed in black ink on pristine white 290gsm Arches rag paper with hand-deckled edges, this piece delivers a powerful statement using minimalism to reveal the mechanics of authoritarian control and capitalist dominance. The design features three militarized figures marching in unison beneath a dollar-sign emblazoned banner. Each figure salutes with one hand while gripping a weapon in the other, marching in lockstep toward a future defined not by democracy or justice, but by obedience to power shaped through wealth. The precision of the stark black-on-white imagery reinforces the rigidity and dehumanization portrayed, highlighting the shift from collective governance to capitalist-driven authoritarianism. Cleon Peterson’s American Vision of Modern Power Structures Cleon Peterson, an American artist born in 1973, is renowned for his distinctive graphic style that merges the brutal directness of street art with a pop art sensibility. His works are not decorative—they are confrontational, morally urgent, and reflective of systemic violence. Money and Power exemplifies Peterson’s ability to distill complex socio-political realities into singular, unforgettable images. This white edition removes any distraction and allows the viewer to focus entirely on the content and message. The absence of color echoes the perceived erasure of nuance in modern governance, where decisions are no longer dictated by ethical considerations but by financial allegiance. Peterson uses his background in design and graffiti to strip down the message to its essence—those who control money control the message, the law, and the people. Symbolism of Marching Figures and the Banner of Capital The figures in Money and Power are reduced to symbols of conformity and control. With robotic movements and identical expressions, they act not as protectors of the public, but as agents of a system that prioritizes wealth preservation over civic duty. The gun in each hand is not just a weapon—it is a metaphor for the threat that sustains the hierarchy. The saluting gesture, typically a sign of honor or loyalty, is here rendered as a chilling submission to corrupt ideology. Above them, the banner with a dollar sign takes the place of national or moral symbols, declaring money as the new flag under which modern societies march. This image captures what Peterson describes as gangster capitalism—an economy and government fused into a singular corrupt force that erodes public agency and the very foundation of democracy. Money and Power as a Landmark of Street Pop Art & Graffiti Artwork This edition of Money and Power exists as both a work of fine art and a political poster, calling attention to the social decay born of greed and power consolidation. It stands firmly within the tradition of Street Pop Art & Graffiti Artwork, using accessible imagery to convey truths that are often ignored or downplayed in institutional settings. Peterson’s decision to limit the edition to 75 hand-pulled prints adds gravity to its message, making each piece a personal call to awareness and resistance. As street art evolved from rebellion to collectible, artists like Peterson have held firm to the medium’s roots—using public-facing visuals to voice dissent. This piece does not seek to comfort or beautify, but to warn. It captures a world where money no longer funds democracy but replaces it, revealing a cycle where power begets power and the people are simply marched along.

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Infectious Substance Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Marker Art Drawing on Mailing Glossy Biohazard Sticker by Graffiti Artist Modern Street Artwork. 2020 Signed Original Slap Up Graffiti Art Tag 4x4 Marker Tagged on Infectious Substance Warning Bio-Hazard Label Uline S-180 Sticker. Slap Up In Perfect Condition. Reframing Perception through Street Pop Art Street pop art and graffiti artwork, characterized by their vibrant immediacy and cultural resonance, have a way of capturing the zeitgeist of the era in which they were born. The "Infectious Substance Warning Bio-Hazard Label Uline S-180 Sticker" series by graffiti artist Saber, whose real name is Ryan Weston Shook, exemplifies this phenomenon. With his 2020 collection of signed original slap-up graffiti art tags, Saber converges the world of hazardous material warnings with the rebellious spirit of street art. Each 4x4 marker-tagged piece carries his unique interpretation, transforming the ominous implications of the bio-hazard symbol into a canvas that speaks to the broader impact of what is genuinely infectious in our societies. Saber's Artistic Intervention on Bio-Hazard Symbols Saber's choice of the bio-hazard label as a substrate for his art is particularly telling. The symbol, designed to alert to dangerous pathogens, is recontextualized in his work to question the infectious nature of ideas, the virulence of art, and the power of expression to permeate and affect the public psyche. The contagious substance label, meant to protect by warning, is overlaid with Saber's tags that neither obscure the message nor dilute its significance. Instead, they add a layer of meaning, an artist's signature that challenges the viewer to question the boundaries between safety, censorship, public health, and public discourse. Modern Street Artwork as Social Commentary In modern street artwork, Saber's creations are a powerful testament to the artist's role as a social commentator. His work on the Uline S-180 stickers is a visual metaphor for 2020, a period marked by global health crises and a heightened awareness of biological hazards. By tagging these stickers, Saber connects the dots between the literal infectious agents the labels warn against and the metaphorical contagion of fear, misinformation, and societal unrest that characterized the year. The permanence of the marker on the glossy sticker mirrors the lasting impact of the year's events on the collective consciousness, ensuring that while the hazards may be contained, the dialogue they incite is not. In every line and color choice, Saber's art on the bio-hazard stickers demands engagement and reflects the unyielding nature of Street Pop Art and Graffiti Artwork. As a documented figure in the graffiti community, Saber's American roots and contributions continue to shape the conversation around the power of street art to reframe our perception of the symbols that dominate our public spaces. Each tag is a deliberate reclamation, a declaration that even the most exemplary of symbols can become a medium for enduring artistic expression.

