Doctor/Medical/Medicine

Pandemonium Hand-Pulled Deckled Color Silkscreen Print on Fine Art Paper by Desirable Artist Hijack Limited Edition Pop Art Artwork. 2020 Hand Numbered & Artist Stamped Limited Edition of 100 Hand-Deckled Artwork Size 22x22. Global Food Bank Covid Charity Print by Hijack. Introducing "Pandemonium" by Hijack: A Street Pop Art Reflection on Global Crisis Crafted amid the tumultuous era marked by the COVID-19 pandemic, the artwork "Pandemonium" by the street artist Hijack seizes the collective consciousness of a world grappling with uncertainty and upheaval. This piece is a hand-pulled, deckled color silkscreen print on fine art paper, embodying the artist's poignant response to the pandemic's impact on society. Hijack, whose real name remains part of his enigmatic persona, has become a notable figure in the contemporary street pop art and graffiti art scene, with works that often delve into the commentary on current events and social issues. The limited edition artwork, sized 22x22 inches, is a visual statement and a philanthropic endeavor, with its proceeds aimed at supporting global food banks during the pandemic. As a part of a limited run of 100 pieces, each hand-numbered and stamped by the artist, "Pandemonium" becomes a collectible piece of history, immortalizing the zeitgeist of the early 2020s. Symbolism and Technique in Hijack's "Pandemonium" "Pandemonium" exudes a striking balance between the immediacy of graffiti art and the calculated precision of pop art silkscreen printing. The image portrays a figure in protective gear, the silhouette and posture reminiscent of a healthcare worker and a biohazard cleaner. This duality highlights the frontline reality of the pandemic. The use of bright colors against the monochrome background draws attention to the subject and infuses the piece with a sense of vibrancy amidst the darkness, a hallmark of street pop art's capacity to find beauty and meaning in the grim and mundane. The fine art paper serves as the urban canvas for Hijack, much like the walls and alleyways of the cityscape serve other graffiti artists. The deckled edges of the paper echo the often rough and transient nature of street art, offering a contrast to the permanence that the limited edition print signifies. It is this interplay of the brief with the enduring that Hijack navigates through "Pandemonium," reflecting on the fleeting nature of the pandemic while capturing a moment in time that will be indelibly etched in history. The Cultural Resonance of "Pandemonium" in Street Art Discourse In the broader discourse of street pop art and graffiti artwork, "Pandemonium" resonates as a cultural artifact, a beacon of the times. The work emulates how street artists have historically used public spaces and accessible mediums to reflect societal sentiments, provoke thought, and inspire action. Hijack's choice to contribute to a global charity through his art reflects a tradition within street art to not only comment on social issues but also actively participate in societal change. The image's depiction of the character with a spray bottle labeled "COVID-19" evokes a sense of action and responsibility, an acknowledgment of the collective efforts to 'cleanse' the world of the viral threat. This representation goes beyond mere aesthetics; it is a rallying cry, a nod to the resilience of humanity in the face of a global crisis, and a testament to the role of art in documenting, responding to, and healing communal traumas. As a piece of street pop art, "Pandemonium" stands out for its ability to capture the essence of an unprecedented global event while maintaining the stylistic and thematic elements that define the genre. Hijack's work is not just an artistic response to a pandemic; it is a historical record and a commentary on the human condition, a reminder of the tumult and triumph that characterize our times. In the legacy of street art, "Pandemonium" will be remembered as a poignant reflection of the era it was created in, a testament to the power of art to encapsulate complex emotions and narratives. It is a visual dialogue between the artist and the world, a piece that speaks to the fear, hope, and indomitable spirit that has defined the human response to the COVID-19 pandemic. Through "Pandemonium," Hijack contributes to the rich tapestry of street pop art and graffiti artwork, which continues to evolve and resonate as a voice of the people in the public domain.

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Pandemonium Silkscreen Print by TOMO77 x Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2021 Signed by TOMO77 & Shepard Fairey & Numbered Limited Edition of 300 Artwork Size 18x24 Silkscreen Print "TOMO77 has documented a period marked by isolation and confusion, from the earliest anxious days of the pandemic through more than a year of political and social unrest. Amid this graphic testimony of uncertainty, uproar, and division, TOMO77 leaves us with one question: Where do we want to go from here?" -Shepard Fairey- OBEY. The collaborative work of TOMO77 and Shepard Fairey in the "Pandemonium" silkscreen print profoundly represents the tumultuous period that marked the early 2020s. This limited edition piece, hand-pulled with four colors on cream speckletone fine art paper, stands as a cultural artifact, encapsulating the essence of street pop art and graffiti artwork. Signed by both TOMO77 and Shepard Fairey, the artwork is part of a limited run of 300, each piece numbered, indicating its value and scarcity. The artwork's dimensions, 18x24 inches, provide a substantial canvas for the intricate designs and stark contrasts that have become hallmarks of both artists. TOMO77's contribution to this piece is particularly poignant, as his work often grapples with themes of human behavior, social upheaval, and the influence of capitalism, especially within the context of an immigrant lens. The "Pandemonium" print reflects these themes, addressing the global disarray and introspection during significant societal and political unrest. Shepard Fairey's partnership with TOMO77 on this project enhances the narrative potency of the piece, as Fairey's legacy in street art and activism art adds depth to the print's conceptual framework. Through their combined efforts, "Pandemonium" becomes more than just an artwork; it is a visual question posed to the audience, challenging them to consider the direction of human progress in times of crisis. The print represents the artist's technical prowess and commitment to using art for reflection and potential change.

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Joker Brand- Green Pink Original One of a Kind Mixed Media Acrylic & Spray Paint Painting Artwork on Cradled Wood by Popular Street Graffiti Artist Ben Frost. 2022 ‘Joker Brand’ - Acrylic and spray paint on board - Green/Pink variant 60cm x 60cm (23.5 x 23.5 inches) Signed, titled and dated on the reverse

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Percocet The Prisoner Drug Bear Art Toy by Luke Chueh Limited Edition Vinyl Collectible Artwork by Street Graffiti Artist. 2018 Limited Edition Artwork of 500 with Cotton, Bag, and Tube. Based on Luke Chueh's original painting, The Prisoner ponders captivity in its many forms—physical, mental, or pharmaceutical. Post-traumatic stress disorder is a mental health problem that can develop after experiencing or witnessing a life-threatening event like combat, natural disaster, car accident, or sexual assault. And the dependency on prescription medications such as Percocet has led to widespread addiction problems. The Poignant Message Behind 'The Prisoner - Percocet' Art Toy by Luke Chueh 'The Prisoner - Percocet' is a limited edition vinyl art toy that delivers a powerful commentary on the grips of addiction and the confines of mental health struggles. Created by the acclaimed street graffiti artist Luke Chueh, this 2018 artwork, limited to a series of 500, delves into the concept of captivity through physical bars and the often invisible chains of pharmaceutical dependence. This piece is based on Chueh's original painting, "The Prisoner," which portrays the sad reality that many individuals face post-traumatic stress disorder (PTSD) and prescription medication addiction, particularly to potent drugs like Percocet. Chueh's art toy is thought-provoking and captures the essence of street pop art and graffiti artwork. It reflects the raw, unfiltered nature of the street art scene while addressing complex societal issues. The figure is meticulously displayed with cotton, a bag, and a tube, encapsulating the presentation of prescription medication and subtly pointing to the clinical nature of drug distribution. The Artistic Approach to a Modern-Day Plight Luke Chueh's approach to art is often characterized by the use of stark, compelling images that evoke a sense of empathy and contemplation. With 'The Prisoner - Percocet,' Chueh confronts the viewer with the reality of pharmaceutical captivity—a condition where medication meant for healing becomes a source of prolonged suffering. The vinyl figure, with its downcast eyes and clasped hands, becomes a symbol of the countless individuals who find themselves battling the dual demons of PTSD and addiction. The art toy is more than a collectible; it is a visual discourse on the pervasive issue of substance abuse linked to prescription drugs. Chueh's work is a bridge between art and advocacy, offering insight into the psychological and emotional turmoil that accompanies dependency. This piece, in particular, embodies the critical narrative that street pop art and graffiti artwork often undertake, highlighting urgent, real-world problems through artistic expression. 'The Prisoner - Percocet' in the Context of Collectible Art Collectors of 'The Prisoner - Percocet' hold a piece of art that is poignant, evocative, and starkly relevant. Including a metal card of authenticity with each figure ensures the artwork's legitimacy and special status within the limited series. Luke Chueh's signature style—simple yet profound—is on full display, making the piece a sought-after artifact within contemporary street pop art. Owning this piece is to acknowledge and appreciate the depth and potential for street art to transcend traditional canvases and become a medium for social commentary. The collectible stands as a testament to the power of art to spark conversation and to the artist's role as a commentator on the human condition. It is an invitation to reflect on the complex relationship society has with medication and the often-hidden struggles that accompany its use. In the broader context of street pop art, 'The Prisoner - Percocet' art toy by Luke Chueh stands out for its ability to communicate a profound message succinctly and symbolically. It is a powerful intersection of artistry and advocacy, encapsulating the struggle that defines the lives of many individuals in a single, silent figurine. For the discerning collector, it is not just a vinyl figure but a conversation starter, an emblem of awareness, and a striking piece of graffiti that holds significant cultural and artistic weight.

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Wazzbone Squad Series 12 Limited Edition Vinyl Art Toy Collectible Artwork by toy sculpture artist Jason Freeny. 12” tall ABS, PVC, and alloy Art toy Produced by LAMTOYS & Mighty Jaxx Designed by Jason Freeny, INSON-SONG, and HEBZ WAZZUPbaby meets the edgy dissection style of Jason Freeny! In collaboration with the WAZZUPfamily, Jason Freeny shows us what it’s like to be street-style, inside and out! Inspired by street culture and extreme sports, the WAZZBONE Squad Series stands for freedom, creativity, and personal style. Go big and loud with this 12” figurine featuring neon green dissection in this cool chameleon!

