Monsters Creatures & Beasts

Shizentomotel Limited Edition Archival Pigment Prints on 310gsm Museum Natural Fine Art Paper by Oga Namahage Graffiti Street Artist Modern Pop Art. Shizentomotel a mural based in Shonan [Shizentomotteru] They are a variety of characters that can be called their own background has continued to transmit the message along with the "natural" that name also attached to the parallel course of things.

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13 Horror Movie Killer Giclee Print by Dave Pollot Artwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. 2022 Signed & Numbered Limited Edition of 55 Artwork Size 23.5x14 13 Horror Movie Killer Giclee Print by Dave Pollot – A Twisted Reimagining of a Classical Icon in Street Pop Art & Graffiti Artwork Dave Pollot’s 2022 limited edition giclee print titled 13 Horror Movie Killer is a provocative reworking of Leonardo da Vinci’s The Last Supper, infused with a dark sense of humor and horror iconography. Measuring 23.5 by 14 inches and printed on fine art paper, this signed and numbered edition of only 55 pieces fuses the sacred with the sinister. Pollot, a New York-based contemporary artist known for inserting pop culture references into classical works, transforms the scene by replacing the apostles with legendary horror villains. The visual tension between the divine center figure and the violent figures surrounding it makes for a disorienting yet captivating reinterpretation that has earned attention in both pop art and street art circles. From Frankenstein to Freddy: Horror Icons in Satirical Congregation The composition includes instantly recognizable horror figures such as Frankenstein’s monster, the Mummy, the Creature from the Black Lagoon, and modern slasher legends like Freddy Krueger, Michael Myers, Jason Voorhees, Leatherface, Ghostface, and Pinhead. Each character is rendered with care, echoing their cinematic presence while still fitting into the worn, aged aesthetic of da Vinci’s backdrop. Pollot’s hand does not merely parody—it curates, combining the weight of religious artwork with the iconography of film to challenge perceptions of cultural veneration and morality. While the viewer may initially laugh at the absurdity of horror villains sharing a sacred meal, closer inspection reveals a striking contrast between fear and faith, pop culture and permanence. Fine Art Meets Cultural Subversion in Street Pop Art & Graffiti Artwork Pollot is widely respected for blurring the line between high and low art by physically painting over or digitally altering thrifted classical-style artworks with characters from video games, movies, and TV. In this case, the digital giclee method allows for rich detail and a textured finish that replicates the painterly quality of the source material. By choosing a limited print run of 55 on fine art paper, Pollot elevates the piece into the realm of collectible Street Pop Art & Graffiti Artwork. The giclee process itself is notable for its ability to capture nuanced color tones and intricate shadows, allowing for every wrinkle, shadow, and blood-streaked detail of these horror legends to be rendered with clarity and depth. Dave Pollot’s Commentary Through Dark Satire and Familiar Icons Dave Pollot, born and working in the United States, is a contemporary street pop artist who brings a distinct sense of irony and observation to his pieces. His work consistently reimagines traditional art forms by inserting them into the absurdity of modern entertainment. In 13 Horror Movie Killer, Pollot offers more than a novelty image—he constructs a narrative of cultural worship, asking whether our societal figures of devotion have shifted from sacred icons to entertainment monsters. As a piece of Street Pop Art & Graffiti Artwork, it fits perfectly into conversations around iconoclasm, nostalgia, and the strange comfort horror continues to provide in modern media. Each killer is a symbol, and their placement at a table of holy significance invites a sharp critique about consumption, fandom, and collective memory in the twenty-first century.

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Infested Artwork Giclee Limited Edition Print on 300gsm Cold Press Watercolor Paper by Pop Culture Graffiti Artist Alex Kirzhner.

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Pink Skull Flower Print on Laser Cut Wood Panel Framed Ready to Hang by Tara McPherson Modern Pop Artist. Artist Proof AP. 9.6 x 14 in. (24.384cm x 35.56cm) Fine art wood print on 1/2" sustainable birch wood, bright white finish Limited edition of 20 hand signed and numbered fine art wood canvas print. DesignerCon 2019 exclusive.

