Monsters Creatures & Beasts

4 artworks

  • Riding Home Blotter Paper Archival Print by UFO907

    UFO907 Riding Home Blotter Paper Archival Print by UFO907

    Riding Home Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by UFO907 pop culture LSD artwork. As an active graffiti writer, UFO 907 is known for its alien ufo motifs throughout New York. Over 20 years, his works have been and still are growing in numbers, attracting fans all over the world. His distinct ufo motifs have evolved and changed throughout the years, from a simple UFO form to a character-like approach with eyes and legs. And still active throughout the world.

    $352.00

  • Label 907 Vol III Sunset Silkscreen Print by UFO907

    UFO907 Label 907 Vol III Sunset Silkscreen Print by UFO907

    Label 907 Vol III Sunset Silkscreen Print by UFO907 Hand-Pulled on 140lbs. Pure White French Art Paper Limited Edition Screenprint Artwork. 2019 Signed & Numbered Limited Edition of 50 Artwork Size 18x24 5-color Split Fountain Screen Print Silkscreen Print Label 907 Vol III Sunset Silkscreen Print by UFO907 The Label 907 Vol III Sunset Silkscreen Print by UFO907 captures the energy and playful rebellion that has made this underground graffiti artist a cult figure within Street Pop Art & Graffiti Artwork. Released in 2019 as a signed and numbered limited edition of only 50 pieces, this 18 x 24 inch artwork is a five-color split fountain screenprint, hand-pulled on 140lbs pure white French art paper. The piece reflects the raw yet whimsical spirit of UFO907's iconic characters—particularly the wide-eyed alien cephalopod with spray can in hand, painted over a United States Postal Service priority mail sticker backdrop. This visual pun on identity and tagging is not only humorous, but deeply rooted in graffiti’s long tradition of postal label bombing. Cosmic Characters with a Street-Level Voice In Label 907 Vol III Sunset, UFO907 presents one of his signature tentacled figures dressed in a hoodie and New York Yankees cap, holding a classic spray paint can mid-action. The oversized eyes and rounded limbs give the creature an innocent appearance, yet its posture and the act of painting imply intent and defiance. The gradient background shifts through sunset hues—pinks, oranges, and yellows—achieved through a skillful split fountain technique that mirrors the spray effect of actual aerosol art. Combined with bold black linework and fluorescent green detail spray, this print vibrates with both nostalgia and new energy. It’s a direct translation of wall-to-paper graffiti, preserving the movement’s spirit through print media. Graffiti’s Material Language and Collector Appeal The use of USPS Priority Mail labels as visual anchors is no coincidence. Graffiti artists have long used these free labels as mini canvases to bomb mailboxes, poles, and phone booths. UFO907’s decision to formalize that in a silkscreen edition connects the underground past to a collector-friendly present without losing authenticity. His character’s expression and stance add a layer of narrative—combining street mischief with pop sensibility. The silkscreen medium reinforces its value in the Street Pop Art & Graffiti Artwork world where texture, print layers, and production technique become integral to the message. Being signed and numbered by the artist makes each copy not only a print but a certified moment in his evolving catalog. UFO907’s Role in Street Pop Art & Graffiti Artwork Known for his elusive presence and interstellar characters, UFO907 has remained a staple of unsanctioned art in New York City and beyond. His work often blends innocence with resistance, showing characters that feel pulled from a cartoon dimension but acting with real-world urgency. Unlike artists who transition entirely into fine art spaces, UFO907 maintains his connection to walls, freight trains, and found surfaces—yet prints like Label 907 Vol III Sunset offer a portal for collectors to experience his world without compromising its edge. Each detail in this piece—from the alien figure to the branded spray can—points to a love for graffiti’s absurdity, danger, and color-soaked spontaneity. It’s not just a print, but a celebration of UFO907’s persistent vision and his place in the ever-evolving language of Street Pop Art & Graffiti Artwork.

    $425.00

  • Too Fast To Live Too Young To Die Blotter Paper Archival Print by UFO907

    UFO907 Too Fast To Live Too Young To Die Blotter Paper Archival Print by UFO907

    Too Fast To Live, Too Young To Die Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by UFO907 pop culture LSD artwork. 2020 Signed/COA Limited Edition of 75 Blotter Artwork Size 7.5x7.5 As an active graffiti writer, UFO 907 is known for its alien ufo motifs throughout New York. Over 20 years, his works have been and still are growing in numbers, attracting fans all over the world. His distinct ufo motifs have evolved and changed throughout the years, from a simple UFO form to a character-like approach with eyes and legs. And still active throughout the world.

