Gun

Samiyam- The Blind Pig 2011 Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art. Samiyam, Raj Mahal, Mogi Grumbles, Josef Deas, A Bomb, DJ Dick Jones, Charles Trees at The Blind Pig on May 26th 2011

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Punisher Crossing Original Street Sign Painting by RD-357 Real Deal One of a Kind Artwork on Real Metal Crosswalk Street Sign by Graffiti Art Pop Artist. 2012 Signed Mixed Media Acrylic & Spray Paint on Real Reclaimed NYC New York City Crossing Cross Walk Street Sign Painting Original Artwork Size 30x37.5  RD-357: Pioneering Street Pop Art on Urban Canvases RD-357, an artist known for his distinctive contribution to street pop art and graffiti artwork, has manifested his creativity through a unique, striking, and thought-provoking medium. His original piece titled "Punisher Crossing Original Street Sign Painting" encapsulates street art's raw essence while ingeniously infusing pop culture iconography elements. This work is a stellar example of RD-357's inventive use of everyday objects as canvases, transforming a mundane metal crosswalk street sign into a vibrant artwork that commands attention and sparks dialogue. The "Punisher Crossing" is a unique artwork that exudes the rebellious spirit and subversive edge often associated with street pop art. Created in 2012, this mixed media piece employs acrylic and spray paint on a real crossing sign measuring 30x37.5 inches. RD-357's choice to use an actual street sign as the foundation for his artwork not only repurposes the object but also embeds the art piece within the fabric of urban life it seeks to comment on. The sign, once a directive for pedestrians, now carries a powerful visual message, made all the more potent by its placement on an object of regulation and order. The Artistic Language of RD-357's Street Sign Paintings In "Punisher Crossing," RD-357 demonstrates a masterful control over color and composition. The background of the sign is ablaze with a vivid, almost violent splatter of yellow and red spray paint, reminiscent of the chaos and energy of city streets. Against this explosive backdrop, the figure of the Punisher is rendered with precision in acrylic, his stark, menacing presence immediately drawing the eye. The character's hand, outstretched and holding a gun, breaks the boundaries of the sign's frame, suggesting a defiance of constraints and a breaking free from imposed limits. RD-357's work is deeply embedded in the language of street pop art, a genre that combines the gritty, underground aesthetic of street art with the bright, graphic quality of pop art. His paintings, especially this piece, are a dialogue between the artist and the urban landscape, between the fictional characters of pop culture and the reality of the viewer's environment. By bringing the Punisher - a symbol of vigilante justice and anti-heroism - into the context of a crosswalk sign, RD-357 creates a juxtaposition that is at once startling and intriguing. The artwork becomes a statement on control and chaos, power and powerlessness, and the fine line between societal order and individual action. RD-357's Impact on Contemporary Street Art RD-357's contributions to the street art scene have been significant, and his influence can be seen in the way street pop art has evolved over the years. His artworks, particularly those on street signs, are more than mere paintings; they are interventions into the urban environment, which challenge the viewer to reconsider the role and potential of public space. The "Punisher Crossing" sign is emblematic of this approach, seamlessly integrating art into the city's daily liandlso elevating the discourse around street art. By signing his work, the artist claims ownership of a public domain piece, an act that is a form of artistic rebellion. The signature on "Punisher Crossing" is not merely a mark of authenticity; it is a declaration of presence, a proof of the artist's interaction with the world around him. Through works like this, RD-357 has etched his name into the annals of street pop art history, securing his place as a maverick who has expanded the possibilities of graffiti artwork. The "Punisher Crossing Original Street Sign Painting" by RD-357 stands as a testament to the power of street pop art to communicate, provoke, and inspire. By transforming a simple street sign into a complex and compelling work of art, RD-357 challenges perceptions, invites reflection, and continues influencing the ever-evolving narrative of street and graffiti art.

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Heavy is the Head Artwork Giclee Limited Edition Print on Etching Rag Paper by Pop Culture Graffiti Artist Marwan Shahin. Number 1 of 28 Signed 32x32 2019 From the new Modern-day Pharaohs series comes "Heavy is the Head" artwork made for and inspired by the poetry work of Rob J. Naylor's book with the same title releasing sooon. "HEAVY IS THE HEAD” 2019 Giclée on Etching Rag Each print is Signed, Numbered & Branded comes with a Certificate of Authenticity.

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AK-47 Lotus- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Custom Cotton Coventry Rag Paper by Graffiti Street Artist Shepard Fairey. 2022 Signed & Numbered Limited Edition of 100 Artwork Size 30x41 In the rich tapestry of modern art, the AR-15 Lily serigraph by Shepard Fairey holds a distinct place. A contemporary masterpiece, this large-format print, sized at an impressive 30x41, is a testament to Fairey's impeccable craftsmanship and profound insight into social issues. A product of the year 2022, the AR-15 Lily, alongside its counterpart, the AK-47 Lotus, reflects Fairey's inspiration from the iconic Vietnam War protesters. These brave souls, in a symbolic gesture of peace, would insert flowers into the gun barrels of the National Guard, who were present to curtail their passionate calls for peace. Shepard Fairey, a renowned graffiti street artist, is known for intertwining pop culture, street art, and pressing social issues in his works, and this piece is no exception. His choice of a 4-color serigraph technique for this limited edition of 100 pieces exudes exclusivity and class. The print, meticulously crafted on Custom Cotton Coventry Rag Paper, evokes feelings of nostalgia and the age-old conflict between violence and peace. Fairey’s perspective, as he expresses, is deeply pacifistic. His work is not just an artistic expression but a call for diplomacy and harmony, both on international terrains and domestic fronts. While he does not challenge the Second Amendment, his emphasis is on reducing unnecessary deaths due to gun violence. In a world where the lines between art and activism often blur, Fairey's commitment to supporting causes shines through. A portion of the proceeds from this artwork, for instance, aids Brady United, an organization dedicated to preventing gun violence. The AR-15 Lily is not just a piece of art; it's a bold statement, a call for reflection, and a testament to Fairey’s unwavering commitment to promoting peace. "The AK-47 Lotus and AR-15 Lily large format serigraphs are inspired by Vietnam War protesters who would put flowers in the gun barrels of the National Guard who were brought in to suppress their protests for peace. I’m a pacifist, whether that means finding diplomatic solutions to prevent and avoid war internationally or finding diplomatic solutions to prevent and avoid gun violence at home. I’m not anti- Second Amendment, so trolls can calm down… I’m not interested in macho blathering, I just want fewer people to die unnecessarily. Brady United is doing good work preventing gun violence so they will receive a portion of proceeds from these two prints. Thanks for caring.⁠" -Shepard Fairey

