California

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  • Unsane Sweet Diesel Lollipop 1996 The Kilowatt San Francisco Silkscreen Print by Frank Kozik

    Frank Kozik Unsane Sweet Diesel Lollipop 1996 The Kilowatt San Francisco Silkscreen Print by Frank Kozik

    Unsane Sweet Diesel Lollipop 1996 The Kilowatt San Francisco Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1996 Signed by Kozik & Numbered Limited Edition of 650 Artwork Size 17.5x22.5 Silkscreen Print Band Gig Poster by Frank Kozik. Unsane Sweet Diesel Lollipop The Kilowatt San Francisco Ca March 9, 1996

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    $247.00

  • Zeni Geva Zen Guerrilla Black Manna 1996 San Francisco California Silkscreen Print by Frank Kozik

    Frank Kozik Zeni Geva Zen Guerrilla Black Manna 1996 San Francisco California Silkscreen Print by Frank Kozik

    Zeni Geva Zen Guerrilla Black Manna 1996 San Francisco California Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1996 Signed by Kozik & Numbered Limited Edition of 650 Artwork Size 17.5x22.5 Silkscreen Print Band Gig Poster by Frank Kozik. October 13, 1996 Das Kilowatt in San Francisco, California Capturing the raw energy and unbridled spirit of the 1990s San Francisco music scene, Frank Kozik’s silkscreen print for the Zeni Geva, Zen Guerrilla, and Black Manna gig on October 13, 1996, stands as a significant piece of pop and street art. Kozik, well-known for his contribution to the visual side of rock culture, has infused this piece with a compelling blend of political commentary and vivid imagery, hallmark traits of street art and his style. The limited edition print, measuring 17.5x22.5 inches, was meticulously hand-pulled on fine art paper, underscoring the artist's commitment to quality and the traditional methods of printmaking. With only 650 signed and numbered editions, this artwork is a treasure for collectors and enthusiasts. Its depiction of the Statue of Liberty, surrounded by figures wearing gas masks and holding flags, offers a subversive take on American iconography. The use of iconic symbols juxtaposed with elements that suggest upheaval reflects the era's punk and alternative rock ethos, resonating with themes of resistance and independence prevalent in the genres associated with the bands featured. The event, hosted at Das Kilowatt in San Francisco, California, is immortalized in Kozik’s signature style—where the text is as much a part of the art as the images. His choice of vibrant colors and bold lettering reflects the energy and intensity of the bands, making the poster a visual shout that echoes the music it advertises. This piece is more than promotional material; it's a snapshot of when street art began crossing into mainstream consciousness, blurring the lines between commercial art and political statements. Kozik’s work with this print serves not just to announce a concert but to stake a claim in the ongoing dialogue between art and society, where the streets become a canvas for messages that are as likely to provoke thought as they are to promote an event. In the world of street art, such pieces are vital—they challenge, they commemorate, and they often become a part of the history they depict.

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    $247.00

  • The Clarke Nova Stiff Richards AP 1995 San Francisco CA Silkscreen Print by Frank Kozik

    Frank Kozik The Clarke Nova Stiff Richards AP 1995 San Francisco CA Silkscreen Print by Frank Kozik

