Doctor/Medical/Medicine

Joker Brand- Green Pink Original One of a Kind Mixed Media Acrylic & Spray Paint Painting Artwork on Cradled Wood by Popular Street Graffiti Artist Ben Frost. 2022 ‘Joker Brand’ - Acrylic and spray paint on board - Green/Pink variant 60cm x 60cm (23.5 x 23.5 inches) Signed, titled and dated on the reverse

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Nefertiti Archival Pigment Fine Art Limited Edition Print on Velvet Cotton Fine Art Paper by Artist Nychos, Street Pop Art Graffiti Legend. 2021 Signed & Numbered Fine art print by NYCHOS Limited Edition of 111 Artwork Size 18.5x24 Nychos, a renowned figure in the realms of street art and pop graffiti, presents a mesmerizing portrayal of Nefertiti in this archival pigment fine art print. The artist is globally recognized for his distinctive style, where he often delves into the intricate anatomy of his subjects, blending a keen scientific accuracy with a vibrant, almost surreal aesthetic. This particular piece, titled "Nefertiti," is no exception. With a backdrop of a bold red circle, the artwork unveils the internal anatomy of the ancient Egyptian queen, juxtaposing the magnificence of her external beauty with the intricate maze of her internal physiology. The details, from the network of veins and arteries to the intricate bone structure, are meticulously laid out, capturing the viewer's attention instantly. The use of vivid colors against the dark backdrop further accentuates the details, making it a captivating visual experience. Crafted in 2021, this artwork is a testament to Nychos's unparalleled talent and his unique approach to street art. The print is made using high-quality archival pigment, ensuring longevity and retaining the vibrancy of the colors. Produced on velvet cotton fine art paper, the texture complements the depth and intricacy of the artwork. As a limited edition release, only 111 pieces have been produced, each measuring 18.5 x 24 inches. Every print is signed and numbered by Nychos, guaranteeing its authenticity and making it a sought-after piece for collectors and street art enthusiasts alike. The blend of ancient iconography with contemporary art techniques results in a piece that bridges epochs and challenges the viewer to see beyond the surface.

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Dissection of Popeye- Anatomy Sheet No 29 Hand-Pulled 1-Color Limited Edition Silkscreen Print on 300gsm Munken Pure Paper by Medical Pop Artist Nychos. 2018 Signed & Numbered Limited Edition of 200 11x17 Illustrated by NYCHOS 1-color Screen Print on 300 g/m² Munken Pure Paper Size: 11 x 17 Inches / 27,94 x 43,18 cm Limited Edition of 200 Year: 2018 Imprint & stamp of authenticity Numbered and signed by the artist The REM Anatomy Sheets focus on the anatomy of pop culture cartoon characters. In this new collection of black and white limited edition screenprints, Nychos lets the viewer engage with details of the anatomy of toons.

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Meat Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Jason Levesque. 2014 Signed & Numbered Limited Edition of 25 Artwork Size 12x12

