Life is Wavy Artwork Giclee Limited Edition Print on Photographique Rag Paper by Pop Culture Graffiti Artist Marwan Shahin. The final piece from Marwan Shahin's "BANNED" series discussing women’s rights in the Middle East. Life is Wavy confronts European countries where they banned Muslim women to wear any veils on beaches. "Life is Wavy” 2018 20 inches x 26 inches Giclée on Photographique Rag Signed, AP Numbered & Branded

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Vota! Alto Al Fascismo Hand-Pulled 4-Color Silkscreen Print on Fine Art Paper by Artist Shepard Fairey Obey x Ernesto Yerena Montejano- Hecho Con Ganas Limited Edition Artwork. 2020 Signed by Both Artists & Numbered Limited Edition of 450 Artwork Size 18x24 “It’s an honor to once again collaborate with Shepard and NDLON (National Day Laborer Organizing Network) and release this new rendition of the We Are Human poster that we originally made over 10 years ago. This image is titled ‘Vote! Stop Fascism.’ The proceeds will go into printing more posters and also a massive sticker run to be given out in cities all across the country. Let’s ban together to Stop Fascism and make sure that we get Trump out of power! Thanks.” -Ernesto Yerena The realm of contemporary art has often been a platform for political expression, especially in genres like pop art, street art, and graffiti art. One striking example that stands out from recent times is the "Vota! Alto Al Fascismo" artwork, a hand-pulled 4-color silkscreen print on fine art paper. This piece is the brainchild of two phenomenal artists, Shepard Fairey of the Obey fame, and Ernesto Yerena Montejano from Hecho Con Ganas. Both artists are renowned for their bold stances and vibrant portrayals of socio-political issues, and this particular piece showcases their combined brilliance. Released in 2020, the artwork is not just a statement piece but a testament to the urgency and significance of the message it conveys. Limited to an edition of 450, each artwork is meticulously signed by both Shepard and Ernesto, indicating their personal commitment to the cause it represents. The dimensions of 18x24 make it a conspicuous piece, ensuring that the message is both seen and felt. Drawing inspiration from a decade-old "We Are Human" poster, this modern rendition emphasizes the importance of voting and the dire need to halt the rise of fascism. Ernesto's comment further illustrates the core motive behind this collaboration, shedding light on the broader aim of disseminating the message across cities nationwide through posters and stickers. Engaging, evocative, and ever-relevant, the "Vota! Alto Al Fascismo" artwork seamlessly blends the boundaries between art and activism. As pop art and street art evolve, such pieces remain a testament to their profound impact on society, urging viewers to take action and be part of a larger movement.

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Thieves & Backstabbers- Collectors Edition Hand-Pulled Silkscreen Layer Ink Texture & Embrossments Print on Mylar Paper by Activist Artist Marwan Shahin Rare Limited Edition Artwork. 2022 Signed & Numbered Limited Edition of 10 Artwork Size 18x24 "This edition of the artwork is interpreted with brand new print technology for layering ink to create texture and embossment on striking Mylar, Each print is intricately arranged with a filigree of metallics, to produce visually intoxicating effects." -Marwan Shahin "Thieves & Backstabbers - Collectors Edition" emerges as a stunning piece by Marwan Shahin, an activist artist who employs his craft to challenge and dissect the socio-political landscape. This rare limited edition artwork is more than a visual statement; it is a manifestation of technical innovation in printmaking. Crafted in 2022 and part of a highly exclusive series of just ten signed and numbered prints, each 18x24 artwork epitomizes the power of visual art to communicate complex narratives. Shahin's choice of medium is as unconventional as his subject matter. He utilizes hand-pulled silkscreen techniques, layering ink to construct not just color and form but tangible texture and embossment, producing an almost three-dimensional effect on the lustrous Mylar paper. The interplay of light on the metallic inks and the Mylar surface invites viewers into a visual dance, where each angle and each source of light alters the experience of the artwork. It is an edition that stands at the intersection of art and alchemy, with each print in the series offering a unique sensory encounter thanks to the intricate use of metallics that create a visually intoxicating effect. Marwan Shahin's "Thieves & Backstabbers - Collectors Edition" stands as a testament to his reputation as a pioneering figure in contemporary pop art. It embodies his signature approach of integrating pop culture references with deeper political messages, producing art that resonates on multiple levels. As a visual discourse, the piece is a statement on duplicity and the multifaceted faces of human nature, set against a backdrop of opulent symbolism rich in contrast and imbued with layers of meaning. Collectors and enthusiasts of the genre are presented with an opportunity not merely to own a rare piece of art but to engage with a work that pushes the boundaries of silkscreen printmaking and emboldens the narrative potency of modern pop and street art.

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Money and Power- White Hand-Pulled 1-Color Silkscreen Print on Hand Deckled 290gsm Arches Rag Paper by Artist Cleon Peterson Limited Edition Art Artwork. 2022 Signed & Numbered Limited Edition of 75 Artwork Size 18x18 "Money and Power have become primary drivers in the modern world, pushing us toward a corrupt society. The days when our leaders looked out for the people's interests have become a thing of the past—replaced by the strong man who squashes the voices of dissent to set things straight. Money elects leaders; in return, they owe a debt to the people that put them in Power—enacting our new public policy of greed and gangster capitalism. We slowly accept corruption, Law slowly fades away, and people begin to feel like democracy and a fair and equitable society were always just an illusion, a dream from the past that never really even existed." -Cleon Peterson

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Credit Limit- Chase Your Tail Limited Edition Archival Pigment Fine Art Print on 290gsm MOAB Fine Art Paper by Legend Street Art and Modern Pop Culture Artist Denial. Credit Limit- Chase Your Tail Credit Card Themed Money Art. Numbered, Signed, Stamped on Reverse, Edition of 25, 24x18, Archival Pigment Print on 290gsm MOAB Fine Art Paper. Credit Limit: Chase Your Tail by Denial Credit Limit: Chase Your Tail is a striking example of Denial’s ability to fuse humor, critique, and nostalgia into a powerful statement through street pop art and graffiti artwork. This 24x18-inch archival pigment fine art print is part of a limited edition of 25, each one numbered, signed, and stamped on the reverse, printed on 290gsm MOAB fine art paper. Created by Canadian artist Daniel Bombardier, also known as Denial, this work continues his exploration of consumer culture and societal constructs, blending pop culture references with biting social commentary. The design uses the format of a credit card to critique financial systems and human behavior in a consumer-driven world. Thematic Depth and Symbolism Chase Your Tail reimagines a credit card with a fantastical twist, featuring a ferocious werewolf clutching a bag of money. This imagery encapsulates the relentless pursuit of wealth and the predatory nature of financial systems. The werewolf, a symbol of transformation and untamed instinct, serves as a metaphor for the primal and often destructive drives behind consumerism. The card's design, with its playful alteration of familiar branding, highlights the endless cycle of chasing financial stability while remaining ensnared in debt and materialism. This artwork invites viewers to reflect on the personal and societal consequences of these pursuits, all while maintaining the bold and accessible aesthetic of street pop art. Denial’s Artistic Perspective Daniel Bombardier’s work is celebrated for its wit, visual appeal, and ability to critique contemporary issues. Chase Your Tail exemplifies his talent for transforming everyday symbols into powerful artistic statements. By incorporating the universally recognizable format of a credit card, Denial draws attention to the ways in which consumer culture shapes identity and behavior. His use of vibrant colors and graphic elements reflects the influence of graffiti artwork, while the meticulous details of the archival pigment print demonstrate his commitment to quality. This combination of high craftsmanship and provocative themes is a hallmark of Denial’s approach to modern street pop art. The Cultural Impact of Chase Your Tail Chase Your Tail resonates with audiences by addressing themes of greed, power, and the cyclical nature of consumerism. It critiques the financial systems that perpetuate inequality and the cultural obsession with wealth, presenting these ideas in a format that is both accessible and impactful. The limited edition nature of the print enhances its value as a collectible, while the artwork’s message remains relevant in a world increasingly dominated by credit, debt, and economic disparity. This piece is a testament to Denial’s ability to use street pop art and graffiti artwork as a means of questioning societal norms and sparking critical conversations.  

