Cars Trucks Vans & Automobiles

13 artworks


  • Supernova Dec 20th 1995 The Whiskey Silkscreen Print by Coop

    Coop Supernova Dec 20th 1995 The Whiskey Silkscreen Print by Coop

    Supernova - Dec. 20th, 1995 at The Whiskey Limited Edition 7-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Coop Graffiti Street Artist Modern Pop Art. 2016 Supernova Dec 20th 1995 The Whiskey Silkscreen Print by Coop Coop has become popular with certain bands and labels and has provided art for several Sympathy for the Record Industry releases as well as the posters for Reverend Horton Heat, Lords of Acid, Green Day, Nirvana, Soundgarden and The Foo Fighters.

    $364.00

  • UltraS Archival Print by David Molesky

    David Molesky UltraS Archival Print by David Molesky

    UltraS Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by David Molesky, a Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 50 Artwork Size 24x20 "This painting is the masterpiece from my series of paintings based on media images of the revolution in Kiev. It's the largest of the eight paintings so far and the one that I spent the most time on. I feel like the figure captures the energy that originally drew me into the subject matter. The paintings of this series are a departure from my earlier figurative painting. For the last decade or so I had tried to depict universal time and avoided man-made objects. I've dropped that dogma. I love that the subject is current, and also contains elements that seem from another era. For example, the old school puffy down jacket and the overall color looks a bit like old film tone." - David Molesky David Molesky's "UltraS" in the Landscape of Street Pop Art & Graffiti Artwork David Molesky's "UltraS" emerges as a significant piece within the modern landscape of Street Pop Art and graffiti Artwork, presenting a stirring visual narrative that blends contemporary unrest with a sense of timeless struggle. As a limited edition series, Molesky offers only fifty archival pigment prints on 310gsm fine art paper, each piece signed and numbered, underscoring this work's exclusivity and collectible nature. Sized at an impactful 24x20 inches, "UltraS" is a cornerstone of Molesky's artistic evolution. The artwork transcends the conventional boundaries of street art by integrating the raw vigor of graffiti with the sophisticated depth of fine art. Molesky’s technique is marked by meticulous attention to detail and a rich palette that echoes the hues of historical film tones, infusing the piece with a unique vintage quality despite its contemporary subject. The scene depicted is one of chaotic beauty, set against a backdrop of revolution—a reference to the events that transpired in Kyiv. Through his art, Molesky captures the turbulence of these times, channeling the dynamic energy and emotion that define moments of societal upheaval. In "UltraS," the focal point is the figure clad in an old-school puffy down jacket, a style choice that intentionally bridges eras, connecting the present to the past. This figure is set against the fiery blaze that engulfs what appears to be a derelict vehicle, with the thick smoke and flames rendered with such realism that they seem to leap off the paper. The contrast between the stoic determination of the figure and the destructive environment around him serves as a potent metaphor for resilience in the face of chaos. Molesky’s shift from his prior figurative work to a narrative that embraces artificial objects and contemporary events marks a significant pivot in his artistic journey. By discarding his previous avoidance of temporal elements, he forges a new path that allows him to comment on current events through his art. The "UltraS" series, particularly this piece, reflects this transformation, as Molesky immerses himself in street art's raw, unfiltered essence while maintaining a delicate art sensibility. The significance of "UltraS" within street pop art and graffiti Art lies in its aesthetic, historical relevance, and ability to capture a snapshot of revolutionary spirit. It is a visual exploration of the human condition, a poignant reminder of art's power to document, express, and move. For collectors and enthusiasts, owning a piece of the "UltraS" series is not just an acquisition of visual art but an embrace of a story, a moment in time, and a piece of the artist’s soul. Embracing Modernity and Nostalgia in Street Pop Art & Graffiti Artwork With "UltraS," Molesky delves into a realm where modernity and nostalgia intersect, presenting a visual discourse that is as thought-provoking as it is aesthetically pleasing. The inclusion of graffiti-like elements—such as the word "UltraS" scrawled on the side of the burning vehicle—grounds the work in the street art tradition, a form known for its subversive edge and connection to the voices of the disenchanted and the rebellious. Yet, the chaos is elegant, a curated composition that elevates the piece from mere street art to a form of Street Pop Art and graffiti Artwork that holds its own in galleries and sophisticated art collections. Molesky's commitment to authenticity and ability to distill complex narratives into a single frame sets "UltraS" apart. In the pop art tradition, it comments on culture and society, but it does so with the grit and earnestness of graffiti, capturing the zeitgeist in a raw and refined way. The limited edition nature of these prints further adds to their value, not just in monetary terms but also in the cultural weight they carry as artifacts of a pivotal era in art. Through "UltraS," David Molesky invites us to reflect on the intersections of art, society, and history. His work is a testament to the enduring power of visual storytelling and the evolving landscape of Street Pop Art and graffiti Artwork, where every stroke, color, and form is imbued with meaning and resonates with the viewer long after the first glance.