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Pandemonium Hand-Pulled Deckled Color Silkscreen Print on Fine Art Paper by Desirable Artist Hijack Limited Edition Pop Art Artwork. 2020 Hand Numbered & Artist Stamped Limited Edition of 100 Hand-Deckled Artwork Size 22x22. Global Food Bank Covid Charity Print by Hijack. Introducing "Pandemonium" by Hijack: A Street Pop Art Reflection on Global Crisis Crafted amid the tumultuous era marked by the COVID-19 pandemic, the artwork "Pandemonium" by the street artist Hijack seizes the collective consciousness of a world grappling with uncertainty and upheaval. This piece is a hand-pulled, deckled color silkscreen print on fine art paper, embodying the artist's poignant response to the pandemic's impact on society. Hijack, whose real name remains part of his enigmatic persona, has become a notable figure in the contemporary street pop art and graffiti art scene, with works that often delve into the commentary on current events and social issues. The limited edition artwork, sized 22x22 inches, is a visual statement and a philanthropic endeavor, with its proceeds aimed at supporting global food banks during the pandemic. As a part of a limited run of 100 pieces, each hand-numbered and stamped by the artist, "Pandemonium" becomes a collectible piece of history, immortalizing the zeitgeist of the early 2020s. Symbolism and Technique in Hijack's "Pandemonium" "Pandemonium" exudes a striking balance between the immediacy of graffiti art and the calculated precision of pop art silkscreen printing. The image portrays a figure in protective gear, the silhouette and posture reminiscent of a healthcare worker and a biohazard cleaner. This duality highlights the frontline reality of the pandemic. The use of bright colors against the monochrome background draws attention to the subject and infuses the piece with a sense of vibrancy amidst the darkness, a hallmark of street pop art's capacity to find beauty and meaning in the grim and mundane. The fine art paper serves as the urban canvas for Hijack, much like the walls and alleyways of the cityscape serve other graffiti artists. The deckled edges of the paper echo the often rough and transient nature of street art, offering a contrast to the permanence that the limited edition print signifies. It is this interplay of the brief with the enduring that Hijack navigates through "Pandemonium," reflecting on the fleeting nature of the pandemic while capturing a moment in time that will be indelibly etched in history. The Cultural Resonance of "Pandemonium" in Street Art Discourse In the broader discourse of street pop art and graffiti artwork, "Pandemonium" resonates as a cultural artifact, a beacon of the times. The work emulates how street artists have historically used public spaces and accessible mediums to reflect societal sentiments, provoke thought, and inspire action. Hijack's choice to contribute to a global charity through his art reflects a tradition within street art to not only comment on social issues but also actively participate in societal change. The image's depiction of the character with a spray bottle labeled "COVID-19" evokes a sense of action and responsibility, an acknowledgment of the collective efforts to 'cleanse' the world of the viral threat. This representation goes beyond mere aesthetics; it is a rallying cry, a nod to the resilience of humanity in the face of a global crisis, and a testament to the role of art in documenting, responding to, and healing communal traumas. As a piece of street pop art, "Pandemonium" stands out for its ability to capture the essence of an unprecedented global event while maintaining the stylistic and thematic elements that define the genre. Hijack's work is not just an artistic response to a pandemic; it is a historical record and a commentary on the human condition, a reminder of the tumult and triumph that characterize our times. In the legacy of street art, "Pandemonium" will be remembered as a poignant reflection of the era it was created in, a testament to the power of art to encapsulate complex emotions and narratives. It is a visual dialogue between the artist and the world, a piece that speaks to the fear, hope, and indomitable spirit that has defined the human response to the COVID-19 pandemic. Through "Pandemonium," Hijack contributes to the rich tapestry of street pop art and graffiti artwork, which continues to evolve and resonate as a voice of the people in the public domain.