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Idiocracy Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Shepard Fairey, Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print "I’ve always felt that art, entertainment, and humor can be the best delivery vehicles for social commentary, so I love the way humor is used in “Idiocracy” to make the social critique more digestible. The movie is a harsh but necessary indictment of the anti-intellectual culture and politics that seem to become the norm more and more everyday. The film is great in a cautionary way and has an enjoyable irony being a somewhat low-brow piece of entertainment about the perils of succumbing to a cultural rejection of anything intellectual or high-brow. In other words, the genius of the film is that it may actually get through to the audience it should reach, rather than just preaching to the intellectual elite" -Shepard Fairey- OBEY Shepard Fairey's "Idiocracy" limited edition print encapsulates the convergence of pop culture and social critique through the lens of contemporary art. Renowned for his subversive street art and graphic designs, Fairey extends his canvas to fine art paper in this 2016 artwork, limited to 550 signed and numbered pieces. The 18x24 silkscreen print features a four-color palette and is a tangible expression of Fairey’s dedication to using art as a medium for commentary on societal issues. Drawing inspiration from Mike Judge's satirical film "Idiocracy," Fairey's print is not only a visual tribute but also a critique of the film’s themes—depicting the troubling rise of anti-intellectualism and the cultural dismissal of enlightenment and sophistication. Fairey himself praises the film's use of humor to present its social criticism in a more palatable form, creating a space for reflection rather than alienation. His artwork captures the film’s ironic humor, using a brain under the guise of a vending machine product—emblematic of commodification and the oversimplification of complex ideas. This print, like many of Fairey’s works, is imbued with a sense of urgency and a call to awareness. It encapsulates the artist's view that the realms of art, humor, and entertainment can effectively intersect to deliver powerful messages about the current state of society. Fairey’s "Idiocracy" is not merely a piece to be admired for its aesthetic appeal, but a statement piece that encapsulates the pressing cultural narrative around the value of intelligence and the dangers of its rejection in public discourse. The visual elements of the print—the juxtaposition of a brain with a hand grenade, the stark and commanding typography, and the bold colors—are characteristic of Fairey's style. They are employed here not only to draw the eye but also to provoke thought, embodying the essence of graffiti and street art as tools for social engagement. In a culture increasingly leaning towards anti-intellectual sentiment, Fairey’s "Idiocracy" stands as a critical beacon in modern pop art, reminding viewers of the power of art as a reflective and transformative force.

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Useless Idiot- White Limited Edition Hand Pulled 2-Color Serigraph Print on 290gsm Coventry Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Size: 18 x 24 Date: 2019 Condition: NEW Artist: Cleon Peterson Hand-pulled black & red screen prints. Printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Limited Edition of 150 The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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Never Trust A Punk Artwork Giclee Limited Edition Print on 290gsm Hahnemühle Bamboo Paper by Pop Culture Graffiti Artist Jamie Reid. 2019 Signed & Numbered Limited Edition of 300 Artwork Size 32.3x22.8 In the annals of pop culture, graffiti, and street art, Jamie Reid emerges as a luminary, challenging societal norms with his provocative creations. "Never Trust A Punk" stands as a testament to Reid's unparalleled ability to intertwine art with cultural and political discourse. This piece, crafted in 2019, distinctly captures the punk ethos that rose to prominence in the late 1970s, becoming a hallmark of Reid's aesthetic. "Never Trust A Punk" is not merely an artwork but a statement, a proclamation that showcases Reid's characteristic blend of satire, dissent, and visual appeal. The juxtaposition of the iconic Union Jack with a stark portrayal of the British monarch, her eyes concealed, boldly encapsulates the rebellious spirit of the time. The message is clear, echoing sentiments of distrust and rebellion, which were rampant during the punk movement. This artwork holds an even deeper resonance for music enthusiasts and followers of British punk rock. The imagery bears a striking resemblance to that used for the cover of "God Save the Queen" by The Sex Pistols in 1977, a track that stirred controversy and remains emblematic of the punk era. As a limited edition giclee print, only 300 pieces of "Never Trust A Punk" were ever produced. Each print is immaculately rendered on premium 290gsm Hahnemühle bamboo paper, a medium chosen for its ability to capture the vibrancy and detail of the original artwork. Measuring at 32.3 x 22.8 inches, each piece is hand-signed and numbered by Reid, solidifying its authenticity and making it a coveted item for collectors and art enthusiasts alike.

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The Greed Depression Large Format Silkscreen Print by NoName x Shepard Fairey- OBEY Hand-Pulled on Deckled Archival Cotton Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 80 Artwork Size 23.75x31.5 Silkscreen Print "My friend No Name and I collaborated recently on a print inspired by my cover for George Orwell’s “Down and Out in Paris and London” and our mutual irritation with greed and the brutality of many aspects of capitalism. No Name and I are both frustrated by the forces which convince much of the public to fall in line with a system that grinds them (and most of us) in its gears, and contributes to feelings of insecurity. With that in mind, don’t buy this print if you should use the money for something better or nothing at all. Should you think it over and still want a print, your money will support No Name’s public art endeavors and survival within the gears of capitalism… oh, and mine too! We both appreciate the support. No Name wrote about the print in greater depth, so I’ll let him take it from here!" -Shepard Fairey "I was introduced to Georg Orwell’s novels back in the late ’90s through my english teacher, an insignificant-looking sarcastic little man, who mantra-like implanted us the adage “use your common sense.” Nearly one decade later, I rediscovered Orwell’s books – and thoughts – through the appealing cover layout design by the kindred spirit street art activist Shepard Fairey, who I’m glad to call a friend today for many years. Shepard and I were discussing his illustration for “Down and Out” which he actually, for some reason, hadn’t made as a print edition yet. Due to the fact that Orwell’s dystopian books were/are one of the leading inspirations for our philosophy and work, Shepard offered to team up and use the illustration for a collaboration." -NoNAME

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Shoplifters Welcome Silkscreen Print by Shepard Fairey- OBEY x Jamie Reid Hand-Pulled Screen Print on Cream Speckletone Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 450 Artwork Size 18x24 Created to Commemorate Reid's Ragged Kingdom Exhibition, March 16 to April 14, 2012. Shows a Hand Removing Laws From A Brief Case Infering Wall Street Money Regulations. "Jamie has been one of my biggest influences, and I'm honored that we worked on some collaborative images for the show. The new images deal with the mutual interests of Jamie and I, addressing the timeless problems of corruption and wealth inequality, but tie into the current themes of Occupy Wall Street and the dead end of fossil fuel consumption." -Shepard Faire.y Shepard Fairey's Collaboration with Jamie Reid in Street Pop Art The "Shoplifters Welcome Silkscreen Print" is a remarkable intersection of street pop art and political commentary, created by the influential Shepard Fairey in collaboration with Jamie Reid. This limited edition hand-pulled screen print on cream speckletone art paper is a testament to the potency of visual art as a tool for social critique. Released as part of Jamie Reid's Ragged Kingdom exhibition from March 16 to April 14, 2012, this artwork resonates with anti-establishment and dissent themes common in street pop art and graffiti artwork. Shepard Fairey, renowned for his OBEY campaign and the iconic Obama "Hope" poster, has a history of infusing his work with sharp political insights. The artwork in discussion depicts a hand removing laws from a briefcase, a direct inference to the deregulation of Wall Street and the unshackling of financial institutions from legal constraints. This visual metaphor conveys the message of wealth inequality and corruption, both highly relevant to the zeitgeist of the early 2010s, especially in the Occupy Wall Street movement. Artistic Expression of Sociopolitical Issues The collaborative nature of this artwork, involving both Shepard Fairey and Jamie Reid, underscores a shared commitment to addressing pressing societal issues through art. Fairey's statement about the collaboration highlights their mutual interest in tackling the "timeless problems of corruption and wealth inequality," themes that are also deeply embedded in the philosophy of street pop art. The artwork becomes a canvas for discourse, echoing the sentiments of public protests and movements that call for justice and economic reform. In creating the "Shoplifters Welcome" piece, Fairey and Reid tap into the legacy of street pop art's ability to reach a broad audience. Street pop art, often found in public spaces, speaks directly to the masses, unfiltered by the gatekeeping of traditional art venues. Though housed within the confines of an exhibition, this print carries the spirit of street art by being a piece of graffiti artwork that one can own—a symbol of both rebellion and commodification. The limited edition nature of the print, being one of only 450, adds a layer of exclusivity to a piece that speaks about wealth disparity, creating an exciting tension between the artwork's message and its status as a collectible item. Each print, signed and numbered by Fairey, is a piece of art and a statement about the artist's role in society—as an observer, a critic, and a participant in the cultural dialogue about power and money. This artwork, sized 18x24, encapsulates a period of intense socio-political activism, serving as a historical document that captures the essence of the early 2010s. The stark imagery, reminiscent of propaganda art, is both a nod to the past and a commentary on the current state of affairs. It draws a parallel between the actions on Wall Street and the broader issues of regulatory oversight and the power imbalance, which remain relevant in discussions about the economy and governance. In the larger context of street pop and graffiti artwork, Shepard Fairey and Jamie Reid's "Shoplifters Welcome" print is a powerful reminder of art's role in society. It bridges the gap between aesthetic appeal and social commentary, functioning as a visual manifesto that calls for reflection and action. The piece is not merely an artwork to be viewed but a conversation starter, a call to arms, and a historical artifact.