    $406.00

  • UltraS PP Archival Print by David Molesky

    David Molesky UltraS PP Archival Print by David Molesky

    UltraS PP Printer Proof Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by David Molesky, a Graffiti Street Artist Modern Pop Art. PP Printers Proof 2016 Signed & Marked PP Limited Edition Artwork Size 24x20 "This painting is the masterpiece from my series of paintings based on media images of the revolution in Kyiv. It's the largest of the eight paintings and the one I spent the most time on. The figure captures the energy that originally drew me into the subject matter. The paintings of this series are a departure from my earlier figurative paintings. For the last decade, I have tried to depict universal time and avoided artificial objects. I've dropped that dogma. I love that the subject is current and contains elements that seem from another era. For example, the old school puffy down jacket and the overall color looks a bit like old film tone." - David Molesky. The Convergence of Revolution and Art in David Molesky's "UltraS" David Molesky's "UltraS PP Printer Proof" stands out as a pivotal creation that captures the essence of Street Pop Art and graffiti Artwork while being deeply rooted in the historical context of the revolution in Kyiv. As an archival pigment print on 310gsm fine art paper, this piece holds significant value in its material quality and profound thematic content. The limited edition print, marked and signed by Molesky himself, measures 24x20 inches, providing a substantial canvas for the artist's vision. Molesky's journey through the artistic depiction of universal time and space takes a dramatic turn with "UltraS." The painting eschews his previous avoidance of temporal and artificial elements, plunging instead into the immediacy of current events with a raw and gripping portrayal of the human spirit in times of conflict. The "UltraS" series, specifically this print, departs from Molesky's earlier figurative painting, venturing into a more dynamic and narratively rich territory. The artwork is an amalgamation of past and present, a visual dialogue between the history it draws from and the contemporary medium of its expression. The print itself, a Printer's Proof, bears the unique distinction of being a precursor to the final limited edition run, carrying with it the artist's nuances and direct hand. The markings and the signature on each PP print confirm its authenticity and exclusivity, making it a coveted item for collectors and admirers of modern pop art. In "UltraS," Molesky achieves a striking balance between the static and the kinetic. The image of the solitary figure, poised against a backdrop of fiery chaos, encapsulates a moment of intense action and profound stillness. This figure, adorned in an "old school puffy down jacket," is an anachronistic anchor, throwing the viewer into a liminal space where time converges. The overall coloration of the print, reminiscent of old film tones, further imbues the scene with a sense of history and gravitas. David Molesky's Artistic Evolution Through "UltraS" The "UltraS" piece is not just an artwork but a historical document and a visual commentary, encapsulating the enthusiasm and the ethos of the streets. By adopting elements from graffiti art, Molesky infuses the piece with authenticity and an edge typically reserved for the most impactful street art. The scrawled "UltraS" on the side of the burning vehicle is a nod to the graffiti tradition, a signature that declares both presence and resistance. This Printer's Proof edition of "UltraS" is a testament to Molesky's artistic maturation. It showcases his willingness to engage with the present, to document it, and to reflect on it through his art. The series demonstrates a clear narrative progression in his work, embracing the current moment with all its complexities and contradictions. The impact of "UltraS" lies in its capacity to transcend the temporal boundaries that often define street art. Molesky's print is a snapshot of a single event and a broader exploration of the human condition amidst societal turmoil. It is a piece that resonates with the urgency of now while simultaneously capturing the echoes of the past. For the art world, "UltraS" represents a significant contribution to the discourse of Street Pop Art and graffiti Artwork. It is a work that demands contemplation, speaks to the soul of the viewer, and invites us to ponder the role of art in reflecting and shaping our perception of historical events. David Molesky's "UltraS" is not just a piece to be viewed; it is an experience to be absorbed, a dialogue to be entered, and a reflection of our world.

