The Beauty of Liberty & Equality PP Printers Proof Austin Mural by Jon Furlong Off Set Lithograph Print Limited Edition Artwork on Fine Art Paper by Shepard Fairey X Sandra Chevrier, an urban graffiti pop street artist. AP Artist Proof 2020 Signed by Shepard Fairey & Sandra Chevrier & Marked AP Off Set Lithograph Print Artwork Size 18x24 Beauty of Liberty Equality PP Austin Mural Print by Shepard Fairey x Sandra Chevrier x Jon Furlong. Shepard Fairey, Sandra Chevrier, and the Artistic Synergy in Urban Landscapes Street pop art and graffiti artwork are vibrant chronicles of contemporary culture, often encapsulating the socio-political zeitgeist within their vivid tableaux. The "Beauty of Liberty & Equality" mural in Austin, meticulously captured in print by Jon Furlong, is a commanding representation of this genre. This piece, a collaboration between Shepard Fairey and Sandra Chevrier, is a lithograph print that encapsulates the essence of pop art's interaction with urban landscapes. Initially crafted in the bustling milieu of Austin, the mural serves as a public art installation and a dialogue with its onlookers, beckoning them to reflect on the thematic elements of liberty and equality. Shepard Fairey, renowned for his "OBEY" campaign and his iconic Obama "HOPE" poster, brings his distinct stencil-based design and politically charged ethos to the piece. Sandra Chevrier, on the other hand, is celebrated for her "Cages" series, where she often depicts women's faces obscured by comic book imagery, exploring the "cages" society builds around individuals. The artwork size, at 18x24 inches, is substantial enough to command attention yet sized for intimate reflection. The "Beauty of Liberty & Equality" is marked as an Artist Proof (AP) 2020, signed by Fairey and Chevrier. This denotes a personal touch from the artists, a direct connection to the creators that is often sought after by collectors and fans of street art. Legacy and Collectibility of Limited Edition Street Pop Art Prints Street pop art, inherently linked with graffiti artwork, thrives on accessibility and public engagement. This mural print, conceived in this spirit, transforms an urban wall into a canvas that speaks to societal ideals and the ongoing quest for equality. It is this interplay between art and ideology, powerfully rendered by Fairey and Chevrier's distinct styles, that imbues the piece with its profound resonance. As a limited edition artwork on fine art paper, the "Beauty of Liberty & Equality" print is not only a piece of visual discourse but also an artifact of cultural significance. Limited editions often enhance the value of street art, which is, by nature, ephemeral. Through the medium of the offset lithograph, the transient becomes permanent, and the once fleeting moment of artistic expression is preserved for posterity. In the domain of street pop art and graffiti, this print stands as a testament to the enduring power of visual art to challenge, celebrate, and contemplate the grand ideals of liberty and equality. The collaboration between Shepard Fairey, Sandra Chevrier, and Jon Furlong in capturing and sharing this moment contributes a significant chapter to the narrative of contemporary street art.

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No Sleep Till Brooklyn 55- Purple 4-Color Mixed Edition Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Tim Oliveira Rare Street Art Famous Pop Artwork Artist. ME Mixed Edition Print, The Prints Vary In Color Through The Numbers of The Edition. 76 different silkscreen colors and variants in one edition. Signed and numbered, date stamped on back. The name of this print run has a double meaning to me. I decided to release it on August 5th to pay tribute to the Beastie Boys legend MCA (Adam Yauch); his birthday. Growing up, just about every day after school I would grab my basketball and head to the park or Boy's Club for some pickup games. Most of the time it was Beastie Boys on my walkman when I made the walk. They have always been a big influence on me. Also, no sleep till I feel confident with enough artwork for a solo show in Brooklyn. It may be a few years out, but I will keep trying to juggle family life, a regular job, and artwork with many late nights... -Tim Oliveira

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City At Night Hand-Pulled 4-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2010 Signed & Numbered Limited Edition of 25 Artwork Size 18x24

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Ha Ha Ha Limited Edition 8-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Cristiano Suarez Graffiti Street Artist Modern Pop Art. Ha Ha Ha by Cristiano Suarez Paying Homage to The Green Goblin and The Joker From Batman DC & Marvel Comics Movies, TV, Games, Comics. Screen Print Size: 18" x 24" City: Maceio, Brasil

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SF Fire Escape AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2011 Signed by Shepard Fairey- OBEY & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print  SF Fire Escape AP by Shepard Fairey – Artist Proof Silkscreen Street Pop Art & Graffiti Artwork The SF Fire Escape AP Artist Proof silkscreen print by Shepard Fairey, produced in 2011, is a rare and impactful piece of Street Pop Art & Graffiti Artwork. This edition is signed by the artist and marked AP, denoting it as an Artist Proof distinct from the standard numbered run. The 18 by 24 inch screenprint was created on cream Speckletone fine art paper, a preferred medium for Fairey's hand-pulled works that allows for deep saturation and texture while maintaining archival integrity. Rendered in Fairey’s signature color palette of red, black, and off-white, this work reflects both his graphic design roots and his engagement with urban visual language. It presents a sharp architectural composition of a city scene featuring a fire escape, directional signage, and a familiar visage of the Obey Giant—an image that continues to serve as an anchor in Fairey's expansive catalog of visual resistance. Architectural Symbols and Urban Instruction This artwork immerses the viewer in the structured language of a city landscape, where fire escapes, windows, billboards, and building facades form a rigid system of navigation. The vertical and diagonal lines of the fire escape ladder and support beams fragment the space, giving a visual sense of entrapment or escape, depending on interpretation. A one-way sign reads no turns, emphasizing the illusion of freedom in a world filled with constraints. These directional cues play directly into Fairey’s critique of control mechanisms embedded in modern society. Through the use of screenprint layering and flat color fields, the artist isolates the experience of moving through controlled environments and highlights the architecture not as shelter but as signal. Obey Iconography as Watchful Presence The inclusion of the Obey Giant face within the window transforms an anonymous city structure into a subversive billboard. The face is not advertised but embedded, gazing from the inside out. It resists being consumed and instead looks back at the viewer. This silent presence underscores Shepard Fairey’s commentary on surveillance, authority, and cultural branding. Rather than remain outside of the built environment, his iconography has infiltrated the everyday, becoming part of the structure itself. As an Artist Proof, this particular print is a closer representation of Fairey’s intent, often reserved for personal use, exhibition circulation, or early release. It carries a stronger weight in terms of rarity and proximity to the original print development process. Screenprint Technique and Political Form Shepard Fairey’s silkscreen method is deeply connected to the legacy of protest poster art and graffiti stenciling. SF Fire Escape AP does not mimic graffiti—it elevates its ethos by repurposing urban symbols into controlled compositions on paper. Fairey’s repeated use of red and black signals urgency and authority, while the clean lines and grid-like layout suggest modernism stripped of comfort. The technique ensures precision while allowing for a handmade energy that reinforces its position within Street Pop Art & Graffiti Artwork. As an Artist Proof, it offers collectors and scholars insight into Fairey’s design refinement process, often with slight color or alignment differences that make each AP print unique. The work balances raw city experience with formal visual order, making it a compelling artifact of twenty-first century visual protest.  