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Selfie Gun Blue Silkscreen Print by Joan Cornellà Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2024 Signed & Numbered Limited Edition of 250 Artwork Size 16.14x22.44 Silkscreen Print Selfie Gun Blue Silkscreen Print by Joan Cornellà Selfie Gun Blue is a 2024 silkscreen print by Spanish artist Joan Cornellà, known for his satirical and unflinching commentary on modern life. This limited edition piece, hand-pulled on fine art paper, is signed and numbered out of an edition of 250. Measuring 16.14 by 22.44 inches, the artwork presents a bold visual punch with clean lines, flat blocks of color, and a composition that captures Cornellà’s iconic absurdist humor. The image depicts a smiling figure holding a selfie stick topped not with a phone, but with a handgun pointed directly at their own head. The bright cyan blue background serves as a jarring contrast to the image’s grim thematic undertones, echoing the aesthetic cues of commercial design while delivering a sharp critique. Joan Cornellà and Satirical Extremism in Street Pop Art & Graffiti Artwork Joan Cornellà, born in 1981 in Barcelona, Spain, has emerged as a crucial figure in the evolution of Street Pop Art & Graffiti Artwork. His visual language is instantly recognizable—smiling characters, polished cartoonish lines, and saturated colors serve as vehicles for biting, often darkly humorous reflections on society. Selfie Gun Blue stands as an archetypal example of Cornellà’s approach: presenting a cheerful scene that reveals something deeply unsettling upon closer inspection. This tension between style and substance is a hallmark of his work. In this silkscreen print, the fusion of an everyday object with an instrument of violence creates a jarring metaphor about technology, self-obsession, and the superficial culture of digital validation. Technique and Visual Economy as Subversive Tools The artwork’s strength lies in its visual economy. There is no clutter, no background narrative, and no textual explanation. Every element in the frame is calculated and precise. Cornellà uses simplicity as a form of satire, stripping his characters of individuality while heightening their symbolic impact. The man’s suit, smile, and vacant eyes are rendered in bold primary hues, reducing him to an archetype. The gun, rendered in muted gray and pink tones, is stark in contrast but seamlessly integrated into the composition. This hand-pulled screenprint showcases Cornellà’s command over flat color layering, a classic method in fine art printing now repurposed for modern commentary. Modern Irony Encapsulated Through Visual Absurdity Selfie Gun Blue is not merely a visual gag; it is a stark reflection on societal detachment. Cornellà uses cheerful aesthetics to critique real-world issues—narcissism, desensitization, and the commodification of identity in digital spaces. Through Street Pop Art & Graffiti Artwork, he confronts the viewer with uncomfortable truths hidden beneath polished surfaces. His work has resonated globally, in galleries, books, and public installations, because it forces a confrontation with the absurdities of modern behavior using the very visual cues that have become familiar and trusted. This piece, like much of Cornellà’s portfolio, demands not just observation but introspection, challenging the viewer to question the hidden implications behind every filtered smile.

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Swarovski Crystalized Ice Shoeuzi Hand Cast & Painted Polystone Uzi Art Sculpture Toy Limited Edition Artwork by Artist J-LDN of Graffiti Pop Street Painting Fame. Edition of 100, Size 100% 7.5" Each uzi sculpture comes as a 4-part Shoeuzi Magnafix magnetic assembly, box, display stand & gloves. Hand cast and painted Polystone Resin. New In Box 2021 Signed COA Crystalized ICE edition with 750 hand-placed Swarovski Crystals. J-LDN has created an edition-specific sculpt for these drops with sculpted-in positions for each crystal.

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Selfie Gun Pink Silkscreen Print by Joan Cornellà Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2024 Signed & Numbered Limited Edition of 250 Artwork Size 16.14x22.44 Silkscreen Print Selfie Gun Pink Silkscreen Print by Joan Cornellà Selfie Gun Pink is a 2024 hand-pulled silkscreen edition by Spanish satirical artist Joan Cornellà. Measuring 16.14 by 22.44 inches and produced in a limited edition of 250, this signed and numbered artwork reflects Cornellà’s unmistakable blend of polished visual simplicity and biting social commentary. The image features a cheerfully smiling man in a peach-toned suit, holding a selfie stick that supports not a camera, but a handgun aimed squarely at himself. The background is rendered in soft pink, enhancing the ironic dissonance between the subject’s cheery disposition and the underlying theme of violence masked as casual narcissism. Joan Cornellà’s Critique Through Absurdist Imagery Born in Barcelona in 1981, Joan Cornellà has become a global force in Street Pop Art & Graffiti Artwork by using minimalistic cartoon aesthetics to unveil the absurdities of modern life. His figures are intentionally void of individuality, often grinning unnaturally as they perform disturbing or nonsensical acts. In Selfie Gun Pink, the character’s satisfied expression juxtaposes the grim symbolism of a weapon aimed at his own head. The stick, traditionally used for self-promotion and attention-seeking behavior, is transformed into an object of quiet destruction. This visual metaphor encapsulates Cornellà’s critique of digital culture, social vanity, and the dangerous detachment that technology can breed. Color, Style, and Technique in Contemporary Satire The silkscreen process used in this print is emblematic of Cornellà’s commitment to precision and high-quality presentation. Bold lines, solid color fields, and flat shading are used to mimic corporate mascots or health-and-safety cartoons, only to subvert their intent with disturbing undertones. The use of pink as a background in Selfie Gun Pink offers a candy-colored contrast to the dark humor within the scene. It speaks to Cornellà’s deliberate strategy of using playful palettes to disarm viewers, forcing them into a second glance where the deeper commentary emerges. This pop-art coloration coupled with street-level critique is what places his work firmly within Street Pop Art & Graffiti Artwork. Impact and Relevance in the Modern Visual Landscape Selfie Gun Pink exemplifies how Joan Cornellà’s work transcends traditional boundaries, moving seamlessly between fine art prints, gallery walls, and viral memes. Yet the impact of his imagery is not just visual novelty. His recurring themes—violence, self-obsession, irony, and commodification—mirror urgent social conversations. The 2024 print captures this moment in time where performative happiness masks inner turmoil and where devices meant to connect us may instead isolate and endanger. With each new piece, including this limited edition print, Cornellà continues to be one of the most searing voices in the contemporary art world, pushing viewers to confront uncomfortable truths through deceptively light-hearted visuals.

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War Pigs 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Jeff Rial Rare Street Art Famous Pop Artwork Artist.

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Cornetto Trilogy- Hot Fuzz Lithograph Print Limited Edition Artwork on GF Smith 250gsm Absolute Naturalis Matt Paper by Patrick Connan, an urban graffiti pop street artist. Lithograph print on GF Smith 250gsm Absolute Naturalis Matt paper with archival inks. Edition of 20 A2 (420 mm x 594 mm/ 16.5 x 23.4 inches) Signed / Numbered & Stamped

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Razor Gun Limited Edition 5-Color Hand-Pulled Silkscreen Print on 130lbs Mohawk Vellum Fine Art Paper by Maximilian Wiedemann Graffiti Street Artist Modern Pop Art. "Looking at the current media coverage and shocking violence that has spread around the world, I felt it was time to release an anti-gun/crime piece. In the wider sense and anti-violence statement. Don't pull the trigger! As you see in the detail, the trigger is the razor, making it impossible or painful to shoot. It's a fine little detail in the gun that turns the meaning of weapons around. All you need is love. This design and coloring have exclusively been done for 1XRUN. This Idea has been shown first in New York in 2011 in the Vanity Unfair Show - I felt it has more relevance than ever these days." - Maximilian Wiedemann

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Kikkosket Shoeuzi 75% Hand Cast & Painted Polystone Uzi Art Sculpture Toy Limited Edition Artwork by Artist Sket-One of Graffiti Pop Street Painting Fame. 2021 Kikkoman Edition of 200, Size 75% 7.5" Each uzi sculpture comes as a 4-part Shoeuzi Magnafix magnetic assembly, box, display stand & gloves. Hand cast and painted Polystone Resin. New In Box International artist SketOne collaborates with by j-ldn to introduce the deliciously complex KIKKOSKET 75% Shoeuzi. Handcrafted from water clear polyresin dyed brown to imitate the appearance of liquid, this set also includes a set of chopsticks and a sushi rolling mat base.

