Heath Ledger Joker Construction Zone Original Street Sign Painting by RD-357 Real Deal One of a Kind Artwork on Real Metal NYC New York Construction Zone No Trespassing Street Sign by Graffiti Art Pop Artist. 2012 Signed Mixed Media Acrylic & Spray Paint on Reclaimed NYC New York Construction Zone No Trespassing Sign Painting Original Artwork Size 24x24 Batman Villian Played by Heath Ledger in the Movie as Joker Looking at the Viewer. RD Tag in Rust Red. RD-357's Heath Ledger Joker: A Fusion of Street Pop Art and Iconography The Heath Ledger Joker Construction Zone original street sign painting by RD-357, also known as Real Deal, encapsulates the essence of street pop art through its provocative use of public signage repurposed for artistic expression. Created in 2012, this mixed media acrylic and spray paint artwork transforms a New York City construction zone 'No Trespassing' sign into a canvas, depicting the iconic Batman villain played by Heath Ledger in a way that both challenges and captivates the viewer. Contextualizing RD-357's Artistic Approach RD-357, an artist whose real name remains elusive in the true spirit of street art anonymity, is known for his gritty interpretations of pop culture figures on unconventional canvases. This particular artwork measures 24x24 inches and is a testament to street art's versatility, pushing beyond traditional boundaries. RD-357 draws upon the anarchic spirit of the Joker, using a symbol of law and order – a construction sign – to present an image of chaos and rebellion. The irony is palpable; the sign, which once stood as a warning against unauthorized entry, now invites viewers to engage with the art in a personal, almost aggressive manner. Symbolism and Impact in RD-357's Joker Artwork This piece is not just a portrait; it is a statement. By choosing Heath Ledger's Joker, RD-357 taps into the collective consciousness of a society fascinated by the anti-hero archetype. Ledger's portrayal of the Joker was posthumously celebrated, and his death in 2008 left a cultural imprint that RD-357 leverages in this artwork. The juxtaposition of the Joker’s figure against the backdrop of a New York construction sign speaks volumes about the chaotic undercurrents within the perceived order of urban life. The use of mixed media, with acrylic and spray paint, highlights street art's raw, visceral nature, while also paying homage to the vibrancy of pop art. The viewer is confronted with the Joker's gaze, which, coupled with the bright warning colors of the construction sign, creates an unsettling yet magnetic presence. This interaction compels the audience to contemplate the layers of meaning behind the piece – from transforming public property into a medium for personal expression to the dialogue between art and spectator that challenges societal norms and the very definition of public space. In conclusion, RD-357's Heath Ledger Joker on a New York City construction sign is an outstanding example of how street pop art can merge cultural iconography with subversive messaging. Through this piece, the artist immortalizes a beloved film character and raises questions about authority, ownership, and the role of art in public discourse. The artwork remains a one-of-a-kind testament to the power of graffiti art to redefine spaces and provoke thought long after the paint has dried.

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Street Prophet Original One of a Kind Acrylic Paint Painting Artwork on Archival Paper by Popular Street Graffiti Artist KC Ortiz. KC Ortiz "Street Prophet" KC ORTIZ Street Prophet, 2021 Acrylic paint on archival paper 8.66 x . 12.99 inches 22 x . 33 cm 1 of 1.

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Red Dumpster HPM Limited Edition Hand-Painted Diecast Metal Graffiti Art Toy Collectible Artwork by Street Artist Amuse126. 2021 Signed Limited Edition of 26 HPM Embleshed Custom Graffiti Mini Dumpsters 4x4 Street Dumpster Series 1 Diecast Metal AM Throw Up Bubble Letter Hand Painted HPM Hand- Embellished Run of 26, Signed 2021

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Charles Street Deck Limited Edition Silkscreen Skateboard deck art by street pop culture artist Ricky Powell. 2020 Signed & Numbered on Verso Charles Street Shuffle, Archival pigment print on Cold Pressed Steep Natural Skate Deck 32 x 8 inches (81.3 x 20.3 cm) Ed. 5/75 Numbered in ink to reverse and released January 20, 2020. The Integration of Skate Culture and Street Pop Art in Ricky Powell's "Charles Street Deck" The "Charles Street Deck," a limited edition skateboard deck art by Ricky Powell, exemplifies the seamless integration of skate culture within the realm of Street Pop Art and Graffiti Artwork. Released on January 20, 2020, this piece is part of an exclusive set, limited to 75 editions, each signed and numbered on the verso. The deck features the "Charles Street Shuffle," an archival pigment print on a cold-pressed, steep, natural skate deck measuring 32 x 8 inches. This site is standard for skateboarding functionality and canvas for Powell's street pop culture artistry. Edition 5/75, marked in ink to reverse, signifies its authenticity and place within this highly collectible series. Ricky Powell's work on the "Charles Street Deck" captures the raw energy and rebellious spirit of both the street art and skateboarding worlds. The silkscreen process in creating this deck harks back to the DIY ethos prevalent in both subcultures. The detailed and durable print reflects the resilience required in skateboarding, just as the art must withstand the streets' wear and tear. Ricky Powell's "Charles Street Deck": A Cultural Artifact The "Charles Street Deck" is not merely a skateboard but a cultural artifact representing a fusion of artistry and athleticism. It is a tribute to the vibrant street life and urban landscapes that have long been the backdrops for street artists and skaters alike. Powell's choice to create a piece that is both a functional skateboard and a work of art speaks to the evolution of Street Pop Art, where practical objects are transformed into canvases for expression. This deck art, with its image of individuals in motion, encapsulates the dynamism of street culture. The figures captured on the deck are mid-shuffle, a freeze-frame of life in the streets that echoes the movement and flow of skateboarding. This visual narrative aligns with the storytelling aspect of graffiti art, where each piece conveys a moment, an emotion, or a statement from the artist. The Significance of Ricky Powell's Work in Street Art Ricky Powell's contribution to the art world through pieces like the "Charles Street Deck" is significant in elevating street culture and connecting it to a broader audience. By merging the worlds of skateboarding and street art, he bridges a gap between various forms of urban expression, underscoring their intrinsic value as both art and social commentary. The limited edition nature of the deck adds to its desirability, much like a rare piece of graffiti that can only be seen in one place for a limited time. Powell's work on this deck also showcases the potential for street art to inhabit new spaces and reach new audiences. Once a blank slate, the skateboard deck becomes a traveling exhibition of Powell's vision, carried through the streets and across skate parks, much like how graffiti art shares its messages with everyone who passes by. The "Charles Street"Deck" by Ricky Powe celebrates the intersection between skate culture and Street Pop Art, a testament to the creativity that flourishes within urban environments. As edition 5/75 rolls through the streets or adorns the wall of a collector, it carries with it the spirit of the streets, the essence of movement, and the undeniable force of street-inspired artistry.

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MSK Taft Building 08 Limited Edition Hand-Embellished HPM 2-Color Silkscreen Print on Wove Paper by Saber Graffiti Street Artist Modern Pop Art. 2008 Signed & Numbered Saber MSK Taft Building 08, 2008 Screenprint in colors with hand-embellishment on wove paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 200 Signed, numbered and dated in pencil along lower edge Published by Poster Child Prints, Los Angeles MSK Taft Building 08 by Saber: A Monument of Graffiti Excellence Saber's "MSK Taft Building 08" is a seminal work of art that stands as a monument to the graffiti movement and its indelible mark on the fabric of urban landscapes. As a limited edition hand-embellished, two-color silkscreen print on woven paper, this piece from 2008 is part of an exclusive edition of 200. Each print is meticulously signed, numbered, and dated by the artist, underscoring the authenticity and collectibility of the work. Published by Poster Child Prints in Los Angeles, the 24 x 18 inches artwork captures the bold and rebellious spirit that Saber and his MSK crew, also known as Mad Society Kings, are renowned for. Saber, born in 1976, has been a pivotal figure in the evolution of Street Pop Art & Graffiti Artwork, pushing the boundaries of what can be achieved with spray paint and beyond. His works are characterized by a mastery of letter forms, a vibrant palette, and an innovative approach to texture and layering. "MSK Taft Building 08" is a powerful representation of Saber's style, showcasing the artist's capacity to transform a traditional print medium into a dynamic reflection of street art culture. Cultural Significance and Impact of Saber's Work The cultural significance and impact of Saber's work cannot be overstated. His contributions to the graffiti art scene have helped elevate the genre to new heights, garnering respect and admiration from the art world and the public. The "MSK Taft Building 08" print embodies the essence of Los Angeles's graffiti art at a time when the medium was experiencing a renaissance, moving from the shadows of illegality to the spotlight of mainstream recognition. With its hand-embellishments, this piece offers a glimpse into the meticulous process and attention to detail that Saber employs in his craft. The hand-finishing touches on each print ensure that no two pieces are identical, granting each work its unique identity. This practice of hand-embellishing is reminiscent of the graffiti artist's touch on city walls, where each spray, line, and mark is a testament to the artist's presence and interaction with the canvas. In essence, Saber's "MSK Taft Building 08" is more than a piece of art; it is a historical document that captures the zeitgeist of a particular era in Los Angeles's street art narrative. It is a testament to the talent and influence of Saber and the MSK crew, who have left an indelible mark on the evolution of graffiti and street pop art. This artwork is not only a prized possession for collectors but also a source of inspiration for aspiring artists and a symbol of the transformative power of street art.

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Blue Dumpster HPM Limited Edition Hand-Painted Diecast Metal Graffiti Art Toy Collectible Artwork by Street Artist Amuse126. 2021 Signed Limited Edition of 26 HPM Embleshed Custom Graffiti Mini Dumpsters 4x4 Street Dumpster Series 1 Diecast Metal AM Throw Up Bubble Letter Hand Painted HPM Hand-Embellished Run of 26, Signed 2021

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Protect the eARTh Hand-Pulled 4-Color Silkscreen Print on Fine Art Paper by Pop Graffiti Artist Hijack Rare Street Art Limited Edition Artwork. 2022 Signed & Numbered Limited Edition of 50 Artwork Size 22.5x30 Silkscreen of Man With Broken Blue Umbrella Walking By Graffiti Wall. Hijack's "Protect the eARTh" serves as a profound reflection on the intersection of urban life and environmental consciousness. Crafted in 2022, this artwork, confined to a limited edition of 50 pieces, demonstrates the artist's knack for capturing the zeitgeist of our contemporary world. Spanning a canvas of 22.5x30 inches, the print communicates a tale both intimate and universal through its evocative imagery. A key component of the composition is the solitary figure, navigating an urban landscape with a broken blue umbrella. This umbrella, damaged yet still fulfilling its role, is emblematic of the Earth's resilience in the face of human-induced challenges. Its vibrant blue color, a symbol of the planet's vast waters and clear skies, contrasts starkly with the gritty, grayscale urban setting. The backdrop, an old graffiti wall, underscores the impermanence of human endeavors. Amidst the myriad of tags and markings, the words "Protect eARTh" and "I LOVE EARTH" stand out, echoing the piece's overarching theme. Through these seemingly random but carefully chosen scribbles, Hijack emphasizes the importance of cherishing and preserving our environment. "Protect the eARTh" is more than a captivating visual; it's an urgent plea. While it draws from the aesthetics and ethos of pop graffiti art, the piece transcends the genre, becoming a universal statement about our collective responsibility towards the planet. In this print, Hijack masterfully converges the immediacy of street art with a timeless message, creating a poignant reminder of the world's fragility and our role within it.

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Humboldt Park Chicago Silkscreen Print by Ian Ferguson- Hydeon 1-Color Hand-Pulled Limited Edition on Fine Art Paper Rare Street Art Famous Pop Artwork Artist. 2013 Signed & Numbered Limited Edition of 35 Artwork Size 16x20 Neighborhood Art Series by Ian Ferguson.  Humboldt Park Silkscreen Print by Ian Ferguson – Hydeon The Humboldt Park silkscreen print by Ian Ferguson, also known as Hydeon, is a masterful piece in the Neighborhood Art Series, showcasing the intricate and layered storytelling for which the artist is known. This one-color hand-pulled silkscreen print is a signed and numbered limited edition from 2013, measuring 16x20 inches on fine art paper. It represents a unique vision of Humboldt Park, one of Chicago’s most historically and culturally significant neighborhoods. Ferguson’s work blends architectural precision with surreal urban landscapes, capturing the vibrancy, energy, and layered history of the community through a composition filled with intricate details and symbolic elements. The Architectural and Cultural Essence of Humboldt Park Ferguson’s illustration style is deeply rooted in architectural line work, and this piece is no exception. Humboldt Park’s ornate buildings, historic facades, and bustling street scenes are carefully drawn with a high level of detail, reflecting the neighborhood’s diverse influences. The artwork brings together an array of visual motifs, including classic Chicago brick buildings, vintage automobiles, bicycles, and elements of the urban landscape that define the area’s character. The use of black and white enhances the structural complexity of the illustration, allowing each line to tell a story. Beyond its architectural depth, Humboldt Park is widely recognized for its cultural history, particularly its strong connection to Puerto Rican heritage and Latin American influences. Ferguson pays homage to this identity by incorporating imagery such as a mariachi musician, elements of Puerto Rican symbolism, and nods to the community’s long-standing contributions to Chicago’s street pop art & graffiti artwork. The piece blends these cultural elements with its urban setting, creating an evocative snapshot of a neighborhood filled with life and resilience. Surrealism and Symbolism in the Artwork A defining characteristic of Ferguson’s work is the interplay of realism and surrealism. In this print, seemingly familiar structures are reimagined in dreamlike ways—architecture floats among the clouds, structures merge into one another, and perspectives shift fluidly across the composition. The Humboldt Park lagoon is a focal point, drawn with reflections that add depth and a sense of movement. Meanwhile, griffin-like mythical creatures appear in the sky, reinforcing a sense of mystery and wonder, which is a signature of Ferguson’s work. The print also includes elements that hint at the neighborhood’s present and past—its food truck scene, vintage signage, public parks, and bustling street life. These details provide layers of meaning, allowing the viewer to explore different aspects of Humboldt Park’s identity. Ferguson’s ability to infuse narrative into his illustrations elevates this piece beyond mere documentation; it becomes an experience, a visual representation of a living, breathing urban environment. Hydeon’s Influence on Street Pop Art & Graffiti Artwork Ian Ferguson’s Neighborhood Art Series has established him as a leading figure in street pop art & graffiti artwork, offering an alternative to traditional muralism by using hand-pulled silkscreen techniques to create highly detailed urban narratives. Unlike large-scale street art that often relies on bright colors and broad strokes, Ferguson’s method focuses on intricate line work and layered storytelling. This approach aligns with the historical documentation of urban spaces, much like how early cartographers mapped cityscapes, but with a modern artistic twist. Through this series, Ferguson captures the soul of Chicago’s neighborhoods, transforming them into surreal, poetic compositions that resonate with residents and art collectors alike. The Humboldt Park silkscreen print is a tribute to the area’s resilience, history, and artistic energy, preserving its cultural identity through a limited edition, hand-pulled artwork that continues to inspire admiration within the street pop art & graffiti artwork community.

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Spray Can Raw Series 7897 Original Graffiti Painting by Seen UA One-of-a-kind Spray Paint & Acrylic Painting Artwork on Stretched Canvas. 2022 Signed Original Stencil Multi Tags Series Acrylic & Spray Paint Painting Size 18x30 The artwork titled "Spray Can Raw Series 7897" is a distinctive original graffiti painting created by Seen UA, a revered figure in urban art. This piece is a one-of-a-kind fusion of spray paint and acrylic, boasting a raw energy that encapsulates the spirit of street pop art and graffiti artwork. Crafted in 2022, the painting is part of the Original Stencil Multi Tags Series, a collection that showcases the artist's adeptness in combining various elements of street art and fine art. Spanning a size of 18x30, the artwork is rendered on stretched canvas, a medium that offers a traditional touch to the otherwise rebellious art form. UA's signature is prominently featured, affirming the authenticity and originality of the piece. The use of spray cans, a hallmark tool in the graffiti world, is evident in the bold, swooping lines that dominate the visual field, lending a sense of movement and immediacy to the work. This piece reflects the broader aesthetic movements of pop art and graffiti, which have long been intertwined. Pop art's influence on graffiti is visible in the bright colors, the incorporation of commercial and urban imagery, and the emphasis on visual impact. Conversely, graffiti lends a raw, unfiltered voice to the polished surfaces of pop art, infusing it with a sense of urgency and authenticity. "Spray Can Raw Series 7897" exemplifies this cross-pollination, embodying the energy of the streets while holding its own as a piece of fine art. The result is a vibrant and thought-provoking piece that challenges boundaries and continues to shape the evolving narrative of contemporary art.

