Geometric Abstraction

2 artworks

  • Sale -15% Multi Tags Series 8609 Original Graffiti Painting by Seen UA

    Seen UA Multi Tags Series 8609 Original Graffiti Painting by Seen UA

    Multi Tags Series 8609 Original Graffiti Painting by Seen UA One of a Kind Spray Paint & Acrylic Painting Artwork on Unstretched Canvas. 2023 Signed Original Multi Tags Series Acrylic & Spray Paint Painting Size 20x34 Multi Tags Series 8609: Original Graffiti Painting by Seen UA Multi Tags Series 8609 is a 2023 original painting by the graffiti artist Seen UA. Known as one of the pioneers of graffiti culture, Seen UA, born Richard Mirando, gained notoriety for his work on subway trains and urban landscapes during the early days of the graffiti movement in the 1970s. This piece is part of his ongoing Multi Tags Series, a collection that explores the expressive power of tagging in its raw, repetitive form. Measuring 20x34 inches, the artwork is crafted using acrylic paint and spray paint on unstretched canvas, emphasizing the street art origins of Seen’s work. The Art of Tagging in Street Pop Art and Graffiti Culture Tagging is one of the most fundamental elements of graffiti culture. A tag, typically a stylized signature or name, is the artist’s mark left on a surface, often as a form of identity or declaration of presence. In street pop art, tagging transcends its initial association with urban vandalism and becomes a form of visual expression and artistry. UA’s Multi Tags Series, 8609, captures this ethos, presenting a wall of repeated tags layered over one another rhythmically and chaotically. The repetition of tags in the series can be seen as both an assertion of identity and a commentary on the nature of urban life. The layering of tags, with overlapping colors and textures, mirrors the layering of voices, identities, and experiences in the urban environment. This dense field of repeated tags evokes the sensation of walking through a city covered in graffiti, where each tag competes for attention while simultaneously blending into the collective hum of the urban landscape. UA’s use of color in Multi Tags Series 8609 further enhances this effect. The painting is dominated by a palette of blues, grays, and whites, with each tag applied in quick, gestural strokes. The color variations suggest a gradient effect, where the tags seem to move in and out of focus, creating a sense of depth and movement. This visual layering invites the viewer to engage with the piece as a whole and on a more detailed, individual level, much like how street art is experienced in public spaces. Graffiti as an Artistic Language UA’s career has been defined by his ability to elevate graffiti from its underground roots into the wider art world. In the early days of graffiti, tags were often seen as acts of rebellion or defiance, expressions of a counterculture that rejected the norms of mainstream society. However, artists like Seen have demonstrated that tagging can also be a sophisticated form of visual language. Multi Tags Series 8609 exemplifies this idea, using tags as markers of identity and tools for creating intricate compositions. In this piece, Seen UA employs acrylic and spray paint, two mediums central to graffiti culture. Combining these materials allows for a range of textures and effects, from the smooth, controlled lines of the acrylic to the more spontaneous, unpredictable bursts of spray paint. The contrast between the two mediums reflects the tension between control and chaos often present in street art. The acrylic tags are precise and deliberate, while the spray paint adds an element of raw energy, evoking the feeling of graffiti created quickly in public spaces. The unstretched canvas in Multi Tags Series 8609 further connects the work to its graffiti roots. Unlike traditional gallery paintings, which are typically stretched and framed, the unstretched canvas recalls graffiti's impermanent, transient nature. Graffiti is often created on surfaces subject to weathering, removal, or destruction, and by choosing an unstretched canvas, Seen UA embraces this sense of impermanence. Much like the graffiti tags it depicts, the artwork feels as though it could be rolled up, moved, or even erased, underscoring the temporary and ever-changing nature of street art. Seen UA: A Legacy of Graffiti and Street Pop Art UA’s influence on the graffiti movement cannot be overstated. Often referred to as the “Godfather of Graffiti,” his work has been a cornerstone of the street art scene for decades. Starting as a young artist tagging subway cars in New York City, Seen UA helped shape the visual language of graffiti, bringing it from the streets into galleries and museums worldwide. His transition from illegal tagging on subway trains to producing fine art pieces like Multi Tags Series 8609 reflects the evolution of graffiti as an art form. Despite his success in the art world, Seen UA has always remained true to the ethos of graffiti culture. His Multi Tags Series continues to celebrate street art's raw energy and rebellious spirit, even as it is displayed in more formal settings. By repeating his tags repeatedly in this series, Seen UA reminds viewers of the persistence and resilience of graffiti culture. Tags are often removed, painted over, or buffed out by city authorities, but graffiti artists continue to create, leaving their marks wherever possible. In this sense, Multi Tags Series 8609 can be seen as a celebration of the enduring nature of graffiti and the artists who create it. The Visual Power of Repetition One of the most striking aspects of Multi Tags Series 8609 is its use of repetition as a visual device. Repetition is a powerful tool in street pop art, where the constant reiteration of symbols, images, and motifs helps to reinforce their meaning. In this piece, Seen UA’s repeated tags create a hypnotic pattern that draws the viewer’s eye across the canvas. Each tag is distinct and part of a larger whole, creating a sense of unity within the chaos. The repeated tags also evoke the act of tagging itself, which is often done in quick, repetitive motions. This physicality is reflected in the gestural quality of the tags, which appear to have been applied rapidly, with energy and urgency. The viewer can almost imagine the artist’s hand moving across the canvas, repeating the same mark repeatedly to leave a lasting impression. Multi Tags Series 8609 is a testament to Seen UA’s mastery of graffiti as a visual language and artistic expression. Using repetition, color, and texture, Seen UA creates a dynamic, engaging work that captures the essence of graffiti culture while pushing the boundaries of what street pop art can be.

