Gig Poster & Events

1919- Pelican Tombs- Pennsylvania 2009 Music Limited Edition Gig Poster 4-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Justin Anville. 2019 Signed & Numbered Limited Edition Gig Music Poster Artwork Size 18x24. 919, Pelican Tombs, Music, Event, Theatre of Living Arts, Philadelphia, Pennsylvania, June 3rd 2009, Live Nation The Synthesis of Music and Street Pop Art The convergence of music and visual arts often produces memorabilia that transcends the moment of its creation, embedding itself in the cultural fabric of a time and place. Such is the case with the limited edition gig poster for the event featuring "1919" and "Pelican Tombs" held at the Theatre of Living Arts in Philadelphia, Pennsylvania, on June 3rd, 2009. This striking piece of street pop art and graffiti artwork is a celebration of both the bands and the evocative power of graphic design within the realm of music. This limited edition gig poster is more than just a promotional tool; it is a collectible artwork that reflects the vibrancy and raw energy of the musical acts it represents. Created by the artist Justin Anville, the print is a four-color, hand-pulled silkscreen on fine art paper, a technique that lends the artwork a tactile quality that is both immediate and engaging. The choice of silkscreen printing, a favored method in both street art and pop art for its bold colors and sharp lines, allows the piece to stand out with a visual pop that mirrors the intensity of the live music experience. Visual Elements and Artistic Significance The artwork commands attention with its intricate design and contrasting color palette, which features a dominant red against a backdrop of more subdued tones. At the center, the stylized numerals "1919" are prominently displayed, intertwined with symbolic imagery that suggests a narrative extending beyond the bands' names. This typographic treatment is reminiscent of graffiti art, where letters become an integral part of the visual impact, often carrying meaning in their form as much as in their content. Cultural Imprint of the 2009 Event Poster Limited to a signed and numbered edition, the poster carries with it an aura of exclusivity. Measuring 18x24 inches, it is a sizable piece that was designed to be noticed, to be a talking point, and ultimately, to be remembered. As a piece of memorabilia, it serves as a timestamp, capturing the cultural zeitgeist of the late 2000s Philadelphia music scene, a period marked by a resurgence in indie and alternative genres. The inclusion of the Live Nation brand also signifies the commercial and mainstream acknowledgment of the genres and bands, hinting at their movement from the fringes into the spotlight. The Legacy of Gig Posters in Street Pop Art The significance of gig posters like this one extends beyond the night of the event itself. They are artifacts of cultural history, capturing the essence of musical movements and the artistic styles that accompany them. In the broader context of street pop art and graffiti artwork, gig posters are often the crossroads where music and visual art fans meet, share, and appreciate the interplay between these forms of expression. This particular poster, with its bold aesthetic and connection to a specific time and place, is a perfect illustration of how street art and music can come together to create something enduring. In the ever-evolving dialogue between music and visual arts, the 2009 limited edition gig poster for "1919" and "Pelican Tombs" stands as a testament to the power of this collaboration. It is not just a promotional item; it is a snapshot of a scene, a piece of street pop art, and a collectible that holds within its inks and paper the echoes of a night of music and the spirit of its time.

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Supersuckers New Bomb Turks AP 1994 Seattle WA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 1994 Signed by Kozik & Numbered Limited Edition of AP Artwork Size 22.5x17.75 Silkscreen Print Band Gig Poster by Frank Kozik Supersuckers, New Bomb Turks, Putters, Weathered Wall, Seattle WA 1st of July 1994

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Hendrix Limited Edition Giclee Print on Fine Art Paper by Robert Bruno counter-culture street artist art. Rock music legend Jimmi Hendrix.

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Daft Punk- Tron 2 Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ron Guyatt Graffiti Street Artist Modern Pop Art. Artwork based on the famous music group Daft Punk. Gauntlet Gallery- "Daft Punk Deux" Art Show. The poster contains nods to the band Daft Punk. Within the design are references to Sound systems, mix stations, the pyramid designs from Daft Punk Albums, Digital Data, Energy, and more!

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Miami Connection- White Limited Edition Event Gig Poster 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art. Print made for the Michigan Theater's showing of Drafthouse Film's Miami Connection Movie, in conjunction with The Action Show- an action movie themed art show at Eisner Award-Winning Vault of Midnight. Screenprint Made at by VGKIDS!

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OBEY x Stereo Skateboards Music Club Event Limited Edition Gig Metallic Ink Poster 2-Color Hand-Pulled Silkscreen Print Artwork on Cream Speckletone Paper by MFG- Matt Goldman x Shepard Fairey. This is an original commemorative poster Shepard Fairey & MFG- Matt Goldman designed for the release party of Shepard's new board series with Stereo Skateboard at Dance Right. 18 x 24 inches Screen Print Black, and Metallic Gold Cream Speckletone Paper Limited Edition of 300 Signed and Numbered by Shepard Fairey & MFG- Matt Goldman Released 2009

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The Provocateurs- Chicago 2014- Blue Limited Edition Event Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Shepard Fairey for The Provocateurs Chicago Art Show. The Provocateurs (Chicago) Shepard Fairey Gold Version Screen Print 18 x 24 inches Signed and Numbered Edition of 450

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Dirty South Dance Hand-Pulled 4-Color Silkscreen Print on Cream Speckletone Art Paper by Pop Graffiti Artist Shepard Fairey- Obey Rare Street Art Limited Edition Artwork. 2007 Signed & Numbered Limited Edition of 300 Artwork Size 18x24 A few faint scratches to black areas. Shepard Fairey (b. 1970) Dirty South Dance, 2007 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 300 Signed, numbered, and dated in pencil along lower edge Published by Obey Giant, Los Angeles Dirty South Dance Silkscreen Print is a piece of artwork created by Shepard Fairey, the American contemporary street artist, graphic designer, and activist best known for his "OBEY Giant" and Barack Obama "HOPE" campaigns. Fairey's artwork is often characterized by its bold and thought-provoking imagery, combining elements of graffiti, pop art, and political activism. The Dirty South Dance Silkscreen Print is part of Fairey's OBEY series, which is derived from the "OBEY Giant" sticker campaign he started in 1989. The series aims to promote critical thinking and question societal norms, government control, and the influence of media and advertising on our lives. The Dirty South Dance print may feature Fairey's signature style, including bold colors, striking design elements, and a mix of typography and imagery. The piece may focus on the "Dirty South" music scene, which refers to a subgenre of hip-hop that originated in the southern United States, particularly in cities like Atlanta, Houston, and New Orleans. The artwork may attempt to capture the spirit of the music, its artists, and the culture surrounding it while also incorporating Fairey's sociopolitical messages. As a silkscreen print, the Dirty South Dance artwork would have been created using a stencil-based printmaking technique in which ink is pushed through a mesh screen to transfer the design onto paper or canvas. This process allows for the production of multiple copies, each considered an original print, and is a popular method for creating street art and posters. Collectors and fans of Shepard Fairey's work may be interested in acquiring the Dirty South Dance Silkscreen Print for its unique design and strong cultural commentary.

