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  • King's Lament Giclee Print by Skinner

    Skinner King's Lament Giclee Print by Skinner

    King's Lament Limited Edition Giclee Print on Velvet Cotton Rag by Skinner counter-culture street artist art. Skinner is a self-taught artist living in Oakland, California who has meticulously crafted a balance of extraordinary mural work, bizarre and antagonistic installations while maintaining a prolific commercial career. Influenced by 80’s pop culture, human struggle, myths and violence, dungeons and dragons, and the heavy metal gods, Skinner’s mind is one of psycho social mayhem fueled by calculated chaos.

    $164.00

  • What Lies Beneath Original Colored Pencil Drawing by Brandon Sopinsky

    Brandon Sopinsky What Lies Beneath Original Colored Pencil Drawing by Brandon Sopinsky

    What Lies Beneath Original One of a Kind Colored Pencil Painting Artwork on Tinted Fine Art Paper by Popular Street Graffiti Artist Brandon Sopinsky. 2013 Signed What Lies Beneath Original Colored Pencil Drawing by Brandon Sopinsky

    $371.00

  • Sirens- White Serigraph Print by Cleon Peterson

    Cleon Peterson Sirens- White Serigraph Print by Cleon Peterson

    Sirens- White Limited Edition Hand Pulled 2-Color Serigraph Print on 290gsm Coventry Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Signed 2021 26 x 32 inch. Hand-pulled screen print. printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125. “One of the main inspirations that I have is anger. If I can be angry about something, it means I feel passionate about it. It makes me want to make art about it”, he says. Nonetheless, his art is not dealing with violence on a superficial level and it is not used as a tool of provocation per see." - Cleon Peterson

    $759.00

  • Eye of the Serpent Silkscreen Print by Buff Monster

    Buff Monster Eye of the Serpent Silkscreen Print by Buff Monster

    Eye of the Serpent 4-Color Hand-Pulled Limited Edition Silkscreen Print on 335gsm Coventry Rag Paper by Buff Monster x Brian Ewing Rare Street Art Famous Pop Artwork Artist. 18"x24" Coventry Rag 335 gsm Signed & Numbered (by both artists) in an edition of 200 with Metallic Ink

    $861.00

  • Riding In The Neighbourhood Yellow Blotter Paper Archival Print by El Pez

    El Pez Riding In The Neighbourhood Yellow Blotter Paper Archival Print by El Pez

    Riding In The Neighbourhood- Yellow Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Pez. 2022 Signed & Numbered Limited Edition of 50 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

    $371.00

  • The Beautiful Losers Portfolio Catalog Boxed 2006 Kaws Shepard Fairey

    Kaws- Brian Donnelly The Beautiful Losers Portfolio Catalog Boxed 2006 Kaws Shepard Fairey

