Government & Politics
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Denial- Daniel Bombardier Credit Limit Until Debt Do Us Part Print by Denial- Daniel Bombardier
Credit Limit- Until Debt Do Us Part Limited Edition Archival Pigment Fine Art Print on 290gsm MOAB Fine Art Paper by Legend Street Art and Modern Pop Culture Artist Denial. 2020 Credit Limit- Until Debt Do Us Part Credit Card Themed Money Art. Numbered, Signed, Stamped on Reverse, Edition of 25, 24x18, Archival Pigment Print on 290gsm MOAB Fine Art Paper. Credit Limit: Until Debt Do Us Part by Denial Credit Limit: Until Debt Do Us Part is a thought-provoking archival pigment fine art print created by Canadian street pop art and graffiti artist Daniel Bombardier, known professionally as Denial. Released in 2020, this piece is part of the artist’s iconic Credit Limit series, which critiques consumerism and the deeply ingrained relationship between love, marriage, and financial dependency. Measuring 24x18 inches and printed on 290gsm MOAB fine art paper, this limited edition artwork is signed, numbered, and stamped on the reverse, with only 25 prints available. The piece combines striking visuals and sharp social commentary, making it a standout example of Denial’s signature style. Exploring Love and Consumerism Through Pop Art Until Debt Do Us Part features a romantic embrace between a couple overlaid onto a design inspired by an American Express credit card. The juxtaposition of love and financial commitment highlights the often-overlooked monetary dimension of relationships. The couple’s intimate pose, rendered in vibrant colors and comic book-style linework, conveys passion and tenderness. However, the backdrop of a credit card serves as a stark reminder of the financial realities that can influence and complicate relationships. This duality of emotion and materialism invites viewers to reflect on the cultural and personal implications of merging love with economic obligations. Denial’s Unique Artistic Approach Daniel Bombardier’s work is celebrated for its fusion of pop culture imagery with critical social commentary. Until Debt Do Us Part exemplifies his ability to repurpose everyday symbols into powerful artistic statements. The American Express-inspired design underscores the pervasive role of financial institutions in modern life, while the romantic imagery adds an emotional depth that resonates with audiences. Denial’s use of archival pigment printing ensures that the artwork maintains its vibrant colors and fine details, while the 290gsm MOAB paper enhances its visual and tactile quality. By combining elements of street pop art and graffiti artwork, Denial creates a piece that is both visually engaging and intellectually stimulating. The Cultural Relevance of Until Debt Do Us Part This artwork speaks to the complex intersections of love, marriage, and consumer culture. By framing a romantic moment within the context of financial dependency, Denial critiques the societal pressures that often intertwine emotional and economic commitments. The limited edition nature of the piece adds to its significance, making it a coveted item for collectors and enthusiasts of street pop art and graffiti artwork. Until Debt Do Us Part is a poignant reminder of the ways in which financial systems influence our most personal relationships, solidifying Denial’s reputation as a leading voice in contemporary art. Through its bold visuals and provocative themes, this artwork challenges viewers to reconsider the dynamics of love and debt in a materialistic world.
$385.00
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Mad Rise Against the System Orange Silkscreen Print by MAD
Rise Against the System- Orange 8-Color Hand-Pulled Limited Edition Silkscreen Print on 300gsm Bristol Paper by MAD Rare Street Art Famous Pop Artwork Artist. 2021 Signed & Numbered Limited Edition of 30 Artwork Size 19.7x27.6 "Rise Against the System - Orange" presents itself as a profound visual statement in the portfolio of the artist known as MAD, whose identity often remains as enigmatic as the messages embedded within their art. This piece is particularly remarkable, not only for its vibrant aesthetic but also for its rarity and the technique used in its creation. It is a limited edition silkscreen print with only 30 pieces, each meticulously signed and numbered by the artist. It underscores its value to collectors and enthusiasts of street art and pop art alike. The artwork spans a generous 19.7x27.6 inches and is printed on robust 300gsm Bristol paper, a choice that speaks to the durability and high quality of the print. The artwork is an eight-color hand-pulled silkscreen, a traditional technique that imbues each print with a unique touch, diverging from the uniformity of mass-produced art. The image itself—a figure entrapped within a bottle—acts as a metaphor for the constraints and pressures of societal systems. The use of an Orange palette not only draws the eye but also may represent the idea of 'going Orange, a theme often explored in contemporary street art. The figure's pose, one of active resistance against the confines of the bottle, is symbolic of the fight against oppressive structures, a recurring theme in street art's lexicon, which often seeks to challenge the status quo. MAD's piece resonates within the broader context of pop art through its accessible imagery and bold coloration, yet it retains the edginess and subversion characteristic of street art. This duality ensures "Rise Against the System - Orange" speaks a universal language, appealing to a broad audience while remaining deeply rooted in the cultural and political commentary that defines much of the street art movement. Through this work, MAD offers a compelling narrative on personal agency and liberation, creating a lasting visual impact that transcends the moment of its creation, cementing its place in the discourse of modern art.
$352.00
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Robert Mars I Am A Man Archival Print by Robert Mars
I Am A Man Limited Edition Archival Pigment Fine Art Prints on 310gsm Hahnemühle William Turner Art Paper by Graffiti Street Art and Pop Culture Artist Robert Mars. I Am A Man MLK Martin Luther King Jr archival pigment print on Hahnemühle William Turner Matte Fine Art Paper, 310 GSM Hand-varnished 18 x 24 inches Hand-signed and numbered by artist Robert Mars 2019 Mild Yellowing Discoloration To Top White Margin, Does Not Affect Image. See Photos.
$299.00
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Shepard Fairey- OBEY In Honor of Vincent Jen Chin Silkscreen Print by Shepard Fairey- OBEY
In Honor of Vincent Jen Chin 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x Gordon Cheung Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print IN HONOR OF VINCENT JEN CHIN 18 inches by 24 inches Edition of 350 August 18, 2021 Minor Bumbs To Extreme LowerLeft Facing Side In this politicised pandemic crisis through which the previous leader of the most powerful nation in the world labelled coronavirus as China-Virus and its various forms, the consequences of racist blame has led to manifold increases in hate crimes against Asians. I hope this collaboration between Shepard and myself can raise awareness about the long history of anti-Asian hate and the important legacy of Vincent Chin whose untimely death in 1982 galvanised the people to demand Asian American civil rights. This current crucial moment in history calls for a gathering of momentum where Asian diaspora voices should go loud and proud. To stand together, advocate for change and collectively build bridges of understanding over glass ceilings and walls of hate. -Gordon Cheung
$529.00
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Jamie Reid God Save Us All Giclee Print by Jamie Reid
God Save Us All Artwork Giclee Limited Edition Print on Hand Distressed Art Paper by Pop Culture Graffiti Artist Jamie Reid. Signed: Yes Medium: Giclee, Print Edition Type: Limited Edition Edition Size: 313 Size (cm): 82 x 58 - 32.3in x 22.8 God Save Us All is a timely comment on the state of American politics, as the safety-pinned British figurehead is swapped for a swastika-eyed President Trump. Against a distressed US flag, Reid adds his signature cut-up collage text.
$712.00
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Shepard Fairey- OBEY Revolution in our Time Silkscreen Print by Edward Nachtrieb x Shepard Fairey- OBEY
Revolution in our Time Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2020 Signed & Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print "Oct 1 is the 70th anniversary of Communist Party rule in China and the Chinese government is planning an extravaganza of choreographed contentment in the mainland while the people of Hong Kong will hit the streets in an effort to secure their rights. I’ve long believed that protests in the streets are an essential tool for meaningful change because the passion, courage, and visceral force of the participants in a mass protest send a powerful message that they are fully committed to their cause! Ed Nachtrieb photographed many incredible moments of the 1989 Tiananmen Square protests. I’m honored to collaborate with Ed on a set of two images based on his documentation 30 years ago, especially because pro-democracy and human-rights protesters are in the streets of Hong Kong right now! This image “Long Live The People” will be released as a print soon… more details to come. Check out Ed Nachtrieb’s thoughts on the 1989 Tiananmen Square protests." -Shepard Fairey- OBEY "After the People’s Liberation Army was sent in to suppress what is now called the “pro-democracy movement” on June 4, 1989, there was a liberalization of economic rules and policies. China then experienced a remarkable economic transformation. The idea: if people could get rich, they wouldn’t care so much about their freedoms. I think that’s a miscalculation. In Hong Kong today, ideas championed in 1989 have reappeared in a “Revolution of Our Time” in spite of the campaign to erase such “counter-revolutionary” thoughts from history. My images used in these prints are from energetic and optimistic moments of the pro-democracy movement. Victory was in the air. Progress seemed inevitable to those with arms outstretched and smiles beaming from their faces. Shepard’s work reflects their hopes and aspirations. The same ones that fortified those protesters in 1989 are now fuel for the passionate idealists on the streets today." -Edward Nachtrieb Shepard Fairey's "Revolution in Our Time" silkscreen print is a compelling narrative connecting past and present struggles for democracy and human rights. This piece, released in 2020, commemorates the 70th anniversary of Communist Party rule in China, juxtaposing the state's celebrations with the unyielding spirit of protest in Hong Kong. Fairey's collaboration with photographer Ed Nachtrieb is particularly significant, as it draws on images captured during the 1989 Tiananmen Square protests, thereby linking historical acts of resistance to contemporary movements. The artwork is a hand-pulled, 5-color print on cream speckletone fine art paper. With its size of 18x24 inches, the piece commands attention, demanding consideration not just as a visual expression but as a statement of solidarity. The edition is limited to 550 signed and numbered prints, making each a tangible artifact of political artistry. Fairey's design is charged with symbols of peace and resilience, as evidenced by the dove and the raised hand, iconic gestures of defiance and hope. Fairey is known for his stance that street protests are a crucial mechanism for social change, and this belief is visually encoded in the print. His art is not passive; it is an active participant in the dialogue around civil liberties and the collective voice of the people. "Revolution in Our Time" does more than commemorate an event; it propels the message of protest into the future, encouraging a reflection on the nature of authority and the power of the people's will. This limited edition print captures the essence of Shepard Fairey's approach to art as a form of rebellion and communication. It speaks to a universal yearning for freedom and justice, transcending borders and historical moments to unite viewers in a common cause. The work stands as a beacon to civic engagement's enduring relevance and visual art's impact in mobilizing and inspiring change within societies.
