Mid Priced

Swan Song Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 4-Color on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 550 Size 36x24 Silkscreen Print The Swan Song print is a depiction of the precarious state of nature's delicate balance, with numerous species declining, eco-systems teetering on the brink of collapse, and climate scientists warning that time is running out to avert environmental consequences that could render zones inhabitable for millions. While certain groups may suffer more than others, this issue is universal as we all have an impact on both the problems and solutions. Unfortunately, the conscientious habits of individuals alone are insufficient to solve the problem. Unless corporations are pressured and regulated, they will continue to prioritize profits over the planet's health. The piece contains a news clipping revealing that Exxon-Mobile has known for over 40 years, based on their own internal scientific research, that burning fossil fuels is causing global warming, yet they concealed this information and publicly denied the impact of fossil fuels on climate change. A portion of the print's proceeds will be donated to Greenpeace USA to support their efforts to combat climate change. The Speckletone paper used in the print is made from recycled materials. Thank you for your concern.

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Mescalito's Cosmic Gazebo Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Sam Chivers. 16.5x23.5 Giclée print on Hahnemuhle fine art paper. 'Mescalito' giclée print with gold leaf detail by Sam Chivers. Measures A2, 42cm x 59.4cm. Signed and numbered by the artist. Edition of 20.

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Moniferal New Orleans 2011 Giclee Print by Swoon- Caledonia Curry Artwork Limited Edition Print on Heavy Fine Art Rag Paper Graffiti Pop Street Artist. 2016 Signed & Numbered Limited Edition of 175 Artwork Size 19x13 From The Swoon Street Series Print Collection. Moniferal New Orleans 2011 Giclee Print by Caledonia Curry aka Swoon Moniferal New Orleans 2011 is a signed and numbered giclee print by Caledonia Curry, known in the Street Pop Art & Graffiti Artwork world as Swoon. This edition was released in 2016 in a limited run of 175 prints and measures 19 by 13 inches. The piece was produced on heavy fine art rag paper and belongs to the celebrated Swoon Street Series Print Collection. The artwork captures a moment from a site-specific installation in New Orleans, where Curry’s wheatpastes often explored vulnerability, resilience, and environmental rebirth through intimate human subjects fused into complex natural motifs. Caledonia Curry’s Swoon in New Orleans The city of New Orleans has held profound significance in the evolution of Swoon’s practice. After the devastation of Hurricane Katrina, Curry became deeply involved in collaborative recovery and rebuilding projects throughout the city. Moniferal was part of a wave of wheatpaste installations that carried emotional and symbolic resonance. This print preserves one such work that fuses portraiture and organic motifs into a visual experience of transformation. The subject appears grounded and contemplative, surrounded by intricate botanical linework that resembles both roots and wings. The muted, earthy tones and layered texture reflect the raw surfaces of the wall on which it was originally installed, making the giclee not just a documentation, but a continuation of that street-born experience. Technical Excellence in Giclee Reproduction The giclee print of Moniferal New Orleans 2011 honors the detailed linework and subtle tonal shifts of Curry’s original wheatpaste. The fine art rag paper supports the texture and depth, allowing collectors to experience the dimensionality that her murals evoke in public spaces. The choice to publish this piece as part of the Street Series Print Collection reflects its importance in capturing the fragility and strength of the human spirit—a recurring focus in Caledonia Curry’s work. As with other prints in the series, the limited edition number and artist signature confirm its place within the lineage of Street Pop Art & Graffiti Artwork adapted for the fine art context. Legacy of Swoon’s Human-Centered Street Art Caledonia Curry has long centered her practice on the power of human expression amid urban decay and social upheaval. Moniferal New Orleans 2011 serves as an artifact of both artistic innovation and humanitarian response. The figure in the composition becomes a universal stand-in for the survivor, the nurturer, or the witness, her form interwoven with hand-cut patterns and street textures. This edition captures the sensitivity of Swoon’s touch and the importance of preserving transient urban interventions in enduring form. Through Moniferal, Curry continues to redefine the aesthetic and cultural reach of Street Pop Art & Graffiti Artwork.

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Ransom Limited Edition Archival Pigment Prints on 290gsm Moab Fine Art Paper by Glenn Barr Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 100 Artwork Size 16.5x20 Personality Crisis Portfolio- Glenn Barr's surreal creatures, specters, and tragic characters live in a seedy universe, drenched in the grit and haze of a post-apocalyptic urban dreamscape. His Detroit work has been labeled Pop Surrealism, Pop Pluralism, Lowbrow, Regional, Outsider, Ashcan, or as he coins the phrase “B Cultural-ism”. Barr finds inspiration in the city streets as well as from pop and counter cultures that infuse a familiarity in his many parallel realities. With a nod to old master painting, pulp art, and cartooning, Barr's paintings are mesmerizing in their narrative complexities and technical depth.

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Beautiful Dreamer 3 Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2010 Signed & Numbered Limited Edition of 100 Artwork Size 18x24

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Pigeon Feeding Family Brooklyn 2005 Giclee Print by Swoon- Caledonia Curry Artwork Limited Edition Print on Heavy Fine Art Rag Paper Graffiti Pop Street Artist. 2016 Signed & Numbered Limited Edition of 175 Artwork Size 19x13 From The Swoon Street Series Print Collection. Caledonia Curry Street Pop Art: Pigeon Feeding Family Brooklyn 2005 Giclee Print by Swoon Pigeon Feeding Family Brooklyn 2005 is a signed and numbered giclee print by American Street Pop Art & Graffiti Artwork icon Caledonia Curry, known globally under the name Swoon. Originally wheatpasted on a weathered Brooklyn wall, the work was photographed and transformed into a fine art edition, capturing the raw texture of the urban environment and the tenderness of everyday moments. Printed on heavy fine art rag paper, this piece measures 19 by 13 inches and was released in 2016 as part of a limited edition of 175. The work is part of the Swoon Street Series Print Collection, which immortalizes her ephemeral street interventions as collectible fine art. Swoon’s Human-Centered Street Pop Art & Graffiti Artwork Caledonia Curry’s practice blends compassion and community with socially charged visuals. This giclee print documents a street paste-up of a family in a moment of simple care and connection, feeding pigeons against a hand-painted wall. The mother figure anchors the composition with calm resilience while the children appear in varying poses of curiosity and support. This is a recurring hallmark in Swoon's Street Pop Art & Graffiti Artwork — intimate portraits of humanity created through hand-carved linoleum blocks, paper cutouts, and site-specific installations. Each subject is rooted in real communities and stories, often reflecting Curry’s collaborative work with underserved populations across the globe. Brooklyn as a Canvas for Caledonia Curry’s Social Aesthetic During the early 2000s, the streets of Brooklyn served as an active surface for many emerging artists, and Caledonia Curry’s large-scale paste-ups gained particular recognition for their emotional detail and craftsmanship. The original installation of Pigeon Feeding Family was not merely decorative but deeply site-specific, activating the decaying wall with human presence. Swoon’s commitment to public art goes beyond aesthetics. It embodies a form of street-level storytelling that addresses displacement, economic hardship, and resilience. The scene rendered in this giclee print speaks to those themes by elevating a humble act — feeding pigeons — into a portrait of survival and grace amid hardship. Legacy and Preservation in the Swoon Street Series Print Collection The 2016 release of Pigeon Feeding Family Brooklyn 2005 as a signed and numbered giclee was part of a broader effort to archive Swoon’s disappearing wall pieces from the early stages of her career. The Street Series Print Collection allows collectors and institutions to preserve this pivotal period of Street Pop Art & Graffiti Artwork that otherwise lives only in photographs or memory. Each print in the series is produced with precision to reflect the texture, color, and environmental context of the original installation. With Caledonia Curry’s growing impact in both the fine art world and social practice circles, works like this continue to hold value as artifacts of a moment where street art was both protest and poetry.

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I Love Only You Silkscreen Print by Gary Taxali Hand-Pulled 6-Color on Cover White Arches Fine Art Paper Limited Edition Artwork. 2014 Signed & Numbered Limited Edition of 50 Artwork Size 29x23 Silkscreen Print The Significance and Craft of Gary Taxali's "I Love Only You" Silkscreen Print Gary Taxali's "I Love Only You" silkscreen print is a vibrant example of contemporary Street Pop Art and graffiti Artwork. This limited edition piece, created in 2014, demonstrates Taxali's unique blend of vintage comic strips, advertising aesthetics, and playful imagery that firmly roots his work in the legacy of Pop Art while pushing its boundaries into the street and graffiti art scenes. Taxali, known for his distinctive style, often marries the retro with the modern, and this artwork is no exception. It is a hand-pulled 6-color print on Cover White Arches Fine Art Paper, a choice that speaks to the artist's dedication to craftsmanship and quality. Arches Paper is revered among artists for its texture and durability, serving as a testament to its longevity and collectibility. The limited-edition nature of "I Love Only You," with only 50 signed and numbered prints, increases its exclusivity and desirability among collectors. The artwork's approximately 29x23 inches size makes it a substantial piece suitable for prominent display. Silkscreen printing, a method famously used by Pop Art icon Andy Warhol, allows Taxali to achieve vivid colors and sharp images that are striking and emotionally resonant. Exploring the Pop Art Continuum in Street Art through Taxa li's Work Gary Taxali's work is often celebrated for its ability to capture the spirit of Pop Art and transpose it onto the more raw and expressive canvas of street art. "I Love Only You" exemplifies this cross-pollination. The subject matter—a whimsical character engaging directly with an inanimate object, infusing it with affection and personality—encapsulates the heart of Pop Art's interest in the mundane and the commercial. However, Taxali's bold lines and the print's presence as a piece of Street Pop Art and graffiti Artwork also evoke the unrefined, immediate quality of street art and graffiti. Taxali's characters are reminiscent of 1930s cartoons, yet they carry a contemporary edge that speaks to today's audience. The playful nature of the piece, combined with its direct and simple message, is characteristic of street art's ability to communicate with a broad audience. This overlap of high art and low art, of gallery walls and street corners, is a defining feature of Taxali's artistic practice and places "I Love Only You" within the ongoing dialogue of art as a public and personal experience. Cultural and Artistic Value of Taxali's Silkscreen Print "I Love Only You" not only represents a blend of artistic styles but also embodies a cultural statement that resonates with the ethos of Pop and Street Art. Both movements have often sought to blur the lines between 'high' and 'low' culture, and Taxali's print contributes to this discourse. It juxtaposes commercial art techniques with acceptable art practices, suggesting that art can be both accessible and sophisticated. Taxali's print holds an esteemed place in the art world for its aesthetic appeal and commentary on love, consumerism, and the interplay of text and image. The phrase "I Love Only You," juxtaposed with various objects, speaks to the commodification of emotions and relationships, a theme frequently explored in pop and street art. By presenting this commentary through silkscreen—a technique associated with mass production—Taxali underscores the tension between uniqueness and ubiquity, a conversation ever-present in public art discussions. The Enduring Appeal of Gary Taxali's "I Love Only You" Gary Taxali's "I Love Only You" is a testament to the artist's role as a bridge between past and present, fine art and street culture. Through his meticulous crafting of this print and careful selection of medium, Taxali has created a piece that is visually captivating and rich in meaning and context. As a piece of Street Pop Art and graffiti Artwork, it continues to engage viewers, spark conversations, and hold a mirror to the culture it both represents and critiques. The rarity and handcrafted nature of the print further cement its status as a desirable collector's item, embodying the spirit of both Pop Art and the irreverent, democratic ethos of street and graffiti art. In "I Love Only You," Taxali has captured a moment in art history while contributing to its evolution.

