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Inferno Welcome to Hell 2000 Wild Brain Event Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 2000 Signed by Kozik & Numbered Limited Edition of 300 Artwork Size 22x36 Silkscreen Print Band Gig Poster by Frank Kozik. WildBrain.com Event Promo September 8th 2000, Pig with gun in hell surrounded by fire.  Frank Kozik Inferno Welcome to Hell 2000 Wild Brain Silkscreen Print Frank Kozik, born in Spain in 1962 and later based in the United States until his passing in 2023, was a defining force in modern gig poster design and Street Pop Art & Graffiti Artwork. The Inferno Welcome to Hell silkscreen print from September 8, 2000 was created as promotional artwork for a WildBrain.com event and reflects Kozik’s unmistakable fusion of underground comic aggression and graphic precision. This hand-pulled silkscreen on fine art paper measures 22 x 36 inches and was issued as a signed and numbered limited edition of 300. By the year 2000, Kozik had already solidified his reputation for transforming concert and event posters into collectible fine art prints, using bold color separations and confrontational imagery to elevate promotional materials beyond their commercial purpose. Graphic Provocation and Iconography in Street Pop Art & Graffiti Artwork The Inferno Welcome to Hell composition centers on a pig wielding a gun while engulfed in a fiery hellscape, a visual scenario that aligns with Kozik’s recurring use of satirical and politically charged symbolism. The pig motif, often associated with authority or corruption in countercultural language, becomes amplified within an infernal setting filled with flames and exaggerated intensity. Kozik’s mastery of silkscreen printing is evident in the saturated reds, yellows, and blacks that dominate the image, creating a high-impact poster readable from a distance while maintaining intricate linework upon closer inspection. The aggressive headline typography and dramatic scene construction demonstrate how Street Pop Art & Graffiti Artwork frequently borrows from pulp illustration, underground comics, and punk aesthetics to critique power structures while maintaining a sharp graphic appeal. Frank Kozik’s Role in the Evolution of Limited Edition Gig Posters By 2000, Frank Kozik had helped establish the limited edition gig poster as a respected collectible format within Street Pop Art & Graffiti Artwork, shifting perception from disposable advertising to archival printmaking. The signed edition of 300 for Inferno Welcome to Hell reflects the controlled scarcity model that defined much of the late 1990s and early 2000s poster movement. Each hand-pulled print represents a direct connection between artist, event, and audience, reinforcing the cultural exchange between live performance and visual art. Works such as this WildBrain promotional poster highlight Kozik’s ability to combine satire, technical discipline, and bold imagery into a format that remains historically significant within contemporary print culture.

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Deadwood 1-Color Hand-Pulled Limited Edition Silkscreen Print on Metallic Gold Fine Art Paper by Raid71 Rare Street Art Famous Pop Artwork Artist. AP Artist Proof. Skull with western-style Colt pistol guns. This skull and guns design is printed Peregrina majestic real gold ( I assume it’s metallic-esque), measures 45cm x 60 cm and is limited to 10 prints.

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Crayon Shooter- LA Gold Limited Run Polystone Statue Sculpture Artwork by graffiti street artist modern pop artist Brandalised. 10" Tall Mighty Jaxx Polystone Statue Artist Brandalised 2021 Limited Edition The sad expression on his face underlines the seeming end of his innocence. Why is he wielding a machine gun when he should be doodling with crayons instead? Don't miss your chance to own this incredible art piece. All purchases come with a box of gold ammo crayons.

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Kali Koaster 16x20 Limited Edition Archival Pigment Prints on Fine Art Paper by Pooch Graffiti Street Artist Modern Pop Art.

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Sunset Cowboy Hand-Pulled 4-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2012 Signed & Numbered Limited Edition of 30 Artwork Size 18x24 Number 30 of 30 Lowbrow Cowboy Drawing Gun At Sunset

