Gig Poster & Events

Rollins Capitalism- Signed by Henry Rollins 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed by Henry Rollins, Signed & Numbered Screen Print ROLLINS CAPITALISM Screen Print 18 x 24 inches Edition of 1200 August 28, 2012 Henry Rollins has been a hero of mine since I got into Black Flag in 1984. Henry is a role model in his amazing taste and output in music, his political engagement, his monumental work ethic, and his social consciousness. Henry tours a ton and stays very aware of the world. Back before the 2008 recession started, Henry had an editorial segment on his TV show where he said “the president says the fundamentals of the economy are strong…I say start learning Chinese”. Henry’s new tour is called CAPITALISM and I’m sure he will have a lot of wise, funny, and maybe prophetic things to say. I was given the honor by Henry of illustrating his concept for the tour, him as a beaten-down Uncle Sam. I have a few of the prints available on my site signed by both me and Henry. The rest will be available on Henry’s tour which everyone should see. Pick a print up before the American brand of capitalism crumbles under the weight of its own ego. -Shepard Fairey Shepard Fairey Rollins Capitalism 2012 Screen Print Shepard Fairey, born Frank Shepard Fairey in the United States, created the Rollins Capitalism screen print in 2012 as a collaboration with Henry Rollins, the American musician, writer, and former Black Flag frontman who joined the band in 1981. This 18 x 24 inch two-color hand-pulled silkscreen print on fine Speckletone art paper was released in a signed and numbered edition of 1200 on August 28, 2012, with select examples signed by both Fairey and Rollins. The work was produced to coincide with Rollins’ Capitalism tour and reflects Fairey’s long-standing engagement with political messaging through Street Pop Art & Graffiti Artwork. Known for his disciplined graphic approach and activist-driven themes, Fairey used this collaboration to merge Rollins’ outspoken social commentary with his own iconic visual strategies rooted in poster culture and urban art traditions. Visual Symbolism and Political Commentary in Street Pop Art & Graffiti Artwork The composition reinterprets the historic Uncle Sam recruitment poster, replacing the traditional patriotic figure with a stylized portrait of Henry Rollins rendered in a limited red, cream, and dark blue palette. Rollins points directly outward in a confrontational gesture, echoing early twentieth-century propaganda design while shifting the tone toward critique rather than recruitment. The cracked dollar symbol on the chest and the bold CAPITALISM text at the bottom reinforce the print’s focus on economic instability and cultural strain in the years following the 2008 financial crisis. Fairey’s use of sharp contrasts, heavy linework, and simplified color blocking reflects the graphic clarity that defines much of his Street Pop Art & Graffiti Artwork, drawing from constructivist influences, punk aesthetics, and wheatpaste poster traditions that have shaped urban visual culture for decades. Cultural Significance of the Henry Rollins Collaboration Henry Rollins has long been recognized for his rigorous touring schedule, political engagement, and outspoken commentary on social and economic issues, and this print visually amplifies those attributes through the language of Street Pop Art & Graffiti Artwork. Fairey publicly expressed admiration for Rollins’ work ethic and social consciousness, noting that the image depicts Rollins as a worn and battle-tested Uncle Sam figure, symbolizing a critical examination of American capitalism rather than blind allegiance to it. As a signed and numbered limited edition, the Rollins Capitalism screen print holds importance not only as a collectible work but also as documentation of a moment when music, activism, and graphic art converged in a sharply focused political statement.

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Open Minds 4-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print OPEN MINDS 36 inches by 24 inches Edition of 675 February 3, 2022 Handling Creases to Bottom Left & Right Margins. This “Open Minds” print references the language used by the powerful fuel industry lobby to soften political and public resistance to fracking. Fracking is a form of gas extraction which beyond the carbon impact of the gas itself, contaminates groundwater, pollutes the air, and creates strains on water resources because of the high volume of water required for the fracking process. Open-mindedness about any of those detrimental impacts of fracking and other fossil fuel extraction is absurd if one cares about the environment, air and water quality, and global warming. Powerful corporations and their lobbyists spend exorbitant sums to distract from and discredit the science-based conversation about the environment. I’m all for open minds and open eyes when it comes to putting science and the welfare of the planet before corporate profits. A portion of the proceeds from this print will benefit Greenpeace to support its work to enhance environmental protections and combat climate change. – Shepard

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Emo's 7th Anniversary 1997 Houston Texas Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 1997 Signed by Kozik & Numbered Limited Edition of AP 50 Artwork Size 22.5x35 Silkscreen Print Band Gig Poster by Frank Kozik Frank Kozik Emo’s 7th Anniversary 1997 Houston Silkscreen AP Frank Kozik, born in Spain in 1962 and later based in the United States until his passing in 2023, was a central architect of the modern gig poster movement within Street Pop Art & Graffiti Artwork. The Emo’s 7th Anniversary silkscreen print from April 23, 1997 was created to commemorate the Houston, Texas venue’s milestone event and reflects Kozik’s commanding graphic style during the height of the 1990s poster renaissance. This hand-pulled silkscreen on fine art paper measures approximately 22.5 x 35 inches and this particular edition is an Artist Proof limited to 50, signed and numbered by Kozik. Artist Proof editions are traditionally produced in smaller quantities aside from the main run, often reserved for the artist or close collaborators, and they carry heightened desirability among collectors of Street Pop Art & Graffiti Artwork due to their scarcity and direct association with the printmaking process. Iconography, Color Blocking, and 1990s Poster Culture The composition features a bold black cross at center surrounded by flaming dice, a winged crowned emblem, and graphic elements including a seven ball and stylized typography that announces the anniversary celebration. The vibrant checkerboard background in lavender and pink contrasts with saturated oranges, greens, and deep blacks, demonstrating Kozik’s mastery of layered silkscreen color separations. The typography is loud and declarative, with EMO’S dominating the top in electric green while the event date anchors the lower portion in high-impact numerals. Kozik’s visual vocabulary pulls from underground comics, hot rod graphics, tattoo flash, and punk zine aesthetics, combining them into a format that is instantly legible yet visually dense. This approach defines much of 1990s Street Pop Art & Graffiti Artwork, where gig posters functioned not only as promotional tools but as collectible artifacts rooted in subcultural identity. Artist Proof Editions and the Legacy of Street Pop Art & Graffiti Artwork The AP designation on this 1997 Emo’s 7th Anniversary print signals a special subset within the broader edition structure, emphasizing its place in the fine art print tradition rather than disposable advertising. During the 1990s, Kozik was instrumental in transforming concert posters into limited edition silkscreen artworks that were signed, numbered, and preserved. Venues like Emo’s in Houston became cultural hubs for alternative and independent music scenes, and Kozik’s posters helped visually define that era. Today, Artist Proof examples such as this one represent an important chapter in Street Pop Art & Graffiti Artwork history, illustrating how underground music culture, meticulous hand-pulled printmaking, and bold graphic storytelling converged into a lasting collectible art form.

