Rabbit House Artwork Limited Edition Giclee Print on Fine Art Paper by Propaganda Artist Ron English- POPaganda. 2013 Signed & Numbered Limited Edition of 25 Size 32x27 "Rabbit House" is a captivating artwork by Ron English- POPaganda, an artist famed for his contribution to the propaganda art movement, which critiques contemporary culture through the melding of high and low art. The limited edition giclee print on fine art paper showcases English's expertise in juxtaposing surrealism with a hyper-saturated palette, creating a piece that is both a visual feast and a profound commentary on consumerism and the corporate infiltration of American life. The 2013 artwork, with its size of 32x27 inches, belongs to a highly exclusive series, limited to only 25 signed and numbered prints, making it a coveted piece for collectors. English's Rabbit House thrusts the viewer into a vibrant, almost psychedelic scene, blending elements of fantastical landscapes with familiar yet distorted characters and motifs. This vivid tableau is populated with mutated creatures and toys, expressing the artist's trademark fusion of reality with the absurd. The creatures in the scene are exaggerated and colorful, embodying English's critical perspective on the mutagenic powers of capitalism on nature and childhood innocence. The meticulous detail and depth of the piece draw onlookers into a three-dimensional space that feels at once otherworldly and uncomfortably familiar, echoing the intrusion of the fantastical into the mundane that is ever-present in today's advertising-saturated environment. Ron English- POPaganda utilizes the giclee printing method, revered for its high-quality reproduction of colors and details, ensuring that each element, from the reflective surfaces to the intricate textures of the flora and fauna, is captured with exceptional clarity by crafting a limited series of prints, English ties the artwork to the street art ethos, where exclusivity and access play pivotal roles. Like a street artist's fleeting murals, "Rabbit House" holds a transient place in the art world; its limited availability endows the piece with a sense of impermanence contrasting with the enduring nature of the paper it's printed on. English's work is a sophisticated blend of criticism and celebration of popular culture, offering an immersive escape while prompting introspective reflections on the world we live in. This artwork is not just a statement but a conversation starter, engaging its audience with layers of meaning and a rich visual narrative.

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Nighttime in the City Hand-Pulled 5-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2014 Signed & Numbered Limited Edition of 150 Artwork Size 11x14

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Fragment #2 What The Hell Original Mixed Media Painting by Ryan Thomas Monahan One of a Kind Artwork on Wood Panel Affixed to Frame 3D Street Art Pop Artist. 2022 Signed 3D Stacked Mixed Media New York NYC Street Manhole Scene Painting Original Artwork Size 11.25x9.25 Framed Fragment #2: What The Hell by Ryan Thomas Monahan – Urban Memory as Sculpture in Street Pop Art & Graffiti Artwork Fragment #2: What The Hell is a 2022 original mixed media work by American artist Ryan Thomas Monahan, created on a wood panel and presented in a framed 11.25 x 9.25 inch format. This one-of-a-kind piece captures a hyperrealistic street-level view of New York City, complete with a sculpted manhole cover, bits of food debris, torn signage, and a crushed takeout container rendered in painstaking detail. It is a physical fragment of the imagined street, an emotional terrain frozen in time. The textures are layered through 3D stacking and sculptural techniques, forming a tactile diorama of a forgotten sidewalk scene. Signed by the artist, the work is part of Monahan’s larger practice of constructing micro-environments that reflect on consumer culture, ephemerality, and the language of urban decay. Miniature Realism and Emotional Debris Ryan Thomas Monahan’s artistry is rooted in the act of remembering—through objects, through trash, through surfaces that most people overlook. In Fragment #2: What The Hell, Monahan builds a narrative through placement, imperfection, and meticulous realism. The partially visible manhole cover, etched with MADE IN NYC, grounds the work in a specific geography while allowing the viewer to connect with a universal street scene. Scattered remnants like the Chinese takeout box and torn WET FLOOR label add both humor and grit, evoking a space that feels lived in, walked over, and uncelebrated. These elements are not simply decorative—they function as emotional cues, anchoring the piece in memory and identity. The artwork’s title reflects the confusion and clutter that defines public space, suggesting a moment of bewilderment or absurdity embedded in the everyday. Construction, Texture, and Dimensional Intimacy This work exists in three dimensions. Constructed on a wood panel with mixed media materials, it includes real-world textures that mimic asphalt, metal, cardboard, and grime. The 3D elements are not exaggerated—they are subtle enough to suggest depth while preserving the illusion of a flat surface when viewed from a distance. This trick of the eye is part of Monahan’s signature technique, allowing viewers to become physically and mentally engaged with the scale and structure of the piece. Framed in black, the artwork is displayed with the formality of fine art, yet retains its street-level roots in every detail. The materials are layered, collaged, and manipulated to blur the boundary between sculpture and painting, between memory and documentation. Ryan Thomas Monahan and the Material Poetics of the City In the world of Street Pop Art & Graffiti Artwork, Ryan Thomas Monahan occupies a distinctive space. His work does not shout through color or scale, but instead whispers through detail, decay, and resonance. Fragment #2: What The Hell is not a monument, but a memory—a slice of overlooked reality pulled into focus. It reflects the detritus of culture, the poetry of trash, and the persistence of place. Monahan reminds viewers that beauty is found in the smallest fragments, and that the stories of the street are written not just in murals and tags, but in the crumbs, stains, and signage that mark every corner. This piece is not only an artwork—it is a sculpture of lived experience, preserved at human scale for those willing to look down and pay attention.