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Selfie Gun Yellow Silkscreen Print by Joan Cornellà Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2024 Signed & Numbered Limited Edition of 250 Artwork Size 16.14x22.44 Silkscreen Print Selfie Gun Yellow Silkscreen Print by Joan Cornellà Selfie Gun Yellow is a 2024 hand-pulled silkscreen print by Spanish artist Joan Cornellà. Signed and numbered in a limited edition of 250, this work measures 16.14 by 22.44 inches and presents Cornellà’s now-iconic visual punch with a deceptively cheerful palette masking deeply provocative themes. The image features a smiling male figure in a blue suit standing against a vibrant yellow background, holding a selfie stick that supports a handgun rather than a smartphone. The print's stark simplicity, exaggerated expression, and flat fields of color allow its absurdity and subversion to dominate the viewer's first and lasting impression. Joan Cornellà’s Visual Irony and the Absurdity of the Digital Age Joan Cornellà was born in 1981 in Barcelona and has risen to international prominence for his uniquely unsettling yet humorous critiques of contemporary life. Through a visual language that borrows heavily from mid-century commercial illustration and pop iconography, Cornellà’s work deconstructs digital narcissism, commodified identity, and passive complicity. Selfie Gun Yellow crystallizes many of these themes. The joyful pose of the figure, exaggeratedly cheerful and unaware, becomes a metaphor for societal blindness in the pursuit of validation and spectacle. The gun at the end of the selfie stick transforms a common habit into a commentary on psychological self-destruction and performative existence. Silkscreen Precision and the Language of Commercial Aesthetics The technique used in Selfie Gun Yellow amplifies its message. The precision of hand-pulled silkscreen printing allows for crisp, clean lines and saturated colors, giving the work the look of mass-produced consumer graphics while being part of an exclusive limited run. The yellow background is not merely a color field but a psychological trigger—evoking optimism and energy while laying the groundwork for cognitive dissonance. The contrast between the man’s welcoming demeanor and the weapon he points toward himself deepens the satire without relying on excessive visual clutter. This minimalism, paired with shocking irony, is central to Cornellà’s success as a provocateur in Street Pop Art & Graffiti Artwork. The Role of Satirical Minimalism in Street Pop Art & Graffiti Artwork Cornellà’s contribution to the evolution of Street Pop Art & Graffiti Artwork is defined by his capacity to use restraint to elicit powerful reactions. His figures are deliberately anonymous, their individuality stripped away to amplify the social roles they play. In Selfie Gun Yellow, the business suit, the performative smile, and the stylized violence condense global anxieties into one frozen frame. With no dialogue, no background narrative, and no ambiguity, the piece is direct but not reductive. It forces a confrontation with the viewer's own habits, obsessions, and the mechanics of attention in the modern world. Through works like this, Joan Cornellà continues to provoke, entertain, and challenge through satire masked in simplicity.

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Moooo Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Xiau-Fong Wee. Xiau-Fong Wee - "Moooo" limited edition fine art giclee print edition of 40 copies signed and numbered

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Sweet Sins- Blue 2-Color Hand-Pulled Limited Edition Embellished HOM Silkscreen Print on Lenox 100 Paper by Faile Rare Street Art Famous Pop Artwork Artist. Edition of 250 Acrylic and Silkscreen Ink on Lenox 100 Paper This is the blue/red colorway. Signed, Stamped & Numbered, Faile

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Fargo North Dakota Silkscreen Print by Justin Van Genderen Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2013 Signed & Numbered on Back Limited Edition of 100 Artwork Size 18x24 Location, Location, Location Series Silkscreen Print Cop Shooting at Lake Fargo North Dakota  Fargo North Dakota Silkscreen Print by Justin Van Genderen Fargo North Dakota Silkscreen Print by Justin Van Genderen is a 2013 hand-pulled screenprint that transforms a stark, frozen landscape into a haunting piece of Street Pop Art & Graffiti Artwork. Measuring 18x24 inches and part of a signed and numbered limited edition of 100, this artwork captures the isolation, tension, and stark beauty associated with the setting of Fargo. The minimalist composition and restrained color palette bring an atmospheric quality to the piece, making it an instant conversation starter while maintaining the aesthetic precision that defines Van Genderen’s work. A Study in Minimalism and Suspense This screenprint is a striking example of how minimalism can create an emotionally charged visual experience. The vast negative space dominates the upper portion of the composition, reinforcing the feeling of emptiness and desolation. In the lower portion, a small figure stands on the shoreline of a frozen lake, arm extended, firing a gun into the distance. The muted grays and whites of the landscape contrast with the icy blue of the water, while subtle texturing gives the piece a weathered, cinematic feel. The scene immediately evokes the quiet tension and understated menace associated with the region, particularly through its connection to the film and television series Fargo. While not explicitly referencing the storyline, the artwork plays on the themes of violence, isolation, and the stark beauty of the Midwest. The placement of the lone figure and the vast, empty space surrounding him create an immediate sense of narrative, leaving the viewer to interpret what has happened or what may come next. Street Pop Art & Graffiti Artwork Elements Justin Van Genderen’s approach to Street Pop Art & Graffiti Artwork relies on a fusion of clean, modernist design and raw urban texture. The halftone shading in the trees and distant hills gives the piece a printed, almost grainy quality, reminiscent of vintage posters or old newspaper photographs. This technique aligns with the visual language of screenprinting, a medium frequently used in street art to produce bold, high-contrast imagery that retains a handmade quality. The piece embraces a restrained, muted color scheme, allowing the stark white background to act as both a visual element and an emotional tool. The faded edges and distressed textures create a sense of imperfection, reinforcing the idea that this is a world shaped by rough environments and human intervention. The red typography in the bottom corner is an intentional choice, subtly injecting a sense of urgency or danger into an otherwise cold and distant landscape. The Power of Narrative in Urban-Inspired Art Fargo North Dakota Silkscreen Print by Justin Van Genderen exemplifies how Street Pop Art & Graffiti Artwork can go beyond aesthetics to create compelling visual narratives. The stark contrast between man and nature, action and stillness, makes the piece feel cinematic, as if it captures a single frame from a larger story. This kind of storytelling through composition and simplicity is a key characteristic of contemporary urban art, where symbols, figures, and spaces are used to evoke deep emotional responses. As a limited-edition silkscreen print, this piece holds significance for collectors who appreciate the intersection of film-inspired artwork and the raw, stripped-down energy of street culture. Whether displayed in a private collection or as part of an urban-themed gallery, this print stands as a testament to how minimalism, negative space, and subtle visual cues can create something both visually arresting and emotionally evocative. Fargo, as a place and a cultural reference, continues to hold a unique place in artistic interpretation, and this piece captures its essence with an unforgettable, striking simplicity.