    The Clarke Nova Stiff Richards AP 1995 San Francisco CA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 1995 Signed by Kozik & Numbered Limited Edition of AP 50 Artwork Size 17.5x22.5 Silkscreen Print Band Gig Poster by Frank Kozik. The Clarke Nova Stiff Richards Loudspeaker The Kilowatt Club San Francisco California 10-19-1995 The Clarke Nova Stiff Richards gig poster, created by the renowned artist Frank Kozik in 1995, is a quintessential piece of pop and street art history. As a silkscreen print, it captures the vibrant energy of San Francisco's underground music scene of the mid-90s. Kozik's work is widely recognized for its strong visual impact and its commentary on culture, which is vividly displayed in this particular artwork. Limited to an artist-proof (AP) edition of only 50, each piece was meticulously hand-pulled on fine art paper, ensuring a high level of quality and individuality. Measuring 17.5x22.5 inches, the print features bold colors and a cartoonish design characteristic of Kozik's style during that era. It reflects an intersection of music and art that Kozik navigated so well, capturing the essence of the performances by The Clarke Nova, Stiff Richards, and Loudspeaker at The Kilowatt Club on October 19, 1995. Frank Kozik's approach to band gig posters was instrumental in defining the visual language of pop art within the music industry at the time. The striking use of color and the playful imagery are not only indicative of the pop art style but also convey the dynamism of the San Francisco street art movement. The artwork has become an iconic piece, sought after by collectors and enthusiasts who see Kozik's prints as a valuable part of the narrative that documents the alternative culture and its influence on the aesthetics of the time. This particular silkscreen print not only advertised an event but also served as a standalone piece of art, merging commercial intent with artistic expression. Its collectibility lies not just in its visual appeal but also in the unique story it tells about a specific time, place, and subculture within San Francisco. The gig poster has become a historical reference point, an artifact that encapsulates the spirit of a vibrant scene and continues to influence contemporary pop and street artists.

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    $348.00

California Graffiti Street Pop Artwork

The Vibrancy of California's Street Pop Art and Graffiti Scene

California, a state known for its vibrant culture and diverse populace, has long been a canvas for a rich tapestry of street pop art and graffiti artwork. The walls of its bustling cities tell stories through murals, tags, and stencils, each a piece of a giant cultural puzzle. From the historic graffiti lanes in Los Angeles to the politically charged murals of San Francisco, California's urban landscape serves as a dynamic backdrop for artists to express their creativity, dissent, and hopes. This artistic fervor is not merely a modern phenomenon; it traces back to the state's Chicano mural movement of the 1960s and 70s, which saw walls become the voice of the marginalized, the canvas for social change. Today, the state's graffiti art continues to evolve, with artists like RETNA (Marquis Lewis), Shepard Fairey, and COCO 144 (Ulysses Dove) contributing to a continuously unfolding narrative. These artists, known for their distinctive styles and contributions to street art's visual and cultural dialogue, come from diverse backgrounds but share the Californian experience in their work.

California as a Cultural Hub for Street Pop Art

As one delves deeper into the Californian street art scene, it becomes apparent that the state is a melting pot of artistic styles, including street pop art - a genre that combines street art techniques with pop art subjects. This genre has been blossoming on the West Coast, with California being a fertile ground for its growth. Cities like Los Angeles, San Diego, and Oakland have become galleries without walls, where street pop art exists and thrives. In these urban spaces, the art form has found a welcoming community that champions its existence and evolution. The murals and installations that adorn the streets of California's cities reflect many influences, from the Golden State's cinematic legacy to its technological frontiers, echoing California's role as a trendsetter in various domains. Artists have utilized street pop art to comment on the state's socio-political climate, environmental challenges, and iconic status in the global imagination.

Legacy and Evolution of Graffiti Artwork in California

The trajectory of graffiti artwork in California is a narrative of change, resilience, and adaptation. The state's graffiti began as a form of street-level communication, with roots in tagging and traditional graffiti, but has since expanded into complex, muralistic works that rival the finesse of fine art. This expansion has seen artists like David Choe and the late Mike "Dream" Francisco transform graffiti into a respected art form capable of conveying profound messages and commanding high economic value. The evolution of California's graffiti has been documented and celebrated in various venues, from street corners to sophisticated art galleries and museums, indicating a shift in perception towards this art form. However, the essence of graffiti as a tool for unfiltered expression remains intact, with the state's streets continuing to serve as a battleground for issues of public space, art, and freedom of speech. California's role in the global street art scene is as significant as it is complex. The state's artists have been instrumental in pushing the boundaries of street pop art and graffiti, both in form and substance. This has established California as a significant node in the international street art network, influencing and being influenced by global trends and dialogues. The state's unique cultural and geographical landscape has allowed for a diverse range of expressions within street art, ensuring that its walls will continue to be a place of conversation, innovation, and reflection for artists and audiences alike. The legacy of street art in California is one of diversity, innovation, and unceasing evolution, a testament to the state's standing as a cultural powerhouse.

© 2024 Sprayed Paint Art Collection,

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