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The Mermen AP 1996 San Francisco CA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 1996 Signed by Kozik & Numbered Limited Edition of AP 50 Artwork Size 17.5x22 Silkscreen Print Band Gig Poster by Frank Kozik. The Mermen AP 1996 San Francisco CA Silkscreen Print by Frank Kozik Fort Point Pier The Mermen AP 1996 San Francisco, CA silkscreen print is a symbolic piece by the acclaimed artist Frank Kozik, whose work is often associated with the vibrant energy of pop and street art. Kozik's distinctive style is characterized by a blend of bold colors, cartoon-like figures, and a touch of satirical humor, all of which are palpably present in this artwork. This piece, crafted explicitly as a gig poster for a performance at Fort Point Pier on October 4, 1996, captures the essence of the San Francisco music scene of the time. Hand-pulled on fine art paper, the print is part of an exclusive Artist Proof (AP) edition, limited to 50 signed and numbered pieces. Measuring 17.5x22 inches, it's a significant work that embodies the culture and vibrancy of its era. Kozik's use of the silkscreen technique lends the piece a tactile quality that is often lost in digital reproduction, giving each print a unique texture and depth. The imagery in this particular print, featuring a park ranger character brandishing a sign that protests against beach parties, flanked by an unconscious figure surrounded by litter, serves as a witty commentary on environmental conservation and personal responsibility. This reflects Kozik's knack for engaging with social and cultural themes through his art, a trait he shares with many street artists who use public spaces to comment on societal issues. Kozik's work has been instrumental in defining the visual landscape of music culture in the 1990s, with his posters becoming synonymous with the era's underground music scene. The Mermen AP print is not just a piece of memorabilia but also a slice of pop culture history, encapsulating the intersection of music, art, and social commentary. Its existence as a limited edition work heightens its collectibility. It serves to preserve a moment when street art aesthetics infiltrated mainstream visual culture, thereby solidifying Kozik's legacy within the art community.

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Made in the Midwest Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jay Ryan Graffiti Street Artist Modern Pop Art. Hand-signed by all the artists in the show.

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Dwarves Big Chief Sub Pop NMS Showcase 1992 New York Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1992 Signed by Kozik & Numbered Limited Edition of 250 Artwork Size 11x35 Silkscreen Print Band Gig Poster by Frank Kozik Dwarves Big Chief Green Magnet School Supersuckers Rein Sanction Pond DJ Larry T and Love Machine Xenon New York City NY

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Winged Victory Pigeon Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Jeff Staple x ToyQube. Winged Victory Pigeon vinyl art toy from celebrated designer Jeff Staple x ToyQube as part of its StapleDay ’21. The black, gray, and red-figure features Staple’s iconic pigeon with spread wings, a surprised expression, Staple tee, and of course the Black Pigeon Dunks complete with Staple Pigeon logos on the side.

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Donatella Versace Riskoleum Artwork Giclee Limited Edition Print on Coventry Rag Archival Paper by Pop Culture Graffiti Artist Risk. AP Artist Proof. Giclee Print on Coventry Rag Archival Paper. A special commission print for LA Fashion week 2017, dated 2016. Hand-signed & numbered. 18x14in

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The Lonesome Crowded West Tower Modest Mouse Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2022 Signed & Numbered Limited Edition of 825 Artwork Size 18x24 Silkscreen Print "I’m really happy that Modest Mouse asked me to create some limited edition posters for their tour commemorating the 25th anniversary of their 1997 album The Lonesome Crowded West. I first heard Modest Mouse in 1998. I borrowed a friend’s copy of the album The Lonesome Crowded West, which had come out the year before, and it grew on me quickly to become a favorite. The whole album is great, very multi-dimensional ranging from aggressive and dissonant on songs like “Teeth Like God’s Shoeshine” to folky, jangly, and intimate on “Trailer Trash.” My two favorite songs on The Lonesome Crowded West are “Doin’ the Cockroach,” which builds steadily into an exhilarating staccato guitar frenzy, and the song that follows it, “Cowboy Dan,” which is full of tension, struggle, anger, and beauty. Lyrically, the band’s singer and primary songwriter, Isaac Brock, comes across as an empathetic world-weary sage. I rarely call someone a poet, but Isaac wrote with such depth for someone only 23 years old that I think poet is the only title that properly conveys his elevated craft as a lyricist. I got to do Modest Mouse’s 2000 Black Glass tour poster, which was a huge deal for me." -Shepard Fairey- OBEY Marking the 25th anniversary of Modest Mouse's influential album "The Lonesome Crowded West," celebrated street artist Shepard Fairey, known as OBEY, crafted a striking limited edition silkscreen print. This 2022 piece, meticulously hand-pulled and comprising five colors on Cream Speckletone fine art paper, mirrors the layered complexity of the album it honors. The work measures 18x24 inches, a testament to the album's monumental impact on the alternative rock scene and Fairey's own artistic journey. Each of the 825 signed and numbered prints encapsulates Fairey's personal connection with the album, having first encountered its raw and eclectic sound in 1998, a year after its release. He describes the album as "multi-dimensional," resonating through its varied tones from the "aggressive and dissonant" to the "folky, jangly, and intimate." His favorite tracks, "Doin’ the Cockroach" and "Cowboy Dan," evoke contrasting emotions of exhilaration and introspective tension, revealing the dexterity of Modest Mouse's music and the profound lyrical skill of frontman Isaac Brock. In this piece, Fairey channels the essence of the album's themes, depicting an isolated tower amidst a vast, red-streaked landscape, symbolizing the album's exploration of urban isolation and the Western American experience. The contrast between the solitary building and the surrounding expanse eloquently captures the album's title, "The Lonesome Crowded West." This visual representation goes beyond mere album art; it is an intersection of Fairey's iconic style and Modest Mouse's sonic influence, bridging visual and auditory art forms. Fairey's engagement with Modest Mouse extends back to their 2000 "Black Glass" tour, for which he also created a poster. This long-standing relationship emphasizes the mutual respect between the artist and the band, illustrating how music and visual art can coalesce to form powerful cultural statements. His artistic expression is not only a tribute to the music but also an homage to Brock's poetic lyrics, which left an indelible impression on Fairey, prompting him to label Brock a true poet. As an influential figure in street art and pop culture, Fairey’s creation for Modest Mouse cements his position at the forefront of contemporary art. It serves as a visual anchor for the album’s legacy, ensuring that its cultural resonance extends into the visual realm. Collectors and fans of both the band and Fairey find in this print a confluence of two forms of rebellion and expression, solidified on paper but echoing far beyond.

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Skrillex NY Takeover 3- 2012 Music Event Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Archival Bright White Paper by MFG- Matt Goldman Max Goldman for Music Artist Skrillex . Lineup Features Koan Sound at a secret location Poster features "ILL" of Skrillex's name. In 2012, Skrillex did a 5-night takeover of NYC with a series of highly sought-after parties and underplays. While the shows happened, the posters were never released. Together, the posters spell out Skrillex's name in a collage of lighting, cosmos, and terrain, in an attempt to capture the intensity of seeing Skrillex live. 18 x 24 inches Spot Color Offset Print Fluorescent Yellow, Fluorescent Green, Black Archival Bright White Paper Limited Edition of 200 Signed by MFG- Matt Goldman Printed in 2012

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Devil's Night 2013 Limited Edition 1-Color Hand-Pulled Silkscreen Print on Orange Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art. Devils Night Halloween Music Event, 2013 Featuring Chit Chat

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Hum- Chicago 2011 Music Limited Edition Gig Poster 7-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by John Vogl for Hum. The Hideout Block Party / AV Fest, Chicago, 09/10/11 18 x 24 inches. Seven screens printed on French Speckletone "starch mint". Signed and numbered edition of 400.