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Multi Tags Series 8609 Original Graffiti Painting by Seen UA One of a Kind Spray Paint & Acrylic Painting Artwork on Unstretched Canvas. 2023 Signed Original Multi Tags Series Acrylic & Spray Paint Painting Size 20x34 Multi Tags Series 8609: Original Graffiti Painting by Seen UA Multi Tags Series 8609 is a 2023 original painting by the graffiti artist Seen UA. Known as one of the pioneers of graffiti culture, Seen UA, born Richard Mirando, gained notoriety for his work on subway trains and urban landscapes during the early days of the graffiti movement in the 1970s. This piece is part of his ongoing Multi Tags Series, a collection that explores the expressive power of tagging in its raw, repetitive form. Measuring 20x34 inches, the artwork is crafted using acrylic paint and spray paint on unstretched canvas, emphasizing the street art origins of Seen’s work. The Art of Tagging in Street Pop Art and Graffiti Culture Tagging is one of the most fundamental elements of graffiti culture. A tag, typically a stylized signature or name, is the artist’s mark left on a surface, often as a form of identity or declaration of presence. In street pop art, tagging transcends its initial association with urban vandalism and becomes a form of visual expression and artistry. UA’s Multi Tags Series, 8609, captures this ethos, presenting a wall of repeated tags layered over one another rhythmically and chaotically. The repetition of tags in the series can be seen as both an assertion of identity and a commentary on the nature of urban life. The layering of tags, with overlapping colors and textures, mirrors the layering of voices, identities, and experiences in the urban environment. This dense field of repeated tags evokes the sensation of walking through a city covered in graffiti, where each tag competes for attention while simultaneously blending into the collective hum of the urban landscape. UA’s use of color in Multi Tags Series 8609 further enhances this effect. The painting is dominated by a palette of blues, grays, and whites, with each tag applied in quick, gestural strokes. The color variations suggest a gradient effect, where the tags seem to move in and out of focus, creating a sense of depth and movement. This visual layering invites the viewer to engage with the piece as a whole and on a more detailed, individual level, much like how street art is experienced in public spaces. Graffiti as an Artistic Language UA’s career has been defined by his ability to elevate graffiti from its underground roots into the wider art world. In the early days of graffiti, tags were often seen as acts of rebellion or defiance, expressions of a counterculture that rejected the norms of mainstream society. However, artists like Seen have demonstrated that tagging can also be a sophisticated form of visual language. Multi Tags Series 8609 exemplifies this idea, using tags as markers of identity and tools for creating intricate compositions. In this piece, Seen UA employs acrylic and spray paint, two mediums central to graffiti culture. Combining these materials allows for a range of textures and effects, from the smooth, controlled lines of the acrylic to the more spontaneous, unpredictable bursts of spray paint. The contrast between the two mediums reflects the tension between control and chaos often present in street art. The acrylic tags are precise and deliberate, while the spray paint adds an element of raw energy, evoking the feeling of graffiti created quickly in public spaces. The unstretched canvas in Multi Tags Series 8609 further connects the work to its graffiti roots. Unlike traditional gallery paintings, which are typically stretched and framed, the unstretched canvas recalls graffiti's impermanent, transient nature. Graffiti is often created on surfaces subject to weathering, removal, or destruction, and by choosing an unstretched canvas, Seen UA embraces this sense of impermanence. Much like the graffiti tags it depicts, the artwork feels as though it could be rolled up, moved, or even erased, underscoring the temporary and ever-changing nature of street art. Seen UA: A Legacy of Graffiti and Street Pop Art UA’s influence on the graffiti movement cannot be overstated. Often referred to as the “Godfather of Graffiti,” his work has been a cornerstone of the street art scene for decades. Starting as a young artist tagging subway cars in New York City, Seen UA helped shape the visual language of graffiti, bringing it from the streets into galleries and museums worldwide. His transition from illegal tagging on subway trains to producing fine art pieces like Multi Tags Series 8609 reflects the evolution of graffiti as an art form. Despite his success in the art world, Seen UA has always remained true to the ethos of graffiti culture. His Multi Tags Series continues to celebrate street art's raw energy and rebellious spirit, even as it is displayed in more formal settings. By repeating his tags repeatedly in this series, Seen UA reminds viewers of the persistence and resilience of graffiti culture. Tags are often removed, painted over, or buffed out by city authorities, but graffiti artists continue to create, leaving their marks wherever possible. In this sense, Multi Tags Series 8609 can be seen as a celebration of the enduring nature of graffiti and the artists who create it. The Visual Power of Repetition One of the most striking aspects of Multi Tags Series 8609 is its use of repetition as a visual device. Repetition is a powerful tool in street pop art, where the constant reiteration of symbols, images, and motifs helps to reinforce their meaning. In this piece, Seen UA’s repeated tags create a hypnotic pattern that draws the viewer’s eye across the canvas. Each tag is distinct and part of a larger whole, creating a sense of unity within the chaos. The repeated tags also evoke the act of tagging itself, which is often done in quick, repetitive motions. This physicality is reflected in the gestural quality of the tags, which appear to have been applied rapidly, with energy and urgency. The viewer can almost imagine the artist’s hand moving across the canvas, repeating the same mark repeatedly to leave a lasting impression. Multi Tags Series 8609 is a testament to Seen UA’s mastery of graffiti as a visual language and artistic expression. Using repetition, color, and texture, Seen UA creates a dynamic, engaging work that captures the essence of graffiti culture while pushing the boundaries of what street pop art can be.