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ZF-1 Limited Edition ICON Series 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by DKNG Graffiti Street Artist Modern Pop Art. Zorg ZF-1 Pod Weapon From The Fifth Element Movie. "Every film has one. A signature prop, set, or location. Something that, in a single image, can represent the entire movie. The design team of Dan Kuhlken and Nathan Goldman, also known as DKNG, call these images “Icons,” and they are the subject of their first-ever solo show at Gallery 1988 West in Los Angeles. The show, called simply ICON, is comprised of 50 pieces featuring iconic places and things from some of your favorite movies and TV shows of all time. Each piece is small – 12 inches square – and is of one thing that sums up an entire movie. And of course, each is done in DKNG’s distinctive bright, geometric yet detailed style.” - DKNG

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Life is a Killer Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Cristiano Suarez Graffiti Street Artist Modern Pop Art. Paying Homage to William S. Burroughs Screen Print Size: 18" x 24" City: Maceio, Brasi.

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Art in Action- JR Limited Edition Archival Pigment Fine Art Prints on 290gsm Moab Entrada Fine Art Paper by Graffiti Street Art and Pop Culture Artist Jeff Gillette. 2022 Signed & Numbered Limited Edition of 100 Artwork Size 16x20 Archival Pigment Print "Art in Action - JR" emerges as a striking limited edition piece by Jeff Gillette, an artist whose work often converges at the crossroads of graffiti, street art, and pop culture. This artwork was brought to life in 2022, comprising a series limited to a mere hundred signed and numbered prints, accentuating its exclusivity and allure among collectors. Each piece measures 16x20 inches and is rendered on 290gsm Moab Entrada fine art paper using archival pigment prints, a medium well-regarded for its longevity and color fidelity. Gillette's artwork is a dialogue of contrasts and a satire of contemporary society, entwining the rebellious spirit of street art with the aesthetic precision of fine art prints. In "Art in Action - JR," the artist juxtaposes imagery of militaristic figures with a splash of red pigment, a powerful visual metaphor for the intersection of violence and artistic creation. The use of such a symbolically charged color against the stark monochrome figures invites contemplation on the role of art in protest and the socio-political commentary that has long been the bedrock of street art. Gillette, known for his thought-provoking representations of dystopian landscapes littered with pop culture references, here focuses on the act of creation itself. The piece seems to suggest that art can be as impactful as any act of resistance, with the power to ignite change or provoke discourse. Through the visual narrative of "Art in Action - JR," he successfully captures the essence of art's place in society – as a tool for reflection, a weapon against complacency, and a mirror to the tumultuous world it inhabits. This work stands as a testament to Gillette's keen ability to fuse the subversive energy of street art with the enduring qualities of fine art, ensuring that the message inherent in "Art in Action - JR" endures. It is an exemplar within the field of pop art, wherein the artist has melded his critical eye with his adept craftsmanship to create a piece that is as intellectually challenging as it is visually arresting.

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Super Soaker Soldier Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Brandon Sopinsky.