$662.00
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Shepard Fairey- OBEY Legislative Influence For Sale AP Silkscreen Print by Shepard Fairey- OBEY
Legislative Influence For Sale AP Artist Proof 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. AP Artist Proof 2011 Signed & Marked AP Artwork Size 18x24 Silkscreen Democrat Propaganda Print of United States President Ronald Regan Holding Sign That Reads "Legislative Influence For Sale" like one side is innocent. "Legislative Influence For Sale AP Artist Proof" stands as a testament to the profound intersection of politics, pop art, and street aesthetics, epitomizing the essence of the genre through the lens of Shepard Fairey, a defining figure in the contemporary street art scene. Created in 2011, this 2-color, hand-pulled limited edition silkscreen print on fine art paper captures not just the vibrancy and rawness of Fairey's visual language, but also a poignant commentary on the nature of political power and influence in the United States. Marked by its emblematic use of stark contrasts, the print features a depiction of the 40th United States President, Ronald Reagan, clutching a sign with the audacious declaration "Legislative Influence For Sale". Such a visual rhetoric draws attention to the controversial claims about money's role in shaping political outcomes, highlighting the nuances of the relationship between governance and monetary interests. At the same time, by juxtaposing Reagan – who often stands as a symbol of conservative ideals – with a sign suggesting political malfeasance, Fairey challenges the viewer to question and confront their preconceived notions about innocence and guilt in the political arena. In context, Shepard Fairey's artwork – often released under the OBEY moniker – has continually been at the vanguard of pushing the boundaries of street art, evolving it from mere visual spectacle to a medium that communicates pressing societal messages. This piece is no exception. Merging the populist overtones of street art with the iconographic representation reminiscent of pop art, Fairey's "Legislative Influence For Sale AP Artist Proof" is more than just an artwork. It's an embodiment of a time, a statement, and a call to awareness in a world where art and activism seamlessly intersect.
$1,084.00
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Aelhra LIE 2 Ben Bernanke Silkscreen Print by Aelhra
LIE 2 Ben Bernanke Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2011 Signed & Numbered Limited Edition of 30 Artwork Size 18x24
$217.00
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Mear One Are You Ready To Die For Your Country Silkscreen Print by Mear One
Are You Ready To Die For Your Country 6-Color Hand-Pulled Limited Edition Silkscreen Print on Heavy Fine Art Paper by Mear One Rare Street Art Famous Pop Artwork Artist. Artist: Mear One Creation Date: 2009 Edition: 81; signed and numbered Size: 20" x 26" Signed and numbered by the artist in pencil, this 6-color silkscreen art print is on heavyweight textured archival white colored paper.
$352.00
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Cleon Peterson Vote Keep Hope & Freedom Alive Black & Gold Print by Cleon Peterson
Vote Keep Hope & Freedom Alive Black & Gold Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 80 Artwork Size 18x24 Political Democrat Silkscreen Print of Woman on a Horse Holding US Flag. Vote Keep Hope & Freedom Alive Black & Gold Silkscreen Print The Vote Keep Hope & Freedom Alive Black & Gold Silkscreen Print by Cleon Peterson represents a compelling example of Street Pop Art and Graffiti Artwork, merging political activism with striking visual design. Created in 2024, this piece is a limited edition, with only 80 signed and numbered prints, making it a coveted item for collectors. The print measures 18x24 inches and is produced on 290gsm Coventry Rag Fine Art Paper with hand-deckled edges, showcasing exceptional craftsmanship. The gold and black color scheme elevates its bold design, adding a sense of elegance and prominence to the artwork’s powerful message of hope and freedom. The Signature Style of Cleon Peterson Cleon Peterson, born in 1973 in the United States, is an artist known for his stark and impactful visual language. His art explores themes of conflict, resistance, and social power, often depicted through bold compositions and limited palettes. The Vote Keep Hope & Freedom Alive Black & Gold print features a central figure of a woman riding a horse, holding the American flag high, symbolizing resilience and determination. The use of gold in the design represents triumph and glory, while the black provides a grounding, dramatic contrast. This dynamic composition exemplifies Peterson’s ability to merge political commentary with aesthetically striking imagery. The Role of Street Pop Art and Graffiti Artwork in Political Activism Street Pop Art and Graffiti Artwork have historically served as vehicles for political expression, making them highly relevant in today’s cultural and social landscape. This print captures the spirit of democratic engagement, urging viewers to reflect on their roles as active participants in shaping the future. The woman on horseback, a recurring symbol of power and leadership, is rendered with clean lines and minimal details, ensuring the focus remains on the symbolism of action and movement. The gold accents bring an air of celebration, reinforcing the idea that voting is both a privilege and a responsibility. Craftsmanship and Limited Editions The hand-deckled 290gsm Coventry Rag Fine Art Paper adds a tangible sense of quality to the print, underscoring its status as a collector’s item. Limited to only 80 signed and numbered pieces, this artwork carries a sense of exclusivity while amplifying its political message. By blending the aesthetics of fine art with the accessibility of street and pop culture influences, Peterson bridges artistic worlds. His use of silkscreen techniques recalls the traditions of Pop Art while embracing the raw, urban energy associated with graffiti and street art, ensuring this piece resonates with contemporary audiences. This limited edition serves as both a visual statement and a call to action, embodying hope and freedom through the lens of modern art.
$563.00
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Cleon Peterson Absolute Power Silkscreen Print by Cleon Peterson
Absolute Power Silkscreen Print by Cleon Peterson Hand-Pulled on Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2018 Signed & Numbered Limited Edition of 150 Artwork Size 26x34 Silkscreen Print Cleon Peterson's "Absolute Power" silkscreen print is a striking piece within the Street Pop Art and Graffiti Artwork domain. Hand-pulled on deckled 290gsm Coventry Rag Fine Art Paper, this artwork encapsulates the intensity and confrontation often associated with urban art narratives. Created in 2018, this piece is part of a limited edition series, with only 150 signed and numbered prints, each measuring 26x34 inches. Peterson's stark contrast between red and black imbues the piece with an arresting and disturbing visceral energy. This artwork is a bold statement on the dynamics of power and submission within societal structures. The central figure's inverted pose and the surrounding motifs of struggle and dominance conjure a sense of upheaval. The print's aggressive lines and flattened perspective are reminiscent of Greek vases and Eastern iconography, yet the work is unequivocally modern in its thematic exploration of contemporary power struggles. Peterson's work often reflects on chaos and order, violence, and the cyclical nature of power, which he portrays through scenes of conflict that are as aesthetically stark as they are thematically challenging. "Absolute Power" is not merely an illustration; it is a conversation piece that demands contemplation on the forces that govern human interactions and the often brutal nature of authority. It is a testament to the power of Street Pop Art and Graffiti Artwork to reflect and critique the underlying tensions of our time. Through its bold depiction and limited availability, Peterson's print becomes a coveted item for collectors and a significant piece for observers, ensuring its message and impact resonate well beyond the confines of traditional gallery spaces.
$1,236.00
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Icy & Sot Imagine A World Without Borders 2 Archival Print by Icy & Sot
Imagine A World Without Borders 2 Archival Pigment Fine Art Limited Edition Print on 300gsm Somerset Satin Paper by Artist Icy & Sot, Street Pop Art Graffiti Legend. Archival Pigment Print on Somerset paper Signed by the Artists edition of 50 50 x 36 cm 2017
$352.00
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Shepard Fairey- OBEY Shoplifters Welcome Large Format Silkscreen Print by Shepard Fairey x Jamie Reid
Shoplifters Welcome Large Format Red Black Silver Silkscreen Print by Shepard Fairey- OBEY x Jamie Reid Hand-Pulled Screen Print on Cream Speckletone Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 50 Artwork Size 26x34.5 Created to Commemorate Reid's Ragged Kingdom Exhibition, March 16 to April 14, 2012. Shows a Hand Removing Laws From A Brief Case Infering Wall Street Money Regulations. "Jamie has been one of my biggest influences, and I'm honored that we worked on some collaborative images for the show. The new images deal with the mutual interests of Jamie and I, addressing the timeless problems of corruption and wealth inequality, but tie into the current themes of Occupy Wall Street and the dead end of fossil fuel consumption." -Shepard Fairey. Shepard Fairey and Jamie Reid: Art as Social Commentary In collaboration with Jamie Reid, the "Shoplifters Welcome Silkscreen Print" by Shepard Fairey is a powerful example of how street pop art and graffiti artwork can encapsulate and critique social and economic issues. This piece, a limited edition print, was created for the "Ragged Kingdom" exhibition from March 16 to April 14, 2012. It has become a significant work in street art for its bold political statement. The artwork depicts a hand removing a document labeled "MONEY" from a briefcase, a visual representation of deregulation, particularly within the context of Wall Street. This act is set against an offer for 'shoplifters,' a satirical nod to the notion that the financial elite operates under a different set of rules than the average person. The print's striking use of the phrase "THIS DECADE ONLY!" further emphasizes the timely nature of the message, suggesting a window of opportunity for unchecked financial behavior. Art Reflecting the Times: Occupy Wall Street and Beyond Shepard Fairey's statement about the collaboration with Jamie Reid highlights their shared focus on corruption and wealth inequality themes, notably echoed by the Occupy Wall Street movement. The movement, which started in 2011, brought widespread attention to these issues, and Fairey and Reid's work provided a visual commentary that resonated with the public sentiment of the time. The artwork not only represents the artists' perspectives but also serves as a historical marker of the socio-economic climate of the early 2010s. The "Shoplifters Welcome" print is a prime example of how street pop art and graffiti artwork can transcend the boundaries of traditional art by directly engaging with social commentary. Fairey, known for his provocative approach, and Reid, with his history of punk aesthetic, combine their styles to create a piece that is as aggressive as it is artistic. The limited edition nature of the print, signed and numbered by Fairey, adds to its allure as a collectible item, even as it challenges the structures of economic power. In creating this print, Fairey and Reid employ the aesthetic of propaganda, utilizing bold colors and stark contrasts to draw attention to their message. The choice of silkscreen printing, a technique closely associated with street art due to its mass production capabilities, further ties the work to the grassroots nature of its messages. It is a medium that allows the artwork to be disseminated widely, mirroring the spread of ideas central to movements like Occupy Wall Street. The "Shoplifters Welcome" print is a testament to the enduring power and relevance of street pop art and graffiti artwork in contemporary discourse. It is a reminder that art can be an intelligent tool for social critique, reflecting the issues of its time and prompting conversations that can lead to change. Through their collaborative efforts, Fairey and Reid have created more than just a visual piece; they have crafted a narrative that challenges viewers to consider the imagery's deeper implications and question the status quo.