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Fenway Archival Print by Scott Listfield Limited Edition Print on 290gsm Moab Entrada Rag Bright Paper Pop Artist Modern Artwork. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 18x24 Archival Pigment Fine Art "Fenway Archival Print" by Scott Listfield is an art piece by the artist Scott Listfield, who is known for his distinct style of painting astronauts exploring landscapes filled with elements of pop culture and contemporary society. The title "Fenway Archival Print" is set in Fenway Park, the iconic baseball stadium in Boston, Massachusetts, home to the Boston Red Sox. Listfield has incorporated Fenway Park, the surrounding neighborhood, or some other related elements into the artwork, combined with his signature astronaut figure. Since this is an "archival print," the artwork is a high-quality reproduction of the original painting, using archival inks and paper to ensure long-lasting color and quality. These prints are often signed and numbered by the artist, making them valuable collector's items.

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Bubbles PNB RAW 8670 White Original Graffiti Painting by Seen UA, One-of-a-kind Spray Paint and Acrylic Painting Artwork on Unstretched Canvas. 2023 Signed Original White Bubbles PNB RAW Post No Bills Series Acrylic & Spray Paint Painting Size 26x30 Original canvas from SEEN, Bubbles PNB RAW Series, 2023. Actual painting size is 30" x 34" (76,2 x 86,3 cm) with an added 2" border (5 cm) around all four sides for stretching on wood. Stretched size is 26" x 30" (66 x 76,2 cm) // UN- stretched size is 30" x 34" (76,2 x 86,3 cm). SIGNED ON THE BACK. Bubbles PNB RAW 8670 is an original graffiti painting by renowned graffiti artist Seen UA, whose real name is Richard Mirando. UA is widely considered one of the pioneers of modern graffiti art, with a career spanning over four decades. Born in the Bronx, New York, in 1961, Seen UA started as a subway graffiti artist in the 1970s and soon gained recognition for his distinctive style and bold, colorful designs. The "Bubbles PNB RAW" is a collection of works that showcase the artist's signature lettering and bills stencil, blending street art with traditional fine art. In Bubbles PNB RAW 8670, Seen UA masterfully incorporates bright colors, intricate patterns, and diverse typography to create a striking and vibrant visual experience. As with other pieces in the series, Multi Tags Series 8579 emphasizes the power of artistic expression and its impact on urban landscapes while simultaneously serving as a testament to Seen UA's skill and creativity. The painting would make a significant addition to any contemporary art collection, particularly for fans of street art and graffiti.

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MC Supersized Camo- Bangkok Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Ron English- POPaganda x Mindstyle. 2021 Ron English- POPaganda x Mindstyle presents MC Supersized Camo. Each one represents a different city in China with a unique camo style. 8 inches tall. Hand-signed by Ron. Comes with a hat and card. The collaboration between Ron English- POPaganda and Mindstyle has led to the creation of a remarkable piece of collectible artwork: the MC Supersized Camo - Bangkok Limited Edition Vinyl Art Toy. This distinctive piece is part of a series where each rendition pays homage to a different city in China, encapsulating its unique camo style. Standing at an impressive 8 inches tall, the toy reflects a fusion of street pop art and graffiti artwork, mediums where English has firmly established his legacy. Ron English- POPaganda is renowned for incorporating cultural icons into his work, often infusing them with a subversive and satirical edge that challenges observers to reconsider the mundane. The MC Supersized Camo is no exception. It serves as a critique and a playful twist on consumerism, specifically fast-food culture, which English frequently targets in his art. The vibrant camouflage pattern is not just an aesthetic choice; it's a statement of how commercial icons blend into our urban environments and consciousness. Each vinyl figure in this collection is hand-signed by Ron English- POPaganda, adding a personal touch that collectors and fans of street pop art appreciate. The Bangkok edition has accessories that increase its appeal and collectible value—a hat and a card, contributing to its narrative and authenticity. Mindstyle, known for its high-quality production of designer toys, ensures that the craftsmanship complements English's artistic vision. Together, they deliver a piece that is not merely a toy but a slice of contemporary art that stands at the crossroads of commercial imagery and street-inspired creativity. Collectors of such pieces will recognize the significance of adding this limited edition artwork to their assemblage, not just for its visual appeal but for the cultural commentary it embodies—a signature of English's work. This little edition piece encapsulates the spirit of street pop and graffiti art, making it a cherished item for collectors and enthusiasts alike.

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David with Machine Gun AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2008 Signed by Shepard Fairey & Blek le Rat & Marked AP, Limited Edition Artwork Size 18x24 Silkscreen Print. Shepard Fairey x Blek le Rat David with Machine Gun AP Silkscreen Print 2008 The David with Machine Gun AP Artist Proof silkscreen print from 2008 is a rare collaborative work created by Shepard Fairey, widely known as OBEY, and stencil art pioneer Blek le Rat. Hand-pulled on fine art paper and measuring 18 x 24 inches, this Artist Proof edition is signed by both artists and marked “AP,” distinguishing it from the standard numbered release of 100. Artist Proofs carry additional significance within the art world due to their limited availability and direct association with the artists’ approval process, making this piece especially sought after by collectors of Street Pop Art & Graffiti Artwork. Imagery and Symbolic Tension This print features Michelangelo’s classical David, a symbol of Renaissance ideals of beauty, youth, and heroism, reimagined with a modern twist: he holds a machine gun. The stark juxtaposition between timeless humanist ideals and contemporary instruments of war creates a powerful critique of violence and the ways cultural icons are repurposed to reflect current anxieties. Set against a graffiti-covered urban backdrop, the figure embodies the collision between high art traditions and street-level social commentary. The work challenges viewers to consider how ideals of strength and beauty are corrupted when reframed within the context of militarization. Collaboration Across Generations Blek le Rat, born Xavier Prou in France in 1951, is often credited as the father of stencil graffiti, influencing countless artists with his Paris-based interventions since the 1980s. Shepard Fairey, born in 1970 in Charleston, South Carolina, rose to prominence through his OBEY campaign and politically resonant prints, later achieving international acclaim with his Hope poster of Barack Obama. Their joint creation of David with Machine Gun demonstrates how two generations of artists from different cultural backgrounds can merge their practices to create a unified message. It serves as both homage to classical art and a critique of the modern world. Rarity and Collectible Importance Artist Proof editions such as this one are rarer than the main run, typically reserved for the artists themselves or for key collaborators. Marked “AP” and carrying the signatures of both Fairey and Blek le Rat, this print embodies both historical and artistic value. Beyond its scarcity, the work is a striking representation of how street artists reinterpret cultural symbols to confront pressing issues like war and societal decay. The David with Machine Gun AP silkscreen stands as a prime example of the fusion of fine art history and modern protest through the visual language of Street Pop Art & Graffiti Artwork.

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John Lennon Wild Style Rd Burner Original One of a Kind Spray Paint & Acrylic Painting Artwork on Canvas by Popular Street Graffiti Artist RD-357. Your Looking at a 11””x14” Canvas With a Cool Detailed Painting of John Lennon With a Wild Style Rd Burner & The Words ( Imagine All the People Live Life in Peace ) All Hand Painted in Black & White With a Red Heart By rd357 a True Graffiti Writer Who Has Out Lasted the Rest in the NYC Graffiti Racket Nick Naming Him ‘’’The Last Man Standing ‘’’’’From His Era’ By Rd #357

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Dr. Revolt Print Archival Print by Dr. Revolt Limited Edition on Bright White Hot Press Paper Pop Graffiti Street Art Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 25 Artwork Size 18x22 Archival Pigment Fine Art Dr. Revolt's Archival Print: A Confluence of Pop and Street Artistry The "Dr. Revolt Print," an archival print by the iconic pop graffiti street art artist Dr. Revolt, represents a vivid intersection of classic New York graffiti with pop art's bold colors and sensibilities. This limited edition print, produced on bright white hot press paper in 2023, is a testament to Dr. Revolt's enduring influence in street pop art and graffiti artwork. Each piece in the series is meticulously signed and numbered, highlighting its exclusive nature, with only 25 editions released, measuring 18x22 inches. Dr. Revolt's Signature Style and Influence Dr. Revolt is renowned for his pioneering contributions to the graffiti movement that emerged from the subway culture of New York City in the 1970s. His style is characterized by vibrant hues, dynamic lettering, and cultural motifs that capture the spirit of an era that revolutionized visual culture. His prints often reflect his graffiti heritage while being infused with the aesthetic of pop art, exemplifying a genre that he helped to define. Symbolism in the Archival Print The "Dr. Revolt Print" showcases a spray paint can amidst flames, a symbol of the graffiti artist's primary tool, set against a backdrop that features the iconic New York City skyline. This image conjures the rebellious energy of street art, its capacity to ignite conversations, and its fiery impact on urban spaces. The choice of the spray can as the central element signifies the power of art to transform and challenge the status quo. At the same time, the flames suggest both the controversy and passion that graffiti has historically ignited. Cultural Significance of Dr. Revolt's Work As a limited edition archival pigment fine art print, Dr. Revolt's work transcends the temporary nature of street art, capturing a moment in time within the permanence of fine art. The "Dr. Revolt Print" not only serves as a piece of visual artistry but also as a historical document that records the influence of graffiti on contemporary art and popular culture. It reflects the journey of street art from the fringes to the mainstream, from ephemeral urban expressions to coveted collectibles. Dr. Revolt's "Archival Print" celebrates the fusion of street art with pop art sensibilities. It is a tangible reminder of the impact of street pop art and graffiti artwork as legitimate forms of modern artistic expression. The limited edition nature of the print underscores the importance of preserving and honoring the legacy of street art and its practitioners, who continue to shape and color our visual landscape.

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Multi Tags Series 8579 Original Graffiti Painting by Seen UA One of a Kind Spray Paint & Acrylic Painting Artwork on Unstretched Canvas. 2023 Signed Original Multi Tags Series Acrylic & Spray Paint Painting Size 24x30 Multi Tags Series 8579 is an original graffiti painting by renowned graffiti artist Seen UA, whose real name is Richard Miraneen. UA is widely considered one of the pioneers of modern graffiti art, with a career spanning over four decades. Born in the Bronx, New York, in 1961, Seen UA started as a subway graffiti artist in the 1970s and soon gained recognition for his distinctive style and bold, colorful designs. The "Multi Tags Series" is a collection of works that showcase the artist's signature lettering, blending street art with traditional fine art. In Multi Tags Series 8579, Seen UA masterfully incorporates bright colors, intricate patterns, and diverse typography to create a striking and vibrant visual experience. As with other pieces in the series, Multi Tags Series 8579 emphasizes the power of artistic expression and its impact on urban landscapes while simultaneously serving as a testament to Seen UA's skill and creativity. The painting would make a significant addition to any contemporary art collection, particularly for fans of street art and graffiti.

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Sidewalk Closed Original Mixed Media Graffiti Artist Modern Pop Art on Real Metal Street Sign by Sonic Bad. 2012 Signed Original Spray Paint & Metal Street Sign Artwork Size 24x18 Depicting 2 1970s-80s Stylized Beat Boys, NYC Graffiti Tags & Bubble Letters on Street Closed Sign Sonic Bad's Ode to the Streets: The 'Sidewalk Closed' Series The 'Sidewalk Closed' artwork by Sonic Bad, an original piece created in 2012, infuses the rebellious spirit of 1970s and 80s street culture into a medium that is emblematic of urban restriction: a real metal street sign. This mixed media work, signed by the artist, is a striking example of how street pop art and graffiti can repurpose public regulatory objects into canvases that challenge and reinterpret their original intent. Reclaiming Urban Symbols in Street Art Sonic Bad's choice of canvas—a metal street sign—turns an everyday symbol of control into a representation of creative liberation. The artwork, sized at 24x18 inches, is vibrant with color and life, presenting a stark contrast to the sign's mundane purpose of demarcating boundaries. By painting over it, Sonic Bad claims the object for art, much like graffiti artists claim walls for their tags and murals. The piece itself is a dynamic collage of NYC graffiti tags and bubble letters, styles deeply rooted in the history of street art. It showcases two stylized beat boys, figures that resonate with the hip-hop culture that was burgeoning on the streets of New York City during the 70s and 80s. These characters are not only representations of a specific era but also symbols of the energy and rhythm of street life. The Visual Language of Graffiti and Its Evolution Sonic Bad's work serves as a visual lexicon of graffiti's evolution, encapsulating the transition from tagging—often a raw, text-based expression of identity—to more complex and stylized works. The 'Sidewalk Closed' series is particularly evocative of this shift, highlighting the movement from simple letterforms to elaborate and colorful representations that are as much about the artistry of the line as they are about the message. The aerosol paint, a medium synonymous with graffiti, brings authenticity to the piece, its drips and opacity echoing the textures of street art seen in the wild. The metal sign, once reflective and directive, becomes muted and textured under layers of paint, a metaphor for the way street art can change the nature and conversation around public spaces and objects. Sonic Bad and the Living History of Street Art Sonic Bad's 'Sidewalk Closed' is more than a singular work; it is part of the living history of street pop art and graffiti artwork. It reflects a time when street culture began to permeate every aspect of urban life, from the music that played out of boomboxes to the art that adorned the walls and sidewalks of the city. This piece is a celebration of that era, a nod to the roots of street art, and a statement on its enduring influence. The artist, by merging nostalgia with contemporary expression, invites onlookers to explore the depth and breadth of street art. Through this work, Sonic Bad not only pays homage to the pioneers of the genre but also places himself within the continuum of artists who have utilized the street as their gallery. His legacy lies in his ability to transform the ordinary into the extraordinary, ensuring that the spirit of the streets remains vibrant and visible.

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Multi Tags Series 7749 Original Graffiti Painting by Seen UA One of a Kind Spray Paint & Acrylic Painting Artwork on Stretched Canvas. 2022 Signed Original Multi Tags Series Acrylic & Spray Paint Painting Size Multi Tags Series 7749 is an original graffiti painting by renowned graffiti artist Seen UA, whose real name is Richard Mirando. Seen UA is widely considered one of the pioneers of modern graffiti art, with a career spanning over four decades. Born in the Bronx, New York, in 1961, Seen UA started as a subway graffiti artist in the 1970s and soon gained recognition for his distinctive style and bold, colorful designs. The "Multi Tags Series" is a collection of works that showcase the artist's signature lettering, blending street art with traditional fine art. In Multi Tags Series 7749, Seen UA masterfully incorporates an array of bright colors, intricate patterns, and diverse typography to create a striking and vibrant visual experience. As with other pieces in the series, Multi Tags Series 7749 emphasizes the power of artistic expression and its impact on urban landscapes, while simultaneously serving as a testament to Seen UA's skill and creativity. The painting would make a significant addition to any contemporary art collection, particularly for fans of street art and graffiti.

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Clerks- Metallic Silver Followed Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art. Movie, Clerks, Kevin Smith, Man, Building, Ambulance, City, Jay & Silent Bob

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Supreme Banner Deck Limited Edition Skateboard deck art by Designer Brand Supreme FW19 2019 Released as a part of Supreme's Fall/ Winter 2019 Week 1 drop, the Supreme Banner Skateboard shares a graphic deck features the same graphic image, a photograph of Supreme's original store banner. The Supreme Banner Skateboard released on August 22nd, 2019

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Punisher Crossing Original Street Sign Painting by RD-357 Real Deal One of a Kind Artwork on Real Metal Crosswalk Street Sign by Graffiti Art Pop Artist. 2012 Signed Mixed Media Acrylic & Spray Paint on Real Reclaimed NYC New York City Crossing Cross Walk Street Sign Painting Original Artwork Size 30x37.5  RD-357: Pioneering Street Pop Art on Urban Canvases RD-357, an artist known for his distinctive contribution to street pop art and graffiti artwork, has manifested his creativity through a unique, striking, and thought-provoking medium. His original piece titled "Punisher Crossing Original Street Sign Painting" encapsulates street art's raw essence while ingeniously infusing pop culture iconography elements. This work is a stellar example of RD-357's inventive use of everyday objects as canvases, transforming a mundane metal crosswalk street sign into a vibrant artwork that commands attention and sparks dialogue. The "Punisher Crossing" is a unique artwork that exudes the rebellious spirit and subversive edge often associated with street pop art. Created in 2012, this mixed media piece employs acrylic and spray paint on a real crossing sign measuring 30x37.5 inches. RD-357's choice to use an actual street sign as the foundation for his artwork not only repurposes the object but also embeds the art piece within the fabric of urban life it seeks to comment on. The sign, once a directive for pedestrians, now carries a powerful visual message, made all the more potent by its placement on an object of regulation and order. The Artistic Language of RD-357's Street Sign Paintings In "Punisher Crossing," RD-357 demonstrates a masterful control over color and composition. The background of the sign is ablaze with a vivid, almost violent splatter of yellow and red spray paint, reminiscent of the chaos and energy of city streets. Against this explosive backdrop, the figure of the Punisher is rendered with precision in acrylic, his stark, menacing presence immediately drawing the eye. The character's hand, outstretched and holding a gun, breaks the boundaries of the sign's frame, suggesting a defiance of constraints and a breaking free from imposed limits. RD-357's work is deeply embedded in the language of street pop art, a genre that combines the gritty, underground aesthetic of street art with the bright, graphic quality of pop art. His paintings, especially this piece, are a dialogue between the artist and the urban landscape, between the fictional characters of pop culture and the reality of the viewer's environment. By bringing the Punisher - a symbol of vigilante justice and anti-heroism - into the context of a crosswalk sign, RD-357 creates a juxtaposition that is at once startling and intriguing. The artwork becomes a statement on control and chaos, power and powerlessness, and the fine line between societal order and individual action. RD-357's Impact on Contemporary Street Art RD-357's contributions to the street art scene have been significant, and his influence can be seen in the way street pop art has evolved over the years. His artworks, particularly those on street signs, are more than mere paintings; they are interventions into the urban environment, which challenge the viewer to reconsider the role and potential of public space. The "Punisher Crossing" sign is emblematic of this approach, seamlessly integrating art into the city's daily liandlso elevating the discourse around street art. By signing his work, the artist claims ownership of a public domain piece, an act that is a form of artistic rebellion. The signature on "Punisher Crossing" is not merely a mark of authenticity; it is a declaration of presence, a proof of the artist's interaction with the world around him. Through works like this, RD-357 has etched his name into the annals of street pop art history, securing his place as a maverick who has expanded the possibilities of graffiti artwork. The "Punisher Crossing Original Street Sign Painting" by RD-357 stands as a testament to the power of street pop art to communicate, provoke, and inspire. By transforming a simple street sign into a complex and compelling work of art, RD-357 challenges perceptions, invites reflection, and continues influencing the ever-evolving narrative of street and graffiti art.