    The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set Kaws- Brian Donnelly x Shepard Fairey- OBEY x Jonathan Levine Projects Featuring Legendary Graffiti Street Artwroks from Dozens of Artists During the 2004, 2005, 2006, 2007, 2008, 2009 & 2010 Show Run. The Beautiful Losers Portfolio and Catalog Boxed Edition, 2006 is a treasure trove for lovers of Street Pop Art and Graffiti Artwork, offering a comprehensive collection that captures the spirit of the iconic "Beautiful Losers" exhibition. This limited-edition set stands as a pristine testament to a defining moment in contemporary art and the raw creativity of the street art scene from 2004 to 2010. Each element of the set, carrying corresponding matching edition numbers, is in mint condition, ensuring its value as a collectible and a piece of art history. Original The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set x Jonathan Levine. Jonathan Levine Projects' The Beautiful Losers box sets 2004-2010 were released in a limited edition, with the Portfolio Box limited to under 30 editions and the Catalog Box limited to 100. Each set is housed in a custom printed and numbered wooden box, adding a layer of sophistication and care to the presentation of these artworks. The dimensions of these boxes, measuring 26 x 19 x 9 inches, were carefully chosen to accommodate the variety of works and their varying sizes, ensuring that the integrity of each piece is maintained. Iconoclast published these box sets on the occasion of the traveling exhibition "Beautiful Losers," which ran from 2004 to 2010. This exhibition, alongside "Transfer," which toured various locations from 2008 to 2010, showcased the burgeoning talent and diverse expressions within Street Pop Art and Graffiti Artwork. The Beautiful Losers exhibition and its accompanying publications, including the "Beautiful Losers: Contemporary Art And Street Culture" book published by Edition Iconoclast in 2005, have been pivotal in bringing the vibrancy and relevance of street and graffiti art to a broader audience. The Portfolio Box, a crucial component of these sets, is a treasure trove of 28 of the most influential street and graffiti artists. This collection includes prints from renowned artists like KAWS and Shepard Fairey, each bringing their unique vision and style to the forefront. Each piece within this box echoes the themes and artistic expressions in the broader Beautiful Losers exhibition, further underscoring this collection's significance in contemporary art. The Beautiful Losers Movie 2008 About the Art Show Beautiful Losers is a 2008 documentary that dives into the lives and art of a collective of artists who have played a pivotal role in the Street Pop Art and Graffiti Artwork movement since the 1990s. Directed by Aaron Rose and co-directed by Joshua Leonard, this film was a product of Sidetrack Films and BlackLake Productions, featuring artists like Harmony Korine and Steve "ESPO" Powers. The film explores the "do-it-yourself" ethos of these artists, whose work is steeped in the aesthetics of skateboarding, graffiti, and underground music genres such as punk rock and hip-hop. It casts a light on the journey of these artists from obscure street culture to becoming celebrated figures within the mainstream art world, detailing their personal feelings and convictions as they transitioned from creating for themselves to working on high-profile commercial projects. "Beautiful Losers" is more than a film; it is part of a more significant cultural phenomenon that includes a published art book of the same name, edited by Christian Strike and Aaron Rose, and a traveling museum exhibition that features the artists and their works. This exhibition serves both as a backdrop and a focus in the documentary, emphasizing the expansive influence of these artists and their continued relevance in contemporary art discourse. Artist Signed Limited Edition Silkscreens, Photos, Drawings & Art Objects 2004-20010   Beautiful Losers Contemporary Art and Street Culture Book 2004 Beautiful Losers: Contemporary Art and Street Culture, a seminal anthology published in 2004 by D.A.P./Iconoclast, this volume is an essential exploration of a vibrant subculture that transformed the aesthetics of the late 20th and early 21st centuries. This first edition is a collector's gem encased in a satisfactory condition hardback with a sleeve. The book's red cloth boards are embossed with gilt lettering on the front and spine, signaling the treasure within a profusion of illustrations and original works. This is no mere collection; it is a profound narrative detailing a cultural movement's organic, uncontrived emergence. It charts the journey of American artists, many freshly stepping into adulthood, who were propelled not by market demands but by pure passion and creativity. Without formal training or insider knowledge, they drew inspiration from the streets, influenced by the raw vitality of skateboarding, graffiti, street fashion, and independent music. Names like Shepard Fairey, Mark Gonzales, and Spike Jonze are among the many who channeled their lived experiences into their craft, learning through doing and revolutionizing their mediums. Beautiful Losers serves as both a tribute and a historical account, tracing the cultural threads from Jean-Michel Basquiat and Keith Haring to newer proponents such as Ryan McGinniss and KAWS. It features various artistic expressions across mediums, alongside reproductions of ephemera that