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Not A Gun Limited Edition 2-Color Hand-Pulled Silkscreen Print on 100% Cotton Rag Archival Paper by Dave Kinsey Graffiti Street Artist Modern Pop Art. BLK/MRKT AP Artist Proof. Leci N' est Pas Un Pistalet

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Joe Blow AP Archival Print by Serge Gay Jr Archival Pigment Fine Art Limited Edition Print on 7mil Performance Bond Paper Pop Artist Modern Artwork. AP Artist Proof 2012 Signed & Marked AP Limited Edition Artwork Size 20x17

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Cat Watcher Followed Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art. Print is signed and numbered by the artist in an edition of 150. This print measures 18x24 inches.

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Know Your Product Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Ben Frost pop culture LSD artwork. 2020 Signed & Numbered Limited Edition of 100 Blotter Paper Print 7.5x7.5 Australian contemporary artist Ben Frost is best known for his bold, irreverent Pop Art. His instantly recognizable take on pop culture twists up everyday iconography from the world’s biggest brands. Subverting meaning and messages from the mainstream media, Frost’s scything commentary on advertising, entertainment, and politics is both confronting and controversial. The essence of Frost’s commentary is established on the basis of subverting the meaning and the messages, promoted by the mainstream media. In other words and, as he has stated in the past: “The less you fill your mind with the trappings of advertising and bad television, the more space you have in your brain for things of value”. At the same time, his take on modern pop culture is equally compelling. Mainstream media, advertisements, and politics can be identified as some of his main fields of interest, which he utilizes and mixes up in a controversial formation. The word controversial is not used incidentally. What Ben Frost’s art is doing is, essentially, the appropriation and weaponization of imagery against the same system that gave birth to it.

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That's For Your Bad Manners Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Niagara pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 These limited blotter editions are hand-perforated by Zane Kesey. The alignment of the perforations over the artwork may vary slightly from the example shown.

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Clingy Companion Blue Hand Cast & Painted Polystone Uzi Art Sculpture Toy Limited Edition Artwork by Artist J-LDN of Graffiti Pop Street Painting Fame. 2022 Limited Edition, Size 100% Each uzi sculpture comes as a 4-part Shoeuzi Magnafix magnetic assembly, box, display stand & gloves. Hand cast and painted Polystone Resin. New In Box

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Art in Action- Happy Mouse Limited Edition Archival Pigment Fine Art Prints on 290gsm Moab Entrada Fine Art Paper by Graffiti Street Art and Pop Culture Artist Jeff Gillette. 2022 Signed & Numbered Limited Edition of 100 Artwork Size 16x20 Archival Pigment Print Art in Action Happy Mickey Mouse is an archival print created by artist Jeff Gillette. Jeff Gillette's distinctive art style often juxtaposes iconic pop culture figures with dystopian, post-apocalyptic environments. His work is a commentary on consumerism, the excesses of popular culture, and the impact of these forces on society and the environment. In "Art in Action Happy Mickey Mouse," Gillette places the well-known Disney character Mickey Mouse within an intricate and chaotic scene. Mickey Mouse, depicted with a smile, remains cheerful and seemingly oblivious to the dystopian world surrounding him. This artwork serves as a visual representation of the stark contrast between the manufactured happiness of popular culture and the harsh realities of our world. As an archival print, this piece is created using high-quality, fade-resistant ink on durable, acid-free paper, ensuring the longevity of the artwork. This printing method ensures that the original piece's vibrant colors and intricate details are faithfully reproduced for collectors and enthusiasts to enjoy.

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Sweet Sins- Blue 2-Color Hand-Pulled Limited Edition Embellished HOM Silkscreen Print on Lenox 100 Paper by Faile Rare Street Art Famous Pop Artwork Artist. Edition of 250 Acrylic and Silkscreen Ink on Lenox 100 Paper This is the blue/red colorway. Signed, Stamped & Numbered, Faile

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Animal Pack 95 Shoeuzi 75% Hand Cast & Painted Polystone Uzi Art Sculpture Toy Limited Edition Artwork by Artist J-LDN of Graffiti Pop Street Painting Fame. 2022 Signed COA Edition of 200, Size 75% 7x5 Each uzi sculpture comes as a 4-part Shoeuzi Magnafix magnetic assembly, box, display stand & gloves. Hand cast and painted Polystone Resin. New In Box "Shoeuzi Is a Series of Satirical Art Sculptures Playing on the Power Dynamic That Corporate Brands Have Over Street Culture and Lifestyle. From Police Using Bait Trucks Filled With Nike Sneakers, Underground Illegal Replica Factories and Automated Checkout Bots That Fuel a Multimillion-Dollar Scalping Industry, These Brands Transcend Simply ‘a Product’ and Influence the Shape of Our World." -J-LDN

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Moooo Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Xiau-Fong Wee. Xiau-Fong Wee - "Moooo" limited edition fine art giclee print edition of 40 copies signed and numbered

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King Janky The Sixth “Capo dei Capi” Janky SuperPlastic Limited Edition Vinyl Artwork Street Art Toy Collectable Figure Discovered half-buried in an immaculate pair of cement Nikes at the bottom of the East River, this most controversial member of the Janky royal family features Tommy gun, Cuban fedora, and blood-soaked newspaper. Opened Box Like New

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French Connection Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art. The French Connection Movie Screening at Michigan Theater June 27th & 29th 2010.

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Forbidden Forever HPM Acrylic Silkscreen Print by Faile Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. 2007 Signed & Numbered Acrylic HPM Embellished Limited Edition of 15 Artwork Size 17.9x24 Faile is a Brooklyn-based artistic collaboration between Patrick McNeil (born 1975) and Patrick Miller (born 1976). Initially founded in 1999, the duo is known for their wide-ranging multimedia practice, recognized for its explorations of duality through a fragmented style of appropriation and collage. Working in the vein of popular culture and frequently referencing mass consumerism, Faile's work encompasses a variety of materials and techniques, including painting, silkscreening, stencils, stickers, sculpture, and more. Their art has been exhibited in a wide array of contexts, from city walls and lamp posts to galleries and museums around the world, such as Perry Rubenstein Gallery, New York; Dallas Contemporary, Dallas; and Palais de Tokyo, Paris. The name "Faile" is an anagram of "A life", which signifies the duo's shared philosophy towards their work. They are known to embrace the dichotomies of art and popular culture, acknowledging the fluidity and ubiquity of imagery in the modern world. HPM, or Hand-Painted Multiples, is a term used to describe a specific method of silkscreen printing. In HPM silkscreen printing, each piece of an edition is individually embellished or altered by the artist, thereby making each print within the edition unique. This technique can often be seen in street art and other forms of contemporary art. Silkscreen printing, also known as screen printing, is a process that involves pushing ink through a stenciled mesh screen to create a printed design. It's a popular technique used in a variety of different industries, such as fine art, fashion, and marketing, due to its versatility in adapting to different materials and surfaces. Artists like Faile often utilize HPM silkscreen printing to create limited editions of their work. This method allows them to produce a series of pieces that maintain a consistent theme or image, but with individual variations that make each piece unique. This can range from changes in color, to additional elements, to hand-finishing details. This results in each print being not just a copy, but a unique work of art.