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Riot Piggy Helmet Sculpture Clean Edition Sculpture by OG Slick Limited Edition Pop Artwork Street Artist Fine Art. 2023 Signed COA Mixed Media Helmet With Stand Sculpture Limited Edition of 25 Riot Piggy Helmet Sculpture Clean Edition Sculpture by OG Slick Box Painted Cast Resin Helmet with Stand 8x12x10 & Hand Painted Hard Shell, Case Box Handcrafted in the United States, each helmet in this collection presents an impeccable blend of craftsmanship and art. These are not mere protective gear but artistic masterpieces crafted from cast resin, then painted meticulously to perfection. This collection is an exclusive edition limited to only 25 pieces worldwide. Each helmet is created on a 1/1 scale, adding to the authenticity and value of the piece. Along with the helmet, you'll receive a specially designed stand, perfect for display and showcasing the intricate details of the piece. Moreover, to assure its legitimacy and value, each piece is accompanied by a Certificate of Authenticity (COA) signed personally. This attests to the meticulous attention to detail and the high craftsmanship invested in each helmet. This is not just a purchase; it's an investment in a piece of art that blends functionality with aesthetics, transcends the norm, and breaks the boundaries of traditional design. It's a true testament to American craftsmanship, brought to life through cast resin.

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Kwame Did It Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Stephanie Buer.