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Electric Six- Boston 2008 Music Limited Edition Gig Poster 3-Color Metallic Ink Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Todd Slater. AP Artist Proof. 12 x 32 – 3 color silkscreen – S/N edition of 200. Electric 6 Rock On Concert Cruiz, Boston Massachusetts, August 15th 2008

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Antiseen Shiv Stepsister Zen Guerilla 1995 Cleveland Ohio Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1995 Signed by Kozik & Numbered Limited Edition of 650 Artwork Size 18x23 Silkscreen Print Band Gig Poster by Frank Kozik. Antiseen Shiv Stepsister Zen Guerilla Euclid Tavern Cleveland, Ohio 9-15-1995 In concert promotion, Frank Kozik's distinctive silkscreen prints stand as coveted pieces for collectors and fans of the pop and street art movements. His creation for the Antiseen, Shiv, Stepsister, and Zen Guerilla gig, dated September 15, 1995, at the Euclid Tavern in Cleveland, Ohio, is an exemplary piece of this niche. The limited edition print, with only 650 copies signed and numbered by Kozik, showcases the raw and energetic visual language synonymous with Kozik's style. With dimensions of 18x23 inches, this print was more than an announcement; it was a piece of art that captured the spirit of the musical acts it promoted. The imagery is quintessentially Kozik, blending anthropomorphic characters and a whimsical yet provocative arrangement, radiating the punk and hardcore essence of the headlining band Antiseen. Such visual elements are characteristic of Kozik's art, reflecting the underground music scene's gritty and rebellious ethos. The cow and wolf figures, dressed in human attire and engaging in a mock marriage ceremony, serve as a satirical comment, perhaps on the state of society or the inflammatory nature of the bands. In the corner, a pig appears content, contributing to the print's eccentric narrative. This work serves not just as an advertisement for a one-night event but as an artifact that speaks to the cultural and artistic milieu of the mid-90s. Kozik's work is a bridge connecting the subcultural to the mainstream, using the accessible medium of the gig poster to disseminate his unique brand of visual art. These silkscreen prints stand as an intersection where the transitory nature of street art is given permanence, where the voice of underground music is visualized, and where the collectible quality of fine art meets the democratic spirit of street art. This print from the Euclid Tavern event celebrates that union, immortalizing a moment in the continuously evolving narrative of pop and street art.

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Rollins Capitalism- Signed by Henry Rollins 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed by Henry Rollins, Signed & Numbered Screen Print ROLLINS CAPITALISM Screen Print 18 x 24 inches Edition of 1200 August 28, 2012 Henry Rollins has been a hero of mine since I got into Black Flag in 1984. Henry is a role model in his amazing taste and output in music, his political engagement, his monumental work ethic, and his social consciousness. Henry tours a ton and stays very aware of the world. Back before the 2008 recession started, Henry had an editorial segment on his TV show where he said “the president says the fundamentals of the economy are strong…I say start learning Chinese”. Henry’s new tour is called CAPITALISM and I’m sure he will have a lot of wise, funny, and maybe prophetic things to say. I was given the honor by Henry of illustrating his concept for the tour, him as a beaten-down Uncle Sam. I have a few of the prints available on my site signed by both me and Henry. The rest will be available on Henry’s tour which everyone should see. Pick a print up before the American brand of capitalism crumbles under the weight of its own ego. -Shepard Fairey Shepard Fairey Rollins Capitalism 2012 Screen Print Shepard Fairey, born Frank Shepard Fairey in the United States, created the Rollins Capitalism screen print in 2012 as a collaboration with Henry Rollins, the American musician, writer, and former Black Flag frontman who joined the band in 1981. This 18 x 24 inch two-color hand-pulled silkscreen print on fine Speckletone art paper was released in a signed and numbered edition of 1200 on August 28, 2012, with select examples signed by both Fairey and Rollins. The work was produced to coincide with Rollins’ Capitalism tour and reflects Fairey’s long-standing engagement with political messaging through Street Pop Art & Graffiti Artwork. Known for his disciplined graphic approach and activist-driven themes, Fairey used this collaboration to merge Rollins’ outspoken social commentary with his own iconic visual strategies rooted in poster culture and urban art traditions. Visual Symbolism and Political Commentary in Street Pop Art & Graffiti Artwork The composition reinterprets the historic Uncle Sam recruitment poster, replacing the traditional patriotic figure with a stylized portrait of Henry Rollins rendered in a limited red, cream, and dark blue palette. Rollins points directly outward in a confrontational gesture, echoing early twentieth-century propaganda design while shifting the tone toward critique rather than recruitment. The cracked dollar symbol on the chest and the bold CAPITALISM text at the bottom reinforce the print’s focus on economic instability and cultural strain in the years following the 2008 financial crisis. Fairey’s use of sharp contrasts, heavy linework, and simplified color blocking reflects the graphic clarity that defines much of his Street Pop Art & Graffiti Artwork, drawing from constructivist influences, punk aesthetics, and wheatpaste poster traditions that have shaped urban visual culture for decades. Cultural Significance of the Henry Rollins Collaboration Henry Rollins has long been recognized for his rigorous touring schedule, political engagement, and outspoken commentary on social and economic issues, and this print visually amplifies those attributes through the language of Street Pop Art & Graffiti Artwork. Fairey publicly expressed admiration for Rollins’ work ethic and social consciousness, noting that the image depicts Rollins as a worn and battle-tested Uncle Sam figure, symbolizing a critical examination of American capitalism rather than blind allegiance to it. As a signed and numbered limited edition, the Rollins Capitalism screen print holds importance not only as a collectible work but also as documentation of a moment when music, activism, and graphic art converged in a sharply focused political statement.