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Antiseen Shiv Stepsister Zen Guerilla 1995 Cleveland Ohio Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1995 Signed by Kozik & Numbered Limited Edition of 650 Artwork Size 18x23 Silkscreen Print Band Gig Poster by Frank Kozik. Antiseen Shiv Stepsister Zen Guerilla Euclid Tavern Cleveland, Ohio 9-15-1995 In concert promotion, Frank Kozik's distinctive silkscreen prints stand as coveted pieces for collectors and fans of the pop and street art movements. His creation for the Antiseen, Shiv, Stepsister, and Zen Guerilla gig, dated September 15, 1995, at the Euclid Tavern in Cleveland, Ohio, is an exemplary piece of this niche. The limited edition print, with only 650 copies signed and numbered by Kozik, showcases the raw and energetic visual language synonymous with Kozik's style. With dimensions of 18x23 inches, this print was more than an announcement; it was a piece of art that captured the spirit of the musical acts it promoted. The imagery is quintessentially Kozik, blending anthropomorphic characters and a whimsical yet provocative arrangement, radiating the punk and hardcore essence of the headlining band Antiseen. Such visual elements are characteristic of Kozik's art, reflecting the underground music scene's gritty and rebellious ethos. The cow and wolf figures, dressed in human attire and engaging in a mock marriage ceremony, serve as a satirical comment, perhaps on the state of society or the inflammatory nature of the bands. In the corner, a pig appears content, contributing to the print's eccentric narrative. This work serves not just as an advertisement for a one-night event but as an artifact that speaks to the cultural and artistic milieu of the mid-90s. Kozik's work is a bridge connecting the subcultural to the mainstream, using the accessible medium of the gig poster to disseminate his unique brand of visual art. These silkscreen prints stand as an intersection where the transitory nature of street art is given permanence, where the voice of underground music is visualized, and where the collectible quality of fine art meets the democratic spirit of street art. This print from the Euclid Tavern event celebrates that union, immortalizing a moment in the continuously evolving narrative of pop and street art.

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Caravan Chaos Side 4 Panel 11 Original Spray Paint Painting by Mr Doodle- Sam Cox One of a Kind Artwork on Aluminum Panel Mounted On Plywood by Street Art Pop Artist. 2015 Caravan Chaos Side 4 Panel 11 Original 1  of 2 Serial Numbered Spray Painting Original on Aluminum Panel Mounted Plywood Artwork Size 17.25x13.5. Natural Scuffing Lower Right; Residue Lower Right Inherent To The Medium & Media Used. Mr Doodle- Sam Cox's Unique Artistic Language In the dynamic world of pop art and street art, artists like Mr. Doodle, also known as Sam Cox, have carved out a niche with distinctive styles that blur the lines between art, doodling, and graffiti. Mr Doodle's "Caravan Chaos Side 4 Panel 11" is an original work that exemplifies this fusion, showcasing a unique visual language that is playful and meticulously detailed. This one-of-a-kind spray paint painting on an aluminum panel mounted on plywood stands out as a testament to the artist's skill and originality. Spray-painting directly onto an aluminum surface, Mr Doodle's "Caravan Chaos Side 4 Panel 11" is part of a larger body of work that portrays a chaotic yet harmonious world filled with interlocking characters and symbols. Measuring 17.25 by 13.5 inches, this artwork is a vibrant tableau of black and white, teeming with life and movement. The natural scuffing and residue are inherent to the medium and media used to add an extra layer of authenticity and rawness to the artwork. These imperfections are not drawbacks but integral elements contributing to the piece's storytelling. Exploring the Details of Caravan Chaos The intricate patterns and characters that seem to dance across the metal canvas make the artwork's complexity apparent. Each character is whimsically drawn, yet an underlying order to the chaos suggests a narrative or a snapshot of a larger, unseen universe. This snapshot is a classic example of how street art and pop art can transform everyday objects and materials into something extraordinary, a characteristic feature of Mr Doodle's artistic approach. The choice of materials in "Caravan Chaos Side 4 Panel 11" is crucial to understanding Mr Doodle's work. The aluminum panel offers a smooth surface that interacts uniquely with the spray paint, allowing for crisp lines and a stark contrast between the black and white hues. Mounted on plywood, the piece gains a sturdy backdrop, anchoring the ethereal doodles to a physical reality. The natural wear on the artwork suggests it has lived beyond the studio, perhaps even in the streets, where the essence of graffiti art is rooted. The Legacy of Mr Doodle's Caravan Chaos This piece by Mr. Doodle is not just a singular work of art but a fragment of a grander vision the artist has been developing over the years. His style is instantly recognizable and has become synonymous with the playful energy and spontaneity that pop art and street art strive to embody. "Caravan Chaos Side 4 Panel 11" is a frozen moment of this vision, inviting viewers to enter Mr Doodle's world—where art is seen and experienced. Sam Cox's contribution to the art world through his Mr Doodle persona is a vibrant chapter in the ongoing pop and street art story. His works, like "Caravan Chaos Side 4 Panel 11," are visually stimulating and a reminder of the power of art to transform and engage with its audience on multiple levels. As this piece stands, it is a celebration of creativity unleashed, a fitting piece for any collection that values the bold and the whimsical.