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The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set Kaws- Brian Donnelly x Shepard Fairey- OBEY x Jonathan Levine Projects Featuring Legendary Graffiti Street Artwroks from Dozens of Artists During the 2004, 2005, 2006, 2007, 2008, 2009 & 2010 Show Run. The Beautiful Losers Portfolio and Catalog Boxed Edition, 2006 is a treasure trove for lovers of Street Pop Art and Graffiti Artwork, offering a comprehensive collection that captures the spirit of the iconic "Beautiful Losers" exhibition. This limited-edition set stands as a pristine testament to a defining moment in contemporary art and the raw creativity of the street art scene from 2004 to 2010. Each element of the set, carrying corresponding matching edition numbers, is in mint condition, ensuring its value as a collectible and a piece of art history. Original The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set x Jonathan Levine. Jonathan Levine Projects' The Beautiful Losers box sets 2004-2010 were released in a limited edition, with the Portfolio Box limited to under 30 editions and the Catalog Box limited to 100. Each set is housed in a custom printed and numbered wooden box, adding a layer of sophistication and care to the presentation of these artworks. The dimensions of these boxes, measuring 26 x 19 x 9 inches, were carefully chosen to accommodate the variety of works and their varying sizes, ensuring that the integrity of each piece is maintained. Iconoclast published these box sets on the occasion of the traveling exhibition "Beautiful Losers," which ran from 2004 to 2010. This exhibition, alongside "Transfer," which toured various locations from 2008 to 2010, showcased the burgeoning talent and diverse expressions within Street Pop Art and Graffiti Artwork. The Beautiful Losers exhibition and its accompanying publications, including the "Beautiful Losers: Contemporary Art And Street Culture" book published by Edition Iconoclast in 2005, have been pivotal in bringing the vibrancy and relevance of street and graffiti art to a broader audience. The Portfolio Box, a crucial component of these sets, is a treasure trove of 28 of the most influential street and graffiti artists. This collection includes prints from renowned artists like KAWS and Shepard Fairey, each bringing their unique vision and style to the forefront. Each piece within this box echoes the themes and artistic expressions in the broader Beautiful Losers exhibition, further underscoring this collection's significance in contemporary art. The Beautiful Losers Movie 2008 About the Art Show Beautiful Losers is a 2008 documentary that dives into the lives and art of a collective of artists who have played a pivotal role in the Street Pop Art and Graffiti Artwork movement since the 1990s. Directed by Aaron Rose and co-directed by Joshua Leonard, this film was a product of Sidetrack Films and BlackLake Productions, featuring artists like Harmony Korine and Steve "ESPO" Powers. The film explores the "do-it-yourself" ethos of these artists, whose work is steeped in the aesthetics of skateboarding, graffiti, and underground music genres such as punk rock and hip-hop. It casts a light on the journey of these artists from obscure street culture to becoming celebrated figures within the mainstream art world, detailing their personal feelings and convictions as they transitioned from creating for themselves to working on high-profile commercial projects. "Beautiful Losers" is more than a film; it is part of a more significant cultural phenomenon that includes a published art book of the same name, edited by Christian Strike and Aaron Rose, and a traveling museum exhibition that features the artists and their works. This exhibition serves both as a backdrop and a focus in the documentary, emphasizing the expansive influence of these artists and their continued relevance in contemporary art discourse. Artist Signed Limited Edition Silkscreens, Photos, Drawings & Art Objects 2004-20010   Beautiful Losers Contemporary Art and Street Culture Book 2004 Beautiful Losers: Contemporary Art and Street Culture, a seminal anthology published in 2004 by D.A.P./Iconoclast, this volume is an essential exploration of a vibrant subculture that transformed the aesthetics of the late 20th and early 21st centuries. This first edition is a collector's gem encased in a satisfactory condition hardback with a sleeve. The book's red cloth boards are embossed with gilt lettering on the front and spine, signaling the treasure within a profusion of illustrations and original works. This is no mere collection; it is a profound narrative detailing a cultural movement's organic, uncontrived emergence. It charts the journey of American artists, many freshly stepping into adulthood, who were propelled not by market demands but by pure passion and creativity. Without formal training or insider knowledge, they drew inspiration from the streets, influenced by the raw vitality of skateboarding, graffiti, street fashion, and independent music. Names like Shepard Fairey, Mark Gonzales, and Spike Jonze are among the many who channeled their lived experiences into their craft, learning through doing and revolutionizing their mediums. Beautiful Losers serves as both a tribute and a historical account, tracing the cultural threads from Jean-Michel Basquiat and Keith Haring to newer proponents such as Ryan McGinniss and KAWS. It features various artistic expressions across mediums, alongside reproductions of ephemera that encapsulate the era's spirit. The book is further enriched by essays from writers who have fervently supported these artists from their inception. It's not just an art book; it's an archive of a movement that left indelible marks on the art world and fashion, music, literature, film, and even athletics. The independent ethos these creators embodied may have evolved, yet their foundational spirit—a spirit of rebellion, innovation, and authenticity—remains unshaken. Beautiful Losers is a celebration of that enduring spirit, an invitation to witness the beauty in the raw, the unrefined, and the real. Kaws- Brian Donnelly: Warm Regards Letterpress Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. "Warm Regards," created in 2005 by KAWS, is a captivating piece of art rendered through letterpress on paper, measuring 20 x 16 inches. This artwork is part of a limited edition of 200, each meticulously signed and numbered by the artist. The piece was published explicitly by Iconoclast Editions to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, marking a significant moment in the intersection of contemporary art and street culture. This artwork features a character that is a signature motif in KAWS' work, with its notable crossed-out eyes and exaggerated cartoon-like hands and feet. This print is from a limited edition series, with only 200 pieces available, each individually signed and numbered by the artist. It was published by Iconoclast Editions, likely as a celebration of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. The exhibition, which took place from 2004 to 2009, was a pivotal event showcasing the overlap of contemporary art with street culture. KAWS' work often bridges these two worlds, combining a commercial graphic design background with a sophisticated, gallery-worthy aesthetic. His characters are usually drawn from pop culture and are depicted in a playful and critical style, often reflecting consumerism and human emotion. Shepard Fairey- OBEY: Soup Can I Silkscreen Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. Shepard Fairey's "Soup Can 1" is an iconic piece from 2005, masterfully rendered as a silkscreen print on acid-free archival paper. The artwork is 20 by 16 inches and belongs to a limited edition series, with only 200 existing pieces, each bearing the artist's signature and edition number. Iconoclast Editions released this print to commemorate the pivotal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009 and celebrate the synergistic relationship between underground art scenes and mainstream culture. The "Soup Can 1" print has graced a variety of prestigious exhibits, including the seminal "Beautiful Losers" traveling exhibition, "Transfer" at Santander Cultural in Porto Alegre, Brazil, and the comprehensive "Supply & Demand" show. It also appeared at the "Transfer" exhibition housed within the Brazilian Cultural Pavilion at Ibirapuera Park, São Paulo, Brazil, in 2010. Fairey's work during this period is documented in an array of publications, notably the "Beautiful Losers" collection from 2005-2009, the "Supply & Demand" book published by Rizzoli in 2009, and the 2010 edition of "Transfer." Each of these works provides insights into the artist's creative process and the cultural impact of his work. The provenance of "Soup Can 1" is securely rooted in the Beautiful Losers Archive, ensuring its place in the annals of contemporary street culture and affirming its status as a collectible piece of art history. Shepard Fairey- OBEY: Untitled Angela Davis Silkscreen Print 2005 Signed/Numbered This powerful silkscreen by the influential artist Shepard Fairey is a striking addition to his illustrious work. Sized at a prominent 8x10, this untitled piece is part of an exclusive edition of only 100 copies, each printed, numbered, and signed by Fairey himself, ensuring its rarity and collectibility. Fairey, renowned for his ability to infuse art with social commentary, presents a compelling portrait set against a bold red backdrop that demands attention. The high-contrast silhouette captures the strength and intensity of its subject, immortalizing a moment of passionate expression. The image is a visual echo of the past yet speaks to contemporary themes of empowerment and resistance. In the lower-left corner, Fairey's signature emblem—the star circled by the word "OBEY"—anchors the work, embedding the piece within his more extensive oeuvre known for challenging viewers to question authority and the landscape of visual culture. This artwork is a testament to Fairey's continued relevance in the art world and his steadfast commitment to making a statement through his art. Collectors and admirers of Fairey's work will recognize the artist's iconic style, which has become synonymous with the modern street art movement. Henry Chalfant: Lee, Futura, Dondi Silkscreen Print 2004 Signed/Numbered This compelling artwork, crafted by the esteemed Henry Chalfant, celebrates the street art movement, immortalizing the work of three graffiti legends: Lee, Futura, and Dondi. Titled "Lee Futura Dondi," this piece from 2004 is a silkscreen printed on acid-free archival paper, ensuring its preservation and quality for years. Measuring 16 x 20 inches, the work is substantial enough to make an impactful visual statement while still suitable for diverse display settings. The triptych format of the artwork presents a trio of vibrant, stylized subway cars, each adorned with the distinctive artwork of the graffiti above artists. The top panel bursts with energetic pinks and blues, showcasing Lee's iconic lettering style, while the middle features Futura's futuristic approach, with abstract forms and a cool-toned palette. The final panel is a tribute to Dondi's classic wildstyle, with bold lettering in shades of pink cutting through the background. Chalfant's work is not merely a static representation; it conveys the movement and rhythm of subway art as it once moved through the arteries of New York City. Each piece in this limited edition series is signed and numbered by Chalfant, marking its authenticity and connection to the artist. This series was published to coincide with the groundbreaking exhibit "Beautiful Losers: Contemporary Art and Street Culture," which showcased the intersections and influences of street art within contemporary art. This print is a collector's item, not only for its aesthetic and historical value but also for its representation of the evolution of street art from subways and city walls into the echelons of high art. Geoff McFetridge: Kemistry Original Drawing with DVD Animation 2004 This piece, created by Geoff McFetridge, is one of the 100 original drawings that compose an intricate animation sequence. Crafted with precision in pencil on Canson paper, each drawing measures 22.86 by 30.45 centimeters, capturing the minimalist aesthetic and fluid lines characteristic of McFetridge's work. This artwork showcases a playful scene of a figure skateboarding, rendered in a flowing, continuous line that conveys motion and a subtle sense of whimsy. A second character peeks curiously from the edge, adding a narrative element to the composition. Accompanying the original artwork, collectors receive a DVD containing the complete animation sequence, providing a rare glimpse into McFetridge's creative process and the animation's progression from still images to a dynamic visual experience. The artist signs Each drawing, providing a personal touch that assures authenticity. This offering is not merely an acquisition of a singular piece of art; it is an invitation to engage with McFetridge's visionary world where graphic design intersects with cinematic storytelling. This unique combination of traditional drawing and digital animation offers a multifaceted appreciation for the artist's innovative approach to contemporary art. Ed Templeton: Chris Johanson At The First Beautiful Losers Exhibition Photograph 2004 Signed Captured through the discerning lens of Ed Templeton, this photograph is a significant piece of contemporary art history, documenting the vibrant essence of the "Beautiful Losers" art movement. The image presents Chris Johanson, an artist synonymous with the DIY spirit of street art, at the first exhibition of "Beautiful Losers" in Cincinnati, Ohio, in 2004. This is an evocative silver gelatin print by Ed Templeton, depicting Chris Johanson at the inaugural "Beautiful Losers" exhibition. The photograph, sized at 8 x 10 inches, is part of a limited edition of 100, each individually signed by Templeton, marking its exclusivity and authenticity. Captured in 2004, this image is a timeless piece of art history, documenting a pivotal moment in the convergence of street culture and contemporary art. This photograph is a visual record and embodiment of the exhibition's ethos, celebrating the underground convergence of skateboarding, graffiti, and street art with contemporary art. The photo's composition is candid and unfiltered, showcasing Johanson with his face obscured by a white cloth, an enigmatic presence that stirs curiosity. This choice of presentation speaks to the themes of anonymity and mystery that often permeate street art culture. Johanson's obscured face, adorned with sunglasses atop the fabric and his untamed beard protruding beneath, creates a striking, visually arresting, and thought-provoking contrast. Signed by Ed Templeton, this photograph is a tactile connection to the moment it captures, bringing the viewer into the fold of a pivotal event in street and pop art history. Templeton's signature adds a layer of authenticity and marks this work as a genuine intersection of his photographic journey and Johanson's artistic narrative. "Chris Johanson At The First Beautiful Losers Exhibition" is a photograph transcending its medium, offering a glimpse into the community and camaraderie of the artists who defined a generation. This piece will hold a place of reverence for collectors and enthusiasts of the movement, encapsulating the raw, spontaneous energy that "Beautiful Losers" represented. Cynthia Connolly: Untitled Ice Machine Page, Arizona Photograph 1999 Signed/Dated This photograph by Cynthia Connolly, untitled yet poignantly capturing the essence of Page, Arizona, is a masterful silver gelatin print that embodies the spirit of the "Beautiful Losers" exhibition. The print, with dimensions of 4 x 6 inches, belongs to a limited edition series of 100, each painstakingly printed and signed by the artist, underscoring its collectible nature. The image focuses on an ice machine, a mundane yet iconic symbol of Americana in the everyday landscape. Dated 5/17/95, the photograph is not just a depiction of a place but a timestamp of an era. The handwritten annotation "Page, Arizona" adds a personal touch, evoking a sense of place and grounding the artwork in its geographical context. Connolly's photographic eye transforms the ordinary into the extraordinary, inviting viewers to find beauty and narrative in the commonplace. The stark contrast of the black and white image highlights the play of light and shadow, lending the ice machine a sculptural quality. This piece is a subtle exploration of form and texture, where even the utilitarian becomes a subject worthy of artistic contemplation. This print is essential for collectors who value the intersection of documentary photography and fine art. It is a testament to Connolly's commitment to capturing the overlooked nooks of American landscapes, making it an exceptional addition to any collection that celebrates the nuanced beauty of the mundane within the vast tapestry of American culture. Barry Mcgee: Untitled Ryze 2007 C-Print & Hand-Tagged Photograph Artwork Barry McGee's "Untitled Ryze" is a cornerstone of the contemporary art movement, symbolizing the vibrant intersection of street culture and fine art. This striking 2007 C-print, measuring 16 x 20 inches, is a highly coveted collectible, limited to an edition of 200. Each piece in the series bears the unique distinction of being hand-signed and numbered by McGee, an artist who rarely affixes his signature to his works. The artwork was released in conjunction with the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which spanned from 2004 to 2009 and a plethora of museums and galleries across the globe. The image captures the essence of Boston's legendary" street figure, Ryze, showcasing McGee's adeptness at translating the raw energy of graffiti into a refined gallery context. McGee's word extends beyond the photograph, as "Untitled Ryze" is pivotal in his larger installations and clustered assemblage pieces. The picture is a visual testament to the artist's legacy and a touchstone for the cultural zeitgeist The Beautiful Losers encapsulated. Acquired directly from Iconoclast Editions and the Beautiful Losers Archive, this piece represents a rare opportunity for fans and collectors alike to own a fragment of street art history seen through the lens of one of its most enigmatic and celebrated artist, Barry McGee. Barry McGee: Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag Barry McGee, an influential figure in street pop art and graffiti artwork, has made a significant impact with his unique style and approach. His "Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag" is a quintessential example of his work, blending the raw, energetic ethos of street art with the refined aesthetics of pop art. This piece, created in 2005, is a testament to McGee's ability to transform everyday objects and themes into compelling artistic expressions. McGee's journey in art began in the streets, where he honed his craft by creating graffiti under the tag "Twist." This formative period was crucial in shaping his distinctive style, characterized by a blend of graffiti's spontaneity and the bold, eye-catching essence of pop art. His transition from street walls to galleries did not diminish the raw authenticity of his work. Instead, it provided a new canvas for his expressions, allowing him to reach a wider audience while staying true to his roots in street culture. Terry Richardson: Untitled Devil Self Portrait Silkscreen Print 2004 Signed/Numbered Presenting a striking visual piece, this untitled self-portrait from 2004 is a silkscreen print on paper, measuring 20 x 16 inches, and part of a limited edition of 200. Each piece is individually signed and numbered by the artist, adding a personal touch to this exclusive artwork. The print features the artist in a vibrant yellow backdrop, posing with a playful yet rebellious demeanor. Adorning devil horns and wielding a trident, the subject playfully gestures a peace sign, juxtaposing traditionally nefarious symbols with a light-hearted attitude. The vivid monochromatic yellow tone of the print adds to the artwork's striking impact. This piece was released with the exhibition "Beautiful Losers: Contemporary Art and Street Culture" from 2004-2009. It explores the intersections of pop culture and street art, offering a subversive take on contemporary iconography. The artwork's provenance is notable, originating from Iconoclast Editions and the Beautiful Losers Archive, ensuring its authenticity and connection to a significant movement in modern art. This self-portrait is more than a mere image; it's a statement piece that captures the essence of a cultural zeitgeist, making it a compelling addition to any art collection. Evan Hecox: Kyoto Street Woodblock Print 2004 Signed/Numbered "Kyoto Street," a captivating silkscreen by Evan Hecox, presents a moment frozen in the timeless allure of Japan's old capital. Created in 2004, this piece of art is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It belongs to an exclusive edition limited to 200 prints, each hand-signed and numbered by Hecox himself, ensuring its place as a collectible item. This artwork was released as part of the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibit from 2004 to 2009 and was showcased at various locations. The "Kyoto Street" print has been displayed in notable exhibitions, including "Transfer" at the Santander Cultural in Porto Alegre, Brazil, in 2008 and the Brazilian Cultural Pavilion in Ibirapuera Park, São Paulo, in 2010. In this piece, Hecox distills the essence of Kyoto's urban landscape into stark contrasts and clean lines, capturing the dynamic interplay of light and shadow. Lanterns adorned with kanji characters punctuate the scene, casting a warm glow over the alleyway. At the same time, the intricate web of power lines above adds a layer of complexity, suggesting the city's vibrant energy. The artwork's stark palette and bold graphic style evoke a sense of nostalgia, inviting viewers to contemplate the serene and bustling atmosphere of Kyoto streets. Preserved within the Beautiful Losers Archive, "Kyoto Street" is not just a print but a narrative piece chronicled alongside other contemporary masterpieces in the "Beautiful Losers" and "Transfer" catalogs. It is a testament to Hecox's ability to capture the urban environment's soul, making it a prized possession for collectors and admirers of contemporary art with a penchant for urban aesthetic and cultural depth. Ryan McGinness: Pathetic Lucky Charms of the Hipster Doofus Silkscreen Print 2004 Signed/Numbered Ryan McGinness, 'Pathetic Lucky Charms of the Hipster Doofus.' This exquisite piece from 2004 is a masterful representation of contemporary iconography, meticulously crafted through silkscreen on paper. Each print measures 20 by 16 inches and is part of an exclusive edition limited to 200 pieces, ensuring its uniqueness and collectible nature. Each print is hand-signed and numbered by the artist, a testament to its authenticity and McGinness's personal touch. The artwork was released in conjunction with the renowned exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which spotlighted the pulsating energy and vibrancy of street art within the context of contemporary art. The piece is a symphony of symbols, a visual lexicon reflecting the hipster subculture's ironic and often self-deprecating spirit. McGinness's use of iconic imagery, interwoven with playfulness and critique, encapsulates a moment where art, culture, and social commentary intersect with effortless grace. This work is not just a piece of art but a slice of cultural history, a mirror to the zeitgeist of the early 2000s urban landscape." Harmony Korine: Untitled Osama & E.T. Silkscreen Print 2005 Signed/Numbered This artwork is an enthralling silkscreen print by Harmony Korine titled "Untitled (Osama & E.T.)" from 2005. It is a limited edition work, with only 200 copies made, each hand-signed and numbered by Korine, elevating its status as a collector's item. This print, measuring 20 x 16 inches, showcases Korine's unique vision by juxtaposing two vastly different cultural references into one frame. The image represents Osama bin Laden in a warm embrace with the iconic extraterrestrial character, E.T., from Steven Spielberg's renowned film. Blending these images makes a bold statement and invites many interpretations of the convergence of disparate cultural symbols. The figure and E.T. are drawn with a delicate linearity that belies the weightiness of the subject matter, creating a striking visual paradox. This silkscreen print was released with the "Beautiful Losers" exhibition, which celebrated the intersection of skateboarding, graffiti, and street fashion with contemporary art. The provenance of the print is impeccable, coming from Iconoclast Editions and the Beautiful Losers Archive, adding to its historical and artistic significance. The pairing of such incongruous figures in this print challenges the viewer to reconcile the contrasting emotions and narratives each character represents. This piece is more than just a visual statement; it's a dialogue about pop culture, political figures, fictional characters, and their place within the artistic sphere. Collectors and enthusiasts of street pop art will appreciate this print's depth and provocative nature, making it a noteworthy addition to any compilation of contemporary artwork. Larry Clark: Untitled Shorty Photograph Artwork 1996/2007 Signed/Numbered This striking photograph titled "Untitled (Shorty)" is a profound work by the acclaimed artist Larry Clark. It was produced in 1996 and later published in 2007. It is presented on Anjelica watercolor paper with 20 x 13.75 inches dimensions. Each piece within this edition of 200 is individually signed and numbered by Clark himself, with an additional signature and date on the verso, ensuring its authenticity and rarity. Issued with the renowned "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, this photograph emanates from the Iconoclast Editions and is an integral part of the Beautiful Losers Archive. Larry Clark, an influential figure in photography and film for over five decades, has left an indelible mark on the creative world through works like "Teenage Lust" and "Tulsa" and movies including "KIDS" and "Marfa Girl." The photograph captures the essence of Lyle Dean "Shorty" Easky, whose story intertwines with the artist's history and the broader narrative of American youth culture. Shorty, of Native American descent, tragically passed away in 2013. His life and untimely death remain a poignant tale, with roots stretching back to the same Tulsa neighborhood that inspired much of Clark's early work — the same locale that Francis Ford Coppola chose for "The Outsiders." Raymond Pettibon: Untitled Sun Silkscreen Print 2005 Signed/Numbered This striking work is an untitled piece from 2005 by the acclaimed artist Raymond Pettibon, known for his influential contributions to art and culture. The piece is a silkscreen on paper, a medium that allows for the vibrant and crisp presentation of Pettibon's dynamic design. It measures 20 x 16 inches, is scale accessible for various spaces, and commands enough to make a visual impact. Pettibon's creation is part of an exclusive edition of 200, with each piece signed and numbered by the artist, providing a direct connection to his creative process. The artwork features a burst of lines emanating from a central point, suggesting an explosive energy or a cosmic phenomenon. The use of black, coupled with highlights of blue and yellow, imbues the piece with a sense of depth and intensity, while the handwritten text at the top—"APPLY IT TO THE STUDY OF MIRRORS, RAINBOWS OR THE SUN!"—invites contemplation and lends a poetic dimension to the visual experience. This edition was published to commemorate the exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art and urban creativity. Pettibon's work is a testament to the ethos of this movement, encapsulating the raw spirit and the bold aesthetics that define the genre. It is a collector's item not only for its aesthetic appeal but also for its cultural significance within contemporary art. Evan Hecox: Chinatown NYC Woodblock Print 2004 Signed/Numbered Evan Hecox's 'Chinatown NYC,' a 2004 woodblock print on delicate Japanese rice paper, articulates urban vibrancy meticulously. Each print within this limited series measures 10 x 8 inches and is part of a numbered edition restricted to 100, underscoring its exclusivity. Each piece is printed and personally signed by Hecox, lending a touch of the artist's direct involvement in the collector's experience. This work captures the essence of New York's bustling Chinatown with a keen eye for detail and a distinctive stylistic approach. Hecox's use of lines in the woodblock medium translates the dynamic nature of the city into a static image that pulses with life. The artist masterfully conveys the architectural complexity of the urban landscape, complemented by the human element that breathes life into the city. The nuanced layering of the print, with its intricate linework and subtle tonal variations, echoes the layered experiences of urban life. Renowned for his ability to distill the spirit of a locale into his artwork, Hecox presents 'Chinatown NYC' as more than just a visual representation; it's a narrative woven in ink and paper, a story told through the rhythm of a cityscape. This piece reflects Hecox's artistic prowess and is a homage to the cultural tapestry that defines Chinatown and the ever-evolving story of New York City itself. Rostarr- Romon K Yang: Untitled Japan HPM Spray Paint Silkscreen 2005 Signed/Numbered Experience the fusion of tradition and rebellion with Rostarr's 'Untitled Japan HPM,' a provocative piece by Romon K Yang from 2005. This striking work, rendered on paper with dimensions of 27.94 x 33.02 cm, is a harmonious blend of spray paint and silkscreen techniques, culminating in a limited edition of just 100 copies, each individually signed and numbered by the artist. The artwork is a testament to Rostarr's distinctive visual language, where calligraphic strokes meet the spontaneity of street art. Bold red forms anchor the composition; their fluid contours and solid circles contrast sharply with the raw, improvised splatters of black spray paint. This interplay of color and form creates a dynamic tension, a visual symphony that captures the spirit of contemporary art. Each piece of 'Untitled Japan HPM' is a hand-painted, hand-printed celebration of unique expression, standing as a bold signature of Rostarr's iconic style. The artwork's limited availability makes it a coveted piece for collectors and enthusiasts eager to hold a part of art history that bridges the gap between the old and the new, the planned and the spontaneous. 'Untitled Japan HPM' is not just an artwork; it's a piece of cultural dialogue that resonates with the beats of modern urban life. Rostarr- Romon K Yang: Butterfly In The Hurricane 2004 Silkscreen Print Signed/Numbered Embark on a visual journey with 'Butterfly In The Hurricane,' a captivating silkscreen on paper by the acclaimed artist Rostarr, created in the transformative year of 2004. This piece exemplifies the dynamic interplay between form and fluidity, measuring an intimate 20 x 16 inches, and is part of an exclusive edition of 200, each bearing the unique signature and number assigned by the artist himself. Crafted during artistic exploration and boundary-pushing, 'Butterfly In The Hurricane' was released in conjunction with the groundbreaking exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which celebrated the confluence of underground art movements and the mainstream. The artwork features a storm of abstract shapes and curves, predominantly in shades of blue and yellow, evoking the chaotic grace of a butterfly caught in a storm. The bold colors swirl and dance across the paper, inviting viewers to contemplate the relationship between harmony and chaos. This piece is not merely a work of art; it's a statement, a slice of cultural history, and a testament to the artist's mastery of blending street culture's raw energy with the sophistication of contemporary art. 'Butterfly In The Hurricane' is a must-have for connoisseurs and collectors alike, promising to be a conversation starter and a cherished part of any collection. Craig R Stecyk III: Untitled 2004 Unique HPM Silkscreen Photograph Signed/Numbered A distinctive piece by Craig R. Stecyk III, this untitled artwork from 2004 is a brilliant example of the fusion between contemporary art and street culture. Crafted with meticulous attention to detail, the work features a hand-painted custom airbrush backdrop, a double-sided silkscreen is masterfully applied, along with pencil accents on robust, extra-thick white acid-free archival paper measuring 20 x 16 inches. Limited to an edition of 200, each piece is individually numbered and bears the artist's signature, underscoring its exclusivity. This artwork was released with the "Beautiful Losers: Contemporary Art and Street Culture" exhibit, which spanned from 2004 to 2009 and is held in high esteem within the Beautiful Losers Archive. The provenance of this piece traces back to Iconoclast Editions, a testament to its authenticity and cultural significance. Stecyk, a seminal figure in the Beautiful Losers project, created an installation that captivated audiences and garnered unprecedented acclaim. His work is a tribute to the vibrant Californian subcultures, drawing inspiration from custom car culture, surfing, and skateboarding, all depicted through his extensive photographic documentation. As a founding member of the Dogtown and Z-Boys, Stecyk's works are more than mere art; they are storied representations of a decadent cultural movement, rendered on paper with a palette that resonates with the energy and spirit of the streets. This piece is an artistic expression and a cultural artifact that captures the essence of Californian subcultures, immortalized through Stecyk's visionary lens. Craig R Stecyk III: Untitled Proof Gelatin Silver Silkscreen Print Signed/Numbered Craig R. Stecyk III's untitled piece is a statement of originality and artistic defiance. It is a part of an exclusive set of 100 artworks, each a gelatin silver and silkscreen print on paper, measuring 10.16 by 15.24 centimeters. The artwork boldly features the word "PROOF" in prominent red letters, asserting the piece's authenticity as an original generation photographic print. The text beneath serves as both a declaration and a restriction, emphasizing the print's purpose as a contractual document and expressly prohibiting reproduction, resale, and public display. The artist's signature underscores this boundary of exclusivity, scrawled energetically across the print, which authenticates each piece and marks it as a unique entity within the limited edition. The signature becomes an integral part of the artwork, blending with the textual message and the stark background, ensuring that each print is a testament to Stecyk's unique artistic philosophy and legacy within the art community. Tobin Yelland: Untitled Andy Roy Silkscreen Print 2004 Signed/Numbered Tobin Yelland's "Untitled (Andy Roy)" is a striking silkscreen that captures the essence of individuality and defiance, hallmarks of street culture. Produced in 2004, this piece features the image of Andy Roy, a figure synonymous with the skateboarding world, known for his raw style and unapologetic persona. Printed on high-quality paper, each piece within this limited edition spans 20 x 16 inches and is part of a series capped at 200 prints. Each is meticulously signed and numbered by Yelland, guaranteeing its authenticity and placing it within a lineage of sought-after collectibles. The artwork was created for the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009. This exhibition was pivotal for celebrating and acknowledging street culture within the contemporary art scene, bringing the aesthetics of skateboarding, graffiti, and beyond into the gallery space. Originating from Iconoclast Editions and the Beautiful Losers Archive, "Untitled (Andy Roy)" is more than a portrait; it's a narrative of subculture, an emblem of the rugged spirit of street art, and a snapshot of a movement that has left an indelible mark on the canvas of contemporary art. Collectors and admirers of the genre will find in this silkscreen a piece that continues to resonate with the authenticity and vibrancy of street culture. Tobin Yelland: Skate Smash Window PhotMills' Signed/Numbered Tobin Yelland's "Skate Smash Window Photo" is a raw and dynamic black and white photograph that seizes a candid moment of youthful rebellion. Captured in 2004, this image epitomizes the spirit of the street and skate culture of the time. The photo showcases the spontaneity and impulsiveness inherent in the skateboarding subculture, embodied by the act of a skateboard crashing through a car window. The photograph was featured in the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition celebrated the fusion of street sensibilities with the art world, bringing the authenticity of subcultural experiences into a fine art context. Originating from the Beautiful Losers Archive, with provenance through Iconoclast Editions, this piece is not just a photograph but a narrative, a slice of life from a culture that often goes undocumented. Yelland's ability to capture such a raw, unfiltered moment creates a visceral connection with the viewer, offering a window into the unrestrained aspects of youth culture. The "Skate Smash Window Photo" is a testament to the era it represents, serving as a historical document of the defiance and disruptive energy that skateboarding means. It is a valuable piece for collectors and enthusiasts of photography and street culture, offering an unapologetic look at the moments defining a movement. Mike Mills: The Cops Are Inside Us Silkscreen Print 2004 Signed/Numbered Mike Mills' evocative piece "The Cops Are Inside Us." stands as a profound statement in contemporary art, utilizing the raw medium of hand-printed silkscreen combined with pencil on soft white acid-free archival paper. This 2004 work measures 20 x 16 inches and is part of an exclusive edition limited to 200 signed and numbered prints. Each print from this series is a testament to Mills' keen eye for the interplay of text and image, crafting a narrative that speaks to the internal struggle and societal introspection. The bold red hue dominating the print, fading into a stark, gritty representation at the bottom, creates a striking visual contrast, suggesting a duality within the human condition. This artwork was released with the pivotal "Beautiful Losers" exhibition showcased from 2004 to 2009. The exhibit highlighted the cultural significance of street art and its impact on contemporary art practices. "The Cops Are Inside Us" reflects the sentiment of its era and continues to resonate with current social commentaries, making it a timeless piece for collectors and enthusiasts of meaningful art. Coming from the revered Beautiful Losers collection, this piece by Mike Mills is not just a work of art; it is a piece of cultural commentary, preserved through silkscreen and offering a window into the complex dialogue between society and self. Cheryl Dunn: Drafted 2004 Signed/Numbered Silkscreen Print & Signed Photograph Cheryl Dunn's "Drafted." is a provocative silkscreen artwork that starkly captures a moment of human interaction, set against a vibrant yellow backdrop. This 2004 creation measures 20 x 16 inches and is part of a limited edition of 200, each individually signed and numbered by the artist, underscoring its exclusivity. The artwork presents a high-contrast scene featuring silhouetted figures, one seated on the ground and the others seemingly in motion. Dunn's silhouettes create a universal narrative, allowing viewers to impart their stories and meanings onto the piece. The title "drafted." suggests themes of compulsion and resistance, resonating with viewers on a deeply personal level. Released during the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this piece contributes to the dialogue between street culture and fine art. The exhibition was a pivotal showcase for artists influenced by subcultural forms such as skateboarding, graffiti, and punk. Emerging from the prestigious Beautiful Losers Archive and produced by Iconoclast Editions, "drafted." is more than a piece of art; it's a cultural artifact that embodies the spirit of a movement. It is a powerful expression of Dunn's perspective and a visual commentary on the forces shaping our society. Collectors of contemporary art and street culture lovers will find a compelling blend of aesthetic boldness and social relevance in this work. Cheryl Dunn: C-4 San Francisco Tenderloin Hallway Giclee Print 2004 Signed/Numbered Presenting a captivating giclée print by Cheryl Dunn, this work transports the viewer to the vibrant heart of San Francisco's Tenderloin district. The piece, titled "C-4 San Francisco Tenderloin Hallway," is a testament to Dunn's keen eye for the raw and the real, capturing an evocative moment in a hallway that whispers tales of the city's urban fabric. The print measures display-friendly 15 by 10 inches, meticulously numbered and personally signed by Cheryl Dunn, signifying its authenticity and connection to the artist's original vision. This limited edition print is one of only 100 copies, making it a unique and collectible piece for art lovers and admirers of urban exploration. The subject stands in the narrow corridor, embodying a sense of stillness amidst the potential for city chaos. The individual is clad in a striking red and green jacket, adorned with whimsical bear ears that lend an air of innocence to the otherwise gritty scene. This person holds a spray paint can, suggesting a story of street art and expression. At the same time, the jacket pockets are intriguingly stuffed with additional cans, perhaps