    $500.00

  • Rest Haven Court Archival Print by Robert Mars

    Robert Mars Rest Haven Court Archival Print by Robert Mars

    Rest Haven Court Lounge Limited Edition Archival Pigment Fine Art Prints on 310gsm Hahnemühle William Turner Art Paper by Graffiti Street Art and Pop Culture Artist Robert Mars. Rest Haven Court archival pigment print on Hahnemühle William Turner Matte Fine Art Paper, 310 GSM • Hand-varnished • 24 x 24 inches Hand-signed and numbered by artist Robert Mars

    $283.00

  • The End Of The End HPM Wood Stencil Print by Denial- Daniel Bombardier

    Denial- Daniel Bombardier The End Of The End HPM Wood Stencil Print by Denial- Daniel Bombardier

    The End Of The End Original Hand-Painted Multiple Spray Paint Aerosol on Framed Birch Wood Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered HPM Limited Edition of 10 Artwork Size 24x36 DENIAL is a Canadian artist whose work critiques consumerism and the human condition. Though based in Windsor Ontario, DENIAL spends much of the year traveling and exhibiting throughout Canada and the USA, having done solo shows in Los Angeles, Chicago, Detroit, New York, Toronto, and Vancouver. Denial has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continue to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.

    $3,748.00

  • Hands Up Green Silkscreen Print by Sever

    Sever Hands Up Green Silkscreen Print by Sever

    Hands Up- Green Limited Edition 11-Color Hand-Pulled Silkscreen Print on 50pt Chipboard by Sever Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 50 Artwork Size 24x18 "Hands Up," a limited edition artwork by Sever, is a compelling embodiment of the street pop art and graffiti movement. This 9-color hand-pulled silkscreen print, created on robust 50pt chipboard, showcases Sever's intelligent approach to modern pop art through street-inspired graphics. Completed in 2016, each piece within the limited edition of 50 is meticulously signed and numbered by the artist, marking its authenticity and exclusivity in the world of collectible art. The artwork, measuring 24x18 inches, presents a flipped police car with the words "Police" clearly visible, surrounded by a crowd of silhouetted figures with their hands raised. The scene is both a graphic exploration of form and color and a stark commentary on the societal tensions and confrontations that have become synonymous with street protests and public demonstrations. Sever uses the visual language of graffiti, with its bold lines and vivid colors, to capture the intensity and energy of such moments, transforming them into a statement that resonates on both aesthetic and sociopolitical levels. "Hands Up" is not merely a reflection of Sever's skills as an artist but also a mirror to the times, capturing the essence of street art's ability to comment on and engage with current events. The artwork's raw and expressive style is characteristic of Sever's oeuvre, often characterized by a blend of satire and critique leveled at modern society's issues. Through works such as "Hands Up," Sever contributes to the broader narrative of street pop art and graffiti artwork, continually serving as a barometer for cultural sentiment and a platform for expression within the urban landscape.

