Geometric Abstraction

104 artworks

  • Vader Purple Archival Print by Jayson Atienza

    Jayson Atienza Vader Purple Archival Print by Jayson Atienza

    Vader Purple Archival Print by Jayson Atienza Limited Edition Print on Fine Art Paper Pop Artist Modern Artwork. 2021 Signed & Numbered Limited Edition of 35 Artwork Size 18x18 Archival Pigment Fine Art May the 4th

    $195.00

  • The Empresses- H10-2 Nūr Jahān Aluminum Giclee by Damien Hirst

    Damien Hirst The Empresses- H10-2 Nūr Jahān Aluminum Giclee by Damien Hirst

    The Empresses- H10-2 Nūr Jahān Pop Street Artwork Limited Edition Giclee & Giltter Screenprint Print on Aluminum Sheet by Urban Graffiti Modern Artist Damien Hirst. 2022 Signed & Numbered In Verso on Label Limited Edition of 3041 Artwork Size 39.37x39.37 Giclee & Giltter Screenprint Print on Aluminum Sheet Decoding the Vivacity of 'The Empresses - H10-2 Nūr Jahān' Drawing inspiration from the multifaceted Mughal empress, Nūr Jahān (1577-1645), the artwork embodies her diverse talents and influence. Though she became Emperor Jahāngīr's 20th wife in 1611, she was never officially an empress. Despite this, Nūr Jahān demonstrated her power by minting coins and issuing royal decrees. Adept in diplomacy, hunting, and advising, she was also a gifted architect. Her design contributions to her parents' tomb in Agra are thought to have inspired the iconic Taj Mahal. The "Nūr Jahān" piece showcases intricately symmetrical patterns of single and paired wings in vivid shades of red and black. These wings radiate from the center, extending vertically, horizontally, and diagonally to form mesmerizing kaleidoscopic designs. The central square highlights the principal pair of wings, while the surrounding patterns seem to recede, drawing the viewer's attention to the center. This meticulous, layered composition echoes Nūr Jahān's architectural prowess, and the magnificent mosaic tiles grace the Agra tomb. As one contemplates "Nūr Jahān," the artwork transforms continuously, unveiling new sequences of extraordinary wing patterns as the viewer's perspective shifts. This is especially evident with the large black and red wing pairs that encircle the composition's outer edges, arranged in an irregular frame. Through this technique, the artist instills a sense of dynamism and life in the otherwise orderly composition, capturing the essence of the butterflies in various stages of flight, much like the diverse nature of the empress herself. In street pop art, Damien Hirst's 'The Empresses - H10-2 Nūr Jahān' stands as a riveting homage to the influential and unofficial empress of the Mughal empire. This giclee and glitter screenprint on aluminum captures the essence of Nūr Jahān's multifaceted life, depicting the vibrancy and depth of her character through a symphony of red and black butterfly wings. Born as the urban graffiti modern artist Damien Hirst, the British artist's creation is a limited edition piece, signed and numbered as a testament to its exclusivity and importance in contemporary art. The Artistic Symphony of Wings and Influence The artwork's composition, featuring meticulously arranged butterfly wings, is a testament to Nūr Jahān's architectural acumen and her role in shaping Mughal aesthetics. The central square structure, highlighted by the principal pair of wings, draws the viewer's gaze inward, like the entrance to an intricately designed Mughal structure. The wings, extending in all directions, create an effect of perpetual motion, symbolizing Nūr Jahān's dynamic presence in a male-dominated court. The choice of colors, red and black, is striking and purposeful, evoking the power and determination that Nūr Jahān wielded as she navigated the intricacies of Mughal politics and culture. The layered patterns that recede from the center mimic the complexity and depth of Nūr Jahān's influence on Mughal architecture, such as the exquisite tile work of her parents' tomb in Agra. It is a visual narrative that mirrors the empress's life – a constant oscillation between the foreground and the background, between being seen and unseen, much like the varying visibility of the butterfly wings, depending on the viewer's standpoint. A Dynamic Reflection of a Multifaceted Empress Damien Hirst's 'The Empresses - H10-2 Nūr Jahān' is an artistic endeavor and an immersive experience. The artwork unfolds new patterns as the viewer moves, reflecting the ever-changing nature of existence and perception. This transformative aspect of the piece resonates with the transformative era of Nūr Jahān's influence, where she redefined the role of women in leadership and left an indelible mark on her time's cultural and architectural landscape. The outer edges of the composition, with the large wing pairs arranged in an irregular frame, impart a sense of vitality and movement, much like the empress known for her hunting prowess and diplomatic skills. This technique employed by Hirst infuses life into the structured composition, creating a sense of multidirectional flight and reflecting the empress's omnipresence in the various facets of Mughal governance and culture. Through this limited edition street pop art and graffiti artwork, Damien Hirst encapsulates the spirit of Nūr Jahān, presenting her not merely as a historical figure but as an emblem of power, creativity, and resilience. The piece stands as a modern tribute to her life, inspiring contemporary viewers to explore and appreciate the rich tapestry of history through the lens of street pop art.