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Ritual Device Fueled Bottom AP 1995 San Francisco CA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 1995 Signed by Kozik & Numbered Limited Edition of AP 100 Artwork Size 16x22 Silkscreen Print Band Gig Poster by Frank Kozik. Ritual Device Fueled Bottom July 29th 1995 San Fransisco California Bottom of the Hill.  Frank Kozik Ritual Device Fueled Bottom 1995 Artist Proof Silkscreen Frank Kozik, born in Spain in 1962 and active primarily in the United States until his passing in 2023, was a pivotal figure in the transformation of gig posters into collectible Street Pop Art & Graffiti Artwork. The Ritual Device Fueled Bottom silkscreen print from July 29, 1995 was created for a performance at Bottom of the Hill in San Francisco, California. This hand-pulled silkscreen on fine art paper measures approximately 16 x 22 inches and this example is an Artist Proof limited to 100, signed and numbered by Kozik. Artist Proof editions are produced in smaller quantities separate from the standard run and are closely associated with the artist’s personal archive and print approval process. During the mid-1990s, Kozik’s disciplined approach to silkscreen production helped legitimize underground concert posters as enduring fine art multiples within Street Pop Art & Graffiti Artwork. Horror Comic Influence and Graphic Intensity The composition features a wide-eyed figure shielding her face, rendered in a bold horror-comic style with dramatic linework and saturated color contrasts. The bleeding reds, deep blacks, and electric yellows create a visceral atmosphere that mirrors the raw energy of 1990s alternative and punk performances. The Ritual Device title dominates the upper register in heavy gradient lettering, while the event details anchor the lower portion in strong block typography. Kozik frequently drew from mid-century pulp comics, exploitation film posters, and underground zine aesthetics, and those influences are clearly visible in the exaggerated expression and confrontational imagery. This visual language aligns seamlessly with Street Pop Art & Graffiti Artwork, where immediacy, shock value, and high-impact design function as both promotional strategy and cultural commentary. San Francisco Poster Culture and Street Pop Art & Graffiti Artwork San Francisco played a significant role in the 1990s poster resurgence, and venues such as Bottom of the Hill became central hubs for independent music scenes. Kozik’s posters for these events documented a thriving underground culture while elevating the visual format through meticulous hand-pulled silkscreen craftsmanship. By signing and numbering the Artist Proof edition of 100, Kozik reinforced the print’s collectibility and archival value. Works like Ritual Device Fueled Bottom stand as historically important examples of Street Pop Art & Graffiti Artwork, capturing the convergence of live music, bold graphic storytelling, and limited edition printmaking that defined a transformative era in contemporary poster art.

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Obey Radiant Lotus- Round 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed & Numbered 24 inches by 24 inches Edition of 550 August 1, 2022 "The Radiant Lotus is part of a recent series of my works exploring round compositions. This print is inspired by the symbolism and beauty of the Lotus flower emanating positive energy, rendered with a graphic and geometric style. The Lotus is something beautiful that grows out of the mud. I see the Lotus as a metaphor for what is especially needed in this moment, an effort to lift ourselves out of the mud of political feuding and environmental irresponsibility in pursuit of harmony with each other and the planet." –Shepard Fairey

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Halloween At The Roxie 1989 San Francisco CA Handbill Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1989 Signed by Kozik Music Concert Handbill Artwork Size 11x17 Silkscreen Print Band Gig Poster by Frank Kozik The iconic Roxy Theatre in San Francisco, CA, famous for its eclectic mix of independent, international, and classic cinema, is joining forces with Frank Kozik, renowned rock poster artist and the visual mastermind behind some of the most memorable music and pop culture imagery of the last three decades. This collaboration is anticipated to introduce a fusion of art and film like never before, reflecting Kozik's bold aesthetic and the Roxy's indomitable spirit. Stay tuned for unique film events, exclusive artwork, and a fresh, vibrant energy emanating from this legendary venue.

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These Parties Disgust Me 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Artist Shepard Fairey Street Art OBEY Artwork. 2010 Signed & Numbered Screen Print These Parties Disgust Me, 2010 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered and dated in pencil along the lower edge Published by Obey Giant, Los Angeles This image is loosely a sequel to the Peace Guard from 2008 and serves as a reminder that pushing for peace, ironically, requires a militant vigilance itself. I love the juxtaposition of seemingly contradictory symbols. Peace is victory without war. It’s a good day when you don’t have to use your A.K.! – Shepard

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Henry Rollins Frequent Flyer Tour 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print 18 x 24 inches Edition of 225 February 19, 2010 Henry Rollins tour poster designed by Shepard Fairey. The Frequent Flyer tour starts 2/18/2010 in Arizona USA.

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Trips Festival Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Bob Masse pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 5.75 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Obey Noir Flower Woman- Blue 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print OBEY NOIR FLOWER WOMAN (BLUE) 18 inches by 24 inches Edition of 400 January 27, 2022 The Obey Noir Flower Woman print is inspired by Art Deco design and Dark Wave album art. The image has a few avenues for interpretation. I primarily see it as a tribute to idealists who protect the environment, cultivate justice, and hold optimism close to their hearts. We all face challenges and hostilities, but exterior forces don’t control our inner strength and idealism. We do! Idealism leads to action. Those who perpetrate injustice rely on apathy to get away with their misdeeds. Nurture your inner idealism, and your constructive actions will follow. – Shepard

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Icons Show- Lady Liberty Artwork Giclee Limited Edition Print on Glossy Paper by Pop Culture Graffiti Artist Mr Brainwash- Thierry Guetta. Super Rare Promo Poster in Great Condition From Mr. Brainwash's 2010 "Icons" show in NYC. Dimensions: 89 x 58.5 cm / 36 x 24 inches Offset lithograph print on glossy thin stock paper. Signed in the plate. 2010

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Friendship and Support 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2011 Signed & Numbered Friendship and Support, 2011 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered, and dated in pencil along the lower edge Published by Obey Giant, Los Angeles. The Harrison Foundation! “Friendship and Support” supporting UNICEF! Today I am proud to honor the legacy of George Harrison and the very first major music concert for a cause “The Concert for Bangladesh”. Join me in supporting the great work of the George Harrison Fund for UNICEF and their work with the children affected by the famine in Africa. - Shepard Fairey

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Butthole Surfers Concert Handbill 1991 Texas Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1991 Signed by Kozik Music Concert Handbill Artwork Size 11x17 Silkscreen Print Band Gig Poster by Frank Kozik. April 12th, 1991 The Unicorn The Butthole Surfers and Frank Kozik collaboration is an electrifying fusion of psychedelic punk and iconic design. The Surfers, known for their chaotic, surreal sounds, paired their unconventional musical ethos with Kozik, an artist revered for his vibrant rock poster art and vinyl toy designs. The result? An immersive sensory experience that intertwines the Surfers' audio mayhem with Kozik's visual pandemonium. This collaboration is a must-experience for fans of both, promising an unpredictable journey through the edgy fringes of music and art.