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Kwame Did It Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Stephanie Buer.

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The North Road Original Gouache Painting by Chris Austin One of a Kind Artwork on Wood by Street Art Pop Artist. 2023 Signed Gouache Painting Original Artwork Size 10x10 Chris Austin's extraordinary "The North Road" original gouache wood painting, is an exemplar of how contemporary art can challenge and redefine our conventional understanding of space and form. This piece of art, which seamlessly fuses elements of pop, street and graffiti art, is instantly captivating and thought-provoking. It uniquely presents a surreal scenario where a shark is depicted flying through taxi cabs amid city traffic. Austin's bold and idiosyncratic style confronts the viewers with the reality of urban chaos and the power of imagination. The artist's use of gouache, a type of watercolor paint that can produce intensely vibrant colors, allows for a rich depiction of the otherwise everyday urban landscape and the completely out-of-place ocean predator. The brightness of the taxis and the shark, contrasted with the muted, almost monochromatic background of the cityscape, gives the composition an intense visual impact, typical of pop and street art. In the realms of street and graffiti art, such pieces not only provide aesthetic pleasure but are also often imbued with social and political commentary. Austin's painting could be seen as a critique of urban congestion and pollution, using the incongruous image of the shark to draw attention to the unnaturalness of city life. Alternatively, the flying shark might symbolize the survival instincts and adaptability needed to thrive in a bustling city. "The North Road" stands as a testament to the limitless creativity and capacity for social commentary inherent in the genres of pop, street, and graffiti art. It continues to captivate audiences with its vibrant colors, surreal subject matter, and the compelling dialogue it prompts about our relationship with urban spaces.

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Escape From New York Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Scott Listfield. Escape From NY. Edition Size: 50 Materials: Paper Dimensions: 9.0" x 16.0"

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Sea Also Rises- Northbound Whale Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art. 24x36 full-bleed 6 color screenprint. Signed and Numbered edition of 200.

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Death Valley Artwork Giclee Limited Edition Print on 290gsm Fine Art Paper by Pop Culture Graffiti Artist Casey Weldon. CASEY WELDON 'Death Valley' Fine art print on 290gsm paper Edition of 50 Signed and numbered by the artist 12x12 inches (30x30cm)

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Street Shatter Art Epoxy Wood Mixed Media on Street Signed Framed Sculpture/Painting Artwork by street pop culture artist Sechor. 2021 Signed Artwork Size 20x20 Ready To Hang Framed Original Mixed Media Wall Art Sculpture made of epoxy mixed with wood chips on a real "Do Not Enter" street sign in a handmade frame, ready to hang.

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Fat Tip Deck- Tan Limited Edition Skateboard deck art by Designer Brand Supreme FW22 2022 Supreme skate deck with natural veneer and blacktop ply. Printed logo pattern on bottom with printed World Famous and box logo on top.

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Mad World Artwork Giclee Limited Edition Print on 290GSM Fine Art Paper by Pop Culture Graffiti Artist Josh Keyes. Josh Keyes Mad World Edition of 300 13x16 inches / 33x40.6cm Fine art print on 290gsm paper Signed and numbered by the artist Josh Keyes exists equally in the world of surrealism and realism. No matter how contradictory this may seem, his art manages to balance physiological accuracy and extreme photorealism with an eco-surrealistic scenery and interactions. The theoretical context of his work is connected to mythological and folklore themes –especially the legends and stories of Native Americans- and the imagery that exists between dreams and nightmares in order to express profound existential anxiety and uncertainty.