    $406.00

  • The Take Over PP Archival Print by Wane One Cod

    Wane One Cod The Take Over PP Archival Print by Wane One Cod

    The Take Over PP Archival Print by Wane One Cod Limited Edition Print on 310gsm Natural Museum Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2016 Signed & Marked PP Limited Edition Artwork Size 24x17 Archival Pigment Fine Art Wane One Cod's 'The Take Over': A Statement in Street Pop Art 'The Take Over,' a PP (Printer's Proof) archival print by Wane One Cod, encapsulates the essence of street pop art through its vibrant depiction of graffiti on a moving canvas—a delivery truck in an urban setting. This 2016 limited edition print, crafted on 310gsm natural museum fine art paper and sized at 24x17 inches, is a collector's piece, each meticulously signed and marked as a Printer's Proof. The artwork reflects Wane One Cod's roots in the early New York graffiti movement and his transition into a pop artist whose works are revered in the contemporary art scene. With 'The Take Over,' Wane One conveys graffiti art's raw energy and commanding presence as it moves beyond static walls to become an integral part of the city's dynamic landscape. The print stands as a testament to the enduring influence of street art and its ability to transform everyday objects into vehicles of artistic expression.

    $750.00

  • Rainbo Motel Archival Print by Robert Mars

    Robert Mars Rainbo Motel Archival Print by Robert Mars

    Rainbo Motel Limited Edition Archival Pigment Fine Art Prints on 310gsm Hahnemühle William Turner Art Paper by Graffiti Street Art and Pop Culture Artist Robert Mars. Rainbo Motel archival pigment print on Hahnemühle William Turner Matte Fine Art Paper, 310 GSM • Hand-varnished • 24 x 24 inches Hand-signed and numbered by artist Robert Mars

    $283.00

  • Put It In The Ditch, Brah! Silkscreen Print by Dave Persue

    Dave Persue Put It In The Ditch, Brah! Silkscreen Print by Dave Persue

    Put It In The Ditch, Brah! Limited Edition 8-Color Hand-Pulled Silkscreen Print on 140lb Fine Art Paper by Persue Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 85 Artwork Size 16x20 "Before we left California for the East Coast Rime told me to put some ideas together for our stop in Detroit and at the 1xRun headquarters. He wanted to introduce me to the guys and help push getting me to release a print. Because things were hectic before leaving I wasn’t able to get anything together. By the time I got to Chicago I still didn’t have anything. Rime, Mason and I had been through a few cities by then and were pretty tired. The night before our stop in Chicago we were in Nebraska. Nebraska was fucking nasty as all hell. It is where we hit a patch of black ice and did 4 huge 360 spins down the highway with semi trucks barreling down the highway behind us. All I could get out of my mouth was “Put it in the ditch man”! That became the quote for the rest of the trip." - Persue

    $406.00

  • FTP Archival Print by Dave Persue

    Dave Persue FTP Archival Print by Dave Persue

    FTP Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Persue Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 25 Artwork Size 12x12 "These pieces are from “Touchy Subjects” show at the Seventh Letter’s flagship store in Los Angeles. I showed it with Dabs, Myla, and Rime. These paintings show a darker side of BunnyKitty’s universe. Spotlighting police brutality, riots, wet dreams, and women of pleasure. Subjects that are touchy to some, but presented in a cute aesthetic.I tend to daydream a lot. These paintings come directly from those daydreams. I start by sketching rough ideas in my journal--not even complete ideas--and use them as a reference, then go straight into painting. No pencil or transfer paper was used in the making of this work." - Persue

    $129.00

  • Safari Inn Archival Print by Robert Mars

    Robert Mars Safari Inn Archival Print by Robert Mars

    Safari Inn Lounge Limited Edition Archival Pigment Fine Art Prints on 310gsm Hahnemühle William Turner Art Paper by Graffiti Street Art and Pop Culture Artist Robert Mars. Safari Inn archival pigment print on Hahnemühle William Turner Matte Fine Art Paper, 310 GSM • Hand-varnished • 24 x 24 inches Hand-signed and numbered by artist Robert Mars