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Fenway Archival Print by Scott Listfield Limited Edition Print on 290gsm Moab Entrada Rag Bright Paper Pop Artist Modern Artwork. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 18x24 Archival Pigment Fine Art "Fenway Archival Print" by Scott Listfield is an art piece by the artist Scott Listfield, who is known for his distinct style of painting astronauts exploring landscapes filled with elements of pop culture and contemporary society. The title "Fenway Archival Print" is set in Fenway Park, the iconic baseball stadium in Boston, Massachusetts, home to the Boston Red Sox. Listfield has incorporated Fenway Park, the surrounding neighborhood, or some other related elements into the artwork, combined with his signature astronaut figure. Since this is an "archival print," the artwork is a high-quality reproduction of the original painting, using archival inks and paper to ensure long-lasting color and quality. These prints are often signed and numbered by the artist, making them valuable collector's items.

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Ready to Believe You Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art. 2014 Signed & Numbered Litimed Edition of 200 Artwork Size 12x24 Ready to Believe You Silkscreen Print by Tim Doyle Tim Doyle’s Ready to Believe You is a striking piece of street pop art and graffiti artwork that pays homage to an iconic moment in cinematic history. Released in 2014 as a four-color hand-pulled silkscreen print on fine art paper, this work captures the atmospheric energy of a legendary firehouse from film culture. With a signed and numbered limited edition of 200, the artwork stands at 12x24 inches, creating an elongated, vertical perspective that draws the viewer into the scene. The combination of deep blues, stark reds, and dramatic lighting enhances the intensity of the moment, reflecting Doyle’s ability to merge pop culture nostalgia with modern artistic techniques. The Cinematic Influence and Urban Aesthetic The print instantly transports viewers to a familiar setting, referencing one of the most beloved supernatural comedy films of all time. The building depicted is unmistakable, standing tall with its grand arched entrance, large upper windows, and historic brickwork. The moment captured in the artwork is filled with movement—the firehouse doors are flung open, and a recognizable vehicle bursts forth, headlights beaming, while papers scatter across the pavement. This rush of activity is further amplified by the strong contrast between the night sky’s ominous red glow and the brilliant artificial light pouring from within. Doyle’s use of perspective intensifies the drama, angling the scene to make the building appear imposing and larger than life. This technique, reminiscent of classic comic book illustration, creates a dynamic composition that feels almost animated. The precise architectural details, paired with a street-level view, bring an urban realism that resonates with both street pop art and graffiti artwork enthusiasts. The integration of scattered papers and small street elements grounds the piece in a lived-in city environment, reinforcing Doyle’s mastery of storytelling through visual art. The Signature Style of Tim Doyle Tim Doyle is widely recognized for his ability to reinterpret pop culture imagery through bold, hand-drawn linework and silkscreen printing. His work often explores well-known locations and characters, infusing them with a gritty, neon-soaked energy that feels both nostalgic and fresh. In Ready to Believe You, Doyle employs his signature high-contrast shading, creating deep shadows that add to the sense of mystery and excitement. The selective use of color, particularly the glowing blues and harsh reds, provides a cinematic quality reminiscent of classic film posters. The four-color silkscreen process enhances the print’s richness, with each layer of ink carefully applied to build depth and texture. The final result is a piece that feels tangible, capturing the essence of the setting in a way that digital reproductions cannot replicate. This method aligns perfectly with the principles of street pop art, where traditional printing techniques meet contemporary subject matter to create highly collectible, visually striking works. The Cultural Impact and Legacy of the Artwork As part of Doyle’s ongoing series exploring iconic locations from pop culture, Ready to Believe You serves as both a tribute and a reimagining of a legendary film setting. Its impact extends beyond nostalgia, offering a fresh perspective on a widely recognized structure while maintaining the energy and rebellious spirit associated with street pop art and graffiti artwork. The detailed craftsmanship and vibrant color palette ensure that this piece stands out as a statement of artistic innovation and cultural appreciation. For collectors and fans of both film history and contemporary printmaking, Ready to Believe You represents a perfect fusion of both worlds. It not only immortalizes a classic moment but does so with an artistic approach that elevates the subject matter beyond simple replication. Through this print, Doyle continues to demonstrate why his work is celebrated among those who appreciate the intersections of pop culture, fine art, and urban visual storytelling.

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Miami Connection- White Limited Edition Event Gig Poster 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art. Print made for the Michigan Theater's showing of Drafthouse Film's Miami Connection Movie, in conjunction with The Action Show- an action movie themed art show at Eisner Award-Winning Vault of Midnight. Screenprint Made at by VGKIDS!

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Detroit Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Jim Darling, Street Pop Art Graffiti Legend. 2022 Signed Archival Pigment Print on 290gsm Moab Entrada Fine Art Paper Size: 18 x 24 Inches Release: February 03, 2022 Run of: 45

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Da Street Corner Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Angel Gonzalez Graffiti Street Artist Modern Pop Art. Angel Gonzalez's debut silkscreen print, titled 'Da Street Corner' is one color (metallic gold) 18 x 24-inch screenprint. The screens were shot in the sun using a hand-cut rubylith with an edition size of 26.