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The Guns of Brixton- Paul Simonon Hand-Pulled 2-Color Silkscreen Print on Cream Speckletone Art Paper by Pop Graffiti Artist Shepard Fairey- Obey x Kate Simon Rare Street Art Limited Edition Artwork. 2011 Signed by Shepard Fairey/Kate Simon & Numbered Limited Edition of 450 Artwork Size 18x24 Small bump crease to upper edge. Shepard Fairey X Kate Simon The Guns of Brixton (Paul Simonon), 2011 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered and dated in pencil along the lower edge Published by Obey Giant, Los Angeles. "The Guns of Brixton" is a song by the British punk rock band The Clash, written by their bassist Paul Simonon. It was featured on their 1979 album, "London Calling." Paul Simonon's artwork has become iconic in its own right, as he has pursued a successful career as an artist since the dissolution of The Clash. Shepard Fairey is a well-known American street artist, graphic designer, and activist, best known for his "OBEY Giant" campaign and the iconic "Hope" poster created for Barack Obama's 2008 presidential campaign. Combining his own artistic style with the legacy of punk rock, Fairey has created numerous works inspired by musicians and bands. Shepard Fairey created a silkscreen print inspired by "The Guns of Brixton" and featuring Paul Simonon. In this hypothetical artwork, Fairey would likely incorporate elements of his own signature style, such as bold colors, strong lines, and thought-provoking imagery, while paying tribute to the influence of The Clash and their music. The artwork might include references to the song's lyrics or imagery from the London Calling album cover, which features a photograph of Simonon smashing his bass guitar on stage based on photo by Kate Simon.

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Cowgirls #3 Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Zane Thomas Graffiti Street Artist Modern Pop Art. 2013 Signed & Numbered Limited Edition of 50 Artwork Size 8.5x11 The Artistic Expression of Cowgirls by Zane Thomas Cowgirls, a limited edition 3-color hand-pulled silkscreen print by Zane Thomas, embodies the bold and dynamic energy of street pop art and graffiti artwork. Created in 2013 as part of a signed and numbered edition of 50, this piece merges pop culture references with the raw edge of urban art. Measuring 8.5 x 11 inches, the composition captures the spirit of rebellion, independence, and strength that cowgirl imagery has long symbolized in American culture. Through the use of bold lines, stylized figures, and a carefully selected color palette, Thomas injects new life into this traditional motif while maintaining his distinctive graffiti-inspired aesthetic. The Symbolism of the Cowgirl in Street Pop Art and Graffiti Artwork The cowgirl has been a powerful symbol of resilience, freedom, and individuality, making her a fitting subject for street pop art and graffiti artwork. In this print, Zane Thomas embraces the iconography of the American West while reinterpreting it through a contemporary lens. By incorporating elements of bold color blocking, exaggerated linework, and an expressive composition, the piece bridges the classic Western aesthetic with modern urban visual culture. The cowgirl figure resonates with themes of defiance and independence, aligning with the rebellious spirit of street art. This visual reinterpretation challenges traditional narratives while celebrating the strength and confidence embodied by the cowgirl. The Craftsmanship Behind the Hand-Pulled Silkscreen Print Silkscreen printing is a process that allows for vibrant, layered compositions, making it an ideal medium for an artwork like Cowgirls. The three-color design showcases Thomas’s ability to create depth and movement within a limited palette. Hand-pulled printing methods bring an element of craftsmanship to each piece, ensuring that no two prints in the edition are exactly alike. The precision required in layering different ink colors enhances the artwork's visual impact, emphasizing sharp contrasts and bold outlines. This attention to technique highlights Thomas’s expertise in blending traditional printmaking methods with the raw energy of graffiti-style art. The Cultural Impact of Cowgirls by Zane Thomas Cowgirls stands as a powerful statement within street pop art and graffiti artwork, reflecting both historical imagery and contemporary artistic movements. By incorporating Western themes into an urban art format, Zane Thomas creates a visual dialogue between past and present, tradition and rebellion. This piece challenges conventional perceptions of the cowgirl by placing her within a modern, graffiti-inspired aesthetic, reinforcing her role as a cultural icon. As part of a limited-edition series, it holds significance for collectors who appreciate the fusion of classic themes with the dynamic, ever-evolving language of street art.

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Animal Pack 95 Shoeuzi 75% Hand Cast & Painted Polystone Uzi Art Sculpture Toy Limited Edition Artwork by Artist J-LDN of Graffiti Pop Street Painting Fame. 2022 Signed COA Edition of 200, Size 75% 7x5 Each uzi sculpture comes as a 4-part Shoeuzi Magnafix magnetic assembly, box, display stand & gloves. Hand cast and painted Polystone Resin. New In Box "Shoeuzi Is a Series of Satirical Art Sculptures Playing on the Power Dynamic That Corporate Brands Have Over Street Culture and Lifestyle. From Police Using Bait Trucks Filled With Nike Sneakers, Underground Illegal Replica Factories and Automated Checkout Bots That Fuel a Multimillion-Dollar Scalping Industry, These Brands Transcend Simply ‘a Product’ and Influence the Shape of Our World." -J-LDN

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Mother's March Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Mark Bode pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Bang Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Camilo Pardo Graffiti Street Artist Modern Pop Art. The art that Camilo Pardo has created over the years is all over Detroit. A considerable amount of it is present on our freeways at any given moment of the day. Most recognized for his design work on the Ford GT, Camilo put verve in the steel curves and reminded us that a car's first internal combustion takes place in an artist's mind.