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Covid No 19- Verte Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2021 Signed & Numbered Limited Edition of 19 Verte Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial’s COVID No. 19: Luxury Branding in the Age of Global Crisis Denial’s COVID No. 19 is a striking archival pigment print released in 2021 as a limited edition of 19, each hand-signed, numbered, and stamped on 290gsm MOAB fine art paper. The work appropriates the form of a Chanel No. 5 perfume bottle, replacing its iconic label with a fictional product name: COVID No. 19 Hand Sanitizer. Rendered with hyper-clean digital precision, the image reconfigures the aesthetics of high fashion to comment on the absurdities of pandemic-era consumerism. The hand sanitizer bottle is presented with all the visual authority of a luxury good, transforming an object of necessity into a parody of status and desire. At the core of this piece is a brutal cultural observation: during a global health emergency, everyday tools of survival—like sanitizer and masks—were elevated to symbols of identity, fashion, and economic access. Denial’s rebranding of Chanel’s perfume into a virus-era commodity confronts this shift head-on. The artwork doesn’t merely lampoon luxury—it reveals how systems of marketing can absorb trauma, repackage it, and sell it back to the public. The Chanel-style labeling is clinical yet elegant, a nod to how visual minimalism often masks corporate manipulation. Commercial Aesthetics as Subversive Weaponry Denial’s artistic strategy centers on the theft and recontextualization of commercial language. With COVID No. 19, the use of vector-sharp line work, realistic light reflections, and exacting product design mimics advertising to the point of deception. This imitation is intentional. The viewer is meant to initially read the image as authentic—something from a fashion magazine or cosmetics campaign—before the irony of the label snaps into focus. The dissonance between form and content invites a critique of the capitalist tendency to aestheticize suffering. This visual methodology ties directly into the ethos of Street Pop Art & Graffiti Artwork. Denial’s roots in unauthorized public messaging and subcultural image disruption remain present, even as the work exists in a fine art format. The absence of spray drips or rough textures does not diminish the rebellion. Instead, it retools the graphic language of commercial persuasion to undermine itself from within. What looks like a product pitch is, in fact, a visual accusation. The pandemic is not the subject—it is the branding of the pandemic that comes under fire. Street Pop Art as Pandemic Documentation COVID No. 19 operates as both satire and historical record. It captures a cultural moment when survival tools became luxury statements, when scarcity was linked to exclusivity, and when branding extended even to medical supplies. Denial’s artwork speaks to the way modern crises are not only experienced but marketed—how the fear of illness was filtered through the same systems that sell beauty, fashion, and lifestyle. The sanitizer bottle becomes a symbol not of protection, but of consumption. By fusing the iconography of fashion with the reality of a global pandemic, Denial forces the viewer to reconsider the boundaries between design and ethics, branding and survival. The visual simplicity of COVID No. 19 hides a layered indictment of how quickly commercial aesthetics can strip events of meaning. In the tradition of Street Pop Art & Graffiti Artwork, this piece turns familiar symbols against themselves, exposing the fragility of culture’s glossy surfaces when confronted with real human urgency.

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Dextroamphetamine Black Beauty The Prisoner Bear Art Toy by Luke Chueh Limited Edition Vinyl Collectible Artwork by Street Graffiti Artist. 2017 Limited Edition Artwork of 500 with Cotton, Bag, and Tube. Based on Luke Chueh's original painting, The Prisoner ponders captivity in its many forms—physical, mental, or pharmaceutical. Post-traumatic stress disorder is a mental health problem that can develop after experiencing or witnessing a life-threatening event like combat, natural disaster, car accident, or sexual assault. And the dependency on prescription medications such as Percocet has led to widespread addiction problems. Dextroamphetamine Black Beauty The Prisoner by Luke Chueh: A Dark Reflection on Dependency in Street Pop Art & Graffiti Artwork Dextroamphetamine Black Beauty The Prisoner is a limited edition vinyl art toy created by artist Luke Chueh in 2017. Produced in an edition of 500 pieces, this figure is part of the ongoing Prisoner series, which adapts Chueh’s emotionally powerful painting into three-dimensional sculptural form. Each edition comes with a cotton-lined bag and is packaged inside a prescription-style orange tube bearing a fictional pharmaceutical label. This particular version, labeled Black Beauties, references a well-known street term for stimulant-based medications like dextroamphetamine, historically used to treat ADHD and narcolepsy but also widely misused for their euphoric and energizing effects. The toy depicts Chueh’s iconic bear seated with arms tightly wrapped around its legs, body language slumped in a posture of quiet despair. In this black vinyl colorway, the character becomes even more somber and haunting, amplifying the underlying themes of emotional captivity and synthetic reliance embedded in the work. Color as Psychological Weight and Symbolism The black coloration of this figure—paired with the term Black Beauties on the label—evokes a direct emotional response tied to darkness, isolation, and intensity. While earlier versions of The Prisoner might have used color to represent numbing or sedation, this edition intensifies the metaphor by embracing the visual codes of internalized distress. The figure, enclosed in its transparent orange pharmacy tube, appears as a trapped emotional state, unable to express or move. Its eyes are reduced to small, vacant white dots that stand out against the matte black body, making it feel more ghostlike and withdrawn. This visual contradiction—between the adorable form and its heavy emotional implication—is a hallmark of Luke Chueh’s contribution to Street Pop Art & Graffiti Artwork. The toy becomes a site of tension, where the aesthetics of collectible culture meet the emotional realities of mental health, addiction, and societal pressure. Luke Chueh’s Articulation of Pain Through Vinyl Minimalism Luke Chueh, based in Los Angeles, has established a distinct voice in both the street and pop art communities through his deeply personal yet accessible character work. His art reflects the quiet pain many experience privately, giving form to mental states that often lack vocabulary. The Prisoner series, particularly this Black Beauty edition, centers on the way trauma and post-traumatic stress disorder are treated with medical intervention, and how dependency on substances—whether stimulants, opioids, or otherwise—can become a secondary form of entrapment. Chueh’s vinyl bears are not just emotional stand-ins; they are visual testaments to human fragility, rendered in minimalist detail and powerful posture. His work repositions toy art within the Street Pop Art & Graffiti Artwork framework, showing that small, hand-sized sculptures can carry as much expressive power as large murals or installations. The Prisoner Series and the Language of Medication as Art Object Dextroamphetamine Black Beauty The Prisoner transforms pharmaceutical culture into a tactile art form that critiques while it documents. The packaging mimics real prescription containers, complete with faux instructions and contact information, reinforcing the idea that this object is not separate from society’s medical discourse—it is embedded within it. This presentation method adds depth and reinforces the artwork’s conceptual integrity. Limited to 500 pieces, each toy becomes a collectible commentary on the realities of modern chemical treatment, social expectations, and unspoken suffering. Within the wider movement of Street Pop Art & Graffiti Artwork, this piece solidifies Luke Chueh’s position as an artist who uses softness to explore severity, and who brings sculptural language to the emotional and pharmaceutical conditions of contemporary life. The bear sits still, but its silence is deafening.

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Miss Piggy On Ozempic Blotter Paper Archival Print by Ben Frost Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2025 Signed & Numbered Limited Edition of TBD Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2025 Limited blotter editions are hand-perforated by Zane Kesey. Miss Piggy On Ozempic by Ben Frost: Glamour, Medication, and Street Pop Satire Miss Piggy On Ozempic Blotter Paper Archival Print by Ben Frost, released in 2025, marks another unflinching entry in the artist’s exploration of pharmaceutical aesthetics and iconic pop culture. Printed as a limited edition archival pigment work on perforated blotter paper, this 7.5 x 7.5 inch artwork puts Miss Piggy—arguably the most flamboyant and body-conscious character of the Muppets—at the center of a satirical fusion between celebrity vanity and the contemporary obsession with weight-loss medication. Miss Piggy is rendered in her classic pink glamor with her signature lashes, pearls, and sass, juxtaposed against the stark commercial design of Ozempic packaging. With references to semaglutide, prescription labels, and the inflated price of American healthcare, the work pokes at society’s increasing reliance on aesthetic pharmaceuticals. Street Pop Art & Graffiti Artwork Meets Medical Consumerism Ben Frost, known for his bold and controversial use of commercial packaging as visual canvas, turns pharmaceutical branding into a narrative device. With Miss Piggy as the character choice, the message becomes sharply ironic. The collision of children’s entertainment with adult insecurities about beauty, size, and control echoes throughout the composition. This piece is not just parody but visual critique, challenging the public’s relationship with health marketed as vanity and the commodification of self-worth. The format of the blotter paper, perforated and collectible, reinforces the idea of medication as a consumable culture artifact—something to be taken, divided, shared, or used for identity shaping. The Role of Feminine Icons in Street Pop Narratives Miss Piggy’s exaggerated femininity and status as a cultural diva are cleverly subverted in this composition. Her character becomes a visual metaphor for the endless pursuit of image perfection. Ben Frost’s work often questions who sets those standards and who profits from them. Here, the packaging of a once-niche diabetes medication now popularly associated with cosmetic weight loss becomes the modern-day pedestal on which icons are propped and critiqued. This collision of corporate design and animated star power builds tension between innocence and commodification, using Street Pop Art & Graffiti Artwork methods to satirize how quickly culture recycles its idols and issues. Blotter Medium and Psychedelic Provocation Produced in collaboration with Zane Kesey, who hand-perforated the blotter editions, the piece subtly nods to counterculture and the history of mind-altering media. While Ozempic is marketed as a drug for bodily transformation, the print format itself references altered states of awareness. The use of a pop icon like Miss Piggy elevates the print to a statement not just about beauty standards, but about consumption itself—whether it's drugs, fame, or cartoon nostalgia. Miss Piggy On Ozempic is a sharp-edged satire of cultural priorities in an era of performative wellness and image engineering. It is loud, subversive, and unmistakably Frost.

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Dissection Of The White Rabbit Limited Edition Archival Pigment Print on 300gsm Museum Natural Fine Art Paper by Nychos Graffiti Street Artist Modern Pop Art. AP Artist Proof 2013Signed & Marked AP Artwork Size 16x16 "I painted this piece in January of this year, right before I went to Hawaii for Pow Wow. It was also featured in my recent solo show in Italy, showcasing some of my recent dissections. The concept is based on the graphical graffiti throw-up I have been doing since around 2005, but I had to do a dissection of this one! The image is now Rabbit Eye Movement's main (REM) logo. REM started as a street art concept based in Vienna, but I always saw the Rabbit Eye Movement as an homage to all the "rabbits" out there being" active in the urban art movement; it doesn't matter what mission they are following. The movement grew, and REM expanded to establish the REM ARTSPACE. This place addresses national and international artists from genres like graffiti, urban illustration, street art, lowbrow, and pop culture imagery. It allows individual and collective creativity to open minds and cultivate passionate inspiration." - Nychos. Nychos' "Dissection of The White Rabbit": A Modern Pop Art Phenomenon In the contemporary urban landscape, few art pieces have captured the imagination as vividly as "Dissection of The White Rabbit" by Nychos, the illustrious graffiti street artist. This limited edition archival pigment print on 300gsm Museum Natural Fine Art Paper stands as a hallmark of modern pop art and a defining piece within the street pop art and graffiti artwork genre. Created as an artist proof (AP) in 2013, this 16x16 artwork weaves complex narratives of biology, mythology, and urban culture into a single, striking, and thought-provoking canvas. Nychos: Anatomical Explorations and Urban Narratives Nychos, renowned for his unique approach to street art, employs a distinctive technique of anatomical dissection in his work. "Dissection of The White Rabbit" is a prime example, presenting a rabbit split down the middle to reveal the intricate workings of its internal organs. This piece was conceived in January of that year, just as Nychos was preparing to attend Pow Wow in Hawaii, and subsequently became a centerpiece in his solo show in Italy. Nychos's work delves into the layers that compose living beings, reflecting a deep fascination with what lies beneath the surface. By marrying the graphic energy of graffiti throw-ups with the precise detail of dissections, Nychos has forged a new path in street pop art. The artwork also functions as the emblem for the Rabbit Eye Movement (REM), a concept originating from the streets of Vienna. Nychos envisions REM as a tribute to the 'rabbits' of the urban art movement, symbolizing the active participants in this burgeoning cultural scene, regardless of their mission. REM has since evolved to establish the REM ARTSPACE. This creative hub celebrates a variety of genres, from graffiti and urban illustration to street art, lowbrow, and pop culture imagery. This space is dedicated to fostering individual and collective creativity and serves as a bastion for the free exchange of ideas, ensuring the progression and inspiration of artists worldwide. The Impact and Legacy of Nychos' Work The influence of "Dissection of The White Rabbit" extends beyond its visual impact. It embodies Nychos' profound effect on the street art scene, illustrating the transformative power of visual arts in urban spaces. The work is a representation of the artist's technical prowess and a symbol of his commitment to challenging the traditional boundaries of street pop art and graffiti artwork. As the primary logo for the Rabbit Eye Movement, it has become synonymous with a global network of artists dedicated to advancing the cause of street art. Through his work and the establishment of REM ARTSPACE, Nychos has played a pivotal role in shaping the dialogue around street art and its place in the broader spectrum of contemporary art. In essence, "Dissection of The White Rabbit" is more than just a piece of art; it is a cornerstone of Nychos' artistic and cultural contribution. This piece encapsulates the dynamism and versatility of street pop art and graffiti artwork, demonstrating how such works can simultaneously educate, inspire, and provoke thought. As Nychos' fame continues to rise and his works continue to captivate audiences around the globe, the legacy of his white rabbit, dissected and displayed, stands as an enduring symbol of the power and potential of street art.

