Cars Trucks Vans & Automobiles

12 artworks


  • Florence Aubenas Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat

    Shepard Fairey- OBEY Florence Aubenas Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat

    Florence Aubenas Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 2008 Signed by Shepard Fairey & Blek le Rat, Numbered Limited Edition of 100 Artwork Size 18x24 Silkscreen Print In the world of street art, there are few names as iconic as Shepard Fairey and Blek le Rat. In 2008, these two titans of the genre came together in an extraordinary collaboration, leveraging the compelling photographs of Sybille Prou, which captured the essence of Blek Le Rat’s street art installations. This synergy resulted in a limited edition silkscreen print that encapsulated the spirit and innovation of both artists. Released as a part of Blek le Rat’s solo exhibition at Subliminal Projects titled "Art is Not Peace," this hand-pulled piece on fine art paper is a testament to the enduring power and influence of street art in the broader art world. The artwork, meticulously measured at 18x24, boasts the signatures of both Shepard Fairey and Blek le Rat, emphasizing its authenticity and importance in contemporary art. It's not just a simple artwork, but a synthesis of two powerful artistic voices, unified in their shared vision and passion for street art. Limited to a mere 100 copies, the print becomes an emblem of exclusivity, a cherished piece for collectors and aficionados alike. Each print is numbered, ensuring that every owner has a unique piece of history. The detailed silkscreen technique, combined with the aesthetic elements of pop and street art, makes this artwork not only visually stunning but also culturally significant. It represents a moment in time when two artists, both legends in their own right, came together to create something truly memorable. For those fortunate enough to procure one, it serves as a tangible representation of the dynamism and innovation inherent in street art.

    $3,960.00

  • Unconscious Monster Skateboard Art Deck by Fuel TV x Rick Maderis

    Rick Maderis Unconscious Monster Skateboard Art Deck by Fuel TV x Rick Maderis

    Unconscious Monster Deck Limited Edition Silkscreen Skateboard deck art by street pop culture artist by Fuel TV x Rick Maderis. Limited Serial Number Unconscious Monster Skateboard Art Deck by Fuel TV x Rick Maderis

    $289.00

  • Sale -15% Road Signs Big Boy HPM Serigraph Print by Risk Rock

    Risk Rock Road Signs Big Boy HPM Serigraph Print by Risk Rock

    Road Signs- Big Boy Limited Edition Hand-Embellished Serigraph on Heavy paper by Risk Graffiti Street Artist Modern Pop Art. Hand-Embellished Serigraph on Heavy paper- 18x23 Inches- Date Made: 2018- Incorporates Risk's now-famous "license plate, road sign, and Bob's Big Boy" background. Each print is "hand-embellished" by the artist.

    $518.00$440.00

  • Going to NY Silkscreen Print by Mr Brainwash- Thierry Guetta

    Mr Brainwash- Thierry Guetta Going to NY Silkscreen Print by Mr Brainwash- Thierry Guetta