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Darth Bron Archival Pigment Fine Art Limited Edition Print on 340gsm Cold Press Natural Paper by Artist Naturel, Street Pop Art Graffiti Legend. 2022 Signed Limited Edition of 100 Size 13.5x19 Naturel's "Darth Bron" - A Cultural Synthesis on Canvas Within the ever-evolving sphere of Street Pop Art and Graffiti Artwork, artist Naturel stands out with his work "Darth Bron," a limited edition fine art print that encapsulates the fusion of popular culture and high art. In this 2022 signed limited edition of 100, measuring 13.5x19 inches, Naturel presents an iconic image rich in cultural references and artistic merit. Crafted on 340gsm Cold Press Natural Paper, the print boasts a quality that resonates with collectors and enthusiasts alike. The artwork is a fine example of the cross-pollination of street-style aesthetics with classical art techniques, a characteristic that defines Naturel's place in the art world. Lawrence Atoigue, professionally known as Naturel, hails from the United States. His work is a testament to his ability to blend contemporary subjects with a classical sense of composition and technique. "Darth Bron" showcases this blend in a vibrant display of geometric shapes and bold lines, portraying a thematic juxtaposition that has captured the attention of the global art community. A Visual Dialogue Between Modern Mythology and Sport "Darth Bron" is a striking piece that stands at the crossroads of modern mythology and the world of sports. Here, Naturel explores the conceptual likeness between the mythic figure of Darth Vader from the iconic Star Wars saga and the athletic prowess of LeBron James, a contemporary basketball legend. The artwork cleverly plays with the concept of identity and role, depicted through the portrayal of a cloaked figure presenting a basketball jersey. This image challenges and engages the viewer to decipher its multiple layers of meaning. This piece captures the zeitgeist by merging the timeless allure of a sci-fi character with the contemporary glory of a sports hero. It's a narrative of power, transformation, and identity that resonates with a broad audience. The artistry lies not just in the bold subject matter but also in the meticulous technique: archival pigment on fine art paper ensures longevity and depth of color, allowing the work to stand the test of time physically and thematically. Naturel's Technique and Influence Naturel's approach to art combines the immediacy and boldness of street art with the sophistication of fine art printing techniques. His use of cold press paper imbues the work with a textural depth that complements the visual complexity of his designs. The geometric abstraction and sharp lines are signature elements that contribute to the distinctive quality of his art. These elements merge to form a unique visual language that speaks to the dynamism of street culture while being rooted in a tradition of meticulous craftsmanship. Naturel's influence extends beyond the canvas; his work is a dialogue with popular culture, reflecting and shaping the narratives that define contemporary society. "Darth Bron" is not merely a static representation; it's an active participant in the cultural conversation. Through this print, Naturel contributes to the evolving story of how art interacts with and comments on popular media, societal values, and the human experience. In a world where visual culture is increasingly prominent, Naturel's "Darth Bron" serves as both an homage to and a critique of the icons that dominate our collective consciousness. His work encourages us to reflect on the figures we idolize, the stories we hold dear, and the values they represent. It's a testament to the power of Street Pop Art and Graffiti Artwork as platforms for commentary, expression, and artistic innovation. Naturel continues to inspire and provoke with his art, ensuring his place in the pantheon of artists who seamlessly bridge the gap between the gallery and the street.

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Neo Raigō-zu 2023 Archival Print by Hikari Shimoda Limited Edition on 290gsm Moab Entrada Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 50 Size 20x24 Archival Pigment Fine Art Neo Raigō-zu 2023 Archival Print by Hikari Shimoda Hikari Shimoda's "Neo Raigō-zu 2023" offers a vibrant tapestry of colors and figures that resonate deeply with the themes prevalent in pop art, street art, and graffiti. This limited edition archival print, restricted to 50 signed and numbered pieces, showcases Shimoda's Lowbrow-Irasuto style, inspired by anime and manga, which she has honed since her career began after studying at Kyoto Saga University of Art. The 20x24 inch artwork, printed on premium Moab Entrada fine art paper, employs a striking pigment that captures the fantastical nature of Shimoda's subjects — celestial beings and magical children who explore the paradoxes of modern society and the quest for spiritual meaning. Her characters, often seen in heroic costumes or as magical Shojo girls, are not just whimsical; they embody a critique of contemporary issues and the ideological projections placed upon the younger generation. Shimoda's work, while enchanting, is a profound commentary on the state of the world, offering a unique blend of fantasy and reality that is characteristic of the most thought-provoking street pop art and graffiti artwork.

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Plowshire Terrace- Hohokum Limited Edition Giclee Print on Fine Art Paper by Richard Hogg counter-culture street artist art. Original Print Hohokum video game art series from Richard Hogg.

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Vengeance Lucha Bat Giclee Print by Brian M Viveros Pop Street Artwork Limited Edition Print on Hand Deckled 290gsm Moab Entrada Paper Pop Street Artist. 2022 Signed & Numbered Limited Edition of 66 Artwork Size 20x20 Printed by Static Medium Vengeance Lucha Bat by Brian M. Viveros: A Bold Fusion of Street Pop Art The Vengeance Lucha Bat giclee print by Brian M. Viveros is a powerful piece of Street Pop Art and Graffiti Artwork that showcases the artist's mastery of blending iconic imagery with his distinct, edgy style. Created in 2022, this limited edition of 66 prints was meticulously produced on hand-deckled 290gsm Moab Entrada paper, offering a luxurious and tactile finish. Measuring 20 by 20 inches, the print is signed and numbered by the artist, emphasizing its exclusivity and appeal to collectors. The collaboration with Static Medium ensures exceptional quality, with vibrant colors and intricate details preserved through archival giclee printing. This artwork reimagines the classic bat motif with a fusion of superhero iconography and the bold aesthetics of lucha libre culture. The central figure wears a mask and cape adorned with gold floral patterns, contrasting against a vibrant blue-and-yellow backdrop filled with silhouetted bats. The character's intense gaze and confident pose, paired with the gritty details of her torn costume and scarred chest, evoke themes of resilience, empowerment, and vengeance. Viveros’s attention to detail, from the shine on the mask to the texture of the fabric, highlights his ability to blend hyper-realism with conceptual storytelling.  The Power of Symbolism in Street Pop Art Brian M. Viveros’s Vengeance Lucha Bat embodies the bold visual language of Street Pop Art, using a mix of cultural and symbolic elements to create a striking narrative. The figure’s bat mask and cape nod to classic superhero tropes, reinterpreted through the lens of lucha libre’s dramatic flair and cultural significance. The fusion of these two worlds creates a character who is both iconic and original, representing strength, independence, and a willingness to confront adversity. The golden floral patterns on the costume contrast sharply with the gritty elements of the figure’s scars and torn attire, highlighting the duality of beauty and struggle. This juxtaposition resonates with the core ethos of Street Pop Art and Graffiti Artwork, where raw, urban energy meets refined artistic expression. The bats in the background, scattered across the golden moon, add a sense of movement and mystique, reinforcing the themes of vengeance and transformation. Giclee Printing as a Tool for Artistic Excellence The use of giclee printing for Vengeance Lucha Bat underscores Brian M. Viveros’s commitment to quality and detail. Archival pigment printing on 290gsm Moab Entrada paper ensures that the vivid colors and intricate details of the artwork are preserved with precision. The hand-deckled edges add a unique, artisanal touch to each print, enhancing its appeal as a collector’s item. Static Medium, known for its expertise in fine art printing, collaborated with Viveros to ensure the highest standards of reproduction. The result is a print that captures the essence of the original painting, with textures and colors that draw the viewer into the narrative. The limited edition of 66 prints adds an element of exclusivity, making Vengeance Lucha Bat a standout piece in contemporary Street Pop Art. Brian M. Viveros: Defining Contemporary Pop Street Artwork Brian M. Viveros has earned acclaim for his ability to combine cinematic influences, cultural motifs, and intricate details into his Street Pop Art creations. His characters, often battle-worn yet fiercely confident, challenge traditional portrayals of femininity and strength. Vengeance Lucha Bat exemplifies his ability to reimagine cultural symbols in ways that are both visually captivating and conceptually thought-provoking. Through this piece, Viveros explores themes of resilience and defiance, presenting a character who is unapologetically strong and unapologetically herself. The artwork’s blend of superhero imagery, lucha libre aesthetics, and fine art techniques makes it a compelling addition to the contemporary art landscape, celebrating the power of visual storytelling in Street Pop Art and Graffiti Artwork.