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Joy The Delivery Kid Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Mighty Jaxx x DHL. 2021 Limited Edition 4.5” Vinyl Art Toy 5 Interchangeable Faces "Joy Across The Distance" Meet Joy the Delivery Kid. Based on the iconic yellow and red DHL boxes, this emotive figure has a face for every step of the delivery process! From the “oh this is heavy” look to the “it’s delivered” elation, Joy the Delivery Kid is the delivery pal you’re missing. What’s in-store when you receive a package from Mighty Jaxx? Joy. Nothing beats opening up that yellow and red box and finding your limited-edition collectible inside. Together with our shipping partner DHL, the “Joy Across The Distance” collection explores all the happy feelings a collectible goes through on its journey to your home. So, take a look at the exclusive designs that deliver joy right into your hands.

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Supreme Smurfs Deck- Purple Limited Edition Skateboard deck art by Designer Brand Supreme Supreme's highly anticipated Smurfs collaboration dropped during week 6 of the brand's Fall/Winter 2020 season. The Supreme Smurfs Skateboard Deck on October 1st, 2020. This box logo skateboard deck may go down in history as one of the most desirable and features classic Smurfs imagery alongside Supreme's iconic logo.

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Gojira vs The Smoke Monster- AP Artist Proof Limited Edition 4-Color Hand-Pulled Silkscreen Print on 100lb Cougar Brand Natural Fine Art Paper by Pop Artist Tim Doyle. AP Artist Proof 2013 Signed & Marked AP Artwork Size 18x24 4-color hand-printed silkscreen print. Measures 18x24 inches and is signed by the artist. Printed on 100lb Cougar Brand Natural Fine Art Paper.

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Front End Loader Limited Edition 7-Color Hand-Pulled Silkscreen Print on Fine Art Paper by John Vogl Graffiti Street Artist Modern Pop Art. 18 x 24 inches. Seven screens on French Speckletone cover stock. Signed and numbered edition of 240. Released 25 November 2014.

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Wynwood Walls 10th Year Commemoration Giclee Print by Inti Castro Artwork Limited Edition Print on 305gsm Cold Press Acid-Free 100% Cotton Paper Graffiti Pop Street Artist. 2015 Signed & Numbered Limited Edition of 75 Artwork Size 26.5x16 Published by Goldman Global Arts, Miami

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Mild Man-nerd 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Dan Christofferson- Beeteeth Rare Street Art Famous Pop Artwork Artist. 3-color, 18"x24" screenprint from my Manners before Mayhem show at kayo gallery -Dan Christofferson

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Money and Power- Yellow Hand-Pulled 1-Color Silkscreen Print on Hand Deckled 290gsm Arches Rag Paper by Artist Cleon Peterson Limited Edition Art Artwork. 2022 Signed & Numbered Limited Edition of 75 Artwork Size 18x18 "Money and Power have become primary drivers in the modern world, pushing us toward a corrupt society. The days when our leaders looked out for the people's interests have become a thing of the past—replaced by the strong man who squashes the voices of dissent to set things straight. Money elects leaders; in return, they owe a debt to the people that put them in Power—enacting our new public policy of greed and gangster capitalism. We slowly accept corruption, Law slowly fades away, and people begin to feel like democracy and a fair and equitable society were always just an illusion, a dream from the past that never really even existed." -Cleon Peterson Money and Power by Cleon Peterson – Yellow Edition Silkscreen Print in Street Pop Art & Graffiti Artwork Money and Power by Cleon Peterson is a visually forceful hand-pulled 1-color silkscreen print produced in a striking yellow edition. Created in 2022 as a signed and numbered limited edition of only 75, this 18x18 inch artwork is printed on 290gsm Arches rag paper with hand-deckled edges, reinforcing its raw and crafted authenticity. Set against a saturated yellow background, the black silhouettes of uniformed figures march in unison beneath a banner marked with a dollar sign. This aggressive formation of faceless, weapon-bearing agents symbolizes how capital and authority have become intertwined forces shaping modern life. The contrast of black on yellow sharpens the urgency of the message, evoking caution signs and industrial warnings, reflecting the dangers of unchecked power. It is a bold statement, stark and deliberately unambiguous in its critique of political and economic systems. Cleon Peterson’s Visual Protest Against Gangster Capitalism American artist Cleon Peterson, born in 1973, has become known for creating art that exposes the mechanics of dominance, submission, and systemic violence. In Money and Power, Peterson addresses what he terms gangster capitalism—the merging of financial interest and authoritarianism. This yellow edition is not merely an aesthetic variation; it magnifies the intensity of the warning. The figures are rendered without individuality, acting not as civil servants or protectors but as enforcers of a corrupt economic order. Each character, with one hand saluting and the other gripping a firearm, marches without deviation under a banner where money is the emblem. Peterson’s use of militarized repetition critiques the dehumanization that occurs when loyalty is bought and dissent is extinguished by force. The visual simplicity masks a deeply complex message: society has drifted from democratic ideals into a structure where the value of life is weighed against the price of power. Symbolism and Execution in the Yellow Silkscreen Edition This edition’s choice of yellow background plays a crucial role in reinforcing the thematic content. Yellow, typically associated with visibility and warning, brings a harsh clarity to the disturbing unity of the figures. It forces the viewer to confront the image directly, without distraction or ambiguity. The hand-pulled technique and 1-color silkscreen process ensure that each print carries the physical presence of the artist’s vision, resisting digital detachment. Hand-deckled paper adds an organic imperfection that contrasts with the mechanical rigidity of the marchers, underscoring the tension between individual craftsmanship and institutional conformity. The entire composition operates as a visual manifesto, presenting a world where money is not simply a tool but a banner under which violence, obedience, and corruption are normalized. Money and Power as a Defining Work in Street Pop Art & Graffiti Artwork Money and Power belongs squarely in the tradition of Street Pop Art & Graffiti Artwork. It communicates political urgency through direct visual language, staying rooted in the protest origins of graffiti and the bold iconography of pop art. Peterson’s work challenges systems of authority by confronting viewers with uncomfortable truths, using art not for decoration but for disruption. This yellow edition distills contemporary disillusionment into one unforgettable image, showing how democracy erodes when capital becomes the highest power. As with all of Peterson’s most impactful works, it does not ask for quiet reflection—it demands awareness and accountability. It stands as a limited yet forceful artifact of protest, frozen in print but echoing across modern political consciousness.