    I am going to NY Silkscreen Print by Mr. Brainwash- Thierry Guetta Hand-Pulled 16-Color on Deckled Fine Art Paper Framed Limited Edition Artwork. 2014 Signed & Numbered Custom Framed Limited Edition of 100 Artwork Size 46x25 Silkscreen Print of NYC Yellow Cab with Blurred Urban New York City Background. Custom Antique Brown Bronze Colored Frame Measuring 51x30. Thierry Guetta's Homage to the Energy of New York City Thierry Guetta, known as Mr. Brainwash, has been a defining figure in the melding of street art with pop art sensibilities, creating works that capture the essence of contemporary urban life. His limited edition silkscreen print "Going to NY" from 2014 is a vivid example of this synthesis. It captures the iconic image of a New York City yellow cab, a symbol deeply ingrained in the city's cultural identity. It is decorated with the visually arresting techniques of Street Pop Art and Graffiti Artwork. Guetta's technique in "Going to NY" showcases his adeptness with the silkscreen process, utilizing a remarkable 16-color palette on fine art paper. The image of the cab is framed by the blurred lines of the city's frenetic movement, conveying a sense of speed and vitality that is the lifeblood of urban New York. The cab is not just a vehicle but a canvas, covered with vibrant graffiti that tells many untold stories about the city that never sleeps. Limited Edition's Collectability and Symbolism  In this piece, Guetta depicts a ubiquitous element of New York's transportation and encapsulates the city's spirit. The graffiti adoring the cab speaks to the art form's integral role in New York's cultural tapestry. This artwork is more than a static image; it is a snapshot of movement, a representation of the city's constant flux and its unending capacity for reinvention and expression. "Going to NY" is a piece that stands out in its rarity and craftsmanship. This work is a collector's item, part of a limited edition of 100, each signed and numbered by Guetta himself. The custom antique brown bronze-colored frame, measuring 51x30 inches, contrasts the artwork's street art aesthetic, signifying its transition from the streets to the collector's private gallery. The Legacy of Mr. Brainwash's Urban Visions Guetta's work, particularly "Going to NY," has contributed significantly to the growing recognition and appreciation of Street Pop Art and Graffiti Artwork within the fine art world. By introducing the visual language of the streets into the galleries, Guetta challenges traditional notions of what constitutes fine art. His work is a dialogue between the highbrow and the every day, celebrating the potential for beauty and meaning in the most unexpected places. "Going to NY" by Mr. Brainwash is more than a piece of art; it is a statement about urban life's vibrancy and its inherent artistry. As Street Pop Art continues to evolve, works like this serve as milestones along the path of artistic innovation. They remind us that art is not confined to the hallowed halls of museums but is all around us, in the streets we walk and the vehicles that pass us by. Guetta's "Going to NY" is a celebration of this dynamic, a testament to the beauty of the city's chaos, and a treasured piece for any art lover drawn to the pulse of the metropolis.

    $10,000.00

  • Punisher Crossing Original Street Sign Painting by RD-357 Real Deal

    RD-357 Real Deal Punisher Crossing Original Street Sign Painting by RD-357 Real Deal