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Filling Holes Archival Print by Dalek- James Marshall Limited Edition on 300gsm Somerset Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2019 Signed & Numbered Print Limited Edition of 50 Artwork Size 17.72x23.62 Archival Pigment Fine Art  Filling Holes by Dalek: Precision and Play in Street Pop Art & Graffiti Artwork Filling Holes is a 2019 limited edition archival pigment print by American artist James Marshall, professionally known as Dalek. Created in an edition of 50 and printed on 300gsm Somerset fine art paper, the artwork measures 17.72 x 23.62 inches and is signed and numbered by the artist. Known for his character-driven abstractions and geometric pop constructions, Dalek has been a defining figure in the evolution of Street Pop Art & Graffiti Artwork. His work merges the visual language of cartoons, street tagging, skate graphics, and vector precision into hyper-saturated compositions filled with character, attitude, and formal rigor. Filling Holes features one of Dalek’s signature visual avatars—his Space Monkey—rendered in a dense, mechanical composition filled with surreal movement and playful tension. The central figure appears as a gray robotic organism with a USB symbol on its head, an enormous eye, a snout-like mouth, and shark-like teeth lining its pink inner jaw. Multiple mechanical limbs and sockets protrude from the figure at unexpected angles, while other strange appendages and cartoon-like forms interact with the space. A whimsical pink wormlike creature smiles from the bottom corner, adding a dose of absurdity to the controlled chaos. The print’s layout plays with perspective and layering, creating a depth that mimics both flat graffiti stylization and comic panel storytelling. Dalek’s Space Monkey and the Evolution of Character in Urban Narratives Dalek introduced the Space Monkey in the late 1990s as a stylized avatar for psychological commentary, subversive humor, and personal storytelling. In Filling Holes, the figure takes on a more evolved, robotic form—part sentient machine, part digital toy, part protest symbol. The composition appears surgically constructed, yet its subject matter is playful and filled with coded emotion. This duality is central to Dalek’s practice, where pop culture gloss coexists with complex design logic. The figure’s expressionless eye and mechanical extensions speak to digital overload and identity distortion, while the bold colors and rounded edges ground the piece in accessibility and familiarity. This stylized contradiction fits squarely within the philosophy of Street Pop Art & Graffiti Artwork, where the language of rebellion is often cloaked in polished forms. Dalek’s art challenges viewers to interpret chaos as intentional structure, to see repetition as pattern, and to recognize that humor and anxiety are often drawn from the same place. The title, Filling Holes, may suggest emotional repair, technological interference, or urban fragmentation—all concepts rooted in the lived experience of navigating systems that continuously deconstruct identity. Precision, Geometry, and Contemporary Graffiti Aesthetics Dalek’s background in mathematics, graphic design, and street culture informs the precise geometry of his compositions. Filling Holes exemplifies his ability to balance form and function while drawing from graffiti’s spatial dynamics and pop art’s color theory. His use of black outlines, flat fields of color, and symmetrical structure reflects a deep understanding of mural-scale composition, adapted here for fine art paper. The colors are intentional—muted grays contrast with vibrant pinks and teal greens, creating visual focal points and rhythm within the confined space. Printed on 300gsm Somerset paper, the artwork retains a tactile surface quality that enhances its architectural qualities. The archival pigment printing process ensures color depth and edge clarity, allowing each contour and form to hold its shape and tone. As with all of Dalek’s limited editions, the piece functions as both collectible object and micro-narrative—a piece of a larger, evolving language that speaks to systems, surrealism, and the strange joy of controlled chaos. Filling Holes as Conceptual Artifact and Visual Anthem Filling Holes represents Dalek’s unique synthesis of modern visual culture—an artwork that pulls from childhood cartoons, digital interfaces, industrial design, and graffiti codes. It is not just a composition of shapes and figures; it is a psychological diagram rendered in flat color and clean line. The robotic presence, USB port, and optical repetition suggest a world where identity is constantly plugged in and reprogrammed, and where playfulness masks deeper circuitry of critique. James Marshall’s place within the Street Pop Art & Graffiti Artwork landscape is cemented by his ability to evolve character-based art into formal innovation. Filling Holes is a snapshot of that evolution—an artwork that stands as precise as it is unpredictable, built from the materials of modern life and the vocabulary of visual rebellion. It is pop surrealism sharpened to a vector edge, endlessly repeating in vibrant loops of emotion and control.

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Ceci n'est Pas Un Singe Giclee Print by Brett Crawford Artwork Limited Edition Print on Somerset Fine Art Paper Graffiti Pop Street Artist. 2018 Signed & Numbered Limited Edition of 50 Artwork Size 22x22. Crease in upper left margin. Ceci n'est Pas Un Singe by Brett Crawford – Identity, Irony, and Flight in Street Pop Art & Graffiti Artwork Ceci n'est Pas Un Singe is a 2018 limited edition giclee print by American artist Brett Crawford, printed on Somerset fine art paper in a 22 x 22 inch format. Released in a signed and numbered edition of 50, the work showcases Crawford’s signature mix of realism, parody, and surrealism within the context of Street Pop Art & Graffiti Artwork. The central figure is a chimpanzee outfitted in red gloves, a superhero-style mask, and a bright yellow backpack adorned with pop culture patches. Perched atop a floating astronaut helmet in a sky of clouds and soft gradients, the chimp raises a peace sign as it gazes out from a dreamlike elevation. Every detail, from the fur texture to the sheen of the helmet and the subtle gleam in the eyes, is carefully rendered, blending classical painting discipline with the irreverent humor and cultural remixing that defines Crawford’s visual language. Visual Wordplay and the Challenge of Classification The title Ceci n'est Pas Un Singe, which translates to this is not a monkey, borrows from René Magritte’s surrealist phrase while introducing questions of identity, misrepresentation, and context. Crawford toys with both literal and symbolic interpretation. The chimpanzee, a common stand-in for human behavior and scientific curiosity, becomes a layered character—a rebel, a child, a cosmonaut, and a cultural echo all in one. The use of a non-human protagonist, paired with human accessories and posturing, challenges viewers to rethink what symbols actually represent. Within Street Pop Art & Graffiti Artwork, where iconography is constantly reinterpreted and re-contextualized, Crawford’s work finds power in absurdity. The message is not defined, but rather delivered through tone, detail, and visual contradiction. Technical Precision and Symbolic Density Crafted using high-resolution giclee printing, Ceci n'est Pas Un Singe achieves remarkable depth, ensuring every hair on the chimp’s body, every glint on the backpack’s surface, and every cloud in the sky is faithfully reproduced. Somerset fine art paper provides a soft, velvety base that enhances the vibrancy of Crawford’s color palette. The artist’s command of light and surface texture brings photographic clarity to fantastical subjects, allowing each symbolic element to register visually before it registers conceptually. The chimp’s backpack features patches referencing pop culture—such as the masked raccoon and animated faces—inviting interpretation while anchoring the piece in a shared visual lexicon. Brett Crawford’s Commentary on Adventure, Persona, and Urban Mythology Brett Crawford’s visual narratives frequently place hybrid creatures or anthropomorphic characters in surreal or heroic contexts. In Ceci n'est Pas Un Singe, this figure is both explorer and joke, astronaut and outcast. Its peace sign gesture undercuts the seriousness of the title while enhancing the mystery of its intent. The floating helmet below it evokes flight, exploration, or perhaps abandonment. With no ground in sight, the figure is literally and metaphorically suspended. This print, like much of Crawford’s work, distills humor, reflection, and spectacle into a single moment. It speaks through suggestion rather than statement, a hallmark of Street Pop Art & Graffiti Artwork where visual power is amplified by cultural fragments, attitude, and the unexpected. Crawford’s chimp is not just a character—it is an avatar of exploration, uncertainty, and transformation.

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Hello Kitties AP Archival Pigment Fine Art Limited Edition Print on 300gsm Signa Smooth Paper by Artist Matthew Grabelsky, Street Pop Art Graffiti Legend. AP Artist Proof 2021 Signed & Marked AP 30x35.5 Limited Edition of Mother Cat With Hello Kitty Stylized Kittens In Humanized Form on Subway On Large Format Print. Diving into the eclectic world of contemporary art, one is often met with audacious blends of reality and imagination. Such is the allure of "Hello Kitties" by Matthew Grabelsky. This fine art piece seamlessly marries the urban aesthetic of street art with the playful nostalgia of pop culture, delivering a whimsical tableau set against the backdrop of a subway carriage. Grabelsky, a recognized name in the street pop art graffiti circuit, showcases his flair for infusing everyday scenes with elements of the fantastical. The artwork, crafted meticulously using archival pigment on 300gsm Signa Smooth Paper, spans a generous 30x35.5 canvas. The central figure, a poised mother cat with arresting blue eyes, anchors the composition. Yet, it's her companions – three kittens styled in Hello Kitty attire – that inject a sense of playful irreverence into the scene. These characters, dressed in vivid pink tracksuits, exude an air of childlike innocence, a stark contrast to the mundane setting of the subway. Their humanized form, juxtaposed with feline features, challenges the viewer's perception of reality, urging them to delve deeper into the realm of imagination. Released as an Artist Proof in 2021, "Hello Kitties" stands as a testament to Grabelsky's unique artistic vision. Each print is signed and marked AP, elevating its value and exclusivity. The artwork invites onlookers to suspend disbelief and embrace the extraordinary, all while reminiscing about a beloved pop culture icon. It's a celebration of the surreal, set amidst the ordinary, exemplifying the transformative power of art.