    $1,034.00 $879.00

  • Arrows #6 HPM Hand-Embellished Archival Pigment Print - Sprayed Paint Art Collection

    Tavar Zawacki- Above Arrows #6 HPM Archival Print by Tavar Zawacki- Above

    Arrows #6 Limited Edition Hand-Embellished HPM Archival Pigment Prints & Spray Paint on Fine Art Paper by Tavar Zawacki- Above Graffiti Street Artist Modern Pop Art.

    $352.00

Geometric Abstraction Graffiti Street Pop Artwork

Geometric Abstraction's Influence on Urban Art Forms

Geometric abstraction, a form of expression that relies on geometric forms in non-representational compositions, has significantly influenced pop art, street art, and graffiti. This stylistic approach discards the traditional artistic concerns of depicting the world realistically, instead celebrating the simplicity and emotional impact of shapes and colors. In cities' bustling, visually dense environments, geometric abstraction lends itself naturally to the punchy, immediate language of street pop art and graffiti artwork. Geometric abstraction is a style of art that emerged in the early 20th century and involves using geometric shapes, lines, and colors to create abstract compositions. Graffiti art and pop art are two art movements that have incorporated geometric abstraction in their work. In graffiti art, geometric abstraction is often used to create complex lettering styles and designs. Graffiti artists use bold, angular shapes and lines to create intricate lettering that can be read from a distance. They also use geometric shapes to create abstract compositions that add depth and dimension to their work.
On the other hand, pop art uses geometric abstraction to create bold, graphic images often inspired by popular culture. Artists like Andy Warhol and Roy Lichtenstein used bright, flat colors and simplified shapes to create images that were easily recognizable and had a mass appeal. Both graffiti art and pop art have been influenced by the modernist movement, which emphasized the use of abstract forms and emphasized the importance of the visual experience over the meaning behind the artwork. Geometric abstraction has been a critical component of this movement, allowing artists to create visually engaging compositions that capture the spirit of their time. The essence of geometric abstraction lies in its ability to evoke emotion and construct meaning through the fundamental elements of art: line, color, and form. Artists of the street pop art movement, drawing on the legacy of geometric abstraction, harness these elements to create visually striking pieces that capture the attention of passersby and comment on the urban experience. These works often function as a visual respite from the chaos of the city, offering passersby a moment of aesthetic and often intellectual engagement.

Geometric Abstraction in Street Pop Art and Graffiti

In the context of street pop art and graffiti, geometric abstraction is a bold statement against the organic forms of the natural world and the softness often associated with traditional art. Artists working on the streets use geometric abstraction to bring a sense of order and rhythm to the irregular and unpredictable surfaces of the urban landscape. Murals and tags characterized by sharp lines and bright, flat colors can transform a dull wall into a vibrant, living canvas, engaging viewers with their simplicity and the often complex ideas they represent. These artists often explore the relationship between form and space, creating optical illusions or engaging in a dialogue with the architecture they adorn. Geometric shapes can be arranged to lead the eye, to challenge perceptions of depth and perspective, or to playfully interact with the existing lines and contours of the cityscape. As a tool for communication, geometric abstraction in street pop art and graffiti artwork transcends language barriers and cultural differences. It is a universal language conveying concepts and emotions without using symbolic imagery. This is particularly powerful in the urban environment, where the audience is diverse, and the opportunity for interaction is fleeting. Artists may use geometric abstraction to convey messages about contemporary society – the digital age with its pixels and screens, the urban environment with its grids and structures, or even psychological states mirrored by the harmony or tension within a geometric composition. Through such expressions, the rigid forms become a metaphor for the order and sometimes the rigidity of modern life. Geometric abstraction within street pop art and graffiti artwork offers a way to break down visual experience to its most fundamental aspects. It provides a form of artistic expression that is both accessible and profound, inviting viewers to contemplate the interplay of shapes and colors and to find their meanings within the abstract compositions that have become an integral part of the visual language of the streets.
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