    $283.00

  • Flamingo Motel Archival Print by Robert Mars

    Robert Mars Flamingo Motel Archival Print by Robert Mars

    Flamingo Motel Limited Edition Archival Pigment Fine Art Prints on 310gsm Hahnemühle William Turner Art Paper by Graffiti Street Art and Pop Culture Artist Robert Mars. Flamingo Motel archival pigment print on Hahnemühle William Turner Matte Fine Art Paper, 310 GSM • Hand-varnished • 24 x 24 inches Hand-signed and numbered by artist Robert Mars

    $283.00

  • Off On A Fast One Silkscreen Print by Faile

    Faile Off On A Fast One Silkscreen Print by Faile

    Off On A Fast One- Savage Sacred Young Minds Series 17-Color Hand-Pulled Limited Edition Silkscreen Print on 310gsm Coventry Rag (Deckle Edge) by Faile Rare Street Art Famous Pop Artwork Artist. Savage Sacred Young Minds Series FAILE (American, est. 1999) Title: Off On A Fast One 2016 Medium: Screenprint on 100% Cotton Rag Archival Paper with Deckled Edges Savage Sacred Young Minds Series

    $4,802.00

Cars Trucks Vans & Automobiles Graffiti Street Pop Art

The Intersection of Automobile Imagery in Street Pop Art and Graffiti Artwork

Street pop art and graffiti artwork have long been mediums for expressing cultural, political, and social ideas. Among the myriad subjects that find expression in these art forms, the depiction of automobiles - cars, trucks, vans - holds a special place. Beyond their practical utility, these vehicles embody the era's spirit, technological progress, and, sometimes, a sense of rebellion and freedom.

Cars and Trucks in Street Pop Art: Symbols of Modernity and Rebellion

The incorporation of cars and trucks in street pop art showcases vehicles and reflects societal attitudes and cultural phenomena. This art form often utilizes bold colors and striking, often satirical, imagery to challenge norms and critique society. In this context, cars can symbolize modernity, speed, and the relentless march of technology. For instance, the works of Keith Haring, an American artist known for his graffiti-inspired artwork, often included cars and other vehicles as symbols of movement and energy. Haring, who passed away in 1990, was adept at using such imagery to comment on societal issues. In contrast, trucks, often depicted in more rugged and robust forms, can represent the working class, resilience, and sometimes, a rugged individualism. These vehicles in Street Pop Art can be seen as metaphors for the journey, not just physically but also as a journey through life, challenges, and the societal landscape.

Vans in Graffiti Artwork: Canvases on Wheels

Graffiti artwork, with its roots in expressing underground and countercultural sentiments, finds a unique canvas in vans. These vehicles, often associated with subcultures, become moving artworks that carry messages across cities. Graffiti artists like Banksy, whose real name remains unconfirmed, have often utilized vehicles as part of their guerilla artwork tactics. These vans become symbols of rebellion, transporting not just goods but ideas and social commentary. The art on vans ranges from simple tags and messages to elaborate murals. They encapsulate a sense of freedom and nonconformity, resonating with the ethos of graffiti art. This transient and often illegal art form uses the van to symbolize defiance against traditional art forms and societal norms.

Automobiles in Art: Reflecting Cultural and Historical Contexts

The depiction of automobiles in Street Pop Art and Graffiti Artwork goes beyond mere representation. These vehicles, embedded in the art, reflect the cultural and historical contexts of the times. In periods of economic boom, cars in art might be depicted as symbols of affluence and progress. Conversely, these identical vehicles can be portrayed as emblems of decay and societal neglect during societal unrest or economic downturns. Artists like Jean-Michel Basquiat, an American artist of Haitian and Puerto Rican descent who died in 1988, often included cars in his neo-expressionist works. These vehicles served as symbols to comment on race, class, and social dichotomies. His use of cars and other vehicles was about their form and the underlying narratives they carried. The portrayal of cars, trucks, and vans in Street Pop Art and Graffiti Artwork is multifaceted. These vehicles are more than just modes of transportation; they are symbols laden with cultural, social, and political significance. Through the lenses of different artists and across various periods, these automobiles take on varied meanings and become powerful tools in the artistic expression of Street Pop Art and Graffiti Artwork.