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2018 W Breast Cancer Awareness $5- MS 70 | NGC First Pink Gold Five Dollar Graded Coin Authentic Collectible Commemorative Rare Slabbed World Coin Early Releases.  This 2018 W Breast Cancer Awareness $5 commemorative coin represents a significant piece of numismatic history. Graded MS 70 by NGC, this pink gold five-dollar piece showcases exceptional preservation and striking quality. As part of the early releases from the West Point Mint, it combines numismatic value with meaningful purpose, honoring breast cancer awareness. The coin's pristine condition and limited mintage make it a sought-after addition to any serious collection. Authenticated and professionally slabbed for protection and verification of grade, this rare commemorative offers both historical significance and investment potential for discerning collectors.

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Burger King Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck art by street pop culture artist Denial. In 2000 he adopted the moniker ‘DENIAL’ as a means of poking fun at advertising, politics, and media messages that contemporary society is often ‘in denial’ about. Since then he has maintained an ongoing global street-campaign of over 500, 000 stickers, placards, and murals, using the alpha-numeric characters ‘D3N!@L’. Denial has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continue to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.

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Vicodin The Prisoner Drug Bear Art Toy by Luke Chueh Limited Edition Vinyl Collectible Artwork by Street Graffiti Artist. 2016 Limited Edition Artwork of 500 with Cotton, Bag, and Tube. Based on Luke Chueh's original painting, The Prisoner ponders captivity in its many forms—physical, mental, or pharmaceutical. Post-traumatic stress disorder is a mental health problem that can develop after experiencing or witnessing a life-threatening event like combat, natural disaster, car accident, or sexual assault. And the dependency on prescription medications such as Percocet has led to widespread addiction problems. Vicodin The Prisoner Drug Bear by Luke Chueh: Vinyl Manifestation of Pharmaceutical Despair in Street Pop Art & Graffiti Artwork Vicodin The Prisoner is a 2016 limited edition vinyl art toy by Luke Chueh, issued in a run of 500 pieces and packaged with a cotton pouch, prescription-style tube, and custom labeling. This stark and introspective collectible was inspired by Chueh’s original painting The Prisoner, a body of work that dives into the concept of captivity in multiple forms: psychological, emotional, and pharmaceutical. The figure depicts a small white bear, arms tightly clasped around bent knees, body hunched in a defensive posture. Packaged inside a mock prescription pill bottle labeled as Vicodin, the bear becomes a physical metaphor for dependency and the numbing of trauma through chemical means. Positioned within the language of Street Pop Art & Graffiti Artwork, this figure embodies the raw realities often glossed over by polished consumer narratives. Pharmaceutical Packaging as a Vessel for Emotional Truth Luke Chueh’s decision to enclose the figure in a standard orange pharmacy bottle transforms the toy into a symbolic sculpture. This packaging is not merely aesthetic—it is part of the art itself. The orange plastic container is commonly associated with healing and regulated care, but here it acts as a prison, locking the character in emotional silence. Labeled under the name Vicodin, a widely prescribed yet highly addictive opioid, the piece forces viewers to consider the thin line between treatment and entrapment. The bear’s blank expression and slouched body language amplify the emotional burden behind dependency. Minimalistic in execution yet powerful in message, the figure’s placement within Street Pop Art & Graffiti Artwork challenges the notion that toys must be joyful or harmless. Instead, Chueh offers an object that speaks to trauma, medication, and the often invisible emotional pain that comes with both. Luke Chueh’s Visual Language of Suffering and Identity Luke Chueh, an American artist based in Los Angeles, has become known for using simple, iconic figures to address themes of mental illness, personal pain, and societal pressure. His characters often appear soft and subdued, but they carry an immense emotional weight. In Vicodin The Prisoner, the white color of the bear reflects both clinical sterility and emotional numbness. Chueh’s approach is grounded in honesty and vulnerability, distilling complex experiences into forms that resonate widely. His influence within Street Pop Art & Graffiti Artwork comes from this ability to speak directly through sculpture, illustration, and narrative-driven toy design. Chueh’s bear functions not just as a character but as a stand-in for anyone struggling with emotional paralysis, depression, or the grip of addiction. The Prisoner Series as Commentary and Collector Artifact This limited edition release of 500 includes not just the vinyl bear, but a presentation designed to immerse collectors in its commentary. The pill bottle packaging, custom-labeled for Vicodin, mirrors the controlled environments from which many seek escape, but also become trapped. The cotton bag adds an additional layer of clinical detachment, as if the piece were a regulated prescription item rather than an expressive artwork. As part of The Prisoner series, this version adds to the ongoing discussion around trauma and pharmacology within the framework of Street Pop Art & Graffiti Artwork. It transforms a collectible into a statement, where the cute and the uncomfortable coexist, creating a powerful tension that defines the work of Luke Chueh. The bear sits still, silent, and confined—but its presence speaks volumes about a culture that medicates pain without always understanding it.

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Dissection of Ninja Turtle- Anatomy Sheet No 22 Hand-Pulled 1-Color Limited Edition Silkscreen Print on 300gsm Munken Pure Paper by Medical Pop Artist Nychos. 2018 Signed & Numbered Limited Edition of 200 11x17 Illustrated by NYCHOS 1-color Screen Print on 300 g/m² Munken Pure Paper Size: 11 x 17 Inches / 27,94 x 43,18 cm Limited Edition of 200 Year: 2018 Imprint & stamp of authenticity Numbered and signed by the artist The REM Anatomy Sheets focus on the anatomy of pop culture cartoon characters. In this new collection of black and white limited edition screenprints, Nychos lets the viewer engage with details of the anatomy of toons.

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Dobermann Anatomy Archival Pigment Fine Art Limited Edition Print on Velvet Cotton Fine Art Paper by Artist Nychos, Street Pop Art Graffiti Legend. 2021 Signed & Numbered 24 x 24 inch / 61 x 61 cm Fine art print by NYCHOS Limited Edition of 111 Velvet Fine Art cotton fiber paper Hand-signed & numbered Nychos, an iconic figure in the world of street pop art and graffiti, presents a striking depiction of the Dobermann breed in his artwork titled "Dobermann Anatomy." Renowned for his unique anatomical explorations, Nychos delivers a layered perspective that delves deep into the physical structure of the canine, unravelling the layers from skeletal to muscular and finally the full-bodied representation of the Dobermann. The result is a captivating piece that marries scientific precision with artistic flair. Set against a muted teal backdrop, the sequential progression of the Dobermann from bone to flesh provides a detailed insight into the intricate anatomy of the dog. The vivid colors used to distinguish between the muscles, organs, and bones capture the viewer's attention, offering a visual treat that blurs the lines between educational illustration and pop art. The meticulously crafted details are a testament to Nychos's dedication to his craft, further establishing him as a master of his genre. Crafted in 2021, this fine art print stands as a testament to the evolution of street art, pushing the boundaries of what is traditionally expected from the medium. Measuring 24 x 24 inches, the artwork is printed on velvet fine art cotton fiber paper, ensuring longevity and a rich texture that complements the depth of the piece. As a limited edition release, there are only 111 pieces available, each of which is hand-signed and numbered by Nychos himself. For enthusiasts of street art, graffiti, or simply those fascinated by anatomy, this artwork offers a unique fusion of all, making it a valuable addition to any collection.

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Kuma Kush The Prisoner Cannabis Drug Bear Art Toy by Luke Chueh Limited Edition Vinyl Collectible Artwork by Street Graffiti Artist. 2017 Limited Edition Artwork of 300 with Cotton, Bag, and Tube. Based on Luke Chueh's original painting, The Prisoner ponders captivity in its many forms—physical, mental, or pharmaceutical. Post-traumatic stress disorder is a mental health problem that can develop after experiencing or witnessing a life-threatening event like combat, natural disaster, car accident, or sexual assault. And the dependency on prescription medications such as Percocet has led to widespread addiction problems. Kuma Kush The Prisoner by Luke Chueh: Cannabis and Emotional Captivity in Street Pop Art & Graffiti Artwork Kuma Kush The Prisoner is a limited edition vinyl art toy created by Los Angeles-based artist Luke Chueh in 2017. Produced in a run of 300 pieces, each figure comes housed in a green translucent prescription-style container with a cotton bag and printed label that mimics cannabis dispensary packaging. This collectible is part of Chueh’s The Prisoner series, which adapts his original painting into three-dimensional vinyl form. The figure features a seated bear, legs folded, arms wrapped tightly around its knees, and head lowered in a pose of silent withdrawal. This turquoise green edition—nicknamed Kuma Kush—shifts the narrative focus toward cannabis as a coping mechanism, inviting reflection on the psychological implications of alternative medication and emotional dependency. Deeply rooted in the language and symbolism of Street Pop Art & Graffiti Artwork, this piece turns a seemingly cute figure into a deeply evocative emotional sculpture. Color, Form, and Packaging as Social Commentary The choice of a green plastic tube traditionally associated with cannabis storage turns the bear into a commentary on escapism, self-medication, and the search for relief from psychological pain. The strain title, Kuma Kush, plays off both pop culture and medical terminology, combining a playful exterior with a serious undertone. Chueh’s bear figure, rendered in a mint green hue, is static and introspective, trapped in both its physical posture and the symbolic enclosure of the container. The aesthetic is clean, minimal, and emotionally weighted. This visual restraint is a core part of the artwork’s impact—Chueh uses silence and stillness to speak volumes. The bear is not a mascot but a vessel, representing the emotional burden many carry in silence. By situating the toy inside medical-themed packaging, Chueh makes the container an extension of the piece, turning object presentation into a narrative device consistent with the provocative nature of Street Pop Art & Graffiti Artwork. Luke Chueh and the Art of Emotional Exposure Luke Chueh has become a leading voice in contemporary pop and street-influenced art through his exploration of mental health, addiction, and vulnerability. His iconic bear figures have become universal symbols of struggle, designed to elicit empathy without the need for words. In Kuma Kush The Prisoner, Chueh introduces cannabis culture into his ongoing narrative about emotional suppression and dependency. This is not a celebration or condemnation of cannabis but an observation on how individuals turn to substances—legal or otherwise—to cope with trauma, anxiety, and post-traumatic stress disorder. Chueh’s approach is neither cynical nor romanticized. It exists within the gray areas where emotion, coping, and survival intersect, which places his work at the forefront of Street Pop Art & Graffiti Artwork that engages social issues through emotionally resonant design. The Prisoner Series as Art Object and Cultural Reflection Kuma Kush The Prisoner functions as both a collectible and a statement, its limited release of 300 making it both rare and conceptually potent. The figure, while small in scale, delivers a message that expands far beyond its dimensions. It sits not just in display cases but in the minds of viewers, acting as a quiet companion to those navigating emotional heaviness. Through minimalist form and emotionally charged symbolism, Luke Chueh elevates the collectible vinyl toy to a piece of psychological sculpture. As part of the Street Pop Art & Graffiti Artwork movement, the Prisoner series—and this Kuma Kush edition in particular—demonstrates how visual art can confront difficult truths about medication, trauma, and human vulnerability without sacrificing aesthetic simplicity or emotional clarity.