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Kissing Coppers- Gold Rush Polystone Sculpture Limited Edition Artwork by Artist Brandalised of Pop Graffiti Painting & Street Art Fame. 2021 Polystone Product Size Height: 10" (25.4 cm) * Box Size Height: 7.50" (19 cm) Width: 8.00" (20.3 cm) Depth: 14.25" (36.2 cm) * Kissing Coppers returns! The second colorway of the highly sought-after piece brings a luxurious black and gold finish to the iconic stencil art. Icons of authority in a tender intimate moment. Advocating the acceptance of different sexual identities by society and humanizing a force that has been seen as violent in recent times. No matter which side we are on, or which pockets of society we belong to, we all seek a very human emotion - love. Gold is the color of love, passion, and magic. Let Kissing Coppers (Gold Rush) illuminate your collection with its gleaming finish, don't miss your chance to own this remarkable piece of art that is now immortalized as a special edition Polystone figure.

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Spray Happiness- Red Limited Edition 3-Color Hand-Pulled Serigraph Print With Acrylic Paint Embellishments on Hand Deckled Fine Art Paper by Mr Brainwash- Thierry Guetta Graffiti Street Artist Modern Pop Art. 2018 Signed & Numbered Limited Edition of 75 Artwork Size 30x22.5 3 color screen print and hand-finished paint splatter on hand torn archival art paper 57.2 x 76.2 cm (30 x 22 in) Edition of 75

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Study Silkscreen Print by Pose- Jordan Nickel Hand-Pulled 28-Color on 2ply Rising Museum Board Fine Art Paper Limited Edition Screenprint Artwork. 2024 Signed & Numbered Limited Edition of 75 Artwork Size 30x30 Silkscreen Print Exploring the Vibrancy and Technique of Street Pop Art The fusion of street art sensibilities with the colorful dynamics of pop art has given rise to a unique artistic expression known as Street Pop Art. Within this genre, the work of contemporary artists like Jordan Nickel, widely recognized under his moniker 'Pose,' stands out. Nickel's approach is symbolic of a generation of artists who combine the street's rawness with pop art's aesthetics to create visually arresting and culturally relevant pieces. One of the latest contributions to this vibrant field is the 'Study Silkscreen Print' by Pose, a remarkable 28-color hand-pulled screenprint on a two-ply Rising Museum Board Fine Art Paper. The artwork, produced in a limited edition of 75, measures 30x30 inches, and each piece is signed and numbered by the artist, making it a coveted item for collectors and enthusiasts alike. Jordan Nickel's Place in the Continuum of Graffiti Artwork Jordan Nickel hails from the United States and has significantly impacted the world of graffiti and street pop art. Not confined to the street corners and dark alleys of urban landscapes, Nickel's work reflects a sophisticated and nuanced understanding of color theory, graphic design, and visual storytelling. His pieces are often characterized by bold, vivid colors and intricate compositions that capture the viewer's attention and invoke a sense of familiarity and nostalgia. This is particularly true for the 'Study Silkscreen Print,' where the artist's choice of colors and the complexity of the print process showcase his mastery of his craft. The screenprint technique used by Pose is a testament to the evolution of street pop art from spray cans to more elaborate and technical forms of production. This transition signifies the acceptance of graffiti art into the fine art world and represents the artist's growth and versatility. Using 28 distinct colors in the 'Study Silkscreen Print' requires a meticulous and labor-intensive process, as each color must be applied separately to achieve the desired effect. The result is a layered, textured work that leaps off the paper and captures the essence of the urban environment that inspired it. Impact and Significance of Limited Edition Street Pop Art The limited edition nature of Pose's 'Study Silkscreen Print' elevates the work within the art market and the community of street art collectors. By limiting the series to only 75 signed and numbered prints, the artist creates scarcity and exclusivity around the piece, enhancing its value monetarily and as a cultural artifact. Each work becomes a part of a select group owned by those who appreciate not just the visual splendor of the piece but also the cultural statements embedded within it. Moreover, releasing limited edition prints allows access to a broader audience than a singular mural on a city wall. It enables the dissemination of the street pop art ethos to various parts of the world, transcending geographical boundaries and inviting a global audience to engage with the art form. Collectors and admirers of Pose's work can thus own a piece of the vibrant street culture that is often temporary and fleeting in its original context. The 'Study Silkscreen Print' carries graffiti artwork's spirit into the refined fine art paper domain. This choice adds a layer of contrast to the intrinsic nature of street art, which is typically temporary and confrontational. This choice reflects a broader conversation within the art world about the place of street art and its evolution. Pose's 'Study Silkscreen Print' is a compelling representation of the contemporary street pop art and graffiti artwork genre. Through this limited edition series, Jordan Nickel underscores the technical prowess involved in creating such pieces and celebrates the vibrant, eclectic essence of street culture. The artwork stands as a colorful testament to the evolving narrative of street art and its rightful place in the annals of fine art.