$3,032.00
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Shepard Fairey- OBEY Be Reasonable Suburban Pressure Silkscreen Print by Shepard Fairey- OBEY x Jamie Reid
Be Reasonable Suburban Pressure Hand-Pulled 3-Color Silkscreen Print on Cream Speckletone Fine Art Paper by Artist Shepard Fairey x Jamie Reid Limited Edition Pop Art Artwork. 2016 Signed & Numbered Limited Edition of 375 Artwork Size 18x24 Be Reasonable Urban Pressure Set Suburban Pressure Sex Pistols Music Tribute With Burning Money Mao From China and ROnald Regan "The Sex Pistols changed my life. When I was a 14-year-old skateboarder, a friend played me “Never Mind the Bollocks, Here’s the Sex Pistols,” and that moment marked a turning point for me. The Sex Pistols provided the adrenaline-inducing soundtrack for my rebellion. If the Sex Pistols provided the soundtrack, the artist behind their imagery, Jamie Reid, provided the visuals for the revolution. Jamie Reid did the iconic art for the Sex Pistols like the “God Save the Queen” sleeve, the “Pretty Vacant” sleeve, and the cover for the album “Never Mind the Bollocks, Here’s the Sex Pistols.” Jamie deserves the majority of credit for the daring aesthetics of Punk Rock. If you’ve ever seen a photocopied, ransom note style, cut & paste punk graphic, then you’ve seen Jamie Reid’s influence. Jamie has been one of my biggest creative inspirations both visually and philosophically, because his work is bold, provocative, irreverent, and political. Jamie Reid also turned me on to Situationism, a movement dedicated to disrupting the conformist trance through pranks and spectacles. I’m honored that I have been able to work with Jamie on some collaborative images and to present a special collection through Obey Clothing in his honor, as well as two limited edition screen-prints. Jamie and I have mutual interest in shaking things up and addressing the problems of corruption, environmental destruction, and wealth inequality, so it is very energizing and meaningful to do a project with him. Enjoy and embrace the chaos!" -Shepard Fairey
$791.00
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Cleon Peterson TRUTH- What Have We Lost Silkscreen Print by Cleon Peterson
TRUTH- What Have We Lost Hand-Pulled 2-Color Silkscreen Print on Deckled 290gsm Coventry Rag Paper by Artist Cleon Peterson Limited Edition Pop Art Artwork. 2022 Signed & Numbered Limited Edition of XXX Artwork Size 18x24 "The TRUTH image ran in the New York Times right before the election in the opinion feature, What Have We Lost. The Devil Made Me Do it & Divided We Stand, United We Fall were both made on January 6th in response to the Faustian bargain that Trump and his accomplices made in designing the coup. Today we find ourselves at a crossroads; now, more than ever, is the time we need to come together, take a stand, exercise our voices, and fight for Truth and Democracy. Hopefully, daylight will cast off this right-wing authoritarian spell. I see these posters as markers of a historical time and feel a duty within to share my views. We’re all exhausted by politics, but we must embrace the moment and take action because the threat is fundamental; our democracy could be gone in the blink of an eye." - Cleon Peterson The connection of Peterson with street art is also an aspect of his work worth mentioning. Even though he has created numerous murals all over the world, the artist himself does consider himself a street artist: “I don’t think of myself as a street artist or somebody that does work in that vein, but I love the idea of doing large paintings that confront people.”. This is revealing of his motivation to make his art as accessible as possible, as a way to invite the viewers to interact with it and confront the subjects the artist is interested in addressing. This brings up the following questions concerning the art of Peterson: “What is the meaning of it? Does it have a meaning after all? If yes, is this pre-determined by the artist? In order to better understand the way meaning is created in the world of Cleon Peterson, it is essential to, primarily, understand the way he perceives the media as a field of allegations, unbased rumors, suppositions and outright lies. In the world that the artist has created and, in correlation with our own reality, media is a tool of manipulation in the hands of politicians, leaving us helpless and in the mercy of an exploitative authoritarian system.
$759.00
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Shepard Fairey- OBEY Desmond Tutu AP Silkscreen Print by Shepard Fairey- OBEY
Desmond Tutu AP Silkscreen Print by Shepard Fairey- OBEY x Michael Collopy Hand-Pulled Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist Proof. AP Artist Proof 2022 Signed by Shepard Fairey- OBEY & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print of Desmond Tutu South African Bishop and Theologian. "This portrait of anti-apartheid and pro-human rights activist Archbishop Desmond Tutu is my 2nd collaboration with photographer Michael Collopy Archbishop Tutu embraced non-violence as he strove to end apartheid and discrimination against women in South Africa. I deeply admire Arch Tutu’s philosophy, courage, and powerful communication skills. The below testimonial from Michael Collopy illuminates Tutu’s character beautifully." -Shepard Fairey Desmond Tutu AP Silkscreen Print by Shepard Fairey and Michael Collopy The Desmond Tutu AP Silkscreen Print created by Shepard Fairey in 2022 is a profound example of how Street Pop Art & Graffiti Artwork can be used to elevate human rights and spiritual leadership. The portrait is based on a photograph taken by American photographer Michael Collopy, known for his powerful black-and-white portraits of world figures dedicated to peace and justice. This print was issued as an AP Artist Proof and hand-signed by Shepard Fairey on cream speckletone fine art paper. It measures 18 by 24 inches and forms part of Fairey's expanding body of work that engages directly with social justice, political resistance, and international peace movements. The collaboration between Fairey and Collopy was first introduced with a mural and print of Nelson Mandela in Johannesburg and continues here with a tribute to Archbishop Desmond Tutu. Visual Power in the Language of Protest and Dignity Fairey's visual interpretation of Desmond Tutu is filled with layered symbolism and bold graphic design. Dominated by shades of blue, black, and cream, the work integrates Tutu’s contemplative gaze with symbolic references to South Africa’s flag and anti-apartheid struggle. Text elements flank the composition, including phrases that echo Tutu's bold stance on confronting injustice. The layout draws from Fairey’s background in street poster campaigns, where visual impact and legibility are key. Collopy’s original photograph captures the moral seriousness of Tutu’s expression, while Fairey’s print style recontextualizes the image into a piece of public memory that transcends the gallery wall. This synthesis of photojournalism and graffiti design emphasizes the dignity and defiance of a global figure who stood firm against segregation, inequality, and oppression. Legacy of Anti-Apartheid Activism Through Street Pop Art & Graffiti Artwork Archbishop Desmond Tutu of South Africa, who died in 2021, was not only a spiritual leader but a fearless opponent of apartheid and racial injustice. His leadership in the Truth and Reconciliation Commission, as well as his advocacy for women’s rights and LGBTQ+ inclusion within faith communities, made him a unifying figure of moral clarity. By featuring Tutu in this limited edition print, Fairey adds another figure to his Street Pop Art & Graffiti Artwork canon that includes icons like Angela Davis, Nelson Mandela, and Dolores Huerta. The use of graffiti-adjacent aesthetics for this tribute speaks to how activism and art converge in public space to influence hearts and minds. Collaboration Rooted in Photographic Documentation and Graffiti Iconography The collaboration between Shepard Fairey and Michael Collopy reflects the power of cross-medium influence. While Collopy brings the emotional intimacy of portrait photography, Fairey infuses that essence with visual urgency and graphic symbolism drawn from his years in street campaigns and protest art. Their shared effort in immortalizing Desmond Tutu reinforces how Street Pop Art & Graffiti Artwork can function not just as aesthetic practice but as a tool of cultural preservation. The artist proof edition underscores the rare and collectible nature of this print, which functions as both an homage and a political statement. By placing a globally respected spiritual leader in the visual language of resistance, this work ensures that Desmond Tutu’s values remain visible in contemporary culture.
$675.00
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Frank Kozik The Gipper Ultra Violence Yellow Art Toy by Frank Kozik
The Gipper Ultra-Violence- Yellow Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Frank Kozik. 2019 Signed Limited Edition of 50 Displayed with Box Yellow Vinyl Ronald Regan Destroy Bust Artwork The Gipper Ultra-Violence Yellow Limited Edition Art Toy by Frank Kozik The Gipper Ultra-Violence Yellow Vinyl Art Toy is an exceptional creation by Frank Kozik, a pioneering figure in street pop art and graffiti artwork. Released in 2019 as a signed limited edition of only 50 pieces, this sculpture exemplifies Kozik’s ability to merge sharp political commentary with visually striking designs. The bust, rendered in vibrant yellow vinyl, pays homage to Ronald Reagan while challenging viewers to confront deeper questions about authority, culture, and history. A Bold Fusion of Art and Critique Frank Kozik’s Gipper Ultra-Violence series stands out for its audacious take on political figures, and the yellow variant is no exception. This piece reimagines Reagan’s likeness as an exaggerated, almost cartoonish bust that blends humor with biting critique. The detachable green DESTROY sign adds an interactive component, inviting collectors to consider themes of power and destruction. The bright yellow finish amplifies the artwork’s pop art aesthetic, making it a bold statement in any collection. Kozik’s ability to fuse vibrant visuals with provocative messaging highlights his mastery in street pop art and graffiti-inspired works. The Vision of Frank Kozik Frank Kozik, born in 1962 in Spain and later based in the United States, was a visionary artist whose work pushed boundaries across multiple mediums. Known for his contributions to music poster art, designer toys, and graffiti-inspired creations, Kozik infused his work with a rebellious spirit and sharp wit. He passed away in 2023, leaving behind a legacy that continues to influence the world of contemporary art. The Gipper Ultra-Violence series reflects his unique ability to turn familiar imagery into powerful cultural statements, blending satire with an unmistakable pop art aesthetic. A Rare and Coveted Collectible The Gipper Ultra-Violence Yellow Bust is a testament to Kozik’s dedication to limited-edition, high-quality creations. With only 50 pieces produced, each bust is hand-signed by the artist, emphasizing its exclusivity and value to collectors. The accompanying box, designed with Kozik’s signature graphic style, enhances the artwork’s overall presentation. Measuring an imposing size, the bust is a standout in any display, captivating both art enthusiasts and collectors of street pop art. This yellow vinyl bust is not just a collectible but a work of art that challenges conventions and sparks dialogue. Through bold design, interactive elements, and cultural critique, it embodies the spirit of street pop art and graffiti artwork. The Gipper Ultra-Violence Yellow Bust is a striking reminder of Kozik’s ability to use art as a medium for both entertainment and reflection.