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Supreme Gucci Smashup Pill- Inverse Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist Denial- Daniel Bombardier. 2022 Numbered Limited Edition of 50 Skateboard Artwork Size 8.25x32 Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck Size: 8.25 x 31.875 Inches Release: June 28, 2022 From the Gucci logo, Louis Vuitton & Supreme to Channel perfumes and credit cards, he is utilizing such cultural products with the intention to make a statement against the system, which gave birth to them. As a result, he re-contextualizes them and transforms them from commercial products to his cultural legacy.

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I Heart NY Nerm Nermal Limited Edition Anatomy Vinyl Art Toy Collectible Artwork by Street Brand Artists Rip N Dip. 2022 Limited Edition of 150 Size 14-inch Nerm Nermal Vinyl Figure I Heart NY Dissected Art Toy. New In Box. 14 inch I Heart NY Lord Nermal Vinyl Figure Created To Celebrate Our New NYC Flagship Store Opening I Heart NY Heart printed on chest and Bottom Of Foot

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In Case of Emergency Limited Edition Vinyl Art Toy Collectible Artwork by Modern Pop Culture Artists at Rip N Dip. 2022 Limited Edition 11.5 x 3 x 11 In In Case Of Emergency Figure Clear Plastic Door With Nerm Filled Syringe Hammer Hands-On Side

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Who Fried Roger Rabbit? Seroquel Blotter Paper Archival Print by Ben Frost Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2025 Signed & Numbered Limited Edition of TBD Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2025 Limited blotter editions are hand-perforated by Zane Kesey. Cartoon Madness Meets Pharmaceutical Culture Who Fried Roger Rabbit? Seroquel Blotter Paper Print by Ben Frost reimagines the iconic animated character Roger Rabbit within the framework of modern pharmaceutical branding. Released as part of Frost’s 2025 collection, this 7.5 x 7.5 inch limited edition archival pigment print on perforated blotter paper explores the collision of pop culture and medication packaging with satirical precision. Featuring the animated character smiling manically beside a Seroquel XR layout, the print is hand-perforated by Zane Kesey and produced in a signed and numbered edition. This work critiques how society normalizes mental health struggles through branding and questions how animation, nostalgia, and pharmaceuticals can coexist in a single visual message. Satirical Branding and Medicinal Irony Frost fuses Roger Rabbit’s over-the-top personality with Seroquel, a medication used to treat mood disorders, to amplify the surreal effects of overstimulation and sedation. By transforming the clinical appearance of a pharmaceutical box into a playful, chaotic canvas for a cartoon figure, Frost blurs the line between treatment and escapism. His use of quetiapine packaging language is precise, including dosage information and warnings, yet subverted by Roger Rabbit’s erratic demeanor. The underlying message reflects on how medication is commercialized in a culture that commodifies both mental illness and childhood nostalgia. Material Subversion in Blotter Format The blotter paper format is integral to the conceptual thrust of the piece. Traditionally associated with LSD distribution, blotter prints evoke a psychedelic lineage and hint at an altered perception of reality. By placing a cartoon character on a faux-medication backdrop, Frost disrupts the expectation of serious pharmaceutical design with absurdity. The perforation physically fragments the image, echoing the fragmentation of consciousness and emotion in both medicated and animated experiences. This format enables the artwork to comment simultaneously on drug culture, entertainment media, and mental health marketing. Ben Frost’s Visual Provocation Australian artist Ben Frost has made a name for himself by appropriating advertising, pharmaceutical logos, and mass-market cartoons into biting social commentary. His Street Pop Art & Graffiti Artwork unpacks consumer psychology through bold color, recognizable imagery, and pointed juxtapositions. Who Fried Roger Rabbit? is a standout example of this method—merging the aesthetics of childhood with the clinical detachment of adult medicalization. Frost confronts viewers with contradictions they may overlook in daily life, drawing humor and tension from the unsettling marriage of cartoon madness and prescribed stability. It’s not just visual stimulation—it’s a question wrapped in a package we’re told to trust.

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Infectious Substance Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Marker Art Drawing on Mailing Glossy Biohazard Sticker by Graffiti Artist Modern Street Artwork. 2020 Signed Original Slap Up Graffiti Art Tag 4x4 Marker Tagged on Infectious Substance Warning Bio-Hazard Label Uline S-180 Sticker. Slap Up In Perfect Condition. Reframing Perception through Street Pop Art Street pop art and graffiti artwork, characterized by their vibrant immediacy and cultural resonance, have a way of capturing the zeitgeist of the era in which they were born. The "Infectious Substance Warning Bio-Hazard Label Uline S-180 Sticker" series by graffiti artist Saber, whose real name is Ryan Weston Shook, exemplifies this phenomenon. With his 2020 collection of signed original slap-up graffiti art tags, Saber converges the world of hazardous material warnings with the rebellious spirit of street art. Each 4x4 marker-tagged piece carries his unique interpretation, transforming the ominous implications of the bio-hazard symbol into a canvas that speaks to the broader impact of what is genuinely infectious in our societies. Saber's Artistic Intervention on Bio-Hazard Symbols Saber's choice of the bio-hazard label as a substrate for his art is particularly telling. The symbol, designed to alert to dangerous pathogens, is recontextualized in his work to question the infectious nature of ideas, the virulence of art, and the power of expression to permeate and affect the public psyche. The contagious substance label, meant to protect by warning, is overlaid with Saber's tags that neither obscure the message nor dilute its significance. Instead, they add a layer of meaning, an artist's signature that challenges the viewer to question the boundaries between safety, censorship, public health, and public discourse. Modern Street Artwork as Social Commentary In modern street artwork, Saber's creations are a powerful testament to the artist's role as a social commentator. His work on the Uline S-180 stickers is a visual metaphor for 2020, a period marked by global health crises and a heightened awareness of biological hazards. By tagging these stickers, Saber connects the dots between the literal infectious agents the labels warn against and the metaphorical contagion of fear, misinformation, and societal unrest that characterized the year. The permanence of the marker on the glossy sticker mirrors the lasting impact of the year's events on the collective consciousness, ensuring that while the hazards may be contained, the dialogue they incite is not. In every line and color choice, Saber's art on the bio-hazard stickers demands engagement and reflects the unyielding nature of Street Pop Art and Graffiti Artwork. As a documented figure in the graffiti community, Saber's American roots and contributions continue to shape the conversation around the power of street art to reframe our perception of the symbols that dominate our public spaces. Each tag is a deliberate reclamation, a declaration that even the most exemplary of symbols can become a medium for enduring artistic expression.

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Panacea Silkscreen Print by MEUBON Hand-Pulled on Superfine Eggshell White Fine Art Paper Limited Edition Screenprint Artwork. 2022 Signed & Numbered Limited Edition of 300 Artwork Size 20.25x15.75 Silkscreen Print. ยาตำราหลวง สถานที่จำหน่าย มาตำราหง เภสัชกรรม- Royal Medicine, Place of Sale, Ma Tamra Hong Pharmacy Panacea by MUEBON – Satirical Remedy in Street Pop Art & Graffiti Artwork Panacea is a 2022 limited edition silkscreen print by Thai artist MUEBON, hand-pulled on Superfine Eggshell White fine art paper and sized at 20.25 x 15.75 inches. Signed and numbered in an edition of 300, the print fuses traditional Thai aesthetics with a satirical street art vocabulary. The composition mimics the layout and tone of a vintage Thai pharmacy sign, including typographic references to royal medicine, location details, and regulatory insignia. Into this framework, MUEBON inserts his signature character—a mischievous black bird with a human-like stance—tending to rows of vibrant cannabis plants. The juxtaposition of state authority, medical legitimacy, and pop rebellion is executed with surgical visual clarity and conceptual sharpness. Every line, crack, and graphic element contributes to a broader message about legality, hypocrisy, and shifting cultural norms. Medicinal Symbolism and Sociopolitical Irony MUEBON’s use of the title Panacea speaks to the idea of a cure-all, a universal solution to societal ailments—yet the print suggests that what is marketed as remedy is often framed through layers of control and contradiction. The character, rendered in precise color and personality, waters marijuana plants with the casual indifference of someone who has normalized the taboo. The background replicates worn wall textures and weathered signage, suggesting an official public notice, now subverted. Thai script boldly states phrases such as ยาตำราหลวง and สถานที่จำหน่าย—Royal Medicine and Place of Sale—while the central figure undermines the bureaucratic tone with punk defiance. This visual collision is classic MUEBON: combining cartoonish humor with institutional critique in the style of Street Pop Art & Graffiti Artwork that functions as both documentation and protest. Silkscreen Technique and Aesthetic Precision The print is produced through traditional silkscreen methods, allowing each color to hold intense saturation and edge integrity. Printed on Superfine Eggshell White paper, the artwork’s subtle surface texture enhances the vintage signage effect, reinforcing the piece’s illusion of age and wear. The controlled layering of imagery—grime, text, plants, stamps, and character—demonstrates MUEBON’s precision in translating complex political narratives into vibrant, accessible artworks. While rich in local cultural codes, the piece is globally readable, making it a standout example within Street Pop Art & Graffiti Artwork of how regional voice can achieve international resonance through strong visual composition and thematic clarity. MUEBON and the Cultural Anatomy of Legitimacy Panacea is not merely a print—it is a conversation between law, commerce, and personal autonomy. MUEBON uses humor and pop-inflected satire to explore Thailand’s evolving relationship with medical cannabis, government oversight, and cultural taboos. His signature bird character becomes a stand-in for the everyday citizen, navigating a system that selectively legalizes what it once criminalized. The work functions as a visual metaphor for the ways power, propaganda, and public health intertwine. In the context of Street Pop Art & Graffiti Artwork, Panacea delivers a multilayered narrative disguised as public signage. It invites laughter, sparks dialogue, and challenges viewers to reconsider what authority looks like when it is repackaged in colorful ink and symbolic contradiction. MUEBON continues to assert himself as a master of visual irony and cultural dissection through the lens of urban resistance.