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Ramones '76 Blotter Paper Print by Tim Page Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2019 Signed & Numbered Limited Edition of XXX Archival Pigment Print on Perforated Blotter Paper Size: 7.5x5 Inches Limited blotter editions are hand-perforated by Zane Kesey. Having a sharp eye for the counterculture movement of the 60s and 70s, Tim Page, a photojournalist and author, managed to capture some of the most striking images of the Vietnam War. Despite being injured in combat on four separate occasions, Page's love for adventure kept him undaunted. He possessed a peculiar personality that inspired Dennis Hopper's character in the renowned film Apocalypse Now. With his intriguing life serving as the subject of numerous documentaries, ten books, and two films, Page even held the role of the UN's Photographic Peace Ambassador in Afghanistan for two years. His recent recognition as one of the "100 Most Influential Photographers of All Time" has cemented his place among the most exceptional artists.

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Curt Wild 73 Tour 2011 Movie Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Pink Fine Art Paper by Jeremy Wheeler. Music group Curt Wild from the movie Velvet Goldmine.

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Supersuckers New Bomb Turks AP 1994 Seattle WA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 1994 Signed by Kozik & Numbered Limited Edition of AP Artwork Size 22.5x17.75 Silkscreen Print Band Gig Poster by Frank Kozik Supersuckers, New Bomb Turks, Putters, Weathered Wall, Seattle WA 1st of July 1994

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Clerks- Silver 2-Color Hand-Pulled Limited Edition Metallic Ink Silkscreen Print on Fine Art Paper by Todd Slater Rare Street Art Famous Pop Artwork Artist. 24 x 36 inches Alamo Draft House Viewing of the Kevin Smith Movie Clerks for Netflix in 2006

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Pink Elephant DesignerCon 2017 Blacklight Limited Edition Hand Pulled 6-Color Serigraph Print on Fine Art Paper by Joe Ledbetter Graffiti Street Artist Modern Pop Art. 18" x 24" Serigraph blacklight print on paper. Black flocking, Signed, numbered, and watermarked de-bossed for authenticity. Limited edition of 100. Pink Elephant DesignerCon 2017 Serigraph by Joe Ledbetter Pink Elephant is a 2017 limited edition blacklight serigraph by Joe Ledbetter, released in conjunction with DesignerCon. This hand-pulled 6-color screen print measures 18 x 24 inches and was produced in a strictly limited edition of 100. Each piece is signed, numbered, watermarked, and de-bossed for authenticity, with black flocking details that add tactile depth and visual contrast. Created on fine art paper, the work exemplifies Ledbetter’s signature fusion of modern pop art, street aesthetics, and character-driven storytelling. Visual Impact, Color, and Blacklight Effects The composition features Ledbetter’s exaggerated pink elephant character in motion, set against a high-energy, zig-zagging green and black background designed to react under blacklight. Polka-dot textures, bold outlines, and saturated neon colors amplify the psychedelic feel, while the black flocking adds a velvety matte contrast to the surrounding inks. The playful yet slightly unhinged posture of the elephant, paired with surreal details like mushrooms and swirling forms, creates a sense of controlled chaos that feels both humorous and visually intense. Under blacklight, the print transforms, heightening its immersive and collectible appeal. Joe Ledbetter’s Style and Collector Significance Joe Ledbetter is widely recognized for his clean linework, expressive characters, and ability to balance humor with sharp design discipline. Pink Elephant is a strong example of his DesignerCon-era output, where art print culture, vinyl toy aesthetics, and street art sensibilities intersect. The small edition size, hand-pulled production, and specialty blacklight and flocking elements make this piece especially desirable for collectors of modern pop art and designer collectibles. As both a wall-ready statement piece and a documented DesignerCon release, it holds lasting value within Ledbetter’s broader body of work and the contemporary art toy and print scene.

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Archie- Baltimore Comic-Con Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Francesco Francavilla Graffiti Street Artist Modern Pop Art.

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Lumineers Deer Guitar Pearlescent White 3-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited Edition of 30 Artwork Size 18x24 White Pearlescent Metallic Paper

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Dwarves Big Chief Sub Pop NMS Showcase 1992 New York Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1992 Signed by Kozik & Numbered Limited Edition of 250 Artwork Size 11x35 Silkscreen Print Band Gig Poster by Frank Kozik Dwarves Big Chief Green Magnet School Supersuckers Rein Sanction Pond DJ Larry T and Love Machine Xenon New York City NY

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Scooter Rage XII 1998 Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1998 Signed by Kozik & Numbered Limited Edition of VERIFY Artwork Size 22.5x35 Silkscreen Print Band Gig Poster by Frank Kozik. Helium Angel, In-Citers, The Hi-Fives Jan 2 3 4 1998 SSC/SF Frank Kozik Scooter Rage XII 1998 Silkscreen Print SSC SF Frank Kozik, born in Spain in 1962 and active primarily in the United States until his passing in 2023, played a defining role in shaping the 1990s gig poster movement within Street Pop Art & Graffiti Artwork. The Scooter Rage XII silkscreen print from January 2, 3, and 4, 1998 was created to promote a multi-day San Francisco scooter and music event associated with SSC SF. This hand-pulled silkscreen on fine art paper measures approximately 22.5 x 35 inches and was issued as a signed and numbered limited edition. By the late 1990s, Kozik had already elevated the concert poster format into a collectible art object, and this print reflects his ability to move fluidly between aggressive rock graphics and more streamlined modernist compositions while maintaining the authenticity of Street Pop Art & Graffiti Artwork. Modernist Typography and Subcultural Identity Unlike many of Kozik’s heavier, flame-driven compositions, Scooter Rage XII employs a cleaner, design-forward layout dominated by bold numerals announcing 1998 and a vivid green and blue color palette. The central image features a stylized rider seated on a scooter rendered in high-contrast black and white, creating a photographic stencil effect that aligns with the visual strategies of Street Pop Art & Graffiti Artwork. The typography is sleek and contemporary, with rounded letterforms and structured spacing that emphasize event details including Helium Angel, In-Citers, and The Hi-Fives. This balance of modern graphic design and underground event culture demonstrates Kozik’s versatility, showing that his influence extended beyond raw punk imagery into broader lifestyle and subcultural branding aesthetics. Gig Posters as Collectible Street Pop Art & Graffiti Artwork Scooter Rage XII exemplifies how 1990s event posters became enduring artifacts rather than temporary advertisements. Kozik’s disciplined silkscreen process ensured saturated color fields and crisp separations, reinforcing the print’s longevity and collectibility. By signing and numbering the edition, he further cemented the legitimacy of gig posters within the fine art market. Events such as Scooter Rage XII reflected the blending of music, scooter culture, and urban lifestyle communities, and Kozik’s visual documentation of these gatherings now serves as a historical record within Street Pop Art & Graffiti Artwork. This print captures a specific cultural moment in San Francisco while demonstrating how graphic innovation and subcultural energy combined to shape late twentieth-century poster art.