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Grin Bulb Green PP UV Archival Metal Print by Ron English- POPaganda Limited Edition Print on Framed Aluminum Panel Pop Artist Modern Artwork. PP Printers Proof 2022 Signed & Marked PP Limited Edition Artwork Size 8x11 UV Archival Pigment Fine Art of Ron English- POPaganda's Crypto Light Bulb Skeleton Grin Smiley Ready to Hang. Grin Bulb Green PP UV Archival Metal Print by Ron English- POPaganda The Grin Bulb Green PP UV Archival Metal Print is a striking piece of contemporary Street Pop Art and graffiti artwork by the iconic artist Ron English- POPaganda. This limited edition print, created in 2022, reflects English’s mastery in blending subversive imagery with popular culture. The piece features a unique and surreal design: a yellow light bulb with a grinning skeletal mouth, juxtaposed against a vivid green background. The use of bold colors and macabre humor encapsulates English's renowned style of thought-provoking and visually arresting art. The artwork is presented on an aluminum panel, framed and ready to hang, ensuring both durability and a sleek aesthetic. Measuring 8x11 inches, it was created using UV archival pigment, guaranteeing its vibrant colors and sharp details endure over time. This piece is marked as a Printers Proof (PP), a designation that makes it even more exclusive among limited edition collectors. Each print is hand-signed by Ron English- POPaganda, adding a personal touch to this unique edition. English, a pioneer in Street Pop Art, frequently incorporates motifs of consumerism, branding, and societal critique into his creations, and the Grin Bulb series is no exception. The Art of Ron English- POPaganda Ron English- POPaganda, born in the United States in 1959, is a pivotal figure in modern Street Pop Art and graffiti artwork. English has gained international recognition for his ability to transform familiar cultural symbols into provocative and satirical masterpieces. Known as the Godfather of Street Art, he has created iconic works that challenge viewers to question the underlying messages of advertisements, media, and consumer culture. English's playful yet poignant art has been exhibited worldwide and resonates deeply with fans of both pop culture and counterculture. The Grin Bulb Green artwork is an excellent example of English’s ability to take mundane objects and inject them with layers of meaning. The light bulb, often associated with ideas and innovation, is transformed into a commentary on modern society’s fixation with consumerism and artificial happiness. The skeletal grin beneath the smiling face reflects a duality that is both humorous and unsettling, a signature element in English's body of work. Significance of Street Pop Art and Graffiti Artwork Street Pop Art and graffiti artwork have long served as platforms for cultural commentary, blending the accessibility of street art with the commercial appeal of pop art. Ron English- POPaganda’s contributions to this genre stand out for their complexity and wit. His ability to subvert and recontextualize familiar imagery invites viewers to engage with his work on multiple levels, from surface aesthetics to deeper societal critiques. This fusion of bold visuals and intellectual depth makes English’s work particularly relevant in today’s art landscape. The Grin Bulb Green piece exemplifies this dynamic by combining high-quality craftsmanship with a playful yet critical perspective on modern culture. The choice of medium, a UV archival pigment print on aluminum, aligns with the contemporary aesthetic of Street Pop Art, while the limited edition nature of the piece adds to its appeal as a collector’s item. The framing and ready-to-hang format also make it a versatile addition to any modern art collection. Collecting Limited Edition Ron English- POPaganda Artwork For collectors and enthusiasts, acquiring a Printers Proof of Ron English- POPaganda's work is a rare and valuable opportunity. These editions often represent the final stages of an artist’s creative process and are highly sought after for their exclusivity. The Grin Bulb Green print, with its vibrant colors, innovative design, and cultural significance, is a testament to English’s enduring impact on the art world. Displaying this piece not only showcases a keen appreciation for contemporary Street Pop Art but also highlights the collector’s engagement with thought-provoking and transformative artwork.

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Camouflage Hangman Blue Limited Edition Archival Pigment Fine Art Prints on Fine Art Paper by Graffiti Street Art and Pop Culture Artist Peter Adamyan. Artist: Peter Adamyan Title: "Camouflage Hangman Blue" Medium: Archival Pigment Print Edition: 40 Markings: Signed and numbered by the artist. Dimensions: 12" x 24"

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Lampman Lamp Light Sculpture Object Art by Joan Cornellà Limited Edition Designer Collectible Pop Artist Artwork. 2024 Limited Edition of 300 Rare Battery Powered Lamp Sculpture Art Object Size 6x9.8 Artwork. Exploring the Intriguing World of Pop Art Objects The realm of Pop Art has always been one of intrigue and fascination, with objects that often blur the lines between artistic expression and everyday utility. One such captivating piece is the 'Lampman' lamp light sculpture, an art object conceived by the renowned Spanish artist Joan Cornellà. His limited edition designer collectible combines the functionality of a lamp with the aesthetic pleasure of a sculpture, creating a piece that is both practical and whimsically surreal. Joan Cornellà's Unique Brand of Satirical Artistry Joan Cornellà's work is known for its brightly colored, often unsettling representation of contemporary social interaction, rendered in his unmistakably crisp and cheerful style. The 'Lampman' piece continues this thematic exploration, encapsulating modern existence's absurdity and bizarre nature. Released in 2024, this rare art object is a limited edition release, with only 300 units crafted, making it a sought-after item for collectors and admirers of Cornellà's work. Sized at 6x9.8 inches, it is a compact, battery-powered lamp sculpture designed to fit into various spaces, from the intimacy of a personal study to the more public domain of a gallery. The 'Lampman' is not just a lamp; it is a statement, a piece that challenges the viewer to reconsider the boundaries between art and design, form and function, fun and critique. Through this work, Cornellà continues to push the boundaries of Street Pop Art & Graffiti Artwork, exploring how these forms can extend beyond traditional canvases and walls into three-dimensional objects that inhabit our daily spaces. The 'Lampman': A Fusion of Art and Everyday Life The 'Lampman' lamp sculpture represents Joan Cornellà's acute ability to transform the mundane into the extraordinary. Its bold colors and design echo the sentiment of Street Pop Art & Graffiti Artwork, where everyday items become the substrates for creative expression. The lamp, characterized by its distinctive figure with a lampshade for a head, sporting a content smile, invites reflection on the interplay between the light it emits and its shaded expression. This piece symbolizes a movement where art is not confined to the walls of galleries or the exterior of buildings but is integrated into the objects we use daily. Cornellà's 'Lampman' serves as a bridge, inviting art into the living spaces of individuals, allowing for an intimate and constant engagement with creativity. The playful yet provocative nature of the piece encapsulates the core of what Pop Art strives to achieve. This art form is accessible, relatable, and deeply rooted in the fabric of contemporary culture. The Collectible Nature of Cornellà's Creations The collectible nature of Joan Cornellà's 'Lampman' lamp sculpture speaks to the intersection of art commerce and the personal gratification of owning a piece of art that serves a functional purpose. The limited edition aspect of these 300 pieces creates an air of exclusivity and desirability among art collectors and enthusiasts. As a contemporary artist, Cornellà keenly understands the importance of making art that resonates on multiple levels - as an object of aesthetic pleasure, a functional item, and a valuable collectible. In making the 'Lampman,' Cornellà has once again demonstrated his expertise in crafting art that crosses the threshold from the artist's imagination into tangible reality. The lamp light sculpture is not merely an object to be looked at but to be experienced, its light serving as a metaphor for the illumination that art brings into our lives. As an active and influential figure in the art world, Joan Cornellà continues to explore and expand the possibilities of Street Pop Art & Graffiti Artwork, creating pieces that are at once familiar and provocative, practical, and exceptional.

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Tom Dula White AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2012 Signed & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print—Lonesome Tree Stylized Old Gnarled Tree in Western Desert Setting. Thomas C. Dula was a former Confederate soldier who was convicted of murdering Laura Foster, based on a song made famous by Kingston Trio. Shepard Fairey Tom Dula White AP 2012 Silkscreen Print Shepard Fairey, born Frank Shepard Fairey in the United States, created the Tom Dula White silkscreen print in 2012 as part of his continued exploration of American folklore, history, and visual propaganda language within Street Pop Art & Graffiti Artwork. This Artist Proof edition is signed and marked AP, distinguishing it from the standard run and reflecting a smaller subset traditionally retained by the artist. The hand-pulled silkscreen measures 18 x 24 inches and is printed on cream Speckletone fine art paper, a stock frequently used in Fairey’s Obey editions for its textured, archival quality. The composition references the story of Thomas C. Dula, a former Confederate soldier convicted in the 1866 murder of Laura Foster, a case that later became widely known through the folk ballad popularized in the twentieth century by The Kingston Trio. Fairey’s engagement with this narrative situates the print within a broader tradition of examining American myth, justice, and cultural memory. Symbolism of the Lonesome Tree in Street Pop Art & Graffiti Artwork The image centers on a stark, leafless tree stretching across a red and gold desert landscape, rendered in layered gradients and ornamental textures that echo vintage poster design and distressed printmaking techniques. A rope hangs from one of the branches, subtly invoking themes of execution and frontier justice without overt depiction of violence. The word Lonesome appears at the base, reinforcing the solitary atmosphere of the scene. Fairey’s restrained color palette of deep reds, burnt oranges, and cream tones creates a dramatic contrast that heightens the emotional weight of the subject matter. Within Street Pop Art & Graffiti Artwork, such symbolic reduction allows historical references to be communicated through simplified yet powerful visual cues, drawing viewers into reflection on the tension between legend and documented history. Artist Proof Editions and Historical Narrative in Obey Artwork Artist Proof prints hold particular significance in fine art printmaking, as they represent limited impressions outside the numbered edition and often serve as part of the artist’s archive. In the context of Street Pop Art & Graffiti Artwork, these AP editions emphasize craftsmanship and authenticity while reinforcing collectibility. Fairey’s Tom Dula White print demonstrates how Obey imagery frequently bridges historical narrative and contemporary design language, translating nineteenth-century folklore into a modern silkscreen format. By merging archival textures, symbolic landscape imagery, and disciplined hand-pulled production, the work stands as a refined example of how Street Pop Art & Graffiti Artwork can reinterpret American history through bold yet contemplative visual storytelling.