hinting at the artist's commentary on youth, rebellion, or creativity in urban spaces. Cheryl Dunn's print not only offers a visual narrative but also evokes a discussion on the cultural heartbeat of city life, the layers of stories packed into its walls, and the vibrant characters that walk its paths. This piece is more than a photograph; it's a slice of San Francisco's soul, beautifully preserved in high-quality giclée. Cynthia Connolly: Untitled Ice Machine Silkscreen Print 2004 Signed/Numbered Cynthia Connolly's "Untitled" from her "Ice Machines" series is a captivating silkscreen on paper, measuring an impressive 16 x 20 inches. This piece is part of a limited edition run of 200, each bearing the artist's signature and a unique number, marking its authenticity and limited availability. Crafted with an eye for the Americana aesthetic, this artwork is a poetic documentation of the once-ubiquitous ice machines dotted the American landscape, now a vanishing emblem of a bygone era. Connolly's work is celebrated for its ability to capture these fleeting slices of American life, preserving the nostalgia and cultural significance that these everyday objects hold. The "Untitled" print was published to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition was a pivotal moment that brought the rawness of street culture into the refined spaces of art galleries, highlighting the work of artists who draw inspiration from street aesthetics, skateboarding, and the undercurrents of subculture. Connolly's photographs, renowned for their poignant simplicity and depth, are held in the permanent collections of esteemed museums. This print, part of the "Ice Machines" body of work, reflects her dedication to chronicling elements of American life that are slowly fading from view. For collectors and admirers of contemporary art with a touch of nostalgia, Connolly's "Untitled" is a must-have. It's not just a silkscreen print; it's a piece of cultural heritage, a thoughtful reflection on the transient nature of the every day, and a beautiful work of art from a distinguished photographer and artist. Geoff McFetridge: The Hidden Radiance Silkscreen Print 2004 Signed/Numbered "The Hidden Radiance" by Geoff McFetridge is a testament to the artist's mastery of visual rhythm and narrative within the confines of silkscreen printing. Created in 2004, this silkscreen on paper measures 20 x 16 inches, a size that allows the intricate patterns and striking blue palette to envelop the viewer's field of vision—each element within the tessellated design pulses with an energy emblematic of McFetridge's graphic artistry. Upon closer inspection, one can discern the meticulous composition of abstract and figurative forms. This patterned artwork is a sophisticated visual puzzle where geometric and organic shapes converge to create a sense of depth and movement. The repetition of the elements serves an aesthetic purpose and weaves a deeper narrative, alluding to the interconnectedness of individuals within a community or the repetitive yet unique nature of urban landscapes. Signed by the artist, this piece holds the personal touch of McFetridge, ensuring its authenticity and connecting the collector directly to the creative process. "The Hidden Radiance" was featured in the renowned "The Beautiful Losers Portfolio" at Agnes B Gallery in Los Angeles as part of a collection celebrating the synergy between contemporary art and street culture. It is also highlighted in the pivotal book "Beautiful Losers: Contemporary Art and Street Culture," published by Edition Iconoclast, which documents this artwork's cultural phenomenon. This silkscreen print is a decorative piece integral to the dialogue between street pop art and mainstream art scenes. It is a collector's piece that captures the essence of McFetridge's influence on the visual language of contemporary art. This language speaks to the discerning art enthusiast and the vibrant street culture aficionado. Ed Templeton: Untitled Shocked Woman Silkscreen Print 2004 Signed/Numbered Presenting a compelling piece by Ed Templeton, "Untitled Shocked Woman" is a work that encapsulates the raw and expressive potential of silkscreen printing. Crafted in 2004, this piece measures 16 x 20 inches and is part of a limited edition of 200, each signed and numbered by Templeton, ensuring its exclusivity and collectible status. This silkscreen print showcases Templeton's unique ability to capture the human condition in its most vulnerable and candid moments. The artwork features the image of a woman, her expression of surprise or shock, a narrative moment frozen in time by Templeton's adept hand. The use of stark, contrasting colors and the overlay of abstract elements give this piece a dynamic quality that is both disturbing and intriguing. The imagery is imbued with immediacy and intimacy, characteristic of Templeton's approach to art. It challenges viewers to confront the unexpected and often unsettling emotions that his subjects display. The raw brushstrokes and the deliberate obscuring of details invite an exploration into the themes of privacy, emotion, and the voyeuristic nature of art. "Untitled Shocked Woman" was published during the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art scenes and mainstream recognition. Templeton's work is a testament to the power of street pop art to convey profound human experiences, making this piece a valuable acquisition for collectors and enthusiasts of contemporary art. James Jarvis x Amos Toys: In-Crowd The Thin Blue Line Wiggins Signed Figure Fine Art Toy 2004 He is introducing the "In-Crowd: The Thin Blue Line Wiggins" - a limited-edition of 100 signed series 3.5x6 collector's item that merges the imaginative world of James Jarvis with the tangible delight of fine art toys. Created in collaboration with Amos Toys, this figure represents a unique synthesis of art, collectibility, and narrative, culminating in a 6-inch (approximately 10cm) vinyl figure named Wiggins, part of a highly exclusive series limited to just 1660 overall pieces worldwide. Wiggins, the diminutive law officer, stands proudly in his uniform, crafted with meticulous attention to detail. From the top of his classic police hat to the soles of his steadfast boots, every element of his attire has been thoughtfully designed to reflect his character's essence. He holds a club, an accessory that hints at his readiness to jump into action and restore order. Yet, his face, with a mustache poised above a stern expression, suggests a depth of personality beyond his official duties. Each figure arrives encased in a beautifully designed box, proudly displaying the signature of James Jarvis, a mark of authenticity and a direct connection to the artist's hand. The packaging is as much a work of art as the figure itself, with the silhouette window showcasing Wiggins in a presentation that blurs the line between toy and art sculpture. Wiggins is not just a character but a storyteller in his own right, embodying the complexities of his profession with a twist of Jarvis's characteristic humor and insight. According to his backstory, when not patrolling the streets, he is penning confessional poetry, providing a glimpse into his sensitive soul—a contrast to his authoritative figure. This piece is a must-have for fans of street pop art and those who appreciate the intersection of art and playfulness. It is a tribute to the offbeat charm and creative vision that James Jarvis is renowned for, making "In-Crowd: The Thin Blue Line Wiggins" a standout addition to any collection of fine art toys or contemporary art pieces. ESPO- Steve Powers: Untitled Next Door HPM Silkscreen Print 2006 Signed/Numbered Steve Powers' "Untitled (Next Door...)" is an exemplary piece of contemporary art, blending the rawness of street art with the sophistication of a gallery piece. This silkscreen on paper, measuring 16 x 20 inches, is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its status as a collector's item. A standout feature of this artwork is that each print includes unique hand-drawn elements by Powers, making every piece a one-of-a-kind treasure. The artwork is infused with Powers' characteristic wit and visual language, featuring bold graphics and textual interplay that convey a complex narrative. Published in conjunction with the celebrated "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this print captures the essence of a movement that blurred the boundaries between underground and mainstream art. The varied elements, from the "Misfit" puzzle piece to the sad figure with a top hat, all speak to themes of identity, societal pressures, and the existential search for meaning. Originating from Iconoclast Editions and the Beautiful Losers Archive, Powers' "Untitled (Next door...)" is not merely a piece of printed art; it's a dialogue with the viewer, a satirical commentary on the human condition, and a reflection of Steve Powers' (aka ESPO) distinctive voice in the world of art. This piece will complement any art collection and serve as a conversation starter due to its vibrant imagery and the artist's unique storytelling prowess. ESPO- Steve Powers: Handy Signs for People You Know in New York City Custom HPM Print 2006 Steve Powers, also known as ESPO, brings the dynamic essence of urban communication to life with his "Handy Signs for People You Know in New York City" from 2006. This collection of die-cut stickers is more than mere decoration; it's a form of expression, embodying the pulse of New York City's streets. Each sticker is a burst of color and symbolism, measuring 12-1/8 x 10-1/4 inches, designed to capture the attention and provoke thought. This piece cleverly categorizes the various archetypes one might encounter in the bustling metropolis: "CONFUSERS" with a pointing hand in blue, "ABUSERS" with a thumbs down in red, "USERS" with a pointing finger in green, and "PRODUCERS" with a handshake in black—the background's vibrant yellow acts as a visual megaphone, amplifying each sign's message. Powers' artwork is a commentary on the social dynamics of city life, each sign a shorthand for the complex interactions that define the urban experience. Released as a custom, high-pressure matte (HPM) die-cut sticker sheet, these stickers are designed to adhere to any surface, turning everyday objects into mediums for social dialogue. "Handy Signs for People You Know in New York City" is an interactive art piece and a cultural artifact that reflects the artist's keen observation of the characters that make up the fabric of city life. For collectors and admirers of Steve Powers' work, this sticker sheet is a unique blend of graphic design, street art, and wry commentary—all hallmarks of Powers' distinct style. Jo Jackson: Untitled Silkscreen Print 2004 Signed/Numbered & "States" Artist Book Jo Jackson's "Untitled" from 2004 is a serene silkscreen print that captures the minimalist essence of natural forms through color and shape. Measuring 16 x 20 inches, this work is part of a limited edition series, with each piece signed and numbered by the artist, underscoring its exclusivity and collectible value. States is a limited edition flip book zine of 100. The print features a stark, icy peak set against an excellent blue background, evoking a sense of calm and contemplation. The mountain's apex is met with a singular, detailed snowflake, suggesting the purity and uniqueness of nature's creations. Below, a field of white dots dances across the base, reminiscent of a quiet snowfall or a starry night sky. Released in alignment with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, Jackson's artwork reflects the introspective and often meditative qualities that contemporary art can elicit. The exhibition was a landmark event showcasing artists who drew inspiration from street culture, graffiti, skateboarding, and other subcultural art forms. Emerging from the Beautiful Losers Archive, this piece represents a moment in contemporary art where simplicity and symbolism converge. For collectors and enthusiasts alike, Jackson's "Untitled" is not just a print but a piece of tranquil beauty, offering a moment of reflection amidst the chaos of everyday life. It is a testament to the artist's ability to distill complex emotions into a single, poignant image. Thomas Campbell: People Of Pangea Silkscreen Print 2005 Signed/Numbered Thomas Campbell's "People Of Pangea Unite" is a compelling silkscreen on paper that encapsulates a whimsical and thought-provoking perspective on unity and the natural world. This 2005 piece is part of a limited series, individually signed and numbered by the artist, making each print a collectible artifact. The artwork portrays a surreal landscape where human figures merge with the trunk of a tree, creating a visual metaphor for interconnectedness. Above, a speech bubble unfurls with the text, "WHAT EXACTLY ARE CONSERVATIVES CONSERVING," a provocative prompt encouraging viewers to ponder political and environmental stewardship. The piece is punctuated with vibrant splashes of color amidst an otherwise earth-toned palette, drawing the eye across the playful composition. Published for the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, Campbell's print embodies the exhibition's celebration of subcultural art forms and their influence on contemporary art. The exhibition was a significant cultural event, bringing the ethos of skateboarding, graffiti, and street art into the gallery space. "People Of Pangea Unite" is a testament to Campbell's unique ability to blend the fantastical with the critical, offering a statement that is both aesthetically pleasing and intellectually stimulating. For collectors, this print is not just a piece of art; it's a conversation piece that captures a distinctive moment in contemporary art history, characterized by its boldness and ability to challenge the status quo. Thomas Campbell: T Moe Still Smoking Paul Frank Limited Edition Hand Made Custom Wallet 2005 Thomas Campbell's "Still Smoking" is a bespoke, handcrafted wallet, a functional piece of art that fuses utility with the vibrancy of the street culture. Created in 2005, this limited edition item celebrates personal style and artistic flair. Adorned with a myriad of whimsical illustrations that are signature to Campbell's aesthetic, the wallet boasts a light blue background with vivid, contrasting images. From the playful depiction of clouds to the stylized structures and whimsical figures, each element is rendered with a sense of joy and a bold, graphic sensibility. The wallet was released as part of commemorating the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This global event was a landmark for showcasing the intersection of skateboarding, graffiti, and street art within the contemporary art scene. Campbell's "Still Smoking" wallet is not just an accessory but a collectible piece that captures the essence of an era where art was not confined to galleries but was carried in the pocket, a part of the everyday. It is a tribute to the spirit of "Beautiful Losers" and a must-have for collectors who appreciate the blend of art and everyday life. Andy Jenkins: Untitled Hang Unique HPM Print 2005 Signed/Dated A compelling piece from Andy Jenkins, this artwork is part of a unique collection of 100 inkjet prints, each approximately 11 by 9 inches. This untitled work is a symphony of visual elements, combining typography, graphic design, and hand-drawn illustrations to create a layered narrative. The piece boldly features the word "HANG" in oversized, staggered letters that dominate the visual field, set against a backdrop that intriguingly blends elements of a calendar and handwritten script, suggesting the passage of time and the fleeting nature of moments. A sketched rocket positioned alongside the typography adds a dynamic sense of motion and exploration, further enriching the story told by the print. Each print in this limited edition is individually signed and dated by Jenkins, ensuring its authenticity and connecting the collector directly to the artist's creative journey. This artwork is not just a visual statement but a testament to Jenkins' multidisciplinary approach, where text and image are interwoven to engage and challenge the viewer. Andy Jenkins: Untitled Circle HPM Unique Print 2005 Signed/Dated Andy Jenkins' "Circle Untitled HPM Print" from 2005 is a remarkable example of contemporary printmaking that marries the simplicity of geometric forms with the complexity of individual expression. This piece, one of a hundred unique inkjet prints, each measuring approximately 11 by 9 inches, showcases Jenkins' mastery of form, color, and composition. The artwork features two bold, black circles dominating the visual field; they form a study of perfect symmetry and balance. Surrounding these central figures appear to be handwritten notes and doodles, some clear, some obscured, hinting at the artist's process or perhaps thoughts left intentionally cryptic. The print is set against a pristine white background, which not only accentuates the vividness of the black circles and the red accents within one of them but also gives prominence to the subtle text and line work that invite the viewer to lean in closer. Each print in this series is signed and dated by Jenkins, indicating a personal touch and authenticity that collectors and admirers of art often seek. The limited edition nature of these prints makes each one unique in terms of its place in the series and the slight variations that occur in inkjet printing. Jenkins' "Circle Untitled HPM Print" is not just a visual experience but a tactile one as well, with the artist's choice of paper and printing technique contributing to the overall presence of the work. It is a testament to Jenkins' ability to convey depth and narrative within the minimalist framework, engaging the observer in a silent, reflective, and universal dialogue. With its clean lines and intriguing details, this piece is a compelling addition to any collection that values the intersection of modern design and personal expression within fine art printmaking. Andy "Mel Bend" Jenkins: Scribble Scrabble Silkscreen Print 2005 Signed/Numbered Andy Jenkins' "Scribble Scrabble" is an intriguing silkscreen and graphite work on paper, capturing the viewer's imagination through its bold graphic quality and playful engagement with typography. Measuring 20 x 16 inches, this piece is part of a finite edition of 200, each numbered and personally signed by Jenkins, affirming its uniqueness and collectible status. The composition features a raised fist entwined with flowing, ribbon-like lines against a backdrop of soft grays, punctuated by the eponymous "Scribble Scrabble" banner in striking black and red. Jenkins' graphic sensibility, honed through years as a pivotal creative in skateboarding culture, is on full display, merging elements of street art with delicate art sensibilities. Released with the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, "Scribble Scrabble" represents the creative evolution of skateboarding's aesthetic into gallery spaces. Jenkins, a versatile artist known for his work as a comic artist, illustrator, and creative director, co-founded Dirt magazine with Spike Jonze and Mark Lewman in the early 1990s, further cementing his influence in the subculture. "Scribble Scrabble" by Andy Jenkins is more than a print; it reflects a creative force shaping skateboarding culture's visual language. It holds a place of honor within the Beautiful Losers Archive, representing a time when the lines between subculture and high culture were blurred and beautifully intertwined. Terry Richardson: Smilen Broadway Eye Glasses Art Object 2004 This intriguing art object by Terry Richardson, titled "Smilen Broadway Eye Glasses," is a testament to the fusion of functional design and artistic expression. Presented as an art object from 2004, this pair of black eyeglasses represents Richardson's distinctive visual style, known for its boldness and directness. The glasses measure approximately 3 x 8 x 3 inches, embodying a sense of style within their compact form. The eyeglasses rest against a backdrop that reads "BROADWAY Collection SMILEN EYEWEAR," suggesting a theme of commercialism intertwined with personal identity. The clear acrylic lenses are set in a classic black frame, a color choice with timeless appeal. These glasses are not just accessories; they are statement pieces that reflect the wearer's personality and the artist's unique perspective on everyday objects. Crafted with meticulous attention to detail, the glasses carry the specifications "STYLE STEVEN COLOR BLACK SIZE 56-16 TEMPLE 145," denoting their bespoke nature. The art object blurs the lines between practical objects and collector's items, challenging the boundaries of what is typically perceived as art. Richardson's work here invites viewers to contemplate the intersection of visual culture, fashion, and personal expression, making it a compelling addition to any collection that values the innovative integration of art into daily life. Ari Marcopoulos: Justin Silkscreen Print 2004 Signed/Numbered Capturing a moment in contemporary portraiture, "Justin" by Ari Marcopoulos is a 2004 silkscreen creation on acid-free archival paper, measuring 20 x 16 inches. This work is part of a coveted limited edition series, with only 200 pieces, each meticulously signed and numbered by Marcopoulos, ensuring its exclusivity and collectible status. Set against a bold pink background, the portrait of 'Justin' is a compelling study of character and form. The stark contrast between the vivid backdrop and the monochromatic subject allows the figure to emerge with depth and introspection. The subject's neutral expression is rendered with a minimalist aesthetic, capturing a serene yet penetrating gaze that seems to look beyond the paper. This piece was published to mark the "Beautiful Losers" exhibit, a celebration of art that blurs the lines between street culture and high art. It reflects the movement's ethos, encapsulating a raw, unadulterated snapshot of youth and subculture. "Justin" is not just a portrait; it is a statement, a piece that speaks to the collector with an appreciation for the convergence of the art form with the zeitgeist of its time. It is a timeless addition to any collection, offering aesthetic beauty and cultural significance. Ari Marcopoulos: "I Might Be Wrong" Artist Art Book 2005 This image is a striking visual piece from Ari Marcopoulos' art book, "I Might Be Wrong," released as a limited fanzine in 2005 numbered limited edition of 100. This compelling work showcases Marcopoulos' skill in capturing street culture's raw and authentic essence. The photograph, printed in offset for precise, sharp detail, measures 20.32 x 12.7 cm, a size that invites close inspection and personal engagement with the viewer. In this monochrome portrayal, a figure stands before a weathered brick wall, their identity concealed behind what appears to be a boombox with eyes, evoking a sense of urban anonymity and artistic subterfuge. The boombox is a poignant symbol of the music and street scenes of the past decades, suggesting a narrative that intertwines personal expression with cultural artifacts. The backdrop is plastered with flyers, including one prominently featuring an announcement for the Alleged Gallery, providing context and anchoring the image in a specific cultural milieu. This edition numbered and limited to 100 copies, is a collector's item, offering an intimate glimpse into the artist's perspective on urban life and art. Marcopoulos is known for his documentary style that often explores the fringes of mainstream culture, and this image is a testament to his ability to find beauty and meaning in the everyday. Collectors and admirers of contemporary photography and street art will recognize the value of this art book as a touchstone for the dynamic and ever-evolving narrative of street culture. Todd James: Alive with Pleasure Silkscreen Print 2005 Signed/Numbered Introducing "Alive With Pleasure" by Todd James, a remarkable 2005 silkscreen creation on paper that vibrates with the artist's iconic energy and stylistic flair. This piece, measuring 7 x 5 inches, is part of an exclusive numbered edition of 100, making it a rare collectible for contemporary art enthusiasts. In this work, James continues to explore the themes of joy and exuberance that permeate much of his oeuvre. The composition features two figures rendered in a monochromatic pink hue that is striking and playful. The foreground is dominated by a character holding a smoke, her expression of unadulterated happiness, eyes closed, and a wide, toothy smile conveying a sense of contentment and delight. Behind her, a second figure, partially obscured, echoes this sentiment with a hand over her mouth smoking, suggesting laughter or a shared secret. James's line work in "Alive With Pleasure" is fluid and confident, with a cartoonish exaggeration immediately recognizable as his signature style. The characters are adorned with details such as the rainbow motif on the central figure's shirt, which adds a layer of visual interest and could be interpreted as a nod to themes of diversity and inclusion. This silkscreen print is not just a piece of art; it's a snapshot of happiness, a representation of life's simple pleasures, and a celebration of the moments that make us feel truly alive. It's a testament to Todd James's ability to capture the spirit of street pop art and package it in a format that resonates with the viewer on a visceral level. For collectors and admirers of Todd James's work, "Alive With Pleasure" is more than an artwork—it's an infusion of joy and an accurate representation of the artist's enduring appeal. Todd James: BullieJames'screen Print 2005 Signed/Numbered Presenting "Bullies" by the acclaimed artist Todd James, also known in the art circles as REAS, this 2005 silkscreen on paper is a vibrant testament to his renowned style deeply rooted in street culture and animated aesthetics. Measuring 20 x 16 inches, this piece is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its uniqueness and collectability. The artwork showcases four cartoon-like characters, each rendered with exaggerated expressions and gestures that convey a sense of movement and interaction. With its green complexion and fist raised, the dominant figure symbolizes the 'bully' archetype, a recurring theme in REAS's work, which often explores power dynamics and societal roles through a playful yet critical lens. Released in conjunction with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, "Bullies" encapsulates the energy and ethos of the street culture movement. The use of bold, primary colors and fluid lines is characteristic of Todd James's approach, where he blends elements of graffiti art with a refined art sensibility. This piece is a visual delight and a significant part of the dialogue between street art and mainstream contemporary art. It resonates with the rebellious spirit of the underground scenes from which Todd James emerged while also holding a mirror to society's broader narratives of confrontation and resilience. "Bullies" is a compelling example of Todd James's impact on the evolution of graffiti and street pop art, making it a coveted piece for collectors and enthusiasts. It embodies the fusion of street savvy and aesthetic finesse, a hallmark of James's artistic journey and a colorful addition to any collection. Wes Humpston: Bulldog Skates Silkscreen Print 2004 Signed/Numbered Featuring a striking blend of bold imagery and vibrant colors, the 'Bulldog Skates artwork by Wes Humpston is a profound piece that captures the essence of skateboarding culture. Created in 2004, this work is crafted with silkscreen and graphite on paper and stands at 20 x 16 inches. It belongs to a special edition limited to 200 pieces, each meticulously numbered and personally signed by the artist, establishing a direct connection between Humpston and the collector. This artwork was unveiled during the critically acclaimed exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the rich visual language of street culture and its influence on contemporary art. 'Bulldog Skates' is emblematic of Humpston's distinctive style, incorporating elements of street pop art and graffiti artwork. The central image—a fiery-eyed bulldog encapsulated within vibrant green flames—is not just a logo but an icon representing skateboarders' rebellious spirit and fiery passion. The vertical text that borders the central figure, reminiscent of graffiti tags, bears the name 'Bulldog Skates', reinforcing the brand's identity and roots in street art's gritty, raw energy. Humpston's artwork is a testament to the authenticity and creative freedom that defines the street skating scene, resonating with enthusiasts and art collectors alike. 'Bulldog Skates' is more than a piece of art; it is a cultural artifact that embodies the spirit of an era and a community that thrives on the edge of societal norms. Glen E Friedman: My Rules Silkscreen Print 2004 Signed/Numbered This dynamic silkscreen creation, 'My Rules,' by the acclaimed artist Glen E. Friedman, was produced in 2004. This piece, a bold representation of street culture's impact on visual arts, measures 20 x 16 inches and is part of a limited edition series, with only 200 prints available worldwide. Each piece is individually signed and numbered by Friedman, adding a personal authentication to the collector's item. Crafted with the precision and vibrancy characteristic of silkscreen printing, 'My Rules' serves as a visual manifesto of the punk and skateboarding ethos. The artwork was unveiled as part of the iconic 'Beautiful Losers: Contemporary Art and Street Culture' exhibition, which celebrated the crossover of street art into the gallery space. 'My Rules' is an emblem of the artist's storied career in documenting the rebellious spirit of youth subcultures. The print is a montage of energetic portraits and live-action shots, centering around a commanding figure vocalizing the title's sentiment. The electric lime-green typography slices through the monochrome backdrop, asserting the defiant tone of the work. This piece is not just an artwork; it is a historical archive that captures the pulse of a movement. It embodies the voice of a generation that challenged norms and lived by their own rules. Owning a piece from this edition is not just an investment in art; it's an acknowledgment of a transformative period in contemporary art, where the streets conversed with the studio, and Glen E. Friedman was there to capture it all. Chris Johanson: Untitled Why Are They So Frantic Silkscreen 2004 Signed/Numbered Untitled Why Are They So Frantic? by Chris Johanson is a compelling silkscreen that speaks volumes through its combination of text and imagery. Created in 2004, this piece is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It is part of a limited edition series, with only 200, each hand-signed and numbered by Johanson himself. This artwork was conceived for the groundbreaking "Beautiful Losers: Contemporary Art and Street Culture" exhibit that celebrated the influential movements in skate, graffiti, and street art from 2004 to 2009. The piece features an alien figure rendered in a minimalist outline, which serves as a conduit for a message that challenges the viewer to reflect on issues of hysteria and vulnerability within society. The bold, bright green backdrop accentuates the urgency and reflective nature of the text. Johanson's work traveled across various locations as a part of the "Beautiful Losers" exhibition. It was later featured in the "Transfer" shows in Brazil, at Santander Cultural in Porto Alegre and the Brazilian Cultural Pavilion in Ibirapuera Park, Sao Paulo. The influence and reach of the piece are further documented in the "Beautiful Losers" and "Transfer" bibliographies. Originating from the Beautiful Losers Archive, this artwork is a piece of visual culture and a historical snapshot, encapsulating the ethos of a movement that blurs the lines between the gallery and the street. It offers a unique opportunity for collectors and enthusiasts to engage with a pivotal time in contemporary art through Johanson's introspective lens. Chris Johanson: Love Not War Button Badge Set 2004 Numbered Chris Johanson's "Love Not War" is a thought-provoking collection of button badges measuring ten by 17.78 centimeters. This set, presented in a limited edition of 100 copies, reflects Johanson's engagement with contemporary socio-political themes encapsulated within each badge's brief, powerful messages. The badges, set against a vibrant backdrop of yellow with one standout in green, serve as wearable art that invites reflection and discourse. They echo the artist's commitment to peace, support for grassroots entrepreneurship, and critique of consumer culture and war. Each badge is a conversation starter, from advocating for human rights vigilance in global commerce to promoting inner tranquility and love. This numbered collection is a piece of art and a historical commentary, capturing the essence of advocacy and personal expression in miniature manifestos. Johanson's artistry turns wearing a badge into a statement of unique ethos and a call to social consciousness. Mark Gonzales & Harmony Korine: "Adulthood" Artist Art Zine 1995 "Adulthood" is a poignant collaborative art zine from 1995 by Mark Gonzales and Harmony Korine, artists known for their influential work within the skateboarding and film communities, respectively. This fanzine is a physical manifesto of the era's subculture, rendered through the photocopied medium that gives it a raw, authentic aesthetic. Measuring approximately 20.32 x 12.7 cm, the zine is a handheld testament to the DIY ethos that permeated the underground art scenes of the time. The cover features a grainy, high-contrast image of four young men, evoking the style of early 20th-century portraiture yet brimming with the defiant attitude of the 90s. Beneath the image, the names "Mark Gonzales" and "Harmony Korine" boldly declare this collaborative effort, uniting two distinct creative forces in a shared vision. The title "ADULTHOOD" looms above in stark, typewritten letters, juxtaposed with the date "First ish. March 1995," anchoring the piece in a specific moment of cultural production. Limited to 100 copies, this edition is as much a collectible as it is a slice of cultural history, capturing the ethos of a generation poised on the cusp of adulthood yet profoundly entrenched in the subversive youth culture of the time. Each zine serves as a snapshot of the period, a tangible artifact that embodies the spirit of collaboration and creativity that Gonzales and Korine are celebrated for. This work is a must-have for collectors and enthusiasts of 90s skate culture, indie film, and the raw energy of street-inspired art. Mark Gonzales: Limited Edition Krooked Air Freshener Art Object 2004 Embodying the skate culture aesthetic, Mark Gonzales presents the Limited Edition Krooked Air Freshener, a vibrant art object marring functionality with street art flair. Released in 2004 as part of the Beautiful Losers Portfolio, these air fresheners transcend their practical use, standing as collectible pieces reflective of Gonzales's artistic vision. Each air freshener features the distinctive Krooked skateboarding brand's playful and irreverent character, rendered in bold, graphic outlines. Available in two designs, the first flaunts a rich purple hue, embodying the Krooked eyes motif. In contrast, the second design showcases the brand's signature character in a stark white against a striking blue background. These art objects were curated for the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which celebrated the influential DIY spirit in art from 2004 to 2009. The collection taps into the heartbeat of street culture, infusing everyday items with a sense of artistry and rebellion against the mainstream. Originating from Iconoclast Editions and the esteemed Beautiful Losers Archive, the Krooked Air Fresheners holds a special place in the chronicles of contemporary art. They serve as a testament to GGonzales' impact on the skateboarding and art communities and a symbol of the era's diffusion of underground art with everyday life. These limited edition pieces are coveted by collectors and enthusiasts, representing a moment when street culture boldly claimed its space in the world of high art. Phil Frost: Custom Superwide Poster Refillable Marker 2004 Phil Frost presents a unique fusion of utility and artistry with his Superwide Marker and Poster Marker, crafted in 2004. These custom plastic refillable markers are more than mere tools; they are individual art pieces, standing approximately 2 x 5 inches, and are part of a limiwoman'stwomen'siwomen's00 each. The markers are adorned with FFrost's distinctive tribal-esque motifs in black against a vivid orange backdrop. This design is instantly recognizable to those familiar with FFrost'swork, known for its intricate patterns and a keen sense of the priMill's yet contemporary visual language. Sourced from Iconoclast Editions and part of the Beautiful Losers Archiv", these markers embody the ethos" of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. This project celebrated the DIY culture and street art that influenced a generation of artists. For MMills'srs, these markers are a tangible slice of the exhibition, encapsulating the essence of street culture's impact on contemporary art. They are a testament to the vision where the everyday object becomes a canvas, blending form and function with the fluidity of street art. These markers are functional items and collectible works that carry the artist's artist's signature style into the hands of creatives and art enthusiasts alike. Mike Mills: The Architecture of Reassurance 1999 Mini Book Mike MMills's" The Architecture of Reassurance" is a captivating softcover artist book that serves as a visual extension of his short film. Released in 1999, this first edition book measures 7 x 4.25 inches and is a rare collectible sourced directly from the Beautiful Losers Archive. Within its pages, the book offers a rich collection of photographs and film stills that capture the essence of a young woman's women's women's journey through the suburban landscapes around Los Angeles. These images are woven together to create a narrative that explores themes of urban isolation, the search for identity, and the comforting yet sometimes sterile uniformity of residential design. Mill's work is renowned for its ability to distill profound socio-cultural observations into minimalist visuals. "the Architecture of Reassurance" is no exception, reflecting thoughtfully on our environments and how they shape our experiences and perceptions. This intimate publication is a book and a portable gallery of MMills's cinematic and photographic talent. For admirers of MMills' work and those interested in the interplay between film, photography, and urban theory, this artist is an invaluable addition to their collection, offering a tactile piece of the late 20th-century zeitgeist. Clare Rojas: Peggy Honeywell Faint Humms Limited Edition CD 2004 This art object is a limited edition CD titled Peggy Honeywell "Faint Humms" by Clare E. Rojas, an artist whose work spans a variety of mediums, often exploring themes of identity and folklore. Released in conjunction with the influential exhibit "Beautiful Losers: Contemporary Art and Street Culture," this CD is not only a vessel of Rojas' auditory art but also a collectible item that represents the intersection of music and visual art within the street culture milieu. The CD is presented in a striking orange case, which underscores Rojas' bold use of color in her visual artworks. The case is enveloped in a foam liner, ensuring the protection of the disc and echoing the care typically given to preserve art objects. The disc, with its reflective surface creating a spectrum of colors, is reminiscent of Rojas' characteristic style, which often employs vibrant, contrasting hues. This piece is a tangible connection to the ethos of the "Beautiful Losers" exhibition, which celebrated the diverse art forms emerging from street culture and its influence on contemporary art. As a limited edition release, this CD is a snapshot of a particular moment in art history, embodying the creative spirit of an era where the lines between different artistic disciplines were blurred to create new forms of expression. Collectors and enthusiasts of Clare E. Rojas' work and those who appreciate the legacy of street culture in art will find this CD a meaningful addition to their collection. Ryan McGinness: Custom Sticker Pack 2005 Signed/Numbered This art piece is a Custom Multiverse Sticker Pack by Ryan McGinness, an artist renowned for graphic representations and organic forms. The pack, released in 2005, is part of a special edition, limited to 100 copies, each meticulously signed and numbered by McGinness, indicating its position as #of 100. The dimensions of the case are 12.7 x 12.7 cm, a compact size that encapsulates the essence of McGinness' design philosophy. Presented in a sleek silver case that shimmers with a metallic sheen, the pack embodies a sense of exclusivity and modernity. The artist's signature on the left side of the envelope certifies the work's originality. At the same time, the iconic crown emblem of the Ryan McGinness Studios logo on the right is a stamp of quality and authenticity. Inside, the case contains an array of stickers, each a fragment of McGinness' vibrant multiverse. These are not mere embellishments; they are adhesive artworks, allowing the bearer to carry a piece of the McGinness aesthetic into the world. The stickers serve as a portable gallery, a democratization of art at the heart of McGinness' ethos. This Multiverse Sticker Pack is a collectible that blurs the boundaries between high art and the accessible art form of stickers. For admirers of Ryan McGinness' work, this pack is a unique opportunity to own a piece of art history that is interactive, playful, and deeply rooted in the visual language of contemporary culture.