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Big Gang- Big Poppa Hand Painted Original Unique Cereso Monky Artwork on Ron English- POPaganda Can't You See Vinyl Art Toy. 2021 Signed by Cereso Monky One of a Kind Original Ron English- POPaganda Biggie Sculpture Artwork Size 5x8.5 Custom Painted Figure by Cereso Monky. 1 of 1. Mixed Media, Acrylic, Spray Paint

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Sedation of Millions AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2012 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Number 3 in A Gun Target Retnial With Phrase "IT TAKES THE SEDATION OF MILLIONS TO HOLD US BACK." "The "Sedation Of Millions" print is inspired by the title of my favorite Public Enemy album, "It Takes A Nation Of Millions To Hold Us Back." I think the biggest problem in America is the indifference and complacency about important issues that result from much of the population being perpetually hypnotized by conspicuous consumption, social media, entertainment, and self-medication. Using sedation and escapism for relief from the rat race might make us less aware(blissfully ignorant) but also less empowered to improve our role within the rat race… a vicious cycle of cause and effect." -Shepard Fairey The "Millions AP" silkscreen print by Shepard Fairey stands as a profound commentary on contemporary society through the lens of street pop art and graffiti artwork. As an Artist Proof from 2012, signed and marked by Fairey himself, this limited edition piece presents a powerful visual fused with a direct message characteristic of Fairey's thought-provoking style. Sized at 18x24, the print features the image of a gun target retinal, the number 3 prominently placed at its center, overlaid with the bold phrase "IT TAKES THE SEDATION OF MILLIONS TO HOLD US BACK." This artwork resonates with Fairey's ongoing exploration of control, power, and propaganda. The title and the thematic content pay homage to Public Enemy's album "It Takes A Nation Of Millions To Hold Us Back," channeling the spirit of resistance and the power of voice emblematic of the influential hip-hop group. Fairey's work challenges the viewer to consider the societal implications of complacency and the sedative effects of consumer culture, social media, and entertainment that contribute to a collective indifference toward critical issues. Shepard Fairey, renowned for his OBEY campaign and the iconic Obama "Hope" poster, consistently blurs the lines between fine art and street art, bringing forth discussions that encapsulate the ethos of both genres. The "Millions AP" silkscreen print serves not just as a piece of art but as a call to consciousness, urging a break from the "blissful ignorance" induced by escapism and advocating for empowerment through awareness and action. This work is a visual manifestation of Fairey's critique on the cyclical nature of societal sedation and the importance of awakening from it to enact change within the systems that govern daily life. In the broader scope of street pop art and graffiti, Fairey's "Millions AP" print encapsulates the essence of the medium's capacity to reflect and impact cultural dialogue. It is a testament to the potential of visual art as a medium for social commentary and a marker of the time in which it was created.

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Selfie Gun Yellow Silkscreen Print by Joan Cornellà Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2024 Signed & Numbered Limited Edition of 250 Artwork Size 16.14x22.44 Silkscreen Print Selfie Gun Yellow Silkscreen Print by Joan Cornellà Selfie Gun Yellow is a 2024 hand-pulled silkscreen print by Spanish artist Joan Cornellà. Signed and numbered in a limited edition of 250, this work measures 16.14 by 22.44 inches and presents Cornellà’s now-iconic visual punch with a deceptively cheerful palette masking deeply provocative themes. The image features a smiling male figure in a blue suit standing against a vibrant yellow background, holding a selfie stick that supports a handgun rather than a smartphone. The print's stark simplicity, exaggerated expression, and flat fields of color allow its absurdity and subversion to dominate the viewer's first and lasting impression. Joan Cornellà’s Visual Irony and the Absurdity of the Digital Age Joan Cornellà was born in 1981 in Barcelona and has risen to international prominence for his uniquely unsettling yet humorous critiques of contemporary life. Through a visual language that borrows heavily from mid-century commercial illustration and pop iconography, Cornellà’s work deconstructs digital narcissism, commodified identity, and passive complicity. Selfie Gun Yellow crystallizes many of these themes. The joyful pose of the figure, exaggeratedly cheerful and unaware, becomes a metaphor for societal blindness in the pursuit of validation and spectacle. The gun at the end of the selfie stick transforms a common habit into a commentary on psychological self-destruction and performative existence. Silkscreen Precision and the Language of Commercial Aesthetics The technique used in Selfie Gun Yellow amplifies its message. The precision of hand-pulled silkscreen printing allows for crisp, clean lines and saturated colors, giving the work the look of mass-produced consumer graphics while being part of an exclusive limited run. The yellow background is not merely a color field but a psychological trigger—evoking optimism and energy while laying the groundwork for cognitive dissonance. The contrast between the man’s welcoming demeanor and the weapon he points toward himself deepens the satire without relying on excessive visual clutter. This minimalism, paired with shocking irony, is central to Cornellà’s success as a provocateur in Street Pop Art & Graffiti Artwork. The Role of Satirical Minimalism in Street Pop Art & Graffiti Artwork Cornellà’s contribution to the evolution of Street Pop Art & Graffiti Artwork is defined by his capacity to use restraint to elicit powerful reactions. His figures are deliberately anonymous, their individuality stripped away to amplify the social roles they play. In Selfie Gun Yellow, the business suit, the performative smile, and the stylized violence condense global anxieties into one frozen frame. With no dialogue, no background narrative, and no ambiguity, the piece is direct but not reductive. It forces a confrontation with the viewer's own habits, obsessions, and the mechanics of attention in the modern world. Through works like this, Joan Cornellà continues to provoke, entertain, and challenge through satire masked in simplicity.

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Bambo Hand-Embellished Mixed Media Limited Edition Print Art on 700gsm Recycled Cardstock by Artist Denial Contemporary Pop Artwork. 2017 Signed & Numbered HPM Hand Embellished Limited Edition of 10 Artwork Size 13x19

