Geometric Abstraction

15 artworks


  • Untitled Simulator Interface III Blotter Paper Archival Print by J Demsky

    J Demsky Untitled Simulator Interface III Blotter Paper Archival Print by J Demsky

    Untitled Simulator Interface III Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by J Demsky pop culture LSD artwork. "My first experience with the Lsd was if I remember correctly about 95-96. It was a small dose, probably a quarter of a "Lucas Duck" that were quite soft, the second was the same dose with a “Bicycle" and the experience was also smooth.Until one day the "Simpson double drop" appeared and it was different. We took half to be sure of the trip and we did not notice anything after almost an hour (at that time people also sold them fake) so we decided to take the other half, imagine what happened.We lost control and my friend ran away, I supposed to go his house and I did the same. But I remember it took me a while to open all three doors since the key was bent as if it were a magic trick.The first thing I did was turn on the TV and there was the movie "The Shining", I was only able to see some scenes but I remember the second time I watch it I thought they had deleted some scenes, you can imagine...Until dawn it was very intense. I think this was the last use I did LSD in a very long time.Now I can say that I have never dedicated myself to selling drugs, but I was very good at faking things and spent a while making "replicas" of sheets of some that were very soft (like “Marilyn Monroe’s" or "Strawberries”) I even used my own designs of things that he painted at that time.In these strange days I feel with a smile remembering those experiences and adding a double drop to these new sheets. :)" - J Demsky

    $406.00

  • Trip Blotter Paper Archival Print by Raws

    Raws Trip Blotter Paper Archival Print by Raws

    Trip Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Raws pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

    $406.00

  • Queen Of Bicycle Day Blotter Paper Archival Print by Ron English

    Ron English Queen Of Bicycle Day Blotter Paper Archival Print by Ron English

    Queen Of Bicycle Day Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Ron English pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

    $489.00

  • New Dawn Blotter Paper Archival Pigment Print by Ricky Watts

    Ricky Watts New Dawn Blotter Paper Archival Pigment Print by Ricky Watts

    New Dawn Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Ricky Watts pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

    $406.00

  • Untitled Simulator Interface I Blotter Paper Archival Print by J Demsky

    J Demsky Untitled Simulator Interface I Blotter Paper Archival Print by J Demsky

    Untitled Simulator Interface I Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by J Demsky pop culture LSD artwork. "My first experience with the Lsd was if I remember correctly about 95-96. It was a small dose, probably a quarter of a "Lucas Duck" that were quite soft, the second was the same dose with a “Bicycle" and the experience was also smooth.Until one day the "Simpson double drop" appeared and it was different. We took half to be sure of the trip and we did not notice anything after almost an hour (at that time people also sold them fake) so we decided to take the other half, imagine what happened.We lost control and my friend ran away, I supposed to go his house and I did the same. But I remember it took me a while to open all three doors since the key was bent as if it were a magic trick.The first thing I did was turn on the TV and there was the movie "The Shining", I was only able to see some scenes but I remember the second time I watch it I thought they had deleted some scenes, you can imagine...Until dawn it was very intense. I think this was the last use I did LSD in a very long time.Now I can say that I have never dedicated myself to selling drugs, but I was very good at faking things and spent a while making "replicas" of sheets of some that were very soft (like “Marilyn Monroe’s" or "Strawberries”) I even used my own designs of things that he painted at that time.In these strange days I feel with a smile remembering those experiences and adding a double drop to these new sheets. :)" - J Demsky

    $406.00

  • Untitled Simulator Interface IV Blotter Paper Archival Print by J Demsky

    J Demsky Untitled Simulator Interface IV Blotter Paper Archival Print by J Demsky

    Untitled Simulator Interface IV Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by J Demsky pop culture LSD artwork. "My first experience with the Lsd was if I remember correctly about 95-96. It was a small dose, probably a quarter of a "Lucas Duck" that were quite soft, the second was the same dose with a “Bicycle" and the experience was also smooth.Until one day the "Simpson double drop" appeared and it was different. We took half to be sure of the trip and we did not notice anything after almost an hour (at that time people also sold them fake) so we decided to take the other half, imagine what happened.We lost control and my friend ran away, I supposed to go his house and I did the same. But I remember it took me a while to open all three doors since the key was bent as if it were a magic trick.The first thing I did was turn on the TV and there was the movie "The Shining", I was only able to see some scenes but I remember the second time I watch it I thought they had deleted some scenes, you can imagine...Until dawn it was very intense. I think this was the last use I did LSD in a very long time.Now I can say that I have never dedicated myself to selling drugs, but I was very good at faking things and spent a while making "replicas" of sheets of some that were very soft (like “Marilyn Monroe’s" or "Strawberries”) I even used my own designs of things that he painted at that time.In these strange days I feel with a smile remembering those experiences and adding a double drop to these new sheets. :)" - J Demsky