    Punisher Crossing Original Street Sign Painting by RD-357 Real Deal One of a Kind Artwork on Real Metal Crosswalk Street Sign by Graffiti Art Pop Artist. 2012 Signed Mixed Media Acrylic & Spray Paint on Real Reclaimed NYC New York City Crossing Cross Walk Street Sign Painting Original Artwork Size 30x37.5  RD-357: Pioneering Street Pop Art on Urban Canvases RD-357, an artist known for his distinctive contribution to street pop art and graffiti artwork, has manifested his creativity through a unique, striking, and thought-provoking medium. His original piece titled "Punisher Crossing Original Street Sign Painting" encapsulates street art's raw essence while ingeniously infusing pop culture iconography elements. This work is a stellar example of RD-357's inventive use of everyday objects as canvases, transforming a mundane metal crosswalk street sign into a vibrant artwork that commands attention and sparks dialogue. The "Punisher Crossing" is a unique artwork that exudes the rebellious spirit and subversive edge often associated with street pop art. Created in 2012, this mixed media piece employs acrylic and spray paint on a real crossing sign measuring 30x37.5 inches. RD-357's choice to use an actual street sign as the foundation for his artwork not only repurposes the object but also embeds the art piece within the fabric of urban life it seeks to comment on. The sign, once a directive for pedestrians, now carries a powerful visual message, made all the more potent by its placement on an object of regulation and order. The Artistic Language of RD-357's Street Sign Paintings In "Punisher Crossing," RD-357 demonstrates a masterful control over color and composition. The background of the sign is ablaze with a vivid, almost violent splatter of yellow and red spray paint, reminiscent of the chaos and energy of city streets. Against this explosive backdrop, the figure of the Punisher is rendered with precision in acrylic, his stark, menacing presence immediately drawing the eye. The character's hand, outstretched and holding a gun, breaks the boundaries of the sign's frame, suggesting a defiance of constraints and a breaking free from imposed limits. RD-357's work is deeply embedded in the language of street pop art, a genre that combines the gritty, underground aesthetic of street art with the bright, graphic quality of pop art. His paintings, especially this piece, are a dialogue between the artist and the urban landscape, between the fictional characters of pop culture and the reality of the viewer's environment. By bringing the Punisher - a symbol of vigilante justice and anti-heroism - into the context of a crosswalk sign, RD-357 creates a juxtaposition that is at once startling and intriguing. The artwork becomes a statement on control and chaos, power and powerlessness, and the fine line between societal order and individual action. RD-357's Impact on Contemporary Street Art RD-357's contributions to the street art scene have been significant, and his influence can be seen in the way street pop art has evolved over the years. His artworks, particularly those on street signs, are more than mere paintings; they are interventions into the urban environment, which challenge the viewer to reconsider the role and potential of public space. The "Punisher Crossing" sign is emblematic of this approach, seamlessly integrating art into the city's daily liandlso elevating the discourse around street art. By signing his work, the artist claims ownership of a public domain piece, an act that is a form of artistic rebellion. The signature on "Punisher Crossing" is not merely a mark of authenticity; it is a declaration of presence, a proof of the artist's interaction with the world around him. Through works like this, RD-357 has etched his name into the annals of street pop art history, securing his place as a maverick who has expanded the possibilities of graffiti artwork. The "Punisher Crossing Original Street Sign Painting" by RD-357 stands as a testament to the power of street pop art to communicate, provoke, and inspire. By transforming a simple street sign into a complex and compelling work of art, RD-357 challenges perceptions, invites reflection, and continues influencing the ever-evolving narrative of street and graffiti art.