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Muse of the World- Ochre Limited 2-Color Screen Print on 140lbs French Fine Art Paper by Glenn Barr street artist modern pop art. "This image was a popular poster I had released a few years ago. I decided to take it to a more “handcrafted” limited edition print different from offset. Last year I had it transcribed into a 2 color silk screen print and released it with only 25 in the edition, made for my show at Inner State Gallery in Detroit...They went fast. In celebration of the popular image I wanted to do another version. This time changing the color ways from the electric red. 50 editions to be in cool blues and another 50 in deep golds. Then to add a special edition and limited to 25 I created a 3rd screen with line work to enhance the Muse’s spectacle of flight." - Glenn Barr

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Coronavirus Quarantine Multi Tagged Original Slap-Up Label Marker Painting/Drawing Art on Warning Label by Tru Graffiti Legend Saber Urban Street Artist. 2020 Signed Marker Original Coronavirus Quarantine Yellow Biohazard Slap Up Graffiti Art Tag 7x5 Multi Tagged on High Visibility Virus Covid-19 Warning Label Red, Purple & Silver Marker. Confronting a Global Crisis through Street Pop Art The 'Coronavirus Quarantine' multi-tagged original slap-up label marker painting/drawing by the urban street artist Saber captures the zeitgeist of an era dominated by the pandemic. This 2020 signed marker original is more than a piece of graffiti artwork; it is a historical document that encapsulates a moment when the world grappled with the unprecedented challenge of COVID-19. Saber, known for his influential role in the graffiti art scene, takes a high-visibility yellow biohazard slap-up label, a symbol now ubiquitously associated with the virus, and transforms it into a canvas. The dimensions of the work, 7x5 inches, might seem modest, but the impact of the art could be better. Through his use of vibrant and chaotic tags that overlay the stark warning of 'Coronavirus Quarantine,' Saber disrupts the alarming message of the label, inviting contemplation on the nature of the pandemic that extends beyond fear and caution. The piece is a profound commentary on global affairs during the COVID-19 crisis. The graffiti artist's tags subverted the choice to use a warning label, a helpful object designed to communicate danger and command obedience. The tags, often considered an act of defiance in public spaces, here challenge the narrative of the pandemic by bringing an individualistic and human touch to the impersonal and clinical warning label. Impact of Saber's Art in the Context of Street Pop Art In the context of street pop art, Saber's 'Coronavirus Quarantine' piece stands out as a poignant reflection of the times. Street art has always had the unique ability to engage with its audience directly and urgently. In this instance, the art serves as a visual expression of the collective angst, confusion, and resilience experienced during the quarantine periods. Saber's artwork, juxtaposing the form of formal, almost anarchic graffiti tags, speaks to the unchecked nature of the public's response to the pandemic—order and disorder, compliance and rebellion. 2020 will be remembered for its seismic shifts in global health, economies, and societies. In this climate, street pop art and graffiti artwork like Saber's serve as markers of resistance and reminders of human endurance. The biohazard slap-up label, once a mere functional sign, is recontextualized as a piece of art that provokes, questions, and endures, much like the human spirit during the trials of the pandemic. Saber, the American artist behind this impactful work, has once again demonstrated why he is regarded as a legend in the graffiti world. His ability to take the pulse of society and translate it into art that is both provocative and reflective ensures that his work remains relevant and resonant, not just within the street art community but also among those who encounter his art in the very public spaces that the coronavirus pandemic has so markedly changed.