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Presidents Day- Hero 6-Color Hand-Pulled Limited Edition Silkscreen Print on Hand-Deckled Fine Art Paper by Mr Brainwash- Thierry Guetta Rare Street Art Famous Pop Artwork Artist. 2018 Signed & Numbered Limited Edition of 50 Artwork Size 18x22 In recognition of President's Day, Mr. Brainwash is proud to announce the release of a new screenprint honoring America's first president, George Washington. An image depicting four different poses was designed by Mr. Brainwash. A 6 color screenprint on hand-torn archival art paper. Also available will be individual prints of the four images that make up the large print. Each screenprint is on hand-torn archival art paper and is signed and numbered, with a thumbprint on the back. Individual print size: 22 x 18 in

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Imagine A World Without Borders 2 Archival Pigment Fine Art Limited Edition Print on 300gsm Somerset Satin Paper by Artist Icy & Sot, Street Pop Art Graffiti Legend. Archival Pigment Print on Somerset paper Signed by the Artists edition of 50 50 x 36 cm 2017

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Riot Cop Large Format Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2009 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 75 Large Format Artwork Size 29.25x40.5 Silkscreen Print 20 Year Retro Series. Faint Handling Creases. Shepard Fairey's OBEY: A Landmark in Street Pop Art and Graffiti Artwork Shepard Fairey's "Riot Cop" is a definitive piece that embodies the rebellious spirit and critical eye of street pop art and graffiti artwork. As part of the OBEY series, this large-format silkscreen print is more than a visual statement; it's a historical marker of the genre's evolution over two decades. Crafted with precision and care, the "Riot Cop" was hand-pulled in colors on cream Speckletone fine art paper, a medium that speaks to the quality and detail revered in fine art and the raw, unfiltered message often conveyed in street art. Released in 2009, each of the 75 editions of this large-format artwork, measuring 29.25x40.5 inches, was signed and numbered by Fairey. This gesture underscores the personal touch and authenticity valued in the world of art collectors. The artwork was reissued to mark the 20th anniversary of the OBEY project, which coincided with Shepard’s 20-year retrospective at the ICA Boston. This series, revisiting images from 1998 to 2000, showcases the artist's intention to refine previous works, substituting the iconic OBEY orange for metallic gold, lending the series an air of sophistication and timelessness. Impact and Contextual Significance of Fairey's Work The "Riot Cop" is more than an aesthetic creation; it's a commentary on authority, control, and the use of power. Fairey's work is deeply ingrained in the socio-political fabric of the times, often provoking thought on the mechanisms of society and governance. The prominent use of the word "OBEY" beneath the image of an authoritative figure wielding a baton is a direct call to the viewers to question the structures and rules that govern them. This challenge to the status quo is symbolic of the cultural force that street pop art and graffiti artwork have become, serving as an outlet for creativity and a powerful tool for social critique and activism. Shepard Fairey's journey from a skater kid with a sticker campaign to a celebrated artist with a globally recognized brand is a narrative that mirrors the ascension of street art into the mainstream consciousness. The "Riot Cop" is a testament to Fairey's growth as an artist, showcasing his skill in blending the aesthetics of street art with more profound political messages. The shift in the color palette in the anniversary series from orange to metallic gold signifies a physical transformation in the artwork. It represents a maturation of the OBEY message, which has evolved to maintain relevance in an ever-changing cultural landscape. Collectability and Legacy of the OBEY Series As a limited edition artwork, the "Riot Cop" occupies a unique space in the art market, appealing to street art enthusiasts and fine art collectors. The exclusivity of the piece and its social commentary have cemented its status as a highly desirable item. The legacy of Fairey's OBEY series is not limited to the collectors who own a piece of it; it extends to its influence on aspiring street artists and the dialogue it has inspired about the role of art in society. The series mainly works like the "Riot Cop," it continues to inspire a new generation of artists who see the urban landscape as a canvas for expressing their thoughts on contemporary issues. Shepard Fairey's "Riot Cop" from the OBEY series is a significant work that captures the essence of street pop art and graffiti artwork. It stands as a cultural artifact that encapsulates the ethos of a movement, the voice of an era, and the vision of an artist who has skillfully used silkscreen printing to challenge perceptions and invite introspection. Through his work, Fairey continues to demonstrate the power of art as a means of communication, a form of resistance, and a catalyst for change.

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Merica Ting Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Sket-One. 2021 Box Signed Limited Edition of 150 Artwork Size 7.5 inches Tall Displayed With Box.

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Little Big Man- Black On Red Hand-Pulled 2-Color Silkscreen Print on 290gsm Coventry Rag Paper Deckled Edges by Artist Cleon Peterson Limited Pop Art Artwork. 2018 Signed & Numbered Limited Edition of 150 Artwork Size 18x24 Cleon Peterson (b. 1973) Little Big Man (Black on Red), 2018 Screenprint in colors on Coventry Rag paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 149/150 Signed and numbered in pencil along lower edge Published by the artist "Little Big Man Black On Red" is a silkscreen print by Cleon Peterson, an American artist known for his bold, graphic style and provocative themes. Peterson's work often explores the darker aspects of human nature, such as violence, power struggles, and societal chaos. His art is heavily influenced by his experiences with drug addiction and recovery, which give his work a unique perspective on the human condition. In "Little Big Man Black On Red," Peterson employs his signature high-contrast color palette, featuring black figures puppeteering President Donald Trump set against a bright red/orange background. The silkscreen print depicts a chaotic scene of figures engaged in various acts of violence and domination. This piece is part of a larger body of work by Peterson, which often addresses themes of power dynamics and the cyclical nature of violence. As a silkscreen print, "Little Big Man Black On Red" is produced using a stencil-based printing process. In this method, an artist creates a stencil, or screen, for each color layer in the artwork. Ink is then pushed through the screen onto a surface, such as paper or canvas. This process allows for the creation of multiple identical prints, which are typically produced in limited editions and signed by the artist. The silkscreen technique is often used by artists for its ability to produce bold, vibrant colors and clean, sharp lines, which are evident in Peterson's striking compositions.

