Flowers & Plants

4 artworks


  • Cosmos Offset Lithograph Print by Takashi Murakami TM/KK Cosmos Offset Lithograph Print by Takashi Murakami TM/KK

    Takashi Murakami TM/KK Cosmos Offset Lithograph Print by Takashi Murakami TM/KK

    Cosmos Offset Lithograph Print by Takashi Murakami TM/KK Hand-Pulled Print on Custom Framed Satin Wove Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 2000 Signed & Numbered Limited Edition of 300 Artwork Size 23.5x23.5 Framed 32x32 Takashi Murakami (b. 1962) Cosmos, 2000 Offset lithograph in colors on smooth wove paper 23-3/8 x 23-3/8 inches (59.4 x 59.4 cm) (sheet) Ed. 125/300 Signed and numbered in ink lower right Published by Kaikai Kiki Co. Ltd., Tokyo Print Grade: 10/10 Matted and framed under acrylic. No apparent condition issues. Not examined out of frame. Framed Dimensions 32 X 32 Inches The "Cosmos" offset lithograph print by Takashi Murakami, created in collaboration with Kaikai Kiki in 2001, is a fine example of the Japanese artist's unique and influential work. Murakami is known for his signature "Superflat" style, which is characterized by a blend of Japanese pop culture, traditional art, and Ms Flower flowers.. In the "Cosmos" print, Murakami explores the concept of the universe, with vibrant colors, bold lines, and intricate patterns. The artwork is populated by his iconic Ms FLowerand motifs, such as smiling flowers and vines, which are deeply rooted in Japanese manga, anime, and the otaku subculture. As an offset lithograph print, the piece is created using a printing technique that involves transferring an inked image from a plate to a rubber blanket and then onto the final printing surface, usually paper. This process allows for high-quality reproductions of the original artwork, making it more accessible to a wider audience. The "Cosmos" print is a sought-after piece by collectors and fans of Takashi Murakami's work. It showcases the artist's incredible ability to merge traditional and contemporary elements, creating a visually striking representation of the universe that is uniquely his own.

    $5,205.00

  • Red Carpet Imperial Original Oil Painting by Dred66- Tyree Davis Red Carpet Imperial Original Oil Painting by Dred66- Tyree Davis

    Dred66- Tyree Davis Red Carpet Imperial Original Oil Painting by Dred66- Tyree Davis

    Red Carpet Imperial Original Oil Painting by Dred66- Tyree Davis of a Kind of Artwork on Foam Core Mounted to Acrylic Sheet From Street Art Pop Artist. 2001 Signed Acrylic Painting Original Artwork Size 32x12 Depicting 2 People Sharing a Meal at a Table with Wine Over a Massive Red Carpet. Tagged, Signed, Dated, and titled on the Back. Imperial / Red Carpet / Dred66 / March 2001 Essence of "Red Carpet Imperial" by Tyree Davis "Red Carpet Imperial" stands as a remarkable testament to the artistic prowess of Tyree Davis, known in the street pop art and graffiti artwork community as Dred66. This original oil painting, a one-of-a-kind artwork on foam core mounted to an acrylic sheet, exemplifies the fusion of street art aesthetics with the traditional oil painting medium. Created in 2001, this signed acrylic painting stretches across a sizeable 32x12 canvas, depicting a scene that is both intimate and grandiose — two people sharing a meal at a table with a wine bottle over a massive red carpet. Davis's "Red Carpet Imperial" encapsulates the ethos of street pop art by bringing the personal into the public sphere. The subjects of the painting — two individuals engaged in the simple act of sharing a meal — are universal in their relatability. Yet, they are set against a backdrop that speaks to grandeur and excess. This contrast sketched out in the earthy yet bold tones of the oil paints, evokes a narrative that is both a celebration and a critique of cultural and social dynamics. It's a snapshot of life that is as much about the environment as it is about the individuals within it. Signature Style of Dred66 and Artistic Influence Tyree Davis's signature style is evident in how "Red Carpet Imperial" harmonizes street art's raw energy with a gallery piece's sophistication. The painting carries the hallmarks of graffiti in its background — tagged, signed, and dated by the artist, which is a nod to the graffiti tradition of artists marking their territory and claiming space. This element of the artwork connects the practice of street art with the established conventions of fine art, creating a dialogue between two worlds often seen as disparate. The tactile quality of the foam core gives the painting a three-dimensional feel. At the same time, the mounting on an acrylic sheet provides a modern twist, suggesting the protective glazing found in street art installations. These material choices by Davis reflect a thoughtful consideration of medium and message, ensuring that "Red Carpet Imperial" resonates with the authenticity of street art even as it occupies a different physical and conceptual space. In "Red Carpet Imperial," Davis offers a cultural commentary that is as relevant today as it was at the beginning of the millennium. The work's title, 'Imperial,' hints at a critique of societal structures and the seduction of luxury, a theme deep in street pop art's veins. The painting invites viewers to reflect on the disparities and contradictions that pervade modern life by placing an everyday scene in a context that implies wealth and luxury. Moreover, the painting's year of creation, 2001, situates it at a time when street art began gaining widespread recognition as a legitimate art form. Tyree Davis contributed to this burgeoning recognition through his work, bridging the gap between the street and the gallery and challenging preconceived notions about the value and place of graffiti and street pop art in the art historical canon. Legacy and Continuing Influence Tyree Davis's "Red Carpet Imperial" legacy continues influencing the street art community and the broader art world. It stands as a powerful example of how the aesthetics and themes of street pop art can be translated into different mediums and settings, maintaining their impact and resonance. Davis's work invites ongoing discourse about the intersections between art, culture, and society through its bold visual language and underlying social commentary. This conversation is as vital now as it was two decades ago. "Red Carpet Imperial" is more than just a painting; it is a piece of social fabric, a historical document, and a beacon of street pop art's enduring power to communicate, challenge, and captivate. Tyree Davis, as Dred66, has crafted an artwork that is both a reflection and a critique of the world it inhabits, securing his place in the annals of street pop art history.