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Carhartt- Orange Limited Edition Rare Spray Paint Can Artwork Crossover by famous graffiti paint maker Montana MTN 2008 Spray Paint Can Limited Edition Carhartt Clothing Brand Cross Over with Montana MTN Spray Paint Cans The Carhartt-Orange Limited Edition spray paint can represents a unique intersection between street culture and commercial branding, a collaboration between the renowned workwear brand Carhartt and the iconic graffiti paint producer Montana MTN. Released in 2008, this limited edition spray paint can symbolizes a crossover that encapsulates the essence of street pop art and graffiti artwork, blending practical utility with artistic expression. The collaboration is an homage to the shared history of street art and the Carhartt brand, which has been embraced by various urban subcultures over the years. Montana MTN, famous for its high-quality spray paints favored by graffiti artists worldwide, provides the perfect canvas for this union. The Carhartt-Orange color itself is a vibrant testament to the brand's recognizable palette, a hue that stands out on any surface and has become synonymous with the durability and ruggedness associated with Carhartt's clothing line. The design of the can is a collector's item, featuring splatters of the iconic Carhartt orange color against a sleek black background, reflecting the energy and dynamism of graffiti art. This piece is not only a tool for creating street art but also an artifact that captures a moment in time when two influential brands came together to celebrate and elevate the art of the streets. Limited edition items like the Carhartt-Orange spray paint can are a testament to the cultural resonance of street pop art and graffiti. They showcase how the practical tools of street artistry can themselves be transformed into collectible works of art, blurring the lines between function and aesthetics. This crossover highlights the evolving relationship between street culture and commercial brands, offering a narrative that extends beyond the art to include fashion, identity, and the power of collaboration in the modern creative landscape.

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Tomato Pop Green HPM Acrylic Silkscreen Print by Mr Brainwash- Thierry Guetta Uniquly Hand Finished 4-Color Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Acrylic HPM Uniquely Hand Embellished Limited Edition of 95 Artwork Size 22x30 Andy Warhol Style Cambols Soup Can With Hand Painted Paint Brushes In It HPM Silkscreen Print. (Stock Photo) The world of pop and street art has always been an evolving tapestry of daring ideas, iconic imageries, and cutting-edge techniques. One of the noteworthy additions to this vibrant canvas is the "Tomato Pop Green HPM Acrylic Silkscreen Print" by the renowned artist, Mr Brainwash- Thierry Guetta. The year 2023 saw the unveiling of this masterpiece, which is not just another print, but a uniquely hand-finished 4-color screen print on fine art paper, signifying the meticulous craftsmanship of the artist. The allure of this artwork does not stop at its technical brilliance; its limited edition nature further augments its charm. Only 95 of these pieces exist worldwide, each signed and numbered by Mr Brainwash- Thierry Guetta himself, reinforcing its exclusivity. Spanning a considerable 22x30 inches, the artwork portrays an image reminiscent of the celebrated Andy Warhol style. For those acquainted with Warhol's work, the piece immediately evokes memories of the iconic Campbell's Soup Can. Yet, Mr Brainwash- Thierry Guetta introduces an innovative twist. Instead of the typical content inside the can, there are hand-painted paint brushes, showcasing a merger of the mundane and the artistic, possibly commenting on the ubiquity and omnipresence of art in everyday life. This singular representation not only anchors itself in the legacy of pop art but also echoes the rebellious spirit of street and graffiti art. Mr Brainwash- Thierry Guetta's decision to utilize the HPM (Hand-Painted Multiple) technique underscores the artwork's duality. While silkscreen printing brings uniformity and repetition, each hand-finished touch ensures every piece is distinct. The "Tomato Pop Green HPM Acrylic Silkscreen Print" stands as a testament to the fusion of traditional and contemporary art forms, inviting viewers to immerse themselves in its nuanced layers.

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Monkey- Business Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Joe Ledbetter. 2015 Limited Edition of 500 Artwork Size 10x8 Displayed In Box CEO? Wage slave? Either way, Monkey is ready for the rat race with his corporate duds and signature dour expression. Comes with a bossy bird telling him to make that money.