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Educate to Liberate Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 4-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2021 Signed & Numbered Limited Edition of 300 Artwork Size 18x24 Silkscreen Print Depicting Bobby Seale of the Black Panther Party in Stylistic 70s Retro Style. "The events this month honor the backbone leadership of the original Party. The work of BPPALN is to ensure the education initiatives and community outreach programs provide knowledge while improving the quality of life for the Elders, all the way to the youth of today." -Shepard Fairey- OBEY Shepard Fairey, a contemporary street artist widely known for his OBEY series, produced a remarkable silkscreen print titled "Educate to Liberate." This limited edition artwork, hand-pulled and comprising four colors on cream speckletone fine art paper, is significant in the street pop art and graffiti art realm. Created in 2021, the print is part of a limited edition of 300, each signed and numbered by the artist, emphasizing its exclusivity and collectible nature. Measuring 18x24 inches, the print is a striking homage to Bobby Seale, co-founder of the Black Panther Party. Seale is depicted in a stylistic retro fashion reminiscent of the 1970s when the Black Panther Party was at the forefront of civil rights activism. Fairey's artwork captures the essence of Seale's impact and serves as a visual narrative that bridges past struggles with contemporary social issues. Fairey's statement regarding this piece highlights the enduring influence of the Black Panther Party's leadership and underscores the importance of educational initiatives and community outreach. These programs are designed to empower and enhance the quality of life for people across generations, from the elders who were the movement's backbone to today's youth. By invoking the spirit of the Black Panthers' activism, Fairey's "Educate to Liberate" becomes more than art; it is a call to action, urging ongoing education and community engagement as vehicles for liberation. This print solidifies Fairey's standing as a pivotal figure in street pop art within the framework of OBEY as a topic. His works are not merely aesthetic creations but are imbued with social commentary and the power to provoke thought and inspire change. As a limited edition piece, "Educate to Liberate" is not just a collectible but also a testament to the ongoing relevance of street art as a form of social and political engagement.

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Justice Woman- Red 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 18 inches by 24 inches Edition of 550 March 16, 2021 The Justice Woman print is a tribute to all warriors for justice whose determination and tenacity bend the arc of the universe toward the just future we need. Justice is a constantly evolving idea when it comes to various issues, but generally speaking, those willing to listen to their conscience, look their fellow human beings in the eyes, and stand up for what is right, are setting an important example and can influence people to treat others as they’d like to be treated.

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Shoplifters Welcome Large Format Red Black Silver Silkscreen Print by Shepard Fairey- OBEY x Jamie Reid Hand-Pulled Screen Print on Cream Speckletone Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 50 Artwork Size 26x34.5 Created to Commemorate Reid's Ragged Kingdom Exhibition, March 16 to April 14, 2012. Shows a Hand Removing Laws From A Brief Case Infering Wall Street Money Regulations. "Jamie has been one of my biggest influences, and I'm honored that we worked on some collaborative images for the show. The new images deal with the mutual interests of Jamie and I, addressing the timeless problems of corruption and wealth inequality, but tie into the current themes of Occupy Wall Street and the dead end of fossil fuel consumption." -Shepard Fairey. Shepard Fairey and Jamie Reid: Art as Social Commentary In collaboration with Jamie Reid, the "Shoplifters Welcome Silkscreen Print" by Shepard Fairey is a powerful example of how street pop art and graffiti artwork can encapsulate and critique social and economic issues. This piece, a limited edition print, was created for the "Ragged Kingdom" exhibition from March 16 to April 14, 2012. It has become a significant work in street art for its bold political statement. The artwork depicts a hand removing a document labeled "MONEY" from a briefcase, a visual representation of deregulation, particularly within the context of Wall Street. This act is set against an offer for 'shoplifters,' a satirical nod to the notion that the financial elite operates under a different set of rules than the average person. The print's striking use of the phrase "THIS DECADE ONLY!" further emphasizes the timely nature of the message, suggesting a window of opportunity for unchecked financial behavior. Art Reflecting the Times: Occupy Wall Street and Beyond Shepard Fairey's statement about the collaboration with Jamie Reid highlights their shared focus on corruption and wealth inequality themes, notably echoed by the Occupy Wall Street movement. The movement, which started in 2011, brought widespread attention to these issues, and Fairey and Reid's work provided a visual commentary that resonated with the public sentiment of the time. The artwork not only represents the artists' perspectives but also serves as a historical marker of the socio-economic climate of the early 2010s. The "Shoplifters Welcome" print is a prime example of how street pop art and graffiti artwork can transcend the boundaries of traditional art by directly engaging with social commentary. Fairey, known for his provocative approach, and Reid, with his history of punk aesthetic, combine their styles to create a piece that is as aggressive as it is artistic. The limited edition nature of the print, signed and numbered by Fairey, adds to its allure as a collectible item, even as it challenges the structures of economic power. In creating this print, Fairey and Reid employ the aesthetic of propaganda, utilizing bold colors and stark contrasts to draw attention to their message. The choice of silkscreen printing, a technique closely associated with street art due to its mass production capabilities, further ties the work to the grassroots nature of its messages. It is a medium that allows the artwork to be disseminated widely, mirroring the spread of ideas central to movements like Occupy Wall Street. The "Shoplifters Welcome" print is a testament to the enduring power and relevance of street pop art and graffiti artwork in contemporary discourse. It is a reminder that art can be an intelligent tool for social critique, reflecting the issues of its time and prompting conversations that can lead to change. Through their collaborative efforts, Fairey and Reid have created more than just a visual piece; they have crafted a narrative that challenges viewers to consider the imagery's deeper implications and question the status quo.

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It's Mourning In America 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 18 x 24 Screen Print Signed and Numbered Edition of 450, A portion of the proceeds go to a campaign finance reform organization. Printed on off-white paper

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MQ Silver Tag Dollar Original Marker Drawing by MQ Planet- Mque on USA Currency 1 Dollar Bill &  100 Lot Modern Street Pop Artwork. 2023 Signed by Tag Original Silver & Black Permanent Marker Drawing Size 6x2.75 On Real USA 1 Dollar Bill Currency. Also Includes 2x 100 Dollar Bill Printings That Include Either a Printed Tag or Marker Tags, I Can't Tell, The Ink is Shiney Speckled on Tag. MQ Planet's "MQ Silver Tag Dollar": A Currency of Street Pop Art MQ Planet, known to the world by his birth name Mque, transcends traditional art forms by merging the mediums of street pop art and graffiti artwork with the emblematic canvas of currency. The "MQ Silver Tag Dollar," a 2023 signed original artwork, is a sterling example of how the raw energy of street art can be encapsulated on the canvas of a real USA 1-dollar bill currency. Measuring 6x2.75 inches, this piece features a silver and black permanent marker drawing, underscoring the artist's innovative approach to modern street pop art. Monetary Medium: A New Avenue for Expression Using currency as a canvas is not merely a choice but a statement, a way for MQ Planet to embed its message within the very fibers of everyday transactions. Imprinting his iconic tag onto a dollar bill is provocative; it transforms the bill from a piece of legal tender into a piece of art, challenging the viewer to reconsider the value we place on money versus art. The "MQ Silver Tag Dollar" exemplifies how the artist capitalizes on the ubiquity of currency to disseminate his vision, ensuring that his art circulates as freely as the dollar itself. The piece is not just art; it becomes a vehicle for transmitting street pop culture. MQ Planet: An Artistic Alchemist In the hands of MQ Planet, the dollar bill transcends its monetary purpose, becoming alchemized into something of far greater cultural significance. With the "MQ Silver Tag Dollar," Mque performs an act of artistic alchemy, turning the ordinary into the extraordinary. His choice of a silver marker is deliberate, contrasting the verdant green of the dollar bill and giving the tag a chrome-like sheen that demands attention. The tag, a bold representation of the artist's signature, is both a personal mark and a universal symbol within the graffiti community. It signifies ownership and presence, a graffiti artist's claim over space—even on something as small as a dollar bill. The "MQ Silver Tag Dollar" is a testament to the enduring versatility and adaptability of street pop art and graffiti artwork. It exemplifies how artists like MQ Planet continuously push the boundaries of their craft, finding new ways to engage with audiences and leave an indelible mark on the cultural landscape. Through works like this, MQ Planet leaves his signature on a physical object and imprints his vision onto the very fabric of pop culture.