    $7,146.00

  • Rotations #2 - Sprayed Paint Art Collection

    Tony Clough Rotations #2 Silkscreen Print by Tony Clough

    Rotations #2 Limited Edition 5-Color Silkscreen on 140lbs Archival Fine Art Paper by Tony Clough Graffiti Street Artist Modern Pop Art. "These two print editions really only exist as original prints but were inspired by my recent obsession with squares and other simple geometric shapes. I have several original paintings that are available that slightly resemble this style but they are much more stylistic in terms of texture and color.Most of my work is purely aesthetic and non-representational, I try to make art out of texture and color until I feel that it would be something I would like to hang on my own wall in the hope that others would share my taste." - Tony Clough

    $330.00

  • Untitled Simulator Interface III Blotter Paper Archival Print by J Demsky

    J Demsky Untitled Simulator Interface III Blotter Paper Archival Print by J Demsky

    Untitled Simulator Interface III Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by J Demsky pop culture LSD artwork. "My first experience with the Lsd was if I remember correctly about 95-96. It was a small dose, probably a quarter of a "Lucas Duck" that were quite soft, the second was the same dose with a “Bicycle" and the experience was also smooth.Until one day the "Simpson double drop" appeared and it was different. We took half to be sure of the trip and we did not notice anything after almost an hour (at that time people also sold them fake) so we decided to take the other half, imagine what happened.We lost control and my friend ran away, I supposed to go his house and I did the same. But I remember it took me a while to open all three doors since the key was bent as if it were a magic trick.The first thing I did was turn on the TV and there was the movie "The Shining", I was only able to see some scenes but I remember the second time I watch it I thought they had deleted some scenes, you can imagine...Until dawn it was very intense. I think this was the last use I did LSD in a very long time.Now I can say that I have never dedicated myself to selling drugs, but I was very good at faking things and spent a while making "replicas" of sheets of some that were very soft (like “Marilyn Monroe’s" or "Strawberries”) I even used my own designs of things that he painted at that time.In these strange days I feel with a smile remembering those experiences and adding a double drop to these new sheets. :)" - J Demsky