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Selfie Gun Blue Silkscreen Print by Joan Cornellà Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2024 Signed & Numbered Limited Edition of 250 Artwork Size 16.14x22.44 Silkscreen Print Selfie Gun Blue Silkscreen Print by Joan Cornellà Selfie Gun Blue is a 2024 silkscreen print by Spanish artist Joan Cornellà, known for his satirical and unflinching commentary on modern life. This limited edition piece, hand-pulled on fine art paper, is signed and numbered out of an edition of 250. Measuring 16.14 by 22.44 inches, the artwork presents a bold visual punch with clean lines, flat blocks of color, and a composition that captures Cornellà’s iconic absurdist humor. The image depicts a smiling figure holding a selfie stick topped not with a phone, but with a handgun pointed directly at their own head. The bright cyan blue background serves as a jarring contrast to the image’s grim thematic undertones, echoing the aesthetic cues of commercial design while delivering a sharp critique. Joan Cornellà and Satirical Extremism in Street Pop Art & Graffiti Artwork Joan Cornellà, born in 1981 in Barcelona, Spain, has emerged as a crucial figure in the evolution of Street Pop Art & Graffiti Artwork. His visual language is instantly recognizable—smiling characters, polished cartoonish lines, and saturated colors serve as vehicles for biting, often darkly humorous reflections on society. Selfie Gun Blue stands as an archetypal example of Cornellà’s approach: presenting a cheerful scene that reveals something deeply unsettling upon closer inspection. This tension between style and substance is a hallmark of his work. In this silkscreen print, the fusion of an everyday object with an instrument of violence creates a jarring metaphor about technology, self-obsession, and the superficial culture of digital validation. Technique and Visual Economy as Subversive Tools The artwork’s strength lies in its visual economy. There is no clutter, no background narrative, and no textual explanation. Every element in the frame is calculated and precise. Cornellà uses simplicity as a form of satire, stripping his characters of individuality while heightening their symbolic impact. The man’s suit, smile, and vacant eyes are rendered in bold primary hues, reducing him to an archetype. The gun, rendered in muted gray and pink tones, is stark in contrast but seamlessly integrated into the composition. This hand-pulled screenprint showcases Cornellà’s command over flat color layering, a classic method in fine art printing now repurposed for modern commentary. Modern Irony Encapsulated Through Visual Absurdity Selfie Gun Blue is not merely a visual gag; it is a stark reflection on societal detachment. Cornellà uses cheerful aesthetics to critique real-world issues—narcissism, desensitization, and the commodification of identity in digital spaces. Through Street Pop Art & Graffiti Artwork, he confronts the viewer with uncomfortable truths hidden beneath polished surfaces. His work has resonated globally, in galleries, books, and public installations, because it forces a confrontation with the absurdities of modern behavior using the very visual cues that have become familiar and trusted. This piece, like much of Cornellà’s portfolio, demands not just observation but introspection, challenging the viewer to question the hidden implications behind every filtered smile.

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Assassination Silver Silkscreen Print by Dave Kinsey Hand-Pulled 4-Color on Off White Archival Fine Art Paper Limited Edition Pop Street Art Artwork. 2007 Signed & Numbered Limited Edition of 150 Artwork Size 18x24 Silkscreen Print by Dave Kinsey based on Auguste Rodin's The Thinker "I created this piece in 2007, which is a commentary on the slow degradation of the education system in the United States—an assassination of the educational nourishment of the people and our society. This piece references Rodin’s “The Thinker” sculpture whose pose is based on deep thought and contemplation. Our schools, universities, and so forth are catalysts to greater change and progress and we as humans need to protect this at all costs." -Dave Kinsey, Two Thousand & Twenty-Three Assassination Silver Silkscreen Print by Dave Kinsey Assassination Silver is a 2007 silkscreen print by Dave Kinsey, hand-pulled in four colors on off-white archival fine art paper. Measuring 18 x 24 inches, this work was released as a signed and numbered limited edition of 150. Drawing directly from Auguste Rodin’s iconic sculpture The Thinker, Kinsey reinterprets the classical pose through a contemporary Pop Street Art lens, transforming a symbol of contemplation into a stark political and cultural statement. Education, Violence, and the Erosion of Thought The composition presents The Thinker in a somber, high-contrast palette dominated by black, gray, and silver tones, punctuated by a thin, visceral streak of red running from the figure’s head. This single, deliberate accent functions as both a wound and a warning. Kinsey frames the act not as physical violence, but as an ideological one: the “assassination” of education, critical thinking, and intellectual nourishment. The rough textures and distressed background amplify the sense of decay, suggesting systems under strain and values being quietly dismantled rather than overtly destroyed. Conceptual Depth and Cultural Relevance Kinsey has stated that Assassination Silver is a commentary on the slow degradation of the American education system, positioning schools and universities as essential catalysts for societal progress that must be protected at all costs. By referencing Rodin’s The Thinker, a universal emblem of reason and reflection, Kinsey underscores what is at stake when education is neglected or undermined. The print stands as a powerful intersection of classical art history and modern street-informed critique, making it a significant and enduring work within Kinsey’s oeuvre and the broader conversation around culture, power, and intellectual freedom.