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Personality Crisis Limited Edition Archival Pigment Prints on 290gsm Moab Fine Art Paper by Glenn Barr Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 100 Artwork Size 16.5x20 Personality Crisis Portfolio- Glenn Barr's surreal creatures, specters, and tragic characters live in a seedy universe, drenched in the grit and haze of a post-apocalyptic urban dreamscape. His Detroit work has been labeled Pop Surrealism, Pop Pluralism, Lowbrow, Regional, Outsider, Ashcan, or as he coins the phrase “B Cultural-ism”. Barr finds inspiration in the city streets as well as from pop and counter cultures that infuse a familiarity in his many parallel realities. With a nod to old master painting, pulp art, and cartooning, Barr's paintings are mesmerizing in their narrative complexities and technical depth.

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You Hesitate HPM Embellished Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Nicole Gordon, Street Pop Art Graffiti Legend. 2022 Signed & Numbered Limited Edition of 5-HPM Each Unique 24x24 2022 Ukraine War Protest Against Russia "The embellishments consist of sparkly paint in the balloons, colored flowers & polka dots in the colors of the Ukrainian flag on the girl's dress, and leaves & branches of the sunflowers have been painted to extend into the white border of the print." - Nicole

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The Portal HPM Giclee Print by Jeff Soto Artwork Limited Edition Print on 305gsm Cotton Rag Fine Art Paper Hand Embellished PrintGraffiti Pop Street Artist. 2023 Signed & Numbered Acrylic HPM Hand Embellished Print Limited Edition of 40 Artwork Size 18x24 Giclee Print. Butterfly on a Stylistic Fantasy World Cactus Like Alien Desert Plant. Jeff Soto's "The Portal" HPM Giclee Print: A Foray into Fantastical Imagery Jeff Soto's "The Portal" stands out as a testament to his exceptional talent and imaginative vision in the pantheon of street pop art and graffiti artwork. Released in 2023, this hand-embellished print pushes the boundaries of traditional graffiti art, incorporating elements of fantasy and surrealism that are hallmarks of Soto's aesthetic. The artwork is a giclee print on 305gsm cotton rag fine art paper, a medium chosen for its ability to capture the vibrancy of Soto's palette and the intricacy of his details. Each piece in this limited edition series is signed and numbered, underscoring the personal touch Soto brings to his work and the value placed on each print by collectors and enthusiasts alike. Symbolic Elements in "The Portal" "The Portal" features a butterfly perched on a cactus-like alien desert plant, a subject that immediately captivates the viewer with its rich colors and otherworldly appearance. The butterfly, often a symbol of transformation and beauty, is rendered with meticulous attention to detail, its wings a canvas for Soto's exploration of pattern and hue. The surrounding flora and landscape, reminiscent of a stylistic fantasy world, invite interpretation and suggest a narrative beyond the visual. This image, juxtaposing the natural and the fantastical, invites viewers to consider the intersection of reality and imagination, a recurring theme in Soto's work. Artistic Techniques and the Creation Process The creation process of "The Portal" reflects Soto's commitment to craftsmanship and originality. Hand embellishments with acrylics add a unique dimension to each print, ensuring that no two pieces are identical. This practice of hand embellishing, known as HPM (Hand Painted Multiple), bridges the gap between mass-produced prints and one-of-a-kind paintings. It's a nod to the artist's roots in graffiti, where each piece is an individual expression, yet it also embraces the reproducibility and accessibility of pop art. The size of the print, 18x24 inches, is substantial, allowing the viewer to immerse themselves in the details and the vivid world Soto has created. Cultural Significance of Soto's "The Portal" "The Portal" is more than a beautiful image; it is a cultural artifact that reflects the evolving landscape of street pop art and graffiti artwork. By situating a symbol of beauty and metamorphosis in a setting that defies conventional interpretations of space and environment, Soto challenges the viewer to rethink their perceptions of graffiti art. This piece exemplifies the shift in contemporary art towards multifaceted works, blending technique, form, and meaning to create pieces that are as thought-provoking as they are aesthetically pleasing. In the context of Soto's oeuvre, "The Portal" represents both a continuity of themes and an exploration into new creative territories. In conclusion, Jeff Soto's "The Portal" HPM giclee print significantly contributes to street pop art and graffiti artwork. It encapsulates the essence of Soto's artistic journey, showcasing his ability to transcend the confines of traditional street art and embrace a broader canvas of expression. This limited edition print, with its hand-embellished touches and striking imagery, is a celebration of art's potential to transport, transform, and enchant. It is a vibrant gateway into the imagination of one of the most visionary artists in contemporary street pop art.

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I'm Sick Of That Fake Thug Dead Prez Silkscreen Print by Mark Drew Hand-Pulled on Fine Art Paper Limited Edition Artwork. 2019 Signed & Numbered Limited Edition of 200 Artwork Size 17x11 Silkscreen Print of Lucy van Pelt & Pig Pen Thinking "I'm Sick Of That Fake Thug RNB Rap Scenario" Mark Drew's Street Pop Commentary through Peanuts and Dead Prez Mark Drew’s 2019 silkscreen print titled I'm Sick Of That Fake Thug serves as a sharp and insightful fusion of music culture and nostalgic cartoon imagery. Known for his signature remixing of Peanuts characters with classic hip-hop lyrics, Drew pulls from the revolutionary voice of Dead Prez to create a vivid commentary on authenticity and street culture within the music industry. This hand-pulled silkscreen edition, limited to 200 signed and numbered pieces, measures 17 by 11 inches and utilizes bold visual contrast to reinforce its message. The print features Lucy van Pelt and Pig Pen in a stark black outline against a warm yellow-and-white backdrop, where Drew captures a moment of critique from Dead Prez's lyricism, visually anchoring it within the innocence of Schulz’s comic strip. Stylistic Juxtaposition and Cultural Subversion The work thrives on juxtaposition. The childlike familiarity of Peanuts is set against one of the most politically charged and socially aware hip-hop acts of the 2000s. Pig Pen, known for his disheveled appearance, is placed as the unexpected mouthpiece of frustration with inauthentic portrayals in the RNB and rap industry. This contradiction enhances the viewer’s engagement, forcing a reconsideration of cultural consumption. Drew’s consistent technique of overlaying vintage cartoon simplicity with potent hip-hop text transforms his prints into vehicles of cultural dialogue. This particular work uses its clean, silkscreened forms and expressive typography to deliver a punch of truth masked in humor and nostalgia. Process and Limited Format in Street Pop Art Executed as a traditional hand-pulled silkscreen print, Drew’s method aligns with the tactile history of street pop art and graffiti artwork. Each copy in this edition of 200 reflects the artist’s direct involvement and commitment to authenticity—ironically reinforcing the very critique embedded in the print’s message. The controlled color palette of black, yellow, and white gives the piece a visual rhythm that supports its lyrical source material while maintaining accessibility through recognizable characters. Drew’s prints are not mass-reproduced digital pieces but collectible fine art that maintains the rebellious soul of graffiti. Mark Drew’s Ongoing Hip-Hop Narrative Based in Tokyo, Mark Drew continues to elevate conversations around hip-hop, nostalgia, and cultural commentary through his street pop art works. His recontextualization of familiar American pop icons with global hip-hop culture continues to resonate across generations. By pairing Dead Prez’s critique with characters like Lucy and Pig Pen, Drew not only pays homage to lyricism and activism but also highlights how visual art can amplify the emotional and social truths found in music. Each print in this series carries not just artistic value, but a reflection of the ongoing dialogue between art, resistance, and authenticity.

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Unrested Limited Edition 4-Color Hand-Pulled Silkscreen Print on 275gsm Fine Art Paper by Dave Kinsey Graffiti Street Artist Modern Pop Art. Created from original paintings at Lazarides gallery. Dave Kinsey (American b.1971), 'Unrested', 2008, screenprint in colours on off white paper, signed, dated and numbered from an edition of 200 in pencil, published by BLK MRKT Editions; sheet: 66 x 66cm

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He Andy 4-Color Hand-Pulled Limited Edition Silkscreen Print on 300 gsm Fabriano Watercolour Paper by Copyright Rare Street Art Famous Pop Artwork Artist. Andy Warhol x He-Man MOTU. Mixed Media Screen Prints on 300 gsm Fabriano Watercolour Paper Size: 13.7 x 19.6 Inches (35 cm x 50 cm) Release: April 14, 2021 Run of: 25. This edition is uniquely hand-painted. Copyright: Copyright has been daubing the streets of the UK with his trademark pink roses for years. Fusing street art, graffiti, and more traditional styles, he uses a mixture of classic painting techniques and spray can art. He creates print styles with stencils, depth with spray paint, and texture with a paintbrush.

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Homer's Donut Simpsons Archival Print by Adam Lister Limited Edition on 300gsm Hot Press Matte Fine Art Paper Pop Graffiti Street Art Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 50 Artwork Size 8x10 Archival Pigment Fine Art Simpsons Cartoon Homer Hand Holding A Pink Sprinkle Donut in Glitch Style The realm of pop art, street art, and graffiti art has always been a dynamic space where popular culture, societal commentary, and visual aesthetics blend to create powerful messages and delightful visual experiences. An exemplary manifestation of this is the limited edition artwork titled " Homer's Donut Simpsons Archival Print" by Adam Lister. This piece is not only a testament to Lister’s innovative approach but also pays homage to one of the most iconic symbols from The Simpsons - Homer's pink sprinkle donut. Crafted on a 300gsm Hot Press Matte Fine Art Paper, this artwork is an embodiment of the artist's love for contemporary styles juxtaposed with the classic pop-culture references. The 8x10 size of the piece, meticulously designed in a glitch style, portrays Homer’s hand holding his beloved pink sprinkle donut. This fusion of a widely recognized symbol from the world of animation with a modern glitch art style, showcases a fresh perspective while remaining deeply rooted in popular culture. The archival pigment ensures longevity and preservation of the vibrant colors, thereby solidifying the piece’s position as a collector's gem. With a limited edition run of just 50, each piece comes signed and numbered by Adam Lister himself, further enhancing its exclusivity. For enthusiasts and connoisseurs of pop art and street art, Lister's interpretation of the iconic donut in the distinctive glitch style serves as both a nostalgic trip down memory lane and a nod to the ever-evolving nature of contemporary art. This piece beautifully encapsulates the essence of blending timeless icons with cutting-edge techniques, making it a coveted possession for art lovers and Simpsons fans alike.