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Harlem World CCB Gangsters 81 Photo Print by Joe Conzo Jr Limited Edition on 290gsm Moab Entrada Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed Print Limited Edition of 5 Artwork Size 20x16 Archival Pigment Fine Art of Cold Crush Brothers Rap Music Group in Vintage Gangster Costume and Outfits at Harlem World. Harlem World CCB Gangsters 81 Photo Print by Joe Conzo Jr The Harlem World CCB Gangsters 81 photo print by Joe Conzo Jr is a remarkable representation of hip-hop’s early visual aesthetic and theatricality. This 2023 limited-edition archival pigment print, produced on 290gsm Moab Entrada Fine Art Paper, captures the legendary Cold Crush Brothers in vintage gangster-inspired costumes. The 20x16 artwork, signed by Conzo, offers a window into the creativity and flair that defined the group’s performances, blending music, style, and Street Pop Art. The Cold Crush Brothers: Style Icons of Hip-Hop The Cold Crush Brothers were instrumental in shaping the culture and sound of hip-hop during its formative years in the late 1970s and early 1980s. Known for their lyrical prowess, elaborate stage routines, and eye-catching costumes, the group set a standard for showmanship and innovation. This photograph, taken at Harlem World in 1981, highlights their flair for dramatics. It features the group dressed in dapper suits and fedoras and accessorized with prop weapons, channeling the look of classic gangsters. Harlem World, a prominent venue in the Bronx during the golden age of hip-hop, served as a cultural hub for live performances, battles, and community gatherings. The Cold Crush Brothers often performed there, bringing their unique blend of storytelling and stage presence to captivated audiences. This image showcases their ability to merge music and fashion into a cohesive narrative, further solidifying their place in hip-hop history. Joe Conzo Jr: Documenting Hip-Hop’s Evolution Joe Conzo Jr is celebrated as one of the first photographers to document hip-hop’s emergence in New York City. His work captures the movement's pioneers' raw energy, individuality, and artistry. Known as the man who took hip-hop’s baby pictures, Conzo’s lens immortalized the vibrant culture of the Bronx and the figures who defined it. His photographs serve as a bridge between music and Street Pop Art, offering a unique perspective on the cultural intersections of the era. This photograph reflects Conzo’s eye for composition and detail, emphasizing the Cold Crush Brothers’ personalities and the deliberate craftsmanship of their image. The gangster motif seen in this photoshoot demonstrates how hip-hop artists adopted and reinterpreted cultural symbols to express power, confidence, and creativity. Artistic and Historical Significance The Harlem World CCB Gangsters 81 photo print exemplifies the interplay between music, fashion, and art that defined early hip-hop. The archival-quality materials used in its production ensure that the image’s intricate details, from the textures of the suits to the expressions of the group members, are preserved. The 20x16 size amplifies the photograph’s visual impact, making it a must-have piece for collectors and enthusiasts of Street Pop Art and graffiti artwork. This limited-edition print not only celebrates the Cold Crush Brothers as pioneers of hip-hop but also serves as a testament to the creative synergy between music and visual art during this transformative period. Through Joe Conzo Jr’s lens, the image captures the spirit of innovation and self-expression that continues to influence contemporary culture. The Harlem World CCB Gangsters 81 photo print is both a historical artifact and a dynamic piece of modern art that pays homage to the roots of hip-hop.

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Art in Action- Haring Limited Edition Archival Pigment Fine Art Prints on 290gsm Moab Entrada Fine Art Paper by Graffiti Street Art and Pop Culture Artist Jeff Gillette. 2021 Signed & Numbered Limited Edition of 100 Artwork Size 16x20 Archival Pigment Print Edition of 100 2021, signed and numbered. Archival Pigment Print on 290gsm Moab Entrada Fine Art Paper Size: 16 x 20 Inches Release: July 21, 2021 Art in Action Haring Archival Print by Jeff Gillette is a piece of art that pays homage to the legendary street artist and social activist, Keith Haring. Jeff Gillette, the artist behind the piece, is known for his post-apocalyptic interpretations of iconic characters and landscapes in contemporary art. In this particular piece, he incorporates Keith Haring's recognizable style and visual language into his own unique artistic expression. The print showcases Haring's signature bold lines, geometric shapes, and figures, seamlessly integrated into Jeff Gillette's post-apocalyptic imagery. The result is a fascinating artwork that reflects the legacy and influence of Keith Haring, while also staying true to Gillette's artistic vision. As an archival print, the artwork is created using high-quality inks and materials to ensure that the colors and details remain vibrant and true for years to come. This method of printing allows art enthusiasts and collectors to appreciate the piece without worrying about fading or deterioration over time. Collectors and fans of both Keith Haring and Jeff Gillette's work may find this print a valuable addition to their collections, as it showcases the blending of two distinctive artistic styles in a captivating way.

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Assassination Blue Silkscreen Print by Dave Kinsey Hand-Pulled 4-Color on Off White Archival Fine Art Paper Limited Edition Pop Street Art Artwork. 2007 Signed & Numbered Limited Edition of 150 Artwork Size 18x24 Silkscreen Print by Dave Kinsey based on Auguste Rodin's The Thinker "I created this piece in 2007, which is a commentary on the slow degradation of the education system in the United States—an assassination of the educational nourishment of the people and our society. This piece references Rodin’s “The Thinker” sculpture whose pose is based on deep thought and contemplation. Our schools, universities, and so forth are catalysts to greater change and progress and we as humans need to protect this at all costs." -Dave Kinsey, Two Thousand & Twenty-Three Assassination Blue Silkscreen Print by Dave Kinsey Assassination Blue is a 2007 silkscreen print by American artist Dave Kinsey, produced as a hand-pulled four color edition on off white archival fine art paper. Measuring 18 x 24 inches, the work was released as a signed and numbered limited edition of 150. Rooted firmly within Street Pop Art & Graffiti Artwork, this print reflects Kinsey’s long standing focus on social systems, power structures, and cultural erosion. The composition draws direct visual inspiration from Auguste Rodin’s sculpture The Thinker, a universally recognized symbol of contemplation and intellectual labor, while transforming it into a contemporary critique of institutional failure. Visual Language and Symbolic Composition The figure in Assassination Blue appears heavy, slumped, and burdened, rendered in deep blacks and layered blues that dominate the surface of the print. The blue tonal shift distinguishes this edition from its silver counterpart, adding a colder and more somber emotional register. The figure’s posture communicates exhaustion rather than reflection, suggesting that the act of thinking itself has been wounded. A thin red line descends from the head, cutting sharply through the otherwise restrained palette. This element functions as a symbolic injury rather than literal violence, emphasizing the idea of intellectual harm. The distressed textures in the background and on the figure reinforce a sense of gradual decay, echoing Kinsey’s interest in systems that erode slowly rather than collapse suddenly. Conceptual Meaning and Cultural Context Dave Kinsey has described this work as a commentary on the degradation of the education system in the United States, framing it as an assassination of educational nourishment and collective progress. Schools and universities are positioned as essential engines for social development, and their weakening is presented as a threat to future innovation and equity. By reinterpreting The Thinker, Kinsey links classical ideals of knowledge and reflection to contemporary anxieties surrounding access, funding, and cultural priorities. Within the broader scope of Street Pop Art & Graffiti Artwork, Assassination Blue stands as a measured yet urgent call to protect intellectual infrastructure. The work does not rely on shock alone, but instead uses restraint, symbolism, and historical reference to communicate its message with clarity and gravity, securing its place as a significant and enduring statement within Kinsey’s body of work.

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Inferno Welcome to Hell 2000 Wild Brain Event Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 2000 Signed by Kozik & Numbered Limited Edition of 300 Artwork Size 22x36 Silkscreen Print Band Gig Poster by Frank Kozik WildBrain.com Event Promo September 8th 2000, Pig with gun in hell surrounded by fire. Frank Kozik is well known for his music posters and artwork in the pop culture and music industry, particularly in the punk rock scene. His work is characterized by its distinctive and bold style, often involving surreal or subversive themes. Silkscreen print is a printmaking technique that involves pushing ink through a mesh screen onto a substrate. It's known for allowing vibrant, bold colors and is often used for posters, fine art prints, and in the fashion industry. Wild Brain is a renowned animation studio.