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Hands Up- Green Limited Edition 11-Color Hand-Pulled Silkscreen Print on 50pt Chipboard by Sever Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 50 Artwork Size 24x18 "Hands Up," a limited edition artwork by Sever, is a compelling embodiment of the street pop art and graffiti movement. This 9-color hand-pulled silkscreen print, created on robust 50pt chipboard, showcases Sever's intelligent approach to modern pop art through street-inspired graphics. Completed in 2016, each piece within the limited edition of 50 is meticulously signed and numbered by the artist, marking its authenticity and exclusivity in the world of collectible art. The artwork, measuring 24x18 inches, presents a flipped police car with the words "Police" clearly visible, surrounded by a crowd of silhouetted figures with their hands raised. The scene is both a graphic exploration of form and color and a stark commentary on the societal tensions and confrontations that have become synonymous with street protests and public demonstrations. Sever uses the visual language of graffiti, with its bold lines and vivid colors, to capture the intensity and energy of such moments, transforming them into a statement that resonates on both aesthetic and sociopolitical levels. "Hands Up" is not merely a reflection of Sever's skills as an artist but also a mirror to the times, capturing the essence of street art's ability to comment on and engage with current events. The artwork's raw and expressive style is characteristic of Sever's oeuvre, often characterized by a blend of satire and critique leveled at modern society's issues. Through works such as "Hands Up," Sever contributes to the broader narrative of street pop art and graffiti artwork, continually serving as a barometer for cultural sentiment and a platform for expression within the urban landscape.

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Fett Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Vance Kelly Graffiti Street Artist Modern Pop Art. Legends of Star Wars

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Clingy Companion Blue Hand Cast & Painted Polystone Uzi Art Sculpture Toy Limited Edition Artwork by Artist J-LDN of Graffiti Pop Street Painting Fame. 2022 Limited Edition, Size 100% Each uzi sculpture comes as a 4-part Shoeuzi Magnafix magnetic assembly, box, display stand & gloves. Hand cast and painted Polystone Resin. New In Box

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Peace Guard 2 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2016 Signed & Numbered Screen Print PEACE GUARD 2 Screen Print 18 x 24 inches Edition of 450 November 29, 2016 This image is loosely a sequel to the Peace Guard from 2008 and serves as a reminder that pushing for peace, ironically, requires a militant vigilance itself. I love the juxtaposition of seemingly contradictory symbols. Peace is victory without war. It’s a good day when you don’t have to use your A.K.! – Shepard

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Clingy Companion Pink Hand Cast & Painted Polystone Uzi Art Sculpture Toy Limited Edition Artwork by Artist J-LDN of Graffiti Pop Street Painting Fame. 2022 Limited Edition, Size 100% Each uzi sculpture comes as a 4-part Shoeuzi Magnafix magnetic assembly, box, display stand & gloves. Hand cast and painted Polystone Resin. New In Box

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Lyric Bomb- 5x8 Limited Edition Archival Pigment Prints on .30mm Satin Silver Aluminum by Fil Fury Graffiti Street Artist Modern Pop Art. "I’m obsessed by bold graphic form, objects that you can hold in your hand that have a symmetrical design language to them. The hand grenade is such a hit to your conscience. It's beautiful to look at but represents such horror.The first-hand grenade was invented and manufactured in a factory in my hometown of Birmingham. This Brummie wanted to drop a remix on it. I wanted to reclaim these objects and put my own positive spin on them." - Fil Fury

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Are You Ready To Die For Your Country 6-Color Hand-Pulled Limited Edition Silkscreen Print on Heavy Fine Art Paper by Mear One Rare Street Art Famous Pop Artwork Artist. Artist: Mear One Creation Date: 2009 Edition: 81; signed and numbered Size: 20" x 26" Signed and numbered by the artist in pencil, this 6-color silkscreen art print is on heavyweight textured archival white colored paper.

