Gun

1 artwork

  • Blackbook- Two Hope 92 Giclee Print by DocTC5

    DocTC5 Blackbook- Two Hope 92 Giclee Print by DocTC5

    Blackbook- Two Hope 92 Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Urban Graffiti Modern Artist DocTC5. 2019 Signed & Numbered Limited Edition of 25 Artwork Size- 17x14. Small Crease To Extreme Lower Left Facing Edge. Blackbook - Two Hope 92 by DocTC5 The 2019 giclee print titled Blackbook - Two Hope 92 by DocTC5 captures a raw and cerebral snapshot of graffiti’s evolution into narrative street pop art. Measuring 17 by 14 inches, this signed and numbered limited edition of 25 is a visual archive laced with coded language, cryptic references, and hyper-stylized aerosol typography. The work is not just a visual display of style writing but a layered commentary stitched together by phrases, symbols, and cartoon-like figures that reinforce graffiti’s connection to street culture, urban consciousness, and media critique. DocTC5 and the Legacy of Subway Style DocTC5, a member of The Cool 5 crew, represents a lineage in New York graffiti that embraced the subway car as a moving canvas during the late twentieth century. Blackbook - Two Hope 92 extends this history through the controlled chaos of colored outlines, highlighted text, and layered caricatures that recall the blackbook practice of early graffiti writers. It is a studio work that maintains the visual and textual density of its roots, showcasing a hybrid vocabulary of visual poetry and street messaging. Each phrase functions as a cultural timestamp from within the underground scene—references like Mushroom City, CIA, and Train Vibes channel a coded worldview shaped by years of subway bombing and street experience. Multilayered Symbolism and Commentary This print collides vibrant yellows, oranges, and reds with muted cyan and pink washes, creating a shifting landscape of psychological and cultural cues. Scattered graffiti tags, mental satire like Be Aware Cause the Glass Penis Has a Mouth That Laughs, and imagery such as disembodied hands and surreal characters turn this piece into a collage of urban satire. These aren’t random annotations—they mimic the marginalia found in blackbooks where artists build entire ideologies through doodles, ideas, and quotes layered between wildstyle letters and burner sketches. Here, the artwork doubles as a social artifact, archiving thought processes that reflect a specific moment in street-level art activism and consciousness. Street Pop Art & Graffiti Artwork as Cultural Archive Two Hope 92 is more than a tribute to an era. It is a preserved graphic journal—a stylized memory map that maintains graffiti's foundation in artistic resistance and coded identity. Printed on fine art paper with archival giclee technique, the piece delivers museum-quality execution while preserving its blackbook aesthetic. The limited edition is individually signed and stamped, reinforcing its rarity. A small crease at the lower left edge marks the human quality of the object, grounding its artistic merit in the physical wear of cultural production. DocTC5’s piece offers a rare and intimate entry point into the thought and visual process of a street art movement that continues to shape contemporary visual culture.

    $226.00

Gun

Guns have been a common theme in both graffiti art and pop art for decades. While the use of guns in art can be controversial, it is often used as a symbol of power, violence, and rebellion. In graffiti art, guns are often used as a way to convey a sense of danger or aggression. Graffiti artists may use guns to depict their struggle against authority, or to communicate their frustration with societal norms. Guns can also be used as a way to express a desire for freedom or to assert one's identity. In pop art, guns are often used in a more satirical or ironic way. Pop artists may use guns to criticize the prevalence of violence in society, or to comment on the media's fascination with guns and gun culture. Pop artists may also use guns as a way to challenge traditional notions of masculinity or to explore the role of violence in American culture. Some notable examples of guns in graffiti art include the work of Banksy, who often uses guns to critique war and conflict, and the work of Jean-Michel Basquiat, who frequently used guns as a symbol of oppression and social unrest. In pop art, artists such as Andy Warhol and Roy Lichtenstein have incorporated guns into their works, often using them as a way to explore the intersection of violence and consumer culture. Warhol's famous "Gun" series, for example, consists of a series of silkscreen prints that depict guns in various colors and configurations, while Lichtenstein's "Gun in America" series uses the image of a gun to explore the relationship between guns and American identity. The use of guns in graffiti art and pop art can be seen as a way to challenge social norms and explore the role of violence in society. While controversial, it is a common theme in these art forms that continues to spark debate and discussion.

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