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Forsake PP Printer Proof Archival Print by Eddie Colla Limited Edition Print on 290gsm Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2020 Signed & Marked PP Limited Edition Artwork Size 16x20.5 Archival Pigment Fine Art Insight into "Forsake" by Eddie Colla "Forsake" is a striking Printer's Proof (PP) archival print by Eddie Colla, a figure renowned in pop, street, and graffiti art. Created in 2020, this piece is part of a limited edition series, each signed and marked by Colla to signify its authenticity and exclusivity. The artwork is presented on 290gsm Fine Art Paper, a choice that ensures the print's longevity and high-quality appearance, a critical factor for collectors and enthusiasts of street pop art. Measuring 16x20.5 inches, the print is a substantial size that allows viewers to engage with the intricate details and profound messages. Eddie Colla's Convergence of Street Art and Fine Art Eddie Colla has an established reputation for merging the raw, expressive energy of street art with the refined techniques of fine art. "Forsake" is a testament to his ability to navigate these two worlds, creating works that are both accessible and profoundly thought-provoking. The print's archival pigment ensures that the rich textures and nuanced shades are preserved, capturing the ephemeral nature of street art in a form that can be appreciated over time. The imagery of a masked figure in "Forsake" speaks to the contemporary global experience, resonating with themes of identity, resistance, and the human condition. Symbolism and Narrative in Colla's Work In this piece, the subject's gaze is direct and unyielding, a powerful focal point amid smudged ink and abstract forms. The mask, a symbol now indelibly linked to the era of the COVID-19 pandemic, carries implications of silence, anonymity, and the struggle to communicate in a world where much of our expression is hidden. Colla's choice of text—"After forgetting you, they will call you now with their tricks"—introduces a narrative of rediscovery and the cyclical nature of societal memory and attention. The mixed media approach employed by Colla, blending photography with graphic elements, is a hallmark of his style. This method allows for a layering of meaning, just as layers of posters and graffiti accumulate on city walls, each telling a different story. "Forsake" invites the viewer to peel back these layers and explore the depth of Colla's narrative. This depth sets Eddie Colla's work apart, imbuing it with a sense of urgency and relevance, which is the power of street pop art. The artwork's message and medium reflect Colla's commitment to street pop art as social commentary. By bringing the transient art forms of the streets into the permanence of fine art prints, Colla bridges the divide between high art and public art. His work is a reminder that the messages conveyed through street art have a place in the ongoing cultural discourse, deserving of preservation and reflection. "Forsake" is a compelling piece within Eddie Colla's oeuvre, encapsulating his vision of street pop art and graffiti artwork as a form of visual impact and a means of communication and connection. It is a vibrant example of how street art can be elevated to a platform where it can be engaged on a level that transcends the boundaries of traditional art forms. Through works like "Forsake," Eddie Colla continues challenging perceptions, provoking dialogue, and fostering a deeper understanding of our collective experiences.

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Covid No 19- Sarcelle Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2021 Signed & Numbered Limited Edition of 19 Sarcelle Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial’s COVID No. 19: Luxury Branding in the Age of Global Crisis Denial’s COVID No. 19 is a striking archival pigment print released in 2021 as a limited edition of 19, each hand-signed, numbered, and stamped on 290gsm MOAB fine art paper. The work appropriates the form of a Chanel No. 5 perfume bottle, replacing its iconic label with a fictional product name: COVID No. 19 Hand Sanitizer. Rendered with hyper-clean digital precision, the image reconfigures the aesthetics of high fashion to comment on the absurdities of pandemic-era consumerism. The hand sanitizer bottle is presented with all the visual authority of a luxury good, transforming an object of necessity into a parody of status and desire. At the core of this piece is a brutal cultural observation: during a global health emergency, everyday tools of survival—like sanitizer and masks—were elevated to symbols of identity, fashion, and economic access. Denial’s rebranding of Chanel’s perfume into a virus-era commodity confronts this shift head-on. The artwork doesn’t merely lampoon luxury—it reveals how systems of marketing can absorb trauma, repackage it, and sell it back to the public. The Chanel-style labeling is clinical yet elegant, a nod to how visual minimalism often masks corporate manipulation. Commercial Aesthetics as Subversive Weaponry Denial’s artistic strategy centers on the theft and recontextualization of commercial language. With COVID No. 19, the use of vector-sharp line work, realistic light reflections, and exacting product design mimics advertising to the point of deception. This imitation is intentional. The viewer is meant to initially read the image as authentic—something from a fashion magazine or cosmetics campaign—before the irony of the label snaps into focus. The dissonance between form and content invites a critique of the capitalist tendency to aestheticize suffering. This visual methodology ties directly into the ethos of Street Pop Art & Graffiti Artwork. Denial’s roots in unauthorized public messaging and subcultural image disruption remain present, even as the work exists in a fine art format. The absence of spray drips or rough textures does not diminish the rebellion. Instead, it retools the graphic language of commercial persuasion to undermine itself from within. What looks like a product pitch is, in fact, a visual accusation. The pandemic is not the subject—it is the branding of the pandemic that comes under fire. Street Pop Art as Pandemic Documentation COVID No. 19 operates as both satire and historical record. It captures a cultural moment when survival tools became luxury statements, when scarcity was linked to exclusivity, and when branding extended even to medical supplies. Denial’s artwork speaks to the way modern crises are not only experienced but marketed—how the fear of illness was filtered through the same systems that sell beauty, fashion, and lifestyle. The sanitizer bottle becomes a symbol not of protection, but of consumption. By fusing the iconography of fashion with the reality of a global pandemic, Denial forces the viewer to reconsider the boundaries between design and ethics, branding and survival. The visual simplicity of COVID No. 19 hides a layered indictment of how quickly commercial aesthetics can strip events of meaning. In the tradition of Street Pop Art & Graffiti Artwork, this piece turns familiar symbols against themselves, exposing the fragility of culture’s glossy surfaces when confronted with real human urgency.