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These Parties Disgust Me 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Artist Shepard Fairey Street Art OBEY Artwork. 2010 Signed & Numbered Screen Print These Parties Disgust Me, 2010 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered and dated in pencil along the lower edge Published by Obey Giant, Los Angeles This image is loosely a sequel to the Peace Guard from 2008 and serves as a reminder that pushing for peace, ironically, requires a militant vigilance itself. I love the juxtaposition of seemingly contradictory symbols. Peace is victory without war. It’s a good day when you don’t have to use your A.K.! – Shepard

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Modest Mouse- Orlando 2014 Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Fugscreens. 2014 Numbered Limited Edition Artwork Size 18x24 Modest Mouse Music Band, Orlando FL 2014 Beacham Theater. Modest Mouse, Orlando, Flordia, 2014, Beacham Theater, Music, Walkman, Cassette Tape, Band Modest Mouse Orlando 2014 Music Limited Edition Gig Poster by Fugscreens The Modest Mouse Orlando 2014 gig poster by Fugscreens is a striking example of how street pop art & graffiti artwork can merge with music culture to create a visually compelling and collectible piece. This hand-pulled silkscreen print was designed to commemorate the band’s performance at the Beacham Theater in Orlando, Florida. Produced in a limited edition and numbered, this 18x24-inch artwork captures the nostalgia and energy associated with both Modest Mouse’s music and the aesthetic of analog-era sound. The careful craftsmanship of the print, combined with its raw and textural feel, makes it a standout piece in both the world of gig posters and modern street pop art. The Artistic Style and Composition of the Gig Poster Fugscreens’ design for this poster is both minimalistic and deeply evocative, using a limited color palette and bold outlines to create a sense of vintage authenticity. The central image features an old-school Walkman cassette player and a pair of headphones resting on a textured surface. The device itself carries the label Orlando, grounding the piece in its specific concert location while also evoking the personal and intimate nature of listening to music on cassette. The composition places heavy emphasis on nostalgia, making it feel like a snapshot from an era when music was deeply personal and portable in a tangible way. The typography used for Modest Mouse is organic and hand-drawn, with a rough, textured quality that mirrors the do-it-yourself aesthetic of street pop art & graffiti artwork. The uneven, hand-rendered lettering reinforces the raw and unpolished ethos that has always defined Modest Mouse’s sound. The print’s frame, made of thick, uneven lines, gives the illusion of a worn-out music poster, further emphasizing the theme of analog culture and imperfection as an artistic choice. Music and Nostalgia in Street Pop Art & Graffiti Artwork Street pop art & graffiti artwork often draws on themes of nostalgia, repurposing images of outdated technology and cultural artifacts to evoke emotional connections with the past. This gig poster does precisely that, using a Walkman as its centerpiece to reference a time when physical media shaped music consumption. The tactile nature of silkscreen printing enhances this effect, giving the artwork a physical depth that echoes the texture of old album covers and worn-out cassette cases. The sense of impermanence that comes with gig posters and street art is also reflected here, as these prints exist as a momentary documentation of a specific event, much like how street art often responds to a fleeting moment in time. Fugscreens’ work aligns with the ethos of gig posters that have long been associated with underground music scenes and independent artistry. Like street artists tagging walls with unique designs, gig poster artists create one-of-a-kind visuals that both promote and commemorate live performances. The direct, almost hand-made quality of this print ties it back to the roots of punk, indie rock, and alternative music, where visuals play just as big a role in shaping a band’s identity as their sound does. The Impact and Collectibility of the Limited Edition Silkscreen Print As a numbered limited edition piece, the Modest Mouse Orlando 2014 gig poster carries a sense of exclusivity that enhances its desirability among collectors. The 18x24-inch format makes it a substantial yet easily displayable artwork, perfect for music lovers who appreciate the intersection of street pop art & graffiti artwork with music culture. The hand-pulled silkscreen process adds another layer of authenticity, as each print contains slight variations, making every piece unique. Fugscreens has a reputation for blending urban aesthetics with detailed screenprinting techniques, and this poster is no exception. The merging of music history, personal nostalgia, and a distinctly handmade approach make this print more than just a concert souvenir—it becomes an artistic statement. The continued appreciation for gig posters as an art form ensures that works like this remain culturally significant, capturing moments in music history while embracing the raw, expressive qualities of street pop art & graffiti artwork.

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Daft Punk- Tron Metallic Silver Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ron Guyatt Graffiti Street Artist Modern Pop Art. Artwork based on the famous music group Daft Punk. Gauntlet Gallery- "Daft Punk Deux" Art Show. The poster contains nods to the band Daft Punk. Within the design are references to Sound systems, mix stations, the pyramid designs from Daft Punk Albums, Digital Data, Energy, and more!

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Furthur Holmdel NJ 2013- The Garden State Music Limited Edition Gig Poster 5-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by AJ Masthay. Artist Edition, Hand deckled bottom edge.

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Dave Matthews Band DMB Camden NJ Rainbow Foil Silkscreen Print by Jeff Soto Hand-Pulled on Rainbow Foil Fine Art Paper Limited Edition Artwork. 2022 Signed & Numbered Limited Rainbow Foil Edition of 50 Artwork Size 18x24 Silkscreen Print Freedom Mortgage Pavilion, NJ 7/16/2022 Music Gig Poster Fine Art Print.  Jeff Soto's Silkscreen Mastery: Dave Matthews Band's Camden Gig Poster Visual Composition and Symbolism The Dave Matthews Band's artwork is a visual feast, teeming with the fantastical creatures and otherworldly landscape signatures of Soto's style. The central figure, a knight-like helmet, conveys a sense of adventure and boldness akin to the band's exploratory musical style. Around this focal point, Soto weaves a tapestry of images, including enigmatic animal figures and ethereal designs, creating a dream-like atmosphere that complements the band's genre-bending sound. Using rainbow foil as the medium adds an iridescent quality to the print, with colors and light shifting from every angle, echoing music's ever-changing and fluid nature. Artistic Techniques and the Silkscreen Process Creating this print is a testament to Soto's dedication to craftsmanship. Silkscreen printing, a technique with deep roots in pop art, requires precision and patience. The rainbow foil adds challenge, as its reflective surface demands perfect alignment and pressure during hand-pulling. The result is a series of prints where each is a unique art piece, with slight variations that make them individually unique. The tactile quality of the silkscreen print, with its layered inks and metallic sheen, bridges the gap between traditional graffiti art's raw immediacy and the refined qualities of gallery-worthy pieces. Cultural and Artistic Impact Jeff Soto's work for the Dave Matthews Band concert in Camden, NJ, is a powerful representation of the band's ethos and the shared ground between music and visual art. As a gig poster, it serves a functional purpose in promoting the event and stands alone as a piece of fine art, embodying the spirit of street pop art and graffiti artwork in a format that transcends the ephemeral nature of a live concert. This print captures a moment in time, celebrating the confluence of sound and vision and the communal experience of a music event through the lens of an artist who deftly navigates multiple creative worlds. Jeff Soto's "Dave Matthews Band Camden NJ Rainbow Foil Silkscreen Print" is a multifaceted artwork that epitomizes the collaborative spirit of street pop art and music. It's a visual anthem to the band's legendary status and a testament to Soto's innovative approach to art-making. The limited edition nature of the print, coupled with its striking visual narrative, ensures its lasting legacy as a valuable piece of cultural memorabilia and a shining example of contemporary graffiti artwork.

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Henry Rollins Frequent Flyer Tour 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print 18 x 24 inches Edition of 225 February 19, 2010 Henry Rollins tour poster designed by Shepard Fairey. The Frequent Flyer tour starts 2/18/2010 in Arizona USA.

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311- Philadelphia 2021 Limited Edition Music Gig Poster 5-Color Silkscreen Split Fountain Print on Cream Speckletone Paper by Jeff Soto Graffiti Street Artist Modern Pop Art. Posters measure 36" x 24" each and are 5 color screen prints with special split fountain (orange to blue) inks for 311's July 19th show at The Met in Philadelphia, PA

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Gimme Shelter- Michigan Theater 2010- Pink Music Limited Edition Gig Poster 2-Color Hand-Pulled Silkscreen Print Artwork on Pink Fine Art Paper by Jeremy Wheeler for Rolling Stones. Pink Variant, July 11th and 13th 2010 Michigan Theater Rock N Roll Music Show with Rolling Stones by Hott Lava and Wazoo Records.