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Silver Bullet 75% Shoeuzi Art Sculpture by J-LDN aka Jack London Hand Cast & Painted Polystone Uzi Art Toy Limited Edition Artwork Street Graffiti Pop. 2024 Bullet Edition in Gold Limited Edition of 200 Signed COA New In Box Size 75% 5x7 Shoeuzi Stylized Gun Shoe Art Sculpture by J-LDN aka Jack London. Polystone Resin hand-cast painted with Shoeuzi Magnafix magnetic assembly includes a 4-part set with gloves, a display stand, and a box for each Uzi sculpture. All pieces are still in their original packaging. The sculptures are 75% SHOEUZI, measuring 5x7, and ready to impress. The Gilded Statement: Gold Bullet Shoeuzi by J-LDN The Gold Bullet 75% Shoeuzi art sculpture by J-LDN, known outside the art world as Jack London, represents a unique blend of subversive creativity and polished craftsmanship in street pop and graffiti artwork. This 2024 release encapsulates the artist's keen eye for blending high-end fashion symbols with motifs of urban grit, delivering a statement piece that's thought-provoking and visually captivating. Artistry in the Form of a Uzi This piece, a poly stone resin hand-cast, and painted art toy, carries the distinct form of a Uzi submachine gun, stylized with elements of a sneaker in a gold color scheme. As a limited edition of 200, each sculpture has a signed Certificate of Authenticity (COA), assuring collectors of its legitimacy and exclusive status. The Shoeuzi Magnafix magnetic assembly—a four-part set including gloves, a display stand, and a bespoke box—speaks to the attention to detail and the consideration of presentation intrinsic to J-LDN's work. Each sculpture stands at 75% of the full Shoeuzi size, measuring 5x7 inches, making a compact yet powerful addition to any collection of contemporary art. These pieces stay sealed in their original packaging, ensuring their condition remains impeccable for art enthusiasts and collectors who prize mint-condition works. Cultural Implications of J-LVN's Work J-LDN's work reflects the cultural and social nuances that street pop art often seeks to address. The Gold Bullet Shoeuzi is a bold commentary on the intersections between urban violence and commercialism, wrapped in the luxury of gold—a color often associated with wealth and status. This art sculpture challenges viewers to consider the juxtaposition between luxury fashion and the harsh realities of street life, effectively using the language of street art to engage in a larger conversation about societal values and disparities. The Gold Bullet Shoeuzi also represents the dynamic nature of the evolution of street pop art, where the medium becomes a part of the message. By utilizing materials and methods common in creating mass-market collectibles, J-LDN aligns his work with the consumer culture it critiques, adding a layer of complexity to the artwork's interpretation. Conclusion: The Enduring Impact of Gold Bullet Shoeuzi J-LDN's Gold Bullet Shoeuzi is more than an art piece; it's a cultural artifact that captures the essence of street pop and graffiti artwork. It is a snapshot of the times, reflecting on commercialism, materialism, and the glorification of certain lifestyles while simultaneously embodying the aesthetics it critiques. Jack London's contribution to the street pop art movement through this work is a testament to the power of art as a medium for social commentary and change. The careful craftsmanship and the limited nature of the Gold Bullet Shoeuzi ensure that it stands the test of time as a sought-after piece for those who appreciate the confluence of art, culture, and commentary. As street pop art continues to challenge and shape contemporary art discourse, works like J-LDN's Shoeuzi sculptures will remain pivotal in sparking dialogue and reflecting the evolving narratives of our society.

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Assassination Silver Silkscreen Print by Dave Kinsey Hand-Pulled 4-Color on Off White Archival Fine Art Paper Limited Edition Pop Street Art Artwork. 2007 Signed & Numbered Limited Edition of 150 Artwork Size 18x24 Silkscreen Print by Dave Kinsey based on Auguste Rodin's The Thinker "I created this piece in 2007, which is a commentary on the slow degradation of the education system in the United States—an assassination of the educational nourishment of the people and our society. This piece references Rodin’s “The Thinker” sculpture whose pose is based on deep thought and contemplation. Our schools, universities, and so forth are catalysts to greater change and progress and we as humans need to protect this at all costs." -Dave Kinsey, Two Thousand & Twenty-Three Assassination Silver Silkscreen Print by Dave Kinsey Assassination Silver is a 2007 silkscreen print by Dave Kinsey, hand-pulled in four colors on off-white archival fine art paper. Measuring 18 x 24 inches, this work was released as a signed and numbered limited edition of 150. Drawing directly from Auguste Rodin’s iconic sculpture The Thinker, Kinsey reinterprets the classical pose through a contemporary Pop Street Art lens, transforming a symbol of contemplation into a stark political and cultural statement. Education, Violence, and the Erosion of Thought The composition presents The Thinker in a somber, high-contrast palette dominated by black, gray, and silver tones, punctuated by a thin, visceral streak of red running from the figure’s head. This single, deliberate accent functions as both a wound and a warning. Kinsey frames the act not as physical violence, but as an ideological one: the “assassination” of education, critical thinking, and intellectual nourishment. The rough textures and distressed background amplify the sense of decay, suggesting systems under strain and values being quietly dismantled rather than overtly destroyed. Conceptual Depth and Cultural Relevance Kinsey has stated that Assassination Silver is a commentary on the slow degradation of the American education system, positioning schools and universities as essential catalysts for societal progress that must be protected at all costs. By referencing Rodin’s The Thinker, a universal emblem of reason and reflection, Kinsey underscores what is at stake when education is neglected or undermined. The print stands as a powerful intersection of classical art history and modern street-informed critique, making it a significant and enduring work within Kinsey’s oeuvre and the broader conversation around culture, power, and intellectual freedom.

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Black Dynamite Blacklight Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art.

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Ganas Soldier Limited Edition Hand Pulled 5-Color Serigraph Print on Fine Art Paper by Ernesto Yerena Montejano Mexican American street artist modern pop art. 2010 Signed & Numbered Limited Edition of 87 Artwork 20x26 Ernesto Yerena Ganas Soldier, 2010 Serigraph, Ed, of 78 26”x20”. 5 Colors/ 6 solid runs / 1 blend run. "GANAS SOLDIER: DEFENDING DIGNITY". It was hand-printed at the legendary Chicano print house by Self Help Graphics Master Printer Jose.

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Swarovski Crystalized Olive Shoeuzi Hand Cast & Painted Polystone Uzi Art Sculpture Toy Limited Edition Artwork by Artist J-LDN of Graffiti Pop Street Painting Fame. 2021 Limited Edition of 50, Size 100% 7.5" Each uzi sculpture comes as a 4-part Shoeuzi Magnafix magnetic assembly, box, display stand & gloves. Hand cast and painted Polystone Resin. New In Box Signed COA 2021 Crystalized Olive edition with 750 hand-placed Swarovski Crystals. J-LDN has created an edition-specific sculpt for these drops with sculpted-in positions for each crystal.