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MTA Subway Map- Lime Green Purple Original One of a Kind Mixed Media Acrylic Spray Paint Painting Artwork on Reclaimed NYC Paper Subway Map by Popular Street Graffiti Artist ARTIST. Lime green-purple MTA subway map Hand-made original one-of-a-kind Painted NYC subway map. 22x33inches The beginning of the new millennium found Cope2 in a different place in his career, as he started focusing more and more on ways to establish himself in the art scene of galleries and museums. Even though the artist had started working on canvas much earlier than the 2000s, it was then that he made this dynamic twist and agreed to exhibit indoors systematically. Whether you see graffiti as an expressive and lively form of art or as a form of irresponsible vandalism, one thing is certain; in recent years it has captured the attention of the general population to the world’s biggest galleries.

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Fat Tip Deck- Light Blue Limited Edition Skateboard deck art by Designer Brand Supreme FW22 2022 Supreme skate deck with natural veneer and blacktop ply. Printed logo pattern on bottom with printed World Famous and box logo on top.

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Spider-man Homecoming Foil AP Artist Proof Silkscreen Print by Raid71 Hand-Pulled on Holofoil Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2023 Signed & AP40 Artwork Size 24x36 Holographic Foil Silkscreen Print by Raid71 Spider-Man Homecoming Foil AP Silkscreen Print by Raid71 The Spider-Man Homecoming Foil AP Silkscreen Print by Raid71 is a radiant collision of cinematic intensity and vibrant Street Pop Art & Graffiti Artwork aesthetics. Released as an Artist Proof in 2023, this 24x36 inch hand-pulled silkscreen was printed on holographic foil fine art paper, giving the already dynamic composition an additional kinetic surge. Signed and marked AP40 by Raid71, this limited edition encapsulates not only the Marvel Studios legacy but also the visual vocabulary of contemporary pop-infused print culture. Cinematic Composition and Street-Level Urgency This piece by Raid71, the alias of British illustrator Chris Thornley, electrifies the familiar Spider-Man narrative by focusing on a climactic aerial showdown from Spider-Man: Homecoming. The scene is depicted through a tense and chaotic composition. Spider-Man is framed in mid-action inside a circular engine aperture as he clashes with the Vulture, portrayed in the pilot's seat. The background bursts with the neon blaze of a theme park and city grid—a fever dream of hot red, orange, blue, and yellow dots that mimic both street signage and motion blur. The entire composition places viewers inside the chaos, as if looking from the Vulture’s cockpit, blurring the boundary between viewer, villain, and action. Raid71’s use of dynamic foreshortening and vibrant urban textures speaks directly to the aesthetics of graffiti wall compositions. There is a deliberate sense of motion and disruption, as angular lines, glowing pixel-like dots, and radial spirals converge. The artist blends comic book panel design with architectural scale and cinematic scale, making the print feel like a mural that exploded from the theater wall and into the street. Technique and Medium: Holofoil Spectacle The use of holographic foil stock is not merely decorative; it transforms the print into an interactive object. Light bends and scatters across the foil’s surface, animating the explosive colors and the depth of the print depending on the viewing angle. The reflective quality of the foil complements the digital chaos of the artwork, symbolizing the modern hyper-visual era of superhero storytelling and consumer saturation. Every silkscreen layer adheres tightly to the foil, with precision color trapping that lets Raid71’s palette vibrate in space. Unlike traditional paper editions, the foil version pushes the graphic language into full sensory overdrive. It mimics the pop sheen of commercial branding and street poster art but elevates it to a level of fine craftsmanship. Raid71 and the Fusion of Fine Art and Pop Spectacle Raid71’s body of work bridges high-level commercial illustration, subversive pop art themes, and the street art ethos of layered imagery and rapid visual engagement. His reinterpretation of Marvel’s Spider-Man universe reflects how modern superheroes function as icons in both art and advertising. This print captures the duality of Spider-Man’s place between adolescence and responsibility, surveillance and action, chaos and order. The Spider-Man Homecoming Foil AP is a visual powerhouse—a fine art piece rooted in the visual vocabulary of graffiti, animation, comic culture, and digital saturation. It’s a reminder that pop art does not rest in nostalgia; it moves forward with velocity, urgency, and unmistakable aesthetic aggression. This print doesn't just celebrate Spider-Man; it embodies the impact of superhero myth in the modern visual world.

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Wicker Park Chicago Silkscreen Print by Ian Ferguson- Hydeon 1-Color Hand-Pulled Limited Edition on Fine Art Paper Rare Street Art Famous Pop Artwork Artist. 2013 Signed & Numbered Limited Edition of 35 Artwork Size 16x20 Neighborhood Art Series by Ian Ferguson. Wicker Park Silkscreen Print by Ian Ferguson – Hydeon The Wicker Park silkscreen print by Ian Ferguson, known artistically as Hydeon, is a striking representation of one of Chicago’s most iconic neighborhoods. This one-color hand-pulled limited edition silkscreen print from 2013, measuring 16x20 inches, captures the architectural and cultural vibrancy of Wicker Park through an intricate and surreal composition. As part of Ferguson’s Neighborhood Art Series, this piece blends detailed urban landscapes with elements of street pop art & graffiti artwork, offering a visually compelling exploration of the city. The Architectural Complexity of Wicker Park Wicker Park has long been known for its historic architecture, diverse creative community, and bustling streets, all of which are intricately depicted in Ferguson’s artwork. His highly detailed line work brings out the ornate features of vintage Chicago buildings, brownstones, and storefronts, creating a layered cityscape that feels alive with history and movement. The elevated Damen Blue Line train plays a central role in the composition, visually cutting through the print and grounding the neighborhood’s well-known connectivity to the broader Chicago landscape. Ferguson’s ability to meld perspective and scale results in an architectural collage that defies traditional linear space. Buildings appear to bend, streets converge at surreal angles, and the typography of “Wicker Park” integrates seamlessly into the structure of the print. This style recalls classic urban etchings, yet Ferguson’s interpretation includes surreal elements that make the neighborhood feel both familiar and dreamlike. Cultural References and Symbolism Beyond its architecture, Wicker Park has a rich cultural identity rooted in its music, art, and street scene, and Ferguson nods to these aspects through various visual motifs. The presence of a bicycle, vintage cars, and classic signage all serve as references to the neighborhood’s history and evolving subcultures. Ferguson’s choice to include the Rainbow Club sign further acknowledges the importance of local businesses in shaping Wicker Park’s creative landscape. The imagery also includes floating clouds, exaggerated depth, and layered urban elements, adding a dreamlike quality to the piece. The decision to use black and white emphasizes the depth of detail and creates a timeless effect, making it feel like an archival document of the neighborhood’s energy. Ferguson’s approach highlights both the reality and mythology of Wicker Park, turning it into a symbolic representation of urban creativity. The Influence of Ian Ferguson in Street Pop Art & Graffiti Artwork Ian Ferguson’s Neighborhood Art Series places him firmly within the street pop art & graffiti artwork movement, using silkscreen techniques to reinterpret the visual landscapes of major urban spaces. Unlike traditional mural-based street art, Ferguson’s work translates these urban narratives into limited-edition fine art prints, allowing collectors to engage with his interpretations on a more intimate scale. His work resonates with fans of both architectural illustration and urban surrealism, as he transforms familiar cityscapes into dynamic compositions filled with movement and storytelling. The Wicker Park silkscreen print serves as both a tribute to the neighborhood and an exploration of how cities evolve, making it a significant piece within Ferguson’s broader artistic practice. This print stands as a visual love letter to one of Chicago’s most iconic areas, preserving its cultural essence through a highly detailed and meticulously crafted artwork.