    $5,000.00

  • Cube Offset Lithograph Print by Takashi Murakami TM/KK Cube Offset Lithograph Print by Takashi Murakami TM/KK

    Takashi Murakami TM/KK Cube Offset Lithograph Print by Takashi Murakami TM/KK

    Cube Offset Lithograph Print by Takashi Murakami TM/KK Hand-Pulled Print on Custom Framed Satin Wove Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 2001 Signed & Numbered Limited Edition of 300 Artwork Size 23.5x23.5 Framed 32x32 Takashi Murakami (b. 1962) Cube, 2001 Offset lithograph in colors on satin wove paper 23-1/2 x 23-1/2 inches (59.7 x 59.7 cm) (sheet) Ed. 133/300 Signed and numbered in ink lower right Published by Kaikai Kiki, Ltd., Tokyo Print Grade: 10/10 No apparent condition issues. Not examined out of frame. Matted and framed under acrylic. Framed Dimensions 32 X 32 Inches Takashi Murakami is a renowned Japanese contemporary artist known for his unique blend of traditional Japanese art styles, such as ukiyo-e, with pop culture and Western influences. He has created a distinctive style often referred to as "Superflat" that features bold colors and graphic designs. The "Cube Offset Lithograph Print" by Takashi Murakami from 2001 is a limited edition print that features the artist's signature style vine with smiling flowers Ms Flower, with TM/KK being a reference to Takashi Murakami and Kaikai Kiki, his art production and management company. Cube Offset Lithograph is a type of printing method that produces high-quality reproductions of original artworks, often used for creating limited edition prints. Murakami's works are highly sought after by collectors and have been exhibited in prestigious museums and galleries worldwide. Owning a limited edition print like the "Cube Offset Lithograph Print" could be considered a valuable addition to an art collection.

    $5,205.00

  • Rising Archival Print by Faile

    Faile Rising Archival Print by Faile

    Rising Archival Print by Faile Limited Edition Print on 290gsm Entrada Cotton Rag Fine Art Paper Pop Artist Modern Artwork. 2022 Signed & Numbered Limited Edition of 350 Artwork Size 32x40 Archival Pigment Fine Art Rising Archival Print is an artwork created by Faile, a Brooklyn-based artistic collaboration between Patrick McNeil and Patrick Miller. Established in 1999, Faile has become known for their unique fusion of street art, graphic design, and fine art practices. Their works often include collage-like elements, stenciling, and screen printing, making use of various found imagery and typography. "Rising Archival Print" refers to a specific artwork within their portfolio, printed on archival-quality materials to ensure the longevity of the piece. Archival prints are produced using high-quality, acid-free paper and pigment-based inks that resist fading over time. This ensures that the colors and details of the artwork remain vibrant for many years.