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Chicano Batman- Los Angeles 2015 Limited Edition Band Signed 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ernesto Yerena Montejano Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of 100 Size 18x24 Signed by Entire Band Chicano Batman Along the Bottom. 2015 Music Gig Poster 18x24 Limited Edition Signed of 100- En Vivo Los Angeles El Rey Theatre August 28th 2015

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Electric Six- Boston 2008 Music Limited Edition Gig Poster 3-Color Metallic Ink Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Todd Slater. AP Artist Proof. 12 x 32 – 3 color silkscreen – S/N edition of 200. Electric 6 Rock On Concert Cruiz, Boston Massachusetts, August 15th 2008

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Heads Mao Tinitus 10" Vinyl Album Release Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1997 Signed by Kozik & Numbered Limited Edition of 100 Artwork Size 33.5x11.5 Silkscreen Print Band Gig Poster by Frank Kozik The 1997 release of "Mad Tinnitus" by The Heads marks a creative collaboration between the band and renowned artist Frank Kozik, who brought his distinctive style to the limited edition silkscreen print for the album's 10" vinyl release. Known for his ability to encapsulate the spirit of the music scene within his art, Kozik's design for "Mad Tinnitus" celebrates pop art through the lens of street aesthetics, a testament to the synergy between auditory and visual experiences in the cultural landscape. Measuring 33.5x11.5 inches, the artwork stands out with its vivid color scheme and striking imagery, characteristic of Kozik's bold design ethos. The piece features a dual portrait that commands attention, utilizing a contrast that pops against the print's background. This limited edition silkscreen, hand-pulled on fine art paper, was signed and numbered by Kozik, with only 100 copies made, adding to its exclusivity and appeal among collectors and music enthusiasts alike. Kozik's artwork for The Heads' release is a dialogue between music and graphic art, a physical embodiment of the album's energy and the era's artistic tendencies. It's a slice of the 90s music scene captured in print, echoing the band's raw sound with Kozik's basic visual punch. As a piece of pop and street art, it bridges the gap between two realms traditionally seen as separate. The artwork has a magnetic pull, reminiscent of the gritty yet vibrant walls of urban landscapes, where music often serves as a backdrop to the visuals. Collectors of Kozik's work appreciate not only the visual impact of his art but also the stories they tell and the histories they encapsulate. This print, serving as a band gig poster as well, is a narrative piece, conveying a moment in time when "Mad Tinnitus" became a visual experience as much as an auditory one. Such pieces have carved out their niche in the art world, celebrated for their crossover appeal and for capturing the essence of a particular musical epoch.

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Alice Bag 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x Melanie Nissen Rare Street Art OBEY Pop Artwork Artist. 2022 Signed by Shepard Fairey & Melanie Nissen, Numbered 18x24 inches. Screenprint on thick cream Speckletone paper. Numbered edition of 550. "I was very excited to meet and collaborate with Melanie Nissen because, as co-founder of Slash magazine, she photographed some of the most important figures and moments in the early LA punk scene—a scene that dramatically impacted me as a creative person. Nissen’s new book of her punk photos from 1977-1980, Hard+Fast, is beautifully designed and full of amazing images. After some serious deliberation, I decided I’d like to make an illustration of Alice Bag. I first encountered Alice Bag as a teen in Penelope Spheeris’ documentary “The Decline of Western Civilization,” but The Bags did not put out a lot of music, and it was hard to find. However, in reading books about the LA punk scene like “We Got The Neutron Bomb” and “Lexicon Devil,” as well as the Slash magazine book, I realized that Alice was a very important figure in the LA scene who has continued to make great music and is an outspoken champion of LatinX and feminist causes. She’s also a very nice person. I’m glad to celebrate Alice for her contributions to culture then and now. If you are unfamiliar with The Bags, I’d recommend picking up “All Bagged Up… The Collected Works 1977-1980.” – Shepard

