California

City By The Sea Hand-Pulled 5-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2014 Signed & Numbered Limited Edition of 150 Artwork Size 14x11

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Jane's Addiction El Cinco De Mayo- 2010 Rock Music Event Limited Edition 2-Color Silkscreen Gig Poster Glossy Weatherproof Cardstock by MFG- Matt Goldman Max Goldman. This poster was designed for Jane's Addiction secret show at Bardot in Hollywood on May 5, 2010. The Cinco de Mayo celebration also unveiled their new bassist: Duff McKagan from Guns 'n' Roses and Velvet Revolver. A total of 250 yellow/black posters were printed and entirely handed out at the show. We set aside 50 and they are only available here. These were printed by the venerable and now-defunct Colby Printing Company in Downtown LA. Colby rose to contemporary awareness during a series of their work featured at MOCA's Geffen Contemporary. 22 x 28 inches Screen Print Black, Fluorescent Yellow Glossy Weatherproof Cardstock Printed by Colby Poster Printing Company Limited Edition of 250 Signed and Numbered by MFG- Matt Goldman

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Chateau Paris Pink Letterpress AP Artist Proof Print by Mr André Saraiva Limited Edition 1-Color on 100# Cover Neenah Classic Crest Natural White Fine Art Paper Graffiti Street Pop Artwork. AP Artist Proof 2023 Signed & Marked PP Limited Edition Artwork Size 16x20 Letterpress Print Mr. André Saraiva Chateau Paris Pink Letterpress AP Artist Proof 2023 The 2023 Chateau Paris Pink AP Artist Proof by Mr. André Saraiva captures the whimsical energy and romantic mischief that define his place within Street Pop Art & Graffiti Artwork. Produced as a one-color letterpress print on 100# Neenah Classic Crest Natural White fine art paper, this 16 x 20 inch edition was signed and marked as an AP, denoting its status outside the standard numbered run. Artist Proofs hold particular importance in printmaking as they reflect the earliest impressions pulled for the artist’s review, making them especially desirable to collectors who seek artworks with a direct connection to the creative process. Visual Style and Iconic Characters This print features Saraiva’s instantly recognizable stick-figure characters dancing across the page in soft pink linework. Their wide, toothy grins, crossed-out eyes, and loose, jubilant movements express the carefree, flirtatious spirit that has defined his signature character, Mr. A, since his early graffiti appearances in Paris during the 1990s. The top-hatted figure paired with a flowing-haired partner reinforces the playful narrative of nightlife, celebration, and romantic spontaneity. Scattered stars, hearts, and motion lines energize the composition, giving the print a lively rhythm reminiscent of Saraiva’s street-based origins, where quick, expressive lines communicated joy in public spaces. Chateau Marmont and Cultural Connection Incorporating the iconic Chateau Marmont letterhead at the top, the print interlaces Hollywood mythology with Parisian graffiti culture. Located on Sunset Boulevard in Los Angeles, Chateau Marmont has long been a sanctuary for actors, writers, musicians, and artists since opening in 1929. Its storied history of creativity and indulgence makes it a fitting backdrop for Saraiva’s exuberant characters. The handwritten “Paris” at the bottom serves as a bridge between two creative capitals — one steeped in American cinematic glamour, the other in European street culture — emphasizing Saraiva’s globe-spanning artistic identity. Mr. André Saraiva’s Influence in Contemporary Street Pop Art Born in Sweden in 1971 and raised in Paris, André Saraiva emerged from the city’s graffiti scene as one of its most prominent voices. His character Mr. A became a symbol of the joie de vivre that permeates his work, later expanding into galleries, editorial projects, murals, and luxury collaborations. The Chateau Paris Pink AP exemplifies his ability to merge elegance with spontaneity, bringing the carefree energy of graffiti into refined fine art contexts through meticulous letterpress technique. This Artist Proof stands as a vibrant testament to Saraiva’s playful approach and his lasting influence on Street Pop Art & Graffiti Artwork, celebrating both the intimacy of hand-drawn lines and the cultural interplay between Paris and Hollywood.

