Tigger on Zoloft Archival Print by Ben Frost

Artwork Description

Tigger on Zoloft Limited Edition Archival Pigment Fine Art Prints on Bauhaus Cotton Fine Art Paper by Graffiti Street Art and Pop Culture Artist Ben Frost.

‘Tigger On Zoloft’ Archival Digital Print on Bauhaus 310gsm Photo Rag 100% Cotton Paper Embossed, signed and editioned by Ben Frost 30cm x 30cm (12 x 12 inches) Melbourne, Australia Edition of 50

The essence of Frost’s commentary is established on the basis of subverting the meaning and the messages, promoted by the mainstream media. In other words and, as he has stated in the past: “The less you fill your mind with the trappings of advertising and bad television, the more space you have in your brain for things of value”. At the same time, his take on modern pop culture is equally compelling. Mainstream media, advertisements, and politics can be identified as some of his main fields of interest, which he utilizes and mixes up in a controversial formation. The word controversial is not used incidentally. What Ben Frost’s art is doing is, essentially, the appropriation and weaponization of imagery against the same system that gave birth to it.

Product form

$497.00

    Tigger on Zoloft Limited Edition Archival Pigment Fine Art Prints on Bauhaus Cotton Fine Art Paper by Graffiti Street Art... Read more

    • Tigger on Zoloft Archival Print by Ben Frost
    • Year: 2021
    • Size: 12x12
    • Artist: Ben Frost
    • Edition of: 50
    • Archival Pigment Print on Cotton Fine Art Paper
      • Not Framed
      • Signed: Yes
      • Colors: White, Orange, Blue

      Artwork Description

      Tigger on Zoloft Limited Edition Archival Pigment Fine Art Prints on Bauhaus Cotton Fine Art Paper by Graffiti Street Art and Pop Culture Artist Ben Frost.

      ‘Tigger On Zoloft’ Archival Digital Print on Bauhaus 310gsm Photo Rag 100% Cotton Paper Embossed, signed and editioned by Ben Frost 30cm x 30cm (12 x 12 inches) Melbourne, Australia Edition of 50

      The essence of Frost’s commentary is established on the basis of subverting the meaning and the messages, promoted by the mainstream media. In other words and, as he has stated in the past: “The less you fill your mind with the trappings of advertising and bad television, the more space you have in your brain for things of value”. At the same time, his take on modern pop culture is equally compelling. Mainstream media, advertisements, and politics can be identified as some of his main fields of interest, which he utilizes and mixes up in a controversial formation. The word controversial is not used incidentally. What Ben Frost’s art is doing is, essentially, the appropriation and weaponization of imagery against the same system that gave birth to it.

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