    $352.00

  • Charlotte Archival Print by Tavar Zawacki- Above

    Tavar Zawacki- Above Charlotte Archival Print by Tavar Zawacki- Above

    Charlotte Limited Edition Archival Pigment Prints on 290gsm Moab Rag Fine Art Paper by Tavar Zawacki- ABOVE Graffiti Street Artist Modern Pop Art. 2019 Signed & Numbered Limited edition of 25 Artwork Size 18x18 Archival Pigment Print Artwork. Tavar Zawacki's 'Charlotte': A Contemporary Fusion in Street Pop Art Tavar Zawacki, also known as ABOVE, is a renowned figure in street pop art and graffiti artwork, celebrated for his dynamic use of color and form. The 'Charlotte Limited Edition Archival Pigment Prints on 290gsm Moab Rag Fine Art Paper' is a testament to his ability to transcend the traditional boundaries of street art. Released in 2019, this limited edition of 25 signed and numbered prints demonstrates ABOVE's commitment to precision and his embrace of modern techniques to elevate graffiti art to new levels of sophistication. With its vibrant color palette and hypnotic patterns, this artwork reflects the pulsating energy of the urban environments that street art often comments on. The use of archival pigment on fine art paper ensures that the intensity of the colors and the sharpness of the lines are preserved, capturing the immediacy of graffiti art while providing durability. With each piece 18x18 inches, 'Charlotte' presents a perfect square of intricate design that draws the viewer into a visual exploration of depth and movement. ABOVE's Exploration of Identity Through Prints ABOVE has been a prominent artist on the international street art scene since the late 1990s, known for his distinctive arrow motif and large-scale, multi-layered works. In 'Charlotte,' he moves away from the urban canvas and into fine art prints, bringing the same boldness and dynamism that characterizes his murals. This piece is a part of his artistic evolution, showcasing his exploration of identity through prints. By signing and numbering each print, ABOVE confirms its authenticity and personalizes each work, connecting with collectors on a more intimate level. The title 'Charlotte' may invoke a sense of personification, implying a narrative or identity behind the patterns dominating the visual field. This form of street pop art encourages viewers to ponder the stories and messages that may lie beneath the surface of the engaging aesthetic. It is a hallmark of ABOVE's work to engage the audience in a dialogue, prompting reflection on the urban experience, the layers of communication in public spaces, and the interplay between anonymity and fame within the graffiti art world. The Cultural Significance of Limited Edition Graffiti Artwork The release of limited edition prints like 'Charlotte' within the street pop art and graffiti art genres signifies a cultural shift towards a more enduring form of what is often considered an impermanent art practice. These prints enable the diffusion of graffiti's visual language from the streets to private spaces, allowing a broader audience to engage with and appreciate the art form's unique aesthetic and cultural messages. ABOVE's decision to use archival pigment prints on fine art paper also indicates a movement within street art toward creating works that stand the test of time, both physically and culturally. By employing high-quality materials and printing methods, the artist ensures that the vibrancy and detail of the original work are maintained, providing an artifact that can be preserved and valued for generations. 'Charlotte' by Tavar Zawacki-ABOVE encapsulates the essence of street pop art and graffiti artwork in a form that is both accessible and exclusive. The limited edition print represents a cross-section of ABOVE's artistic journey, embodying street art's energy and spirit while also embodying fine art's precision and permanence. It is a vibrant example of how modern graffiti artists navigate the intersection of street culture and the fine art world, bringing the raw essence of the streets into the curated spaces of art collectors and enthusiasts.

    $226.00

  • What Shall Be Shall Be HPM Giclee Print by Erik Otto

    Erik Otto What Shall Be Shall Be HPM Giclee Print by Erik Otto

    What Shall Be Shall Be Hand-Embellished Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Erik Otto. Erik Otto - "What Shall Be Shall Be" hand embellished by the artist signed and numbered fine art giclee print edition of 10 copies 16" x 20"

    $352.00

  • Teal Mandala Silkscreen Print by Nate Duval

    Nate Duval Teal Mandala Silkscreen Print by Nate Duval

    Teal Mandala 1-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2010 Signed Limited Edition of 40 Artwork Size 18x24

    $180.00

  • Angles Of Elevation Archival Print by Vans The Omega

    Vans The Omega Angles Of Elevation Archival Print by Vans The Omega

    Angles Of Elevation Limited Edition Archival Pigment Prints on 300gsm Fine Art Paper by Vans The Omega Graffiti Street Artist Modern Pop Art. "‘Angles of Elevation’ was the prize geometric piece of my recent show "Into The Light" and is the amalgamation of the past 7 years of trial and error, research and development painting geometric illusion within my fine artworks both in the studio and on large scale walls. I think this piece represents discovery within and the journey we make during life. The science behind geometry in the healing arts isn’t readily taught but is something I have spent many years studying and being open to on a personal and professional level. My belief and knowledge of the healing power that Art creates is a large goal of my practice in Art, both for others and myself alike. Apart from the piece serving an aesthetic appeal, the greatest aim is to reveal something about yourself while taking in the work. Visually this work came together through a series of visions that I have strived to fulfill. The dimension of this piece was my greatest challenge while giving a mixture of etheric and harder edges to push and pull the eye through space so that harmony is met." - Vans The Omega