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Summer of Love LSD Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Bob Masse pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Workers Rights- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Varnished 100% Cotton Rag Archival Paper with hand-deckled edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. 4-Color Serigraph on Varnished 100% Cotton Rag Archival Paper. 30 x 40 inches. Signed by Shepard Fairey. Numbered edition of 100. Jim Marshall's photo was taken at the California State Capitol in Sacramento after Ces One- Rob Provenzano ar Chavez completed his 300-mile march in support of farmworkers' rights. Jim captured Chavez in a pose that suggests the vision and leadership that he truly embodied.

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Dodger Stadium- Deluxe Artwork Giclee Limited Edition Print on Signa Smooth 300gsm Paper by Pop Culture Graffiti Artist Scott Listfield. Deluxe Edition of 50 23 x 30 inches / 58.4 x 76.2 cm Fine art print on Signa Smooth 300gsm paper Hand signed and numbered by the artist

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Taste of Mexico 2014 Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ernesto Yerena Graffiti Street Artist Modern Pop Art. 2014 Signed & Numbered Limited Edition of 100 Artwork 18x24 Taste of Mexico Food Festival in Los Angeles CA 2014 Event Art Print.

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Spoon at El Cid- 2009 Music Limited Edition Metallic Gold ink Gig Poster 2-Color Hand-Pulled Silkscreen Print Artwork on Cream Speckletone Paper by MFG- Matt Goldman Max Goldman for Spoon and Deep Sea Diver. 18 x 24 inches Hand Silk-Screen Print Red, Black Cream Speckletone Paper Limited Edition of 100 Printed by Nick Bowers / OBEY Signed and Numbered by MFG- Matt Goldman Released 2010 . This limited edition Spoon poster was designed by Matt Goldman for the January 18th secret show at El Cid. Celebrating the release of their seventh album, Transference, Spoon decided to do a pop-up show in a tiny venue for their fans. The poster features custom typography and original photography. Little known fact: the date on the poster is wrong (should be 2010) but nobody, to this day, has ever noticed or said anything about it... The posters were only available at the show the night of the event and we're selling the remaining copies here on the Dance Right store. The poster was printed in Obey Giant Art's printing facilities.

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Unsane Sweet Diesel Lollipop 1996 The Kilowatt San Francisco Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1996 Signed by Kozik & Numbered Limited Edition of 650 Artwork Size 17.5x22.5 Silkscreen Print Band Gig Poster by Frank Kozik. Unsane Sweet Diesel Lollipop The Kilowatt San Francisco Ca March 9, 1996

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Zeni Geva Zen Guerrilla Black Manna 1996 San Francisco California Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1996 Signed by Kozik & Numbered Limited Edition of 650 Artwork Size 17.5x22.5 Silkscreen Print Band Gig Poster by Frank Kozik. October 13, 1996 Das Kilowatt in San Francisco, California Capturing the raw energy and unbridled spirit of the 1990s San Francisco music scene, Frank Kozik’s silkscreen print for the Zeni Geva, Zen Guerrilla, and Black Manna gig on October 13, 1996, stands as a significant piece of pop and street art. Kozik, well-known for his contribution to the visual side of rock culture, has infused this piece with a compelling blend of political commentary and vivid imagery, hallmark traits of street art and his style. The limited edition print, measuring 17.5x22.5 inches, was meticulously hand-pulled on fine art paper, underscoring the artist's commitment to quality and the traditional methods of printmaking. With only 650 signed and numbered editions, this artwork is a treasure for collectors and enthusiasts. Its depiction of the Statue of Liberty, surrounded by figures wearing gas masks and holding flags, offers a subversive take on American iconography. The use of iconic symbols juxtaposed with elements that suggest upheaval reflects the era's punk and alternative rock ethos, resonating with themes of resistance and independence prevalent in the genres associated with the bands featured. The event, hosted at Das Kilowatt in San Francisco, California, is immortalized in Kozik’s signature style—where the text is as much a part of the art as the images. His choice of vibrant colors and bold lettering reflects the energy and intensity of the bands, making the poster a visual shout that echoes the music it advertises. This piece is more than promotional material; it's a snapshot of when street art began crossing into mainstream consciousness, blurring the lines between commercial art and political statements. Kozik’s work with this print serves not just to announce a concert but to stake a claim in the ongoing dialogue between art and society, where the streets become a canvas for messages that are as likely to provoke thought as they are to promote an event. In the world of street art, such pieces are vital—they challenge, they commemorate, and they often become a part of the history they depict.