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Joe Blow AP Archival Print by Serge Gay Jr Archival Pigment Fine Art Limited Edition Print on 7mil Performance Bond Paper Pop Artist Modern Artwork. AP Artist Proof 2012 Signed & Marked AP Limited Edition Artwork Size 20x17

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Queen of Catlandia Blotter Paper Archival Print by Brian Viveros Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2023 Signed & Numbered Limited Edition of 50 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2023 Limited blotter editions are hand-perforated by Zane Kesey. Blotter paper, a type of thick absorbent paper, is traditionally used in fields like chemistry for drying samples or in the art world for watercolor painting. However, it has found a unique niche in the world of graffiti and street art for the creation of "blotter art", which is often associated with psychedelic art due to its historical use as a medium for distributing LSD. Experience the convergence of fine art and counterculture with our Fine Art Archival Prints on Perforated Blotter LSD Paper. These prints, a nod to the psychedelic era, are designed to deliver stunning visual impact. They are printed on high-quality blotter paper, which was traditionally used for LSD tabs, but now repurposed for this unique art form. Each piece is a work of masterful creativity, providing an experience that is both aesthetically pleasing and culturally significant. Printed with archival inks to ensure longevity, these prints are not only collectibles but also lasting symbols of a vibrant subculture.

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Harlem World CCB Gangsters 81 Photo Print by Joe Conzo Jr Limited Edition on 290gsm Moab Entrada Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed Print Limited Edition of 5 Artwork Size 20x16 Archival Pigment Fine Art of Cold Crush Brothers Rap Music Group in Vintage Gangster Costume and Outfits at Harlem World. Harlem World CCB Gangsters 81 Photo Print by Joe Conzo Jr The Harlem World CCB Gangsters 81 photo print by Joe Conzo Jr is a remarkable representation of hip-hop’s early visual aesthetic and theatricality. This 2023 limited-edition archival pigment print, produced on 290gsm Moab Entrada Fine Art Paper, captures the legendary Cold Crush Brothers in vintage gangster-inspired costumes. The 20x16 artwork, signed by Conzo, offers a window into the creativity and flair that defined the group’s performances, blending music, style, and Street Pop Art. The Cold Crush Brothers: Style Icons of Hip-Hop The Cold Crush Brothers were instrumental in shaping the culture and sound of hip-hop during its formative years in the late 1970s and early 1980s. Known for their lyrical prowess, elaborate stage routines, and eye-catching costumes, the group set a standard for showmanship and innovation. This photograph, taken at Harlem World in 1981, highlights their flair for dramatics. It features the group dressed in dapper suits and fedoras and accessorized with prop weapons, channeling the look of classic gangsters. Harlem World, a prominent venue in the Bronx during the golden age of hip-hop, served as a cultural hub for live performances, battles, and community gatherings. The Cold Crush Brothers often performed there, bringing their unique blend of storytelling and stage presence to captivated audiences. This image showcases their ability to merge music and fashion into a cohesive narrative, further solidifying their place in hip-hop history. Joe Conzo Jr: Documenting Hip-Hop’s Evolution Joe Conzo Jr is celebrated as one of the first photographers to document hip-hop’s emergence in New York City. His work captures the movement's pioneers' raw energy, individuality, and artistry. Known as the man who took hip-hop’s baby pictures, Conzo’s lens immortalized the vibrant culture of the Bronx and the figures who defined it. His photographs serve as a bridge between music and Street Pop Art, offering a unique perspective on the cultural intersections of the era. This photograph reflects Conzo’s eye for composition and detail, emphasizing the Cold Crush Brothers’ personalities and the deliberate craftsmanship of their image. The gangster motif seen in this photoshoot demonstrates how hip-hop artists adopted and reinterpreted cultural symbols to express power, confidence, and creativity. Artistic and Historical Significance The Harlem World CCB Gangsters 81 photo print exemplifies the interplay between music, fashion, and art that defined early hip-hop. The archival-quality materials used in its production ensure that the image’s intricate details, from the textures of the suits to the expressions of the group members, are preserved. The 20x16 size amplifies the photograph’s visual impact, making it a must-have piece for collectors and enthusiasts of Street Pop Art and graffiti artwork. This limited-edition print not only celebrates the Cold Crush Brothers as pioneers of hip-hop but also serves as a testament to the creative synergy between music and visual art during this transformative period. Through Joe Conzo Jr’s lens, the image captures the spirit of innovation and self-expression that continues to influence contemporary culture. The Harlem World CCB Gangsters 81 photo print is both a historical artifact and a dynamic piece of modern art that pays homage to the roots of hip-hop.