encapsulate the era's spirit. The book is further enriched by essays from writers who have fervently supported these artists from their inception. It's not just an art book; it's an archive of a movement that left indelible marks on the art world and fashion, music, literature, film, and even athletics. The independent ethos these creators embodied may have evolved, yet their foundational spirit—a spirit of rebellion, innovation, and authenticity—remains unshaken. Beautiful Losers is a celebration of that enduring spirit, an invitation to witness the beauty in the raw, the unrefined, and the real. Kaws- Brian Donnelly: Warm Regards Letterpress Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. "Warm Regards," created in 2005 by KAWS, is a captivating piece of art rendered through letterpress on paper, measuring 20 x 16 inches. This artwork is part of a limited edition of 200, each meticulously signed and numbered by the artist. The piece was published explicitly by Iconoclast Editions to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, marking a significant moment in the intersection of contemporary art and street culture. This artwork features a character that is a signature motif in KAWS' work, with its notable crossed-out eyes and exaggerated cartoon-like hands and feet. This print is from a limited edition series, with only 200 pieces available, each individually signed and numbered by the artist. It was published by Iconoclast Editions, likely as a celebration of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. The exhibition, which took place from 2004 to 2009, was a pivotal event showcasing the overlap of contemporary art with street culture. KAWS' work often bridges these two worlds, combining a commercial graphic design background with a sophisticated, gallery-worthy aesthetic. His characters are usually drawn from pop culture and are depicted in a playful and critical style, often reflecting consumerism and human emotion. Shepard Fairey- OBEY: Soup Can I Silkscreen Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. Shepard Fairey's "Soup Can 1" is an iconic piece from 2005, masterfully rendered as a silkscreen print on acid-free archival paper. The artwork is 20 by 16 inches and belongs to a limited edition series, with only 200 existing pieces, each bearing the artist's signature and edition number. Iconoclast Editions released this print to commemorate the pivotal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009 and celebrate the synergistic relationship between underground art scenes and mainstream culture. The "Soup Can 1" print has graced a variety of prestigious exhibits, including the seminal "Beautiful Losers" traveling exhibition, "Transfer" at Santander Cultural in Porto Alegre, Brazil, and the comprehensive "Supply & Demand" show. It also appeared at the "Transfer" exhibition housed within the Brazilian Cultural Pavilion at Ibirapuera Park, São Paulo, Brazil, in 2010. Fairey's work during this period is documented in an array of publications, notably the "Beautiful Losers" collection from 2005-2009, the "Supply & Demand" book published by Rizzoli in 2009, and the 2010 edition of "Transfer." Each of these works provides insights into the artist's creative process and the cultural impact of his work. The provenance of "Soup Can 1" is securely rooted in the Beautiful Losers Archive, ensuring its place in the annals of contemporary street culture and affirming its status as a collectible piece of art history. Shepard Fairey- OBEY: Untitled Angela Davis Silkscreen Print 2005 Signed/Numbered This powerful silkscreen by the influential artist Shepard Fairey is a striking addition to his illustrious work. Sized at a prominent 8x10, this untitled piece is part of an exclusive edition of only 100 copies, each printed, numbered, and signed by Fairey himself, ensuring its rarity and collectibility. Fairey, renowned for his ability to infuse art with social commentary, presents a compelling portrait set against a bold red backdrop that demands attention. The high-contrast silhouette captures the strength and intensity of its subject, immortalizing a moment of passionate expression. The image is a visual echo of the past yet speaks to contemporary themes of empowerment and resistance. In the lower-left corner, Fairey's signature emblem—the star circled by the word "OBEY"—anchors the work, embedding the piece within his more extensive oeuvre known for challenging viewers to question authority and the landscape of visual culture. This artwork is a testament to Fairey's continued relevance in the art world and his steadfast commitment to making a statement through his art. Collectors and admirers of Fairey's work will recognize the artist's iconic style, which has become synonymous with the modern street art movement. Henry Chalfant: Lee, Futura, Dondi Silkscreen Print 2004 Signed/Numbered This compelling artwork, crafted by the esteemed Henry Chalfant, celebrates the street art movement, immortalizing the work of three graffiti legends: Lee, Futura, and Dondi. Titled "Lee Futura Dondi," this piece from 2004 is a silkscreen printed on acid-free archival paper, ensuring its preservation and quality for years. Measuring 16 x 20 inches, the work is substantial enough to make an impactful visual statement while still suitable for diverse display settings. The triptych format of the artwork presents a trio of vibrant, stylized subway cars, each adorned with the distinctive artwork of the graffiti above