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The Lonesome Crowded West Apt Block Modest Mouse Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2022 Signed & Numbered Limited Edition of 825 Artwork Size 18x24 Silkscreen Print Apartment Block Urban City Building Stylized. "I’m really happy that Modest Mouse asked me to create some limited edition posters for their tour commemorating the 25th anniversary of their 1997 album The Lonesome Crowded West. I first heard Modest Mouse in 1998. I borrowed a friend’s copy of the album The Lonesome Crowded West, which had come out the year before, and it grew on me quickly to become a favorite. The whole album is great, very multi-dimensional ranging from aggressive and dissonant on songs like “Teeth Like God’s Shoeshine” to folky, jangly, and intimate on “Trailer Trash.” My two favorite songs on The Lonesome Crowded West are “Doin’ the Cockroach,” which builds steadily into an exhilarating staccato guitar frenzy, and the song that follows it, “Cowboy Dan,” which is full of tension, struggle, anger, and beauty. Lyrically, the band’s singer and primary songwriter, Isaac Brock, comes across as an empathetic world-weary sage. I rarely call someone a poet, but Isaac wrote with such depth for someone only 23 years old that I think poet is the only title that properly conveys his elevated craft as a lyricist. I got to do Modest Mouse’s 2000 Black Glass tour poster, which was a huge deal for me." -Shepard Fairey- OBEY In the pantheon of street art, few names are as synonymous with the movement's thrust into mainstream culture as Shepard Fairey. His collaboration with the band Modest Mouse for their tour poster celebrates a milestone—the 25th anniversary of their seminal album, "The Lonesome Crowded West." In true Fairey fashion, he interprets the album's ethos with a limited edition silkscreen print, meticulously hand-pulled with five colors on Cream Speckletone fine art paper. This process ensures each of the 825 pieces is imbued with the artist's personal touch. Measuring 18x24 inches, this signed and numbered print presents an apartment block—an urban icon that exemplifies the crowded isolation in the album's title. Fairey's stylized depiction of the apartment block resonates with the band’s exploration of the paradoxical loneliness of urban existence, embodying the spirit of Modest Mouse's music through visual art. His work is not merely an artistic rendition but a narrative of city life's juxtapositions—connectivity and isolation, sound and silence. This collaboration is particularly significant for Fairey, who has been a fan of Modest Mouse since 1998. The album left an indelible mark on him, with its tonal shifts from the raucous "Teeth Like God's Shoeshine" to the more subdued "Trailer Trash." Fairey extols Isaac Brock's songwriting, acknowledging the profound depth and poetic nature of his lyrics, especially considering Brock's youth. The two tracks that stood out to Fairey, "Doin' the Cockroach" and "Cowboy Dan," exemplify the album's range and Brock's lyrical prowess. Fairey's history with Modest Mouse dates back to the 2000 "Black Glass" tour poster, reinforcing his long-standing connection with the band. This print is another chapter in that narrative, solidifying the kinship between his visual art and their musical expression. The artwork is a tangible piece of pop culture history, intertwining the legacy of Fairey's street art with Modest Mouse's contribution to music. Collectors of Fairey’s work and fans of the band alike cherish this print as a symbol of the enduring relevance of "The Lonesome Crowded West" and the power of art to transcend mediums, capturing the essence of an era.

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Joey Home 79 Photo Print by Joe Conzo Jr Limited Edition on 290gsm Moab Entrada Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed Print Limited Edition of 5 Artwork Size 20x16 Archival Pigment Fine Art of Joe Conzo in a Self Portrait by One Way Sign in 1979. Joey Home 79 Photo Print by Joe Conzo Jr The Joey Home 79 photo print by Joe Conzo Jr is a limited edition archival pigment print that captures a defining moment in the context of Street Pop Art and graffiti artwork. Created on 290gsm Moab Entrada Fine Art Paper, this piece offers a striking black-and-white depiction of the artist himself in a self-portrait taken by a one-way street sign in 1979. This 2023 edition, signed and limited to five pieces, brings renewed attention to Joe Conzo Jr's unique style and contribution to modern artwork. Joe Conzo Jr: The Photographer of a Cultural Movement Joe Conzo Jr, an American photographer, is renowned for his role in documenting the early days of hip-hop culture and the vibrant urban scenes of the Bronx in the late 20th century. His lens captured the raw essence of an evolving art movement that melded music, graffiti, and street culture. Conzo's photographs are celebrated for their candid approach, emphasizing the human stories behind street art and its creators. His work, including Joey Home 79, demonstrates a powerful connection between people, urban landscapes, and the social movements of the time. The Joey Home 79 print stands as a testament to the artist's ability to blend personal storytelling with cultural documentation. Taken in the Bronx, the photograph features Conzo himself, his Afro framing his youthful energy. The one-way street signs add a layer of symbolism, suggesting the pathways and directions individuals navigate in the complex urban environment. The gritty texture of the surrounding architecture reinforces the authenticity of the setting. The Role of Street Pop Art and Graffiti in Modern Art Street Pop Art and graffiti artwork have long been rooted in the expression of identity, rebellion, and social commentary. Emerging from the streets of New York City, artists like Conzo played a significant role in bringing urban narratives to life. Joey Home 79 reflects the broader conversation surrounding self-representation and community in street art. The photograph serves as an artistic bridge, connecting the viewer to the cultural vibrancy of the 1970s Bronx. Graffiti and street art during this era were not confined to spray cans and walls. Instead, they manifested in photography, music, and dance, creating a cohesive cultural tapestry. Conzo's work captures the spirit of this interconnectedness, elevating photography to a vital form of street art. The Legacy of Joey Home 79 in Contemporary Art Joey Home 79 exemplifies the timeless appeal of Conzo's work in the landscape of contemporary art. As a limited edition piece, this print gains significance for collectors and enthusiasts of Street Pop Art and graffiti artwork. The 20x16 size amplifies its impact, inviting viewers to explore its fine details and emotive power. Printed on archival-quality Moab Entrada Fine Art Paper, the piece combines durability with aesthetic finesse. The texture of the paper enhances the depth of the photograph, preserving the mood and authenticity of the original shot. The signature by Joe Conzo Jr reinforces its value as a modern artwork, bridging historical cultural significance with present-day appreciation.