    $4,802.00

Flower Street Pop Art & Graffiti Artwork
Flowers and plants have been central motifs in art for centuries, and their interpretation in Street Pop Art and graffiti Artwork is no exception. As subjects, they carry a wealth of symbolism and have been used to communicate a broad spectrum of ideas, from the transient nature of beauty to the endurance of growth. In the context of pop art, these natural elements were often rendered in a style that was antithetical to their organic origins, playing into the movement's fascination with commercialization and the banality of mass-produced goods. Artists like Andy Warhol and Roy Lichtenstein brought flowers and plants into the pop art conversation, turning them into repetitive, almost mechanical prints, challenging traditional aesthetics and the art world's elitism.

Floral Imagery in Pop Art

Pop art was known for embracing ordinary objects and its commentary on consumerism. Flowers in this genre were stripped of their individuality and reproduced en masse, much like the commodities they were meant to represent. This treatment of floral subjects underscored the pop art movement's preoccupation with the ideas of standardization and commodification.

Graffiti Art and Botanical Forms

In contrast to the controlled and commercialized depictions in pop art, graffiti artists use flowers and plants to bring a sense of the spontaneous and the organic into urban environments. These artists often choose floral subjects to oppose their harsh concrete canvases directly. The growth of a flower through a crack in the sidewalk is a powerful metaphor for the resilience of nature and is a frequent theme in street art, symbolizing hope and the reclaiming of space by natural beauty.

Street Art's Natural Aesthetic

Street artists have adopted and adapted the flower symbol as a personal tag or signature. The diversity of styles and interpretations among artists is vast, with some using photorealistic depictions of plants to criticize environmental issues. In contrast, others employ a more abstract or stylized approach to convey different messages or emotions. The public nature of street art means these works are not confined to galleries or private collections but are instead part of the everyday landscape, accessible to all.

Symbiosis of Urban and Natural

Street Pop Art and graffiti Artwork often create a symbiosis between the urban environment and the natural world. Flowers and plants depicted in these genres can transform dull or overlooked spaces into areas of interest and beauty. They also serve as a reminder of the natural world amid urban sprawl, offering a moment of reflection for the viewer.

Evolution of Botanical Motifs

The evolution of botanical motifs in street art and pop art reflects broader changes in societal attitudes toward the environment and urban living. As cities become more aware of the importance of green spaces, using plant imagery in street art becomes a visual representation of this shift in consciousness. It is a way for artists to participate in and sometimes lead the conversation on ecological and urban renewal.

Impact on Public Perception

The impact of these natural motifs on public perception and urban aesthetics cannot be overstated. Flowers and plants in street and pop art act not only as decoration but as integral parts of urban communities, shaping the identities of neighborhoods and influencing how residents and visitors interact with their environment.

Artistic Techniques and Media

The techniques and media used to depict these natural forms vary widely, from spray paint to stencils and from paste-ups to large-scale murals. Each method brings a different quality to the plant imagery and can alter its perception. Whether through a stencil's bold, solid colors or the intricate lines of freehand spray paint, the depiction of flowers and plants in street art is as diverse as the artists themselves.

Cultural and Social Significance

Culturally, incorporating flowers and plants into street and pop art has significant social implications. It can be a tool for community engagement, brightening up neglected areas, or making powerful statements about social and environmental issues. This art form is uniquely positioned to engage with the public on a grassroots level, often sparking discussions and inspiring community-driven initiatives.

Preservation and Documentation

While street art is inherently ephemeral, there has been a movement towards preserving and documenting these works. Photographs and books cataloging street art have become increasingly popular, ensuring that the temporary blooms on city walls are recorded and remembered.

Flowers & Plants in Graffiti Pop Art

In sum, flowers and plants as subjects in Street Pop Art and graffiti Artwork bridge the urban landscape and the natural world. They offer a visual respite from the concrete jungle and a reminder of the persistent force of nature. These motifs continue to evolve, capturing the imagination of artists and audiences alike and solidifying their place in the annals of contemporary art history.

© 2024 Sprayed Paint Art Collection,

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