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MSK Taft Building 08 Limited Edition Hand-Embellished HPM 2-Color Silkscreen Print on Wove Paper by Saber Graffiti Street Artist Modern Pop Art. 2008 Signed & Numbered Saber MSK Taft Building 08, 2008 Screenprint in colors with hand-embellishment on wove paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 200 Signed, numbered and dated in pencil along lower edge Published by Poster Child Prints, Los Angeles MSK Taft Building 08 by Saber: A Monument of Graffiti Excellence Saber's "MSK Taft Building 08" is a seminal work of art that stands as a monument to the graffiti movement and its indelible mark on the fabric of urban landscapes. As a limited edition hand-embellished, two-color silkscreen print on woven paper, this piece from 2008 is part of an exclusive edition of 200. Each print is meticulously signed, numbered, and dated by the artist, underscoring the authenticity and collectibility of the work. Published by Poster Child Prints in Los Angeles, the 24 x 18 inches artwork captures the bold and rebellious spirit that Saber and his MSK crew, also known as Mad Society Kings, are renowned for. Saber, born in 1976, has been a pivotal figure in the evolution of Street Pop Art & Graffiti Artwork, pushing the boundaries of what can be achieved with spray paint and beyond. His works are characterized by a mastery of letter forms, a vibrant palette, and an innovative approach to texture and layering. "MSK Taft Building 08" is a powerful representation of Saber's style, showcasing the artist's capacity to transform a traditional print medium into a dynamic reflection of street art culture. Cultural Significance and Impact of Saber's Work The cultural significance and impact of Saber's work cannot be overstated. His contributions to the graffiti art scene have helped elevate the genre to new heights, garnering respect and admiration from the art world and the public. The "MSK Taft Building 08" print embodies the essence of Los Angeles's graffiti art at a time when the medium was experiencing a renaissance, moving from the shadows of illegality to the spotlight of mainstream recognition. With its hand-embellishments, this piece offers a glimpse into the meticulous process and attention to detail that Saber employs in his craft. The hand-finishing touches on each print ensure that no two pieces are identical, granting each work its unique identity. This practice of hand-embellishing is reminiscent of the graffiti artist's touch on city walls, where each spray, line, and mark is a testament to the artist's presence and interaction with the canvas. In essence, Saber's "MSK Taft Building 08" is more than a piece of art; it is a historical document that captures the zeitgeist of a particular era in Los Angeles's street art narrative. It is a testament to the talent and influence of Saber and the MSK crew, who have left an indelible mark on the evolution of graffiti and street pop art. This artwork is not only a prized possession for collectors but also a source of inspiration for aspiring artists and a symbol of the transformative power of street art.

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Kaboom Giclee Print by Scott Listfield Artwork Limited Edition Print on 290gsm Smooth Cotton Rag Fine Art Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 16x24 Kaboom Giclee Print by Scott Listfield – A Postmodern Reflection in Street Pop Art & Graffiti Artwork Scott Listfield’s 2023 giclee print Kaboom is a haunting and visually arresting piece that merges science fiction aesthetics with urban desolation and social commentary. Printed as a signed and numbered limited edition of 50, this 16 x 24 inch artwork is executed on 290gsm smooth cotton rag fine art paper. The quality of the material emphasizes every painted texture and hue, drawing attention to the vibrant interplay between light and shadow. At the center of the piece is Listfield’s iconic astronaut figure, isolated and contemplative, staring out over a sprawling city skyline just as a massive mushroom cloud dominates the horizon. The explosion itself is stylized in horizontal scan lines that echo digital screens and retro video signal interference, reinforcing the idea of disaster as spectacle and media-fed consumption. This imagery links the piece firmly to the growing lexicon of Street Pop Art & Graffiti Artwork, where traditional painting collides with dystopian futurism and mass culture anxiety. Scott Listfield and the Symbolism of the Solitary Astronaut Scott Listfield, an American contemporary artist born in the United States, is widely known for his astronaut series, where a lone space traveler becomes a recurring observer in landscapes filled with modern symbols, ruins, and surreal interventions. In Kaboom, this figure is rendered with atmospheric lighting and reflective textures, standing as a surrogate for the viewer—detached, passive, and contemplative in the face of cataclysm. The posture of the astronaut suggests resignation rather than action, a commentary on the paralysis many experience when faced with planetary crisis, cultural collapse, or digital saturation. Listfield’s astronaut functions not just as a protagonist but as a mirror, holding space for the disconnection of modern existence while surrounded by overwhelming visual stimuli and threats. Color, Composition, and Material in a Digital-Apocalyptic Landscape The print features an ominous but saturated palette, dominated by glowing purples, fiery oranges, and the city’s electric yellows. These tones contribute to the surreal beauty of the end-of-the-world scene. The RGB dots in the upper left corner recall the digital calibration marks of early television screens, suggesting that the viewer is not witnessing reality, but a mediated version of it. The precision of the giclee printing process on smooth cotton rag paper preserves the brushstroke-like quality of the digital painting, offering richness and depth rarely seen outside original canvas works. The format, vertical and cinematic, echoes movie posters from retro sci-fi classics while anchoring itself firmly in the aesthetics of contemporary Street Pop Art & Graffiti Artwork. Media, Spectacle, and Stillness in a Chaotic World Kaboom is more than a moment of fictional explosion—it is a cultural snapshot loaded with implications about violence, technology, and detachment. The silence of the image is its most deafening quality. No figures are fleeing, no alarm blares, only one astronaut stands watch while a city unknowingly or uncaringly exists under threat. Listfield uses this static composition to comment on how desensitized society has become to devastation, how explosions have become entertainment, and how observation has replaced action. In the lineage of Street Pop Art & Graffiti Artwork, this piece contributes to the evolving language of critique wrapped in glossy visuals, asking viewers to reflect not just on what they see, but how they see it. It is an artwork about aftermath, anticipation, and alienation—all rendered in tones too vivid to ignore.