    $3,000.00

  • Big Ben & Double Decker Bus HPM Acrylic Silkscreen Print by Bobby Hill Big Ben & Double Decker Bus HPM Acrylic Silkscreen Print by Bobby Hill

    Bobby Hill Big Ben & Double Decker Bus HPM Acrylic Silkscreen Print by Bobby Hill

    Big Ben & Double Decker Bus Limited Edition Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. Each piece is unique and colors, painting, spray paintings made by hand by the artist are random, vary, and you may not receive the exact pictured item! "I use photographic images as the basis for the art, but I would sometimes draw directly on the acetate before I burn the screens to bring out parts of the images I felt were important. Each piece for this run was individually screen printed and hand-painted using a variety of acrylic and other mediums. Take notice of the colors rather than the image, even though that might be difficult to do sometimes. The colors represent what's going on in my life at any given moment." - Bobby Hill

    $153.00

  • People’s Discontent Silkscreen Print by Shepard Fairey- OBEY

    Shepard Fairey- OBEY People’s Discontent Silkscreen Print by Shepard Fairey- OBEY

    People’s Discontent Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled Screen Print on Cream Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. 2021 Signed & Numbered Limited Edition of 550 Artwork Size 24x18 Silkscreen Print of CHild Spray Painting Back of Bus With Graffiti "I teamed up with my good friend and documentary photographer, Martha Cooper, on a new print release called “People’s Discontent.” Martha Cooper has been photographing creative kids in action on city streets since the mid-1970s. I remixed one of Martha’s iconic photos from her book, Street Play, titled “Hitchhiking a Bus on Houston Street” that she shot in 1978 in the Lower East Side of New York City. There was no advertisement on the back of the bus in her original photo, and since disco was the rage in the late ’70s, I thought it made sense for me to add a disco radio station with the slogan, “Listen To The Sounds of People’s Disco.” I added the “DISCO-ntent” and the spraypaint can in the kid’s hand as if he sprayed that on there. It’s a nod to that era but also to what’s going on now with the unrest around social justice issues. This limited edition print was first released through Urban Nation Museum in Berlin as part of their current show “Martha Cooper: Taking Pictures” curated by Jaime Rojo and Steven P. Harrington of Brooklyn Street Art." -Shepard Fairey People’s Discontent Silkscreen Print is a powerful example of the intersection between pop art, street art, and graffiti art. Shepard Fairey, better known by his moniker 'OBEY,' collaborated with renowned documentary photographer Martha Cooper to create this piece, drawing inspiration from the vibrant street culture that emerged in New York City in the 1970s. This print showcases Fairey's creative remix of an iconic photo by Cooper, titled “Hitchhiking a Bus on Houston Street.” The print is an intricate hand-pulled silkscreen creation on cream Speckletone Fine Art paper. Fairey added his own touch to the original photograph by inserting a disco radio station advertisement and a spray paint can in the child's hand, evoking the rebellious spirit of graffiti art. The juxtaposition of the disco radio station and the defiant "DISCO-ntent" slogan signify the sociopolitical unrest of the period, with a particular nod to the burgeoning disco movement. Fairey, while staying true to his street art roots, successfully adds a layer of pop art through the use of vibrant, mass-culture imagery, capturing a transformative period in urban history. By contextualizing this piece within the larger narrative of social justice issues, Fairey's artwork exemplifies the power of pop and street art to comment on, challenge, and shape societal norms. This limited edition print of 550 is a part of Urban Nation Museum's exhibition “Martha Cooper: Taking Pictures," curated by Jaime Rojo and Steven P. Harrington of Brooklyn Street Art. People’s Discontent Silkscreen Print represents a fusion of artistic styles, functioning as both a snapshot of a moment in time and a commentary on social issues, making it a unique and coveted piece among collectors and enthusiasts.

    $423.00

  • London Street With Bus HPM Acrylic Silkscreen Print by Bobby Hill London Street With Bus HPM Acrylic Silkscreen Print by Bobby Hill

    Bobby Hill London Street With Bus HPM Acrylic Silkscreen Print by Bobby Hill

    London Street With Bus Limited Edition Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. Each piece is unique and colors, painting, spray paintings made by hand by the artist are random, vary, and you may not receive the exact pictured item! "I use photographic images as the basis for the art, but I would sometimes draw directly on the acetate before I burn the screens to bring out parts of the images I felt were important. Each piece for this run was individually screen printed and hand-painted using a variety of acrylic and other mediums. Take notice of the colors rather than the image, even though that might be difficult to do sometimes. The colors represent what's going on in my life at any given moment." - Bobby Hill

    $153.00

  • London With Rolls Royce HPM Acrylic Silkscreen Print by Bobby Hill London With Rolls Royce HPM Acrylic Silkscreen Print by Bobby Hill

    Bobby Hill London With Rolls Royce HPM Acrylic Silkscreen Print by Bobby Hill

    London With Rolls Royce Limited Edition Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. Each piece is unique and colors, painting, spray paintings made by hand by the artist are random, vary, and you may not receive the exact pictured item! "I use photographic images as the basis for the art, but I would sometimes draw directly on the acetate before I burn the screens to bring out parts of the images I felt were important. Each piece for this run was individually screen printed and hand-painted using a variety of acrylic and other mediums. Take notice of the colors rather than the image, even though that might be difficult to do sometimes. The colors represent what's going on in my life at any given moment." - Bobby Hill

    $153.00

  • Big Rock Giclee Print by Scott Listfield

    Scott Listfield Big Rock Giclee Print by Scott Listfield

    Big Rock Limited Edition Giclée Fine Art Prints on 290gsm Entrada Paper by Graffiti Street Art and Pop Culture Artist Scott Listfield. Big Rock Giclée Print with Silkscreen Gloss by Scott Listfield 24" x 20" Giclée print with silkscreen Gloss on 290 GSM entrada paper Edition of /50 Signed

    $482.00

  • Last Stop Archival Print by Jessica Hess

    Jessica Hess Last Stop Archival Print by Jessica Hess

    Last Stop Limited Edition Archival Pigment Fine Art Prints on 290gsm Moab Entrada Rag Bright Fine Art Paper by Graffiti Street Art and Pop Culture Artist Jessica Hess. 2020 Signed Limited Edition Last Stop • Autographed archival pigment print • Printed on Moab Entrada Rag Bright 290 GSM archival paper • 18 x 24 inches Hand-signed and numbered by artist Jessica Hess in a limited edition of 25