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Presidents Day- Punk 6-Color Hand-Pulled Limited Edition Silkscreen Print on Hand-Deckled Fine Art Paper by Mr Brainwash- Thierry Guetta Rare Street Art Famous Pop Artwork Artist. 2018 Signed & Numbered Limited Edition of 50 Artwork Size 18x22 In recognition of President's Day, Mr. Brainwash is proud to announce the release of a new screenprint honoring America's first president, George Washington. An image depicting four different poses was designed by Mr. Brainwash. A 6 color screenprint on hand-torn archival art paper. Also available will be individual prints of the four images that make up the large print. Each screenprint is on hand-torn archival art paper and is signed and numbered, with a thumbprint on the back. Individual print size: 22 x 18 in

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Boudica Is Coming to HPM Embellished 6-Color Silkscreen Print by Jamie Reid Hand-Pulled on Distressed 400gsm Reverse Optimum Grey Card Limited Edition Artwork. 2018 Signed By Both Artists HPM Acrylic Hand Embellished Stencil & Numbered Limited Edition of 350 Artwork Size 17x25 Silkscreen Print of Queen Boudica on Horse Chariot Next To Skyscraper Building Art Car Boot Fair Edition Hand Distressed Boudica Is Coming: HPM Embellished Silkscreen Print by Jamie Reid and James Cauty The artwork Boudica Is Coming is an exemplary piece in the fusion of street pop art and graffiti-inspired visuals. Created by renowned British artists Jamie Reid and James Cauty, this work is an homage to rebellious iconography and the modern urban landscape. It is a limited edition of 350, hand-pulled on distressed 400gsm Reverse Optimum Grey Card, giving each piece a distinctive texture. Measuring 17x25 inches, the work captures the essence of street art culture while linking it to historical references, most notably through the imagery of Queen Boudica. The Iconography of Boudica in Street Pop Art Boudica, the ancient warrior queen of the Iceni tribe, is a recurring figure in British rebellious iconography. In this particular piece, Reid and Cauty draw a direct line between the defiant spirit of Boudica and the countercultural movements that define much of contemporary street art. She is depicted riding her iconic horse-drawn chariot, wielding strength and power. The juxtaposition of her figure against the backdrop of a modern skyscraper highlights the tension between history and the relentless progress of urbanization. This contrast is a central theme in street pop art, where historical and cultural symbols are frequently re-contextualized in contemporary urban environments. The use of Boudica in this context transforms her from a historical figure into a symbol of ongoing resistance. By placing her against a looming urban tower block, the artists are making a statement about the enduring relevance of rebellion in modern life. This ties into the broader themes of street pop art, where everyday environments, societal norms, and the tension between authority and individualism are challenged. Distressed Aesthetic and Graffiti Influences The aesthetic choices in Boudica Is Coming reflect the rough and gritty style often associated with graffiti artwork. The silkscreen is printed on distressed grey card stock, adding texture and uniqueness to each print. The distressed elements create a worn, almost decaying look, contrasting with the piece's vibrant neon colors. This distressing technique is particularly effective in replicating the look and feel of urban street walls, where posters and graffiti interact with the elements, slowly eroding into new forms. Jamie ReReid'sackground in graphic design and punk rock visuals plays a vital role in the pipiece'sverall composition. His work with the Sex Pistols and his distinctive collage style, which often includes defaced and altered political symbols, resonates throughout this silkscreen. The stencil-like appearance of Boudica and her chariot is reminiscent of street tagging, a nod to graffiti arart'soots. Meanwhile, James Cauty, known for his work with the KLF and as part of the art collective The Grey Organisation, brings a postmodern, dystopian sensibility to the piece. Combining these two artists creates a visual dialogue between rebellion, decay, and the ever-evolving cityscape. Hand-pulled and Hand-Embellished Elements A vital aspect of this edition is its hand-pulled silkscreen printing process. Each print is not just mechanically reproduced but crafted with care, resulting in slight variations between editions, making each piece unique. The silkscreen process, especially in the hands of Reid and Cauty, imbues the work with a tactile quality that draws the viewer in. The bold, almost fluorescent colors demand attention, creating a dynamic contrast between the monochrome tower block and the vibrancy of the lettering and Queen BoBoudica'silhouette. Further enhancing the print is the hand-embellished acrylic stenciling. Each print has been individually embellished by the artists, adding layers of paint extending beyond traditional prints' flatness. This manual intervention by the artists adds depth and texture, reinforcing the sense of the handmade, a cornerstone of street art and graffiti practices. These embellishments ensure that no two prints are exactly alike, adding to the value and collectability of the piece. Queen Boudica in the Urban Landscape The juxtaposition of Queen Boudica against a towering skyscraper is not merely a visual choice but a statement. It speaks to the encroachment of modernity on history, tradition, and natural landscapes. Skyscrapers, often symbols of corporate power and modernity, stand in stark contrast to the ancient, organic power represented by Boudica and her horse-drawn chariot. In this sense, Boudica Is Coming embodies the tension between the past and present, nature and industry, rebellion and order. The use of bold text in the piece, announcing Boudica Is Coming, adds a sense of immediacy and urgency. It speaks to the viewer in the way street art does, with its direct, almost confrontational messaging. The message itself hints at the idea of resurgence or the return of something powerful and transformative. Boudica becomes a stand-in for any number of modern resistances, whether political, social, or cultural. This is what makes the piece stand out in the world of street pop art and graffiti artwork. It engages the viewer visually and intellectually, prompting them to consider the implications of rebellion in the context of the modern city. It bridges history and contemporary street culture, creating a dialogue between the two. Boudica Is Coming by Jamie Reid and James Cauty is a powerful piece of street pop art that blends historical iconography with contemporary urban landscapes. Through its silkscreen process, hand-embellished elements, and the distressed aesthetic, it captures the raw energy of street art while commenting on the enduring relevance of rebellion and resistance. ItIt'sot just a print, but a visual and cultural statement that resonates within the framework of modern graffiti and pop art movements.

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Know Your Rights- Large Format Limited Edition Hand Pulled 1-Color Serigraph Print on Varnished 100% Cotton Rag Archival Paper with hand-deckled edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. 2014 Signed & Numbered Serigraph Artwork 42 x 42 inchesAugust 21, 201. 42 x 42 Large Format Serigraph.1 Color printed on Varnished 100% Cotton Rag Archival Paper. "Know Your Rights" is a commanding serigraph by Shepard Fairey, an artist who has cemented his place in the contemporary art scene through works that intertwine the ethos of street art with the aesthetic of modern pop art. This piece, released on August 21, 2014, is particularly noteworthy not only for its bold political message but also for the meticulous craftsmanship that goes into the production of each print. As an extensive format work, measuring an impressive 42 x 42 inches, it makes an indelible mark on the viewer, both through its scale and its strikingly stark one-color presentation on varnished 100% cotton rag archival paper, complete with hand-deckled edges. Shepard Fairey is renowned for blending fine art with the raw, in-your-face quality of street art and graffiti, and "Know Your Rights" is a prime example of this synthesis. The piece is anchored by a central image featuring an open book titled "THE FUTURE IS UNWRITTEN," encapsulating a message of empowerment and the potential for change. This is framed by laurels and a lit torch, evoking classic motifs that signify victory, knowledge, and enlightenment. The bordering texts "OBEY PROPAGANDA" and "KNOW YOUR RIGHTS" play into Fairey's recurring themes of propaganda, control, and the dissemination of information, urging the viewer to question authority and the narratives they are presented with. Each print in this limited edition is signed and numbered by Fairey, signifying its authenticity and connection to the artist's hand. The decision to use a one-color palette speaks to the work's assertive simplicity and Fairey's skill in using contrast and texture to convey depth and resonance. It's a technique that mirrors his street art roots, where messages must be given quickly and memorably. The serigraph process, a labor-intensive method of screen printing, ensures that each impression is of the highest quality, with the varnishing on the cotton rag paper adding a durable, tactile finish that also enhances the visual impact. "Know Your Rights" stands as a powerful statement in Fairey's oeuvre, reflecting his social and political advocacy rendered through his distinct pop art lens. This artwork resonates with the immediacy of street art and carries the weight of historical art traditions, bridging contemporary concerns with timeless expressions of resistance and hope.