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Cruelty Is the Message Red Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 125 Artwork Size 44x14 Silkscreen Print. Deciphering the Red Palette: "Cruelty Is the Message" by Cleon Peterson Cleon Peterson's "Cruelty Is the Message Red" silkscreen print unfolds a visually compelling narrative steeped in street pop art's stark contrasts and graffiti artwork's rebellious ethos. With its release in 2024, this limited edition piece joins the pantheon of Peterson's work, known for its unflinching portrayal of violence, power, and chaos. The artwork, spanning a commanding size of 44x14 inches, is a testament to Peterson's unyielding exploration of societal undercurrents, meticulously hand-deckled on 290gsm Coventry Rag fine art paper. Peterson's Vivid Interpretation of Societal Dynamics The limited series, numbering merely 125, is an exclusive collection wherein each print is signed and numbered, underscoring the value and collectibility of Peterson's work. With its bold red and black hues, this edition draws the viewer into a tumultuous world where conflict and turbulence are the prevailing themes. The color red, often associated with danger, passion, and aggression, pulsates throughout the composition, enhancing the impact of the depicted struggles and confrontations. Peterson's choice of fine Coventry Rag paper elevates the silkscreen print, a medium traditionally linked with high art and mass production, further blurring the lines between gallery art and street expression. The hand-deckled edges add an individual touch to each print, hinting at the personalized nature of street art despite the work's existence within a limited series. The Cultural Resonance of Peterson's Artwork "Cruelty Is the Message Red" holds a mirror to the society it critiques, showcasing Peterson's ability to navigate the interplay between art as a vehicle for aesthetic pleasure and art as a means for profound commentary. The scale and execution of this piece place it firmly within the discourse of street pop art, which often challenges viewers to confront uncomfortable realities and engage with the underlying messages conveyed through stark, uncompromising imagery. Through his distinctive visual language, Peterson not only chronicles the darker aspects of human behavior but also invokes reflection on the cyclical nature of dominance and submission, control, and uprising. His work resonates within the zeitgeist of contemporary social issues, serving as a stark reminder of the ongoing struggle against oppression and injustice. Cleon Peterson's "Cruelty Is the Message Red" is impactful in street pop art and graffiti artwork. It is a bold assertion of the artist's vision, offering a narrative that is as aggressive as it is intricate. This silkscreen print solidifies Peterson's reputation as a seminal figure in modern art. It continues to provoke, challenge, and inspire audiences, reaffirming the power of visual art to encapsulate and question the dynamics of power within society.

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Fox Theatre... Atlanta Limited Edition Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. Each piece is unique and colors, painting, spray paintings made by hand by the artist are random, vary, and you may not receive the exact pictured item! "I use photographic images as the basis for the art, but I would sometimes draw directly on the acetate before I burn the screens to bring out parts of the images I felt were important. Each piece for this run was individually screen printed and hand-painted using a variety of acrylic and other mediums. Take notice of the colors rather than the image, even though that might be difficult to do sometimes. The colors represent what's going on in my life at any given moment." - Bobby Hill

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Silver City Style A XL Night Black 2-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited of 50 Edition Artwork Size 36x24 Silver Metallic Ink City Style A XL Nightime 36x24