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Suburban Pressure Hand-Pulled 3-Color Silkscreen Print on Cream Speckletone Fine Art Paper by Artist Shepard Fairey x Jamie Reid Limited Edition Pop Art Artwork. 2016 Signed & Numbered Limited Edition of 375 Artwork Size 18x24 Be Reasonable Urban Pressure Set Suburban Pressure Press Building Burning Sex Pistols Music Tribute "The Sex Pistols changed my life. When I was a 14-year-old skateboarder, a friend played me “Never Mind the Bollocks, Here’s the Sex Pistols,” and that moment marked a turning point for me. The Sex Pistols provided the adrenaline-inducing soundtrack for my rebellion. If the Sex Pistols provided the soundtrack, the artist behind their imagery, Jamie Reid, provided the visuals for the revolution. Jamie Reid did the iconic art for the Sex Pistols like the “God Save the Queen” sleeve, the “Pretty Vacant” sleeve, and the cover for the album “Never Mind the Bollocks, Here’s the Sex Pistols.” Jamie deserves the majority of credit for the daring aesthetics of Punk Rock. If you’ve ever seen a photocopied, ransom note style, cut & paste punk graphic, then you’ve seen Jamie Reid’s influence. Jamie has been one of my biggest creative inspirations both visually and philosophically, because his work is bold, provocative, irreverent, and political. Jamie Reid also turned me on to Situationism, a movement dedicated to disrupting the conformist trance through pranks and spectacles. I’m honored that I have been able to work with Jamie on some collaborative images and to present a special collection through Obey Clothing in his honor, as well as two limited edition screen-prints. Jamie and I have mutual interest in shaking things up and addressing the problems of corruption, environmental destruction, and wealth inequality, so it is very energizing and meaningful to do a project with him. Enjoy and embrace the chaos!" -Shepard Fairey a piece of punk rock history with the Suburban Pressure Hand-Pulled 3-Color Silkscreen Print on Cream Speckletone Fine Art Paper by renowned artists Shepard Fairey and Jamie Reid. This limited edition artwork, released in 2016, holds significant value for fans of the Sex Pistols and enthusiasts of pop art, street art, and graffiti art. The collaboration between Shepard Fairey and Jamie Reid celebrates the influential punk rock band, the Sex Pistols, and their lasting impact on culture. As a skateboarder at the age of 14, Fairey's life was forever changed when he heard the album "Never Mind the Bollocks, Here's the Sex Pistols." The band's music became the adrenaline-inducing soundtrack for his rebellion, while Jamie Reid's iconic artwork provided the visuals for the revolution. Jamie Reid's artistic contributions to the Sex Pistols cannot be overstated, as he designed iconic artworks such as the "God Save the Queen" sleeve, the "Pretty Vacant" sleeve, and the album cover for "Never Mind the Bollocks, Here's the Sex Pistols." His daring and provocative aesthetics played a crucial role in shaping the punk rock movement. The influence of Reid's cut-and-paste punk graphics, resembling photocopied ransom notes, can be observed in numerous punk art pieces. The collaboration between Shepard Fairey and Jamie Reid goes beyond admiration for the punk rock era; they both share a mutual interest in addressing societal issues. The duo seeks to disrupt the conformist trance through their art and address problems like corruption, environmental destruction, and wealth inequality. For Fairey, working with Reid has been an honor and a source of creative inspiration, both visually and philosophically. The Suburban Pressure print, a signed and numbered limited edition of 375, captures the essence of punk rock and Jamie Reid's bold and political artistic style. Measuring 18x24, this artwork showcases the rebellious spirit that defined the punk rock era. The collaboration also extends to a special collection presented through Obey Clothing, further honoring Jamie Reid's impact on the art world. If you're a fan of pop art, street art, or graffiti art, owning the Suburban Pressure print is an opportunity to own a piece of history. Embrace the chaos and appreciate the powerful messages behind this iconic artwork by Shepard Fairey and Jamie Reid.

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Dirty French 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by 123Klan Rare Street Art Famous Pop Artwork Artist. 2011 Signed & Numbered Limited Edition of 100 Artwork Size 18x24 4 color screenprint on 100 lb, acid free paper Signed and numbered limited edition of 100 Printed by Ben LaFond

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The Beauty of Liberty & Equality Austin Mural by Jon Furlong Off Set Lithograph Print Limited Edition Artwork on Fine Art Paper by Shepard Fairey X Sandra Chevrier, an urban graffiti pop street artist. 2020 Signed by Shepard Fairey & Sandra Chevrier & Numbered Limited Edition of 500 Off Set Lithograph Print Artwork Size 18x24 Beauty of Liberty Equality Austin Mural Print Shepard Fairey x Sandra Chevrier x Jon Furlong. "This historic centennial offers an unparalleled opportunity to commemorate a milestone of democracy and to explore its relevance to the issues of equal rights today. The Women's Vote Centennial Initiative, a collaboration of women-centered institutions, organizations, and scholars from across the US, works to ensure that this anniversary and the 72-year fight to achieve it are commemorated and celebrated throughout the United States." -Shepard Fairey Shepard Fairey and Sandra Chevrier's Commemorative Vision: "The Beauty of Liberty & Equality" Mural "The Beauty of Liberty & Equality" mural in Austin, captured in an offset lithograph print by Jon Furlong, represents a powerful synergy between urban graffiti, pop street art, and political activism. This limited edition artwork, created in 2020 by renowned artists Shepard Fairey and Sandra Chevrier, is part of a series signed and numbered 500. The print dimensions of 18x24 inches serve as a testament to the mural's grandeur and the message it conveys. Shepard Fairey's statement contextualizes the piece within the historical framework of the Women's Vote Centennial Initiative, linking the struggle for democratic rights to contemporary equality issues. Fairey, an artist known for his provocative and socially charged work, joins forces with Sandra Chevrier, whose art often explores the limitations imposed on women, to create a mural that celebrates progress and a call to action. The mural's vibrant imagery and compelling iconography draw on the visual language of street pop art and graffiti. At the same time, the lithograph print extends the mural's reach from the streets of Austin to the global art community. Intersecting Art and Activism in Public Spaces The intersection of art and activism is vividly presented in "The Beauty of Liberty & Equality" mural. Fairey and Chevrier harness the visual potency of street pop art to communicate and inspire dialogue around the centennial of the women's suffrage movement. Their collaboration is a visual narrative commemorating the historical fight for women's voting rights and reflecting on its significance in today's ongoing struggle for gender equality. The mural becomes more than just an art piece; it is a historical marker and a reflective mirror of society's progress and the remaining challenges. This Austin mural and its corresponding lithograph print embody the core values of street pop art and graffiti artwork by merging aesthetics with a message that resonates on a societal level. The artists utilize their platforms to amplify voices and themes that are often marginalized, demonstrating the power of public art to spark change and provoke thought. "The Beauty of Liberty & Equality" mural by Shepard Fairey and Sandra Chevrier, captured in print by Jon Furlong, is an iconic piece of street pop art that transcends its medium to become a beacon of historical awareness and social commentary. The limited edition lithograph print is a collectible item and a piece of cultural heritage that continues to disseminate the ideals of liberty and equality through the universal language of art.

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urchase One Love 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by 123Klan Rare Street Art Famous Pop Artwork Artist. 2011 Signed & Numbered Limited Edition of 100 Artwork Size 18x24 4 color screenprint on 100 lb, acid-free paper Signed and numbered limited edition of 100  Printed by Ben LaFond.