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Professor of Poetry Limited Edition Archival Pigment Fine Art Prints on Fine Art Paper by Graffiti Street Art and Pop Culture Artist Adam Hancher.

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Transfering Artwork Giclee Limited Edition Fine Art Print on 100% Cotton Hahnemühle Museum Etching Paper by Pop Culture Graffiti Artist Victo Ngai. Limited edition of 50. Signed and numbered. Due to how this artwork was made and stored by the artist, many of Ngai's older prints contain slight yellowing to the extreme upper and lower white margin that extends about 1mm. This does not effect the image at all and the prints are perfect besides this.

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Factory Stacks- Earth First 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed by Shepard Fairey Numbered 18x24 inches. Screenprint on thick cream Speckletone paper. Numbered edition of 350. "These “Factory Stacks” images combine the austere, angular power of factory architecture with graphic elements commenting on what we promote and embrace as a society even when those things are destructive. The fossil fuel industries have tremendous power economically, but we now know that not only are fossil fuel sources finite but that using them is terrible for climate change and, therefore, the eco-systems that sustain life on our planet. Unfortunately, due to the political power of these industries and public apathy about climate change, the government subsidizes the fossil fuel industries for billions even as they damage the environment. The government works for the citizens, so the choice is ours. Do we support endless power for wealthy fossil fuel corporations? Or policies that put the earth first with the planet before profits? Please read Naomi Klein’s THIS CHANGES EVERYTHING to better understand the conflict between economic interests and climate change. A portion of the proceeds from the sale of this print will go to Greenpeace to fight climate change. Thanks for caring.” – Shepard Factory Stacks – Earth First Silkscreen Print by Shepard Fairey Factory Stacks – Earth First is a powerful 6-color hand-pulled silkscreen print created in 2022 by renowned American artist Shepard Fairey. Measuring 18x24 inches and printed on thick cream Speckletone fine art paper, this signed and numbered limited edition of 350 pieces fuses the political energy of graffiti with the precision and control of modern screenprint design. The work is part of Fairey’s continued focus on environmental activism through art and contributes to the broader conversation around the role of industry, power, and public accountability in climate policy. Industrial Might as Graphic Metaphor The print features a factory with twin smokestacks emitting bold trails of smoke against a fragmented and stylized backdrop of red, yellow, and blue—colors associated with urgency, fire, and warning. The building looms large, rendered with clean vector lines and high-contrast forms, while geometric elements and cultural motifs hover in the background, including currency iconography, flames, and architectural symbolism. The stark visual contrast between the rigid industrial structures and the organic chaos of smoke and fire underscores the clash between mechanized progress and ecological fragility. This image serves as a critique of global dependence on fossil fuels and the prioritization of profit over environmental sustainability. Shepard Fairey is known for embedding meaning within tightly structured visuals, and here he uses the monumental scale of the smokestacks as a metaphor for entrenched systems of power. The print’s backdrop includes references to government currency and propaganda textures, further emphasizing the complicity of institutional economics in environmental destruction. Screenprinting as Political Craft Fairey’s technical skill in hand-pulled silkscreening is evident in the crisp linework, bold palette, and balanced layering of texture and flat color. The artwork’s speckletone paper enhances the handmade quality of the piece, giving it the presence of a protest poster while retaining the refinement of collectible street pop art. The 6-color process allows for vibrant layering and nuanced interplay of light and form, with the red and black palette lending a sense of urgency and confrontation. By combining the visual language of commercial design with fine art methods, Fairey continues his legacy of making politically charged works that are accessible, reproducible, and grounded in visual activism. This piece fits into his broader OBEY aesthetic, which draws from punk, graffiti, and socialist propaganda to awaken public dialogue. Art as Environmental Statement Factory Stacks – Earth First is not merely a visual statement; it is a functional activist tool. A portion of the proceeds from this edition was pledged to Greenpeace, supporting global campaigns to combat climate change. Fairey encourages viewers to reflect on systemic inertia, corporate greed, and the governmental failure to transition away from environmentally destructive practices. His recommendation of Naomi Klein’s book “This Changes Everything” provides further intellectual grounding for the print’s message, aligning the work with contemporary thought leaders in environmental justice. This silkscreen print exemplifies the power of Street Pop Art & Graffiti Artwork as both a form of protest and a call to action. By merging aesthetics with advocacy, Shepard Fairey transforms industrial imagery into a demand for ecological responsibility and human accountability.

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Choppa Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Fafi Graffiti Street Artist Modern Pop Art. By exploring femininity through stereotypes and using them to her advantage, Fafi not only knocked her male colleagues and competitors out of their socks, but she also locked toy manufacturing deals with Sony and Medicom, countless press stories and illustrations for Commons & Sense, Vogue, Elle, or The Face, big market collaborations with Adidas, M.A.C, Hennessy, Swatch, Samsung and Le SportSac, not to mention many solo and prestigious group shows in the most respected galleries around the globe.