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Cacophony Hand-Painted Multiple Archival Pigment Print on 3 Tiers of Laser-Cut Acrylic Panel ready to hang by Eddie Colla Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 25 Laser Cut Acrylic Artwork Size 18x18 "The Goldfish Girl was created almost a decade ago. I often revisit it, and she has been the longest continuing character I've created. I often write backstories for these characters to help me create the pieces, but they are generally never shared with the viewer. The Goldfish Girl was born in mainland China and raised mostly by a single father. Her mother passed away when she was 18 months old from cancer. She was often very ill as a child and was eventually diagnosed with a compromised immune system disorder, although a precise diagnosis was never given. This is the reason for always wearing the mask and gloves. Her father bred Goldfish for a living and taught her that trade as a kid. They worked side by side and rarely had visitors because of her condition. Often being extremely ill and also losing her mother made her childhood difficult. As most children do, she tried to find a reason for her misfortune, a reason for why all this had happened to her and her father. Eventually, she believed that her illness and her mother's cancer were punishment by nature. A curse for toying with nature by breeding goldfish. Eventually, her father passed away as well. Needing to make a living and also to taunt fate she illegally immigrated to Hong Kong. There is a famous goldfish market in Mong Kok on Tung Choi street, but it's commonly called goldfish street. With a compromised immune system the most dangerous thing to her was other people. As a challenge to fate, she moved to one of the most densely populated cities in the world. She got a stall on Tung Choi Street. This is her challenge, to taunt fate and win, becoming the master of her own fate. These images are vignettes of her life in Hong Kong. I've never given the character a name. Sometimes she is pictured with a boombox because music becomes a central companion to her mostly solitary life. In the piece Cacophony I wanted her to literally be surrounded by the city. In some way, I think I tried to create a character that embodied a lot of traits I aspire to. To remind me.” - Eddie Colla

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LA River Artwork Giclee Limited Edition Print on Pearl Fine Art Paper by Pop Culture Graffiti Artist Saber. 2019 Signed & Numbered Limited Edition of 100 Pearlescence Paper 27x19.25 Los Angeles has always been a hub for creativity, diversity, and innovation. Among its most influential and audacious forms of expression is street art, notably graffiti, which has made its indelible mark on the city's sprawling urban landscapes. A testament to this vibrant culture is the LA River Artwork Giclee print, an exceptional piece crafted by the renowned pop culture graffiti artist Saber. Hailing from Los Angeles, Saber has been an integral force in graffiti art, pushing boundaries and setting new standards for the genre. His dynamic and intricate designs encapsulate the energy, complexity, and authenticity of the urban environment. The LA River Artwork is a shining example of his prowess and unique aesthetic. This limited edition piece is a testament to the dedication and precision Saber pours into his art, capturing the transformative nature of graffiti as it breathes life and narrative into mundane city structures. Crafted in 2019, this giclee print boasts impeccable quality and detail. Limited to just 100 copies, each print has been meticulously signed and numbered by Saber, underscoring its exclusivity and value as a collector's item. The choice of pearlescence paper measuring 27x19.25 inches augments the vibrancy of the artwork, giving it a shimmering finish that adds depth and dimension. The medium, often favored in fine art reproductions, ensures longevity, clarity, and an immersive visual experience for the viewer. Graffiti art, often dismissed in its nascent stages as mere vandalism, has evolved to be recognized as a genuine form of artistic expression, with Saber at its forefront. The LA River Artwork is a testament to the genre's transformation and its ever-evolving relationship with pop culture. This piece is not just an artwork; it's a narrative, a piece of Los Angeles's soul, immortalized in color and form by one of its most iconic artists.

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No Sleep Till Brooklyn- 72 Yellow Green 4-Color Mixed Edition Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Tim Oliveira Rare Street Art Famous Pop Artwork Artist. ME Mixed Edition Print, The Prints Vary In Color Through The Numbers of The Edition. 76 different silkscreen colors and variants in one edition. Signed and numbered, date stamped on back. The name of this print run has a double meaning to me. I decided to release it on August 5th to pay tribute to the Beastie Boys legend MCA (Adam Yauch); his birthday. Growing up, just about every day after school I would grab my basketball and head to the park or Boy's Club for some pickup games. Most of the time it was Beastie Boys on my walkman when I made the walk. They have always been a big influence on me. Also, no sleep till I feel confident with enough artwork for a solo show in Brooklyn. It may be a few years out, but I will keep trying to juggle family life, a regular job, and artwork with many late nights... -Tim Oliveira

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Fat Tip Deck- Tan Limited Edition Skateboard deck art by Designer Brand Supreme FW22 2022 Supreme skate deck with natural veneer and blacktop ply. Printed logo pattern on bottom with printed World Famous and box logo on top.

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Supreme Aerial Deck Limited Edition Skateboard deck art by Designer Brand Supreme For week 12 of their Fall/Winter 2020 season, Supreme released this Aerial Skateboard. The Supreme Aerial Skateboard depicts a Supreme banner flying through the sky with the New York skyline in the background, as shown in one of the brand's promotional videos. This skateboard deck was released on November 12th, 2020.

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Untitled Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Stephanie Buer.

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1969 Super Sport Camaro 8-Color Hand-Pulled Limited Edition Silkscreen Print on Hand Deckled 290gsm Coventry Rag Paper by Lady Pink Rare Street Art Famous Pop Artwork Artist. 1969 Super Sport Camaro, 2021 8-Color Screen Print on Coventry Rag 290gsm Paper Deckled Edge 24 x 26 in (61 x 64.7 cm) Edition of 100 Signed and numbered by LADY PINK BEYOND THE STREETS Embossed This piece was inspired by the scene on the Lower East Side, before it was cleaned up and gentrified. PINK would travel to Jenny Holzer’s, right off of Houston Street, and would be witness to all the colorful people who came out at night. "It wasn’t pleasant. It was full of hookers and drug addicts. It was the stuff you heard about but to see it was pretty shocking.” -Lady Pink

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7-Eleven Store Original Dunny Town Art Toy by Task One Kidrobot Vinyl & Plaster Art Toy Collectible Pop Artwork. 2012 Original Dunny Town Painted Plaster Kidrobot Custom Dunny Artwork Size Approximate 3x4 Town 7-Eleven Store Original Dunny Art Toy by Task One Task One's 7-Eleven Store Original Dunny Town Art Toy The "7-Eleven Store Original Dunny Town Art Toy" by Task One is a unique intersection of consumer culture and street pop art, encapsulated in a vinyl art toy collectible. This original art by Task One, released in 2012, is a testament to the artist's skill in blending every day with the extraordinary, thus transforming a familiar urban icon into a piece of collectible pop artwork. The work is a part of the Dunny Town series, which is highly regarded in the vinyl art toy community for its innovative representation of miniature urban landscapes. This piece features the recognizable storefront of a 7-Eleven, a convenience store that dots urban landscapes worldwide, reimagined in the stylized form of a Kidrobot Dunny. It's a work that comments on the ubiquity of consumerism and the way brands imprint themselves on the collective consciousness of society. Task One's craftsmanship is evident in the meticulous details of the piece—from the signboard with the 7-Eleven logo to the tiny rendition of the store's entrance and the miniature trash can beside it. Using plaster to create this custom Dunny artwork adds a textural quality that echoes the tactile nature of street art. Reflection of Street Pop Art & Graffiti Artwork in Task One's Dunny The 7-Eleven Dunny by Task One is not just a collectible; it reflects street pop art and graffiti artwork. By selecting a Dunny—a figure that is essentially a blank slate—Task One engages in a dialogue with the pop art tradition of utilizing mass culture and transforming it into high art. With its hand-painted, plaster-modified surface, this piece bridges the gap between the often transient nature of street art and the permanence sought by fine art collectors. The art toy becomes a canvas for social commentary, echoing the voice of graffiti art that often critiques or highlights elements of urban life. Task One's art toy challenges the viewer to reconsider the role and value of commercial objects in art. It's a bold statement on the infiltration of branding in our daily lives, presented through the lens of a street artist. Placing a 7-Eleven on a Dunny characteristically embodies street pop art's playful yet critical spirit, where the mundane is repurposed to serve as a medium for creative expression. In the broader context, the "7-Eleven Store Original Dunny Town Art Toy" exemplifies how artists like Task One redefine the boundaries of art and collectibility. Through the fusion of street art sensibilities with the collectible toy culture, Task One has contributed to the burgeoning art toy movement, which continues to gain momentum and respect within the art community. This piece serves as a poignant piece of Task One's legacy, capturing the essence of his artistic vision and the cultural zeitgeist of the time.

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The Beauty of Liberty & Equality PP Printers Proof Austin Mural by Jon Furlong Off Set Lithograph Print Limited Edition Artwork on Fine Art Paper by Shepard Fairey X Sandra Chevrier, an urban graffiti pop street artist. PP Printers Proof 2020 Signed by Shepard Fairey & Sandra Chevrier & Marked AP Off Set Lithograph Print Artwork Size 18x24 Beauty of Liberty Equality PP Austin Mural Print by Shepard Fairey x Sandra Chevrier x Jon Furlong. "This historic centennial offers an unparalleled opportunity to commemorate a milestone of democracy and to explore its relevance to the issues of equal rights today. The Women's Vote Centennial Initiative, a collaboration of women-centered institutions, organizations, and scholars from across the US, works to ensure that this anniversary and the 72-year fight to achieve it are commemorated and celebrated throughout the United States." -Shepard Fairey Shepard Fairey and Sandra Chevrier's "The Beauty of Liberty & Equality": A Mural of Democratic Milestones "The Beauty of Liberty & Equality" PP (Printer's Proof) is an evocative offset lithograph print by Jon Furlong that captures the essence of a mural by Shepard Fairey and Sandra Chevrier, two luminaries in the world of urban graffiti pop street art. This print, part of a limited edition run of 500 signed and numbered pieces released in 2020, measures 18x24 inches and stands as a testament to a significant moment in the history of democracy—the Women's Vote Centennial. Shepard Fairey's statement underscores the artwork's connection to the broader initiative commemorating women's suffrage and its ongoing relevance to current equal rights issues. Fairey, an artist renowned for his politically charged work, and Chevrier, known for her striking visual narratives that often delve into gender politics, have collaborated to create a mural that is both a celebration of historical achievements and reminds of the struggles that persist. As a Printer's Proof, the lithograph print holds a special status, often reserved for checking the final quality before printing the entire run. Collectors and enthusiasts of street pop and graffiti artwork prize such proofs for their closeness to the artists' original intent and the rarity they represent within a print series. Artistic Fusion in "The Beauty of Liberty & Equality" The mural, and by extension the lithograph print, is a vibrant fusion of Fairey's bold, graphic style and Chevrier's poignant portraiture, enveloped in a palette that commands attention and provokes thought. The artwork's layered composition—a hallmark of Fairey's and Chevrier's approach—blends text, imagery, and symbolism to convey a complex narrative about the journey toward equality and liberty. In line with the ethos of street pop art, the piece is anchored in its accessibility and capacity to communicate powerful messages through the visual lexicon of graffiti art. In bringing this piece to life, Fairey and Chevrier have created an artwork that celebrates a centennial and crafted a message that resonates with the present-day discourse on rights and representation. "The Beauty of Liberty & Equality" is a visual dialogue about the ongoing journey of democracy and the role of art in reflecting and shaping public consciousness. "The Beauty of Liberty & Equality" PP Austin Mural Print by Jon Furlong, Shepard Fairey, and Sandra Chevrier is a significant addition to the narrative of pop street art and its intersection with social activism. This Printer's Proof is a collectible piece that not only enhances the aesthetic milieu of its holders but also serves as a poignant reminder of the power of art to commemorate, educate, and inspire continual progress toward equality. Through this lithograph, the mural's message transcends the boundaries of Austin, reaching an international audience and solidifying its place in the annals of street pop art and graffiti artwork.

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No Sleep Till Brooklyn 6- Red 4-Color Mixed Edition Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Tim Oliveira Rare Street Art Famous Pop Artwork Artist. ME Mixed Edition Print, The Prints Vary In Color Through The Numbers of The Edition. 76 different silkscreen colors and variants in one edition. Signed and numbered, date stamped on back. The name of this print run has a double meaning to me. I decided to release it on August 5th to pay tribute to the Beastie Boys legend MCA (Adam Yauch); his birthday. Growing up, just about every day after school I would grab my basketball and head to the park or Boy's Club for some pickup games. Most of the time it was Beastie Boys on my walkman when I made the walk. They have always been a big influence on me. Also, no sleep till I feel confident with enough artwork for a solo show in Brooklyn. It may be a few years out, but I will keep trying to juggle family life, a regular job, and artwork with many late nights... -Tim Oliveira

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Utopia Artwork Giclee Limited Edition Fine Art Print on 100% Cotton Hahnemühle Museum Etching Paper by Pop Culture Graffiti Artist Victo Ngai. Limited edition of 100. Signed and numbered. SOI55 Gold Medal. Due to how this artwork was made and stored by the artist, many of Ngai's older prints contain slight yellowing to the extreme upper and lower white margin that extends about 1mm. This does not effect the image at all and the prints are perfect besides this.

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Night Lights Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Scott Listfield. 2020 Signed & Numbered Limited Edition of 50 Artwork Size 16x24

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Godzilla Limited Edition 2-Color Silkscreen Print on Fine Art Paper by Marie Bergeron counter-culture street artist art.

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Wicker Park Chicago 1-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Ian Ferguson- Hydeon Rare Street Art Famous Pop Artwork Artist. AP Artist Proof 2013 Signed & Marked AP Limited Edition Wicker Park by Ian Ferguson 1-Color Screen Print Size: 16" x 20" Wicker Park, Chicago, Illinios. Wicker Park AP Silkscreen Print by Ian Ferguson. Neighborhood Art Series Wicker Park Silkscreen Print by Ian Ferguson – Hydeon Wicker Park is a striking one-color hand-pulled silkscreen print by Ian Ferguson, also known as Hydeon, a renowned figure in street pop art & graffiti artwork. This signed and marked artist proof from 2013 is a rare and highly sought-after limited edition piece that captures the energy and architectural character of Wicker Park, a vibrant neighborhood in Chicago, Illinois. Measuring 16x20 inches, this intricate composition highlights Ferguson’s signature illustrative style, blending urban storytelling with meticulous line work and detailed cityscapes. This piece embodies Hydeon’s ability to merge historical, architectural, and surreal elements into a cohesive visual experience. The print showcases elements of Wicker Park’s well-known streets, vintage signage, historic buildings, and the iconic elevated train, all woven together in an elaborate and layered perspective. The black-and-white aesthetic further emphasizes the intricate craftsmanship and adds a timeless quality to the piece, making it both a tribute to the neighborhood and an outstanding example of contemporary urban art. The Architectural Complexity of Wicker Park Ian Ferguson’s fascination with urban architecture is evident in the detailed structures and layered composition of Wicker Park. This print brings together a variety of elements that define the neighborhood, including vintage storefronts, historic residential buildings, and the elevated transit system that runs through the heart of the area. His approach to architectural illustration is far from conventional; rather than rigidly replicating the scene, he reconstructs it in an imaginative, almost dreamlike arrangement that encapsulates the essence of the location. The depth and perspective in this piece create a visual journey through Wicker Park, guiding the viewer’s eye from the bustling streets to the elevated train tracks above. The warped and exaggerated structures give the impression of movement, as if the city itself is alive and shifting. This dynamic rendering is a hallmark of Hydeon’s style, transforming static buildings into vibrant and expressive components of the urban landscape. Symbolism and Everyday Urban Life Beyond its architectural focus, Wicker Park also incorporates symbolic imagery that reflects everyday life in the neighborhood. A bicycle, a common mode of transportation in Chicago’s creative communities, is prominently featured in the foreground, reinforcing the area’s reputation as a hub for artists, musicians, and independent thinkers. An ice cream cone adds a playful element, suggesting a sense of nostalgia and local culture. These details help personalize the scene, capturing both the physical and cultural identity of Wicker Park. By integrating elements of daily life into the piece, Ferguson creates a work that feels immersive and relatable. The inclusion of street signs, cars, and scattered urban textures further enhances the authenticity of the scene. The choice to render these details in a single color keeps the focus on the composition and line work, allowing the viewer to appreciate the craftsmanship without distraction. Hydeon’s Artistic Influence in Street Pop Art & Graffiti Artwork Ian Ferguson’s work under the Hydeon moniker stands out in the street pop art & graffiti artwork landscape due to his commitment to intricate hand-drawn compositions and narrative-driven urban scenes. Wicker Park exemplifies his talent for capturing the soul of a location while maintaining a unique and artistic perspective. Unlike traditional graffiti, which often prioritizes bold color and speed, his work takes a more meticulous approach, reminiscent of historical engravings and architectural sketches. Hydeon’s work continues to push the boundaries of what street pop art & graffiti artwork can achieve, blending classical illustration techniques with contemporary urban themes. Wicker Park is not just a representation of a neighborhood; it is a celebration of its culture, history, and artistic spirit. This print remains a standout example of how detailed illustration and urban storytelling can merge, creating a lasting impression in the ever-evolving world of street art.

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Two Coming In PP Printers Proof Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Scott Listfield. PP Printers Proof 2018 Signed & Marked PP Artwork Size 16x20

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Heidelberg Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Stephanie Buer.

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Madison Avenue Paper Weight Limited Edition Art Object Collectible Artwork by street graffiti artist Bape. 2021 1G72-182-195 / Clear / F Madison Ave New York City Paper Weight Art Object

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KONG Archival Pigment Fine Art Limited Edition Print on Fine Art Paper by Artist Scott Listfield, Street Pop Art Graffiti Legend. 2022 Signed & Numbered Limited Edition of 50 Artwork Size 18x24 Artist: Scott Listfield Title: "KONG" Medium: Archival Pigment Print Edition: 50 Markings: Signed and Numbered by the Artist Dimensions: 18" x 24"

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