$400.00
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Shepard Fairey- OBEY I See Static Blue AP Silkscreen Print by Shepard Fairey- OBEY
I See Static Blue AP Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist Proof. AP Artist Proof 2016 Signed by Shepard Fairey- OBEY & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print. Static Is All That I See. Increase The Peace. I See Static Blue AP by Shepard Fairey The 2016 I See Static Blue Artist Proof silkscreen print by Shepard Fairey exemplifies the tension between distortion and perception in contemporary Street Pop Art & Graffiti Artwork. Executed with masterful precision on cream Speckletone fine art paper and signed and marked AP by the artist, this 18x24 inch hand-pulled silkscreen is a cryptic visual dialogue between media influence and the pursuit of peace. Fairey’s use of sharply defined geometry, vertical interference patterns, and symbolic layering invites the viewer into a hypnotic confrontation with sensory noise and propaganda. Visual Language Rooted in Power and Media Critique Fairey’s visual lexicon in I See Static Blue merges optical disruption with ideological clarity. The text Static Is All That I See appears embedded in a field of radiating blue lines, visually mimicking the interference of analog television static while metaphorically addressing the mental fog created by constant messaging and surveillance. Faces flank the central axis, fragmented by distortion lines, evoking themes of fractured identity in the information age. Below them, an all-seeing eye hovers—laced with a skull at its center—underscoring themes of control, mortality, and the ever-present gaze of media authority. The piece unravels the saturation of images that both numb and command attention, serving as a commentary on cognitive overload and ideological indoctrination. Street Pop Art & Graffiti Artwork as Message and Medium Fairey’s artwork lives at the junction of rebellion and refinement, where street aesthetics are elevated through design discipline. I See Static Blue carries influences from the psychedelic era’s visual frequencies and fuses them with propaganda art’s structural rigidity. Shepard Fairey, born in the United States in 1970, has remained one of the most politically vocal figures in Street Pop Art & Graffiti Artwork, using repetition, limited color palettes, and iconographic symbols to dismantle corporate and governmental narratives. The presence of Obey beneath the eye recalls his original campaign of subversion, turning advertising into art and instruction into satire. The visual message is never passive—it compels awareness. Color, Symbolism, and the Artist Proof Format Rendered in cool hues of cobalt blue, muted crimson, and cream, this print carries a colder psychological weight than many of Fairey’s politically aggressive pieces. The symmetry and balance suggest duality, yet the design’s eye strain effect disorients and provokes. This AP edition holds further value not just as a Shepard Fairey work, but as a limited variant meticulously signed and marked by hand. The combination of sharp lines and symbolic complexity elevates the piece into both an aesthetic and intellectual exercise, reflecting Fairey’s continued relevance in using the visual structure of Street Pop Art & Graffiti Artwork to reflect and resist.
$750.00
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Shepard Fairey- OBEY Danger No Smoking AP Silkscreen Print by Shepard Fairey- OBEY
Danger No Smoking AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2016 Signed & Marked AP Artwork Size 18x24 Silkscreen Print—vintage Style Lead Fual Gas Pump with Danger No Smoking Sign. "This Danger No Smoking print is inspired by a screen print I made in 1990, which was the very first image I made addressing the environmental and health hazards of gasoline. I took this photograph in Providence, RI at the edge of a desolate graveyard, which probably intensified my interpretation of the peeling paint on the gas pump as a skull. I decided the symbolism provided by natural erosion was powerful enough to make the photo worthy of turning into a print. I always liked this image, and I rediscovered it while looking for images to include in a book surveying my entire history of environmentally themed art." -Shepard Fairey- OBEY Shepard Fairey's "Danger No Smoking AP" is an arresting silkscreen print that fuses the gritty aesthetic of street art with the polished finesse of fine art printmaking. Hand-pulled and consisting of five colors on Cream Speckletone fine art paper, this artwork is part of a limited edition series that showcases Fairey's unique ability to embed powerful social commentary within his art. As an artist proof from 2016, this piece is both signed and marked AP, denoting its status as a work that precedes the official production run and is often kept by the artist for personal archives or sale. This print presents a vintage-style lead fuel gas pump decorated with a "Danger No Smoking" sign—a visual that evokes the retro Americana while simultaneously commenting on contemporary environmental and health concerns. By featuring the warning signs that often accompany hazardous substances, Fairey points to the broader issues of industrial risks and public safety. This theme resonates with the essence of pop art, where mundane commercial imagery is repurposed to make a statement, and it aligns with the spirit of street and graffiti art's focus on message-driven visuals. The artwork's size, 18x24 inches, is significant as it allows the viewer to fully engage with the detailed work, including the intricate patterns that add a layer of complexity to the straightforward cautionary symbols. Fairey's work is recognized for its commanding presence, often utilizing bold lines and stark contrasts to draw attention to the subjects he depicts. In this print, the stark warning signage contrasts with the ornamental background, creating a juxtaposition that is visually stimulating and thought-provoking. Fairey’s “Danger No Smoking AP” print is a testament to his commitment to social engagement through art. It holds a mirror to society's paradoxes, reflecting the often overlooked dangers lurking behind the glossy veneer of consumerist culture. This print, rich in symbolism and executed with the artist's signature style, is a powerful addition to the discourse on pop culture, environmentalism, and the transformative power of street art.
$848.00
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Shepard Fairey- OBEY Noise & Lies Cream Silkscreen Print by Shepard Fairey- OBEY
Noise & Lies- Cream 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2018 Signed & Numbered, Noise & Lies (Cream) Screen Print 18 x 24 inches Edition of 325 January 31, 2018 Gimmie Some Truth, Reject These Damaged Goods The realm of street art has been consistently energized by the compelling work of Shepard Fairey, a renowned artist best known for his iconic OBEY campaign and the Obama "Hope" poster. One of his works that significantly punctuates his unique style and pervasive influence is the "Noise & Lies- Cream 2-Color Hand-Pulled Limited Edition Silkscreen Print." The piece, produced on Fine Speckletone Art Paper, stands out as an exclusive demonstration of Fairey's expertise in producing rare street and pop art. Produced on January 31, 2018, this artwork not only exhibits the vibrant culture of street art but also serves as a reflective commentary on socio-political dynamics. This 18 x 24 inches silkscreen print, limited to an edition of 325, is adorned with Shepard Fairey's autograph, a mark of its authenticity and distinct value. Significantly, the phrases "Gimmie Some Truth, Reject These Damaged Goods" incorporated into the art piece amplify its critique of societal falsehoods and consumerist mentality, thereby echoing Fairey's counter-culture narrative. The artwork's cream-toned backdrop paired with Fairey's signature 2-color hand-pulled silkscreen print technique creates an enthralling contrast, enhancing the visual appeal of the art piece. This nuanced blend of color and texture is a testament to Fairey's mastery over his craft and his ability to communicate potent messages through his art. This composition, coupled with Fairey's renowned reputation in the realms of pop, street, and graffiti art, adds to the artwork's desirability and significance. In essence, "Noise & Lies- Cream 2-Color Hand-Pulled Limited Edition Silkscreen Print" by Shepard Fairey represents more than just an art piece. It embodies Fairey's distinct style, socio-political commentary, and his unparalleled contribution to the world of street and pop art, making it an invaluable piece in the domain of contemporary art.
$561.00
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Ron English- POPaganda Electric Skull Illuminati Silkscreen Print by Ron English- POPaganda
Electric Skull Illuminati 3-Color Hand-Pulled Limited Edition Silkscreen Print on Bright Silver Fine Art Paper by Ron English- POPaganda Rare Street Art Famous Pop Artwork Artist. Signed 2010 Limited Edition of 100 18x24 Reflective Silver Paper
$529.00
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Marwan Shahin Thieves & Backstabbers- Collectors Edition Silkscreen Print by Marwan Shahin
Thieves & Backstabbers- Collectors Edition Hand-Pulled Silkscreen Layer Ink Texture & Embrossments Print on Mylar Paper by Activist Artist Marwan Shahin Rare Limited Edition Artwork. 2022 Signed & Numbered Limited Edition of 10 Artwork Size 18x24 "This edition of the artwork is interpreted with brand new print technology for layering ink to create texture and embossment on striking Mylar, Each print is intricately arranged with a filigree of metallics, to produce visually intoxicating effects." -Marwan Shahin "Thieves & Backstabbers - Collectors Edition" emerges as a stunning piece by Marwan Shahin, an activist artist who employs his craft to challenge and dissect the socio-political landscape. This rare limited edition artwork is more than a visual statement; it is a manifestation of technical innovation in printmaking. Crafted in 2022 and part of a highly exclusive series of just ten signed and numbered prints, each 18x24 artwork epitomizes the power of visual art to communicate complex narratives. Shahin's choice of medium is as unconventional as his subject matter. He utilizes hand-pulled silkscreen techniques, layering ink to construct not just color and form but tangible texture and embossment, producing an almost three-dimensional effect on the lustrous Mylar paper. The interplay of light on the metallic inks and the Mylar surface invites viewers into a visual dance, where each angle and each source of light alters the experience of the artwork. It is an edition that stands at the intersection of art and alchemy, with each print in the series offering a unique sensory encounter thanks to the intricate use of metallics that create a visually intoxicating effect. Marwan Shahin's "Thieves & Backstabbers - Collectors Edition" stands as a testament to his reputation as a pioneering figure in contemporary pop art. It embodies his signature approach of integrating pop culture references with deeper political messages, producing art that resonates on multiple levels. As a visual discourse, the piece is a statement on duplicity and the multifaceted faces of human nature, set against a backdrop of opulent symbolism rich in contrast and imbued with layers of meaning. Collectors and enthusiasts of the genre are presented with an opportunity not merely to own a rare piece of art but to engage with a work that pushes the boundaries of silkscreen printmaking and emboldens the narrative potency of modern pop and street art.