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Covid No 19- Rouge Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2021 Signed & Numbered Limited Edition of 19 Rouge Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial’s COVID No. 19: Luxury Branding in the Age of Global Crisis Denial’s COVID No. 19 is a striking archival pigment print released in 2021 as a limited edition of 19, each hand-signed, numbered, and stamped on 290gsm MOAB fine art paper. The work appropriates the form of a Chanel No. 5 perfume bottle, replacing its iconic label with a fictional product name: COVID No. 19 Hand Sanitizer. Rendered with hyper-clean digital precision, the image reconfigures the aesthetics of high fashion to comment on the absurdities of pandemic-era consumerism. The hand sanitizer bottle is presented with all the visual authority of a luxury good, transforming an object of necessity into a parody of status and desire. At the core of this piece is a brutal cultural observation: during a global health emergency, everyday tools of survival—like sanitizer and masks—were elevated to symbols of identity, fashion, and economic access. Denial’s rebranding of Chanel’s perfume into a virus-era commodity confronts this shift head-on. The artwork doesn’t merely lampoon luxury—it reveals how systems of marketing can absorb trauma, repackage it, and sell it back to the public. The Chanel-style labeling is clinical yet elegant, a nod to how visual minimalism often masks corporate manipulation. Commercial Aesthetics as Subversive Weaponry Denial’s artistic strategy centers on the theft and recontextualization of commercial language. With COVID No. 19, the use of vector-sharp line work, realistic light reflections, and exacting product design mimics advertising to the point of deception. This imitation is intentional. The viewer is meant to initially read the image as authentic—something from a fashion magazine or cosmetics campaign—before the irony of the label snaps into focus. The dissonance between form and content invites a critique of the capitalist tendency to aestheticize suffering. This visual methodology ties directly into the ethos of Street Pop Art & Graffiti Artwork. Denial’s roots in unauthorized public messaging and subcultural image disruption remain present, even as the work exists in a fine art format. The absence of spray drips or rough textures does not diminish the rebellion. Instead, it retools the graphic language of commercial persuasion to undermine itself from within. What looks like a product pitch is, in fact, a visual accusation. The pandemic is not the subject—it is the branding of the pandemic that comes under fire. Street Pop Art as Pandemic Documentation COVID No. 19 operates as both satire and historical record. It captures a cultural moment when survival tools became luxury statements, when scarcity was linked to exclusivity, and when branding extended even to medical supplies. Denial’s artwork speaks to the way modern crises are not only experienced but marketed—how the fear of illness was filtered through the same systems that sell beauty, fashion, and lifestyle. The sanitizer bottle becomes a symbol not of protection, but of consumption. By fusing the iconography of fashion with the reality of a global pandemic, Denial forces the viewer to reconsider the boundaries between design and ethics, branding and survival. The visual simplicity of COVID No. 19 hides a layered indictment of how quickly commercial aesthetics can strip events of meaning. In the tradition of Street Pop Art & Graffiti Artwork, this piece turns familiar symbols against themselves, exposing the fragility of culture’s glossy surfaces when confronted with real human urgency.

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Alternative Medicine Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist Denial. Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck Size: 8.25 x 31.875 Inches Release: July 14, 2021 Denial has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continue to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.