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Vertigo San Francisco Silkscreen Print by Justin Van Genderen Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2014 Signed & Numbered on Back Limited Edition of 100 Artwork Size 18x24 Location, Location, Location Series Silkscreen Print of Woman San Francisco City Sprial from Movie Vertigo. Vertigo San Francisco Silkscreen Print by Justin Van Genderen Vertigo San Francisco Silkscreen Print by Justin Van Genderen is a 2014 hand-pulled screenprint that merges the atmospheric tension of Alfred Hitchcock’s film Vertigo with the stylized aesthetics of Street Pop Art & Graffiti Artwork. Measuring 18x24 inches and produced in a signed and numbered limited edition of 100, this piece captures the essence of cinematic suspense and the city’s haunting allure. The striking spiral design, the silhouette of a lone woman, and the unmistakable San Francisco skyline create a hypnotic visual experience that echoes the psychological themes of the legendary film. A Cinematic and Graphic Masterpiece This screenprint is a masterclass in composition, using simplicity and contrast to build an unsettling yet mesmerizing scene. The background consists of a bold, spiraling pattern that expands outward from the center, reminiscent of the famous Vertigo effect used in Hitchcock’s film. The spiral dominates the composition, drawing the viewer into its depths while evoking the sensation of movement and disorientation. The central figure, a silhouetted woman walking along a railing, is dwarfed by the overwhelming spiral, reinforcing the film’s themes of obsession, fate, and psychological unease. The warm tones of red and beige give the artwork a vintage yet modern feel, referencing the film’s original poster design while updating it with a minimalist approach. In the lower portion, recognizable elements of San Francisco’s skyline, including the Golden Gate Bridge, provide a subtle yet effective sense of place. This balance between abstraction and realism makes the piece visually engaging, drawing connections between the city, its cinematic history, and its reputation as a space of mystery and allure. Street Pop Art & Graffiti Artwork Influence Justin Van Genderen’s style is deeply rooted in the aesthetics of Street Pop Art & Graffiti Artwork, and this print exemplifies his ability to transform familiar imagery into bold, graphic statements. The use of high-contrast silhouettes, geometric abstraction, and a restrained color palette aligns with techniques seen in street murals, stencil work, and urban poster art. The spiral, while a direct reference to Vertigo, also carries associations with street art motifs—symbols of time, hypnosis, and perception. The halftone-like texture layered throughout the piece mimics the distressed surfaces found in urban art, reinforcing the tactile quality of screenprinting as a medium. The restrained use of typography in the lower portion, with its clean lines and structured layout, further enhances the balance between film poster aesthetics and contemporary urban art influences. The interplay of positive and negative space creates a striking visual rhythm, making this piece stand out as both a tribute to classic cinema and a fresh take on modern design. San Francisco’s Role in Urban Art and Film San Francisco has long been a city that inspires both filmmakers and street artists. Its dramatic landscapes, steep streets, and dense fog create an atmospheric setting that has been immortalized in countless films, including Vertigo. The city’s vibrant street art scene also thrives on these visual contrasts, with murals, wheatpaste posters, and large-scale installations embracing the city’s rich cultural and artistic history. This print encapsulates the dual nature of San Francisco as both a real place and a cinematic dreamscape, where reality and illusion constantly blur. As a limited-edition hand-pulled screenprint, this artwork is highly sought after by collectors of Street Pop Art & Graffiti Artwork as well as film enthusiasts. The combination of bold design, psychological depth, and homage to one of cinema’s most visually striking films makes this print a powerful statement piece. Whether displayed in a gallery or as part of a private collection, this piece captures the essence of both Vertigo and San Francisco itself—a city of beauty, mystery, and endless artistic inspiration.

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Williamsburg 3-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited Edition of 100 Artwork Size 18x24 Graffiti Street Scene

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The Fall Limited Edition 8-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Cristiano Suarez Graffiti Street Artist Modern Pop Art. The Fall by Cristiano Suarez Paying Homage to Spider-Man and Batman From DC & Marvel Comics Movies, TV, Games, Comics. Screen Print Size: 18" x 24" City: Maceio, Brasil

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Gotham 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Justin Van Genderen Rare Street Art Famous Pop Artwork Artist. AP Artist Proof, Silver Metallic ink

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No Place Utopia Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 75 Artwork Size 24x24 Silkscreen Print. A Striking Vision of Disruption Cleon Peterson, an American artist, has garnered worldwide attention for his stark portrayals of conflict and power. No Place Utopia Silkscreen Print emerges as a compelling addition to his body of work, emphasizing the turbulence that can underlie modern existence. This piece, sized at 24x24 inches and printed on hand deckled 290gsm Coventry Rag Fine Art Paper, draws the observer into a dramatic vista of contrasts and explosive energy. The 2024 signed and numbered limited edition of 75 underscores its exclusivity, prompting both avid collectors and casual admirers to look closer at Peterson’s intent. The composition reveals a golden burst behind an austere cityscape, accompanied by a lone figure whose presence imparts a sense of isolation in the midst of grandeur. Peterson’s characteristic silhouettes loom large in this print, echoing motifs often found in Street Pop Art & Graffiti Artwork. Large fields of color meet sharp outlines, evoking a mural-like quality that stands out even from a distance. Observers note the tension between the stylized city in the foreground and the monumental eruption behind it. A black sky frames the dramatic splash of white and gold, creating an almost cinematic effect that highlights the underlying theme of chaos. The lone figure’s stance offers a contemplative moment, as though confronting an unanswerable question about personal agency and the fragility of idealized visions. Rich Symbolism and Bold Contrast No Place Utopia channels a narrative of shattered illusions and the clash between aspiration and reality. The gold sections imply an aura of hope or promise, while the inky darkness suggests looming danger. This juxtaposition of darkness against bright gold suggests a tension that resonates with those who appreciate Street Pop Art & Graffiti Artwork’s capacity for raw commentary. The cityscape serves as a visual anchor, reminding viewers of humanity’s ambition, yet the dramatic shapes imply an imminent threat or monumental shift. Peterson’s minimalist approach keeps the viewer’s focus on the essential components, preserving an intensity that mirrors the violence and upheaval frequently present in his work. The limited color palette elevates the sense of drama, underscoring the interpretive nature of Peterson’s art. Each shape appears deliberately placed, as if capturing a snapshot of cataclysmic forces unleashed upon the urban environment. The lone figure stands at the threshold, silently questioning what remains once destruction takes its toll. This provocative aesthetic invites reflection on the delicate line separating the quest for utopia from the potential for chaos. Craftsmanship and Collectible Appeal Collectors praise Peterson not only for the bold narratives found in his imagery, but also for the care taken in each print’s physical production. The hand deckled edges of the 290gsm Coventry Rag Fine Art Paper add an artisanal element, showcasing details that communicate authenticity and dedication to craft. The 2024 edition of 75 provides exclusivity, sparking interest among those who follow both Peterson’s career and contemporary fine art trends. Owners often mention how the piece retains a sense of grandeur in its 24x24-inch format, whether displayed on its own or as part of a larger collection. The balanced proportions contribute to the artwork’s visual impact, with the entire composition occupying a harmonious square space that matches the controlled frenzy depicted inside. This dynamic interplay echoes the original energy of street-inspired visuals, recast in a refined context. Many find Peterson’s ability to incorporate Street Pop Art & Graffiti Artwork influences into high-quality prints both refreshing and resonant with modern audiences. Implications of Transformation and Resilience No Place Utopia asks viewers to question the boundaries between utopian ideals and their eventual collapse. The golden blast serves as a stark reminder of how quickly grand visions might unravel into chaos, yet the presence of a solitary human outline hints at an enduring spirit. Peterson’s deft interplay of color and silhouette aligns with the transgressive attitude that drives Street Pop Art & Graffiti Artwork, encouraging reflection on societal structures and the individual’s role within them. By capturing the essence of destruction and possibility in a single, arresting frame, Peterson has created a work that resonates on multiple levels. The print’s visual ferocity stands as a hallmark of Peterson’s oeuvre, and it continues to captivate collectors who admire bold, concept-driven art with a graphic edge. Whether seen as a symbolic statement on society, a meditation on personal agency, or an emblem of raw creative force, No Place Utopia endures as a conversation piece. It stands proudly within the evolving canon of modern silkscreen art, affirming Peterson’s reputation for merging striking visuals with potent cultural commentary.