    $242.00

  • Continental Motors Archival Print by Stephanie Buer

    Stephanie Buer Continental Motors Archival Print by Stephanie Buer

    Continental Motors Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Stephanie Buer, Street Pop Art Graffiti Legend. Signed & Numbered 2019 Archival Pigment Print on 290gsm Moab Fine Art Paper Size: 24 x 12 Inches Release: November 30, 2019 Run of: 50 "This painting is a portrait of the Continental Motors Factory in East Detroit. I have been exploring Detroit for 17 years and this was the very first time I had visited this factory. I love that there are always new places to discover and explore in this city. Continental Motors is the largest painting I have ever made, the original is 5’ long. The building and the snow were so stunning, I really wanted to make an image that captured everything." - Stephanie Buer

    $242.00

Cars Trucks Vans & Automobiles Graffiti Street Pop Art

The Intersection of Automobile Imagery in Street Pop Art and Graffiti Artwork

Street pop art and graffiti artwork have long been mediums for expressing cultural, political, and social ideas. Among the myriad subjects that find expression in these art forms, the depiction of automobiles - cars, trucks, vans - holds a special place. Beyond their practical utility, these vehicles embody the era's spirit, technological progress, and, sometimes, a sense of rebellion and freedom.

Cars and Trucks in Street Pop Art: Symbols of Modernity and Rebellion

The incorporation of cars and trucks in street pop art showcases vehicles and reflects societal attitudes and cultural phenomena. This art form often utilizes bold colors and striking, often satirical, imagery to challenge norms and critique society. In this context, cars can symbolize modernity, speed, and the relentless march of technology. For instance, the works of Keith Haring, an American artist known for his graffiti-inspired artwork, often included cars and other vehicles as symbols of movement and energy. Haring, who passed away in 1990, was adept at using such imagery to comment on societal issues. In contrast, trucks, often depicted in more rugged and robust forms, can represent the working class, resilience, and sometimes, a rugged individualism. These vehicles in Street Pop Art can be seen as metaphors for the journey, not just physically but also as a journey through life, challenges, and the societal landscape.

Vans in Graffiti Artwork: Canvases on Wheels

Graffiti artwork, with its roots in expressing underground and countercultural sentiments, finds a unique canvas in vans. These vehicles, often associated with subcultures, become moving artworks that carry messages across cities. Graffiti artists like Banksy, whose real name remains unconfirmed, have often utilized vehicles as part of their guerilla artwork tactics. These vans become symbols of rebellion, transporting not just goods but ideas and social commentary. The art on vans ranges from simple tags and messages to elaborate murals. They encapsulate a sense of freedom and nonconformity, resonating with the ethos of graffiti art. This transient and often illegal art form uses the van to symbolize defiance against traditional art forms and societal norms.

Automobiles in Art: Reflecting Cultural and Historical Contexts

The depiction of automobiles in Street Pop Art and Graffiti Artwork goes beyond mere representation. These vehicles, embedded in the art, reflect the cultural and historical contexts of the times. In periods of economic boom, cars in art might be depicted as symbols of affluence and progress. Conversely, these identical vehicles can be portrayed as emblems of decay and societal neglect during societal unrest or economic downturns. Artists like Jean-Michel Basquiat, an American artist of Haitian and Puerto Rican descent who died in 1988, often included cars in his neo-expressionist works. These vehicles served as symbols to comment on race, class, and social dichotomies. His use of cars and other vehicles was about their form and the underlying narratives they carried. The portrayal of cars, trucks, and vans in Street Pop Art and Graffiti Artwork is multifaceted. These vehicles are more than just modes of transportation; they are symbols laden with cultural, social, and political significance. Through the lenses of different artists and across various periods, these automobiles take on varied meanings and become powerful tools in the artistic expression of Street Pop Art and Graffiti Artwork.