artists. The top panel bursts with energetic pinks and blues, showcasing Lee's iconic lettering style, while the middle features Futura's futuristic approach, with abstract forms and a cool-toned palette. The final panel is a tribute to Dondi's classic wildstyle, with bold lettering in shades of pink cutting through the background. Chalfant's work is not merely a static representation; it conveys the movement and rhythm of subway art as it once moved through the arteries of New York City. Each piece in this limited edition series is signed and numbered by Chalfant, marking its authenticity and connection to the artist. This series was published to coincide with the groundbreaking exhibit "Beautiful Losers: Contemporary Art and Street Culture," which showcased the intersections and influences of street art within contemporary art. This print is a collector's item, not only for its aesthetic and historical value but also for its representation of the evolution of street art from subways and city walls into the echelons of high art. Geoff McFetridge: Kemistry Original Drawing with DVD Animation 2004 This piece, created by Geoff McFetridge, is one of the 100 original drawings that compose an intricate animation sequence. Crafted with precision in pencil on Canson paper, each drawing measures 22.86 by 30.45 centimeters, capturing the minimalist aesthetic and fluid lines characteristic of McFetridge's work. This artwork showcases a playful scene of a figure skateboarding, rendered in a flowing, continuous line that conveys motion and a subtle sense of whimsy. A second character peeks curiously from the edge, adding a narrative element to the composition. Accompanying the original artwork, collectors receive a DVD containing the complete animation sequence, providing a rare glimpse into McFetridge's creative process and the animation's progression from still images to a dynamic visual experience. The artist signs Each drawing, providing a personal touch that assures authenticity. This offering is not merely an acquisition of a singular piece of art; it is an invitation to engage with McFetridge's visionary world where graphic design intersects with cinematic storytelling. This unique combination of traditional drawing and digital animation offers a multifaceted appreciation for the artist's innovative approach to contemporary art. Ed Templeton: Chris Johanson At The First Beautiful Losers Exhibition Photograph 2004 Signed Captured through the discerning lens of Ed Templeton, this photograph is a significant piece of contemporary art history, documenting the vibrant essence of the "Beautiful Losers" art movement. The image presents Chris Johanson, an artist synonymous with the DIY spirit of street art, at the first exhibition of "Beautiful Losers" in Cincinnati, Ohio, in 2004. This is an evocative silver gelatin print by Ed Templeton, depicting Chris Johanson at the inaugural "Beautiful Losers" exhibition. The photograph, sized at 8 x 10 inches, is part of a limited edition of 100, each individually signed by Templeton, marking its exclusivity and authenticity. Captured in 2004, this image is a timeless piece of art history, documenting a pivotal moment in the convergence of street culture and contemporary art. This photograph is a visual record and embodiment of the exhibition's ethos, celebrating the underground convergence of skateboarding, graffiti, and street art with contemporary art. The photo's composition is candid and unfiltered, showcasing Johanson with his face obscured by a white cloth, an enigmatic presence that stirs curiosity. This choice of presentation speaks to the themes of anonymity and mystery that often permeate street art culture. Johanson's obscured face, adorned with sunglasses atop the fabric and his untamed beard protruding beneath, creates a striking, visually arresting, and thought-provoking contrast. Signed by Ed Templeton, this photograph is a tactile connection to the moment it captures, bringing the viewer into the fold of a pivotal event in street and pop art history. Templeton's signature adds a layer of authenticity and marks this work as a genuine intersection of his photographic journey and Johanson's artistic narrative. "Chris Johanson At The First Beautiful Losers Exhibition" is a photograph transcending its medium, offering a glimpse into the community and camaraderie of the artists who defined a generation. This piece will hold a place of reverence for collectors and enthusiasts of the movement, encapsulating the raw, spontaneous energy that "Beautiful Losers" represented. Cynthia Connolly: Untitled Ice Machine Page, Arizona Photograph 1999 Signed/Dated This photograph by Cynthia Connolly, untitled yet poignantly capturing the essence of Page, Arizona, is a masterful silver gelatin print that embodies the spirit of the "Beautiful Losers" exhibition. The print, with dimensions of 4 x 6 inches, belongs to a limited edition series of 100, each painstakingly printed and signed by the artist, underscoring its collectible nature. The image focuses on an ice machine, a mundane yet iconic symbol of Americana in the everyday landscape. Dated 5/17/95, the photograph is not just a depiction of a place but a timestamp of an era. The handwritten annotation "Page, Arizona" adds a personal touch, evoking a sense of place and grounding the artwork in its geographical context. Connolly's photographic eye transforms the ordinary into the extraordinary, inviting viewers to find beauty and narrative