Geometric Abstraction

Yaacov Agam Double Metamorphosis Silkscreen by Yaacov Agam

Double Metamorphosis Hand-Pulled Silkscreen Print on Wove Fine Art Paper by Jewish Contemporary Art Artist Yaacov Agam Rare Limited Edition Artwork. 1980 Signed & Numbered Framed Limited Edition of 99 Artwork Size 14x10 Mild light and time staining. Not examined out of frame. Matted and framed under acrylic. Framed Dimensions 20 X 24 Inches Double Metamorphosis by Yaacov Agam in Street Pop Art & Graffiti Artwork Double Metamorphosis is a hand-pulled silkscreen print by Yaacov Agam, a leading figure in kinetic and optical art. This rare limited edition artwork, created in 1980, showcases Agam’s mastery of transformation, movement, and shifting perspectives. Signed and numbered as part of an edition of 99, this framed piece highlights Agam’s signature approach to creating interactive visual experiences. The print is matted and enclosed under acrylic, enhancing its layered structure and dynamic illusionary effects, making it a key example of street pop art & graffiti artwork that explores movement within static imagery. Visual Transformation and Optical Illusion in Street Pop Art Agam’s Double Metamorphosis reflects his fascination with constant motion and evolving compositions. The piece is constructed using geometric shapes, contrasting colors, and layered grids, creating an optical effect where the image shifts depending on the viewer’s angle. This approach is highly influential in urban mural art and graffiti artwork, where visual distortions and layered perspectives captivate street audiences. The technique used in this silkscreen print resonates with the vibrant, interactive qualities of contemporary street pop art, which often incorporates hidden images, lenticular illusions, and perspective-based compositions. These techniques mirror the dynamic energy of street murals and public art installations, where changing vantage points alter the perception of the piece. The interplay of color and motion in Double Metamorphosis is an extension of urban graffiti techniques that manipulate light, texture, and visual distortion. Yaacov Agam’s Influence on Street Pop Art & Graffiti Artwork Agam’s artistic philosophy has had a strong impact on public installations, large-scale graffiti murals, and street pop art compositions. His exploration of continuous movement, transformation, and interactive perception aligns with modern muralists and graffiti artists who create multi-layered works in urban spaces. Artists incorporating lenticular street art, digital projection graffiti, and dynamic mural techniques draw inspiration from Agam’s kinetic principles. His approach also connects with experimental printmaking and street-based optical illusions, where artists integrate changing hues, shifting angles, and lenticular layering to create artwork that responds to the surrounding environment. Agam’s impact can be seen in contemporary graffiti artwork that blends traditional spray-paint techniques with digital optical enhancements, creating hybrid forms of street pop art that interact with city landscapes. Collectibility and Cultural Significance of Double Metamorphosis This limited edition silkscreen print is a highly collectible piece that reflects the evolution of kinetic art within modern street pop art movements. The meticulous hand-pulled silkscreen process aligns with the craftsmanship found in high-end graffiti stencil work, screen-printed street posters, and fine art editions inspired by street aesthetics. With only 99 editions, this framed piece is a rare representation of Agam’s experimental visual philosophy. As contemporary street pop art & graffiti artwork continues to evolve, Agam’s innovations in visual perception, layered movement, and dynamic compositions remain highly relevant. His ability to create images that transform depending on perspective serves as a foundation for urban artists incorporating motion, interactivity, and optical distortions into large-scale city installations. Double Metamorphosis stands as a testament to Agam’s legacy and his lasting impact on modern pop art, kinetic mural techniques, and interactive graffiti styles.

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$1,500.00
Erik Otto Undercurrents Serigraph Print by Erik Otto

Undercurrents Limited Edition Hand Pulled 6-Color Serigraph Print on 250 gsm Stonehenge Paper by Erik Otto Graffiti Street Artist Modern Pop Art. 6-color hand-pulled serigraph featuring gradients, translucent, and UV responsive inks. The layers of the print were drawn and painted directly on acetate or cut and torn from black paper in order to produce the screens with a final layer applied directly over the printed layers in alcohol-based paint. Printed in collaboration with fine art printer Mark Herschede of Haven Press in Brooklyn, NY. 14 x 18 in. / 35 x 46 cm. (final print size) 250 gsm Stonehenge paper in Pearl Grey Signed edition of 50