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Breatharian Artwork Giclee Limited Edition Fine Art Print on 100% Cotton Hahnemühle Museum Etching Paper by Pop Culture Graffiti Artist Victo Ngai. Callan Wink's short story "Breatharian" artwork was in the New Yorker magazine. Due to how this artwork was made and stored by the artist, many of Ngai's older prints contain slight yellowing to the extreme upper and lower white margin that extends about 1mm. This does not effect the image at all and the prints are perfect besides this.

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Two Americas- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Varnished 100% Cotton Rag Archival Paper with hand-deckled edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. 4-Color Serigraph on Varnished 100% Cotton Rag Archival Paper. 30 x 40 inches. Signed by Shepard Fairey. Numbered edition of 100. Jim Marshall's photograph of a coal mining family in Hazard, Kentucky, taken while he lived with them, says a lot with what it shows, which is a mother and two children huddled together in support of each other, but it says just as much with what it lacks. There is a conspicuous absence of material necessities and a father. I don't know whether the father was working in a coal mine when the photograph was taken or had potentially died young because of the health risks of working under dangerous conditions, but it is clear that the family is struggling and lacking.

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Guerilla One x The Seventh Letter Collaboration 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print 18 x 24 inches Edition of 450 March 5, 2009 OBEY, Guerilla One, and The Seventh Letter have always had a strong long-lasting friendship and creative relationship with numerous collaborations including the late 90’s Free GKAE print, created by Shepard and Casey Zoltan from The Seventh Letter, to raise funds for GKAE’s legal fees. This current project was created to symbolize both strength in numbers and unity by way of collaboration. The Seventh Letter, Obey Giant, and Guerilla One have all stood individually and collectively as pillars in the graffiti /street art scene both domestically and internationally. Its apparent that the 3 collaborators will continue to support street art by creating new platforms that encourage and inspire many worldwide. “When we started doing graffiti, putting up stickers we had no idea the places it would take us, and no matter where we go from here we will stay loyal to those who have helped us get there.” – Eddie Donaldson, Founder of Guerilla One “I have always rolled with G1 and Shepard through thick and thin and will always have their backs forever on a street and professional level”. – Casey EKLIPS Zoltan, Founder of THE SEVENTH LETTER

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Plowshire Terrace- Hohokum Limited Edition Giclee Print on Fine Art Paper by Richard Hogg counter-culture street artist art. Original Print Hohokum video game art series from Richard Hogg.

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Shell Gas Station Original Dunny Town Art Toy by Task One Kidrobot Vinyl & Plaster Art Toy Collectible Pop Artwork. 2013 Original Dunny Town Painted Plaster Kidrobot Custom Dunny Artwork Size Approximate 3x4 Town Shell Gas Station Original Dunny Art Toy by Task One Task One's Commentary on Consumerism: Shell Gas Station Original Dunny Town Art Toy Task One's "Shell Gas Station Original Dunny Town Art Toy" is a remarkable piece within the Kidrobot Dunny Town series, revealing the artist's intricate craftsmanship and keen social commentary. Created in 2013, this particular art toy fuses vinyl with painted plaster to meticulously recreate a Shell gas station with the brand's iconic logo and colors. Measuring approximately 3x4 inches, the work encapsulates the ubiquitous nature of global consumer brands and their imprint on the urban landscape, interpreted through the unique aesthetic of street pop art and graffiti artwork. The miniature gas station symbolizes the global economy, energy consumption, and the environmental impact of fossil fuels. Task One's choice to embed such a potent symbol into the playful form of a Dunny is a powerful statement on how deeply corporate symbols are ingrained in our daily lives. It provokes thought on our reliance on such establishments, not just for fuel but as fixtures of the modern world that represent a complex network of commerce and industry. The Intersection of Urban Iconography and Artistic Expression With the "Shell Gas Station Original Dunny Town Art Toy," Task One continues his exploration of urban iconography, transforming a familiar city element into a piece of collectible art. The juxtaposition of Dunny's cartoonish form with the realistic details of the gas station creates a striking contrast characteristic of pop art's approach to blending high and low cultural imagery. This piece contributes to the dialogue of street pop art and graffiti artwork, where the line between commercial branding and artistic expression becomes blurred. The work is a microcosm of the streets, a tangible manifestation of the sights and symbols that define the contemporary urban experience. Collectors and enthusiasts of Task One's work are not only drawn to the visual appeal of his creations but also to the layered meanings and cultural critiques embedded within them. The "Shell Gas Station Original Dunny Town Art Toy" is a prime example of how art toys can transcend their initial perception as mere objects of play and become conduits to reflect broader societal themes. In the narrative of street pop art, Task One's Shell Gas Station Dunny stands as a testament to the power of art to encapsulate and critique the world around us. It is a collectible that captures the zeitgeist of the early 21st century, a time when questions about sustainability, consumer culture, and environmental responsibility are at the forefront of public discourse. Through this work, Task One affirms the relevance and potential of street pop art and graffiti artwork to challenge, provoke, and engage audiences in a conversation about the world they inhabit.

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Not By Victory Limited Edition Hand-Embellished Screen Print & Mixed Media on Cradled Wood Panel by Eddie Colla Graffiti Street Artist Modern Pop Art. Since 2005, his wheatpastes and stencils can be found throughout public spaces in the Bay Area, Los Angeles, and Miami. Eddie's work first began to garner national recognition when his street art began incorporating images of Barack Obama throughout the 2008 Presidential election. His growing popularity landed him attention on internet blogs, features in six published books, and participation in the "Manifest Hope Art Gallery" shows at the 2008 Democratic National Convention and at the Presidential Inauguration in Washington D.C. His designs have been transformed many times over, from stickers, album and magazine covers.