in the commonplace. The stark contrast of the black and white image highlights the play of light and shadow, lending the ice machine a sculptural quality. This piece is a subtle exploration of form and texture, where even the utilitarian becomes a subject worthy of artistic contemplation. This print is essential for collectors who value the intersection of documentary photography and fine art. It is a testament to Connolly's commitment to capturing the overlooked nooks of American landscapes, making it an exceptional addition to any collection that celebrates the nuanced beauty of the mundane within the vast tapestry of American culture. Barry Mcgee: Untitled Ryze 2007 C-Print & Hand-Tagged Photograph Artwork Barry McGee's "Untitled Ryze" is a cornerstone of the contemporary art movement, symbolizing the vibrant intersection of street culture and fine art. This striking 2007 C-print, measuring 16 x 20 inches, is a highly coveted collectible, limited to an edition of 200. Each piece in the series bears the unique distinction of being hand-signed and numbered by McGee, an artist who rarely affixes his signature to his works. The artwork was released in conjunction with the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which spanned from 2004 to 2009 and a plethora of museums and galleries across the globe. The image captures the essence of Boston's legendary" street figure, Ryze, showcasing McGee's adeptness at translating the raw energy of graffiti into a refined gallery context. McGee's word extends beyond the photograph, as "Untitled Ryze" is pivotal in his larger installations and clustered assemblage pieces. The picture is a visual testament to the artist's legacy and a touchstone for the cultural zeitgeist The Beautiful Losers encapsulated. Acquired directly from Iconoclast Editions and the Beautiful Losers Archive, this piece represents a rare opportunity for fans and collectors alike to own a fragment of street art history seen through the lens of one of its most enigmatic and celebrated artist, Barry McGee. Barry McGee: Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag Barry McGee, an influential figure in street pop art and graffiti artwork, has made a significant impact with his unique style and approach. His "Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag" is a quintessential example of his work, blending the raw, energetic ethos of street art with the refined aesthetics of pop art. This piece, created in 2005, is a testament to McGee's ability to transform everyday objects and themes into compelling artistic expressions. McGee's journey in art began in the streets, where he honed his craft by creating graffiti under the tag "Twist." This formative period was crucial in shaping his distinctive style, characterized by a blend of graffiti's spontaneity and the bold, eye-catching essence of pop art. His transition from street walls to galleries did not diminish the raw authenticity of his work. Instead, it provided a new canvas for his expressions, allowing him to reach a wider audience while staying true to his roots in street culture. Terry Richardson: Untitled Devil Self Portrait Silkscreen Print 2004 Signed/Numbered Presenting a striking visual piece, this untitled self-portrait from 2004 is a silkscreen print on paper, measuring 20 x 16 inches, and part of a limited edition of 200. Each piece is individually signed and numbered by the artist, adding a personal touch to this exclusive artwork. The print features the artist in a vibrant yellow backdrop, posing with a playful yet rebellious demeanor. Adorning devil horns and wielding a trident, the subject playfully gestures a peace sign, juxtaposing traditionally nefarious symbols with a light-hearted attitude. The vivid monochromatic yellow tone of the print adds to the artwork's striking impact. This piece was released with the exhibition "Beautiful Losers: Contemporary Art and Street Culture" from 2004-2009. It explores the intersections of pop culture and street art, offering a subversive take on contemporary iconography. The artwork's provenance is notable, originating from Iconoclast Editions and the Beautiful Losers Archive, ensuring its authenticity and connection to a significant movement in modern art. This self-portrait is more than a mere image; it's a statement piece that captures the essence of a cultural zeitgeist, making it a compelling addition to any art collection. Evan Hecox: Kyoto Street Woodblock Print 2004 Signed/Numbered "Kyoto Street," a captivating silkscreen by Evan Hecox, presents a moment frozen in the timeless allure of Japan's old capital. Created in 2004, this piece of art is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It belongs to an exclusive edition limited to 200 prints, each hand-signed and numbered by Hecox himself, ensuring its place as a collectible item. This artwork was released as part of the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibit from 2004 to 2009 and was showcased at various locations. The "Kyoto Street" print has been displayed in notable exhibitions, including "Transfer" at the Santander Cultural in Porto Alegre, Brazil, in 2008 and the Brazilian Cultural Pavilion in Ibirapuera Park, São Paulo, in 2010. In this piece, Hecox distills the essence of Kyoto's urban landscape into stark contrasts and clean lines, capturing the dynamic interplay of light and shadow. Lanterns adorned with kanji characters punctuate the scene, casting a warm glow over the alleyway. At the