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Kamayura Oaxaca 2013 Giclee Print by Swoon- Caledonia Curry Artwork Limited Edition Print on Heavy Fine Art Rag Paper Graffiti Pop Street Artist. 2016 Signed & Numbered Limited Edition of 175 Artwork Size 19x13 From The Swoon Street Series Print Collection. Kamayura Oaxaca 2013 Giclee Print by Swoon A Visual Archive of Human Dignity in Urban Space The Kamayura Oaxaca 2013 Giclee Print by Caledonia Curry, known globally as Swoon, is a powerful example of Street Pop Art & Graffiti Artwork translated onto fine art paper. Created as part of Swoon’s Street Series Print Collection, the image captures one of her original wheatpaste street installations from Oaxaca, Mexico, depicting a striking female figure blending human and mythological attributes. This signed and numbered giclee print, released in 2016 in a limited edition of 175, measures 19 by 13 inches and is printed on heavy fine art rag paper. The artwork not only documents Swoon’s presence on walls across Latin America but also speaks to the symbolic relationship between community identity, resistance, and the ephemeral nature of street-based intervention. Stylistic Complexity and Symbolic Composition Kamayura Oaxaca 2013 reflects the intricate cut-paper aesthetics and humanitarian storytelling that define Swoon’s visual language. The figure in the image—part warrior, part mermaid—clutches twin crocodiles as scaled armor drapes over her legs. Radiating lines extend from her back like a halo, while beneath her figure is a tangled collage of snakes, architecture, and flora, all executed in precise linework. These motifs merge indigenous symbolism with modern urban decay, evoking themes of transformation, resilience, and the interconnectedness of natural and built environments. The bright yellow and deep red stucco wall behind the wheatpaste creates a dynamic color contrast, anchoring the image in its original street context while enhancing the mythic presence of the central figure. Caledonia Curry’s Global Street Narratives Swoon, born Caledonia Curry in the United States, has long been celebrated for her ability to blend classical printmaking techniques with the accessibility of street placement. Her work often features portraits of women, community figures, and allegorical representations that touch on social justice, environmental healing, and cultural storytelling. The Kamayura Oaxaca print aligns with her extensive practice of placing intricate paper cutouts directly onto decaying urban surfaces across the globe—from the walls of Brooklyn to the alleys of Haiti and Latin America. In Mexico, her work speaks directly to indigenous voices and post-colonial memory, reinforcing the role of graffiti as both an act of public beautification and political expression. The Importance of the Street Series Print Collection The Kamayura Oaxaca 2013 edition is part of the Street Series Print Collection, which serves as a tangible archive of Swoon’s ephemeral installations. Each print in the series offers collectors and admirers the opportunity to experience the artist’s street-based work in a preserved, gallery-worthy format. By transferring temporary outdoor works onto archival paper, the collection maintains the immediacy and raw power of street art while allowing it to endure beyond the natural wear of weather and urban development. This series also illustrates how Street Pop Art & Graffiti Artwork can transcend its original environment without losing its impact, narrative depth, or visual intensity.

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Sweet Home Chicago- White Hand-Pulled 1-Color Silkscreen Print on Fine Art Paper by Desirable Artist Nate Duval Limited Edition Pop Art Artwork. 2014 Signed Limited Edition Artwork Size 5x7

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Harry Potter London Elizabeth Tower Big Ben Silkscreen Print by Justin Van Genderen Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2013 Signed & Numbered on Back Limited Edition of 75 Artwork Size 18x24 Location, Location, Location Series Silkscreen Print London Elizabeth Tower aka Big Ben From Movie Harry Potter Harry Potter London Elizabeth Tower Big Ben Silkscreen Print by Justin Van Genderen Harry Potter London Elizabeth Tower Big Ben Silkscreen Print by Justin Van Genderen is a 2013 hand-pulled screenprint that merges the iconic architecture of London with the cinematic magic of the Harry Potter universe. This 18x24-inch artwork, produced as a signed and numbered limited edition of 75, transforms one of the most recognized landmarks in the world into a mysterious, almost supernatural vision. The print’s deep, ethereal color palette and minimalist design capture the gothic mystique that London embodies in both real life and in the world of wizardry. Surreal Composition and Magical Atmosphere The silkscreen print presents the silhouette of the Elizabeth Tower, also known as Big Ben, against a vast, celestial-toned sky. The darkened structure looms with an ominous presence, its clock faces glowing in stark contrast, creating a sense of mystery and intrigue. The clever placement of curved, crescent-shaped elements surrounding the tower alludes to magical forces at work, almost as if the structure itself exists between dimensions. The presence of a single flying figure in the distance subtly nods to the fantastical world of Harry Potter, evoking imagery of enchanted journeys across London’s skyline. The use of negative space enhances the illusion that the tower is suspended in time, standing against an endless void. The dramatic lighting and textural layering add depth, making the piece feel almost cinematic. The careful balance of shadow and light transforms the familiar landmark into something out of a dream, a perfect representation of London’s dual identity—both grounded in history and teeming with untold stories. Street Pop Art & Graffiti Artwork Influence Justin Van Genderen’s work aligns with the visual aesthetics of Street Pop Art & Graffiti Artwork, employing high-contrast elements, minimalist abstraction, and a bold graphic approach. The monochromatic treatment of the tower, juxtaposed with the deep, midnight-blue background, reflects the stencil-like precision found in street murals and wheatpaste posters. The textured gradients within the sky mimic the layered, distressed quality of urban art, reinforcing the idea that even the most historic landmarks can be reinterpreted through a contemporary lens. The floating crescent forms that encircle the structure add a modern twist to the gothic-inspired aesthetic, blending surrealism with an urban art sensibility. The intentional use of muted highlights and atmospheric depth gives the piece a spectral quality, as if the tower itself exists between different realities. These stylistic choices echo the way street artists manipulate architectural symbols to create new narratives, turning familiar imagery into something unexpected and thought-provoking. London, Fantasy, and the Iconography of Big Ben London has long been a source of inspiration for artists, storytellers, and filmmakers, and this print encapsulates the city's enigmatic charm. The Elizabeth Tower, with its towering gothic spires and timeless clock face, serves as a visual anchor in both real and fictional landscapes. In the Harry Potter series, London plays a crucial role as the gateway between the mundane and the magical, with landmarks like Big Ben existing as silent witnesses to extraordinary events. This screenprint captures that duality by stripping the landmark down to its essential form while enhancing its mystique. The piece does not rely on direct references but instead creates an atmosphere that transports viewers into a space where fantasy and reality blur together. For fans of Street Pop Art & Graffiti Artwork, this print serves as a masterful example of how urban symbols can be transformed into artistic storytelling, making even the most recognizable structures feel fresh and otherworldly. As a hand-pulled, limited-edition silkscreen print, this artwork holds value not just for collectors of contemporary urban art but also for those who appreciate the way art can reinterpret and elevate cultural landmarks. The fusion of historical architecture, cinematic magic, and modern design makes this piece a powerful statement about how art continues to shape and redefine the way people see the world around them.