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50 Shades of Black 2014 Event Artwork Giclee Limited Edition Print on Glossy Poster Art Paper by Pop Culture Graffiti Artist Shepard Fairey. Rare Signed Variant of Music Art Gig Poster. Z Trip playing music on April 16th 2014 at Subliminal Projects in Los Angeles California

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Elysian Archival Pigment Fine Art Limited Edition Archival Pigment Print on 290gsm Moab Fine Art Paper by Pop Artist Scott Listfield. 2022 Signed & Numbered Limited Edition of 100 Artwork Size 20x30 Edition of 100 Giclee print on Moab Entrada 290gsm paper 20 x 30 inches / 50.8 x 76.2 cm Signed, numbered and embossed by the artist Printed by Static Medium

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Beyond LA 2-Color Hand-Pulled Limited Edition Silkscreen Print on 298 GSM Classic Crest Solar White Paper by Pop Artist OG Slick x Beyond The Streets. 2018 Signed & Numbered Limited Edition of 250 Artwork Size 24x24. Scattered creases on the left side of the print. OG Slick (b. 1967) Beyond LA, 2018 Screenprint in colors on Classic Crest Solar White paper 24 x 24 inches (61 x 61 cm) (sheet) Ed. 59/250 Signed, numbered, and dated in pencil along lower edge Published by Beyond the Streets, Los Angeles

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City By The Sea XL Hand-Pulled 5-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2014 Signed & Numbered Limited Edition of 30 Artwork Size 24x18

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The Meices Nine Pound Hammer 1995 San Francisco CA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1995 Signed by Kozik & Numbered Limited Edition of 650 Artwork Size 17.5x22.5 Silkscreen Print Band Gig Poster by Frank Kozik. Tractor The Meices Nine Pound Hammer The Kilowatt Club San Francisco, California 10-21-1995 Capturing the dynamic essence of 1990s rock culture, Frank Kozik’s silkscreen prints are a fusion of music and visual art, with a distinct nod to the vibrant pop art movement. His poster for the October 21 performance of The Meices and Nine Pound Hammer at The Kilowatt in San Francisco, CA, is a prime example of his craft. The print, decorated with bold colors and striking imagery, was more than just promotional material; it was an artistic celebration of the bands and the era. This piece features a stark, contrastive color palette, primarily using black, bright yellow, and red, which captures the eye and invokes the energetic and raw spirit of the bands it represents. The central image of a vintage tractor, marked by the number 70, symbolizes Kozik’s ability to blend everyday objects with a certain edginess, making them resonate with the punk and alternative genres his work often accompanied. Such images not only promoted the event but also commented on the mechanization of society, a recurring theme in pop art, making Kozik’s work resonate with both underground and mainstream audiences. With each of Kozik’s prints, like this one from 1995, collectors and enthusiasts receive more than a simple piece of paper. They acquire a snapshot of cultural history, immortalizing the music and the moment within the fabric of pop, street, and graffiti art. His work is a reminder of the powerful intersection between the visual and the auditory, where each gig poster serves as a conduit for the artistic energy of the time. This San Francisco event’s print is a bold statement within this genre. It is a lasting visual record of the night that The Meices and Nine Pound Hammer brought their distinctive sounds to an eager audience, now eternally etched into the legacy of 90s music and art.

