Florida

Glow in the Dark Blue SuperKranky Limited Edition Superplastic Janky Vinyl Art Toy Collectible Artwork by Modern Design Artist Sket-One. GID Glow in the Dark Limited Run SuperKranky Janky Superplastic Vinyl Art Toy. 2021 This Wynwood Walls EXCLUSIVE partnership “GLOW IN THE DARK BLUE” glows n tha dark & shines brighter than the oiled up booties of Miami. This 8” vinyl masterpiece has a removable lid, real rattle, n behaves like an absolute BEACH

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Hello There Orange Original Spray Paint Art Can by Atomik Sculpture Drawing Artwork by Iconic Pop Culture Modern Artist.  2025 Signed Original Magic Marker Atomik Orange Smiling Face Reclaimed Spray Paint Can Painting Artwork Size 3x8 Hello There, Orange Original Spray Paint Art Can by Atomik The Hello There Orange Original Spray Paint Art Can by Atomik is a distinct piece of Street Pop Art & Graffiti Artwork that exemplifies the artist’s commitment to transforming ordinary objects into personalized statements of identity and expression. Created in 2025 and signed by the artist, this artwork is drawn directly on a reclaimed spray paint can using a magic marker. The work features the iconic grinning orange face that has become synonymous with Atomik’s visual language. With bold black linework over a used Montana spray can, the piece merges the raw energy of graffiti materials with the intimate immediacy of a hand-drawn illustration. Atomik’s instantly recognizable orange face peeks forward with oversized, cartoonish eyes and a mischievous smile, encapsulating the spirit of his Miami-based street art heritage. Reclaiming the Tools of Expression as Art Objects Spray paint cans are a staple in graffiti and street art culture. They are tools of resistance, freedom, and self-expression. Atomik’s decision to turn a spray can into the canvas itself reflects a deeper ethos in Street Pop Art & Graffiti Artwork. Rather than discarding the medium once emptied, he reclaims it—transforming the functional into the collectible. The resulting artwork stands as both an homage to graffiti’s tactile process and a rebellion against traditional notions of fine art. Every dent, scratch, and warning label on the can becomes part of the finished aesthetic, grounding the orange character in the lived reality of street-level artmaking. This practice not only preserves a piece of graffiti history but recasts it as a standalone object worthy of admiration and discourse. The Smiling Orange and the Miami Identity The smiling orange has its roots in Atomik’s personal response to the demolition of Miami’s beloved Orange Bowl stadium, a landmark of civic pride. Atomik reimagined the orange as a graffiti character that pays tribute while asserting a uniquely Floridian flavor. Over the years, it has appeared on freight trains, abandoned buildings, and murals, becoming one of the most widely recognized characters in contemporary graffiti. On this specific spray paint can, the orange floats in contrast against a sea of fine print, warnings, and hazard symbols. This juxtaposition of regulatory text and unruly character speaks to the tension between control and freedom, legality and expression. It also reflects the artist’s ongoing commentary on reclaiming space and materials for cultural storytelling. Graffiti as Sculpture and Collectible Commentary This hand-drawn reclaimed can is not only a visual piece but a sculptural one. The cylindrical form allows the artwork to live in three dimensions, giving viewers the opportunity to see how street art evolves when it enters a more permanent and collectible format. Unlike traditional canvas or digital prints, the use of the spray can physically and conceptually connects the viewer to the graffiti process. Atomik’s signature on the base further authenticates the piece, anchoring it in his artistic lineage and practice. As Street Pop Art & Graffiti Artwork continues to push boundaries, works like the Hello There Orange Spray Can stand at the forefront, showing that even a once-discarded object can become a celebrated artifact when touched by the right artist’s hand.

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Hungry Eyes Original Pen Pencil Paint Drawing by Atomik Modern Street Pop Artwork. 2025 Signed Original Ink Paint Pencil Graphite on Paper Drawing Size 5x8 of the Famous Miami Florida Atomik Orange. Hungry Eyes Original Drawing by Atomik: A Raw Expression of Graffiti Culture in Street Pop Art The 2025 piece titled Hungry Eyes by Miami-based graffiti artist Atomik is a potent example of raw Street Pop Art & Graffiti Artwork captured in traditional media. Known globally for his animated orange character, Atomik channels his origins from the streets of Florida into this expressive 5x8 inch work executed in pen, pencil, ink, and white paint on paper. The drawing preserves the energetic curves, exaggerated facial features, and strong iconography that define his visual language, yet it diverges by focusing on depth, texture, and mood rather than public wall space or train cars. This signed original holds particular weight because it brings Atomik’s explosive style into a more intimate and tactile dimension, highlighting the same mischievous gaze and stylized emotion that viewers typically encounter on a city wall or boxcar. The Miami Influence and the Evolution of Atomik’s Orange Atomik, born and based in Miami, Florida, has been a key figure in the visual evolution of graffiti across the southeastern United States. His signature orange character was born out of a tribute to a lost local landmark—the Miami Orange Bowl—and has since morphed into a universal symbol of urban rebellion, humor, and resilience. Hungry Eyes strips down that icon into its most fundamental parts. Drawn with ballpoint pen, graphite, and accented with sharp white strokes, this piece introduces nuance and technique often overlooked in outdoor works. Swirls and crosshatch marks surround and define the facial contours, merging classical drawing skills with street sensibility. The background of kraft-tone paper gives the composition a raw, unpolished energy, consistent with the artist’s handstyle and sense of immediacy. Even in this format, the image demands attention as if it were wheatpasted across a city block. Street Pop Art Translated to Fine Drawing While Atomik’s graffiti legacy is built upon bright enamel hues and fatcap spray lines across highly visible surfaces, Hungry Eyes functions as an alternate lens into the graffiti psyche—quiet, detailed, and full of coded visual emotion. The angular ink strokes channel years of tagging and can control, while the whimsical circular gradients embedded in the eyes mimic bubble letters and aerosol flares. The use of hand-drawn highlights instead of reflective gloss draws from a comic-book aesthetic while simultaneously staying grounded in graffiti's DIY tradition. This drawing proves that Street Pop Art & Graffiti Artwork can exist with just as much presence and weight on paper as it does on steel or concrete. Signature and Collectibility in Contemporary Street Art The reverse of the artwork is inscribed in pencil with the artist’s signature, a stylized flourish of the name Atomik and the date 25. This mark authenticates the piece not only in terms of authorship but also as a deliberate object within the continuum of street artist editions and originals. Collectors and fans of graffiti culture recognize works like Hungry Eyes as evidence that street artists are not limited to spray paint and murals. Atomik’s ability to transfer his identity onto fine art media makes this piece a collector-worthy addition for any serious archive of modern graffiti or pop-inspired street visuals. The drawing stands as a reminder that graffiti is not only about location or defiance—it is about mark-making, identity, and the ability to repurpose commercial and personal symbols into resonant visual statements.

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