same time, the intricate web of power lines above adds a layer of complexity, suggesting the city's vibrant energy. The artwork's stark palette and bold graphic style evoke a sense of nostalgia, inviting viewers to contemplate the serene and bustling atmosphere of Kyoto streets. Preserved within the Beautiful Losers Archive, "Kyoto Street" is not just a print but a narrative piece chronicled alongside other contemporary masterpieces in the "Beautiful Losers" and "Transfer" catalogs. It is a testament to Hecox's ability to capture the urban environment's soul, making it a prized possession for collectors and admirers of contemporary art with a penchant for urban aesthetic and cultural depth. Ryan McGinness: Pathetic Lucky Charms of the Hipster Doofus Silkscreen Print 2004 Signed/Numbered Ryan McGinness, 'Pathetic Lucky Charms of the Hipster Doofus.' This exquisite piece from 2004 is a masterful representation of contemporary iconography, meticulously crafted through silkscreen on paper. Each print measures 20 by 16 inches and is part of an exclusive edition limited to 200 pieces, ensuring its uniqueness and collectible nature. Each print is hand-signed and numbered by the artist, a testament to its authenticity and McGinness's personal touch. The artwork was released in conjunction with the renowned exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which spotlighted the pulsating energy and vibrancy of street art within the context of contemporary art. The piece is a symphony of symbols, a visual lexicon reflecting the hipster subculture's ironic and often self-deprecating spirit. McGinness's use of iconic imagery, interwoven with playfulness and critique, encapsulates a moment where art, culture, and social commentary intersect with effortless grace. This work is not just a piece of art but a slice of cultural history, a mirror to the zeitgeist of the early 2000s urban landscape." Harmony Korine: Untitled Osama & E.T. Silkscreen Print 2005 Signed/Numbered This artwork is an enthralling silkscreen print by Harmony Korine titled "Untitled (Osama & E.T.)" from 2005. It is a limited edition work, with only 200 copies made, each hand-signed and numbered by Korine, elevating its status as a collector's item. This print, measuring 20 x 16 inches, showcases Korine's unique vision by juxtaposing two vastly different cultural references into one frame. The image represents Osama bin Laden in a warm embrace with the iconic extraterrestrial character, E.T., from Steven Spielberg's renowned film. Blending these images makes a bold statement and invites many interpretations of the convergence of disparate cultural symbols. The figure and E.T. are drawn with a delicate linearity that belies the weightiness of the subject matter, creating a striking visual paradox. This silkscreen print was released with the "Beautiful Losers" exhibition, which celebrated the intersection of skateboarding, graffiti, and street fashion with contemporary art. The provenance of the print is impeccable, coming from Iconoclast Editions and the Beautiful Losers Archive, adding to its historical and artistic significance. The pairing of such incongruous figures in this print challenges the viewer to reconcile the contrasting emotions and narratives each character represents. This piece is more than just a visual statement; it's a dialogue about pop culture, political figures, fictional characters, and their place within the artistic sphere. Collectors and enthusiasts of street pop art will appreciate this print's depth and provocative nature, making it a noteworthy addition to any compilation of contemporary artwork. Larry Clark: Untitled Shorty Photograph Artwork 1996/2007 Signed/Numbered This striking photograph titled "Untitled (Shorty)" is a profound work by the acclaimed artist Larry Clark. It was produced in 1996 and later published in 2007. It is presented on Anjelica watercolor paper with 20 x 13.75 inches dimensions. Each piece within this edition of 200 is individually signed and numbered by Clark himself, with an additional signature and date on the verso, ensuring its authenticity and rarity. Issued with the renowned "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, this photograph emanates from the Iconoclast Editions and is an integral part of the Beautiful Losers Archive. Larry Clark, an influential figure in photography and film for over five decades, has left an indelible mark on the creative world through works like "Teenage Lust" and "Tulsa" and movies including "KIDS" and "Marfa Girl." The photograph captures the essence of Lyle Dean "Shorty" Easky, whose story intertwines with the artist's history and the broader narrative of American youth culture. Shorty, of Native American descent, tragically passed away in 2013. His life and untimely death remain a poignant tale, with roots stretching back to the same Tulsa neighborhood that inspired much of Clark's early work — the same locale that Francis Ford Coppola chose for "The Outsiders." Raymond Pettibon: Untitled Sun Silkscreen Print 2005 Signed/Numbered This striking work is an untitled piece from 2005 by the acclaimed artist Raymond Pettibon, known for his influential contributions to art and culture. The piece is a silkscreen on paper, a medium that allows for the vibrant and crisp presentation of Pettibon's dynamic design. It measures 20 x 16 inches, is scale accessible for various spaces, and commands enough to make a visual impact. Pettibon's creation is part of an exclusive edition of 200, with each piece signed and numbered by the artist, providing a direct connection to his creative process. The artwork features a burst of lines emanating from a central point, suggesting an explosive energy or a cosmic phenomenon. The use of black, coupled with highlights of blue and yellow, imbues the piece with a sense of depth and intensity, while the handwritten text at the top—"APPLY IT TO THE STUDY OF MIRRORS, RAINBOWS OR THE SUN!"