$771.00
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Ben Frost Joker Brand- Green Pink Original Spray Paint Acrylic Painting by Ben Frost
Joker Brand- Green Pink Original One of a Kind Mixed Media Acrylic & Spray Paint Painting Artwork on Cradled Wood by Popular Street Graffiti Artist Ben Frost. 2022 ‘Joker Brand’ - Acrylic and spray paint on board - Green/Pink variant 60cm x 60cm (23.5 x 23.5 inches) Signed, titled and dated on the reverse
$5,463.00
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Shepard Fairey- OBEY Legislative Influence For Sale Silkscreen Print by Shepard Fairey- OBEY
Legislative Influence For Sale 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2011 Signed & Numbered Limited Edition of 450 Artwork Size 18x24 Silkscreen Democrat Propaganda Print of United States President Ronald Regan Holding Sign That Reads "Legislative Influence For Sale" like one side is innocent. "Legislative Influence For Sale" is a potent visual commentary by the renowned street artist Shepard Fairey, who rose to global recognition under the moniker OBEY. This artwork, created in 2011, is a limited edition, hand-pulled silkscreen print on fine art paper, and its rarity is underscored by its exclusivity: only 450 signed and numbered copies exist. Measuring 18x24 inches, this piece is not just art; it's a socio-political statement that challenges viewers to confront the intricacies of power, politics, and influence. Fairey's choice of imagery is both bold and thought-provoking. He presents a depiction of the 40th United States President, Ronald Reagan, holding a sign that proclaims, "Legislative Influence For Sale." The audacious portrayal hints at the complex interplay of political agendas, financial influences, and lobbying, suggesting that even the highest office might not be immune to corruption or undue influence. Furthermore, the artist's clever juxtaposition of implying that one side might be innocent plays with the ambiguity of political righteousness, forcing a reflection upon the nuances of political morality. In the realms of pop art, street art, and graffiti, artists often hold a mirror to society, urging introspection, critique, and, at times, activism. Shepard Fairey's piece stands tall within this tradition. His deliberate use of the silkscreen medium, historically associated with both fine art (think Andy Warhol) and protest (recalling posters and flyers), emphasizes the blend of aesthetic beauty and powerful messaging. Through "Legislative Influence For Sale," Fairey not only cements his place in the pantheon of street art legends but also reignites essential conversations about democracy, integrity, and the potential pitfalls of unchecked power.
$519.00
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Shepard Fairey- OBEY Idiocracy Silkscreen Print by Shepard Fairey- OBEY
Idiocracy Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Shepard Fairey, Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print "I’ve always felt that art, entertainment, and humor can be the best delivery vehicles for social commentary, so I love the way humor is used in “Idiocracy” to make the social critique more digestible. The movie is a harsh but necessary indictment of the anti-intellectual culture and politics that seem to become the norm more and more everyday. The film is great in a cautionary way and has an enjoyable irony being a somewhat low-brow piece of entertainment about the perils of succumbing to a cultural rejection of anything intellectual or high-brow. In other words, the genius of the film is that it may actually get through to the audience it should reach, rather than just preaching to the intellectual elite" -Shepard Fairey- OBEY Shepard Fairey's "Idiocracy" limited edition print encapsulates the convergence of pop culture and social critique through the lens of contemporary art. Renowned for his subversive street art and graphic designs, Fairey extends his canvas to fine art paper in this 2016 artwork, limited to 550 signed and numbered pieces. The 18x24 silkscreen print features a four-color palette and is a tangible expression of Fairey’s dedication to using art as a medium for commentary on societal issues. Drawing inspiration from Mike Judge's satirical film "Idiocracy," Fairey's print is not only a visual tribute but also a critique of the film’s themes—depicting the troubling rise of anti-intellectualism and the cultural dismissal of enlightenment and sophistication. Fairey himself praises the film's use of humor to present its social criticism in a more palatable form, creating a space for reflection rather than alienation. His artwork captures the film’s ironic humor, using a brain under the guise of a vending machine product—emblematic of commodification and the oversimplification of complex ideas. This print, like many of Fairey’s works, is imbued with a sense of urgency and a call to awareness. It encapsulates the artist's view that the realms of art, humor, and entertainment can effectively intersect to deliver powerful messages about the current state of society. Fairey’s "Idiocracy" is not merely a piece to be admired for its aesthetic appeal, but a statement piece that encapsulates the pressing cultural narrative around the value of intelligence and the dangers of its rejection in public discourse. The visual elements of the print—the juxtaposition of a brain with a hand grenade, the stark and commanding typography, and the bold colors—are characteristic of Fairey's style. They are employed here not only to draw the eye but also to provoke thought, embodying the essence of graffiti and street art as tools for social engagement. In a culture increasingly leaning towards anti-intellectual sentiment, Fairey’s "Idiocracy" stands as a critical beacon in modern pop art, reminding viewers of the power of art as a reflective and transformative force.
$384.00
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Frank Kozik Dead Che SDCC Orange Vinyl Bust Sculpture by Frank Kozik
Dead Che SDCC Orange Vinyl Bust Sculpture by Frank Kozik Limited Edition Modern Pop Graffiti Street Art Artwork. 2010 Limited Edition of 50 Artwork Sculpture Size 10x16 2010 San Diego Comic Con SDCC California Orange Variant. The "Dead Che Orange Vinyl Bust Sculpture" by Frank Kozik is a captivating contemporary interpretation of the iconic revolutionary figure, Che Guevara. Crafted in vibrant orange vinyl, the bust showcases Kozik's unique blend of pop culture and political commentary. It features an intricately designed skeletal face, reflecting the title 'Dead Che', with meticulous attention to detail in the sculpting. This piece is a standout work of art that confronts viewers with a stark, bold exploration of history, revolution, and mortality. As with many of Kozik's creations, it serves as a provocative commentary on the ephemerality of life and the enduring impact of iconic figures.
$608.00
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Mr Brainwash- Thierry Guetta Presidents Day Chaplin Silkscreen Print by Mr Brainwash- Thierry Guetta
Presidents Day- Chaplin 6-Color Hand-Pulled Limited Edition Silkscreen Print on Hand-Deckled Fine Art Paper by Mr Brainwash- Thierry Guetta Rare Street Art Famous Pop Artwork Artist. 2018 Signed & Numbered Limited Edition of 50 Artwork Size 18x22 In recognition of President's Day, Mr. Brainwash is proud to announce the release of a new screenprint honoring America's first president, George Washington. An image depicting four different poses was designed by Mr. Brainwash. A 6 color screenprint on hand-torn archival art paper. Also available will be individual prints of the four images that make up the large print. Each screenprint is on hand-torn archival art paper and is signed and numbered, with a thumbprint on the back. Individual print size: 22 x 18 in
$4,011.00
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Cleon Peterson Divided We Stand, United We Fall Silkscreen Print by Cleon Peterson
Divided We Stand, United We Fall Hand-Pulled 2-Color Silkscreen Print on Hand Deckled 290gsm Coventry Rag Paper by Artist Cleon Peterson Limited Edition Pop Art Artwork. 2022 Signed & Numbered Limited Edition of XXX Artwork Size 18x24 "The TRUTH image ran in the New York Times right before the election in the opinion feature, What Have We Lost. The Devil Made Me Do it & Divided We Stand, United We Fall were both made on January 6th in response to the Faustian bargain that Trump and his accomplices made in designing the coup. Today we find ourselves at a crossroads; now, more than ever, is the time we need to come together, take a stand, exercise our voices, and fight for Truth and Democracy. Hopefully, daylight will cast off this right-wing authoritarian spell. I see these posters as markers of a historical time and feel a duty within to share my views. We’re all exhausted by politics, but we must embrace the moment and take action because the threat is fundamental; our democracy could be gone in the blink of an eye." - Cleon Peterson The connection of Peterson with street art is also an aspect of his work worth mentioning. Even though he has created numerous murals all over the world, the artist himself does consider himself a street artist: “I don’t think of myself as a street artist or somebody that does work in that vein, but I love the idea of doing large paintings that confront people.”. This is revealing of his motivation to make his art as accessible as possible, as a way to invite the viewers to interact with it and confront the subjects the artist is interested in addressing. This brings up the following questions concerning the art of Peterson: “What is the meaning of it? Does it have a meaning after all? If yes, is this pre-determined by the artist? In order to better understand the way meaning is created in the world of Cleon Peterson, it is essential to, primarily, understand the way he perceives the media as a field of allegations, unbased rumors, suppositions and outright lies. In the world that the artist has created and, in correlation with our own reality, media is a tool of manipulation in the hands of politicians, leaving us helpless and in the mercy of an exploitative authoritarian system.
$759.00
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Shepard Fairey- OBEY Gun Culture- Large Format Serigraph Print by Shepard Fairey- OBEY
Gun Culture- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Varnished 100% Cotton Rag Archival Paper with hand-deckled edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. 4-Color Serigraph on Varnished 100% Cotton Rag Archival Paper. 30 x 40 inches. Signed by Shepard Fairey. Numbered edition of 100. Jim Marshall captured what at first glance is regarded as an innocent child playing with a toy gun in Greenwich Village, New York, in 1963.