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Ready to Believe You Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art. 2014 Signed & Numbered Litimed Edition of 200 Artwork Size 12x24 Ready to Believe You Silkscreen Print by Tim Doyle Tim Doyle’s Ready to Believe You is a striking piece of street pop art and graffiti artwork that pays homage to an iconic moment in cinematic history. Released in 2014 as a four-color hand-pulled silkscreen print on fine art paper, this work captures the atmospheric energy of a legendary firehouse from film culture. With a signed and numbered limited edition of 200, the artwork stands at 12x24 inches, creating an elongated, vertical perspective that draws the viewer into the scene. The combination of deep blues, stark reds, and dramatic lighting enhances the intensity of the moment, reflecting Doyle’s ability to merge pop culture nostalgia with modern artistic techniques. The Cinematic Influence and Urban Aesthetic The print instantly transports viewers to a familiar setting, referencing one of the most beloved supernatural comedy films of all time. The building depicted is unmistakable, standing tall with its grand arched entrance, large upper windows, and historic brickwork. The moment captured in the artwork is filled with movement—the firehouse doors are flung open, and a recognizable vehicle bursts forth, headlights beaming, while papers scatter across the pavement. This rush of activity is further amplified by the strong contrast between the night sky’s ominous red glow and the brilliant artificial light pouring from within. Doyle’s use of perspective intensifies the drama, angling the scene to make the building appear imposing and larger than life. This technique, reminiscent of classic comic book illustration, creates a dynamic composition that feels almost animated. The precise architectural details, paired with a street-level view, bring an urban realism that resonates with both street pop art and graffiti artwork enthusiasts. The integration of scattered papers and small street elements grounds the piece in a lived-in city environment, reinforcing Doyle’s mastery of storytelling through visual art. The Signature Style of Tim Doyle Tim Doyle is widely recognized for his ability to reinterpret pop culture imagery through bold, hand-drawn linework and silkscreen printing. His work often explores well-known locations and characters, infusing them with a gritty, neon-soaked energy that feels both nostalgic and fresh. In Ready to Believe You, Doyle employs his signature high-contrast shading, creating deep shadows that add to the sense of mystery and excitement. The selective use of color, particularly the glowing blues and harsh reds, provides a cinematic quality reminiscent of classic film posters. The four-color silkscreen process enhances the print’s richness, with each layer of ink carefully applied to build depth and texture. The final result is a piece that feels tangible, capturing the essence of the setting in a way that digital reproductions cannot replicate. This method aligns perfectly with the principles of street pop art, where traditional printing techniques meet contemporary subject matter to create highly collectible, visually striking works. The Cultural Impact and Legacy of the Artwork As part of Doyle’s ongoing series exploring iconic locations from pop culture, Ready to Believe You serves as both a tribute and a reimagining of a legendary film setting. Its impact extends beyond nostalgia, offering a fresh perspective on a widely recognized structure while maintaining the energy and rebellious spirit associated with street pop art and graffiti artwork. The detailed craftsmanship and vibrant color palette ensure that this piece stands out as a statement of artistic innovation and cultural appreciation. For collectors and fans of both film history and contemporary printmaking, Ready to Believe You represents a perfect fusion of both worlds. It not only immortalizes a classic moment but does so with an artistic approach that elevates the subject matter beyond simple replication. Through this print, Doyle continues to demonstrate why his work is celebrated among those who appreciate the intersections of pop culture, fine art, and urban visual storytelling.