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Feeling Down Charlie Brown Archival Print by Ben Frost Limited Edition on 310gsm Cotton Photographique Fine Art Paper Pop Graffiti Street Art Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 25 Artwork Size 11.7x11.7 Archival Pigment Fine Art by Ben Frost Drawing from a rich pop art tradition, artist Ben Frost pays homage to artists like Roy Lichtenstein and Andy Warhol by employing mass-produced images from advertising and media. However, what sets him apart is the gritty and raw energy in his work, often inspired by the rebellious and ephemeral nature of street art and graffiti. With a palette that’s as vibrant as it is challenging, his art creates a dialogue between the polished facade of consumer products and the grim realities they often mask. Through his jarring compositions, Frost raises questions about the nature of modern society, the pervasiveness of advertising, and the commodification of culture and identity. His bold, confrontational style makes him an important figure in the contemporary art world, and his works are revered by collectors and art enthusiasts worldwide.

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Internal Growth Frames- Orange Original Mixed Media Resin & Flower Sculpture Artwork by graffiti Street Artist Jenna Morello Modern Pop Artwork. 2021 Signed One of a Kind Framed Original Art Pill Individually framed Internal Growth pill. The pill is cast with real elements from nature. Measures 5 x 3 3/4 x 2 inches Museum-quality frame, comes signed.

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Medivac- Orange Labbit 4-Color Hand-Pulled Limited Edition Silkscreen Print on Glossy Fine Art Paper by Frank Kozik Rare Street Art Famous Pop Artwork Artist. #50 of 50. Medivac 2004 Art Print 21x24 Print Signed and Numbered by Frank Kozik Run of 50. Orange Variant of Smoking Labbit, US FLag, and Medical Cross.

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Devil Nerm Nermal Limited Edition Anatomy Vinyl Art Toy Collectible Artwork by street graffiti artist Rip N Dip. 2022 Limited Edition of 500 Size 14-inch Devil Nerm Nermal Vinyl Figure Terminator Dissected Art Toy.

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Kuma OG The Prisoner Amarillo Verde Drug Bear Art Toy by Luke Chueh Limited Edition Vinyl Collectible Artwork by Street Graffiti Artist. 2017 Limited Edition Artwork of 438 with Cotton, Bag, and Tube. Based on Luke Chueh's original painting, The Prisoner ponders captivity in its many forms—physical, mental, or pharmaceutical. Post-traumatic stress disorder is a mental health problem that can develop after experiencing or witnessing a life-threatening event like combat, natural disaster, car accident, or sexual assault. And the dependency on prescription medications such as Percocet has led to widespread addiction problems. Kuma OG The Prisoner Amarillo Verde by Luke Chueh: Vinyl Expression of Emotional Confinement in Street Pop Art & Graffiti Artwork Kuma OG The Prisoner Amarillo Verde is a limited edition vinyl art toy created in 2017 by Luke Chueh, a Los Angeles-based artist known for blending dark emotional themes with clean, accessible design. This version of The Prisoner was produced in a run of 438 pieces and includes a cotton-lined pouch and a green prescription-style tube container, enhancing the toy’s commentary on medication, dependency, and the struggles of mental health. Inspired by Chueh’s original painting, The Prisoner represents a bear-like character locked in a pose of despair, hugging its knees with its head down. This green vinyl edition, subtitled Amarillo Verde, extends the series’ reflection on the psychological entrapment many face as a result of trauma and modern pharmaceutical culture, while contributing to the visual language of Street Pop Art & Graffiti Artwork. Pharmaceutical Symbolism and Emotional Language in a Vinyl Medium The Amarillo Verde colorway gives the piece a sterile, medicinal aesthetic, reinforced by its packaging in a translucent green prescription tube labeled with strain-like language. This not only ties the figure to the pharmaceutical world but also alludes to cannabis and alternative coping mechanisms. The bear's static, slumped position communicates resignation and detachment. Its form is simplified, yet every aspect—from its curved arms to its averted gaze—projects a vivid emotional landscape. The figure is not anthropomorphic in a traditional sense, but its expression is intensely human. By enclosing the figure in a mock prescription container, the artwork draws attention to how society addresses psychological pain: through containment and sedation, rather than resolution. Luke Chueh’s choice to use vinyl as the medium makes the figure both durable and intimate, offering a tactile presence that underscores its emotional weight. Luke Chueh and the Visual Narrative of Pain and Isolation Luke Chueh is a central figure in the art toy movement and Street Pop Art & Graffiti Artwork, using deceptively cute characters to explore profound emotional realities. Born in the United States, Chueh’s art frequently tackles depression, trauma, and the tension between inner life and external perception. The Prisoner series is a cornerstone of his commentary on mental health and pharmaceutical culture. This particular Amarillo Verde edition communicates a very specific kind of sadness—the kind masked by colorful pills and simplified diagnoses. It is deeply rooted in Chueh’s personal narrative and broader societal critique. The bear figure, repeated throughout his work, becomes an avatar for voiceless suffering, sitting quietly in its confinement, waiting for acknowledgment. This toy, though minimal in form, is maximal in meaning and speaks to the ability of street and pop artists to address contemporary crises through minimal, emotionally potent sculpture. The Prisoner as a Physical Object in the Vocabulary of Street Pop Art & Graffiti Artwork Kuma OG The Prisoner Amarillo Verde stands as a tactile commentary on mental health in an era of chemical coping. Each vinyl piece is packaged not only with care but with thematic intent—every element, from the labeling to the green plastic tube, reinforces the work’s conceptual core. It mirrors the experience of being prescribed and contained, offering a toy that acts as a physical artifact of emotional incarceration. It is not simply a figure to be displayed, but one to be felt and contemplated. Through his work, Luke Chueh continues to redefine how sculpture and collectible art can serve as powerful mediums for psychological expression. Within the evolving canon of Street Pop Art & Graffiti Artwork, this piece asserts that the most minimal forms often hold the deepest truths, inviting collectors and viewers to sit with the discomfort and recognize its weight.

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Kush XL 6in The Prisoner Flocked Drug Bear Art Toy by Luke Chueh Kickstarter Limited Edition Vinyl Collectible Artwork by Street Graffiti Artist. 2018 Limited Edition Artwork of 93 with Cotton, Bag, and Tube. Based on Luke Chueh's original painting, The Prisoner ponders captivity in its many forms: physical, mental, or pharmaceutical. Ultra Rare Kickstarter Exclusive Extra Large XL 6 Inch Edition. Kush XL 6in The Prisoner Drug Bear by Luke Chueh: Sculpting Emotional Confinement in Street Pop Art & Graffiti Artwork Kush XL 6in The Prisoner Drug Bear by Luke Chueh is a 2018 Kickstarter exclusive collectible, limited to just 93 pieces worldwide. This rare extra-large vinyl edition transforms Chueh’s signature bear into a more physically imposing yet equally vulnerable presence. At six inches tall and flocked in vibrant green, the figure sits hunched and withdrawn, arms wrapped tightly around its knees, tucked into a gesture of protective silence. This version is packaged inside a deep green prescription-style plastic tube, labeled under the fictional strain Kuma OG. Accompanied by a cotton-lined pouch and official labeling, the toy carries the visual weight of both clinical control and emotional solitude. As a part of the wider Prisoner series, this XL edition expands Luke Chueh’s ongoing critique of psychological and pharmaceutical confinement through the visual language of Street Pop Art & Graffiti Artwork. Material and Scale as Tools of Conceptual Impact The use of scale in the Kush XL version heightens the emotional potency of the figure. Unlike the smaller editions, which evoke delicacy and intimacy, this larger size commands more physical space, forcing viewers to confront the quiet suffering it represents. The flocked green surface adds a layer of visual contradiction, inviting touch while symbolizing the lush appearance of calm that often hides distress. The presentation in a prescription tube references the aesthetics of cannabis dispensaries and pharmaceutical packaging, placing the bear in the middle of society’s ongoing conversation about medication, trauma management, and alternative therapy. The prescription-style label contextualizes the bear as both patient and product, surrounded by the implied control of dosage, labeling, and clinical oversight. Within Street Pop Art & Graffiti Artwork, this kind of object challenges assumptions about what healing looks like and critiques the systems that monetize emotional relief. Luke Chueh and the Emotional Vocabulary of Toy-Based Street Pop Art Luke Chueh is a California-based artist known for using deceptively simple characters to convey deeply nuanced emotional states. His bear, a now-iconic symbol within his work, is never neutral. Whether painted or sculpted, it is always in the middle of a silent, internal dialogue. The Prisoner figure exemplifies Chueh’s practice of using posture, minimalism, and context to explore themes like depression, anxiety, addiction, and isolation. The Kush XL edition does not stray from these themes; rather, it amplifies them through texture and size. Chueh’s work belongs firmly within the Street Pop Art & Graffiti Artwork canon, not only for its visual accessibility but also for its bold engagement with contemporary mental health struggles. The bear is at once relatable and haunting, caught between comfort and despair, between treatment and dependency. The Prisoner as a Sculptural Statement on Mental Health and Control Kush XL 6in The Prisoner is more than a collectible art toy—it is a sculptural representation of cultural truth. Limited to just 93 Kickstarter-exclusive editions, it holds significant value for collectors, not only due to its rarity but because of its raw, unfiltered emotional messaging. The packaging is not ornamental. It is part of the narrative, reinforcing the figure’s status as a symbol of medicated containment. The green colorway and dispensary-themed label introduce a layered commentary about the growing normalization of cannabis as both relief and crutch, expanding Chueh’s critique beyond pharmaceuticals alone. Within Street Pop Art & Graffiti Artwork, the figure functions like a street mural in miniature form—portable, powerful, and socially conscious. With this XL edition, Luke Chueh elevates designer toys into platforms for mental health discourse, using vinyl, flocking, and form to hold a mirror to both personal vulnerability and systemic response.

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Dissection of Popeye- Anatomy Sheet No 29 Hand-Pulled 1-Color Limited Edition Silkscreen Print on 300gsm Munken Pure Paper by Medical Pop Artist Nychos. 2018 Signed & Numbered Limited Edition of 200 11x17 Illustrated by NYCHOS 1-color Screen Print on 300 g/m² Munken Pure Paper Size: 11 x 17 Inches / 27,94 x 43,18 cm Limited Edition of 200 Year: 2018 Imprint & stamp of authenticity Numbered and signed by the artist The REM Anatomy Sheets focus on the anatomy of pop culture cartoon characters. In this new collection of black and white limited edition screenprints, Nychos lets the viewer engage with details of the anatomy of toons.