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Rasselbande II- Chopped Eisodur Archival Pigment Fine Art Limited Edition Print on 300gsm Satin Matte White Paper by Artist Flying Fortress, Street Pop Art Graffiti Legend. 2020 Signed & Numbered Limited Edition of 10 Size 16.5x23.4 Artwork

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Ritalin Scar Archival Pigment Fine Art Limited Edition Print on 310gsm Photo Cotton Rag Paper by Artist Ben Frost, Street Pop Art Graffiti Legend. 2022 Signed & Numbered Limited Edition of 50 Artwork Size 12x12 Signed 2022 Edition of 50 ‘Ritalin Scar’ Archival Digital Print on Bauhaus 310gsm Photo Rag 100% Cotton Paper Embossed, signed and editioned by the artist 30cm x 30cm (12 x 12 inches) unframed. Ritalin Scar by Ben Frost: A Sharp Fusion of Pop Culture and Pharmaceuticals in Street Pop Art & Graffiti Artwork Ritalin Scar by Ben Frost is a powerful statement within the Street Pop Art & Graffiti Artwork movement. Released in 2022, this piece is an archival pigment fine art print created on Bauhaus 310gsm photo rag 100 percent cotton paper, a material known for its superior quality and durability. Measuring 30cm by 30cm, or 12 by 12 inches unframed, the artwork is part of a signed and numbered limited edition of only 50 pieces. Each print is individually embossed, signed, and editioned by Ben Frost, reinforcing its status as a highly collectible work. By placing the menacing figure of Scar from Disney's The Lion King onto a flattened Ritalin LA pharmaceutical box, Frost engages viewers in a provocative dialogue about societal perceptions of control, medication, and villainy through the visual language of pop culture. The Artistic Process and Provocative Themes of Ritalin Scar Ben Frost, an Australian artist widely recognized for his disruptive and confronting style, uses familiar characters and consumer brands to deliver bold social commentary. In Ritalin Scar, the artist strategically selects Scar, a character known for his cunning and treachery, and juxtaposes him against the backdrop of a pharmaceutical package designed for behavioral regulation. This combination invites critical reflection on how society views and manages perceived deviance, particularly in children. The use of archival digital print technology ensures that the vivid colors and sharp lines remain striking and durable over time, preserving the immediate impact of the work. By repurposing real-world packaging as his canvas, Frost magnifies the uneasy relationship between commercialism and personal identity, a theme that resonates deeply within the Street Pop Art & Graffiti Artwork tradition. Ben Frost’s Influence on Contemporary Street Pop Art & Graffiti Artwork Ben Frost has built an international reputation for his provocative visual language that challenges societal norms and consumer culture. His body of work often combines elements of advertising, pharmaceuticals, and beloved cartoon imagery, making his style instantly recognizable. Through pieces like Ritalin Scar, Frost asserts Street Pop Art & Graffiti Artwork as a critical platform for addressing controversial issues. His manipulation of pop culture imagery disrupts the traditional narratives associated with these characters and products, transforming them into symbols of larger social commentary. Frost’s work captures the spirit of rebellion and critique that defines Street Pop Art & Graffiti Artwork, proving its capacity to provoke thought and spark conversation in an era of increasing media saturation. The Importance of Limited Edition Prints like Ritalin Scar Owning a limited edition print like Ritalin Scar offers collectors a tangible piece of contemporary cultural critique. The combination of Bauhaus 310gsm photo rag paper with archival digital printing ensures a museum-quality finish that honors the original vision of the artist. With only 50 copies released, each embossed, signed, and numbered by Ben Frost, the scarcity enhances the value and significance of the artwork. Street Pop Art & Graffiti Artwork thrives on exclusivity and authenticity, traits that are embedded into every aspect of this piece. Ritalin Scar not only showcases Frost’s distinctive style but also captures the enduring tension between pop culture, pharmaceutical influence, and personal autonomy, making it a standout work within contemporary pop and street art collections.