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Quasiconformal Resting Face (Kaczynski’s Grin) Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Pat Riot pop culture LSD artwork. "Two of these blotter designs were created specifically for this project. They are both variations of pieces that I have been creating over the last year for a body of work revolving around the thematic similarities between Ted Geisel’s (Dr. Seuss) storybook, THE LORAX, and Ted Kaczynski’s (Unabomber) manifesto, “Industrial Society And It’s Future.”

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Animaniac Original Marker & Pencil Hand Drawing on Bristol Paper by Modern Graffiti Street Art Artist Sechor. 2021 Signed Original Marker Drawing 01/2021 14x17 in, Bristol Paper

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Quetzal Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Stinkfish Graffiti Street Artist Modern Pop Art. "The piece is based on a photo that I took in a gypsy neighborhood "Zorroza" at the city of Bilbao (Spain) last year in May. The following year I was painting a wall with my friend Malk, when a lot of kids come to us to ask about the wall and play around. At the end the whole family was around us, one of the members of the family was this little girl with these powerful eyes and a really special and strange energy." - Stinkfish

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Encaged Mickey AP Archival Print by Super A Artist Proof Archival Pigment Fine Art Limited Edition Print on 300gsm Archival Cotton Rag Paper Pop Artist Modern Artwork. AP Artist Proof 2020 Signed & Marked AP Limited Edition of 5AP Artwork Size 20x30 "Encaged Mickey" is an evocative archival print by the renowned artist Super A. This piece, created in 2020, showcases the artist's exceptional ability to blend the lines between pop art, street art, and graffiti art, presenting a fresh perspective on iconic imagery. One of the most striking aspects of this artwork is its portrayal of the beloved character Mickey Mouse, enmeshed in layers of colorful strips, interspersed with realistic depictions of mice. This juxtaposition between the fictional and the real, the iconic and the everyday, is a testament to Super A's profound understanding of pop culture and its interplay with reality. The intertwining of these images challenges viewers to reconsider the boundaries between art forms, mediums, and perceptions. The technical details of the artwork are noteworthy. As an Artist Proof (AP) archival pigment fine art print, "Encaged Mickey" underscores the significance of archival quality in preserving the vibrancy and integrity of modern artworks. Printed on 300gsm archival cotton rag paper, the texture and weight of the medium adds depth and durability to the piece, ensuring its longevity and value for art collectors and enthusiasts alike. The "Encaged Mickey" AP Archival Print is a limited edition, with only five artist proofs available, each signed and marked by Super A. The dimensions of the artwork, 20x30, are conducive to both intimate spaces and larger galleries, allowing the piece to be versatile in its display. Super A's creation invites viewers into a world where the familiar becomes unfamiliar, pushing boundaries in both content and form. It is a stellar representation of the modern evolution of pop, street, and graffiti art, establishing Super A as a pioneering force in the contemporary art scene.

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Van Gogh- Orange Limited Edition Spray Paint Can Sculpture Artwork by street artist graffiti & pop culture legend Mr Brainwash- Thierry Guetta. 2020 Signed & Numbered Limited Edition of 150 Artwork Size 3x8 Signed Via Thumbprint & Numbered With Custom Display Box. Ultra rare and very cool Mr Brainwash- Thierry Guetta limited edition spray paint can artwork collectibles.

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Signs Of The Crimes- Blue Art Framed Archival UV-Cured Print on Varnished HD Aluminum Panel Artwork by street pop culture artist Ron English- POPaganda. 2020 Signed Limited Edition of 100 Artwork Size 24x24 Framed Ready To Hang Ron English- POPaganda is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist, and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

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Jack Skellington 100% & 400% BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. 2022 Medicom Toys Welcome to Halloween Town! Tim Burton's The Nightmare Before Christmas is teaming up with Medicom Toy for a new rendition of the Jack Skellington Bearbrick! Collect the Jack Skellington 100% + 400% Bearbrick set. Stands at 7cm and 28cm tall.

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Make America Again PP Printers Proof Archival Pigment Fine Art Limited Edition Print on Fine Art Paper by Artist Scott Listfield, Street Pop Art Graffiti Legend. PP Printers Proof 2017 Signed & Marked PP Artwork Size 18x12

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Peace Offerings Creatures of the Night Archival Print by Joe Ledbetter Limited Edition on Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2012 Signed & Numbered Print Limited Edition of 25 Artwork Size 18x18 Archival Pigment Fine Art Circle Cut Artwork from the Show Creatures of the Night. Peace Offerings Creatures of the Night Archival Print by Joe Ledbetter – Limited Edition Street Pop Art & Graffiti Artwork Joe Ledbetter, a master of Street Pop Art & Graffiti Artwork, presents Peace Offerings, an 18x18-inch archival pigment fine art print, created as part of the Creatures of the Night exhibition in 2012. This signed and numbered limited edition of 25 is a rare piece, distinguished not only by its striking circular cut but also by its vibrant composition, which merges fantasy, pop surrealism, and Ledbetter’s unmistakable character design. The artwork encapsulates themes of peace, conflict, and duality, presented through a cast of whimsical yet expressive creatures. The composition is centered around a mythical standoff, with a white, wide-eyed unicorn-like creature engaging in a tense yet comical exchange with a green, serpentine adversary bearing a unicorn horn. Surrounding them are a variety of creatures—monkeys, rabbits, birds, pigs, and other imaginative hybrids—each interacting in ways that suggest allegiances, rivalries, and playful deceptions. A dangling apple, seemingly presented as a peace offering, adds a narrative layer to the image, hinting at themes of temptation, trust, and negotiation. The radiating green hues and sunburst background reinforce the energy of the scene, giving it a dynamic and almost celestial quality. Joe Ledbetter’s Impact on Street Pop Art & Graffiti Artwork Joe Ledbetter has carved out a distinctive space in the Street Pop Art & Graffiti Artwork movement through his ability to blend bold, animated aesthetics with layered storytelling. His background in graphic design and illustration allows him to create compositions that feel both meticulously crafted and effortlessly dynamic. Known for his clean, thick linework, flat yet expressive color palettes, and surreal character designs, Ledbetter's work often explores themes of conflict, irony, and humor. His signature approach transforms traditional pop culture influences into something fresh and subversive. Whether through anthropomorphic creatures caught in moments of tension or playful reinterpretations of mythology and folklore, his work resonates with collectors and street art enthusiasts alike. Peace Offerings is a prime example of his ability to balance humor with deeper themes, using visual storytelling to encourage viewers to look beyond the surface. Peace Offerings – A Satirical Take on Conflict and Negotiation At first glance, Peace Offerings appears to be a lighthearted, cartoonish depiction of fantastical creatures engaging in a bizarre exchange. However, a closer examination reveals the underlying tension in the piece. The white unicorn-like figure, with its wide eyes and slightly hesitant posture, contrasts sharply with the more aggressive and menacing demeanor of the green snake-like creature. The apple, a classic symbol of temptation and diplomacy, dangles between them, creating an ambiguous moment where the viewer is left to decide whether this is an act of goodwill or deception. The surrounding animals add to the complexity of the piece, each reacting in their own unique way. Some appear amused, others skeptical, while a few seem completely unaware of the unfolding drama. The inclusion of peace symbols, small skull motifs, and floating elements further emphasizes the idea that peace is often a precarious balance between cooperation and hidden motives. Ledbetter’s ability to create depth within a seemingly simple composition is what makes his work stand out in the Street Pop Art & Graffiti Artwork scene. The Cultural Significance of Peace Offerings in Contemporary Art Peace Offerings is a reflection of larger societal dynamics, packaged in Ledbetter’s signature style of animated surrealism. The piece speaks to themes of diplomacy, strategy, and the fragile nature of peace—ideas that remain relevant across cultures and time periods. By framing this exchange within a whimsical, fantasy-driven setting, Ledbetter allows the viewer to engage with serious concepts in a way that feels accessible and visually captivating. The circular format of the print adds to its uniqueness, breaking away from the traditional rectangular layout common in fine art prints. This design choice enhances the feeling of an enclosed world, drawing the viewer’s eye toward the center of the action while reinforcing the cyclical nature of conflict and resolution. The rarity of this limited edition print makes it a sought-after piece for collectors, as it represents a key moment in Ledbetter’s Creatures of the Night series. Through his use of humor, meticulous character design, and layered symbolism, Ledbetter continues to push the boundaries of Street Pop Art & Graffiti Artwork. Peace Offerings is more than just an illustration—it is a conversation starter, a playful satire, and a testament to the ongoing evolution of contemporary pop and street art.