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Word Original Mixed Media Wood & Construction Fencing Sculpture Artwork by graffiti street artist modern pop artist Skewville. Word, early 21st century Wood and plastic 80 x 27 x 3-3/4 inches (203.2 x 68.6 x 9.5 cm) Signed in ink to reverse. 2007 Mild surface soiling; a bit of organic debris in a few corners.

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Mom Can Do It 14 Color Silkscreen Print by Mr Brainwash- Thierry Guetta Hand-Pulled on Deckled Fine Art Paper Limited Edition Screenprint Artwork. 2025 Signed & Numbered Limited Edition of 82 Artwork Size 22x30 Silkscreen Print. Mr Brainwash honors the strength of women with a bold new print, Mom Can Do It. Featuring the legendary Rosie the Riveter, this piece reimagines the 1940s icon as a timeless symbol of resilience. Whether it’s your mother, partner, friend, or yourself—her spirit lives in every one of us. Mother's Day Release. Never Give Up Follow Your Dreams. Mr Brainwash Celebrates Feminine Power with Mom Can Do It Mr Brainwash, born Thierry Guetta in France, continues to merge visual nostalgia and vibrant cultural messaging in his latest silkscreen work titled Mom Can Do It. This limited edition hand-pulled print pays tribute to women with a modern revival of Rosie the Riveter, the iconic symbol of empowerment from the 1940s. Executed on deckled edge fine art paper, this 2025 edition is limited to 82 signed and numbered works, each measuring 22 by 30 inches. It combines silkscreen printing with layered imagery and expressive graffiti-styled messages to channel the artist’s unmistakable visual language. Rosie Reimagined Through Street Pop Art & Graffiti Artwork In this artwork, Mr Brainwash reclaims Rosie the Riveter not only as a wartime labor icon but as a persistent cultural voice that continues to empower modern women. Her rolled sleeve and resolute pose are accentuated by the bright graffiti phrases that surround her—Follow Your Dreams, Never Give Up, and Life Is Beautiful—all recurring messages throughout Mr Brainwash’s creative career. The bright pink, blue, and yellow palette commands attention and contrasts with Rosie's classic red polka-dotted headscarf and bold blue shirt. Layers of tags, affirmations, and street visuals wrap the figure in contemporary meaning, grounding the vintage motif in today’s cultural landscape. Legacy of Pop Culture in Contemporary Street Expression Thierry Guetta’s ability to remix pop iconography with urban art techniques has kept his work at the forefront of Street Pop Art & Graffiti Artwork. Mom Can Do It stands as a bridge between eras, using vintage Americana as a framework to discuss current social values. It elevates Rosie beyond history, emphasizing her role in shaping present-day conversations about resilience, identity, and female agency. The tattoo on her arm reading Love echoes Mr Brainwash’s recurring themes of compassion and personal strength, amplified through his bold hand-sprayed elements and visual energy. Limited Edition Print with Lasting Social Pulse Each edition of Mom Can Do It is a testament to the persistence of strong women across generations. This 2025 release not only embodies Mr Brainwash’s dynamic fusion of classic advertising aesthetics and street culture but also invites viewers to reflect on their own strength and individuality. Signed and numbered by the artist, this silkscreen print is both a vibrant collectible and a meaningful statement, underscoring the ongoing relevance of Street Pop Art & Graffiti Artwork in the dialogue of cultural empowerment.

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Dave Minion- Chrome 100% & 400% BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. 2022 Despicable Me Minions Ditto. Everyone's favorite two-eyed minion, Dave gets the chrome treatment from Medicom Toy for this super sleek and shiny Bearbrick Set. Stands at 7cm and 28cm tall.