    $406.00

  • Zen Blotter Paper Archival Print by Mike Giant

    Mike Giant Zen Blotter Paper Archival Print by Mike Giant

    Zen Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Mike Giant pop culture LSD artwork. Signed 2019 "The Zen graphic is a Zen circle, known as Enso. It represents absolute enlightenment, strength, elegance, the universe, and mu (the void). I often contemplated these things when I was a regular LSD user and always thought it would be a great image on acid tabs. This is 1 of 6 LSD graphics I illustrated in early 2017 after reminiscing about my days as a regular LSD user (at least once a week). 3 of the 6 graphics in this series were based on real LSD that I ate and sold. The other 3 are things I thought would work great as blotter art. I researched blotter art and found some that I remember eating and selling. The others I made up. They’re really special when compared to what I usually offer and I’ll bet they’ll be worth some money someday as this is the only time I’ve drawn LSD blotter art." - Mike Giant

    $406.00

  • Smiley Blotter Paper Archival Print by Mike Giant

    Mike Giant Smiley Blotter Paper Archival Print by Mike Giant

    Smiley Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Mike Giant pop culture LSD artwork. "The Smiley graphic is one of my graffiti throw-ups, a “GI”. I started writing it on walls in the mid-1990s. This is 1 of 6 LSD graphics I illustrated in early 2017 after reminiscing about my days as a regular LSD user (at least once a week). 3 of the 6 graphics in this series were based on real LSD that I ate and sold. The other 3 are things I thought would work great as blotter art. I researched blotter art and found some that I remember eating and selling. The others I made up. They’re really special when compared to what I usually offer and I’ll bet they’ll be worth some money someday as this is the only time I’ve drawn LSD blotter art." - Mike Giant

    $406.00

  • Check Mate Blotter Paper Archival Print by Tavar Zawacki- Above

    Tavar Zawacki- Above Check Mate Blotter Paper Archival Print by Tavar Zawacki- Above

    Check Mate Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Tavar Zawacki- Above pop culture LSD artwork. At the age of 19, Tavar moved to Paris, France, where he started painting his trademark arrow icon pointing 'above'. During the past 19 years, Tavar Zawacki has painted artworks in the streets of over 100 cities in 60 different countries around the world.

    $406.00

  • Sun Blotter Paper Archival Print by Mike Giant

    Mike Giant Sun Blotter Paper Archival Print by Mike Giant

    Sun Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Mike Giant pop culture LSD artwork. "The Sun graphic is based on LSD that I used to eat in the late 1990s. The only difference being the ones I ate were on yellow paper. This is 1 of 6 LSD graphics I illustrated in early 2017 after reminiscing about my days as a regular LSD user (at least once a week). 3 of the 6 graphics in this series were based on real LSD that I ate and sold. The other 3 are things I thought would work great as blotter art. I researched blotter art and found some that I remember eating and selling. The others I made up. They’re really special when compared to what I usually offer and I’ll bet they’ll be worth some money someday as this is the only time I’ve drawn LSD blotter art." - Mike Giant

    $406.00

  • Untitled Simulator Interface II Blotter Paper Archival Print by J Demsky

    J Demsky Untitled Simulator Interface II Blotter Paper Archival Print by J Demsky

    Untitled Simulator Interface II Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by J Demsky pop culture LSD artwork. "My first experience with the Lsd was if I remember correctly about 95-96. It was a small dose, probably a quarter of a "Lucas Duck" that were quite soft, the second was the same dose with a “Bicycle" and the experience was also smooth.Until one day the "Simpson double drop" appeared and it was different. We took half to be sure of the trip and we did not notice anything after almost an hour (at that time people also sold them fake) so we decided to take the other half, imagine what happened.We lost control and my friend ran away, I supposed to go his house and I did the same. But I remember it took me a while to open all three doors since the key was bent as if it were a magic trick.The first thing I did was turn on the TV and there was the movie "The Shining", I was only able to see some scenes but I remember the second time I watch it I thought they had deleted some scenes, you can imagine...Until dawn it was very intense. I think this was the last use I did LSD in a very long time.Now I can say that I have never dedicated myself to selling drugs, but I was very good at faking things and spent a while making "replicas" of sheets of some that were very soft (like “Marilyn Monroe’s" or "Strawberries”) I even used my own designs of things that he painted at that time.In these strange days I feel with a smile remembering those experiences and adding a double drop to these new sheets. :)" - J Demsky