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Father John Misty- St Louis MO 2013 Music Limited Edition Gig Poster 1-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by John Vogl. The Firebird Saint Louis Mo with Pure Bathing Culture June 14th 2013

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Obey Black Widows AP Dance Floor Riot Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled 1-Color Screen Print on Fine Art Paper Limited Edition Graffiti Pop Street Artwork. AP Artist Proof 2011 Signed & AP Marked Limited Edition Artwork Size 13x13 "Long before I knew about art galleries or even street art, I was excited about album cover art, if only because it was the visual counterpart to the music on the records I loved. Album covers conjured a euphoric association with the listening experience. Most of my earliest home-made tee shirts were stencils based on punk album covers… No matter how much I love art, or try to convince myself of its relevance in society, the fact remains that music is a lot cooler and way more able to reach people’s hearts and minds… but I’m a populist and I look at it this way: I may not play an instrument, but I’m gonna rock it hard as nails anyway. With my art I try to capture the same energy and spirit that makes music so powerful and democratic. REVOLUTIONS is a celebration of all the great music and accompanying art that has inspired me over the years." -Shepard Fairey Pop art, street art, and graffiti have always been mediums that offer a raw and unfiltered reflection of society, culture, and the artist's personal feelings. Among the luminaries in this realm, Shepard Fairey stands tall, his unique creations resonating with both art aficionados and the masses alike. The "Obey Black Widows AP Dance Floor Riot" silkscreen print is a testament to his profound admiration for music and its intertwined relationship with visual arts. Crafted meticulously in 2011, this artist proof, hand-pulled, 1-color screen print on fine art paper, is not just an artwork but a fragment of Fairey’s soul, reverberating his passion for music. Shepard Fairey's initiation into the art world was not through the conventional means of art galleries but through album covers that acted as the visual symphony to the music he revered. Just as album art inspired emotions, memories, and an innate connection to the music, Fairey's street art endeavored to forge a similar connection with its audience. The silkscreen in question, sized at 13x13, embodies Fairey's attempt to harness the immense power and universal reach of music. His statement captures this sentiment eloquently, emphasizing how, despite art's intrinsic value, music has a superior prowess in touching human souls. His use of the term "REVOLUTIONS" is twofold, alluding to both the revolutions of a vinyl record and the socio-cultural revolutions music often incites. A deep dive into "Obey Black Widows AP Dance Floor Riot" offers viewers a chance to journey through Fairey’s inspirations. The fusion of punk's rebellious nature, the invigorating energy of music, and the democratizing force of street art crystallizes in this piece. For those who see art not just as an aesthetic expression but as a pulsating representation of society and individual emotion, this silkscreen print is both a tribute and an inspiration. Through such creations, Shepard Fairey champions the ethos that one needn't play an instrument to rock the world – sometimes, a canvas and a vision are all it takes.

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Soul Rebel- Bob Marley 1-Color Hand-Pulled Limited Edition Letterpress Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 16 inches by 19.5 inches Edition of 450 May 19, 2021 This letterpress set in collaboration with photographer Dennis Morris commemorates the 40th anniversary of Bob Marley’s passing. The series represents the amazing breadth of Marley’s character… the philosopher, the confrontational warrior for justice, and the evangelist for love and connection. Bob

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Red Hot Chili Peppers Primus 1989 Fillmore Silkscreen San Francisco CA Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1989 Kozik Artwork Size 13x19 Silkscreen Print Band Gig Poster by Frank Kozik. Bill Graham San Francisco The Fillmore Poster F115 Red Hot Chili Peppers Mary's Danish Primus September 15 16, 1989 Red Hot Chili Peppers Primus 1989 Fillmore Silkscreen Print by Frank Kozik The Red Hot Chili Peppers Primus 1989 Fillmore silkscreen print by Frank Kozik is an iconic piece of Street Pop Art & Graffiti Artwork that embodies the rebellious energy of late 1980s underground music and poster culture. Created for the Red Hot Chili Peppers' performance at the legendary Fillmore in San Francisco, this 13x19-inch hand-pulled silkscreen print was commissioned as part of the Bill Graham Presents concert series. Featuring bold colors, surrealist imagery, and an unmistakable punk aesthetic, this piece captures the raw intensity of the era’s alternative rock movement. The inclusion of supporting acts Primus and Mary’s Danish further cements its significance as a relic of an explosive time in live music history. Visual Composition and Artistic Style Frank Kozik’s artistic style is instantly recognizable in this print, with its bold neon hues, high-contrast linework, and provocative subject matter. The composition features a flaming skeleton with an exaggerated grin, clad in a polka-dotted bikini bottom, with its tongue out in a defiant gesture. The presence of a stylized, curvy female figure in the background adds a surreal, almost psychedelic touch, reinforcing the wild, chaotic energy associated with the Red Hot Chili Peppers' music. The background consists of swirling patterns in bright pink and purple, creating a hypnotic effect that draws the viewer into the image. The heavy use of black outlines and exaggerated cartoonish elements reflect Kozik’s influence from underground comics, skate culture, and punk zine aesthetics. The typography follows a classic gig poster format, with large block lettering announcing the headlining act in bright pink against a dark background, while additional text in cyan provides details of the event. This mix of playful, irreverent imagery and structured design highlights Kozik’s mastery in blending controlled chaos with striking visual appeal. Street Pop Art & Graffiti Artwork Influence Frank Kozik’s work stands at the crossroads of Street Pop Art & Graffiti Artwork, merging countercultural aesthetics with fine art printmaking techniques. The poster's aggressive, high-contrast design is reminiscent of graffiti stencils, while the hand-pulled silkscreen process ensures that each print carries a unique, raw texture. The exaggerated punk-inspired figures, combined with psychedelic color palettes, align with the visual language found in 1980s street art and underground concert promotion. This piece reflects the DIY spirit of gig poster culture, where artists crafted promotional artwork that doubled as collectible art. Kozik’s ability to merge lowbrow sensibilities with high-impact design has made his prints some of the most sought-after in the gig poster scene. His background in self-published artwork and street-level design tactics translates into compositions that feel alive, rebellious, and unfiltered. Collectibility and Cultural Impact As an official Fillmore poster, this silkscreen print holds immense historical and artistic value. The late 1980s were a defining era for the Red Hot Chili Peppers, as they blended funk, punk, and rock to create a sound that would later dominate alternative music. The collaboration with Primus, a band equally known for its genre-defying sound, adds to the poster’s significance as a symbol of musical innovation. Frank Kozik’s gig posters have become highly collectible, with limited-edition prints from this era commanding high demand among both art collectors and music fans. The handcrafted nature of the silkscreen process ensures that each piece has its own unique character, reinforcing the authenticity and individuality of the work. Kozik’s influence continues to shape modern poster design, and this print remains a testament to his ability to translate the raw energy of live music into visually arresting artwork. This piece is not just a concert advertisement; it is a statement of the era, an artifact of underground culture, and a masterpiece within the world of Street Pop Art & Graffiti Artwork.