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Chinese Soldier 2 TP Test Print Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 1-Color on Thin Art Paper Limited Edition Artwork Obey Pop Culture Artist. TP AP Artist Test Proof Print 2006 Unsigned. Testing Out The Process From Shepard Faireys Then Workshop. Black Mono Print, Unsigned, No Markings. Artwork Size 18x24 Silkscreen Print. TearsBending & Creasing throughout The Margins, Working Artist Copy. Crease Across Lower Right Facing Side. Shepard Fairey's "Chinese Soldier 2 TP Test Print" is a compelling piece that exemplifies the intersection of street art and political commentary, hallmarks of Fairey's work. As an iconic figure in pop and graffiti art, Fairey has long been recognized for his ability to provoke thought and stir public discourse through his art. This particular silkscreen print is a test proof from 2006, emanating from the artist's experimentation with printmaking techniques. Hand-pulled and comprising five colors on thin art paper, this limited edition artwork carries the signature visual style of Fairey's Obey series, which commands attention to the themes of propaganda, control, and societal obedience. The print, depicting a Chinese soldier with a flower protruding from the barrel of his rifle, challenges viewers to question the juxtaposition of military power with peace—a dichotomy often explored in anti-war art and literature. The raw and unrefined nature of this test print adds to its authenticity and makes it a unique collector's piece, especially considering it is a black mono print and is unsigned, with no markings. The lack of signature is particularly notable as it speaks to the essence of street art, where the message often takes precedence over the artist's identity. Measuring 18x24 inches, this print is sizable, allowing for an immersive viewing experience that draws the eye to the stark contrasts and the compelling imagery that has become synonymous with Fairey's work. Fairey's influence on street art extends beyond his visual work; his methods and approach have inspiremanyof artists to see the urban landscape as a canvas for commentary and change. His test prints, such as "Chinese Soldier 2," offer a glimpse into his process and an understanding of the experimentation behind his finished pieces. This artwork, while a test piece, stands alone in its powerful message and aesthetic, encapsulating the energy and defiance of street art culture.

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Sexual Tyrannosaurus Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jon Smith Graffiti Street Artist Modern Pop Art. AP Artist Proof 2012 Signed & Marked AP Limited Edition Artwork Size 12x18 Exploring Jon Smith's "Sexual Tyrannosaurus" The "Sexual Tyrannosaurus" is a provocative and compelling piece within the oeuvre of Jon Smith, an artist who bridges the realms of graffiti, street, and modern pop art. This limited edition 6-color hand-pulled silkscreen print on fine art paper is a testament to Smith's audacious approach to art that challenges and engages viewers. Created as an artist-proof in 2012 and signed by the artist, the 12x18 inch artwork is a mélange of prehistoric ferocity and modern cultural commentary. Street Pop Art and the Reimagining of Prehistory In this piece, Smith takes the iconic figure of the Tyrannosaurus Rex and imbues it with a contemporary edge, resulting in an artwork beyond simple representation. The name itself, "Sexual Tyrannosaurus," suggests a playfulness and irreverence that is often found in street pop art. The visual narrative crafted by Smith pushes the boundaries of traditional pop art by infusing it with the rawness and immediacy of street art. It's a piece that does not shy away from making a statement, demanding the viewer's attention with its vivid colors and striking imagery.  The Cultural Impact of "Sexual Tyrannosaurus" This work symbolizes the cultural impact and the versatility of street pop art and graffiti artwork. By choosing the Tyrannosaurus Rex, an emblem of power and dominance, and placing it within a modern context, Jon Smith opens up a dialogue about the intersection of past and present, nature and culture. The "Sexual Tyrannosaurus" is a metaphor for the enduring fascination with these ancient creatures while commenting on how they are perceived in contemporary society. In street pop art, such pieces are not mere decorations but conversations etched onto paper, walls, and the public consciousness. Artists like Jon Smith play a pivotal role in this ongoing discourse, using their art to explore, provoke, and reflect the zeitgeist. The limited edition nature of "Sexual Tyrannosaurus" underscores its value as a collectible piece of art that captures a moment in time in the ever-evolving narrative of street art. Through works like this, the legacy of prehistoric giants continues to be felt, reimagined through the lenses of artists who continue to challenge the status quo.

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Target Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Luke Chueh. 2014 Signed on Box Limited Edition of 1000 Sculpture Artwork Size 6.5x10.5 New in Box. Comes with a removable brush and bucket. From Famous Luke Chueh Target Series Depicting a Bear Painting Target on the Chest Standing at a Firing Wall.  Luke Chueh’s “Target” Vinyl Art Toy: A Study in Vulnerability and Self-Perception Created in 2014 by acclaimed street pop and graffiti artist Luke Chueh, the “Target” vinyl art toy presents one of the artist’s most emotionally charged and visually symbolic designs. Issued as a limited edition of 1000, this sculpture captures the deeply personal and psychological tone that defines Chueh’s work. Standing at 6.5 by 10.5 inches, the figure is accompanied by a display wall riddled with bullet holes, a small bucket of black paint, and a removable brush held by the bear character itself. On the figure’s chest is a freshly painted target, an image that communicates complex ideas of self-sabotage, exposure, and emotional conflict. Signed on the box and rendered with stark simplicity, the piece transforms a stylized bear into a powerful statement on psychological torment wrapped in innocent aesthetics. Symbolism and the Language of Self-Inflicted Pressure In “Target,” Luke Chueh employs his signature visual language of minimalism and narrative design to evoke feelings of isolation and vulnerability. The white bear, often used in his broader body of work, represents a surrogate for internal emotions—emotionally vacant on the surface but charged with meaning through posture and surrounding context. The target on its chest is not placed by an outside force but rather painted by the bear itself, symbolizing the voluntary exposure to judgment, pain, or blame. The nearby paint bucket reinforces the conscious act of making oneself a subject, whether for criticism, emotional attack, or misunderstanding. This self-imposed act turns the sculpture into a moment frozen between aggression and acceptance, a duality frequently explored in Chueh’s graffiti-influenced street pop art. Pop Minimalism Rooted in Street Culture While many works in Street Pop Art & Graffiti Artwork celebrate rebellion and public expression, Chueh takes a more introspective route. “Target” reflects the internal consequences of living in a world that often externalizes suffering. His use of toy-like aesthetics—soft curves, matte finish, and gentle expressions—stands in sharp contrast to the wall’s bullet holes and the symbolic nature of a target chest. The piece serves both as an art toy and a fine art sculpture, drawing collectors who resonate with the merging of narrative and form. The emotional weight embedded in the clean, modern silhouette aligns closely with the urban art world’s deeper themes of identity, trauma, and the search for meaning. Legacy and Collectibility of the Target Series “Target” became one of Luke Chueh’s most recognized and widely discussed sculptures, extending the legacy of his broader Target Series into the realm of tangible art objects. Each element of the toy—the red-tipped brush, the dripping black paint, the detailed concrete-style backdrop—has been carefully constructed to support the narrative of self-awareness and psychological struggle. The decision to equip the bear with tools of its own torment makes the figure an artifact of choice rather than victimization, a recurring thread in Chueh’s body of work. With its limited run of 1000 pieces and signature packaging, the “Target” figure has gained strong collector value and stands as a defining contribution to contemporary Street Pop Art & Graffiti Artwork.

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95 Neon Shoeuzi 75% Hand Cast & Painted Polystone Uzi Art Sculpture Toy Limited Edition Artwork by Artist J-LDN of Graffiti Pop Street Painting Fame. 2021 Edition of 600, Size 75% Each uzi sculpture comes as a 4-part Shoeuzi Magnafix magnetic assembly, box, display stand & gloves. Hand cast and painted Polystone Resin. New In Box 75% Shoeuzi celebrates the standout Air Max 95 Neon sneakers with a fully transformed design. The 95 Neon edition captures the essence of a pair of sneakers like no other Shoeuzi before it.