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Companion Flayed- Black Limited Edition Vinyl Art Toy Collectible Artwork by Modern Pop Artist Kaws. 2016 Unopened Package Limited Open Edition 10.5 X 4.5 X 2.5 / 16.7 X 11.4 X 6.4 CM The Companion Flayed: An Icon of KAWS' Street Pop Art Legacy The Companion Flayed Black Limited Edition Vinyl Art Toy embodies the pinnacle of KAWS' influence in modern pop and street pop art. Unveiled in 2016, this piece is a profound iteration of the most recognizable figure in KAWS' artistic arsenal, the Companion. The artist has reimagined the Companion multiple times, each version laying bare a new facet of its symbolic resonance. The flayed version, particularly in its stark black form, invites viewers to peer beneath the surface, literally and metaphorically, into the layers composing this contemporary icon. Measuring 10.5 x 4.5 x 2.5 inches, the Companion Flayed stands as a testament to KAWS' ability to manipulate form and content to produce artworks that speak to a generation conversant in the visual language of design, pop culture, and street aesthetics. This series, including full-bodied and flayed versions of the classic character, was released in conjunction with KAWS's exhibition "Where The End Starts" in Fort Worth, Texas. Standing 11 inches tall, the figures were made available through KAWSONE, MoMA, and the Modern Art Museum of Fort Worth, marking a significant moment in the intersection of street art and institutional recognition. Companion Flayed's Role in the Dialogue of Street Pop Art KAWS' Companion Flayed is more than a collectible; it's a conversation piece that delves into the dialogue of what Street Pop Art and Graffiti Artwork can be. It's a manifestation of KAWS' unique ability to traverse the spectrum of visual art, from anonymous street tags to globally recognized sculptures. The flayed version, with its exposed internal vibrancy, can be seen as a deconstruction of the character itself and the culture from which it originates. The black color of the figure contrasts with the colorful internal details, creating a visual dialogue between the seen and unseen, the external persona, and the internal complexity. The release of this series through prominent art institutions and KAWS' platform, KAWSONE, reflects the evolving landscape where street-inspired art is as much at home in the museum as on the urban wall. It underscores the fluidity of KAWS' art, capable of eliciting a sense of familiarity while challenging perceptions with its dissected form. This feature has become a recurrent theme in his work. KAWS' Impact on the Art Toy Movement and Beyond The Companion Flayed Black Limited Edition Vinyl Art Toy is emblematic of KAWS' impact on the burgeoning art toy movement. This movement sees the toy as a canvas for artistic expression, a medium that allows the artist to explore form, concept, and accessibility in new ways. Through figures like the Companion Flayed, KAWS has been pivotal in pushing the boundaries of this movement, garnering attention not only from the realms of Street Pop Art and Graffiti Artwork but also from the wider art community and popular culture. The release of this collectible in a limited open edition signifies the democratizing vision KAWS has for art. While each piece holds the allure of exclusivity, the forthcoming edition format ensures it remains within reach for a diverse audience, aligning with the ethos of street art's accessibility. With its distinctive cross-eyed face and x-ed-out eyes, the Companion Flayed has transcended its role as mere merchandise to become an essential touchstone in contemporary art, embodying the interplay between mass culture and high art that defines KAWS' oeuvre.

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Trip A Stitch In Time EpiPen Blotter Paper Archival Print by Ben Frost Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2025 Signed & Numbered Limited Edition of TBD Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2025 Limited blotter editions are hand-perforated by Zane Kesey. Ben Frost's Stitch and the Prescription Rebellion Trip A Stitch In Time EpiPen Blotter Paper Archival Print by Ben Frost, released in 2025 as a limited edition pigment print on perforated blotter paper, continues the Australian street artist's sharp critique of consumerism, pharmaceutical branding, and the hijacking of pop culture. In this particular work, the animated alien Stitch is depicted in a manic outburst overlaid on EpiPen pharmaceutical packaging. Known for his unapologetic visual collisions, Ben Frost uses the raw visual energy of graffiti tactics and comic aesthetics to deliver a satirical jab at the marketing of medical dependency, while simultaneously twisting beloved childhood characters into symbols of overstimulated chaos. Street Pop Art Meets Pharmaceutical Anxiety What sets this work apart in the category of Street Pop Art & Graffiti Artwork is its brutal honesty in aesthetic and message. The combination of a hyperactive Stitch and the sterile typography of prescription medicine constructs an immediate visual dissonance. Stitch's feral teeth, wide eyes, and clawed hand scream in emotional excess, a stark contradiction to the controlled and impersonal design of the EpiPen label behind him. The juxtaposition acts as a metaphor for cultural burnout, the medicating of identity, and the commodification of both childhood and health. Frost’s use of blotter paper, a medium historically associated with LSD, heightens the psychedelic tone and lends another layer of commentary about societal escapism through pills, pleasure, or nostalgia. Perforation as Medium and Message The print is produced on a 7.5 x 7.5 inch perforated blotter sheet, hand-perforated by Zane Kesey, son of Ken Kesey, the cultural icon known for pioneering the psychedelic movement. This detail ties the artwork to a broader historical conversation around consciousness, art, and rebellion. In this format, the artwork becomes something to be metaphorically consumed, suggesting the idea of breaking apart sanitized narratives into fragmented truths. The perforations also echo street art’s ephemerality, its nature of being divided, destroyed, or shared. The medium is the message as much as the image, with Frost exploiting every inch of material for critical storytelling. The Power of Satirical Mutation in Urban Culture Ben Frost’s visual style often depends on mutation, appropriation, and critique, and Trip A Stitch In Time stands out for its frenzied commentary on overstimulation, identity distortion, and pharmaceutical dependence. Within the context of Street Pop Art & Graffiti Artwork, this piece is more than a parody of medical culture—it is an indictment of the manufactured balance society attempts to impose through pills, branding, and repackaged characters. Stitch, in this chaotic reinterpretation, becomes a monster of modern consumption, captured at the moment he breaks through the constraints of prescription labels and cartoon nostalgia to claw at something far more human—truth through madness.

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Social Distancing Simpsons Archival Pigment Fine Art Limited Edition Print on 310gsm Bauhaus Cotton Rag Paper by Artist Ben Frost, Street Pop Art Graffiti. 2020 Signed & Numbered Limited Edition of 40 Artwork Size 12x12. Ben Frost (b. 1975) Social Distancing, 2020 Archival digital print on Bauhaus Cotton Rag Stock paper 12 x 12 inches (30.5 x 30.5 cm) (sheet) Ed. 40 is signed and numbered in pencil along the lower edge and published by the artist. Intersecting Pop Culture and Social Commentary Ben Frost's "Social Distancing Simpsons" archival pigment fine art print is a piercing examination of contemporary society through the lens of street pop art and graffiti. This limited edition print, numbered and signed, reflects Frost's unique and often controversial approach to his art, blending pop culture icons with subversive messaging. Created in 2020, "Social Distancing Simpsons" is a compelling artwork set against the backdrop of a global pandemic, a time when social distancing became a ubiquitous part of life. By incorporating a familiar character from "The Simpsons," Frost taps into the collective consciousness and comments on the impact of societal changes on popular culture. The choice of using archival digital print on Bauhaus Cotton Rag Stock paper, a high-quality material, ensures that the vibrancy of the piece and the precision of its details are preserved. The image of the Simpson's character juxtaposed with a pharmaceutical label indicates Frost's style, often involving the fusion of disparate elements to create a jarring yet thought-provoking visual statement. This 12 x 12 inches print is a perfect square that captures the essence of Frost's artistic statement: a critique of consumerism, mental health, and the pharmaceutical industry. Ben Frost's Signature Style Frost's work is characterized by his unflinching willingness to confront and challenge viewers with uncomfortable truths about modern life. In "Social Distancing Simpsons," the collision of the cartoon world with the stark reality of medication speaks to a generation that finds solace in nostalgia while grappling with present-day anxieties. With its limited edition of 40, the artwork becomes a collector's piece, a snapshot of an era defined by isolation and the search for connection. Reflection of Street Pop Art and Graffiti Frost's art is a reflection of street pop art and graffiti in its directness and its utilization of visual language that is immediate and accessible. Incorporating street art aesthetics into fine art prints blurs the lines between high art and more democratic expressions in urban environments. "Social Distancing Simpsons" is a testament to the power of this genre to communicate beyond words, offering a visual critique that is both universal and deeply personal. In summary, "Social Distancing Simpsons" by Ben Frost is more than just an artwork; it is a commentary on the times, a mirror held up to the complexities and contradictions of contemporary life. Through his expert blending of pop culture references with cutting social commentary, Frost solidifies his place as a significant voice in street pop art and graffiti artwork. This piece, in particular, stands as a poignant reminder of 2020, capturing the essence of a moment that has left an indelible mark on society.

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Dissection of Stitch- Anatomy Sheet No 30 Hand-Pulled 1-Color Limited Edition Silkscreen Print on 300gsm Munken Pure Paper by Medical Pop Artist Nychos. 2018 Signed & Numbered Limited Edition of 200 11x17 Illustrated by NYCHOS 1-color Screen Print on 300 g/m² Munken Pure Paper Size: 11 x 17 Inches / 27,94 x 43,18 cm Limited Edition of 200 Year: 2018 Imprint & stamp of authenticity Numbered and signed by the artist The REM Anatomy Sheets focus on the anatomy of pop culture cartoon characters. In this new collection of black and white limited edition screenprints, Nychos lets the viewer engage with details of the anatomy of toons.

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Anatomy of the Shark Artwork Giclee Limited Edition Print on Hot-Press Italian Watercolor Paper by Pop Culture Graffiti Artist Max Dalton. Printed Oceans is PangeaSeed Foundation's fine art print program that raises awareness and educates about pressing marine environmental issues through the lens of some of today's most respected creative minds. Since 2012, we have released over 100 original fine art print editions that highlight endangered marine species and ocean habitats. These stunning editions help to bring important conservation stories into homes and workspaces the world over creating critical dialogue and inspiring positive action. Through the purchase of these carefully hand-crafted, limited edition artworks, you are not only powering the groundbreaking work of PangeaSeed Foundation in communities across the globe but also contributing to the livelihoods of our supporting ARTivists. Together, via art and activism, we can help save our oceans. PangeaSeed's second annual summer series of the groundbreaking Sea Walls: Murals for Oceans festival July 17-26 2015 in Cozumel, Mexico. Sea Walls: Murals for Oceans is the first movement of its kind helping to save our seas via public art and activism (ARTivism). PangeaSeed's second annual summer festival will feature over 25 renowned contemporary artists from across the globe collaborating to shine a greatly needed spotlight on pressing ocean environmental issues - while helping to educate and inspire individuals and communities to protect the planet's most important ecosystem: the ocean.

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Covid No 19- Sarcelle Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2021 Signed & Numbered Limited Edition of 19 Sarcelle Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial’s COVID No. 19: Luxury Branding in the Age of Global Crisis Denial’s COVID No. 19 is a striking archival pigment print released in 2021 as a limited edition of 19, each hand-signed, numbered, and stamped on 290gsm MOAB fine art paper. The work appropriates the form of a Chanel No. 5 perfume bottle, replacing its iconic label with a fictional product name: COVID No. 19 Hand Sanitizer. Rendered with hyper-clean digital precision, the image reconfigures the aesthetics of high fashion to comment on the absurdities of pandemic-era consumerism. The hand sanitizer bottle is presented with all the visual authority of a luxury good, transforming an object of necessity into a parody of status and desire. At the core of this piece is a brutal cultural observation: during a global health emergency, everyday tools of survival—like sanitizer and masks—were elevated to symbols of identity, fashion, and economic access. Denial’s rebranding of Chanel’s perfume into a virus-era commodity confronts this shift head-on. The artwork doesn’t merely lampoon luxury—it reveals how systems of marketing can absorb trauma, repackage it, and sell it back to the public. The Chanel-style labeling is clinical yet elegant, a nod to how visual minimalism often masks corporate manipulation. Commercial Aesthetics as Subversive Weaponry Denial’s artistic strategy centers on the theft and recontextualization of commercial language. With COVID No. 19, the use of vector-sharp line work, realistic light reflections, and exacting product design mimics advertising to the point of deception. This imitation is intentional. The viewer is meant to initially read the image as authentic—something from a fashion magazine or cosmetics campaign—before the irony of the label snaps into focus. The dissonance between form and content invites a critique of the capitalist tendency to aestheticize suffering. This visual methodology ties directly into the ethos of Street Pop Art & Graffiti Artwork. Denial’s roots in unauthorized public messaging and subcultural image disruption remain present, even as the work exists in a fine art format. The absence of spray drips or rough textures does not diminish the rebellion. Instead, it retools the graphic language of commercial persuasion to undermine itself from within. What looks like a product pitch is, in fact, a visual accusation. The pandemic is not the subject—it is the branding of the pandemic that comes under fire. Street Pop Art as Pandemic Documentation COVID No. 19 operates as both satire and historical record. It captures a cultural moment when survival tools became luxury statements, when scarcity was linked to exclusivity, and when branding extended even to medical supplies. Denial’s artwork speaks to the way modern crises are not only experienced but marketed—how the fear of illness was filtered through the same systems that sell beauty, fashion, and lifestyle. The sanitizer bottle becomes a symbol not of protection, but of consumption. By fusing the iconography of fashion with the reality of a global pandemic, Denial forces the viewer to reconsider the boundaries between design and ethics, branding and survival. The visual simplicity of COVID No. 19 hides a layered indictment of how quickly commercial aesthetics can strip events of meaning. In the tradition of Street Pop Art & Graffiti Artwork, this piece turns familiar symbols against themselves, exposing the fragility of culture’s glossy surfaces when confronted with real human urgency.