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Born To Ride Artwork Giclee Limited Edition Print on Etching Rag Paper by Pop Culture Graffiti Artist Marwan Shahin. "Born to Ride" from Marwan Shahin's archives, one of the most renowned works from the "BANNED" series discussing women driving in the Middle East. "Born to Ride” 2012 27x39 Giclée on Etching Rag Signed print AP Edition, the same exact print was exhibited at The Wignall Museum of Contemporary Art 1/1 AP Artist Proof Damaged, Medium Scratches Along Black Bottom, Small Scratches Throughout, Still Presentable, See Detailed Photos

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Many Mao Green HPM Limited Edition Hand Deckled 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of 15 Artwork Size 18x24 #13/15 Hand Deckled Hand Painted Embleshed Multiple Print

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Love is in the Air 1.0 Main Blue Giclee Print by R-Malite Artwork Limited Edition Print on 285gsm Rosaspina Fine Art Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 24x17.5 R-Malite's "Love is in the Air 1.0 Main Blue Giclee Print" captures the dynamic spirit of contemporary street art with a poignant pop art twist. This limited edition piece, only fifty in existence, is a prized asset for collectors and art lovers alike. It is meticulously printed on 285gsm Rosaspina fine art paper, a testament to quality and durability in art reproduction. Sized at 24x17.5 inches, this artwork has a commanding presence that draws the eye and stirs the imagination. Signed and numbered by the artist, each print secures its unique position in the series, offering a personal connection between the creator and the collector. R-Malite, a graffiti pop street artist, infuses his work with vibrant street culture aesthetics, cleverly juxtaposed with classical fine art techniques. This blend reflects a burgeoning art movement that marries the raw energy of the streets with the refined beauty of fine art galleries. In "Love is in the Air 1.0," R-Malite explores the themes of conflict and harmony by depicting a fighter jet and a heart-shaped balloon. This contrast is not just visual but symbolic, evoking a dialogue about the nature of power, love, and societal values. It resonates with the artist's intent to question and challenge the observer's perspective on contemporary issues. Artwork like this contributes significantly to the ongoing discourse in pop, street, and graffiti art, bringing forth conversations about the role of public art in expressing communal sentiments and individual expressions. R-Malite's print is not just an aesthetic statement but a cultural artifact that reflects the zeitgeist of our times, encapsulating emotions and narratives within the urban landscape. Its limited availability further underscores its importance, making "Love is in the Air 1.0" a coveted piece of contemporary art history.

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Riot Piggy Helmet Sculpture Clean Edition Sculpture by OG Slick Limited Edition Pop Artwork Street Artist Fine Art. 2023 Signed COA Mixed Media Helmet With Stand Sculpture Limited Edition of 25 Riot Piggy Helmet Sculpture Clean Edition Sculpture by OG Slick Box Painted Cast Resin Helmet with Stand 8x12x10 & Hand Painted Hard Shell, Case Box Handcrafted in the United States, each helmet in this collection presents an impeccable blend of craftsmanship and art. These are not mere protective gear but artistic masterpieces crafted from cast resin, then painted meticulously to perfection. This collection is an exclusive edition limited to only 25 pieces worldwide. Each helmet is created on a 1/1 scale, adding to the authenticity and value of the piece. Along with the helmet, you'll receive a specially designed stand, perfect for display and showcasing the intricate details of the piece. Moreover, to assure its legitimacy and value, each piece is accompanied by a Certificate of Authenticity (COA) signed personally. This attests to the meticulous attention to detail and the high craftsmanship invested in each helmet. This is not just a purchase; it's an investment in a piece of art that blends functionality with aesthetics, transcends the norm, and breaks the boundaries of traditional design. It's a true testament to American craftsmanship, brought to life through cast resin.

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LIE Birger Isacsson Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2014 Signed & Numbered Limited Edition of 30 Artwork Size 18x24

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Vote For Light Silkscreen Print by Jamie Reid Hand-Pulled on Wove Fine Art Paper Limited Edition Artwork. 2015 Signed & Numbered Limited Edition of 50 Artwork Size 19.6x24.41 Silkscreen Print of People in Face Masks and the Words "Vote For Light". Small bump to the middle extreme left margin. "Vote For Light" by Jamie Reid is a remarkable embodiment of the zeitgeist captured in the medium of silkscreen print. Hand-pulled on luxurious Wove Fine Art Paper, the piece, created in 2015, is an amalgamation of Reid's perspective and the cultural tides of the moment. Limited in its run, only 50 of these pieces were produced, each signed and numbered by Reid himself, ensuring authenticity and exclusivity. The artwork, measuring 19.6x24.41 inches, showcases an arresting visual of individuals adorned in face masks, an imagery that resonates with the contemporary experiences of the global populace. The indelible phrase "Vote For Light" emblazoned amidst the portrait of the masked figures sends a powerful message, potentially a call to action or a plea for hope amidst times of uncertainty. Silkscreen printing, traditionally associated with pop art, has been masterfully used here to blend the lines between street art, graffiti, and the more conventional gallery artworks. Reid’s decision to utilize this method is a testament to his commitment to maintain the raw and unfiltered aura commonly associated with street and graffiti art. Jamie Reid's "Vote For Light" is more than just a print; it stands as a symbol, a social commentary, and an invitation for discourse. As with most artwork that converges on the realms of pop, street, and graffiti art, this piece not only captures the artist's viewpoint but also challenges its audience to introspect and engage with the world around them. Drawing inspiration from the events and sentiments of its time, the artwork offers a snapshot of history, forever immortalized on fine art paper.

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Money and Power- Black Hand-Pulled 1-Color Silkscreen Print on Hand Deckled 290gsm Arches Rag Paper by Artist Cleon Peterson Limited Edition Art Artwork. 2022 Signed & Numbered Limited Edition of 75 Artwork Size 18x18 "Money and Power have become primary drivers in the modern world, pushing us toward a corrupt society. The days when our leaders looked out for the people's interests have become a thing of the past—replaced by the strong man who squashes the voices of dissent to set things straight. Money elects leaders; in return, they owe a debt to the people that put them in Power—enacting our new public policy of greed and gangster capitalism. We slowly accept corruption, Law slowly fades away, and people begin to feel like democracy and a fair and equitable society were always just an illusion, a dream from the past that never really even existed." -Cleon Peterson

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LIE 2 Ben Bernanke Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2011 Signed & Numbered Limited Edition of 30 Artwork Size 18x24