    $352.00

  • Never Trust A Junkie Blotter Paper Archival Print by UFO907

    UFO907 Never Trust A Junkie Blotter Paper Archival Print by UFO907

    Never Trust A Junkie Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by UFO907 pop culture LSD artwork. 2020 Signed/COA Limited Edition of 75 Blotter Artwork Size 7.5x7.5 As an active graffiti writer, UFO 907 is known for its alien ufo motifs throughout New York. Over 20 years, his works have been and still are growing in numbers, attracting fans all over the world. His distinct ufo motifs have evolved and changed throughout the years, from a simple UFO form to a character-like approach with eyes and legs. And still active throughout the world.

    $352.00

Monsters Creatures & Beasts Graffiti Street Pop Artwork

Monstrous Reflections in Pop Art

In pop art, the monstrous takes on a guise that often challenges the status quo, pushing against the boundaries of traditional aesthetics. These depictions serve not only as a reflection of the cultural zeitgeist but also as a mirror of the human condition. Artists like Andy Warhol and Keith Haring have utilized the motif of monsters to represent the more grotesque aspects of celebrity culture and the mass media landscape, creating both unsettling and familiar works. The exaggeration and distortion inherent in their monstrous figures magnify the absurdity of societal obsessions and the dark underbelly of fame and consumerism. Monsters, creatures, and beasts have been a recurring theme in the dynamic spheres of pop art, street pop art, and graffiti artwork, capturing the imagination and attention of a diverse audience. This thematic exploration offers a rich tapestry of symbolism and cultural commentary, reflecting societal fears, aspirations, and the collective unconscious. Artists leverage the monstrous and mythical to craft visuals ranging from the whimsically absurd to the deeply reflective, often imbued with a sense of irony or social critique characteristic of pop art's dialogue with mainstream culture.

Urban Mythologies in Street Pop Art

Street pop art, the rebellious offspring of pop art and graffiti, takes this monstrous theme to the public canvas of city walls and back alleys. Here, artists like Banksy and Shepard Fairey have crafted images that blend the mythical and the urban, creating modern mythologies that resonate with a city's inhabitants. Their works often serve as social and political allegories, with creatures standing in for the marginalized or the oppressive forces of society. Public spaces for these artworks democratizes the viewing experience, allowing these monstrous tales to be part of the everyday urban landscape, accessible to all who traverse the city.

Graffiti Artwork's Beastly Narratives

Graffiti artwork, with its roots deep in subversive and countercultural movements, has always embraced the monstrous in various forms. The creatures and beasts that sprawl across buildings and trains often convey the raw emotions and experiences of the graffiti artists themselves. This form of expression, illicit and usually performed under the cover of darkness, is akin to the nocturnal nature of mademocratizebeasts, creating a parallel between the artists and their creations. These creatures can be protective totems for the communities they watch over or symbols of resistance against societal constraints.

Technological Horizons and Digital Monsters

As the digital age advances, pop art, street pop art, and graffiti artwork have embraced new technologies to reimagine the concept of monsters. Digital tools have enabled artists to create more complex and interactive creatures that engage with viewers in real-time, often with the ability to change and evolve. This intersection of technology and art has given rise to virtual monsters that inhabit digital landscapes, commenting on the increasingly blurred lines between the real and the virtual and reflecting modern fears of digital surveillance, privacy erosion, and the loss of humanity in an increasingly automated world.

Cultural Synthesis and Global Monsters

The globalization of pop art and graffiti has led to a cross-pollination of monstrous themes, with creatures from different cultures and mythologies coming together on the same wall or canvas. This fusion creates a universal language of monsters, where a Japanese kappa can coexist with a Latin American chupacabra, each bringing their own stories and cultural significance to the artwork. This synthesis celebrates diversity and highlights the commonalities of human storytelling and the shared archetypes that transcend geographical and cultural boundaries. In summary, monsters, creatures, and beasts are more than mere subjects in the diverse genres of pop art, street pop art, and graffiti artwork. They are potent symbols, carriers of meaning, and vehicles for the artists to engage with viewers on multiple levels. Whether as a critique of consumer culture, a reflection of societal issues, or a celebration of myth and legend, these themes continue to evolve, ensuring that the monstrous will remain a central figure in the visual dialogue of street pop art and graffiti artwork.
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