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Happy Endings Skateboard Art Deck by OG Slick x The Beautiful Losers  Limited Edition Print From Artist on Wood Pop Street Graffiti Sports Object Artwork. 2024 Limited Edition of 99 Sports Artwork Skateboard Size 8x31 Skateboard Art Deck Printed Art Object Smiley Face with Hand Spray Painting a Line Across The Face. Happy Endings Skateboard Art Deck: A Bold Fusion of Street Pop Art and Graffiti Culture The Happy Endings Skateboard Art Deck by OG Slick, created in collaboration with The Beautiful Losers, is a striking example of Street Pop Art and Graffiti Artwork. Released in 2024 as a limited edition of 99, this 8x31-inch skateboard deck transforms a functional object into a bold statement of urban art. Featuring OG Slick’s iconic Smiley Face motif, disrupted by a red spray-painted line across the eyes, the design evokes a thought-provoking blend of playfulness and rebellion. The incorporation of a gloved hand holding a spray paint can adds depth and narrative, making this piece as much about the act of creation as the final result. OG Slick and the Subversive Vision of Happy Endings OG Slick, a renowned artist with roots in graffiti culture, has built a career on merging pop culture symbols with the raw energy of street art. The Happy Endings Skateboard Art Deck embodies his signature aesthetic, using the universally recognized Smiley Face as a canvas for a commentary on perception and identity. The addition of the red spray-painted line across the face disrupts the familiar image, inviting viewers to reconsider their interpretations of happiness and conformity. By partnering with The Beautiful Losers, a collective known for celebrating the intersection of street culture and fine art, this collaboration elevates the piece to a broader cultural conversation. Design and Symbolism of the Skateboard Deck The minimal yet impactful design of the Happy Endings Skateboard Art Deck is a testament to OG Slick’s ability to convey powerful messages through simplicity. The bright yellow background serves as a stark contrast to the bold black and red elements, drawing immediate attention to the central Smiley Face. The red line, sprayed across the eyes, symbolizes censorship, disruption, or the act of redefining societal norms. The gloved hand at the bottom holding a spray paint can captures the essence of graffiti culture, emphasizing the artist’s role in reshaping familiar images. The skateboard’s shape and size provide a unique medium that blends the functionality of sports equipment with the storytelling potential of art. Functional Art for Collectors and Enthusiasts The Happy Endings Skateboard Art Deck is more than just a piece of sports equipment; it is a collectible artwork that embodies the rebellious spirit of Street Pop Art and Graffiti Artwork. Crafted from high-quality wood and printed with precision, the deck is designed to be both durable for use and visually striking for display. With only 99 pieces in this signed and numbered edition, the deck holds significant value for art collectors and street art enthusiasts alike. This collaboration between OG Slick and The Beautiful Losers transforms a simple object into a cultural artifact, highlighting the evolving role of street art in contemporary creative expression.

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Shoplifters Welcome Silkscreen Print by Shepard Fairey- OBEY x Jamie Reid Hand-Pulled Screen Print on Cream Speckletone Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 450 Artwork Size 18x24 Created to Commemorate Reid's Ragged Kingdom Exhibition, March 16 to April 14, 2012. Shows a Hand Removing Laws From A Brief Case Infering Wall Street Money Regulations. "Jamie has been one of my biggest influences, and I'm honored that we worked on some collaborative images for the show. The new images deal with the mutual interests of Jamie and I, addressing the timeless problems of corruption and wealth inequality, but tie into the current themes of Occupy Wall Street and the dead end of fossil fuel consumption." -Shepard Faire.y Shepard Fairey's Collaboration with Jamie Reid in Street Pop Art The "Shoplifters Welcome Silkscreen Print" is a remarkable intersection of street pop art and political commentary, created by the influential Shepard Fairey in collaboration with Jamie Reid. This limited edition hand-pulled screen print on cream speckletone art paper is a testament to the potency of visual art as a tool for social critique. Released as part of Jamie Reid's Ragged Kingdom exhibition from March 16 to April 14, 2012, this artwork resonates with anti-establishment and dissent themes common in street pop art and graffiti artwork. Shepard Fairey, renowned for his OBEY campaign and the iconic Obama "Hope" poster, has a history of infusing his work with sharp political insights. The artwork in discussion depicts a hand removing laws from a briefcase, a direct inference to the deregulation of Wall Street and the unshackling of financial institutions from legal constraints. This visual metaphor conveys the message of wealth inequality and corruption, both highly relevant to the zeitgeist of the early 2010s, especially in the Occupy Wall Street movement. Artistic Expression of Sociopolitical Issues The collaborative nature of this artwork, involving both Shepard Fairey and Jamie Reid, underscores a shared commitment to addressing pressing societal issues through art. Fairey's statement about the collaboration highlights their mutual interest in tackling the "timeless problems of corruption and wealth inequality," themes that are also deeply embedded in the philosophy of street pop art. The artwork becomes a canvas for discourse, echoing the sentiments of public protests and movements that call for justice and economic reform. In creating the "Shoplifters Welcome" piece, Fairey and Reid tap into the legacy of street pop art's ability to reach a broad audience. Street pop art, often found in public spaces, speaks directly to the masses, unfiltered by the gatekeeping of traditional art venues. Though housed within the confines of an exhibition, this print carries the spirit of street art by being a piece of graffiti artwork that one can own—a symbol of both rebellion and commodification. The limited edition nature of the print, being one of only 450, adds a layer of exclusivity to a piece that speaks about wealth disparity, creating an exciting tension between the artwork's message and its status as a collectible item. Each print, signed and numbered by Fairey, is a piece of art and a statement about the artist's role in society—as an observer, a critic, and a participant in the cultural dialogue about power and money. This artwork, sized 18x24, encapsulates a period of intense socio-political activism, serving as a historical document that captures the essence of the early 2010s. The stark imagery, reminiscent of propaganda art, is both a nod to the past and a commentary on the current state of affairs. It draws a parallel between the actions on Wall Street and the broader issues of regulatory oversight and the power imbalance, which remain relevant in discussions about the economy and governance. In the larger context of street pop and graffiti artwork, Shepard Fairey and Jamie Reid's "Shoplifters Welcome" print is a powerful reminder of art's role in society. It bridges the gap between aesthetic appeal and social commentary, functioning as a visual manifesto that calls for reflection and action. The piece is not merely an artwork to be viewed but a conversation starter, a call to arms, and a historical artifact.

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Spit Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Jason Levesque. 2014 Signed & Numbered Limited Edition of 50 Artwork Size 30x10

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Multi Tags Series 7912 Original Graffiti Painting by Seen UA One of a Kind Spray Paint & Acrylic Painting Artwork on Stretched Canvas. 2022 Signed Original Multi Tags Series Acrylic & Spray Paint Painting Size 30x42 Multi Tags Series 7912" is an original graffiti painting by Seen UA, an influential artist. Seen UA, also known as Richard Mirando, is a pioneer in graffiti with a career spanning over four decades. He started in the late 1970s, tagging New York City's subway trains and streets with his iconic, dynamic lettering style. As the name suggests, "Multi Tags Series 7912" is likely part of a series of works featuring multiple graffiti tags in different styles and colors. The series might showcase Seen UA's diverse graffiti techniques and the evolution of his style over the years. UA's work has gained international recognition, and he has transitioned from the streets to the fine art world. His art has been exhibited in galleries and museums globally, earning him a place among history's most respected graffiti artists. Collectors appreciate Seen's work for its vibrant colors, bold lettering, and intricate designs, reflecting the energy and spirit of the urban landscape.

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No Sleep Till Brooklyn- 40- Orange 4-Color Mixed Edition Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Tim Oliveira Rare Street Art Famous Pop Artwork Artist. ME Mixed Edition Print, The Prints Vary In Color Through The Numbers of The Edition. 76 different silkscreen colors and variants in one edition. Signed and numbered, date stamped on back. The name of this print run has a double meaning to me. I decided to release it on August 5th to pay tribute to the Beastie Boys legend MCA (Adam Yauch); his birthday. Growing up, just about every day after school I would grab my basketball and head to the park or Boy's Club for some pickup games. Most of the time it was Beastie Boys on my walkman when I made the walk. They have always been a big influence on me. Also, no sleep till I feel confident with enough artwork for a solo show in Brooklyn. It may be a few years out, but I will keep trying to juggle family life, a regular job, and artwork with many late nights... -Tim Oliveira

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JungleCity Giclee Print by Rosy One Artwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. 2024 Signed & Numbered Limited Edition of 100 Artwork Size 19.69x27.56 Rosy One JungleCity Giclee Print Limited Edition Street Pop Artwork The 2024 JungleCity Giclee Print by Rosy One is a dynamic explosion of color and cartoon-inspired street storytelling. Printed as a limited edition of just 100 pieces on fine art paper and sized at 19.69 by 27.56 inches, this work showcases Rosy One's unique position at the crossroads of graffiti culture, underground comics, and Street Pop Art & Graffiti Artwork. With signature precision and humor, she transforms an urban landscape into a chaotic, character-filled fantasy world where vibrant figures animate the streets and surreal city scenes unfold with each glance. The detail-rich composition acts like a still frame from an animated feature, full of references to hip-hop, street art history, and raw city life. Rosy One's Role in Contemporary Graffiti Pop Culture Rosy One, a Swiss graffiti artist born in Lausanne, has long been recognized for her powerful and whimsical fusion of classic graffiti techniques with comic book aesthetics and cultural satire. Her work often features cartoon characters, bubble letters, and bold linework that blends storytelling with street energy. As one of the prominent female figures in graffiti since the 1990s, she has consistently celebrated hip-hop culture through her visual language, while also challenging stereotypes in a male-dominated genre. JungleCity is a continuation of her playful yet sharp social commentary, packed with satirical details and urban iconography that invite viewers to examine themes of community, chaos, and character. Visual Breakdown of JungleCity's Street Pop Art Composition JungleCity bursts with personality, layering buildings, subway cars, signage, characters, and colorful ooze into a rich tapestry of graffiti-influenced design. Divided into upper and lower city levels, the print cleverly juxtaposes above-ground vibrancy with underground rawness. The upper city is filled with quirky inhabitants and anthropomorphic creatures, all engaged in expressive acts like tagging, rapping, or lounging in surreal scenarios. Meanwhile, the underground reveals a gritty MTA-style train labeled with graffiti tags and a subway tunnel morphing into dripping jungle roots. Skulls, rats, and signage like Jungle Street and Tuff City embed coded references to hip-hop’s birthplaces and graffiti’s rebel roots. Every inch is meticulously detailed, drawing the eye in countless directions, yet maintaining cohesion through Rosy One’s sharp black outlines and neon palette. JungleCity as a Statement in Street Pop Art & Graffiti Artwork This giclee print not only captures Rosy One’s distinctive voice but also encapsulates the enduring energy of graffiti as a living cultural force. Her approach to Street Pop Art & Graffiti Artwork fuses comic absurdity with graffiti realism, allowing the work to function both as visual entertainment and sociocultural critique. JungleCity is more than an aesthetic statement; it is a celebration of urban survival, creative freedom, and the interconnection between the visual languages of the street and printmaking. As both an art object and narrative map, the piece exemplifies how street culture continues to evolve and inspire.