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No Sleep Till Brooklyn- Test Black 4-Color Mixed Edition Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Tim Oliveira Rare Street Art Famous Pop Artwork Artist. Test Print. ME Mixed Edition Print, The Prints Vary In Color Through The Numbers of The Edition. 76 different silkscreen colors and variants in one edition. Signed and numbered, date stamped on back. The name of this print run has a double meaning to me. I decided to release it on August 5th to pay tribute to the Beastie Boys legend MCA (Adam Yauch); his birthday. Growing up, just about every day after school I would grab my basketball and head to the park or Boy's Club for some pickup games. Most of the time it was Beastie Boys on my walkman when I made the walk. They have always been a big influence on me. Also, no sleep till I feel confident with enough artwork for a solo show in Brooklyn. It may be a few years out, but I will keep trying to juggle family life, a regular job, and artwork with many late nights... -Tim Oliveira

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Nighttime in the City XL Hand-Pulled 5-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2014 Signed & Numbered Limited Edition of 75 Artwork Size 18x24 XL Version

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No Sleep Till Brooklyn 37- Green 4-Color Mixed Edition Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Tim Oliveira Rare Street Art Famous Pop Artwork Artist. ME Mixed Edition Print, The Prints Vary In Color Through The Numbers of The Edition. 76 different silkscreen colors and variants in one edition. Signed and numbered, date stamped on back. The name of this print run has a double meaning to me. I decided to release it on August 5th to pay tribute to the Beastie Boys legend MCA (Adam Yauch); his birthday. Growing up, just about every day after school I would grab my basketball and head to the park or Boy's Club for some pickup games. Most of the time it was Beastie Boys on my walkman when I made the walk. They have always been a big influence on me. Also, no sleep till I feel confident with enough artwork for a solo show in Brooklyn. It may be a few years out, but I will keep trying to juggle family life, a regular job, and artwork with many late nights... -Tim Oliveira

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No Sleep Till Brooklyn- 72 Yellow Green 4-Color Mixed Edition Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Tim Oliveira Rare Street Art Famous Pop Artwork Artist. ME Mixed Edition Print, The Prints Vary In Color Through The Numbers of The Edition. 76 different silkscreen colors and variants in one edition. Signed and numbered, date stamped on back. The name of this print run has a double meaning to me. I decided to release it on August 5th to pay tribute to the Beastie Boys legend MCA (Adam Yauch); his birthday. Growing up, just about every day after school I would grab my basketball and head to the park or Boy's Club for some pickup games. Most of the time it was Beastie Boys on my walkman when I made the walk. They have always been a big influence on me. Also, no sleep till I feel confident with enough artwork for a solo show in Brooklyn. It may be a few years out, but I will keep trying to juggle family life, a regular job, and artwork with many late nights... -Tim Oliveira

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No Sleep Till Brooklyn 66- Dark Red 4-Color Mixed Edition Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Tim Oliveira Rare Street Art Famous Pop Artwork Artist. ME Mixed Edition Print, The Prints Vary In Color Through The Numbers of The Edition. 76 different silkscreen colors and variants in one edition. Signed and numbered, date stamped on back. The name of this print run has a double meaning to me. I decided to release it on August 5th to pay tribute to the Beastie Boys legend MCA (Adam Yauch); his birthday. Growing up, just about every day after school I would grab my basketball and head to the park or Boy's Club for some pickup games. Most of the time it was Beastie Boys on my walkman when I made the walk. They have always been a big influence on me. Also, no sleep till I feel confident with enough artwork for a solo show in Brooklyn. It may be a few years out, but I will keep trying to juggle family life, a regular job, and artwork with many late nights... -Tim Oliveira

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LAndmarked Limited Edition 3-Color Hand-Pulled Silkscreen Print on French Speckletone Kraft Paper by Krush Graffiti Street Artist Modern Pop Art. "L Andmarked" was produced in collaboration with Krush and The Seventh Letter, a three-color screenprint on Speckleton paper. This book is a print released at the time of the "LA marked" art show. It's a classic print of Los Angeles' dreamy, hot, dreamy environment with 20th-century advertising designs and typography that are about to disappear from classic spots such as the subculture area of ​​Los Angeles. ..

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5 North Archival Print by Stephanie Buer Limited Edition Print on Fine Art Paper Pop Artist Modern Artwork. 2023 Signed & Numbered Limited Edition of 40 Artwork Size 18x24 Archival Pigment Fine Art Stephanie Buer, the artist behind "5 North", presents an 18" x 24" archival pigment print. This limited edition artwork is numbered and signed by Stephanie herself, with only 40 copies available.