Cultural Resonance of Classic Automobiles in Art

In the hands of street artists, classic cars are elevated from mere relics of the past to influential icons that evoke the golden age of automotive design. They serve as a canvas within a canvas, a motif that artists use to explore themes of Americana, consumerism, and the passage of time. This reverence for classic cars within street pop art and graffiti reflects a broader cultural appreciation, where these vehicles are often lovingly restored and showcased at events, drawing crowds and fostering communities. Similarly, they bridge generations in art, appealing to older enthusiasts who remember these vehicles in their heyday, and younger admirers are attracted to their retro charm.

Sports Cars Aesthetics and Symbolism

Sports cars have been a popular subject in both graffiti and pop art. Graffiti art often portrays sports cars in a dynamic and expressive style, while pop art takes a more stylized and colorful approach. Both art styles celebrate the beauty and speed of sports cars while commenting on society's fascination with material possessions and consumer culture. In graffiti art, sports cars are often depicted in motion, with dynamic lines and bold colors conveying a sense of speed and excitement. Graffiti artists may also incorporate elements of street culture, such as spray-painted tags or graffiti lettering, to create a sense of urban rebellion and subversion. In pop art, sports cars are typically portrayed as more stylized and colorful, with bright, eye-catching colors and exaggerated proportions. Pop artists like Andy Warhol and Roy Lichtenstein often used sports cars to symbolize consumer culture and the American Dream, commenting on how material possessions have become a marker of success and status. Both graffiti art and pop art offer unique and vibrant perspectives on the world of sports cars, highlighting the beauty, excitement, and cultural significance of these iconic vehicles. The visual appeal of classic cars lends itself well to street pop art's bold and impactful style. Artists often play with the cars' iconic designs, infusing them with exaggerated features or placing them in surreal contexts. This juxtaposition of the classic with the contemporary speaks to the enduring relevance of these automobiles. Moreover, the symbolism attached to classic cars—a sense of bygone elegance, the American dream, the freedom of mobility—resonates in urban environments where space is at a premium and such cars are rarely seen. By bringing these symbols into the public eye, artists contrast the modern cityscape, inviting contemplation on progress and change.

Classic Cars as Storytellers

Beyond their visual impact, classic cars in street pop art often tell a story. They can serve as a narrative device, setting the scene for a bygone era or hinting at a backstory for imagined characters. In some pieces, the cars are characters with personalities, rendered with anthropomorphic qualities that invite viewers to ascribe emotions and experiences to them. This personification of inanimate objects is a common technique in pop art, adding layers of meaning and engagement to the work. Through these depictions, classic cars become more than just transportation; they are protagonists in a visual tale unfolding on the city's walls. When integrated into street pop art and graffiti, classic cars often adopt the urban landscape's textures and colors. This blending anchors the cars within their new context, merging past and present. Artists might incorporate cityscape elements, such as architecture or street signs, into the background, framing the cars within a modern urban setting while preserving their historical aura. This integration showcases the artist's skill in combining disparate elements to create a cohesive and evocative piece. Ultimately, the incorporation of classic cars into street pop art is a reflection of society's relationship with its past and present. These artworks often evoke nostalgia, a yearning for a time when life seemed more straightforward and elegant. At the same time, by bringing these symbols of the past into a contemporary setting, artists remind viewers of the relentless march of time and the continuous evolution of culture. Classic cars in street pop art and graffiti are a testament to the human desire to remember and revere the past while continually moving forward. The inclusion of classic cars in street pop art and graffiti artworks is a multifaceted exploration of style, culture, and societal change. Through the lens of these revered automobiles, artists can express complex ideas and emotions, creating a dialogue with the viewer that transcends the visual experience. Whether as objects of beauty, symbols of a bygone era, or central characters in a narrative, classic cars will continue to inspire and captivate artists and audiences within the urban tapestry.

© 2024 Sprayed Paint Art Collection,

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