Drowning

6 artworks

  • Caught Fire Blue Yellow B-Side Silkscreen Print by Faile

    Faile Caught Fire Blue Yellow B-Side Silkscreen Print by Faile

    Caught Fire Blue Yellow B-Side Silkscreen Print by Faile HPM 4-Color Hand-Pulled With Stencil on 310 gsm Coventry Rag. 2022 Signed & Numbered Limited Edition of 22 HPM Artwork Size 31x39 Caught Fire: Yellow/Pink 31 x 39 Inches / Edition of 22 Acrylic and Silkscreen Ink on Archival Paper Signed, Stamped and Embossed FAILE 20222022 Holiday release. A new image and edition that's been waiting to find its way into the world. These are heavy multi-layered prints from the studio. Each a little different given the handprinted qualities and a fun B-Side print as well.

    $6,303.00

  • Caught Fire Yellow Pink B-Side Silkscreen Print by Faile

    Faile Caught Fire Yellow Pink B-Side Silkscreen Print by Faile

    Caught Fire Yellow Pink B-Side Silkscreen Print by Faile HPM 4-Color Hand-Pulled With Stencil on 310 gsm Coventry Rag. 2022 Signed & Numbered Limited Edition of 22 HPM Artwork Size 31x39 Caught Fire: Yellow/Pink 31 x 39 Inches / Edition of 22 Acrylic and Silkscreen Ink on Archival Paper Signed, Stamped and Embossed FAILE 20222022 Holiday release. A new image and edition that's been waiting to find its way into the world. These are heavy multi-layered prints from the studio. Each a little different given the handprinted qualities and a fun B-Side print as well.

    $6,303.00

  • Deep Sleep Giclee Print by Logan Hicks

    Logan Hicks Deep Sleep Giclee Print by Logan Hicks

    Deep Sleep Artwork Giclee Limited Edition Print on Fine Art Rag Paper by Pop Culture Graffiti Artist Logan Hicks. 28 x 22 inch Archival Pigment print on 310 gsm Fine art paper All prints are signed and numbered Edition of 40 + 4 AP's Logan Hicks is an American stencil artist, currently living and working in Los Angeles, California. His hand-cut stencil process involves cutting a separate stencil for each color, then layering each color upon the next until the final piece emerges, often hundreds of hours later, as a hyper-realistic masterpiece. Originally a screen printer, Logan sold off his equipment to finance his migration from the East Coast to the West Coast, turning to stenciling to re-invigorate his printing.