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Mans Ruin Zeke AP 1998 Cocodrie San Francisco CA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 1998 Signed by Kozik & Marked AP Artwork Size 18x30.5 Silkscreen Print Band Gig Poster by Frank Kozik Zeke, Hammerlock, Jack Saints, Cocodrie, San Francisco CA 4-03-1998

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Viva Yalitza! Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ernesto Yerena Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 450 Artwork 18x24 Yalitza Aparicio TV Movie Actress. 18"x24" Screenprint Edition of 450 Signed and Numbered Signed by Ernesto Yerena Montejano. The profits went to CIELO's effort to support Undocumented Indigenous folks affected by the Covid-19 crisis in the Los Angeles Area.

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Vulcan Vasquez Rocks LA Star Trek Silkscreen Print by Justin Van Genderen Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2014 Signed & Numbered on Back Limited Edition of 50 Artwork Size 18x24 Location, Location, Location Series Silkscreen Print of Spock Vulcan Sci Fi Star Treck TV & Movie Character in Los Angeles LA Standing on Vasquez RocksDuring a Sunrise or Sunset Vulcan Vasquez Rocks LA Star Trek Silkscreen Print by Justin Van Genderen The Vulcan Vasquez Rocks LA Star Trek silkscreen print by Justin Van Genderen is a striking example of how street pop art & graffiti artwork can merge cultural nostalgia with minimalist modernism. This 2014 hand-pulled screenprint, limited to an edition of 50, presents an evocative depiction of Vasquez Rocks in Los Angeles County, a location famously associated with the Star Trek universe. The print captures the stark, alien-like landscape in a bold, graphic composition, reinforcing the cinematic significance of this natural landmark while paying tribute to one of the most iconic science fiction franchises in history. The Artistic Vision Behind the Silkscreen Print Van Genderen’s approach to this piece emphasizes minimalism, using sharp geometric forms, a limited color palette, and strong contrasts to create a visually arresting composition. The towering rock formations are rendered in deep shadow, juxtaposed against a massive, glowing sun that dominates the background. A lone figure, representing Spock or a traveler from the Star Trek universe, stands at the peak, reinforcing a sense of isolation and exploration. The typography is bold and futuristic, with the word Vulcan standing prominently at the top, reinforcing the extraterrestrial theme. The print’s use of space and color reflects key influences from street pop art & graffiti artwork, particularly in the way it simplifies complex landscapes into striking, high-impact visuals. The textures and distressed finishes evoke a vintage aesthetic reminiscent of classic sci-fi posters, adding to the timeless appeal of the piece. By stripping away extraneous details, Van Genderen creates an image that is immediately recognizable yet open to interpretation, allowing viewers to project their own narratives onto the scene. Vasquez Rocks as a Cultural and Artistic Landmark Vasquez Rocks has long been a favored location for filmmakers, particularly within the science fiction genre. Its jagged, otherworldly formations have served as the backdrop for numerous Star Trek episodes, making it an enduring symbol of exploration and discovery. By selecting this site for his artwork, Van Genderen taps into a collective cultural memory, using street pop art & graffiti artwork techniques to recontextualize a familiar setting into something fresh and thought-provoking. The silhouette of the lone figure atop the rocks adds a narrative element to the composition, inviting speculation about the character’s identity and purpose. Whether viewed as Spock gazing into the unknown or as an anonymous wanderer lost in the vastness of space, the scene encapsulates themes of solitude, curiosity, and the eternal search for meaning. The rising or setting sun adds to the sense of transition and timelessness, reinforcing the idea of exploration as both a personal and universal journey. The Significance of the Limited Edition Silkscreen Print As part of the Location Location Location series, this print continues Van Genderen’s exploration of how places—both real and fictional—shape cultural narratives. Each piece in the series distills the essence of a specific location into a minimalist, cinematic aesthetic, drawing on elements of street pop art & graffiti artwork to create a sense of immediacy and impact. This limited edition of 50, signed and numbered on the back, adds an element of exclusivity, making it a prized collectible for both art enthusiasts and Star Trek fans alike. The silkscreen printing process itself lends a tactile, handcrafted quality to the piece, distinguishing it from digital reproductions and mass-produced prints. Each print carries slight variations, reinforcing the uniqueness of the artwork and its connection to traditional printmaking techniques. The 18x24-inch format ensures that the piece makes a strong visual statement, whether displayed in a gallery, private collection, or as part of an urban art installation. Van Genderen’s Vulcan Vasquez Rocks LA Star Trek silkscreen print exemplifies the intersection of pop culture, cinematic history, and contemporary street pop art & graffiti artwork. By transforming a real-world location into an abstract, symbolic representation of exploration and science fiction mythology, the artwork continues to resonate with audiences who appreciate both visual storytelling and the timeless appeal of Star Trek’s visionary universe.