$4,011.00
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Jamie Reid Vote For Light Silkscreen Print by Jamie Reid
Vote For Light Silkscreen Print by Jamie Reid Hand-Pulled on Wove Fine Art Paper Limited Edition Artwork. 2015 Signed & Numbered Limited Edition of 50 Artwork Size 19.6x24.41 Silkscreen Print of People in Face Masks and the Words "Vote For Light". Small bump to the middle extreme left margin. "Vote For Light" by Jamie Reid is a remarkable embodiment of the zeitgeist captured in the medium of silkscreen print. Hand-pulled on luxurious Wove Fine Art Paper, the piece, created in 2015, is an amalgamation of Reid's perspective and the cultural tides of the moment. Limited in its run, only 50 of these pieces were produced, each signed and numbered by Reid himself, ensuring authenticity and exclusivity. The artwork, measuring 19.6x24.41 inches, showcases an arresting visual of individuals adorned in face masks, an imagery that resonates with the contemporary experiences of the global populace. The indelible phrase "Vote For Light" emblazoned amidst the portrait of the masked figures sends a powerful message, potentially a call to action or a plea for hope amidst times of uncertainty. Silkscreen printing, traditionally associated with pop art, has been masterfully used here to blend the lines between street art, graffiti, and the more conventional gallery artworks. Reid’s decision to utilize this method is a testament to his commitment to maintain the raw and unfiltered aura commonly associated with street and graffiti art. Jamie Reid's "Vote For Light" is more than just a print; it stands as a symbol, a social commentary, and an invitation for discourse. As with most artwork that converges on the realms of pop, street, and graffiti art, this piece not only captures the artist's viewpoint but also challenges its audience to introspect and engage with the world around them. Drawing inspiration from the events and sentiments of its time, the artwork offers a snapshot of history, forever immortalized on fine art paper.
$750.00
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Frank Kozik The Gipper Ultra Violence Copper Art Toy by Frank Kozik
The Gipper Ultra-Violence- Copper Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Frank Kozik. 2012 Displayed in Box Limited Edition of 50 Copper/Bronze Brown Colored Vinyl Artwork Frank Kozik brings us yet another brilliant bust. You can either stare into the eyes of the devil...err Gipper, or cover them up with a detachable DESTROY sign that comes along with your bust of glory. The Gipper Ultra-Violence Copper Limited Edition Art Toy by Frank Kozik The Gipper Ultra-Violence Copper Vinyl Art Toy is a striking and provocative piece by Frank Kozik, a celebrated figure in the world of street pop art and graffiti artwork. Known for his unflinching satire and commentary on politics and culture, Kozik's creation features a bust that challenges viewers with its bold symbolism and meticulous detail. Limited to just 50 pieces, this copper-toned artwork, released in 2012, stands as a collector's treasure. A Bold Satirical Statement Frank Kozik's bust portrays an exaggerated and caricatured image of Ronald Reagan, often nicknamed "The Gipper." The copper-brown vinyl figure captures a sense of both nostalgia and critique, an ongoing theme in Kozik's portfolio. The detachable DESTROY sign that comes with the bust offers an interactive element, allowing collectors to decide whether to obscure the eyes of the figure, which symbolically addresses themes of political manipulation and blindness to societal realities. Kozik’s sharp commentary on authority and governance shines through, making it a standout piece in the realm of street pop art. The Influence of Frank Kozik Frank Kozik, originally from Spain and later based in the United States, has left a lasting imprint on the world of pop and graffiti art. Born in 1962 and passing in 2023, Kozik became synonymous with bold, often controversial pieces that fused elements of punk rock, politics, and pop culture. His work frequently employs vivid colors and a subversive sense of humor, drawing inspiration from both historical and contemporary figures. The Gipper Ultra-Violence Copper Bust is a testament to his ability to transform familiar imagery into sharp social commentary. Limited Edition Collectibles and Legacy This 2012 release, part of a limited run of only 50 pieces, reflects Kozik's commitment to exclusivity and craftsmanship. Crafted from vinyl and finished in a rich copper-brown hue, the bust is as much a fine art piece as it is a collectible. Accompanied by a box featuring bold graphic art, the packaging itself becomes an extension of Kozik's artistic vision. The bust encapsulates the rebellious spirit of graffiti artwork, appealing to both street art enthusiasts and collectors of modern political art. The Gipper Ultra-Violence is more than just a collectible; it is a conversation starter. It invites viewers to question societal narratives and consider the role of art in political discourse. For admirers of street pop art and Kozik's boundary-pushing creations, this piece remains an enduring symbol of his impact on contemporary art.
$539.00
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Guggimon Pride Fashion EDC SuperGuggi Art Toy Guggimon x SuperPlastic
Pride Fashion EDC SuperGuggi Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Guggimon. PRIDE was created at Guggi’s historic after-after party when vibes were running high and electrolytes were running low
$256.00
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Jeff Rial War Pigs Silkscreen by Jeff Rial
War Pigs 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Jeff Rial Rare Street Art Famous Pop Artwork Artist.
$159.00
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Cleon Peterson Money and Power- Black Silkscreen Print by Cleon Peterson
Money and Power- Black Hand-Pulled 1-Color Silkscreen Print on Hand Deckled 290gsm Arches Rag Paper by Artist Cleon Peterson Limited Edition Art Artwork. 2022 Signed & Numbered Limited Edition of 75 Artwork Size 18x18 "Money and Power have become primary drivers in the modern world, pushing us toward a corrupt society. The days when our leaders looked out for the people's interests have become a thing of the past—replaced by the strong man who squashes the voices of dissent to set things straight. Money elects leaders; in return, they owe a debt to the people that put them in Power—enacting our new public policy of greed and gangster capitalism. We slowly accept corruption, Law slowly fades away, and people begin to feel like democracy and a fair and equitable society were always just an illusion, a dream from the past that never really even existed." -Cleon Peterson Money and Power by Cleon Peterson – A Stark Allegory of Corruption in Street Pop Art & Graffiti Artwork Money and Power is a powerful black hand-pulled 1-color silkscreen print created by Cleon Peterson in 2022. Produced in a limited edition of just 75 signed and numbered pieces, this 18x18 inch artwork is printed on 290gsm Arches rag paper with hand-deckled edges, emphasizing its artisanal quality and rarity. The stark yellow figures and flag, laid over a deep black background, serve as a searing visual metaphor of political decay and societal control. With simplified, militaristic forms, Peterson’s composition marches forward in rigid formation, symbolizing a collective submission to authoritarian rule driven by capitalist greed. The central banner bearing a dollar sign encapsulates the theme in one potent glyph: money has become the new god, the flag under which societies now march. Cleon Peterson's Street Pop Art & Graffiti Artwork – A Violent Mirror of Power Structures Cleon Peterson, born in the United States in 1973, is known globally for his uncompromising and provocative style that merges elements of street art, pop iconography, and a graffiti aesthetic into biting social commentary. His work does not rely on subtlety but instead confronts the viewer with raw and unsettling imagery. In Money and Power, Peterson explores how capitalist motives have become indistinguishable from systems of governance. The faceless, weapon-wielding figures invoke totalitarian control, with each character's uniformity and march-step illustrating the erasure of individual thought and freedom. Peterson’s use of a single bold color evokes propaganda art, recalling wartime posters and dictatorial regimes, reinforcing the critique that today’s economic elites and political figures have blended into a single oppressive force. Money and Power as a Visual Manifesto Against Gangster Capitalism This piece stands as a visual thesis against what Peterson terms gangster capitalism. He expresses the idea that leaders are no longer elected to serve the public good but instead owe their power to financial interests. These interests then dictate policy, ensuring that the cycle of wealth consolidation and systemic inequality continues unchecked. In the artwork, the figures do not march for justice or liberty, but for power sustained by money. The gun in each figure's hand underscores how violence or the threat of it is now a normalized tool for maintaining order in this corrupt structure. As law and accountability fade, Peterson’s image becomes a grim prophecy, showing a society where control is absolute and voices of dissent are methodically extinguished. A Defining Work in Modern Political Street Pop Art & Graffiti Artwork Money and Power exemplifies the essential mission of street pop art and graffiti artwork: to challenge viewers, provoke thought, and expose uncomfortable truths. Peterson uses minimalist design to deliver a maximalist message—every line, posture, and symbol communicates urgency and danger. The limited nature of the piece and the labor-intensive silkscreen technique elevate its importance as a collectible while preserving the raw authenticity central to street and graffiti art origins. It operates not merely as a print but as a declaration—one that distills Peterson’s disdain for performative democracy and unregulated capitalism into a concise, unforgettable image. The work’s impact lies in its clarity and its refusal to soften the critique, marking it as a seminal moment in Peterson’s body of work and a critical reflection of our time.
$759.00
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Eddie Colla 1987 Original Spray Paint Reclaimed Painting by Eddie Colla
1987 Original One of a Kind Mixed Media Spray Paint & Reclaimed Items Painting Artwork on Reused Wood by Popular Street Graffiti Artist Eddie Colla. 2019 Signed Original Mixed Media Spray Paint Acrylic Painting With Reclaimed Elements Artwork Size 34x34 "1987" 34 x 34 inches (86 x 86cm) Mixed media on wood 2019 Signed and titled on the back
$3,259.00 $2,770.00
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Shepard Fairey- OBEY RFK Robert F Kennedy Silkscreen Print by Shepard Fairey- OBEY
RFK Robert F Kennedy Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print From Friends of LAHSA Shepard Fairey – RFK Robert F. Kennedy Silkscreen Print in Street Pop Art & Graffiti Artwork Shepard Fairey’s RFK Robert F. Kennedy silkscreen print, released in 2023 as a signed and numbered edition of 500, is a striking example of political portraiture rooted in the traditions of Street Pop Art & Graffiti Artwork. Hand-pulled in two colors on speckletone fine art paper and sized at 18x24 inches, this piece was created in collaboration with Friends of LAHSA, a civic-focused initiative that aligns with Fairey’s longtime advocacy for social justice and equity. The print features a high-contrast, posterized portrait of Robert F. Kennedy accompanied by one of his most poignant quotes about moral courage and global solidarity. With his bold graphic style and use of iconic political imagery, Fairey reaffirms his place as one of the most influential figures in the evolution of street-inspired art into the contemporary gallery space. This artwork uses visual minimalism to amplify meaning. With only shades of blue and cream across a navy field and a solid red base for the quote, Fairey’s print references both mid-century political posters and wartime propaganda aesthetics. This creates instant recognition and authority, demanding attention much like a wheatpaste on a city wall. The portrait is defiant, hopeful, and idealistic—an image of a leader remembered for empathy and progressive vision. Through Fairey’s lens, Kennedy becomes a timeless symbol of ethical resistance, made relevant again through the voice of street art. Stylistic Roots in Protest and Public Messaging Fairey’s visual language has always blended graphic clarity with ideological intensity. Starting with his OBEY Giant campaign in the 1990s and culminating in his globally recognized HOPE poster for Barack Obama, Shepard Fairey has developed a formula that uses limited color palettes, bold typography, and photorealistic stenciling to produce maximum impact. This RFK print continues that lineage, with a layout that feels urgent and accessible. It is designed not just to be admired but to be read, shared, and posted. The poster format itself—a key tool in both political propaganda and graffiti wheatpasting—evokes the democratic intent of street art: to communicate complex ideas to everyday people, in everyday spaces. The quote printed beneath Kennedy’s portrait reinforces this intent. It’s not just a tribute; it’s a call to action. The choice of typeface, spacing, and alignment mimics the clear, rallying cadence of protest signs. Fairey does not use ornate or obscure fonts—his typography is strong, clean, and civic-minded. This decision keeps the focus on the message and mirrors graffiti’s utilitarian purpose: to declare something publicly and unapologetically. Street Pop Art's Voice in Contemporary Civic Dialogue Shepard Fairey’s influence extends beyond visual culture into the realm of activism. His consistent use of political figures, revolutionary icons, and socially conscious themes links him directly to the foundations of Street Pop Art & Graffiti Artwork. While many artists have transitioned from street to gallery, Fairey has retained a commitment to public communication. This RFK print, although gallery-sold and printed on premium paper, retains the visual and moral urgency of a mural or sticker drop. The collaboration with Friends of LAHSA (Los Angeles Homeless Services Authority) reinforces this by tethering the work to real-world causes—housing, dignity, and advocacy. Fairey’s portrait of Robert F. Kennedy does more than commemorate a figure from the past—it activates memory as a form of resistance. By resurrecting Kennedy’s image and words within a modern aesthetic framework, Fairey creates an emblem of enduring idealism. It’s a piece meant not only for collectors but for classrooms, city walls, and civic campaigns—any space where art and action converge. In the lineage of Street Pop Art & Graffiti Artwork, Shepard Fairey’s RFK print stands as both homage and declaration. It reflects the belief that visual culture can still inspire political courage and that the tools of street art—bold graphics, public messaging, and shared authorship—remain powerful instruments of change.