    $352.00

  • Escape Original Mixed Media Painting by Snik

    Snik Escape Original Mixed Media Painting by Snik

    Escape Original Mixed Media Painting by Snik One of a Kind Artwork Framed on Panel by Street Art Pop Artist. 2018 Signed Mixed Media Painting Original Artwork Size 15.5x9.5 Framed 18.5x11.5 Escape by Snik – Frozen Descent and Poetic Stillness in Street Pop Art & Graffiti Artwork Escape is a 2018 original mixed media painting by the UK-based artist duo Snik, measuring 15.5 x 9.5 inches and presented in a custom frame at 18.5 x 11.5 inches. Executed with meticulous stencil layering and spray technique on panel, this one-of-a-kind work captures a suspended female figure mid-fall or mid-flight, her body arched in a moment of release, struggle, or transcendence. The blackened background becomes a void, while the figure, rendered in stark tones and delicate surface detail, floats like a ghost tethered to the edge of control. Known for their hand-cut stencil mastery and emotionally charged portraiture, Snik creates a composition in Escape that embodies tension, grace, and haunting visual poetry. In the space of Street Pop Art & Graffiti Artwork, the piece speaks to physical fragility and spiritual rupture using only the language of form and light. Layered Craftsmanship and Dimensional Emotion Snik’s signature process is grounded in precision: each layer of stencil is hand-cut and individually sprayed, allowing for a depth of detail and realism that transforms the spray medium into something near sculptural. In Escape, the folds of the subject’s dress, the flowing strands of her hair, and the delicate articulation of her limbs are all built through this exacting method. Her body is both grounded and weightless—tied in places, partially obscured, with limbs caught between movement and stillness. The tension created by the ropes suggests confinement, yet her airborne posture evokes release. This duality is central to Snik’s visual language: moments of beauty held within systems of restraint. In Street Pop Art & Graffiti Artwork, this emotional precision redefines what is possible with spray-based portraiture, pushing beyond the visual into the psychological. Blackened Void and Emotional Isolation The dark void that surrounds the figure in Escape is not merely background—it is conceptual space. It isolates the subject from any specific setting or context, forcing the viewer to focus only on form and feeling. This stark negative space amplifies the floating quality of the figure, making her appear suspended in thought or dream, rather than trapped by gravity. Subtle surface textures, fine spray line edges, and highlights along the limbs and fabric folds reveal a practiced control of light and atmosphere. The blackness becomes a mirror to the unknown—symbolic of trauma, transcendence, or the silent aftershock of an escape long attempted. This use of minimalism within Street Pop Art & Graffiti Artwork shows how absence can become as emotionally potent as visual excess. Snik and the Anatomy of Release Escape distills everything Snik is known for: masterful technique, female-centered storytelling, and a persistent exploration of emotional stillness through physical motion. The work is theatrical but never overdone, symbolic but rooted in real feeling. It reflects themes of vulnerability, personal confinement, and the bittersweet sensation of letting go. With Escape, Snik reaffirms their ability to create work that is both compositionally exact and emotionally unflinching. The piece invites viewers to interpret their own version of what is being fled from or toward, using only the pose, the silhouette, and the void. As a singular expression within Street Pop Art & Graffiti Artwork, Escape proves that beauty, when rendered with patience and purpose, can speak softly and still leave a lasting mark.

    $1,750.00

  • VIP Very Important Piece of Shit Dish Object Art by Joan Cornellà

    Joan Cornellà VIP Very Important Piece of Shit Dish Object Art by Joan Cornellà

    VIP Very Important Piece of Shit Object Art by Joan Cornellà Dish Ash Tray Limited Edition Designer Collectible Pop Artist Artwork. 2024 Limited Edition of 200 Rare Mixed Media Ash Tray Dish Art Object Size 5.9x1.57 New in Box Artwork. Embossed Silver Letters VIP Very Important Piece of Shit with Floating Head. 23A074JCCR Tray VIP Very Important Piece of Shit Dish Ash Tray by Joan Cornellà The VIP Very Important Piece of Shit Dish Ash Tray by Joan Cornellà is a provocative and darkly humorous art object that exemplifies the artist's signature style of blending absurdity with critical commentary. Released in 2024 as a limited edition of just 200 pieces, this collectible mixed media ashtray dish measures 5.9x1.57 inches and features embossed lettering that reads "Very Important Piece of Shit" encircling the tray. A floating sculptural head in the center adds a surreal and unsettling touch, making this piece a striking conversation starter and a highly sought-after collectible. A Satirical Take on Luxury and Value Cornellà’s VIP Dish Ash Tray critiques notions of importance, luxury, and societal value with its audacious design. The polished, reflective surface of the tray creates an air of sophistication, while the irreverent text juxtaposes the appearance of opulence with a blunt and comedic statement. The floating head in the center reinforces Cornellà’s penchant for the absurd, transforming a functional item into an art object that challenges traditional ideas of worth and exclusivity. The piece plays with the tension between the grotesque and the glamorous, characteristic of Cornellà’s distinctive artistic voice. The Vision of Joan Cornellà Joan Cornellà, a Spanish artist known for his unsettling and satirical works, has garnered international acclaim for his bold commentary on modern society. His art often explores themes of consumerism, identity, and human behavior through a lens of dark humor and minimalist design. The VIP Dish Ash Tray reflects Cornellà’s ability to provoke thought while maintaining a playful and accessible aesthetic. By turning an everyday object into a piece of art, he invites viewers to reconsider the boundaries of functionality and artistic expression. A Rare Collectible and Statement Piece This limited-edition art object, with only 200 pieces produced, is a rare collectible that appeals to fans of street pop art and contemporary design. The combination of mixed media elements, including the polished metal and sculptural centerpiece, makes the dish ashtray a versatile addition to any art collection or modern décor. Packaged new in a custom-designed box, the piece is not only visually striking but also highly collectible due to its exclusivity and connection to Joan Cornellà’s celebrated body of work. The VIP Very Important Piece of Shit Dish Ash Tray by Joan Cornellà embodies the artist’s ability to merge satire with sophistication. With its unique design and sharp critique of societal norms, this limited-edition art object is a must-have for collectors of street pop art and fans of Cornellà’s unmistakable style. It is a powerful statement on value, perception, and the absurdities of modern culture.