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Mike Gordon- LA 2014 Music Limited Edition Gig Poster 4-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by John Vogl for Mike Gordon of Phish. March 17th, Los Angeles CA, The El Rey Theatre

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Blank Canvas #132 WPRR Serigraph Print by Tim Conlon Limited Edition Hand Pulled Artwork on 285gsm Stardream Lagoon Fine Art Paper Modern Street Graffiti Pop Artist. 2023 Signed & Numbered Limited Edition of 75 Artwork Size 24x24 Hand Deckled Serigraph In the confluence of street graffiti and pop art, few works encapsulate the spirit as vividly as Tim Conlon's 'Blank Canvas #132 WPRR Serigraph Print'. Born from his extensive 'Blank Canvas' series, this particular piece is a harmonious blend of spray paint, typography, and painterly abstraction. The tromp l'oeil technique, a style that uses realistic imagery to create an optical illusion, adds a layer of depth, immersing the viewer into the world of freight train painting art and culture. What sets this artwork apart is its medium and material. It is a serigraph, a refined hand-pulled print, on a meticulously chosen 285gsm Stardream Lagoon Fine Art Paper. This paper's unique texture and hue accentuate the artwork's vibrant colors. The hand deckled edges enhance its tactile experience, making it not just a visual treat but a masterpiece to feel. Sized at 24x24 inches, it strikes a balance, making it perfect for various display settings. Limited to just 75 pieces, each artwork is signed and numbered by Tim Conlon himself, attesting to its authenticity and exclusivity. Moreover, the embossment by BEYOND THE STREETS stamps its significance in the contemporary art scene. Conlon's work offers an unparalleled insight into the ever-evolving world of graffiti, melding the rebellious spirit of street art with the aesthetics of pop art. For enthusiasts and collectors alike, 'Blank Canvas #132 WPRR Serigraph Print' is not merely an artwork; it's a statement, a testament to the beauty and complexity of urban art culture.

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Living Color 1991 San Diego CA Handbill Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1991 Signed by Kozik Music Concert Handbill Artwork Size 11x17 Silkscreen Print Band Gig Poster by Frank Kozik "Living Color x Frank Kozik" presents an audacious fusion of sound and vision that redefines the boundaries of art and music. Living Color, the legendary rock band known for their explosive performances and genre-blurring sound, collaborate with Frank Kozik, the acclaimed graphic artist whose iconic posters and vinyl figures have become fixtures of the underground art scene. This collaboration presents an immersive experience, wherein Kozik's bold, psychedelic artwork spectacularly complements Living Color's thunderous riffs and dynamic rhythms, creating a unique symbiosis between rock and art that fans of both will not want to miss.