$530.00
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Rip N Dip Save The World Deck- Multi Color Skateboard by Rip N Dip Silkscreen
Save The World Deck- Multi-Color Limited Edition Silkscreen Skateboard deck art by street pop culture artist Rip N Dip. Limited Run Designer Skateboard Deck.
$206.00
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Brandalism & Brandalised Riot Cop 100% & 400% Be@rbrick by Brandalised x Medicom Toy x Banksy
Riot Cop 100% & 400% BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure by Brandalism. 2022 New In Box Brandalised x Medicom Toy x Banksy 2022 Medicom Toy Popular artist Banksy returns with the Riot Cop Bearbrick! This is the third collaboration between Medicom Toy and Brandalism. Water transfer technology ensures unique print placements. The 100% and 400% size Bearbricks stand at 7cm and 28cm tall respectively.
$305.00
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Shepard Fairey- OBEY Chinese Soldier 2 TP AP Test Print Silkscreen Print by Shepard Fairey- OBEY
Chinese Soldier 2 TP Test Print Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 1-Color on Thin Art Paper Limited Edition Artwork Obey Pop Culture Artist. TP AP Artist Test Proof Print 2006 Unsigned. Testing Out The Process From Shepard Faireys Then Workshop. Black Mono Print, Unsigned, No Markings. Artwork Size 18x24 Silkscreen Print. TearsBending & Creasing throughout The Margins, Working Artist Copy. Crease Across Lower Right Facing Side. Shepard Fairey's "Chinese Soldier 2 TP Test Print" is a compelling piece that exemplifies the intersection of street art and political commentary, hallmarks of Fairey's work. As an iconic figure in pop and graffiti art, Fairey has long been recognized for his ability to provoke thought and stir public discourse through his art. This particular silkscreen print is a test proof from 2006, emanating from the artist's experimentation with printmaking techniques. Hand-pulled and comprising five colors on thin art paper, this limited edition artwork carries the signature visual style of Fairey's Obey series, which commands attention to the themes of propaganda, control, and societal obedience. The print, depicting a Chinese soldier with a flower protruding from the barrel of his rifle, challenges viewers to question the juxtaposition of military power with peace—a dichotomy often explored in anti-war art and literature. The raw and unrefined nature of this test print adds to its authenticity and makes it a unique collector's piece, especially considering it is a black mono print and is unsigned, with no markings. The lack of signature is particularly notable as it speaks to the essence of street art, where the message often takes precedence over the artist's identity. Measuring 18x24 inches, this print is sizable, allowing for an immersive viewing experience that draws the eye to the stark contrasts and the compelling imagery that has become synonymous with Fairey's work. Fairey's influence on street art extends beyond his visual work; his methods and approach have inspiremanyof artists to see the urban landscape as a canvas for commentary and change. His test prints, such as "Chinese Soldier 2," offer a glimpse into his process and an understanding of the experimentation behind his finished pieces. This artwork, while a test piece, stands alone in its powerful message and aesthetic, encapsulating the energy and defiance of street art culture.
$733.00
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Shepard Fairey- OBEY Occupy Protester AP Silkscreen Print by Shepard Fairey- OBEY
Occupy Protester A.P. 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey, Rare Street Art OBEY Pop Artwork Artist. A.P. Artist Proof 2012 Signed & Numbered Occupy Protester, 2012 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) A.P. (aside from an edition of 450) Signed, numbered, and dated in pencil along lower edge Published by Obey Giant, Los Angeles. Occupy Wall Street Shepard Fairey's 'Occupy Protester': A Beacon of Street Pop Art and Activism Shepard Fairey's 'Occupy Protester' is a poignant representation of the artist's involvement with the Occupy Wall Street movement and his continuous impact on street pop art and graffiti artwork. As an artist-proof (A.P.), this 2012 silkscreen print in colors on speckled cream paper was apart from the main edition of 450, enhancing its rarity and desirability among collectors and enthusiasts of the genre. Measuring 24 x 18 inches, the print is significant not only for its artistic merit but also for its strong political message. The 'Occupy Protester' features a figure wrapped in a scarf, with only the eyes visible, set against a backdrop of bold red and black stripes. This image is striking and filled with emotion, reflecting the intensity and urgency of the Occupy movement. The number "99%" prominently displayed in the artwork resonates with the movement's message, which protested against economic inequality and the disproportionate power of the wealthiest 1% of the population. Fairey's choice of speckle-tone paper adds an organic feel to the work, suggesting the grassroots nature of the protests. Cultural and Political Impact of Fairey's Work Shepard Fairey has long been an artist who uses his work to comment on social and political issues. 'Occupy Protester' continues this tradition, embodying the spirit of resistance and the call for change that defined the early 2010s. Published by Obey Giant, Los Angeles, the print serves as a historical document of the time, encapsulating the widespread feelings and sentiments among the participants of the Occupy Wall Street movement. Fairey's ability to communicate powerful messages through his art has solidified his position as a pivotal figure in the street pop art movement. The legacy of 'Occupy Protester' extends beyond its initial release. As a piece of street pop art, it has been instrumental in demonstrating the potential of art to influence public discourse and act as a catalyst for social change. The artist’s signature and numbering along the lower edge of the print serve as a reminder of the personal commitment and the voice of the artist behind the work. It is a testament to Fairey's dedication to his craft and his unwavering support for movements that seek to challenge the status quo. Legacy of 'Occupy Protester' in Street Art Shepard Fairey's 'Occupy Protester' is more than just a piece of art; it symbolizes a pivotal moment in contemporary history. It represents the synergy between art and activism and how street pop art can transcend traditional canvases to become a part of the collective consciousness. As an A.P. screenprint, it holds a special place in the chronicles of street art, signifying a moment when art and the artist stepped out of the shadows and into the arena of political activism. The print remains a powerful piece of visual communication, reflecting the ethos of a movement that sought to redefine power and privilege in the modern world.
$917.00
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Jeff Rial Box Cutter Clownz Silkscreen by Jeff Rial
Box Cutter Clownz 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Jeff Rial Rare Street Art Famous Pop Artwork Artist.
$256.00
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Cleon Peterson Little Big Man Black On Red Silkscreen Print by Cleon Peterson
Little Big Man- Black On Red Hand-Pulled 2-Color Silkscreen Print on 290gsm Coventry Rag Paper Deckled Edges by Artist Cleon Peterson Limited Pop Art Artwork. 2018 Signed & Numbered Limited Edition of 150 Artwork Size 18x24 Cleon Peterson (b. 1973) Little Big Man (Black on Red), 2018 Screenprint in colors on Coventry Rag paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 149/150 Signed and numbered in pencil along lower edge Published by the artist "Little Big Man Black On Red" is a silkscreen print by Cleon Peterson, an American artist known for his bold, graphic style and provocative themes. Peterson's work often explores the darker aspects of human nature, such as violence, power struggles, and societal chaos. His art is heavily influenced by his experiences with drug addiction and recovery, which give his work a unique perspective on the human condition. In "Little Big Man Black On Red," Peterson employs his signature high-contrast color palette, featuring black figures puppeteering President Donald Trump set against a bright red/orange background. The silkscreen print depicts a chaotic scene of figures engaged in various acts of violence and domination. This piece is part of a larger body of work by Peterson, which often addresses themes of power dynamics and the cyclical nature of violence. As a silkscreen print, "Little Big Man Black On Red" is produced using a stencil-based printing process. In this method, an artist creates a stencil, or screen, for each color layer in the artwork. Ink is then pushed through the screen onto a surface, such as paper or canvas. This process allows for the creation of multiple identical prints, which are typically produced in limited editions and signed by the artist. The silkscreen technique is often used by artists for its ability to produce bold, vibrant colors and clean, sharp lines, which are evident in Peterson's striking compositions.