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Nicky Deck- White Limited Edition Silkscreen Skateboard deck art by street pop culture artist Sneaker Con 2021 Exclusive. Nicky Deck – A Symbol of Street Culture Synergy The Limited Edition Silkscreen Skateboard Deck Art by Sneaker Con 2021 encapsulates a unique cultural fusion where the vibrancy of sneaker culture merges with the rebellious spirit of skateboarding. This particular deck, known as the Nicky Deck in White, is not only a functional item for skate enthusiasts but also a canvas for Street Pop Art, bringing together the realms of streetwear, graffiti artwork, and pop art influences into a single piece of artwork. In the landscape of Street Pop Art and Graffiti Artwork, the Nicky Deck stands out as a testament to the interconnectedness of various subcultures within the urban milieu. The intricate design features a motley of icons and motifs deeply rooted in sneaker and skate culture – with depictions of sneakers, wheels, and other elements that speak to both the functionality and the artistry of these communities. This exclusive piece from Sneaker Con 2021 is a physical embodiment of the streetwear fashion statement while simultaneously serving the practical needs of skateboarders. The allure of this skateboard deck art lies not only in its visual appeal but also in its collectible nature. Limited edition releases such as this are highly sought after, as they represent a moment in time within the ever-evolving street art and fashion narratives. They are prized for their aesthetic value and potential to become iconic pieces that capture the essence of the year's particular trends and cultural currents. Artistic Value and Collectibility The Nicky Deck is more than just a skateboard; it is a piece of art that captures the essence of a particular moment in street culture. The 2021 Sneaker Con event marked a gathering of sneaker enthusiasts, artists, and culture-makers, and this deck is a tangible representation of the convergence of those creative energies. With every kickflip and grind, the skateboarder weaves their own story into the fabric of the deck, adding layers of meaning to the artwork beneath their feet. The white backdrop of the deck serves as a stark canvas, bringing the colorful and dynamic designs to the forefront. The choice of silkscreen printing for the deck artwork ensures that each detail is crisply rendered, allowing the vibrant graphics to pop, much like graffiti artwork stands out against the urban landscape. This interplay between the art and the sport, the collectible and the functional, elevates the Nicky Deck from a mere skateboard to an integral piece of Street Pop Art. In collectibles, items like the Nicky Deck become invaluable as they age. They are often hung on walls, preserved in collections, or resold as vintage artifacts of a particular era's street art and pop culture. The deck's limited edition status further adds to its desirability, marking it as a unique and irreplaceable component of skate and street art history. As a piece of Street Pop Art, the Nicky Deck - White Limited Edition Silkscreen Skateboard Deck Art from Sneaker Con 2021 is a vibrant chronicle of contemporary street culture. It reflects a confluence of artistic expressions, from the dynamic world of streetwear to the daring energy of skateboarding, and captures the essence of an era that values aesthetic innovation and cultural homage. The Nicky Deck will undoubtedly continue to be appreciated as an artifact that embodies the spirit and style of its time, remaining relevant to collectors, artists, and skateboarders alike for years to come.

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Eddie Vedder Sao Paulo Brazil 2014 Music Limited Edition Gig Poster 7-Color Hand-Pulled Silkscreen Print Artwork on Mint Speckletone Paper by Jeff Soto for Pearl Jam with Glen Hansard. Jeff Soto's beautiful poster for the first night of Eddie Vedder's solo tour in South America that happened in Sao Paulo, Brazil.

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Obey Noir Flower Woman- Red 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print OBEY NOIR FLOWER WOMAN (RED) 18 inches by 24 inches Edition of 400 January 27, 2022 The Obey Noir Flower Woman print is inspired by Art Deco design and Dark Wave album art. The image has a few avenues for interpretation. I primarily see it as a tribute to idealists who protect the environment, cultivate justice, and hold optimism close to their hearts. We all face challenges and hostilities, but exterior forces don’t control our inner strength and idealism. We do! Idealism leads to action. Those who perpetrate injustice rely on apathy to get away with their misdeeds. Nurture your inner idealism, and your constructive actions will follow. – Shepard

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Summer of Love- Full Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Bob Masse pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 4.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Teletubbies Status Factory Poster 2010 Vintage Poster on Glossy Paper by Graffiti Street Art and Pop Culture Artist Ron English- POPaganda. Ron English- POPaganda Status Factory 2010 Event Poster Gin Smiley Skeleton Smile. Some creases around edges.

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Noise & Lies- Cream 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2018 Signed & Numbered, Noise & Lies (Cream) Screen Print 18 x 24 inches Edition of 325 January 31, 2018 Gimmie Some Truth, Reject These Damaged Goods The realm of street art has been consistently energized by the compelling work of Shepard Fairey, a renowned artist best known for his iconic OBEY campaign and the Obama "Hope" poster. One of his works that significantly punctuates his unique style and pervasive influence is the "Noise & Lies- Cream 2-Color Hand-Pulled Limited Edition Silkscreen Print." The piece, produced on Fine Speckletone Art Paper, stands out as an exclusive demonstration of Fairey's expertise in producing rare street and pop art. Produced on January 31, 2018, this artwork not only exhibits the vibrant culture of street art but also serves as a reflective commentary on socio-political dynamics. This 18 x 24 inches silkscreen print, limited to an edition of 325, is adorned with Shepard Fairey's autograph, a mark of its authenticity and distinct value. Significantly, the phrases "Gimmie Some Truth, Reject These Damaged Goods" incorporated into the art piece amplify its critique of societal falsehoods and consumerist mentality, thereby echoing Fairey's counter-culture narrative. The artwork's cream-toned backdrop paired with Fairey's signature 2-color hand-pulled silkscreen print technique creates an enthralling contrast, enhancing the visual appeal of the art piece. This nuanced blend of color and texture is a testament to Fairey's mastery over his craft and his ability to communicate potent messages through his art. This composition, coupled with Fairey's renowned reputation in the realms of pop, street, and graffiti art, adds to the artwork's desirability and significance. In essence, "Noise & Lies- Cream 2-Color Hand-Pulled Limited Edition Silkscreen Print" by Shepard Fairey represents more than just an art piece. It embodies Fairey's distinct style, socio-political commentary, and his unparalleled contribution to the world of street and pop art, making it an invaluable piece in the domain of contemporary art.

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Samiyam- The Blind Pig 2011 Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art. Samiyam, Raj Mahal, Mogi Grumbles, Josef Deas, A Bomb, DJ Dick Jones, Charles Trees at The Blind Pig on May 26th 2011

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Mockingbird Foundation- Phamily Poker Classic 2013 Limited Edition Event Poster 8-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by AJ Masthay. Artist Proof, Hand deckled bottom edge.

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Duke of Lizards SPAC #3- Watercolor Variant Limited Edition 4-Color Hand Letterpress Print on Fine Art Paper by AJ Masthay pop art graffiti famous artist art. AP Artist Proof. Hand Deckled Bottom, 4 color linoleum block print. Triptych, Lizard, Saratoga Springs, New York, NYC, Party, Event, Fish, July 2013. SPAC, Saratoga Performing Arts Center, Intermission,Triptych,Lizard,Saratoga Springs,New York,NYC,Party,Event,Fish

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Concrete Blonde 1991 Los Angeles CA Handbill Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1991 Signed by Kozik Music Concert Handbill Artwork Size 11x17 Silkscreen Print Band Gig Poster by Frank Kozik at Wiltern Theater. The Wiltern Theater, an iconic Los Angeles landmark, teams up with Frank Kozik, the renowned rock poster artist and toy designer. This collaboration brings an incredible fusion of music, art, and culture to Southern California. Kozik's distinctive style infuses the Wiltern's Art Deco elegance with a vibrant, contemporary edge. Attendees can expect exclusive merchandise and installations that encapsulate the spirit of both the historic venue and Kozik's edgy aesthetic. This alliance brings a fresh dimension to LA's live music scene, making the Wiltern an unmissable spot for all art and music enthusiasts.