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Metropolis 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Justin Van Genderen Rare Street Art Famous Pop Artwork Artist. AP Artist Proof

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David with Machine Gun AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2008 Signed by Shepard Fairey & Blek le Rat & Marked AP, Limited Edition Artwork Size 18x24 Silkscreen Print. Shepard Fairey x Blek le Rat David with Machine Gun AP Silkscreen Print 2008 The David with Machine Gun AP Artist Proof silkscreen print from 2008 is a rare collaborative work created by Shepard Fairey, widely known as OBEY, and stencil art pioneer Blek le Rat. Hand-pulled on fine art paper and measuring 18 x 24 inches, this Artist Proof edition is signed by both artists and marked “AP,” distinguishing it from the standard numbered release of 100. Artist Proofs carry additional significance within the art world due to their limited availability and direct association with the artists’ approval process, making this piece especially sought after by collectors of Street Pop Art & Graffiti Artwork. Imagery and Symbolic Tension This print features Michelangelo’s classical David, a symbol of Renaissance ideals of beauty, youth, and heroism, reimagined with a modern twist: he holds a machine gun. The stark juxtaposition between timeless humanist ideals and contemporary instruments of war creates a powerful critique of violence and the ways cultural icons are repurposed to reflect current anxieties. Set against a graffiti-covered urban backdrop, the figure embodies the collision between high art traditions and street-level social commentary. The work challenges viewers to consider how ideals of strength and beauty are corrupted when reframed within the context of militarization. Collaboration Across Generations Blek le Rat, born Xavier Prou in France in 1951, is often credited as the father of stencil graffiti, influencing countless artists with his Paris-based interventions since the 1980s. Shepard Fairey, born in 1970 in Charleston, South Carolina, rose to prominence through his OBEY campaign and politically resonant prints, later achieving international acclaim with his Hope poster of Barack Obama. Their joint creation of David with Machine Gun demonstrates how two generations of artists from different cultural backgrounds can merge their practices to create a unified message. It serves as both homage to classical art and a critique of the modern world. Rarity and Collectible Importance Artist Proof editions such as this one are rarer than the main run, typically reserved for the artists themselves or for key collaborators. Marked “AP” and carrying the signatures of both Fairey and Blek le Rat, this print embodies both historical and artistic value. Beyond its scarcity, the work is a striking representation of how street artists reinterpret cultural symbols to confront pressing issues like war and societal decay. The David with Machine Gun AP silkscreen stands as a prime example of the fusion of fine art history and modern protest through the visual language of Street Pop Art & Graffiti Artwork.

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Heath Ledger Joker Construction Zone Original Street Sign Painting by RD-357 Real Deal One of a Kind Artwork on Real Metal NYC New York Construction Zone No Trespassing Street Sign by Graffiti Art Pop Artist. 2012 Signed Mixed Media Acrylic & Spray Paint on Reclaimed NYC New York Construction Zone No Trespassing Sign Painting Original Artwork Size 24x24 Batman Villian Played by Heath Ledger in the Movie as Joker Looking at the Viewer. RD Tag in Rust Red. RD-357's Heath Ledger Joker: A Fusion of Street Pop Art and Iconography The Heath Ledger Joker Construction Zone original street sign painting by RD-357, also known as Real Deal, encapsulates the essence of street pop art through its provocative use of public signage repurposed for artistic expression. Created in 2012, this mixed media acrylic and spray paint artwork transforms a New York City construction zone 'No Trespassing' sign into a canvas, depicting the iconic Batman villain played by Heath Ledger in a way that both challenges and captivates the viewer. Contextualizing RD-357's Artistic Approach RD-357, an artist whose real name remains elusive in the true spirit of street art anonymity, is known for his gritty interpretations of pop culture figures on unconventional canvases. This particular artwork measures 24x24 inches and is a testament to street art's versatility, pushing beyond traditional boundaries. RD-357 draws upon the anarchic spirit of the Joker, using a symbol of law and order – a construction sign – to present an image of chaos and rebellion. The irony is palpable; the sign, which once stood as a warning against unauthorized entry, now invites viewers to engage with the art in a personal, almost aggressive manner. Symbolism and Impact in RD-357's Joker Artwork This piece is not just a portrait; it is a statement. By choosing Heath Ledger's Joker, RD-357 taps into the collective consciousness of a society fascinated by the anti-hero archetype. Ledger's portrayal of the Joker was posthumously celebrated, and his death in 2008 left a cultural imprint that RD-357 leverages in this artwork. The juxtaposition of the Joker’s figure against the backdrop of a New York construction sign speaks volumes about the chaotic undercurrents within the perceived order of urban life. The use of mixed media, with acrylic and spray paint, highlights street art's raw, visceral nature, while also paying homage to the vibrancy of pop art. The viewer is confronted with the Joker's gaze, which, coupled with the bright warning colors of the construction sign, creates an unsettling yet magnetic presence. This interaction compels the audience to contemplate the layers of meaning behind the piece – from transforming public property into a medium for personal expression to the dialogue between art and spectator that challenges societal norms and the very definition of public space. In conclusion, RD-357's Heath Ledger Joker on a New York City construction sign is an outstanding example of how street pop art can merge cultural iconography with subversive messaging. Through this piece, the artist immortalizes a beloved film character and raises questions about authority, ownership, and the role of art in public discourse. The artwork remains a one-of-a-kind testament to the power of graffiti art to redefine spaces and provoke thought long after the paint has dried.

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Wasted Youth- Your Eyes Here Cac Malaga Edition 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x D*Face Rare Street Art OBEY Pop Artwork Artist. Signed By F*Face & Shepard Fairey, Numbered Screen Print “WASTED YOUTH / YOUR EYES HERE” (CAC MALAGA EDITION) Screen Print 18 x 24 inches Edition of 400 July 16, 2015 D*Face and I enjoy collaborating and we both agreed that it would be great to do a print to celebrate our simultaneous shows at the CAC Málaga. We used very different color palettes in our murals there so we decided that since we both liked black, red, and silver – that we could put our chromatic differences aside and join forces on those three colors for the print. I’d still recommend seeing the murals in person if you have the opportunity, but this print is an avatar I can be proud of. All of the prints are signed by me and D*Face so you know that meant they had to travel to Spain and back – luckily, they’re all in good shape. Thanks to the CAC Málaga for facilitating such a great show for both of us! -Shepard

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Meat is Done, Not People! Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art.

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The Spinner Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Pop Artist Robert Wilson IV. 2014 Signed & Numbered Limited Edition of 75 Artwork Size 18x24 “The Spinner” hand-printed silk screenprint, measuring 18×24, and is signed and numbered in an edition of 75.