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Only The Finest Poison Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 550 Artwork Size 24x24 Silkscreen Print "This “Only the Finest Poison” print is a critique of the many methods the oil industries use to maintain business as usual, including deceptive marketing, bribing politicians, discrediting science, and concealing the truth. The news clipping included in the piece is a portion of an article revealing that ExxonMobile has known, based on their internal scientific research, for over 40 years that burning fossil fuels is warming the planet. Yet, they hid the research and publicly denied the impact of fossil fuels on climate change. It is challenging to break through the formidable layers of deterrence put in place by the powerful corporations who put profits before people and the planet, but breaking through is essential to a healthy future. A portion of proceeds from this print will benefit Greenpeace USA to support their work to fight climate change. Thanks for caring. The speckletone paper used in this print is composed of recycled material." -Shepard Fairey "Only the Finest Poison" is an exceptional work of art by Shepard Fairey, a renowned figure in the pop and street art scene. Released in 2023, this silkscreen print showcases Fairey's adeptness in merging provocative political commentary with visually compelling artistry. Limited to an edition of 550, each piece is hand-pulled on Speckletone Fine Art Paper, a unique medium composed of recycled material, further emphasizing the artist's commitment to environmental responsibility. The artwork stands as a stark critique of the global oil industry and its harmful practices. Fairey powerfully employs the use of imagery and text to shed light on the industry's egregious actions—distorting facts, undermining science, bribing political figures, and prioritizing profit over the planet's wellbeing. A crucial element of the piece is the inclusion of a news clipping, a snip from an exposé revealing ExxonMobile's long-concealed knowledge of the detrimental climate effects of burning fossil fuels. Fairey's print is an example of how art can serve as a powerful medium for social and political critique, calling viewers to contemplate the issues presented and challenging them to take action. Echoing the urgent need for change, Fairey's print not only criticizes the oil industry but also extends a helping hand towards environmental causes. A percentage of the proceeds from the sale of this print is donated to Greenpeace USA, an organization known for its relentless fight against climate change. This brilliant artwork, in its thematic exploration and socio-political impact, is a testament to Fairey's role as a critical commentator in the realm of street and pop art.

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Idiocracy AP Artist Proof Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Shepard Fairey, Graffiti Street Artist Modern Pop Art. AP Artist Proof 2016 Signed & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print "I’ve always felt that art, entertainment, and humor can be the best delivery vehicles for social commentary, so I love the way humor is used in “Idiocracy” to make the social critique more digestible. The movie is a harsh but necessary indictment of the anti-intellectual culture and politics that seem to become the norm more and more everyday. The film is great in a cautionary way and has an enjoyable irony being a somewhat low-brow piece of entertainment about the perils of succumbing to a cultural rejection of anything intellectual or high-brow. In other words, the genius of the film is that it may actually get through to the audience it should reach, rather than just preaching to the intellectual elite" -Shepard Fairey- OBEY The "Idiocracy" AP (Artist Proof) silkscreen print by Shepard Fairey is a thought-provoking piece, symbolizing a potent blend of street art ingenuity with biting social commentary. Released as a limited edition in 2016, each piece in the series of 550 is hand-signed and numbered, affirming its exclusivity and value in the art community. Measuring 18x24 inches, this work is meticulously crafted through a 4-color hand-pulled silkscreen process onto fine art paper, a testament to Fairey’s dedication to quality and detail. Shepard Fairey, a trailblazer in the modern pop and street art scene, often infuses his work with social and political subtext. His "Idiocracy" print draws from the satirical film of the same name, utilizing its thematic core as a springboard for his own artistic expression. The movie's critique of a society in intellectual decline resonates with Fairey's own observations of contemporary culture, where anti-intellectualism is increasingly mainstream. Fairey's print channels the film’s irony, using the medium of pop art to comment on the potential dangers of a society that devalues knowledge and critical thinking. Fairey acknowledges the power of art, humor, and entertainment as catalysts for discussion and reflection on societal norms. By embedding these elements into his "Idiocracy" print, he not only captures the essence of the film's warning but also amplifies its message through his unique artistic lens. The print, which features the movie’s signature branding "Brawndo" and the tagline "It's got electrolytes!", satirically suggests that the brain craves not intellectual stimulation but rather a fictional beverage. This piece stands as a cultural artifact within the sphere of graffiti art, encapsulating the genre's inherent confrontation with social issues. Shepard Fairey's work is often characterized by its ability to transcend the boundaries of traditional art spaces, engaging with the public in environments that are unconventional yet visually impactful. The "Idiocracy" AP print continues this trend, marrying the rebellious spirit of street art with the evocative power of cinema to challenge viewers to consider the trajectory of cultural evolution.

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War Pigs 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Jeff Rial Rare Street Art Famous Pop Artwork Artist.

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Money and Power- Yellow Hand-Pulled 1-Color Silkscreen Print on Hand Deckled 290gsm Arches Rag Paper by Artist Cleon Peterson Limited Edition Art Artwork. 2022 Signed & Numbered Limited Edition of 75 Artwork Size 18x18 "Money and Power have become primary drivers in the modern world, pushing us toward a corrupt society. The days when our leaders looked out for the people's interests have become a thing of the past—replaced by the strong man who squashes the voices of dissent to set things straight. Money elects leaders; in return, they owe a debt to the people that put them in Power—enacting our new public policy of greed and gangster capitalism. We slowly accept corruption, Law slowly fades away, and people begin to feel like democracy and a fair and equitable society were always just an illusion, a dream from the past that never really even existed." -Cleon Peterson

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Trunk Elephant Gold Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Ron English. 2020 Gold Variant Limited Edition New In Box. This 6" vinyl figure comes with a removable hairpiece designed by Ron English.

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Love is in the Air 1.0 Main Pink Giclee Print by R-Malite Artwork Limited Edition Print on 285gsm Rosaspina Fine Art Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 24x17.5 R-Malite's "Love is in the Air 1.0 Main Pink Giclee Print" captures the dynamic spirit of contemporary street art with a poignant pop art twist. This limited edition piece, only fifty in existence, is a prized asset for collectors and art lovers alike. It is meticulously printed on 285gsm Rosaspina fine art paper, a testament to quality and durability in art reproduction. Sized at 24x17.5 inches, this artwork has a commanding presence that draws the eye and stirs the imagination. Signed and numbered by the artist, each print secures its unique position in the series, offering a personal connection between the creator and the collector. R-Malite, a graffiti pop street artist, infuses his work with vibrant street culture aesthetics, cleverly juxtaposed with classical fine art techniques. This blend reflects a burgeoning art movement that marries the raw energy of the streets with the refined beauty of fine art galleries. In "Love is in the Air 1.0," R-Malite explores the themes of conflict and harmony by depicting a fighter jet and a heart-shaped balloon. This contrast is not just visual but symbolic, evoking a dialogue about the nature of power, love, and societal values. It resonates with the artist's intent to question and challenge the observer's perspective on contemporary issues. Artwork like this contributes significantly to the ongoing discourse in pop, street, and graffiti art, bringing forth conversations about the role of public art in expressing communal sentiments and individual expressions. R-Malite's print is not just an aesthetic statement but a cultural artifact that reflects the zeitgeist of our times, encapsulating emotions and narratives within the urban landscape. Its limited availability further underscores its importance, making "Love is in the Air 1.0" a coveted piece of contemporary art history.

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Creativity, Equity, Justice Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2019 Signed & Numbered Limited Edition of 450 Artwork Size 18x24 Silkscreen Print "This print is a portrait of Anjel Newmann, Director of Programs and Youth Director of AS220 – a non-profit community arts organization based in downtown Providence with whom I’ve worked since the ’90s. AS220 is important to me because they have cultivated a creative community that continues to have a profoundly transformative impact on the city. I’m inspired by Anjel’s dedication to this organization, where she’s been a member since she was 13 years old, learning from a diverse set of communities and facilitating access to opportunities for young people across the city of Providence. Thank you Anjel and AS220 for all that you do for the people of Rhode Island!⁠" -Shepard Fairey- OBEY In the vibrant intersection where art meets activism, Shepard Fairey’s silkscreen print stands as a testament to the power of creative expression as a tool for social change. Released in 2019, this limited edition piece, signed and numbered with a run of 450, encapsulates Fairey’s longstanding commitment to community engagement through art. The 18x24 artwork, hand-pulled on Cream Speckletone fine art paper, is not only a visual treat but a beacon of inspiration, embodying the themes of creativity, equity, and justice. At the heart of this print is a portrait of Anjel Newmann, a figure who represents the enduring impact of AS220, a non-profit community arts organization in Providence, Rhode Island. Newmann's involvement with AS220 began at the tender age of 13, and her journey to becoming the Director of Programs and Youth Director showcases the nurturing power of such institutions in cultivating artistic talent and leadership among the youth. Fairey, having collaborated with AS220 since the 1990s, celebrates not only the individual journey of Newmann but also the broader ethos of the organization. AS220’s pivotal role in fostering an inclusive arts community and providing a platform for marginalized voices is central to Fairey's narrative. The artwork itself is a visual confluence of Fairey's signature style with poignant messaging. Words like "Creativity," "Equity," and "Justice" are prominently featured, aligning with the larger message that Fairey perpetuates through his work—art as a mechanism for societal upliftment and personal liberation. His use of bold, contrasting colors and geometric patterns draws the eye, compelling the viewer to contemplate the interconnectedness of the artistic elements with the profound themes presented. Fairey’s choice of Anjel Newmann as the subject speaks volumes about the role models that inspire his work. By highlighting Newmann's dedication to AS220, Fairey not only honors her and the organization but also emphasizes the importance of creative communities in driving positive social change. This print transcends its aesthetic appeal, standing as a symbol of hope and a call to action, urging viewers to rise above challenges and contribute to the collective journey towards a just society. It is a celebration of Fairey’s enduring relationship with AS220 and his unwavering belief in art as a catalyst for progress.