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Robocopus Hypercubus Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art. Bijou Metro & Blunt Graffix event, Eugene OR. Tim Doyle’s hit mash-up between religious icons Robocop and Salvador Dali. This hand-printed 18×24 silkscreen poster is signed and numbered by the artist in an edition of only 100 worldwide.

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-ISMFEST 96 Night 1 Beyond the Criminals Red Max 1996 Lincoln NE Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1996 Signed by Kozik & Numbered Limited Edition of 600 Artwork Size 22.5x17.5 Silkscreen Print Band Gig Poster by Frank Kozik. Beyond the Criminals Red Max Knickerbocker's, Lincoln, NE 8-15-1996 -ISMFEST '96 Night 1 Beyond the Criminals Red Max Silkscreen Print by Frank Kozik -ISMFEST '96 Night 1 is a hand-pulled silkscreen print by legendary artist Frank Kozik, created for the August 15, 1996, concert featuring Beyond the Criminals and Red Max at Knickerbocker's in Lincoln, Nebraska. Measuring 22.5 x 17.5 inches, this limited-edition print was produced in a numbered edition of 600 and is signed by the artist. Known for his bold, irreverent style, Kozik’s work is a defining example of Street Pop Art and Graffiti Artwork, blending underground music culture with the aesthetics of punk rock and lowbrow art. This gig poster encapsulates Kozik’s signature visual language—an electrifying color palette, exaggerated cartoon imagery, and an unapologetic embrace of counterculture aesthetics. The design features a grinning, intoxicated blue dog with drool dripping from its mouth, attached to a beer tap pouring directly into its tongue. The background bursts with vibrant red and yellow rays, enhancing the chaotic energy of the piece. The typography is oversized and confrontational, drawing inspiration from punk zines and DIY screen printing traditions. Every element in this artwork exudes raw energy, aligning perfectly with the rebellious nature of the underground music scene it represents. Frank Kozik and His Influence on Street Pop Art and Graffiti Artwork Frank Kozik is one of the most influential figures in modern poster art, widely credited with revitalizing the concert poster scene during the late 1980s and 1990s. Originally from Spain and later based in the United States, he began his artistic career creating DIY flyers for punk and alternative bands before evolving into a leading name in silkscreen printmaking. His work often draws from underground comics, psychedelic rock posters, and vintage advertising, merging them with an unfiltered punk ethos. This print exemplifies Kozik’s ability to capture the spirit of a moment in time—ISMFEST '96 was not just another concert, but an event that embodied the underground music culture of the era. The design’s mix of absurdity, humor, and confrontational visuals reflects Kozik’s knack for transforming promotional materials into collectible works of art. His contributions to Street Pop Art and Graffiti Artwork extend far beyond the music scene, influencing everything from contemporary poster design to vinyl toy culture. The Art of Silkscreen Printing in Music Poster Culture Silkscreen printing has played a crucial role in the history of concert posters, particularly within the punk and alternative rock movements. Unlike mass-produced digital prints, silkscreen posters are hand-pulled, meaning each piece carries unique imperfections and variations that add to its authenticity. This technique allows for intense, saturated colors and bold contrasts, which are essential in creating visually striking designs that stand out in a crowded promotional landscape. The printing process involves layering different colors one at a time, requiring precise alignment and expert craftsmanship. In this particular piece, the interplay of neon-like hues and bold black outlines demonstrates Kozik’s mastery of the medium. The thick ink application gives the print a tactile quality, reinforcing the handcrafted nature of the work. These qualities make silkscreen concert posters highly collectible, as they represent not only a historical moment in music but also an artistic achievement in printmaking. Collectibility and Cultural Impact of -ISMFEST '96 Night 1 As a signed and numbered limited-edition print, -ISMFEST '96 Night 1 is a sought-after piece for collectors of Street Pop Art and Graffiti Artwork. Kozik’s posters are revered not only for their visual impact but also for their role in shaping the aesthetics of underground music culture. His work has been featured in galleries and museums worldwide, solidifying its place as an important part of contemporary art history. Concert posters like this one serve as artifacts of a bygone era, where hand-printed promotional materials were essential to the identity of a band or event. Unlike today’s digital flyers and social media advertisements, these posters were tangible, often plastered on city walls or collected by fans as mementos. The humor, rebellion, and rawness embedded in this piece ensure that it remains relevant decades later, resonating with those who appreciate both the artistic craft and the cultural movement it represents. Frank Kozik’s influence extends beyond posters, impacting the worlds of graffiti, pop art, and designer toys. His ability to blur the lines between commercial art and fine art has made his work enduringly popular among both street artists and contemporary art collectors. -ISMFEST '96 Night 1 is a prime example of his legacy—a work that continues to inspire, provoke, and celebrate the unapologetic spirit of underground creativity.