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$352.00
Kenji Nakayama Etudes 31 Archival Print by Kenji Nakayama

Etudes 31 Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Kenji Nakayama Graffiti Street Artist Modern Pop Art. "This body of work is called “Etudes” because it was a new challenging exercise for me—not unlike what musicians and composers do with etude works. I had a specific set of rules to work within, but I never knew how the series would develop. It organically evolved over time. This original piece and many others will be for sale at my upcoming exhibition opening April 18th at the Fourth Wall Project in Boston, Massachusetts. It is one of the forty-nine experimental paintings that I created over the past several months. The series began with several rosettes created in the summer and fall of 2013, which might remind viewers of stained glass, mandalas, and hubcaps. The series transitions organically from circular-based works to more calligraphic compositions that meander from central points. The later works in the series take inspiration from Edo-era signage, which is defined by thick and heavy brushstrokes with round edges.

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$226.00

Geometric Abstraction's Influence on Urban Art Forms

Geometric abstraction, a form of expression that relies on geometric forms in non-representational compositions, has significantly influenced pop art, street art, and graffiti. This stylistic approach discards the traditional artistic concerns of depicting the world realistically, instead celebrating the simplicity and emotional impact of shapes and colors. In cities' bustling, visually dense environments, geometric abstraction lends itself naturally to the punchy, immediate language of street pop art and graffiti artwork. Geometric abstraction is a style of art that emerged in the early 20th century and involves using geometric shapes, lines, and colors to create abstract compositions. Graffiti art and pop art are two art movements that have incorporated geometric abstraction in their work. In graffiti art, geometric abstraction is often used to create complex lettering styles and designs. Graffiti artists use bold, angular shapes and lines to create intricate lettering that can be read from a distance. They also use geometric shapes to create abstract compositions that add depth and dimension to their work.

On the other hand, pop art uses geometric abstraction to create bold, graphic images often inspired by popular culture. Artists like Andy Warhol and Roy Lichtenstein used bright, flat colors and simplified shapes to create images that were easily recognizable and had a mass appeal. Both graffiti art and pop art have been influenced by the modernist movement, which emphasized the use of abstract forms and emphasized the importance of the visual experience over the meaning behind the artwork. Geometric abstraction has been a critical component of this movement, allowing artists to create visually engaging compositions that capture the spirit of their time. The essence of geometric abstraction lies in its ability to evoke emotion and construct meaning through the fundamental elements of art: line, color, and form. Artists of the street pop art movement, drawing on the legacy of geometric abstraction, harness these elements to create visually striking pieces that capture the attention of passersby and comment on the urban experience. These works often function as a visual respite from the chaos of the city, offering passersby a moment of aesthetic and often intellectual engagement.

Geometric Abstraction in Street Pop Art and Graffiti

In the context of street pop art and graffiti, geometric abstraction is a bold statement against the organic forms of the natural world and the softness often associated with traditional art. Artists working on the streets use geometric abstraction to bring a sense of order and rhythm to the irregular and unpredictable surfaces of the urban landscape. Murals and tags characterized by sharp lines and bright, flat colors can transform a dull wall into a vibrant, living canvas, engaging viewers with their simplicity and the often complex ideas they represent. These artists often explore the relationship between form and space, creating optical illusions or engaging in a dialogue with the architecture they adorn. Geometric shapes can be arranged to lead the eye, to challenge perceptions of depth and perspective, or to playfully interact with the existing lines and contours of the cityscape. As a tool for communication, geometric abstraction in street pop art and graffiti artwork transcends language barriers and cultural differences. It is a universal language conveying concepts and emotions without using symbolic imagery. This is particularly powerful in the urban environment, where the audience is diverse, and the opportunity for interaction is fleeting. Artists may use geometric abstraction to convey messages about contemporary society – the digital age with its pixels and screens, the urban environment with its grids and structures, or even psychological states mirrored by the harmony or tension within a geometric composition. Through such expressions, the rigid forms become a metaphor for the order and sometimes the rigidity of modern life. Geometric abstraction within street pop art and graffiti artwork offers a way to break down visual experience to its most fundamental aspects. It provides a form of artistic expression that is both accessible and profound, inviting viewers to contemplate the interplay of shapes and colors and to find their meanings within the abstract compositions that have become an integral part of the visual language of the streets.