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LivEvil Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Van Saro & John Park Graffiti Street Artist Modern Pop Art. "This piece was the fourth or fifth collab that we did together. The themes varied but the composition stayed pretty consistent with Van’s beautifully painted figures anchoring my background colors and support characters. The quote provided by Van is from the Buddah. We had been staying pretty consistent with the compositions of our collabs, usually with one of Van’s oil figures left of center anchoring the piece while I handled the background color composition and added support characters. I don’t think we discussed anything before starting." - John Park

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Get Off My Porch Giclee Fine Art Limited Edition Print on Fine Art Paper by Modern Pop Artist Alexis Price. 2019 Signed & Numbered 11x14 Edition of 20

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Mad World Artwork Giclee Limited Edition Print on 300 GSM Certified Archival Paper by Pop Culture Graffiti Artist Graham Curran. Graham Curran titled "Mad World," inspired by the movie Donnie Darko. Measures 11" x 14", and printed on 300 GSM Certified Archival Paper. Signed by the artist and hand-numbered.

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Lil Nekobasu Archival Pigment Limited Edition Print on Fine Art Paper by Pop Artist Casey Weldon Artwork. 2017 Numbered Limited Edition of 150 Artwork Size 14x14 Lil Nekobasu by Casey Weldon – Whimsical Mutation in Street Pop Art & Graffiti Artwork Casey Weldon's 2017 limited edition print Lil Nekobasu stands as a surreal and captivating piece in the world of Street Pop Art & Graffiti Artwork. Released as a numbered edition of 150, this 14 by 14 inch archival pigment print is produced on fine art paper with high-fidelity color accuracy and exceptional detail. The image captures a hybrid creature that playfully merges feline charm with the visual structure of a segmented bus, a clever nod to pop culture and a direct homage to the character Catbus from Japanese animation. Yet Weldon’s version is distinctly his own, rendered with a unique softness and eerie precision that has become a trademark of his imaginative, emotionally suggestive style. The background places the creature on what appears to be a human lap, surrounded by natural textures like grass, blurring the boundaries between comfort, fantasy, and strangeness. Casey Weldon: American Pop Surrealist Reimagining the Familiar Born in the United States, Casey Weldon is known for his dreamlike compositions and frequent use of cats, glowing eyes, and nostalgic references as thematic devices. His work resides in a space where pop culture, sentimentality, and oddity converge. With Lil Nekobasu, Weldon leans into his fascination with childhood wonder and visual puns, offering a creature that is equal parts cute, cryptic, and unsettling. The deliberate detail in the fur texture, the glint in the cat’s golden eyes, and the seamless integration of mechanical segments across its back transform this into a visual paradox—playful but uncanny, tender yet odd. The print is emblematic of how Street Pop Art & Graffiti Artwork can elevate the bizarre and personal to the level of fine art without losing its connection to humor and nostalgia. Visual Technique and Materiality in a Digital-Physical Fusion The use of archival pigment printing in Lil Nekobasu allows for intense color vibrancy and depth, which is essential to conveying the almost hyperreal textures of Weldon’s painted forms. This medium is prized among contemporary artists for its longevity and ability to replicate the subtlety of original brushwork and gradients. The fine art paper base enhances the print’s visual impact, creating a tactile sense of depth that resonates with the physicality of traditional media while maintaining the efficiency and clarity of digital processes. The 14 x 14 inch format offers a perfect square composition that reinforces the intimacy and symmetry of the subject, placing the viewer close to this strange creature in a moment of relaxed fantasy. Cultural Echoes and the Subversive Sweetness of Street Pop Art & Graffiti Artwork By referencing Totoro’s Catbus while creating a fully original being, Weldon engages in a cultural remix that is foundational to Street Pop Art & Graffiti Artwork. The hybrid nature of Lil Nekobasu speaks to a generation raised on animated fantasies but grounded in the absurdities of adulthood. Weldon’s reinterpretation avoids imitation by amplifying personal symbolism and emphasizing mood over narrative. The print challenges the viewer to feel affection for something they cannot quite categorize. Its unsettling serenity is a commentary on how strange and charming the familiar can become through slight distortion. In the context of Street Pop Art & Graffiti Artwork, Lil Nekobasu encapsulates the genre’s ability to make viewers laugh, feel, and question all at once. This piece stands as a collectible not just for fans of cats or cartoons, but for those drawn to the emotional ambiguity that defines much of the best contemporary pop-infused art.

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