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Silver City Style A XL Night Black 2-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited of 50 Edition Artwork Size 36x24 Silver Metallic Ink City Style A XL Nightime 36x24

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No Sleep Till Brooklyn- 73- Orange Red 4-Color Mixed Edition Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Tim Oliveira Rare Street Art Famous Pop Artwork Artist. ME Mixed Edition Print, The Prints Vary In Color Through The Numbers of The Edition. 76 different silkscreen colors and variants in one edition. Signed and numbered, date stamped on back. The name of this print run has a double meaning to me. I decided to release it on August 5th to pay tribute to the Beastie Boys legend MCA (Adam Yauch); his birthday. Growing up, just about every day after school I would grab my basketball and head to the park or Boy's Club for some pickup games. Most of the time it was Beastie Boys on my walkman when I made the walk. They have always been a big influence on me. Also, no sleep till I feel confident with enough artwork for a solo show in Brooklyn. It may be a few years out, but I will keep trying to juggle family life, a regular job, and artwork with many late nights... -Tim Oliveira

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Night Lights PP Printers Proof Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Scott Listfield. PP Printers Proof 2020 Signed & Marked PP Artwork Size 16x24

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The Lonesome Crowded West Tower Modest Mouse Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2022 Signed & Numbered Limited Edition of 825 Artwork Size 18x24 Silkscreen Print "I’m really happy that Modest Mouse asked me to create some limited edition posters for their tour commemorating the 25th anniversary of their 1997 album The Lonesome Crowded West. I first heard Modest Mouse in 1998. I borrowed a friend’s copy of the album The Lonesome Crowded West, which had come out the year before, and it grew on me quickly to become a favorite. The whole album is great, very multi-dimensional ranging from aggressive and dissonant on songs like “Teeth Like God’s Shoeshine” to folky, jangly, and intimate on “Trailer Trash.” My two favorite songs on The Lonesome Crowded West are “Doin’ the Cockroach,” which builds steadily into an exhilarating staccato guitar frenzy, and the song that follows it, “Cowboy Dan,” which is full of tension, struggle, anger, and beauty. Lyrically, the band’s singer and primary songwriter, Isaac Brock, comes across as an empathetic world-weary sage. I rarely call someone a poet, but Isaac wrote with such depth for someone only 23 years old that I think poet is the only title that properly conveys his elevated craft as a lyricist. I got to do Modest Mouse’s 2000 Black Glass tour poster, which was a huge deal for me." -Shepard Fairey- OBEY Marking the 25th anniversary of Modest Mouse's influential album "The Lonesome Crowded West," celebrated street artist Shepard Fairey, known as OBEY, crafted a striking limited edition silkscreen print. This 2022 piece, meticulously hand-pulled and comprising five colors on Cream Speckletone fine art paper, mirrors the layered complexity of the album it honors. The work measures 18x24 inches, a testament to the album's monumental impact on the alternative rock scene and Fairey's own artistic journey. Each of the 825 signed and numbered prints encapsulates Fairey's personal connection with the album, having first encountered its raw and eclectic sound in 1998, a year after its release. He describes the album as "multi-dimensional," resonating through its varied tones from the "aggressive and dissonant" to the "folky, jangly, and intimate." His favorite tracks, "Doin’ the Cockroach" and "Cowboy Dan," evoke contrasting emotions of exhilaration and introspective tension, revealing the dexterity of Modest Mouse's music and the profound lyrical skill of frontman Isaac Brock. In this piece, Fairey channels the essence of the album's themes, depicting an isolated tower amidst a vast, red-streaked landscape, symbolizing the album's exploration of urban isolation and the Western American experience. The contrast between the solitary building and the surrounding expanse eloquently captures the album's title, "The Lonesome Crowded West." This visual representation goes beyond mere album art; it is an intersection of Fairey's iconic style and Modest Mouse's sonic influence, bridging visual and auditory art forms. Fairey's engagement with Modest Mouse extends back to their 2000 "Black Glass" tour, for which he also created a poster. This long-standing relationship emphasizes the mutual respect between the artist and the band, illustrating how music and visual art can coalesce to form powerful cultural statements. His artistic expression is not only a tribute to the music but also an homage to Brock's poetic lyrics, which left an indelible impression on Fairey, prompting him to label Brock a true poet. As an influential figure in street art and pop culture, Fairey’s creation for Modest Mouse cements his position at the forefront of contemporary art. It serves as a visual anchor for the album’s legacy, ensuring that its cultural resonance extends into the visual realm. Collectors and fans of both the band and Fairey find in this print a confluence of two forms of rebellion and expression, solidified on paper but echoing far beyond.

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The Man Who Walks Through Walls AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2008 Signed by Shepard Fairey & Blek le Rat & Marked AP, Limited Edition Artwork Size 18x24 Silkscreen Print. Shepard Fairey x Blek le Rat The Man Who Walks Through Walls AP Silkscreen Print 2008 The 2008 The Man Who Walks Through Walls AP Artist Proof silkscreen print is a rare collaboration between Shepard Fairey, internationally recognized as OBEY, and stencil pioneer Blek le Rat. Hand-pulled on fine art paper and measuring 18 x 24 inches, this limited edition Artist Proof was signed by both artists and marked “AP,” distinguishing it from the standard numbered edition of 100. As an Artist Proof, it holds particular value among collectors of Street Pop Art & Graffiti Artwork, symbolizing both artistic experimentation and the direct approval of the creators. Imagery and Urban Context The composition combines stark stencil work with a heavily graffitied wall, embedding the artwork within the raw energy of urban life. At the center, a suited man carries bags labeled with text, positioned alongside a goat, while a police officer passes in the foreground. To the right, a telephone booth punctuates the scene, grounding the work in the everyday architecture of the city. The layering of graffiti tags, political scrawls, and the surreal juxtaposition of figures evoke themes of consumerism, authority, and rebellion. The suited figure in particular hints at urban alienation, while the presence of the goat and booth adds absurdity, making the composition at once humorous and sharply critical. Collaboration Between Shepard Fairey and Blek le Rat Blek le Rat, born Xavier Prou in 1951 in France, is widely credited as the father of stencil graffiti, bringing social commentary directly into the streets of Paris beginning in the 1980s. Shepard Fairey, born in 1970 in Charleston, South Carolina, built his reputation through his OBEY sticker campaign and politically engaged prints, including the Hope poster of Barack Obama. Their collaborative works, such as The Man Who Walks Through Walls, highlight a shared belief in the role of public art as a platform for protest and dialogue. The merging of Fairey’s graphic sensibilities with Blek’s direct stencil approach emphasizes the continuity between two generations of politically minded street artists. Rarity and Significance of the Artist Proof The Artist Proof edition carries special weight within the print world, typically produced in very small quantities and often retained by the artists. Signed by both Shepard Fairey and Blek le Rat and marked AP, this print holds heightened collectible value and authenticity. Beyond rarity, its imagery and collaborative nature underscore the strength of street art as a vehicle for political and cultural critique. The Man Who Walks Through Walls AP silkscreen print is not just a fine art object but also a vivid statement on urban culture, consumerism, and resistance, making it a defining example within the history of Street Pop Art & Graffiti Artwork.

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