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Sedation of Millions AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2012 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Number 3 in A Gun Target Retnial With Phrase "IT TAKES THE SEDATION OF MILLIONS TO HOLD US BACK." "The "Sedation Of Millions" print is inspired by the title of my favorite Public Enemy album, "It Takes A Nation Of Millions To Hold Us Back." I think the biggest problem in America is the indifference and complacency about important issues that result from much of the population being perpetually hypnotized by conspicuous consumption, social media, entertainment, and self-medication. Using sedation and escapism for relief from the rat race might make us less aware(blissfully ignorant) but also less empowered to improve our role within the rat race… a vicious cycle of cause and effect." -Shepard Fairey The "Millions AP" silkscreen print by Shepard Fairey stands as a profound commentary on contemporary society through the lens of street pop art and graffiti artwork. As an Artist Proof from 2012, signed and marked by Fairey himself, this limited edition piece presents a powerful visual fused with a direct message characteristic of Fairey's thought-provoking style. Sized at 18x24, the print features the image of a gun target retinal, the number 3 prominently placed at its center, overlaid with the bold phrase "IT TAKES THE SEDATION OF MILLIONS TO HOLD US BACK." This artwork resonates with Fairey's ongoing exploration of control, power, and propaganda. The title and the thematic content pay homage to Public Enemy's album "It Takes A Nation Of Millions To Hold Us Back," channeling the spirit of resistance and the power of voice emblematic of the influential hip-hop group. Fairey's work challenges the viewer to consider the societal implications of complacency and the sedative effects of consumer culture, social media, and entertainment that contribute to a collective indifference toward critical issues. Shepard Fairey, renowned for his OBEY campaign and the iconic Obama "Hope" poster, consistently blurs the lines between fine art and street art, bringing forth discussions that encapsulate the ethos of both genres. The "Millions AP" silkscreen print serves not just as a piece of art but as a call to consciousness, urging a break from the "blissful ignorance" induced by escapism and advocating for empowerment through awareness and action. This work is a visual manifestation of Fairey's critique on the cyclical nature of societal sedation and the importance of awakening from it to enact change within the systems that govern daily life. In the broader scope of street pop art and graffiti, Fairey's "Millions AP" print encapsulates the essence of the medium's capacity to reflect and impact cultural dialogue. It is a testament to the potential of visual art as a medium for social commentary and a marker of the time in which it was created.

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Science of the Mind HPM Giclee Print by Adam Caldwell Hand Embellished Acrylic & Graphite Artwork Limited Edition Print on Cotton Rag Fine Art Paper Graffiti Pop Street Artist. 2012 Signed & Numbered Acrylic & Graphite Pencil Embellished HPM Limited Edition of 10 Artwork Size 30x20. Creasing to the left side of the Image, creasing to the Right Side of the margin, Creasing, bump, and Damage to the left-facing upper corner. Photos of Damage Taken in Protective Covering. The Convergence of Fine Art and Street Aesthetics in "Science of the Mind" The limited edition giclée print titled "Science of the Mind" by Adam Caldwell represents a profound synthesis of fine art and street aesthetics, a characteristic fusion found in the works of contemporary Street Pop Art and graffiti Artwork. This piece, an HPM (Hand Painted Multiple) limited edition, is particularly notable for its bespoke nature, with each of the ten prints hand-embellished by Caldwell with acrylic and graphite pencil. Adam Caldwell's Artistic Vision Adam Caldwell's artwork often reflects the juxtaposition of human consciousness and societal constructs. "Science of the Mind" is a visual exploration of this theme, using symbolic imagery and realistic portraiture to delve into the complexities of psychological and philosophical thought. The artwork, measuring 30x20 inches, offers a spacious tableau for Caldwell's intricate detailing and nuanced use of color. Hand-Embellishment and Unique Quality The hand-embellished aspect of the "Science of the Mind" prints means that each piece in the edition carries subtle variations, making every print one-of-a-kind. Caldwell's use of acrylic adds texture and depth, while the graphite pencil brings sharpness and definition to the work. This combination of mediums on cotton rag fine art paper—a high-quality, durable material—ensures that each print is a piece of art and a collectible artifact that stands the test of time. Limited Edition and Exclusivity With a limited edition of only ten prints, "Science of the Mind" is a rare collector's item. Signed and numbered by Caldwell, these prints are sought after by Street Pop Art and graffiti Artwork collectors, who value the scarcity and the direct touch of the artist's hand. The exclusivity of the edition adds a level of desirability and potential investment worth, as the prints are likely to appreciate over time. Adam Caldwell's Place in Street Pop Art & Graffiti Artwork While Adam Caldwell may not be a graffiti artist in the traditional sense, his work embodies the spirit of street art through its accessibility, relevance, and visual impact. "Science of the Mind" mainly reflects the broader dialogue of Street Pop Art and graffiti Artwork with its layered meanings and graphical elements that resonate with a wide audience. Caldwell's art navigates the spectrum of visual expression, from gallery walls to the urban environment, contributing to the diversity and richness of the genre. "Science of the Mind" by Adam Caldwell is a significant piece within the realm of Street Pop Art and graffiti Artwork, reflecting our time's intellectual and aesthetic currents. As an HPM giclée print, it embodies a high level of craftsmanship and thought, offering viewers a window into the intricate relationship between mind and society, a recurring theme in Caldwell's work. For the discerning collector, owning a piece of this limited edition offers a visual delight and a meaningful connection to the ongoing narrative of contemporary art.

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