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Deadwood 1-Color Hand-Pulled Limited Edition Silkscreen Print on Metallic Gold Fine Art Paper by Raid71 Rare Street Art Famous Pop Artwork Artist. AP Artist Proof. Skull with western-style Colt pistol guns. This skull and guns design is printed Peregrina majestic real gold ( I assume it’s metallic-esque), measures 45cm x 60 cm and is limited to 10 prints.

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Ain't No Time To Argue! Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Matt Straub, Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 30 Archival Pigment Print Artwork Size 16.51x18 Exploring the Grit of Urban Narratives with Matt Straub's Art "Ain't No Time To Argue!" by Matt Straub is a compelling piece that embodies the essence of street pop art and graffiti artwork. This limited edition archival pigment print on 330gsm fine art paper captures street culture's raw energy and unrestrained spirit. Released in 2016, with a limited edition run of 30, each piece is meticulously signed and numbered by Straub, marking its authenticity and adding to the collectible nature of the work. The artwork, measuring 16.51x18 inches, is a bold statement piece that reflects the stylistic characteristics of modern pop art infused with the rebellious attitude of graffiti. Dynamic Fusion of Street Art Techniques and Pop Art Sensibility Straub's work is renowned for its dynamic fusion of traditional street art techniques with the sensibilities of pop art. "Ain't No Time To Argue!" stands out with its striking depiction of a cowboy, an icon that Straub reinterprets through the lens of contemporary culture. The figure is set against a backdrop of vivid colors and graphic elements reminiscent of pop art. At the same time, the use of spray paint techniques and the overlay of stenciled imagery aligns the work with the raw aesthetics of graffiti. This juxtaposition creates a piece that is both a nod to the past and a commentary on present-day urban life. Matt Straub's Signature Style in Limited Edition Prints The artwork represents Straub's signature style, often including a dialogue between the subject and the viewer through thought-provoking visuals and textual elements. The empty speech bubble emanating from the cowboy's figure in "Ain't No Time To Argue!" invites the audience to engage with the artwork, to fill in the blank with their interpretations or reflections on the character's silence. This interactivity is a hallmark of Straub's approach, encouraging a participatory experience that is both personal and communal. Cultural Implications in Straub's "Ain't No Time To Argue!" "Ain't No Time To Argue!" does more than capture the viewer's attention through its visual impact; it also delves into the cultural implications of the cowboy in American pop culture. By placing this character in a modern context, Straub prompts a reevaluation of the myths and realities of the American West, exploring themes of conflict, dialogue, and the passage of time. The limited edition print becomes a conversation piece, raising questions about the narratives we accept and those we question or challenge. Matt Straub's "Ain't No Time To Argue!" is a testament to the enduring relevance of street pop art and graffiti artwork. Through his adept use of color, form, and cultural symbols, Straub creates art that reflects society's pulse, capturing the zeitgeist in a form that resonates with many audiences. His work continues to influence the dialogue of street art and pop art, bridging communities and generations through a shared visual language.

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Police Shooting Black Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2015 Signed & Numbered Cleon Peterson Limited Edition of 150 Artwork Size 14x18 Silkscreen Print. Cleon Peterson's 2015 Silkscreen Print “Police Shooting Black” – A Stark Voice in Street Pop Art & Graffiti Artwork Cleon Peterson’s 2015 limited edition silkscreen print titled Police Shooting Black is a powerful example of politically charged Street Pop Art & Graffiti Artwork that holds nothing back. Printed on hand-deckled 290gsm Coventry Rag fine art paper, this 14 x 18 inch piece was released in a signed and numbered edition of 150. The print is rendered in stark black silhouette, showing a faceless police officer mid-strike over a defenseless figure on the ground. Peterson employs a style that is instantly recognizable—clean, aggressive, and intentionally stripped of detail to focus entirely on the narrative of power, submission, and societal conflict. It is more than a commentary. It is a visual confrontation. Cleon Peterson: American Artist With a Vision Rooted in Violence and Power Dynamics Cleon Peterson was born in 1973 in the United States and continues to create work that deeply engages with themes of chaos, institutional abuse, and systemic violence. A former street artist who has also worked in illustration and fashion, Peterson often centers his practice around the representation of violent struggle. His works are filled with archetypal figures that reenact the brutal power plays of modern society. Police Shooting Black stands out in his body of work not only for its limited edition fine art format but for its focused depiction of racialized police violence. It is not an ambiguous image. The figures speak with immediacy, channeling real-world incidents into high-contrast allegory. The facelessness of both the oppressor and the oppressed creates a disturbing universality, implicating systems rather than individuals. The Visual Economy of Violence in Street Pop Art & Graffiti Artwork This print carries forward the street-level urgency found in graffiti while leveraging the formal control of screenprinting and gallery presentation. Street Pop Art & Graffiti Artwork often borrows visual language from commercial signage, propaganda, and rebellion, and Peterson’s work is no exception. The figures are iconographic, each line intentional, each silhouette loaded with symbolic weight. Peterson reduces the image to its emotional and psychological core, amplifying the sense of dehumanization and systemic brutality. The use of black-and-white further enforces the emotional starkness while refusing to distract with color. Every inch of the composition is confrontational and calculated to provoke response, conversation, and discomfort. Coventry Rag Paper and Silkscreen Technique as Mediums of Resistance The use of 290gsm Coventry Rag paper—known for its archival quality and textured surface—adds gravity and permanence to what might otherwise feel like a transitory protest image. Silkscreen printing, traditionally used in mass production, is elevated here as a fine art method, offering precision and boldness while still invoking its underground and street origins. Peterson’s choice of material and medium serves to highlight the duality in Street Pop Art & Graffiti Artwork: existing between gallery walls and political walls, between collectability and dissent. Each print is hand-deckled, giving it an edge—literally and figuratively—that speaks to the raw emotion and crafted message embedded in the work. Would you like write-ups for any of Peterson’s other prints or projects?

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Riot Cop 1000% BE@RBRICK Limited Edition Vinyl Artwork Medicom Toy Collectable Art Figure by Brandalism. 2022 New In Box Brandalised x Medicom Toy x Banksy 2022 Medicom Toys Popular artist Banksy returns with the Riot Cop Bearbrick! This is the third collaboration between Medicom Toy and Brandalism. Water transfer technology ensures unique print placements. This large 1000% Bearbrick figure stands at 70cm!

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Sunset Cowboy Hand-Pulled 4-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2012 Signed & Numbered Limited Edition of 30 Artwork Size 18x24 Number 30 of 30 Lowbrow Cowboy Drawing Gun At Sunset

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Are You Ready To Die For Your Country 6-Color Hand-Pulled Limited Edition Silkscreen Print on Heavy Fine Art Paper by Mear One Rare Street Art Famous Pop Artwork Artist. Artist: Mear One Creation Date: 2009 Edition: 81; signed and numbered Size: 20" x 26" Signed and numbered by the artist in pencil, this 6-color silkscreen art print is on heavyweight textured archival white colored paper.

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Gun Culture- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Varnished 100% Cotton Rag Archival Paper with hand-deckled edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. 4-Color Serigraph on Varnished 100% Cotton Rag Archival Paper. 30 x 40 inches. Signed by Shepard Fairey. Numbered edition of 100. Jim Marshall captured what at first glance is regarded as an innocent child playing with a toy gun in Greenwich Village, New York, in 1963.

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