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Outta Time Plate 1.21 Gigawatts Limited Edition Giclee Print on Fine Art Paper by Velvet Spectrum counter-culture street artist art. New Rule collective presents, 1.21 GIGAWATTS, an illustrated tribute to the classic movie trilogy Back To The Future! The classic tale of young Marty McFly and Doc Brown as they haphazardly travel through the space-time continuum inspired a generation of sci-fi and time travel fanatics around the world, and still stands up as a defining piece of cinema from the 80s.

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Eyes On The King Verdict 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x Ted Soqui Rare Street Art OBEY Pop Artwork Artist. 2022 Signed by Shepard Fairey & Ted Soqui, Numbered 18x24 inches. Screenprint on thick cream Speckletone paper. Numbered edition of 600. "I based this “Eyes on the King Verdict” print on photos taken by Ted Soqui during the LA riots of spring 1992. Ted has a long history of photographing activists and protests, which began after the “not guilty” verdicts on April 29, 1992, for the four officers who severely beat Rodney King. I especially love the central pic of a young woman protester in a Malcolm X hat contemplating the scene. I think it is important to consider the symbolic weight of the Rodney King verdict and the emotional impact on communities of color seeking justice and accountability. At the time, 30 years ago, I remember feeling enraged that such a blatant act of police brutality was going unpunished when it was captured on video. It is heartbreaking how frequently similar acts of violence and abuse of power by law enforcement have gone unpunished, even when caught on camera. I don’t ever condone violence or looting, but I understand why LA erupted in riots and protests after the King verdict. When people feel that the American system has failed them repeatedly, things can reach a boiling point. The urge to protest injustice and the right to do so are legitimate, even if looting is not legitimate. The LA riots were a tragic mixture. However, beware of those who try to conflate protest with “criminal agitation” or “inciting a riot.” When the system fails the people, it is nothing short of patriotic for the people to protest for a solution. Ted Soqui and I both signed the “Eyes on the King Verdict” print.” – Shepard

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Estevan Oriol- LA Fingers Black Limited Edition Rare Spray Paint Can Artwork Crossover by famous graffiti paint maker Montana MTN. Estevan Oriol LA FINGERS, 2021 Limited Edition of 500 Montana Spray Paint Can Color: Black Estevan Oriol is an internationally celebrated professional photographer, director and entrepreneur. Beginning his career as a club bouncer turned tour manager for popular Los Angeles–based rap groups Cypress Hill and House of Pain, Oriol developed his passion for photography while traveling the world. He began documenting life on the road and established a name for himself amid the emerging hip-hop scene. In 1995, Chicano street photographer Estevan Oriol held a now-famous photo session in which he asked a Latina model with a fierce set of claws to arrange her bling-gilded fingers in the shape of two letters: L and A. Her black, pillowy lips pouting in the background, the image presented a mesmerizing, defiant symbol of West Coast pride. It reclaimed the typography of the Hollywood sign and it reimagined the Dodgers’ interlocking L.A. symbol. Not since the palm tree, the smoggy freeway or the lonely Hockney swimming pool had one image so succinctly captured the essence of Los Angeles — inaccessible and forbidden until Oriol (with its full blessing) delivered it to us.

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Andrew Bird- Santa Cruz, CA 2013 Music Limited Edition Gig Poster 2-Color Hand-Pulled Silkscreen Print Artwork on 100 French Bubblegum Cover Paper by John Vogl for Andrew Bird and The Handsome Family.