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Noir Flower Woman Red AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2022 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Woman Holding Large Lotus Flower. "The Obey Noir Flower Woman print is inspired by Art Deco design and Dark Wave album art. The image has a few avenues for interpretation. I primarily see it as a tribute to idealists who protect the environment, cultivate justice, and hold optimism close to their hearts. We all face challenges and hostilities, but exterior forces don't control our inner strength and idealism. We do! Idealism leads to action. Those who perpetrate injustice rely on apathy to get away with their misdeeds. Nurture your inner idealism, and your constructive actions will follow. A portion of the proceeds from this print will benefit Greenpeace to support its work to enhance environmental protections and combat climate change." -Shepard Fairey. Shepard Fairey's "Noir Flower Woman Red AP" is a testament to the harmonious blend of pop art and street art, with a unique nod to graffiti culture. With the hand-pulled silkscreen method on fine art paper, this 18x24 print captures a woman delicately holding a giant lotus flower. This captivating artwork, released as an Artist Proof in 2022, is not only a rare find due to its limited edition run but also because of the personal touch added by Fairey through his signature and the distinctive "AP" mark. At a glance, the "Obey Noir Flower Woman" appears to be heavily influenced by Art Deco elements and Dark Wave album art aesthetics. Yet, beneath its visual layers lies a profound message. Shepard Fairey draws inspiration from those idealists who remain committed to environmental protection, champion justice, and foster a deep-seated optimism, even in the face of adversity. His work argues that external challenges can never overshadow the radiant light of one's inner resilience and idealism. Rather than being passive spectators, Fairey calls upon individuals to harness their inner idealism, transforming it into actionable change. This sentiment reverberates even more when considering that a portion of the proceeds from the sale of this print aids Greenpeace in its relentless battle against climate change and for enhanced environmental protections. This piece by Fairey isn't merely an artwork; it's an emblem that showcases the intersection of visual allure and impactful advocacy, a hallmark that distinguishes much of the art from the pop, street, and graffiti genres. As viewers immerse themselves in the intricate details of "Noir Flower Woman Blue AP," they are invited to reflect, respond, and act on the world around them.

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Reality Television- PP Archival Pigment Print Limited Edition Trump Artwork Print on Fine Art Paper by Modern Pop Culture Artist Scott Listfield. PP Printers Proof 2014 Signed 13x19 Archival Pigment Print 5 of 5

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Many Mao Green Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of 75 Artwork Size 18x24

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Te LoJuro- To Be Fearless Limited Edition Hand-Embellished HPM Spray Paint Archival Pigment Prints on Moab Entrada Rag Bright 290gsm Fine Art Paper by Indie184 Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 15 Artwork Size 13x17 2021 Signed Limited Edition TE LO JURO - TO BE FEARLESS• Autographed archival pigment print • Additional unique paint embellishment on Moab Entrada Rag Bright 290 GSM archival paper • 14 x 17 inches Hand-embellished, signed and numbered by artist Indie184 in a special embellished edition of 15

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Contra Cocaine Silkscreen & Glitter Print by Robert "Robbie" Conal Hand-Pulled on Fine Art Paper Limited Edition Artwork. 2010 Signed & Numbered Limited Edition of 100 Artwork Size 18x24 Silkscreen Print Robert "Robbie" Conal's Contra Cocaine: A Landmark in Street Pop Art & Graffiti Artwork The artwork "Contra Cocaine" by Robert "Robbie" Conal is a watershed moment in the history of street pop art and graffiti artwork. The 18x24 silkscreen print, with its haunting skull imagery set against a camouflaged backdrop, is not just a visual statement but a political cudgel wielded with artistic precision. This hand-pulled print on fine art paper, a limited edition of 100, represents Conal's unapologetic foray into street art, a domain he has since come to dominate. Educated at Stanford and a master painter, Robbie Conal is known for his unflinching, intensely detailed portraits, often depicting political figures in grotesque forms. His highly political and active work provides a scathing commentary on political corruption and misconduct. "Contra Cocaine" is perhaps his most notorious piece, a symbolic representation of the Iran/Contra scandal that plagued the Reagan administration. Its original iteration in 1988 has the distinction of being a part of the permanent collection at the Los Angeles County Museum of Art (LACMA), underscoring its cultural and historical significance. Contra Cocaine: The Intersection of Art and Political Activism Conal's "Contra Cocaine" transcends mere artistic endeavor; it encapsulates the artist's commitment to confronting and exposing the dark underbelly of political power structures. The piece is a grim commentary on the Iran/Contra affair, with the skull serving as a macabre symbol of the deadly consequences of political gamesmanship. Using street art's stark, compelling visual language, Conal's work becomes accessible and engaging, drawing the public into a conversation about the often invisible mechanisms of government wrongdoing. The distribution of "Contra Cocaine" through street posters in cities across the United States marked Conal's initial exploration into street art. This guerrilla postering, a form of grassroots activism, was designed to provoke public discourse and bring political commentary out of the galleries and into the streets. The image became synonymous with a generation's disillusionment and rage, channeling the spirit of protest into a singularly impactful piece of art. Legacy and Influence of Robbie Conal in Street Art Robbie Conal's influence on street pop art and graffiti artwork is profound. His commitment to marrying art with activism has inspired countless artists to view the urban landscape as a platform for social commentary and change. Plastering "Contra Cocaine" posters around the country was not just an artistic statement but a call to arms, engaging a volunteer "army" of supporters to disseminate the powerful image far and wide. Conal's method of engagement—activating a network of volunteers to distribute his posters—echoes the collective nature of street art, wherein the community plays a crucial role in the dissemination and reception of the work. The "army" that Conal mobilizes speaks to the collaborative spirit of the street art movement, blurring the lines between artist and audience, between individual creation and collective experience. Contra Cocaine: A Statement of Artistic and Historical Importance The historical context of "Contra Cocaine" amplifies its importance in the annals of street art. Published on the occasion of the exhibition "The Missing Link" at Country Club in 2010, the print also belongs to the Beautiful Losers Archive and Iconoclast Editions, collections that honor the works of artists who have shaped the landscape of contemporary art outside traditional systems. "Contra Cocaine" not only cements Robbie Conal's place in street art history but also stands as a testament to the power of visual art as a means of political resistance and societal reflection. As a piece of street pop art and graffiti artwork, it represents the genre's potential to influence public opinion and spark dialogues that transcend the visual medium, entering the realm of collective memory and historical documentation. The continued relevance of "Contra Cocaine" lies in its unabashed confrontation with political corruption and how art can expose and critique those in power. Through this work and his broader artistic oeuvre, Robbie Conal demonstrates the enduring role of the artist as a provocateur and a social commentator, wielding brushes and silkscreens as others might wield pens or protest signs. His legacy in street art is defined by his distinctive visual style and his unwavering commitment to activism through art.

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