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McDonald Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck art by street pop culture artist Denial. 2019 Limited Edition of 50 In 2000 he adopted the moniker ‘DENIAL’ as a means of poking fun at advertising, politics, and media messages that contemporary society is often ‘in denial’ about. Since then he has maintained an ongoing global street-campaign of over 500, 000 stickers, placards, and murals, using the alpha-numeric characters ‘D3N!@L’. Denial is a Canadian artist who experiments with aerosol and stencil art, while his main fields of interest are consumerism, politics and the human condition in today’s society. Since the culture of graffiti was gaining more and more popularity in the US and Europe, the taggers had to be increasingly original in order to stand out. The signatures became bigger, more stylized and more colorful.

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DropX Nerm Nermal Limited Edition Anatomy Vinyl Art Toy Collectible Artwork by Street Brand Artists Rip N Dip. 2022 Limited Edition of 150 Size 14-inch Nerm Nermal Vinyl Figure Terminator Dissected Art Toy. New In Box The DropX Nerm Nermal vinyl figure is an intriguing embodiment of contemporary pop art's intersection with street culture, produced in a limited edition by the renowned streetwear brand Rip N Dip. This 2022 collectible stands 14 inches tall, capturing the playful yet provocative spirit of the brand's aesthetic. Limited to just 150 pieces, the vinyl art toy offers a unique twist on the character of Nermal, the brand's iconic cat mascot. Here, Nermal is reimagined through an "anatomical dissection," a design approach that lays bare the inner skeletal structure of the figure on one side while maintaining the smooth, playful exterior on the other. This juxtaposition creates a striking visual narrative, reflecting themes of duality and transparency that resonate deeply in street art and pop culture. This artwork, still in its original packaging, is as much a piece of art as a commentary on the modern collectibles market, where items are often valued more for their mint condition than for the artistic statement they make. The dissected aesthetic of the figure, a style popularized in the art toy community, aligns with a fascination with what lies beneath the surface—in terms of the figure's design and, metaphorically, regarding the persona and culture it represents. The exclusive nature of this limited edition release underscores the intersection of art and commerce, a theme prevalent in street art's evolution into gallery spaces and consumer markets. In this context, the Nerm Nermal vinyl figure is not merely a collectible but a tangible slice of the ethos that drives the street art scene, immortalizing the irreverent and often satirical spirit that has long defined both Rip N Dip and street art as a whole.

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Dissection of Bambi- Anatomy Sheet No 23 Hand-Pulled 1-Color Limited Edition Silkscreen Print on 300gsm Munken Pure Paper by Medical Pop Artist Nychos. 2018 Signed & Numbered Limited Edition of 200 11x17 Illustrated by NYCHOS 1-color Screen Print on 300 g/m² Munken Pure Paper Size: 11 x 17 Inches / 27,94 x 43,18 cm Limited Edition of 200 Year: 2018 Imprint & stamp of authenticity Numbered and signed by the artist The REM Anatomy Sheets focus on the anatomy of pop culture cartoon characters. In this new collection of black and white limited edition screenprints, Nychos lets the viewer engage with details of the anatomy of toons.

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Medivac- Red Labbit 4-Color Hand-Pulled Limited Edition Silkscreen Print on Glossy Fine Art Paper by Frank Kozik Rare Street Art Famous Pop Artwork Artist. #50 of 50. Medivac 2004 Art Print 21x24 Print Signed and Numbered by Frank Kozik Run of 50. Red Variant of Smoking Labbit, US FLag, and Medical Cross.

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The Masked Pharaoh 3-Color Hand-Pulled Diamond Dust Limited Edition Silkscreen Print on Egyptian Papyrus Paper by Marwan Shahin Rare Street Art Famous Pop Artwork Artist. 2022 Signed & Numbered Limited Edition of 20 Size 14x17.5 & "NFT" "Shahin Studios is delighted to present The Masked Pharaoh Papyrus by Marwan Shahin, The Artwork was first to be created in lockdown during the Covid-19 pandemic, imagining TutAnkhAmoun staying safe and protecting himself against the modern-day plague. this edition of the artwork is interpreted with hand-pulled Silkscreen print on Authentic Egyptian Papyrus, and each print is intricately arranged with a filigree of black Diamond Dust, to produce visually intoxicating kaleidoscope-like effects. contains an NFT crypto-chip by the Fine Art Ledger. Each print is Authenticated and registered on the blockchain by The Fine Art Ledger comes with a digital Certificate of Authenticity containing its cryptographic stamp." -Marwan Shahin

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Oxycontin The Prisoner Drug Bear Art Toy by Luke Chueh Limited Edition Vinyl Collectible Artwork by Street Graffiti Artist. 2017 Limited Edition Artwork of 300 with Cotton, Bag, and Tube. Based on Luke Chueh's original painting, The Prisoner ponders captivity in its many forms—physical, mental, or pharmaceutical. Post-traumatic stress disorder is a mental health problem that can develop after experiencing or witnessing a life-threatening event like combat, natural disaster, car accident, or sexual assault. And the dependency on prescription medications such as Percocet has led to widespread addiction problems. Oxycontin The Prisoner Drug Bear by Luke Chueh: Sculpting the Weight of Dependency in Street Pop Art & Graffiti Artwork Oxycontin The Prisoner is a limited edition vinyl art toy released in 2017 by Los Angeles-based artist Luke Chueh. Produced in a run of 300 pieces, each figure comes enclosed in a pill bottle-style tube with custom label design, cotton padding, and a bag. This piece belongs to Chueh’s emotionally raw and conceptually provocative The Prisoner series, which explores the psychological and chemical captivity imposed by trauma and prescription drug dependency. The figure, seated with arms wrapped around bent knees and head tilted in surrender, is rendered in pale pink vinyl, an intentionally vulnerable hue evoking fragility and exposure. This edition bears the pharmaceutical branding of Oxycontin, one of the most widely debated painkillers associated with both relief and addiction. Within the visual canon of Street Pop Art & Graffiti Artwork, this piece functions as a sculptural protest against the medicalization of mental health and the commodification of comfort. Pharmaceutical Captivity Encapsulated in Minimalist Design The use of the pill bottle as both packaging and contextual anchor is integral to the conceptual weight of Oxycontin The Prisoner. Rather than being decorative, it serves as a metaphorical cell. The orange plastic container, a familiar object in American medicine cabinets, becomes a prison of muted pain. The bear figure inside is soft in tone but rigid in posture, exuding silent anguish and immobility. Its simplified features are part of Luke Chueh’s signature visual style—clean, anthropomorphic, and emotionally loaded. The minimalist approach allows viewers to project their own experiences and emotional responses onto the character, whether that be isolation, anxiety, numbness, or resignation. In the tradition of Street Pop Art & Graffiti Artwork, this piece reclaims consumer iconography and transforms it into a statement about personal and collective mental health struggles. Luke Chueh and the Voice of Emotional Vulnerability in Contemporary Art Luke Chueh, born and based in the United States, has established himself as a leading figure in vinyl art culture and emotional visual narrative. His work consistently uses characters—especially his iconic bear—as symbols of psychological realism masked in pop iconography. Oxycontin The Prisoner deepens this approach by explicitly referencing the epidemic of opioid addiction and the reliance on pharmacological solutions for mental health issues such as post-traumatic stress disorder, depression, and chronic anxiety. Chueh’s work does not seek to offer resolution; instead, it offers recognition. The bear is not posed in resistance or hope but in stillness, reflecting the physical and emotional sedation often experienced by those relying on medications like Oxycontin. His use of sculpture within the Street Pop Art & Graffiti Artwork world broadens the category’s potential to include introspective, honest, and therapeutically charged storytelling. A Collectible of Pain and Awareness in Street Pop Art & Graffiti Artwork Oxycontin The Prisoner is not just a toy or a figure for display—it is a contemporary artifact that documents an era of widespread psychological struggle and the societal response to it. By combining collectible vinyl with real-world pharmaceutical references, Luke Chueh exposes the fragility that often lies beneath manufactured relief. The packaging, labeled with details that mimic prescription information, reinforces the institutional control surrounding mental health treatment. With only 300 produced, this edition is highly sought after, not only for its rarity but for its role in confronting important themes through tangible, expressive art. As part of The Prisoner series, it anchors Luke Chueh’s position in the Street Pop Art & Graffiti Artwork movement as a storyteller of the internal human experience, voiced through form, posture, and silence.

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Tigger on Zoloft Limited Edition Archival Pigment Fine Art Prints on Bauhaus Cotton Fine Art Paper by Graffiti Street Art and Pop Culture Artist Ben Frost. ‘Tigger On Zoloft’ Archival Digital Print on Bauhaus 310gsm Photo Rag 100% Cotton Paper Embossed, signed and editioned by Ben Frost 30cm x 30cm (12 x 12 inches) Melbourne, Australia Edition of 50 The essence of Frost’s commentary is established on the basis of subverting the meaning and the messages, promoted by the mainstream media. In other words and, as he has stated in the past: “The less you fill your mind with the trappings of advertising and bad television, the more space you have in your brain for things of value”. At the same time, his take on modern pop culture is equally compelling. Mainstream media, advertisements, and politics can be identified as some of his main fields of interest, which he utilizes and mixes up in a controversial formation. The word controversial is not used incidentally. What Ben Frost’s art is doing is, essentially, the appropriation and weaponization of imagery against the same system that gave birth to it.

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Out Patient Deck Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist Denial. 2021 Limited Edition of 75 Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck Size: 8.25 x 31.875 Inches Release: July 14, 2021 Essentially, Denial is satirizing the reality, which both he and us are experiencing, through some of the Western culture’s most emblematic symbols. Denial is utilizing cultural products with the intention to make a statement against the system, which gave birth to them. As a result, he re-contextualizes them and transforms them from commercial products to his cultural legacy.