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Andy Warhol X Jean Michel Basquiat #1 100% 400% BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. 2021 Be@rbrick Andy Warhol X Jean Michel Basquiat #1 100% & 400% Collectible Figure Set! Standing approximately 2.75 and 11.02 inches tall this Be@rbrick set features the art style collaboration of both Andy Warhol and Jean-Michel Basquiat.

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Spraycan Art Train Original All City Style Subway Painting on Wall Sculpture Artwork by Graffiti Street Artist Artist Rek Santiago. 2010 Signed Original Spray Paint Marker & All City Style Train Sculpture One of A Kind Artwork Size 20.25x5x1.75 Signed, Titled & Dated on Back, Tagged On Front Rek & NSA. Original Hand Painted Graffiti on Wall Mountable All City Style Subway Train Platform. Displayed With Box. Box Has Artist-Made Paint Marks. Scattered Soiling & Blemishes Constatant With Age, Great Condition.

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Grandmaster Caz Cold Crush Brothers Disco Fever Photo Print by Joe Conzo Jr Limited Edition on 290gsm Moab Entrada Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed Print Limited Edition of 5 Artwork Size 20x16 Archival Pigment Fine Art of Grandmaster Caz of the Cold Crush Brothers at Disco Fever. Grandmaster Caz Cold Crush Brothers Disco Fever Print by Joe Conzo Jr The Grandmaster Caz Cold Crush Brothers Disco Fever Print by Joe Conzo Jr. is a striking archival photograph that captures a pivotal moment in the history of hip-hop. This limited edition artwork, created in 2023, features an iconic image of Grandmaster Caz performing at the legendary Disco Fever nightclub in the Bronx. Printed on 290gsm Moab Entrada Fine Art Paper using archival pigment techniques, this signed and numbered edition of five highlights the artistry and influence of both the performer and the photographer. Measuring 20x16 inches, the photograph serves as a powerful representation of the energy and creativity that defined the early hip-hop era. The Influence of Grandmaster Caz and the Cold Crush Brothers Grandmaster Caz, a foundational member of the Cold Crush Brothers, is widely recognized as one of hip-hop’s most innovative and influential MCs. Known for his lyrical prowess and magnetic stage presence, Caz played a key role in shaping the culture and sound of early hip-hop. This photograph captures him mid-performance at Disco Fever, a venue that was central to the genre’s rise in the 1970s and 1980s. The Cold Crush Brothers became synonymous with lyrical excellence and performance artistry, inspiring countless artists and influencing the aesthetics of Street Pop Art and Graffiti Artwork that celebrated the vibrancy of urban life. Joe Conzo Jr.’s Role in Documenting Hip-Hop History Joe Conzo Jr., often hailed as hip-hop’s first photographer, has created an invaluable visual archive of the culture’s formative years. His ability to capture the raw energy and cultural significance of the Bronx during this time has cemented his place as a critical figure in the documentation of urban art and music. This particular print, with its intimate focus on Grandmaster Caz, reflects Conzo’s talent for preserving fleeting moments that embody the spirit of an era. His work seamlessly connects the worlds of Street Pop Art and Graffiti Artwork by highlighting the intersection of performance, visual art, and cultural commentary. The Artistic and Cultural Significance of the Disco Fever Print The Disco Fever nightclub was more than just a venue; it was a cultural hub that brought together musicians, graffiti artists, and fans of hip-hop. The Grandmaster Caz print captures the electric atmosphere of this iconic space, emphasizing its role as a breeding ground for creativity and innovation. The choice of archival pigment printing on fine art paper elevates this image into a collectible work of art, ensuring its longevity and vibrancy. As a limited edition of only five, this print not only celebrates the artistry of Grandmaster Caz and the Cold Crush Brothers but also underscores the importance of Joe Conzo Jr.’s photographic contributions to the broader narrative of Street Pop Art and Graffiti Artwork. This piece stands as a timeless tribute to the pioneers of hip-hop and the artistic movements they inspired.

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Holiday Thailand Black Art Toy by Kaws- Brian Donnelly Limited Edition Vinyl Sculpture Collectible Artwork by Pop Street Artist. 2025 Out of Print Limited Edition Artwork Size 7x11 New In Box Stamped/Printed Foot Depicting Kaws Companion Mother/Father/Friend and Child Holding Glow in the Dark GID Fluorescent Moon Sitting on a Bright Earth by Artist Kaws- Brian Donnelly. Holiday Thailand Black Art Toy by KAWS – Brian Donnelly The Holiday Thailand Black Art Toy by Brian Donnelly, professionally known as KAWS, is a 2025 limited edition vinyl collectible that brings emotional storytelling into the core of Street Pop Art & Graffiti Artwork. Standing 7 x 11 inches, the sculpture features the iconic KAWS Companion character in a nurturing pose—seated on a vibrant blue and green globe, gently cradling a smaller child figure. Together they hold a glow-in-the-dark fluorescent moon, detailed with a textured surface resembling the lunar landscape. Released in limited quantity and now out of print, this new-in-box edition is stamped and printed on the foot to confirm authenticity. The black edition is the most visually stark of the Thailand Holiday series, emphasizing silhouette, light, and shadow in its emotional impact. Monochrome Design with Universal Themes Rendered entirely in matte black vinyl, this version removes all color distractions from the figures themselves, allowing the Earth and the glowing moon to take visual prominence. The absence of color sharpens the emotional tone of the piece, drawing attention to the posture, gesture, and quiet intimacy between the adult and child Companions. This decision amplifies the sculpture’s symbolic weight, allowing it to speak to global responsibility, parental care, and environmental reflection. The use of black gives the figures a ghostlike presence, while the bright world beneath them remains alive and vibrant. The glowing orb adds a supernatural softness, inviting the viewer to consider themes of guidance, protection, and shared hope. KAWS’ Sculptural Language in Street Pop Art & Graffiti Artwork Brian Donnelly, born in the United States, rose from the streets of Jersey City where his early graffiti subverted public advertisements with satirical cartoons. His signature Companion figure became a modern icon in Street Pop Art & Graffiti Artwork, embodying themes of alienation, empathy, and memory. With the Holiday Thailand series, Donnelly introduced a softer, more meditative layer to the Companion's identity. The Holiday Black edition pushes this even further—its somber tone and striking globe-seat foundation underscore the idea of the figure as a caretaker of a fragile world. The signature X-ed eyes and cartoon gloves remain, but instead of sarcasm, they now seem to express stillness and reflection. A Collector’s Masterpiece in Emotional Minimalism As with all KAWS Holiday editions, this sculpture was highly sought after at release and quickly sold out. The black version has become especially desirable due to its aesthetic rarity and its ability to convey depth through restraint. The use of minimal color enhances the sculpture’s interaction with light, especially when the moon begins to glow in the dark. The piece shifts dramatically between day and night, with the moon’s gentle illumination bringing warmth to the shadowed figures. This kinetic transformation has made it not only a visual object but an emotional experience. For collectors and enthusiasts of Street Pop Art & Graffiti Artwork, the Holiday Thailand Black Art Toy is more than a figure—it is a moment suspended in time, balancing silence, care, and cosmic symbolism through the signature visual language of Brian Donnelly.

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Critical Condition 4-Color Hand-Pulled Limited Edition Silkscreen Print on 100lb French Speckletone Paper by Al Diaz x Dave Navarro x Lifeafterdeath Rare Street Art Famous Pop Artwork Artist. 2019 Al Diaz and lifeafterdeath "Critical Condition" - 4 Color Screen Print, Limited Edition of 25 - 19 x 25" Critical Condition • 4 layer hand-pulled screenprint on French Speckletone 100 lb paper• 19 x 25 inches Hand-signed and numbered by artists Al Díaz and Dave Navarro in a limited edition of 25 "Distortion Skull" ink stamping on verso hand-applied by Dave Navarro Hand-produced in Albany, NY by Pepper Spray Press NYC

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Arrow Pulse Strawberries n Cream Hand-Painted Multiple Mixed-Media on Laser Cut Wood Panel ready to hang by Tavar Zawacki (Above) Graffiti Street Artist Modern Pop Art. "The Arrow Pulse was one of the many popular designs I made for my recent solo exhibition, Remix in Detroit. I decided to make a smaller-sized edition (5) of the Arrow Pulse arrows as this design is a popular and iconic style of the arrow.I had designed the cut files on my computer with Adobe Illustrator, then had them laser cut to ensure their perfection and unison in shape. After the cuts were made I individually removed each pulse and assigned it a specific color. What you see in the finished piece is a colorfully, composed wooden arrow pulse." - Above

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Do No Harm 2 Syringe Social HPM Mixed Media Sculpture by Miss Bugs Limited Edition Pop Artwork Street Artist Fine Art. 2020 Signed & Dated to Packaging Label Mixed Media Plastic Resin Sculpture Limited Edition of 450 Unique Artwork Size 3x13.9. Each Unique and Hand Made. Like New With Original Packaging. 20-20 Covid Era Syringe Shot with Social Media Meme Icons. Miss Bugs is a street art duo based in London, known for their vibrant and thought-provoking pieces that blend pop art with darker, more subversive themes. Their work often includes a mix of stencil, silkscreen, and mixed media collage, utilizing found objects to create visually striking and multi-layered compositions. Miss Bugs is known for their challenging commentary on modern culture and the art world, with a particular emphasis on the commodification of art. They have been a significant influence in the contemporary street art scene, pushing boundaries and encouraging viewers to question their perceptions.

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NØISE/SSI Resurrectionem Ex-Mortuis Remix 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 18 inches by 18 inches Edition of 400 March 30, 2021 About I have been friends with John Goff for 25 years. He was a fan of my art and used to generously help me print. We often bonded over music from the Melvins, to Kraftwerk, to RUN-DMC. John has been a musician most of his life, playing in several different music projects over the years, including SSI which is a collaboration between John and his brother Will. When I started DJ’ing John would help me with the production of remixes. Eventually, we started producing some music together, and with the valuable addition of Merritt Lear and Joe Cassidy, we formed Nøise. -Shepard Fairey

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