Cultural Resonance of Classic Automobiles in Art

In the hands of street artists, classic cars are elevated from mere relics of the past to influential icons that evoke the golden age of automotive design. They serve as a canvas within a canvas, a motif that artists use to explore themes of Americana, consumerism, and the passage of time. This reverence for classic cars within street pop art and graffiti reflects a broader cultural appreciation, where these vehicles are often lovingly restored and showcased at events, drawing crowds and fostering communities. Similarly, they bridge generations in art, appealing to older enthusiasts who remember these vehicles in their heyday, and younger admirers are attracted to their retro charm.

Sports Cars Aesthetics and Symbolism

Sports cars have been a popular subject in both graffiti and pop art. Graffiti art often portrays sports cars in a dynamic and expressive style, while pop art takes a more stylized and colorful approach. Both art styles celebrate the beauty and speed of sports cars while commenting on society's fascination with material possessions and consumer culture. In graffiti art, sports cars are often depicted in motion, with dynamic lines and bold colors conveying a sense of speed and excitement. Graffiti artists may also incorporate elements of street culture, such as spray-painted tags or graffiti lettering, to create a sense of urban rebellion and subversion. In pop art, sports cars are typically portrayed as more stylized and colorful, with bright, eye-catching colors and exaggerated proportions. Pop artists like Andy Warhol and Roy Lichtenstein often used sports cars to symbolize consumer culture and the American Dream, commenting on how material possessions have become a marker of success and status. Both graffiti art and pop art offer unique and vibrant perspectives on the world of sports cars, highlighting the beauty, excitement, and cultural significance of these iconic vehicles. The visual appeal of classic cars lends itself well to street pop art's bold and impactful style. Artists often play with the cars' iconic designs, infusing them with exaggerated features or placing them in surreal contexts. This juxtaposition of the classic with the contemporary speaks to the enduring relevance of these automobiles. Moreover, the symbolism attached to classic cars—a sense of bygone elegance, the American dream, the freedom of mobility—resonates in urban environments where space is at a premium and such cars are rarely seen. By bringing these symbols into the public eye, artists contrast the modern cityscape, inviting contemplation on progress and change.

Classic Cars as Storytellers

Beyond their visual impact, classic cars in street pop art often tell a story. They can serve as a narrative device, setting the scene for a bygone era or hinting at a backstory for imagined characters. In some pieces, the cars are characters with personalities, rendered with anthropomorphic qualities that invite viewers to ascribe emotions and experiences to them. This personification of inanimate objects is a common technique in pop art, adding layers of meaning and engagement to the work. Through these depictions, classic cars become more than just transportation; they are protagonists in a visual tale unfolding on the city's walls. When integrated into street pop art and graffiti, classic cars often adopt the urban landscape's textures and colors. This blending anchors the cars within their new context, merging past and present. Artists might incorporate cityscape elements, such as architecture or street signs, into the background, framing the cars within a modern urban setting while preserving their historical aura. This integration showcases the artist's skill in combining disparate elements to create a cohesive and evocative piece. Ultimately, the incorporation of classic cars into street pop art is a reflection of society's relationship with its past and present. These artworks often evoke nostalgia, a yearning for a time when life seemed more straightforward and elegant. At the same time, by bringing these symbols of the past into a contemporary setting, artists remind viewers of the relentless march of time and the continuous evolution of culture. Classic cars in street pop art and graffiti are a testament to the human desire to remember and revere the past while continually moving forward. The inclusion of classic cars in street pop art and graffiti artworks is a multifaceted exploration of style, culture, and societal change. Through the lens of these revered automobiles, artists can express complex ideas and emotions, creating a dialogue with the viewer that transcends the visual experience. Whether as objects of beauty, symbols of a bygone era, or central characters in a narrative, classic cars will continue to inspire and captivate artists and audiences within the urban tapestry.

© 2024 Sprayed Paint Art Collection,

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