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A Bar at the Folies-Bergère Archival Print by Adam Lister Limited Edition on 300gsm Hot Press Matte Fine Art Paper Pop Graffiti Street Art Artist Modern Artwork. 2016 Signed & Numbered Print Limited Edition of 50 Artwork Size 10x8 Archival Pigment Fine Art Archival Print Eouard Manet in Glitch Style From the avant-garde street art movement emerges a masterpiece that bridges the gap between traditional art forms and the digitally-modified aesthetics of the modern era: "A Bar at the Folies-Bergère Archival Print" by Adam Lister. Limited to a mere 50 prints, this distinct work of art encapsulates the essence of the revolutionary pop graffiti style that has taken the contemporary art scene by storm. Famed for his ability to merge classicism with urban energy, Lister transforms the famous painting by Édouard Manet into a 10x8 archival pigment fine art print. The interplay of pop, graffiti, and street art elements imbue this edition with a vibrant, modern feel that strays far from its traditional roots. Despite the dramatic transformation, the composition still retains its powerful ambiance, capturing the poignant solitude of the barmaid amidst the boisterous Parisian bar. Lister employs a unique technique known as glitch style, a digital manipulation that disrupts the image's normal flow, resulting in a visual 'glitch'. This approach imbues the artwork with an electric vibrancy, crafting a visually enticing piece that captivates viewers with its captivating distortions. Through this disruptive method, Lister invites observers to experience the artwork in a new, unconventional light. The print is rendered on 300gsm hot press matte fine art paper, a high-quality material revered for its superior archival properties. This choice of medium ensures that the colors remain vivid and the textures crisp over time, preserving the artist's vision in its purest form. Each print, signed and numbered by Lister, asserts its authenticity, elevating its value for art collectors and enthusiasts alike. In the ever-evolving realm of modern art, Lister's "A Bar at the Folies-Bergère Archival Print" is a tangible testament to how classic masterpieces can be reinterpreted through the prism of contemporary art styles. His creative fusion of pop, graffiti, and street art transforms Manet's work into a digital era triumph that resonates with the energy of our time. Amid the flux and dynamism of today's art landscape, this limited-edition print stands as a beacon of artistic innovation, capturing the spirit of the present while remaining deeply rooted in the past. As the boundaries between street art, pop art, and traditional fine art continue to blur, works like Lister's challenge conventional definitions, expanding our understanding of art's potential. This powerful amalgamation of styles and themes is emblematic of the freedom and innovation characteristic of contemporary art, demonstrating that the lines dividing genres are not concrete, but rather fluid and ever-changing. To appreciate "A Bar at the Folies-Bergère Archival Print" is to acknowledge the transformative power of art, its capacity to adapt, evolve, and redefine itself in the face of changing cultural contexts.

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Selfie Gun Yellow Silkscreen Print by Joan Cornellà Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2024 Signed & Numbered Limited Edition of 250 Artwork Size 16.14x22.44 Silkscreen Print Selfie Gun Yellow Silkscreen Print by Joan Cornellà Selfie Gun Yellow is a 2024 hand-pulled silkscreen print by Spanish artist Joan Cornellà. Signed and numbered in a limited edition of 250, this work measures 16.14 by 22.44 inches and presents Cornellà’s now-iconic visual punch with a deceptively cheerful palette masking deeply provocative themes. The image features a smiling male figure in a blue suit standing against a vibrant yellow background, holding a selfie stick that supports a handgun rather than a smartphone. The print's stark simplicity, exaggerated expression, and flat fields of color allow its absurdity and subversion to dominate the viewer's first and lasting impression. Joan Cornellà’s Visual Irony and the Absurdity of the Digital Age Joan Cornellà was born in 1981 in Barcelona and has risen to international prominence for his uniquely unsettling yet humorous critiques of contemporary life. Through a visual language that borrows heavily from mid-century commercial illustration and pop iconography, Cornellà’s work deconstructs digital narcissism, commodified identity, and passive complicity. Selfie Gun Yellow crystallizes many of these themes. The joyful pose of the figure, exaggeratedly cheerful and unaware, becomes a metaphor for societal blindness in the pursuit of validation and spectacle. The gun at the end of the selfie stick transforms a common habit into a commentary on psychological self-destruction and performative existence. Silkscreen Precision and the Language of Commercial Aesthetics The technique used in Selfie Gun Yellow amplifies its message. The precision of hand-pulled silkscreen printing allows for crisp, clean lines and saturated colors, giving the work the look of mass-produced consumer graphics while being part of an exclusive limited run. The yellow background is not merely a color field but a psychological trigger—evoking optimism and energy while laying the groundwork for cognitive dissonance. The contrast between the man’s welcoming demeanor and the weapon he points toward himself deepens the satire without relying on excessive visual clutter. This minimalism, paired with shocking irony, is central to Cornellà’s success as a provocateur in Street Pop Art & Graffiti Artwork. The Role of Satirical Minimalism in Street Pop Art & Graffiti Artwork Cornellà’s contribution to the evolution of Street Pop Art & Graffiti Artwork is defined by his capacity to use restraint to elicit powerful reactions. His figures are deliberately anonymous, their individuality stripped away to amplify the social roles they play. In Selfie Gun Yellow, the business suit, the performative smile, and the stylized violence condense global anxieties into one frozen frame. With no dialogue, no background narrative, and no ambiguity, the piece is direct but not reductive. It forces a confrontation with the viewer's own habits, obsessions, and the mechanics of attention in the modern world. Through works like this, Joan Cornellà continues to provoke, entertain, and challenge through satire masked in simplicity.

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2Vth Revolution Under Construction Artwork Giclee Limited Edition Print on Cotton Rag Paper by Pop Culture Graffiti Artist Marwan Shahin. "Revolution Under Construction" 2018 30.6"x25" Giclée on Cotton Rag Each print is Signed, Numbered & Branded

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Smoke Gets In Your Eye- Black Limited Edition 1-Color Hand-Embellished Hand-Pulled Silkscreen Print on 225gsm American Masters White Paper by Zeb Love Graffiti Street Artist Modern Pop Art. "The idea for these prints came from how advertising is everywhere, it's almost an all-seeing eye. Ad companies are always watching people's activities and habits. Each print has hand embellished paintings around the borders and the eye, along with a quote from Don Draper. Across both editions, there are 7 various quotes." - Zeb Love

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