$759.00
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Shepard Fairey- OBEY Riot Cop Large Format Silkscreen Print by Shepard Fairey- OBEY
Riot Cop Large Format Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2009 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 75 Large Format Artwork Size 29.25x40.5 Silkscreen Print 20 Year Retro Series. Faint Handling Creases. Shepard Fairey's OBEY: A Landmark in Street Pop Art and Graffiti Artwork Shepard Fairey's "Riot Cop" is a definitive piece that embodies the rebellious spirit and critical eye of street pop art and graffiti artwork. As part of the OBEY series, this large-format silkscreen print is more than a visual statement; it's a historical marker of the genre's evolution over two decades. Crafted with precision and care, the "Riot Cop" was hand-pulled in colors on cream Speckletone fine art paper, a medium that speaks to the quality and detail revered in fine art and the raw, unfiltered message often conveyed in street art. Released in 2009, each of the 75 editions of this large-format artwork, measuring 29.25x40.5 inches, was signed and numbered by Fairey. This gesture underscores the personal touch and authenticity valued in the world of art collectors. The artwork was reissued to mark the 20th anniversary of the OBEY project, which coincided with Shepard’s 20-year retrospective at the ICA Boston. This series, revisiting images from 1998 to 2000, showcases the artist's intention to refine previous works, substituting the iconic OBEY orange for metallic gold, lending the series an air of sophistication and timelessness. Impact and Contextual Significance of Fairey's Work The "Riot Cop" is more than an aesthetic creation; it's a commentary on authority, control, and the use of power. Fairey's work is deeply ingrained in the socio-political fabric of the times, often provoking thought on the mechanisms of society and governance. The prominent use of the word "OBEY" beneath the image of an authoritative figure wielding a baton is a direct call to the viewers to question the structures and rules that govern them. This challenge to the status quo is symbolic of the cultural force that street pop art and graffiti artwork have become, serving as an outlet for creativity and a powerful tool for social critique and activism. Shepard Fairey's journey from a skater kid with a sticker campaign to a celebrated artist with a globally recognized brand is a narrative that mirrors the ascension of street art into the mainstream consciousness. The "Riot Cop" is a testament to Fairey's growth as an artist, showcasing his skill in blending the aesthetics of street art with more profound political messages. The shift in the color palette in the anniversary series from orange to metallic gold signifies a physical transformation in the artwork. It represents a maturation of the OBEY message, which has evolved to maintain relevance in an ever-changing cultural landscape. Collectability and Legacy of the OBEY Series As a limited edition artwork, the "Riot Cop" occupies a unique space in the art market, appealing to street art enthusiasts and fine art collectors. The exclusivity of the piece and its social commentary have cemented its status as a highly desirable item. The legacy of Fairey's OBEY series is not limited to the collectors who own a piece of it; it extends to its influence on aspiring street artists and the dialogue it has inspired about the role of art in society. The series mainly works like the "Riot Cop," it continues to inspire a new generation of artists who see the urban landscape as a canvas for expressing their thoughts on contemporary issues. Shepard Fairey's "Riot Cop" from the OBEY series is a significant work that captures the essence of street pop art and graffiti artwork. It stands as a cultural artifact that encapsulates the ethos of a movement, the voice of an era, and the vision of an artist who has skillfully used silkscreen printing to challenge perceptions and invite introspection. Through his work, Fairey continues to demonstrate the power of art as a means of communication, a form of resistance, and a catalyst for change.
$6,126.00
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Eddie Colla In Response To... Skateboard Art Deck by Eddie Colla
In Response To... Deck Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist Eddie Colla. Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck Size: 8 x 31.875 Inches Release: June 21, 2019
$249.00
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Ron English- POPaganda Lincoln Obama 15 President Barrack Vinyl Art Sculpture by Ron English
Lincoln Obama 15 President Barrack Vinyl Art Sculpture by Ron English- POPaganda Limited Edition Collectible Sculpture Figure Fine Artwork by Graffiti Pop Street Artist. 2008 Limited Edition of 50 Artwork Size 10x15 New In Box Stamped Vinyl Fine Art Toy Figure Sculpture. Ron English- POPaganda – Abraham Obama Vinyl Sculpture in Street Pop Art & Graffiti Artwork Ron English- POPaganda’s Abraham Obama vinyl art sculpture is one of the most audacious and conceptually layered pieces in the evolution of Street Pop Art & Graffiti Artwork. Created in 2008 during the height of President Barack Obama’s first campaign, this limited edition collectible (edition of 50) merges two of America’s most culturally significant presidents—Abraham Lincoln and Barack Obama—into a singular hybrid bust. Standing 10 inches tall by 15 inches boxed, and produced in vinyl by MINDstyle, this figure embodies Ron English- POPaganda’s signature approach: visual collision, political parody, and cultural remix, all filtered through the lens of pop surrealism and graffiti-inspired fine art. The sculpture presents Obama with Lincoln’s iconic facial hair and historical attire, challenging the viewer to reexamine not only the legacy of leadership but also the collective symbols of American hope and progress. The packaging reinforces this fusion with a bold, saturated yellow and green colorway and English’s graffiti-styled hand lettering. It’s equal parts street culture artifact and fine art satire. With this work, English transforms campaign-era idealism into a collectible statement piece, collapsing timelines and creating a new icon meant to provoke, amuse, and unsettle. Visual Satire and Political Remix in 3D Form This sculpture is more than a mashup—it’s a sculptural commentary on how America constructs its heroes. By merging Lincoln, the president who ended slavery, with Obama, the first Black president of the United States, Ron English- POPaganda uses Street Pop Art’s remix culture to speak directly to race, legacy, and the mythology of leadership. The fusion is visually seamless yet conceptually jarring, forcing viewers to ask whether America’s dreams of progress are genuine or simply surface-level branding. English has long employed pop culture icons in his work—Mickey Mouse, Ronald McDonald, superheroes—manipulating them into grotesque or exaggerated versions of themselves. In Abraham Obama, however, the satire is more refined, bordering on reverence while still critiquing the idealization of political figures. It questions whether Obama’s image was being mythologized in real time, turning him into an icon before history could judge the substance of his presidency. That complexity is central to graffiti and pop-infused art: using popular imagery not to worship, but to dissect. Street Culture Meets Designer Toy Aesthetic As part of the collectible art toy movement, Abraham Obama also bridges the gap between street-level art and gallery collectible culture. The piece follows a lineage of vinyl sculpture rooted in graffiti aesthetics, lowbrow art, and limited edition consumer drops. Much like street art stickers and mural culture, these figures carry the urgency of ephemera and rebellion—but rendered in high-quality materials with gallery-level craft. The use of vinyl makes the work accessible in both material and tone, a tactile evolution of street pop's visual ethos. These types of sculptures are the three-dimensional cousins of stenciled posters and wheatpasted satire, designed to occupy the same cultural headspace while entering private collections. Like a Banksy piece pulled from a wall, Abraham Obama is designed to be portable without losing its streetwise edge. Legacy of Political Pop in Urban Visual Culture Ron English- POPaganda’s Abraham Obama is one of the most definitive statements of political remix in the contemporary art landscape. It belongs to a genre that not only challenges political narratives but also reframes how visual culture mythologizes leadership. In the hands of a graffiti pop veteran like English, the sculpture becomes more than a novelty—it becomes an archive of American hopes, contradictions, and media-driven spectacle. Within the expanding lexicon of Street Pop Art & Graffiti Artwork, Abraham Obama stands as a hybrid icon—part toy, part bust, part satire, part prayer. It encapsulates the power of street-level aesthetics to shape and reflect the nation’s deepest cultural tensions, all while making it possible to hold a piece of visual revolution right in your hands.
$500.00
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Shepard Fairey- OBEY Moon Over Biloxi Silkscreen Print by Shepard Fairey- OBEY
Moon Over Biloxi 1-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Shepard Fairey Rare Street Art Famous Pop Artwork Artist. Signed & Numbered Moon Over Biloxi Screen Print 18 x 24 inches Edition of 400 July 27, 2010. "The title of this print “Moon Over Biloxi” is a tribute to the Dead Kennedy’s song “Moon Over Marin”. In 1984 I picked up maybe my 4th punk record which was the 2nd Dead Kennedy’s album “Plastic Surgery Disasters”. The album is a great listen all the way through and includes some blistering tunes like “Riot” and “Bleed For Me” laced with social commentary. The surprise song though is “Moon Over Marin”… detractors have called it the Dead Kennedy’s “U2” song, but I disagree. “Moon Over Marin” is more melodic than most DK, but juxtaposed with the darkness of the lyrics, the song evokes a powerful sense of existential melancholy. I think the concept that struck me, and stuck with me, is that our disrespect of each other and the planet may doom us, but things will continue without us. I think it is healthy to recognize impermanence, but also to appreciate the value of the ephemeral. Moonlight, real or electric, will probably be around, but what it will be casting light on is the real question. There will always be a moon over Biloxi." -Shepard
$776.00
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Shepard Fairey- OBEY Open Minds Silkscreen Print by Shepard Fairey- OBEY
Open Minds 4-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print OPEN MINDS 36 inches by 24 inches Edition of 675 February 3, 2022 Handling Creases to Bottom Left & Right Margins. This “Open Minds” print references the language used by the powerful fuel industry lobby to soften political and public resistance to fracking. Fracking is a form of gas extraction which beyond the carbon impact of the gas itself, contaminates groundwater, pollutes the air, and creates strains on water resources because of the high volume of water required for the fracking process. Open-mindedness about any of those detrimental impacts of fracking and other fossil fuel extraction is absurd if one cares about the environment, air and water quality, and global warming. Powerful corporations and their lobbyists spend exorbitant sums to distract from and discredit the science-based conversation about the environment. I’m all for open minds and open eyes when it comes to putting science and the welfare of the planet before corporate profits. A portion of the proceeds from this print will benefit Greenpeace to support its work to enhance environmental protections and combat climate change. – Shepard
$384.00
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Ernesto Yerena Montejano- Hecho Con Ganas Che Green Serigraph Print by Ernesto Yerena Montejano- Hecho Con Ganas
Che- Green Limited Edition Hand Pulled 3-Color Serigraph Print on 320gsm Coventry Rag Paper by Ernesto Yerena Graffiti Street Artist Modern Pop Art. 2009 Signed & Numbered Limited Edition of 100 Size 31.25x22.25 Title: “Che” (GREEN) Artist: ERNESTO YERENA Medium: SERIGRAPH Colors: 3 Substrate: COVENTRY RAG 320 GSM Edge: DECKLED Paper Size: 31.25″ x 22.25” Live Art Size: 27” x 18.25”
$737.00