    $406.00

  • Confusion Blotter Paper Archival Print by Raws

    Raws Confusion Blotter Paper Archival Print by Raws

    Confusion Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Raws pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

    $406.00

  • No Gravity Blotter Paper Archival Print by Angel Toren

    Angel Toren No Gravity Blotter Paper Archival Print by Angel Toren

    No Gravity Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Angel Toren pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

    $406.00

  • Jewel Blotter Paper Archival Print by Taylor White

    Taylor White Jewel Blotter Paper Archival Print by Taylor White

    Jewel Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Taylor White pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

    $406.00

  • AZ397 Trippin' Grey Blotter Paper Archival Print by Add Fuel

    Add Fuel AZ397 Trippin' Grey Blotter Paper Archival Print by Add Fuel

    AZ397 Trippin' Grey Blotter Paper Archival Print by Add Fuel Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2022 Signed & Numbered Limited Edition of 75 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

    $436.00

Geometric Abstraction Graffiti Street Pop Artwork

Geometric Abstraction's Influence on Urban Art Forms

Geometric abstraction, a form of expression that relies on geometric forms in non-representational compositions, has significantly influenced pop art, street art, and graffiti. This stylistic approach discards the traditional artistic concerns of depicting the world realistically, instead celebrating the simplicity and emotional impact of shapes and colors. In cities' bustling, visually dense environments, geometric abstraction lends itself naturally to the punchy, immediate language of street pop art and graffiti artwork. Geometric abstraction is a style of art that emerged in the early 20th century and involves using geometric shapes, lines, and colors to create abstract compositions. Graffiti art and pop art are two art movements that have incorporated geometric abstraction in their work. In graffiti art, geometric abstraction is often used to create complex lettering styles and designs. Graffiti artists use bold, angular shapes and lines to create intricate lettering that can be read from a distance. They also use geometric shapes to create abstract compositions that add depth and dimension to their work.
On the other hand, pop art uses geometric abstraction to create bold, graphic images often inspired by popular culture. Artists like Andy Warhol and Roy Lichtenstein used bright, flat colors and simplified shapes to create images that were easily recognizable and had a mass appeal. Both graffiti art and pop art have been influenced by the modernist movement, which emphasized the use of abstract forms and emphasized the importance of the visual experience over the meaning behind the artwork. Geometric abstraction has been a critical component of this movement, allowing artists to create visually engaging compositions that capture the spirit of their time. The essence of geometric abstraction lies in its ability to evoke emotion and construct meaning through the fundamental elements of art: line, color, and form. Artists of the street pop art movement, drawing on the legacy of geometric abstraction, harness these elements to create visually striking pieces that capture the attention of passersby and comment on the urban experience. These works often function as a visual respite from the chaos of the city, offering passersby a moment of aesthetic and often intellectual engagement.

Geometric Abstraction in Street Pop Art and Graffiti

In the context of street pop art and graffiti, geometric abstraction is a bold statement against the organic forms of the natural world and the softness often associated with traditional art. Artists working on the streets use geometric abstraction to bring a sense of order and rhythm to the irregular and unpredictable surfaces of the urban landscape. Murals and tags characterized by sharp lines and bright, flat colors can transform a dull wall into a vibrant, living canvas, engaging viewers with their simplicity and the often complex ideas they represent. These artists often explore the relationship between form and space, creating optical illusions or engaging in a dialogue with the architecture they adorn. Geometric shapes can be arranged to lead the eye, to challenge perceptions of depth and perspective, or to playfully interact with the existing lines and contours of the cityscape. As a tool for communication, geometric abstraction in street pop art and graffiti artwork transcends language barriers and cultural differences. It is a universal language conveying concepts and emotions without using symbolic imagery. This is particularly powerful in the urban environment, where the audience is diverse, and the opportunity for interaction is fleeting. Artists may use geometric abstraction to convey messages about contemporary society – the digital age with its pixels and screens, the urban environment with its grids and structures, or even psychological states mirrored by the harmony or tension within a geometric composition. Through such expressions, the rigid forms become a metaphor for the order and sometimes the rigidity of modern life. Geometric abstraction within street pop art and graffiti artwork offers a way to break down visual experience to its most fundamental aspects. It provides a form of artistic expression that is both accessible and profound, inviting viewers to contemplate the interplay of shapes and colors and to find their meanings within the abstract compositions that have become an integral part of the visual language of the streets.

© 2024 Sprayed Paint Art Collection,

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