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Ritual Device Fueled Bottom AP 1995 San Francisco CA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 1995 Signed by Kozik & Numbered Limited Edition of AP 100 Artwork Size 16x22 Silkscreen Print Band Gig Poster by Frank Kozik. Ritual Device Fueled Bottom July 29th 1995 San Fransisco California Bottom of the Hill.  Frank Kozik Ritual Device Fueled Bottom 1995 Artist Proof Silkscreen Frank Kozik, born in Spain in 1962 and active primarily in the United States until his passing in 2023, was a pivotal figure in the transformation of gig posters into collectible Street Pop Art & Graffiti Artwork. The Ritual Device Fueled Bottom silkscreen print from July 29, 1995 was created for a performance at Bottom of the Hill in San Francisco, California. This hand-pulled silkscreen on fine art paper measures approximately 16 x 22 inches and this example is an Artist Proof limited to 100, signed and numbered by Kozik. Artist Proof editions are produced in smaller quantities separate from the standard run and are closely associated with the artist’s personal archive and print approval process. During the mid-1990s, Kozik’s disciplined approach to silkscreen production helped legitimize underground concert posters as enduring fine art multiples within Street Pop Art & Graffiti Artwork. Horror Comic Influence and Graphic Intensity The composition features a wide-eyed figure shielding her face, rendered in a bold horror-comic style with dramatic linework and saturated color contrasts. The bleeding reds, deep blacks, and electric yellows create a visceral atmosphere that mirrors the raw energy of 1990s alternative and punk performances. The Ritual Device title dominates the upper register in heavy gradient lettering, while the event details anchor the lower portion in strong block typography. Kozik frequently drew from mid-century pulp comics, exploitation film posters, and underground zine aesthetics, and those influences are clearly visible in the exaggerated expression and confrontational imagery. This visual language aligns seamlessly with Street Pop Art & Graffiti Artwork, where immediacy, shock value, and high-impact design function as both promotional strategy and cultural commentary. San Francisco Poster Culture and Street Pop Art & Graffiti Artwork San Francisco played a significant role in the 1990s poster resurgence, and venues such as Bottom of the Hill became central hubs for independent music scenes. Kozik’s posters for these events documented a thriving underground culture while elevating the visual format through meticulous hand-pulled silkscreen craftsmanship. By signing and numbering the Artist Proof edition of 100, Kozik reinforced the print’s collectibility and archival value. Works like Ritual Device Fueled Bottom stand as historically important examples of Street Pop Art & Graffiti Artwork, capturing the convergence of live music, bold graphic storytelling, and limited edition printmaking that defined a transformative era in contemporary poster art.

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The Clarke Nova Stiff Richards AP 1995 San Francisco CA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 1995 Signed by Kozik & Numbered Limited Edition of AP 50 Artwork Size 17.5x22.5 Silkscreen Print Band Gig Poster by Frank Kozik. The Clarke Nova Stiff Richards Loudspeaker The Kilowatt Club San Francisco California 10-19-1995 The Clarke Nova Stiff Richards gig poster, created by the renowned artist Frank Kozik in 1995, is a quintessential piece of pop and street art history. As a silkscreen print, it captures the vibrant energy of San Francisco's underground music scene of the mid-90s. Kozik's work is widely recognized for its strong visual impact and its commentary on culture, which is vividly displayed in this particular artwork. Limited to an artist-proof (AP) edition of only 50, each piece was meticulously hand-pulled on fine art paper, ensuring a high level of quality and individuality. Measuring 17.5x22.5 inches, the print features bold colors and a cartoonish design characteristic of Kozik's style during that era. It reflects an intersection of music and art that Kozik navigated so well, capturing the essence of the performances by The Clarke Nova, Stiff Richards, and Loudspeaker at The Kilowatt Club on October 19, 1995. Frank Kozik's approach to band gig posters was instrumental in defining the visual language of pop art within the music industry at the time. The striking use of color and the playful imagery are not only indicative of the pop art style but also convey the dynamism of the San Francisco street art movement. The artwork has become an iconic piece, sought after by collectors and enthusiasts who see Kozik's prints as a valuable part of the narrative that documents the alternative culture and its influence on the aesthetics of the time. This particular silkscreen print not only advertised an event but also served as a standalone piece of art, merging commercial intent with artistic expression. Its collectibility lies not just in its visual appeal but also in the unique story it tells about a specific time, place, and subculture within San Francisco. The gig poster has become a historical reference point, an artifact that encapsulates the spirit of a vibrant scene and continues to influence contemporary pop and street artists.

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