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Fractured Exhibition Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2025 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 400 Artwork Size 18x24 Silkscreen Print Shepard Fairey Fractured Exhibition Silkscreen Print The Fractured Exhibition silkscreen print by Shepard Fairey functions as both an exhibition artifact and a standalone example of Street Pop Art & Graffiti Artwork rooted in political design language and graphic intervention. The composition layers a monumental face cropped into abstracted fragments above an industrial red building marked with Minnesota, anchoring the image to place, labor history, and civic identity. The fractured visual field reflects Fairey’s long-established method of breaking imagery into symbolic components that reference power, surveillance, and cultural memory. The cream speckletone paper and restrained color palette reinforce a sense of archival permanence while maintaining the bold visual urgency that defines Fairey’s work. This print operates as documentation of a specific exhibition moment while maintaining relevance beyond its original context. Graphic Language and Cultural Messaging Shepard Fairey’s visual system is immediately recognizable through its use of strong contrast, centralized iconography, and propagandistic composition. In Fractured Exhibition, the fragmented portrait evokes themes of disruption, societal tension, and media distortion, while the architectural base grounds the image in working-class and industrial symbolism. The layered textures reference paste-ups, screen remnants, and aged surfaces commonly found in urban environments, reinforcing the work’s connection to street-based practices. Within Street Pop Art & Graffiti Artwork, this piece exemplifies Fairey’s ability to merge fine art printmaking with activist design, using visual clarity to communicate complex social commentary without reliance on narrative text. Shepard Fairey Background and Influence Shepard Fairey’s real name is Frank Shepard Fairey. He was born in 1970 in the United States and is currently living and actively producing work. Fairey emerged from the skateboarding and punk scenes before gaining international recognition through the Obey campaign and later the Hope poster. His work consistently addresses themes of authority, control, propaganda, and public participation, using graphic strategies borrowed from political posters, constructivism, and commercial advertising. As a foundational figure in Street Pop Art & Graffiti Artwork, Fairey has influenced generations of artists by demonstrating how street imagery can operate within galleries, museums, and public discourse without losing its confrontational edge. Printmaking Method and Collector Context This hand-pulled silkscreen print reflects Shepard Fairey’s continued commitment to traditional production methods, emphasizing physical process and material presence. Each color layer is deliberately applied, resulting in textured surfaces that echo the tactile quality of street installations and wheat-pasted posters. The signed and numbered limited edition of 400 situates the work within a collectible framework while maintaining accessibility relative to Fairey’s broader print catalog. The 18x24 scale allows the graphic elements to retain their impact without overwhelming the viewer, making the piece suitable for both private collections and institutional environments. As a work of Street Pop Art & Graffiti Artwork, Fractured Exhibition captures a specific cultural moment while reinforcing Fairey’s enduring role as a visual communicator operating at the intersection of art, activism, and public space.

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Teletubbies Status Factory Poster 2010 Vintage Poster on Glossy Paper by Graffiti Street Art and Pop Culture Artist Ron English- POPaganda. Ron English- POPaganda Status Factory 2010 Event Poster Gin Smiley Skeleton Smile. Some creases around edges.

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Obey Punk Girl AP Dance Floor Riot Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled 1-Color Screen Print on Fine Art Paper Limited Edition Graffiti Pop Street Artwork. AP Artist Proof 2011 Signed & AP Marked Limited Edition Artwork Size 13x13 "Long before I knew about art galleries or even street art, I was excited about album cover art, if only because it was the visual counterpart to the music on the records I loved. Album covers conjured a euphoric association with the listening experience. Most of my earliest home-made tee shirts were stencils based on punk album covers… No matter how much I love art, or try to convince myself of its relevance in society, the fact remains that music is a lot cooler and way more able to reach people’s hearts and minds… but I’m a populist and I look at it this way: I may not play an instrument, but I’m gonna rock it hard as nails anyway. With my art I try to capture the same energy and spirit that makes music so powerful and democratic. REVOLUTIONS is a celebration of all the great music and accompanying art that has inspired me over the years." -Shepard Fairey Obey Punk Girl AP by Shepard Fairey: A Celebration of Music and Graffiti Pop Street Art The Obey Punk Girl Artist Proof silkscreen print by Shepard Fairey encapsulates his ability to merge music-inspired imagery with the raw aesthetics of Street Pop Art and Graffiti Artwork. Created in 2011, this hand-pulled, one-color screen print is a limited-edition Artist Proof, signed and marked by Fairey, measuring 13 by 13 inches. The piece is printed on fine art paper, showcasing Fairey’s dedication to craftsmanship and his iconic graphic style. Punk Girl reflects Fairey’s deep admiration for music and its cultural impact, drawing from his long-standing connection to album art and punk aesthetics. The central figure in the print is a bold, punk-inspired woman holding a vinyl record. Her intense gaze and sharp styling evoke the rebellious energy of the punk movement, while the ornate border design adds a layer of complexity to the composition. The intricate patterns surrounding the figure create a sense of rhythm and movement, echoing the dynamic nature of music. By combining the gritty essence of graffiti art with the visual language of punk rock, Fairey captures the democratic and visceral power of both mediums. Music as a Driving Force in Street Pop Art Shepard Fairey has always been deeply influenced by music, particularly punk rock, and its role in shaping countercultural movements. The Obey Punk Girl silkscreen print reflects this influence, using imagery that celebrates the rebellious spirit and DIY ethos of punk music. Fairey’s work often draws parallels between the energy of music and the power of visual art, creating pieces that resonate with a broad audience. The inclusion of a vinyl record in the design serves as a nod to the analog era of music, emphasizing its raw authenticity and tactile nature. The bold monochromatic palette and sharp contrast in Punk Girl pay homage to the aesthetics of punk zines and album covers, where minimalism and directness were used to powerful effect. Fairey’s use of street art techniques, such as stenciling and silkscreen printing, mirrors the immediacy and accessibility of punk music, reinforcing the connection between the two art forms. This interplay between music and visual art is central to Fairey’s work, creating pieces that are both visually striking and culturally resonant. Shepard Fairey’s Silkscreen Process The hand-pulled silkscreen process used for Obey Punk Girl highlights Shepard Fairey’s dedication to traditional printing techniques. This approach allows for a high level of detail and texture, capturing the intricate patterns and bold lines that define his style. The use of fine art paper enhances the tactile quality of the print, creating a piece that is both durable and visually engaging. As an Artist Proof, this print holds a special place within the edition, often regarded as a testament to the artist’s experimentation and refinement of his vision. Fairey’s commitment to silkscreen printing stems from its roots in graffiti and street art, where stenciling and printing techniques are integral to the medium’s DIY ethos. The one-color design of Punk Girl underscores the power of simplicity, using contrast and composition to create an impactful image that commands attention. Shepard Fairey: A Voice of Counterculture in Modern Art Shepard Fairey, an American artist and activist, has established himself as a leading figure in Street Pop Art and Graffiti Artwork. His work often explores themes of social justice, rebellion, and cultural identity, drawing inspiration from punk rock, political movements, and propaganda art. Obey Punk Girl exemplifies Fairey’s ability to merge cultural commentary with striking visual design, creating art that speaks to both personal and collective experiences. Fairey’s exploration of music as a source of inspiration is a recurring theme in his work, reflecting his belief in its transformative power. Punk Girl serves as a celebration of the intersection between music and visual art, capturing the raw energy and democratic spirit that make both forms so impactful. Through his art, Fairey continues to challenge conventions and inspire dialogue, cementing his place as a pivotal figure in contemporary Street Pop Art and Graffiti Artwork.