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Internal Growth Frames- Orange Original Mixed Media Resin & Flower Sculpture Artwork by graffiti Street Artist Jenna Morello Modern Pop Artwork. 2021 Signed One of a Kind Framed Original Art Pill Individually framed Internal Growth pill. The pill is cast with real elements from nature. Measures 5 x 3 3/4 x 2 inches Museum-quality frame, comes signed.

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Covid No 19- Bleue Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2021 Signed & Numbered Limited Edition of 19 Bleue Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial’s COVID No. 19: Luxury Branding in the Age of Global Crisis Denial’s COVID No. 19 is a striking archival pigment print released in 2021 as a limited edition of 19, each hand-signed, numbered, and stamped on 290gsm MOAB fine art paper. The work appropriates the form of a Chanel No. 5 perfume bottle, replacing its iconic label with a fictional product name: COVID No. 19 Hand Sanitizer. Rendered with hyper-clean digital precision, the image reconfigures the aesthetics of high fashion to comment on the absurdities of pandemic-era consumerism. The hand sanitizer bottle is presented with all the visual authority of a luxury good, transforming an object of necessity into a parody of status and desire. At the core of this piece is a brutal cultural observation: during a global health emergency, everyday tools of survival—like sanitizer and masks—were elevated to symbols of identity, fashion, and economic access. Denial’s rebranding of Chanel’s perfume into a virus-era commodity confronts this shift head-on. The artwork doesn’t merely lampoon luxury—it reveals how systems of marketing can absorb trauma, repackage it, and sell it back to the public. The Chanel-style labeling is clinical yet elegant, a nod to how visual minimalism often masks corporate manipulation. Commercial Aesthetics as Subversive Weaponry Denial’s artistic strategy centers on the theft and recontextualization of commercial language. With COVID No. 19, the use of vector-sharp line work, realistic light reflections, and exacting product design mimics advertising to the point of deception. This imitation is intentional. The viewer is meant to initially read the image as authentic—something from a fashion magazine or cosmetics campaign—before the irony of the label snaps into focus. The dissonance between form and content invites a critique of the capitalist tendency to aestheticize suffering. This visual methodology ties directly into the ethos of Street Pop Art & Graffiti Artwork. Denial’s roots in unauthorized public messaging and subcultural image disruption remain present, even as the work exists in a fine art format. The absence of spray drips or rough textures does not diminish the rebellion. Instead, it retools the graphic language of commercial persuasion to undermine itself from within. What looks like a product pitch is, in fact, a visual accusation. The pandemic is not the subject—it is the branding of the pandemic that comes under fire. Street Pop Art as Pandemic Documentation COVID No. 19 operates as both satire and historical record. It captures a cultural moment when survival tools became luxury statements, when scarcity was linked to exclusivity, and when branding extended even to medical supplies. Denial’s artwork speaks to the way modern crises are not only experienced but marketed—how the fear of illness was filtered through the same systems that sell beauty, fashion, and lifestyle. The sanitizer bottle becomes a symbol not of protection, but of consumption. By fusing the iconography of fashion with the reality of a global pandemic, Denial forces the viewer to reconsider the boundaries between design and ethics, branding and survival. The visual simplicity of COVID No. 19 hides a layered indictment of how quickly commercial aesthetics can strip events of meaning. In the tradition of Street Pop Art & Graffiti Artwork, this piece turns familiar symbols against themselves, exposing the fragility of culture’s glossy surfaces when confronted with real human urgency.

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2018 W Breast Cancer Awareness $5- MS 70 | NGC First Pink Gold Five Dollar Graded Coin Authentic Collectible Commemorative Rare Slabbed World Coin Early Releases.  This 2018 W Breast Cancer Awareness $5 commemorative coin represents a significant piece of numismatic history. Graded MS 70 by NGC, this pink gold five-dollar piece showcases exceptional preservation and striking quality. As part of the early releases from the West Point Mint, it combines numismatic value with meaningful purpose, honoring breast cancer awareness. The coin's pristine condition and limited mintage make it a sought-after addition to any serious collection. Authenticated and professionally slabbed for protection and verification of grade, this rare commemorative offers both historical significance and investment potential for discerning collectors.

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