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Red Max Voodoo Liquor Hotrod Tour 1997 Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1997 Signed by Kozik & Numbered Limited Edition of 300 Artwork Size 17.5x22.5 Silkscreen Print Event Gig Poster by Frank Kozik. Red Baron-like monster flying bi-wing plane drinking beer.  Frank Kozik Red Max Voodoo Liquor Hotrod Tour 1997 Silkscreen Print Frank Kozik, born in Spain in 1962 and later based in the United States until his passing in 2023, was a defining figure in the evolution of gig posters into collectible Street Pop Art & Graffiti Artwork. The Red Max Voodoo Liquor Hotrod Tour 1997 silkscreen print exemplifies his bold, irreverent style during the peak of the 1990s poster movement. This hand-pulled silkscreen on fine art paper measures approximately 17.5 x 22.5 inches and was released as a signed and numbered limited edition of 300. Created as an event poster for the Voodoo Liquor Hotrod Tour, the print reflects Kozik’s ability to merge music culture, underground illustration, and sharp graphic design into a format that transcends simple promotion and enters the sphere of fine art multiples. Illustrative Satire and High-Impact Graphic Style The composition features a grotesque, Red Baron-inspired monster piloting a bright red bi-wing airplane while clutching a beer stein, blending wartime aviation imagery with punk absurdity. The exaggerated green face, jagged teeth, bulging eyes, and extended tongue create a manic energy that mirrors the loud, aggressive tone of alternative music culture in the 1990s. Flames, mechanical details, and bold black outlines heighten the sense of motion, while the vivid primary color palette reinforces the immediacy typical of Street Pop Art & Graffiti Artwork. The Gothic-inspired Red Max lettering across the top anchors the composition with dramatic presence, balancing the chaotic illustration below. Kozik’s disciplined silkscreen technique ensures flat, saturated color fields that remain crisp and visually commanding even decades after printing. 1990s Gig Poster Culture and Street Pop Art & Graffiti Artwork During the 1990s, Kozik played a pivotal role in transforming event posters into limited edition artworks that collectors actively sought out and preserved. By signing and numbering editions such as this run of 300, he reinforced the legitimacy of gig posters within the broader art market. The Red Max Voodoo Liquor Hotrod Tour print captures a moment when underground music, hot rod culture, and cartoon-influenced satire converged within Street Pop Art & Graffiti Artwork. Rather than serving as disposable advertising, works like this stand as enduring examples of how hand-pulled silkscreen printing, rebellious imagery, and bold typography reshaped contemporary print culture.

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Ween 13- Fort Lauderdale FL 2008 Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Todd Slater. 24 x 32 – 3 color silkscreen – S/N edition of 200

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Cybertronic Spree Music Limited Edition Gig Poster 6-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Tim Doyle for The Cybertronic Spree Transformers Band. 2014 Signed & Numbered Limited Edition of 100 Artwork Size 18x24

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Inferno Welcome to Hell 2000 Wild Brain Event Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 2000 Signed by Kozik & Numbered Limited Edition of 300 Artwork Size 22x36 Silkscreen Print Band Gig Poster by Frank Kozik. WildBrain.com Event Promo September 8th 2000, Pig with gun in hell surrounded by fire.  Frank Kozik Inferno Welcome to Hell 2000 Wild Brain Silkscreen Print Frank Kozik, born in Spain in 1962 and later based in the United States until his passing in 2023, was a defining force in modern gig poster design and Street Pop Art & Graffiti Artwork. The Inferno Welcome to Hell silkscreen print from September 8, 2000 was created as promotional artwork for a WildBrain.com event and reflects Kozik’s unmistakable fusion of underground comic aggression and graphic precision. This hand-pulled silkscreen on fine art paper measures 22 x 36 inches and was issued as a signed and numbered limited edition of 300. By the year 2000, Kozik had already solidified his reputation for transforming concert and event posters into collectible fine art prints, using bold color separations and confrontational imagery to elevate promotional materials beyond their commercial purpose. Graphic Provocation and Iconography in Street Pop Art & Graffiti Artwork The Inferno Welcome to Hell composition centers on a pig wielding a gun while engulfed in a fiery hellscape, a visual scenario that aligns with Kozik’s recurring use of satirical and politically charged symbolism. The pig motif, often associated with authority or corruption in countercultural language, becomes amplified within an infernal setting filled with flames and exaggerated intensity. Kozik’s mastery of silkscreen printing is evident in the saturated reds, yellows, and blacks that dominate the image, creating a high-impact poster readable from a distance while maintaining intricate linework upon closer inspection. The aggressive headline typography and dramatic scene construction demonstrate how Street Pop Art & Graffiti Artwork frequently borrows from pulp illustration, underground comics, and punk aesthetics to critique power structures while maintaining a sharp graphic appeal. Frank Kozik’s Role in the Evolution of Limited Edition Gig Posters By 2000, Frank Kozik had helped establish the limited edition gig poster as a respected collectible format within Street Pop Art & Graffiti Artwork, shifting perception from disposable advertising to archival printmaking. The signed edition of 300 for Inferno Welcome to Hell reflects the controlled scarcity model that defined much of the late 1990s and early 2000s poster movement. Each hand-pulled print represents a direct connection between artist, event, and audience, reinforcing the cultural exchange between live performance and visual art. Works such as this WildBrain promotional poster highlight Kozik’s ability to combine satire, technical discipline, and bold imagery into a format that remains historically significant within contemporary print culture.

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Gimme Shelter- Michigan Theater 2010- Pink Music Limited Edition Gig Poster 2-Color Hand-Pulled Silkscreen Print Artwork on Pink Fine Art Paper by Jeremy Wheeler for Rolling Stones. Pink Variant, July 11th and 13th 2010 Michigan Theater Rock N Roll Music Show with Rolling Stones by Hott Lava and Wazoo Records.

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Head In The Clouds Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Maria Smith pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 These limited blotter editions are hand-perforated by Zane Kesey. The alignment of the perforations over the artwork may vary slightly from the example shown.

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Spin Magazine Webster Hall NYC 2005 Offset Lithograph Print Limited Edition Event Artwork on Fine Art Paper by Shepard Fairey, an urban graffiti pop street artist. 2005 Signed & Numbered Limited Edition of 500 Spin Magazine 20th Anniversary Bash Print by Shepard Fairey Webster Hall, NYC | Sept 28th, 2005 Offset Print on Heavy Paper Signed by the Artist [2005] Size: 23" x 32" Minor creasing and nicks to the outer margins are consistent with age, see photos.

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Schoolboy Q Concrete 2014 Rap Music Event Limited Edition Gig Poster 4C Digital Print Ultra High Gloss Archival Photo Paper by MFG- Matt Goldman Max Goldman for Music Artist Skrillex . Lineup Featured Schoolboy Q | Gaslamp Killer | Salva | Nosaj Thing | Groundislava | Them Jeans | Keltronix | SUS BOY 16 x 20 inches 4C Digital Print Ultra High Gloss Archival Photo Paper Limited Edition of 100 Released 2014 . One of the most fun shows I produced, Schoolboy Q, and a handful of artists took over both floors of Los Globos in Silverlake for an unforgettable event. SUS BOY created original show visuals, and the poster is a collaboration between him and MFG- Matt Goldman .

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