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Deseret Alphabet 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Dan Christofferson- Beeteeth Rare Street Art Famous Pop Artwork Artist. AP Artist Proof. Weapons of Mass Creation Fest, Cleveland Ohio June 8 9 10 2012. Perforated lower edge perfectly intact.

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Interpol NYC Calling Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on White Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2019 Signed & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print "Interpol is one of my favorite bands, and I’ve been lucky enough to collaborate with them throughout the years. My first introduction to them was when I stalked them backstage at Coachella and offered to create art for them if they ever needed it… to my surprise, they knew my work already and decided to take me up on my offer. My first project with Interpol was in 2004, when I created art to follow up their debut album, “Antics.” Ten years later, in 2014, I was approached with another opportunity to create a print and paint a mural for their fifth studio album, “El Pintor.” I’m excited to announce that I’ll be releasing a new print that I created in honor of their upcoming show in New York at Madison Square Garden" -Shepard Fairey- OBEY Interpol NYC Calling Silkscreen Print by Shepard Fairey The Interpol NYC Calling silkscreen print was created by Shepard Fairey (OBEY) in 2019 to commemorate Interpol’s performance at Madison Square Garden in New York City on February 16, 2019. Hand-pulled on white Speckletone fine art paper, the print measures 18 x 24 inches and was released as a signed and numbered limited edition of 550. Bold, graphic, and architecturally precise, the composition reflects both the band’s sharp, atmospheric sound and Fairey’s disciplined visual language rooted in propaganda-era design and modern street art. Visual Language, Geometry, and Sound Made Visible At the center of the composition stands a broadcast tower radiating concentric signal waves, visually translating music into transmission, reach, and resonance. The tower pierces a field of layered geometric forms, including concentric circles, angular blocks, and diagonal striping that create a sense of motion and tension. Fairey’s restrained palette of red, black, white, and teal reinforces the stark, nocturnal mood long associated with Interpol’s identity, while also nodding to Constructivist and Bauhaus influences. The symmetry and precision evoke control and clarity, yet the radiating signal suggests energy, volume, and emotional impact spreading outward from a single source. Context, Collaboration, and Collectibility This print holds particular significance within Shepard Fairey’s body of music-related work, as it reflects a relationship with Interpol that spans more than a decade. From early collaborations tied to Antics to later projects surrounding El Pintor, Fairey’s visual interpretations have consistently aligned with the band’s aesthetic sensibilities. Interpol NYC Calling functions not only as a concert poster, but as a standalone piece of Pop Street Art that bridges music culture and fine art printmaking. For collectors, it represents a convergence of cultural relevance, graphic strength, and historical continuity, capturing a specific moment in both Interpol’s career and Fairey’s ongoing dialogue with music, design, and urban culture.

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Lemmy Damaged Case 1-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2021 Signed & Numbered Lemmy Damaged Case 18 inches by 24 inches Edition of 550 September 10, 2021 "I was first intrigued to check out Motörhead because the guys from G.B.H. were in a few photos wearing Motörhead t-shirts with the band’s great “snaggletooth” logo. “Ace of Spades” is the first Motörhead song I heard, and I didn’t know how to categorize it – punk, metal, hard rock?…but I knew it sounded AWESOME!" -Shepard Fairey

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Alice Bag 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x Melanie Nissen Rare Street Art OBEY Pop Artwork Artist. 2022 Signed by Shepard Fairey & Melanie Nissen, Numbered 18x24 inches. Screenprint on thick cream Speckletone paper. Numbered edition of 550. "I was very excited to meet and collaborate with Melanie Nissen because, as co-founder of Slash magazine, she photographed some of the most important figures and moments in the early LA punk scene—a scene that dramatically impacted me as a creative person. Nissen’s new book of her punk photos from 1977-1980, Hard+Fast, is beautifully designed and full of amazing images. After some serious deliberation, I decided I’d like to make an illustration of Alice Bag. I first encountered Alice Bag as a teen in Penelope Spheeris’ documentary “The Decline of Western Civilization,” but The Bags did not put out a lot of music, and it was hard to find. However, in reading books about the LA punk scene like “We Got The Neutron Bomb” and “Lexicon Devil,” as well as the Slash magazine book, I realized that Alice was a very important figure in the LA scene who has continued to make great music and is an outspoken champion of LatinX and feminist causes. She’s also a very nice person. I’m glad to celebrate Alice for her contributions to culture then and now. If you are unfamiliar with The Bags, I’d recommend picking up “All Bagged Up… The Collected Works 1977-1980.” – Shepard

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Trips Festival Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Bob Masse pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 5.75 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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The West Coast Migration Road Tour 2014 Artwork Giclee Limited Edition Print on Cold-Press Italian Watercolor Paper by Pop Culture Graffiti Artist Danny Miller. Printed Oceans is PangeaSeed Foundation's fine art print program that raises awareness and educates about pressing marine environmental issues through the lens of some of today's most respected creative minds. Since 2012, we have released over 100 original fine art print editions that highlight endangered marine species and ocean habitats. These stunning editions help to bring important conservation stories into homes and workspaces the world over creating critical dialogue and inspiring positive action. Through the purchase of these carefully hand-crafted, limited edition artworks, you are not only powering the groundbreaking work of PangeaSeed Foundation in communities across the globe but also contributing to the livelihoods of our supporting ARTivists. Together, via art and activism, we can help save our oceans.

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Shigeto- The Blind Pig 2013 Limited Edition 11-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art. Shigeto, Charles Trees, Tree City, Beautiful bells, DJ Ease at The Blind Pig on October 8th 2013.