    $420.00

  • Cacophony Giclee Print by Jolene Lai

    Jolene Lai Cacophony Giclee Print by Jolene Lai

    Cacophony Fine Street Artwork Limited Edition Giclee Print on 290gsm Coventry Rag Paper by Urban Graffiti Modern Artist Jolene Lai. 2017 Jolene Lai 'Cacophony' Edition of 25 16x20 inches (40.6x50.8cm) Fine art print on 290gsm paper Signed and numbered by the artist Printed by Static Medium

    $217.00

Drowning Graffiti Street Pop Art

Drowning as a Visual Metaphor in Street Pop Art & Graffiti Artwork

Drowning has emerged as a recurring theme in Street Pop Art & Graffiti Artwork, often symbolizing emotional overwhelm, psychological collapse, or societal pressure. Artists across the world have adopted this motif to explore mental health, loss of control, and the sensation of being submerged by forces internal or external. Whether depicted literally—figures sinking beneath waves—or abstractly—bodies tangled in pattern, ink, or texture—the act of drowning becomes a visual metaphor for invisibility, isolation, and unresolved trauma. Unlike romanticized water imagery, these portrayals are confrontational, using the immediacy of street and pop language to force reflection on distress that is rarely visible on the surface.

Submerged Identity and Visual Distortion

In graffiti murals and pop-inspired stencils, drowning figures are often portrayed with blurred outlines, submerged faces, or collapsing bodies. These visual techniques echo the distortion of voice and identity that accompanies anxiety or despair. The waterline becomes a boundary between being seen and being lost. Artists may paint over portions of faces, submerge text, or render limbs in waves of fragmented geometry. These stylistic decisions align with the graphic tools of street art—bold silhouettes, limited palettes, and dynamic form—to evoke the physical sensation of drowning without relying on realism. Within Street Pop Art & Graffiti Artwork, this language becomes a way to reclaim inner crisis and project it outward, turning vulnerability into a public, politicized act of expression.

Emotional Collapse and Urban Pressure

The urban landscape—already loud, fast, and vertical—serves as the perfect backdrop for the theme of drowning. Large-scale murals of floating or sinking bodies against city backdrops highlight how densely populated environments can amplify feelings of emotional suffocation. Characters drowning in consumer logos, traffic patterns, or abstract forms of data visualization represent the psychological effect of modern life. Whether it is the drowning office worker with a briefcase or a child sinking into piles of advertisement scraps, these artworks critique the systems that weigh individuals down. In Street Pop Art & Graffiti Artwork, drowning is not only a personal metaphor—it is a social one, mapping internal collapse onto environmental structure.

Graffiti as Lifeline and Breath

While the imagery of drowning carries weight and sadness, many artists use it as a point of transformation. In some pieces, the water is cut by rays of light. In others, hands reach out from below, signaling survival or resistance. This duality reflects the essence of Street Pop Art & Graffiti Artwork—art that wrestles with despair while still creating space for hope. The act of putting pain on the wall is itself a breath, a surface above water. Through murals, stencils, and mixed media, artists reclaim control by visualizing what it means to drown and, by doing so, make it impossible to ignore. In this way, drowning becomes not just an end, but a deeply human cry for presence, connection, and air.

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© 2025 Sprayed Paint Art Collection,

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