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Kuma OG Chase Flocked Amarillo Verde The Prisoner Drug Bear Kickstarter Art Toy by Luke Chueh Limited Edition Vinyl Collectible Artwork by Street Graffiti Artist. 2017 Limited Edition Artwork of 62 with Cotton, Bag, and Tube. Based on Luke Chueh's original painting, The Prisoner ponders captivity in its many forms—physical, mental, or pharmaceutical. Ultra Rare Kickstarter Exclusive Chase Flocked Edition. Kuma OG Chase Flocked Amarillo Verde The Prisoner by Luke Chueh: Ultra Rare Emotional Artifact in Street Pop Art & Graffiti Artwork Kuma OG Chase Flocked Amarillo Verde The Prisoner is an ultra rare vinyl art toy by Luke Chueh, released in 2017 as a Kickstarter exclusive. Limited to only 62 pieces, this special edition is a flocked version of the Amarillo Verde Kuma OG figure, making it one of the most sought-after variants in The Prisoner series. Packaged in a green translucent prescription-style container with printed labeling, cotton interior, and protective bag, the figure mimics both the aesthetic and implication of medical confinement. The Prisoner, originally based on Chueh’s emotionally resonant painting, contemplates psychological, physical, and pharmaceutical imprisonment. Rendered in a mossy textured green flocking, the bear’s soft tactile surface contrasts dramatically with its somber pose—arms wrapped tightly around its knees, seated and emotionally closed off. This contrast emphasizes the disconnect between exterior softness and internal suffering, a hallmark of Street Pop Art & Graffiti Artwork. Flocking as Texture for Trauma and Visual Irony What distinguishes this edition is the flocking—a velvety texture that adds an uncanny softness to an otherwise emotionally heavy piece. This tactile surface transforms the object into something that feels almost comforting to touch, even while it visually portrays pain, dependency, and confinement. The figure’s colorway, a vivid Amarillo Verde green, echoes the medical cannabis dispensary aesthetic, subtly referencing alternative forms of chemical escape. The labeled container marks the strain as Kuma OG, a fictionalized nod to both cannabis culture and the ongoing dialogue around self-medication. By placing the bear in a tube labeled as a product and strain, Chueh uses humor and stark visual metaphors to dissect how trauma and emotional pain are commodified. These layered meanings, delivered through minimalist sculptural forms and smart packaging, place this piece firmly within the canon of Street Pop Art & Graffiti Artwork. Luke Chueh’s Quiet Revolution in Designer Art Toys Luke Chueh, a Los Angeles-based artist known for his distinctive character design and emotional storytelling, has redefined the role of designer toys in contemporary art. His work draws heavily from personal experiences with mental health, cultural identity, and psychological conflict. The bear figure featured in The Prisoner series is a signature motif that Chueh uses to convey raw, unspoken emotion. Through posture and minimal expression, the bear becomes an avatar for the fragile states people often endure in silence. This flocked version adds an additional layer of irony and depth, turning a painful emotional narrative into a soft and seemingly huggable object. Chueh’s fusion of toy design, sculpture, and emotional realism continues to influence the Street Pop Art & Graffiti Artwork movement by proving that vulnerability can be conveyed through the smallest, most deceptively simple forms. Kickstarter Exclusivity and Cultural Significance As one of only 62 pieces produced, the Kuma OG Chase Flocked Amarillo Verde edition holds exceptional cultural and collector value. Its release through Kickstarter ties the work directly to the support of fans and collectors who align with the deeper message of The Prisoner series. The prescription-themed packaging serves as more than a protective shell—it is part of the narrative structure, symbolizing institutional control, pharmaceutical normalization, and the quiet despair of chemically managed pain. This edition does not just exist as a display item; it exists as a statement. It represents the intersection of mental health, medication culture, and consumer aesthetics in modern society. Within the framework of Street Pop Art & Graffiti Artwork, Luke Chueh’s limited editions become small-scale monuments to the emotional complexity of human experience—objects of art that carry as much weight in meaning as they do in cultural presence.

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Internal Growth Limited Edition Archival Pigment Fine Art Prints on Archival Rag Paper by Graffiti Street Art and Pop Culture Artist Jenna Morello. Internal Growth Print Measures 15x20 on archival rag Limited edition of 25 Signed and numbered. Jenna Morello's "Internal Growth": A Vision of Nature's Resilience in Art "Internal Growth" is a visually arresting limited edition fine art print by Jenna Morello, a prominent name in Graffiti Street Art and Pop Culture Artistry. The artwork, measuring 15x20 inches, is printed on archival rag paper and forms a significant part of a limited run of 25 signed and numbered pieces. With its poignant composition of encapsulated natural elements within pill capsules, Morello's piece is an evocative representation of the juxtaposition of human-made constructs and the persistence of natural beauty. Jenna Morello, a US-based artist, is known for her innovative approach to street pop art, often characterized by its vibrant color schemes and thought-provoking subject matter. "Internal Growth" is a testament to her artistic journey and her ability to blend diverse art forms seamlessly, creating works that resonate with audiences and challenge conventional art norms. Artistic Craftsmanship in "Internal Growth" The creation of "Internal Growth" showcases Morello's mastery in using archival pigment printing, a technique renowned for its superior color depth and longevity. By choosing archival rag paper for this print, Morello ensures that each detail of her intricate work is captured with clarity, and the artwork's longevity is guaranteed. The medium also reflects Morello's commitment to quality, with the texture of the paper complementing the organic subjects contained within the print. Each element within the capsules of "Internal Growth" is rendered with meticulous attention to detail, symbolizing the unstoppable force of nature and its inherent beauty. Morello's choice to present nature as something to be preserved is a powerful commentary on the environment and the impact of human consumption. The capsules, often associated with healing, suggest a more profound meaning - the healing power of nature and the necessity of its preservation in our contemporary society. Reflections on Jenna Morello's Contributions Jenna Morello's contributions to contemporary art are encapsulated in "Internal Growth," which blurs the lines between street art's edgy roots and the delicate beauty of natural forms. By placing natural elements within the context of modern healthcare symbols, Morello invokes a dialogue on the relationship between humanity and nature, growth and containment, and destruction and healing. Her work in the limited edition of "Internal Growth" is a significant marker of her role as an artist who is both a storyteller and a visionary. Through her art, Morello implores viewers to recognize nature's vital role in our lives and the paradox of our attempts to control and categorize it. This print is a striking piece of Street Pop Art and a catalyst for reflection on how we interact with the world around us. With "Internal Growth," Jenna Morello pushes the envelope, ensuring her voice and vision are felt within the Street Pop Art movement. Her artistic exploration is a continuous process of discovery, and this print serves as a snapshot of her journey, offering a window into the soul of an artist dedicated to unveiling the hidden depths of both the urban landscape and the natural world.

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War 100 Tablets AP HPM Stencil on Board by Ben Frost Hand-Painted Multiple Panel Graffiti Street Artist Modern Pop Art. AP Artist Proof 2023 Signed & Marked AP HPM Spray Paint & Acrylic Print Artwork Size 11x14 (Total Run of 10 + 2AP) Ben Frost's Artistic Commentary The "War 100 Tablets AP HPM Stencil on Board" by Ben Frost is a provocative piece that epitomizes modern pop art's daring and often subversive nature. Created as a hand-painted multiple (HPM) and a part of a limited edition series, this work reflects the artist's critical eye on societal issues, employing a combination of stencil artistry, spray paint, and acrylic techniques to render his vision on an 11x14 inch board. Frost's piece is bold in its aesthetic and message, immediately capturing attention with the stark contrast of the black and white imagery juxtaposed with the striking red accents. The presence of the word "WAR" in capital letters alongside the words "CONTROLLED DRUG" and "KEEP OUT OF REACH OF CHILDREN" suggests a powerful commentary on the nature of conflict and the pharmaceutical industry's role in society. As an Artist Proof (AP) in 2023, it is marked distinct from the total run of 10 with an additional 2 APs, signifying its rarity and the artist's direct involvement in its creation. Techniques and Style Frost is renowned for his street pop art and graffiti artwork, which often utilizes the visual language of advertising and consumerism to explore deeper themes. The "War 100 Tablets" is a clear example of this, as it mimics the look of a medication box, suggesting that war is being 'sold' to the public much like any over-the-counter drug. The stencil technique used by Frost is a hallmark of street art, allowing for sharp, precise lines often associated with mass-produced items, further emphasizing the piece's commentary on commercialism. The artist's use of spray paint and acrylic lends the work a textured, layered look characteristic of graffiti art. This blend of materials and techniques is a deliberate choice by Frost to blur the lines between high art and street art, creating a piece that is accessible yet complex, with a finish that invites closer inspection. Cultural Impact and Collectibility Frost's "War 100 Tablets" is a visually striking piece and a collectible item within the art community. The limited number of panels produced, coupled with the hand-painted aspect, ensures that each piece within the series is unique. The AP designation indicates that the artist kept this piece as proof, marking it as an essential part of the edition's history. Collectors and enthusiasts of street pop art and graffiti artwork are often drawn to such pieces for their cultural relevance, investment potential, and as a means of supporting the arts. Frost's wWithical edge and contemporary style appeal to Frost's work to those looking to own art that speaks to the zeitgeist of the current era. Legacy and Influence Ben Frost's work, including "War 100 Tablets," contributes to the ongoing dialogue about the intersection of art, commerce, and social issues. By bringing the techniques and styles of street art into a fine art context, he challenges preconceived notions about the value and message of graffiti and street pop art. The artist's signature on the piece is a testament to its authenticity and his reputation in the art world, ensuring that it will remain a significant work for years to come. The "War 100 Tablets AP HPM Stencil on Board" by Ben Frost is a poignant critique of modern society, utilizing the visual strategies of street pop art and graffiti artwork to engage with contemporary issues. Its creation as a hand-painted multiple adds to its exclusivity and allure, marking it as a significant piece within the modern pop art movement and a valuable collector's item. Frost's astute blend of accessible art forms with nuanced social commentary ensures his work remains relevant and thought-provoking, inviting viewers to question and contemplate the world around them.

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In Patient Deck Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist Denial. 2021 Limited Edition of 75 Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck Size: 8.25 x 31.875 Inches Release: July 14, 2021 Denial is a Canadian artist who experiments with aerosol and stencil art, while his main fields of interest are consumerism, politics and the human condition in today’s society. Since the culture of graffiti was gaining more and more popularity in the US and Europe, the taggers had to be increasingly original in order to stand out. The signatures became bigger, more stylized and more colorful.

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LIE 13 Margaret Sanger Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2014 Signed & Numbered Limited Edition of 30 Artwork Size 18x24 Third International Eugenics, New York City, August 21-23 1932

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Dissection Of The Letter S Original Painting Mixed Media Framed On Paper by Nychos Graffiti Street Artist Modern Pop Art. 2013 Signed Original Mixed Media Acrylic Spray Paint Painting Artwork Size 40x48.5 “My dad and my grandpa were traditional Austrian hunters, so I think that is where some of my interest in anatomy comes from. Seeing a deer dissected for the first time was very inspiring for me. Seeing all the guts and intestines drop out, it was a bit crazy at first,” Nychos told Hypebeast while painting at the world’s premiere street art festival Pow Wow Hawaii earlier this year. “Using all of this anatomy I think have found something I can stick with and really go crazy on. It’s staying fresh for me because I am always finding new ways to do it.” -Nychos

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