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Metric Synthetic Event Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Ron Guyatt for Polaris Music Prize 2013. AP Artist Proof

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Oasis 1000%- White Chrome BE@RBRICK Limited Edition Vinyl Art Toy Urban Collectable Art Figures

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The Foundation Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Modern Pop Street Graffiti Artist Koe Rodriguez. Archival Pigment Print on 290gsm Moab Entrada Fine Art Paper Size: 66 x 24 Inches Release: August 11, 2021 Run of: 15

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Dead On Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Herbie Greene pop culture LSD artwork. 2021 Signed & Numbered with COA Archival Pigment Print on Perforated Blotter Paper Artwork Size: 7.5 x 7.5 Inches Release: April 19, 2021. Limited blotter editions are hand-perforated by Zane Kesey. Dead On by Herbie Greene: Grateful Dead, Haight-Ashbury, and the Psychedelic Core of Street Pop Art & Graffiti Artwork Dead On is a 7.5 x 7.5 inch archival pigment print on perforated blotter paper by Herbie Greene, released April 19, 2021, as a signed and numbered limited edition. Each print includes a certificate of authenticity and was hand-perforated by Zane Kesey, reinforcing the historical tie to LSD blotter art. This striking composition, both nostalgic and confrontational, features a black-and-white image of the Grateful Dead standing on the iconic corner of Haight and Ashbury in San Francisco. Greene injects color sparingly but strategically: flames erupt from a vintage car, the sidewalk bursts with a red-white-and-blue Steal Your Face logo, and the text DEAD FIFTY YEARS glows in red and gold in the upper right corner. The result is a collision of eras, attitudes, and iconography that embodies the rebellious core of Street Pop Art & Graffiti Artwork. Herbie Greene, born in the United States, rose to prominence documenting the psychedelic explosion of the 1960s, especially as the unofficial photographer of the Grateful Dead. In Dead On, he transforms a historic moment into a symbolic monument of counterculture energy. The band's casual stance at the heart of San Francisco's hippie revolution feels timeless and alive, made more powerful by the blotter format. LSD and the Dead have long shared intertwined legacies, and placing this image on perforated paper makes the print an artifact of both visual and chemical transformation. Greene's use of selective color against grayscale lends a raw immediacy that echoes the emotional sharpness found in wheatpaste murals, stencil tags, and handmade gig posters. Documenting Counterculture Through Psychedelic Media The corner of Haight and Ashbury is not just a location in this print—it is a symbol of a social and artistic uprising that defined an era. By capturing the Grateful Dead there, Herbie Greene documents more than a band. He preserves a time when art, music, and consciousness were all being redefined through collective experimentation and resistance. The vintage cars, residential buildings, and storefronts are left untouched in grayscale, reinforcing the photographic reality of the moment, while the graffiti-like color accents bring the spirit of protest, psychedelia, and spiritual fire to the forefront. The use of blotter paper adds a deeper layer of symbolism. This was not a material chosen for novelty. It is a deliberate nod to the role visual art played in enhancing or reflecting LSD experiences during the 1960s and beyond. Zane Kesey’s involvement in perforating the print adds continuity to that history. His connection to the original Merry Pranksters and his stewardship of psychedelic print traditions ensure that each sheet holds more than ink—it carries the energy of a cultural lineage that never stopped questioning the status quo. Visual Resistance and the Street Pop Art Aesthetic Dead On blurs the line between documentation and confrontation. The addition of fire—literally exploding from the background—turns a peaceful street portrait into a moment of surreal spectacle. The visual message aligns closely with the tenets of Street Pop Art & Graffiti Artwork, where public spaces are transformed through color, message, and distortion. The Dead’s stoic faces contrast with the intensity of the fire and the bold pop typography, creating a tension between calm defiance and burning revolution. This technique of mixing photographic realism with stylized additions mirrors the way street artists use paste-ups or painted overlays on photographs or prints in urban spaces. It evokes a world where memory is always edited by experience, where sacred moments can be revisited and recontextualized through art. By adding a psychedelic floor mural and ominous flames, Greene does not just celebrate the past—he reimagines it for now. The message becomes one of persistence, cultural renewal, and unfiltered truth. Herbie Greene and the Printed Memory of Sound and Vision Herbie Greene’s contribution to American visual culture spans music, photography, and psychedelic art. Through Dead On, he presents not just a band, not just a corner, but a living monument to a movement that still resonates today. The Grateful Dead’s relationship with visual art has always been central to their mythos—from album covers to poster design—and Greene’s work amplifies that history with a tactile surface that recalls a time when the experience of seeing was inseparable from the experience of feeling. Dead On is more than a photograph. It is a constructed memory made physical on a material that once altered consciousness and inspired revolution. It speaks to the roots of Street Pop Art & Graffiti Artwork, where visual language is raw, urgent, and built for both permanence and decay. With this piece, Herbie Greene secures a place where nostalgia is not passive and history remains lit with the fires of psychedelic rebellion.

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Endless Winter Chicago 2013-2014 Silkscreen Print by CHema Skandal! Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2014 Signed & Numbered Limited Edition of 30  Artwork Size 18.5x24.5 Silkscreen Print for The Chancers Music Album Age of Rudeness. Endless Winter Chicago 2013-2014 Silkscreen Print by CHema Skandal! Endless Winter Chicago 2013-2014 is a limited edition silkscreen print created by CHema Skandal! in 2014. This hand-pulled screenprint, sized at 18.5x24.5 inches, was produced in a signed and numbered edition of 30. The artwork was designed in connection with The Chancers' music album Age of Rudeness, merging the themes of ska, punk, and underground music culture with the raw energy of Street Pop Art & Graffiti Artwork. Known for his bold visual storytelling, CHema Skandal! brings a chaotic yet playful aesthetic to this piece, embodying the spirit of independent art and music scenes. Visual Aesthetics and Composition The print features a dynamic and cartoon-like character, exaggerated in expression and motion, dressed in winter gear while playfully engaged in a snowball fight. The character’s mischievous grin and energetic pose add a sense of rebellious joy, reminiscent of classic underground comic book styles and punk poster design. The typography, hand-drawn and slightly distressed, contributes to the raw and unfiltered nature of the composition. The color palette, limited to bold blue and magenta, enhances the high-contrast aesthetic commonly associated with DIY printmaking and graffiti-style artwork. The rough textures and imperfect ink application highlight the hand-crafted silkscreen process, reinforcing the authenticity of the print as a piece of urban street-inspired art. Street Pop Art & Graffiti Artwork Influence CHema Skandal! has long been associated with Street Pop Art & Graffiti Artwork, blending traditional printmaking with the immediacy and accessibility of urban street culture. Endless Winter Chicago 2013-2014 reflects this influence through its punk-infused design and the incorporation of playful yet subversive imagery. The piece evokes the energy of independent gig posters, zine culture, and protest art, all of which have roots in the underground scenes that define street art movements. The hand-pulled silkscreen process further cements the connection to DIY aesthetics, where imperfections and variations in each print contribute to its unique identity. The layered use of texture and negative space gives the composition a spontaneous quality, aligning with the raw nature of street-based artwork. Connection to Music and Cultural Impact This print was created for The Chancers’ album Age of Rudeness, reflecting the strong relationship between visual art and independent music. CHema Skandal! has frequently collaborated with musicians, designing posters and album covers that capture the rebellious and energetic spirit of ska, punk, and rock. The imagery in Endless Winter Chicago 2013-2014 reflects both the harsh reality of Chicago’s winter and the resilience of underground culture, where creativity thrives regardless of external conditions. The scarcity of this edition, with only 30 prints in circulation, makes it a highly sought-after collectible among fans of Street Pop Art & Graffiti Artwork. The continued relevance of CHema Skandal!’s work in both gallery and street settings highlights his influence in shaping contemporary print-based street art movements.

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The Underground Music Showcase Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by John Vogl at Denver Post. The Underground Music Showcase by John Vogl- The Underground Music Showcase from the Denver Post was held from July 24-27 2014 in Denver, CO. This gig poster commemorates that music festival and depicts a large Tyrannosaurus Rex fighting a Triceratops dinosaur. Limited edition silkscreen art print artwork by famous artist John Vogl.

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