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Respect Archival Print by BG183 Limited Edition Print on Fine Art Paper Pop Artist Modern Artwork. Signed & Numbered Limited Edition of 50 Artwork Size 14x20 Archival Pigment Fine Art

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Guerilla One x The Seventh Letter Collaboration 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print 18 x 24 inches Edition of 450 March 5, 2009 OBEY, Guerilla One, and The Seventh Letter have always had a strong long-lasting friendship and creative relationship with numerous collaborations including the late 90’s Free GKAE print, created by Shepard and Casey Zoltan from The Seventh Letter, to raise funds for GKAE’s legal fees. This current project was created to symbolize both strength in numbers and unity by way of collaboration. The Seventh Letter, Obey Giant, and Guerilla One have all stood individually and collectively as pillars in the graffiti /street art scene both domestically and internationally. Its apparent that the 3 collaborators will continue to support street art by creating new platforms that encourage and inspire many worldwide. “When we started doing graffiti, putting up stickers we had no idea the places it would take us, and no matter where we go from here we will stay loyal to those who have helped us get there.” – Eddie Donaldson, Founder of Guerilla One “I have always rolled with G1 and Shepard through thick and thin and will always have their backs forever on a street and professional level”. – Casey EKLIPS Zoltan, Founder of THE SEVENTH LETTER

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Obscure Art Book Tagged by Zes Zeser x The Seventh Letter Rare Limited Edition Modern Pop Graffiti Urban Culture Artworks Reference. 2014 Tagged Across Cover Signed Limited Edition of 2000 Book Size 9.5x6.5 Number of Pages 121 of Zes aka Zaser Graffiti Art & Artworks. This hardcover edition features white boards with a distinctive black circle on both the front and back covers, complemented by black lettering along the spine. The book is unpaginated, containing 121 pages filled with full-page black and white photographic images by Zes. Obscure Art Book Tagged by Zes Zeser: A Rare Limited Edition in Modern Pop Graffiti Art The Obscure art book by Zes, also known as Zeser, is a rare and highly sought-after limited edition publication that showcases the raw and immersive world of modern pop graffiti artwork. Limited to just 2000 copies, this hardcover book encapsulates the essence of urban culture through 121 pages of compelling black and white photography. The book serves as a crucial reference for enthusiasts of street pop art and graffiti artwork, offering an authentic glimpse into the artistic vision of one of Los Angeles' most influential graffiti artists. Design and Aesthetic of the Limited Edition This 2014 limited edition features a minimalist yet striking design. The hardcover is adorned with white boards contrasted by a bold black circle on both the front and back covers, lending a stark and impactful visual identity. The spine carries black lettering that simply states "Obscure," encapsulating the enigmatic nature of the content within. The book measures 9.5 x 6.5 inches, a compact but substantial format that allows for an intimate viewing experience of Zes' photography and artistic expressions. A particularly notable aspect of this edition is the hand-tagged cover, making each copy unique. Zes, a figure deeply rooted in Los Angeles' street pop art and graffiti artwork movement, has left his signature mark across the cover, enhancing its value as a collector’s piece. This tagging reinforces the authenticity of the book as a product of the graffiti subculture, where signatures and tags are a fundamental form of artistic identity. Exploring the Depth of Street Pop Art and Graffiti Artwork The content of Obscure is presented without pagination, allowing the viewer to immerse themselves fully in the visual narrative created by Zes. The book is composed entirely of full-page black and white photographic images, capturing moments from the urban environment through the lens of a graffiti artist. The monochrome aesthetic amplifies the raw energy of the streets, portraying the grit, dynamism, and rebellion inherent in graffiti culture. Zes, a Los Angeles native, has been an active figure in graffiti since the 1990s. His work often explores themes of movement, space, and identity, reflecting the transient and often ephemeral nature of street art. Unlike traditional gallery works, graffiti is inherently impermanent, subject to removal, destruction, or layering by other artists. This book serves as a crucial documentation of Zes' work, preserving moments that might otherwise be lost to time. The Significance of Obscure in Urban Art Culture Obscure stands as more than just a photobook; it is a historical artifact of a significant era in street pop art and graffiti artwork. With mainstream art institutions increasingly recognizing the legitimacy of graffiti as a powerful form of contemporary expression, works like this book provide essential documentation of artists who shaped the culture from the ground up. The book captures the tension between creation and destruction, anonymity and recognition, which are defining elements of the graffiti world. For collectors, urban art enthusiasts, and scholars studying street pop art and graffiti artwork, this book is an essential reference. The fact that it is a limited edition, hand-tagged by the artist, only increases its rarity and desirability. Zes' work continues to influence and inspire a new generation of artists who navigate the evolving landscape of urban expression, making Obscure an invaluable piece of graffiti history.

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Big Twinkie Ghostbusters Silkscreen Print by Tim Doyle Hand-Pulled 8-Color Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. 2015 Signed & Numbered Limited Edition of 150 Artwork Size18x24 Ghostbusters Movie Tribute, 4th Unreal Estate show

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