    $217.00

Geometric Abstraction Graffiti Street Pop Artwork

Geometric Abstraction's Influence on Urban Art Forms

Geometric abstraction, a form of expression that relies on geometric forms in non-representational compositions, has significantly influenced pop art, street art, and graffiti. This stylistic approach discards the traditional artistic concerns of depicting the world realistically, instead celebrating the simplicity and emotional impact of shapes and colors. In cities' bustling, visually dense environments, geometric abstraction lends itself naturally to the punchy, immediate language of street pop art and graffiti artwork. Geometric abstraction is a style of art that emerged in the early 20th century and involves using geometric shapes, lines, and colors to create abstract compositions. Graffiti art and pop art are two art movements that have incorporated geometric abstraction in their work. In graffiti art, geometric abstraction is often used to create complex lettering styles and designs. Graffiti artists use bold, angular shapes and lines to create intricate lettering that can be read from a distance. They also use geometric shapes to create abstract compositions that add depth and dimension to their work.
On the other hand, pop art uses geometric abstraction to create bold, graphic images often inspired by popular culture. Artists like Andy Warhol and Roy Lichtenstein used bright, flat colors and simplified shapes to create images that were easily recognizable and had a mass appeal. Both graffiti art and pop art have been influenced by the modernist movement, which emphasized the use of abstract forms and emphasized the importance of the visual experience over the meaning behind the artwork. Geometric abstraction has been a critical component of this movement, allowing artists to create visually engaging compositions that capture the spirit of their time. The essence of geometric abstraction lies in its ability to evoke emotion and construct meaning through the fundamental elements of art: line, color, and form. Artists of the street pop art movement, drawing on the legacy of geometric abstraction, harness these elements to create visually striking pieces that capture the attention of passersby and comment on the urban experience. These works often function as a visual respite from the chaos of the city, offering passersby a moment of aesthetic and often intellectual engagement.

Geometric Abstraction in Street Pop Art and Graffiti

In the context of street pop art and graffiti, geometric abstraction is a bold statement against the organic forms of the natural world and the softness often associated with traditional art. Artists working on the streets use geometric abstraction to bring a sense of order and rhythm to the irregular and unpredictable surfaces of the urban landscape. Murals and tags characterized by sharp lines and bright, flat colors can transform a dull wall into a vibrant, living canvas, engaging viewers with their simplicity and the often complex ideas they represent. These artists often explore the relationship between form and space, creating optical illusions or engaging in a dialogue with the architecture they adorn. Geometric shapes can be arranged to lead the eye, to challenge perceptions of depth and perspective, or to playfully interact with the existing lines and contours of the cityscape. As a tool for communication, geometric abstraction in street pop art and graffiti artwork transcends language barriers and cultural differences. It is a universal language conveying concepts and emotions without using symbolic imagery. This is particularly powerful in the urban environment, where the audience is diverse, and the opportunity for interaction is fleeting. Artists may use geometric abstraction to convey messages about contemporary society – the digital age with its pixels and screens, the urban environment with its grids and structures, or even psychological states mirrored by the harmony or tension within a geometric composition. Through such expressions, the rigid forms become a metaphor for the order and sometimes the rigidity of modern life. Geometric abstraction within street pop art and graffiti artwork offers a way to break down visual experience to its most fundamental aspects. It provides a form of artistic expression that is both accessible and profound, inviting viewers to contemplate the interplay of shapes and colors and to find their meanings within the abstract compositions that have become an integral part of the visual language of the streets.
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