—invites contemplation and lends a poetic dimension to the visual experience. This edition was published to commemorate the exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art and urban creativity. Pettibon's work is a testament to the ethos of this movement, encapsulating the raw spirit and the bold aesthetics that define the genre. It is a collector's item not only for its aesthetic appeal but also for its cultural significance within contemporary art. Evan Hecox: Chinatown NYC Woodblock Print 2004 Signed/Numbered Evan Hecox's 'Chinatown NYC,' a 2004 woodblock print on delicate Japanese rice paper, articulates urban vibrancy meticulously. Each print within this limited series measures 10 x 8 inches and is part of a numbered edition restricted to 100, underscoring its exclusivity. Each piece is printed and personally signed by Hecox, lending a touch of the artist's direct involvement in the collector's experience. This work captures the essence of New York's bustling Chinatown with a keen eye for detail and a distinctive stylistic approach. Hecox's use of lines in the woodblock medium translates the dynamic nature of the city into a static image that pulses with life. The artist masterfully conveys the architectural complexity of the urban landscape, complemented by the human element that breathes life into the city. The nuanced layering of the print, with its intricate linework and subtle tonal variations, echoes the layered experiences of urban life. Renowned for his ability to distill the spirit of a locale into his artwork, Hecox presents 'Chinatown NYC' as more than just a visual representation; it's a narrative woven in ink and paper, a story told through the rhythm of a cityscape. This piece reflects Hecox's artistic prowess and is a homage to the cultural tapestry that defines Chinatown and the ever-evolving story of New York City itself. Rostarr- Romon K Yang: Untitled Japan HPM Spray Paint Silkscreen 2005 Signed/Numbered Experience the fusion of tradition and rebellion with Rostarr's 'Untitled Japan HPM,' a provocative piece by Romon K Yang from 2005. This striking work, rendered on paper with dimensions of 27.94 x 33.02 cm, is a harmonious blend of spray paint and silkscreen techniques, culminating in a limited edition of just 100 copies, each individually signed and numbered by the artist. The artwork is a testament to Rostarr's distinctive visual language, where calligraphic strokes meet the spontaneity of street art. Bold red forms anchor the composition; their fluid contours and solid circles contrast sharply with the raw, improvised splatters of black spray paint. This interplay of color and form creates a dynamic tension, a visual symphony that captures the spirit of contemporary art. Each piece of 'Untitled Japan HPM' is a hand-painted, hand-printed celebration of unique expression, standing as a bold signature of Rostarr's iconic style. The artwork's limited availability makes it a coveted piece for collectors and enthusiasts eager to hold a part of art history that bridges the gap between the old and the new, the planned and the spontaneous. 'Untitled Japan HPM' is not just an artwork; it's a piece of cultural dialogue that resonates with the beats of modern urban life. Rostarr- Romon K Yang: Butterfly In The Hurricane 2004 Silkscreen Print Signed/Numbered Embark on a visual journey with 'Butterfly In The Hurricane,' a captivating silkscreen on paper by the acclaimed artist Rostarr, created in the transformative year of 2004. This piece exemplifies the dynamic interplay between form and fluidity, measuring an intimate 20 x 16 inches, and is part of an exclusive edition of 200, each bearing the unique signature and number assigned by the artist himself. Crafted during artistic exploration and boundary-pushing, 'Butterfly In The Hurricane' was released in conjunction with the groundbreaking exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which celebrated the confluence of underground art movements and the mainstream. The artwork features a storm of abstract shapes and curves, predominantly in shades of blue and yellow, evoking the chaotic grace of a butterfly caught in a storm. The bold colors swirl and dance across the paper, inviting viewers to contemplate the relationship between harmony and chaos. This piece is not merely a work of art; it's a statement, a slice of cultural history, and a testament to the artist's mastery of blending street culture's raw energy with the sophistication of contemporary art. 'Butterfly In The Hurricane' is a must-have for connoisseurs and collectors alike, promising to be a conversation starter and a cherished part of any collection. Craig R Stecyk III: Untitled 2004 Unique HPM Silkscreen Photograph Signed/Numbered A distinctive piece by Craig R. Stecyk III, this untitled artwork from 2004 is a brilliant example of the fusion between contemporary art and street culture. Crafted with meticulous attention to detail, the work features a hand-painted custom airbrush backdrop, a double-sided silkscreen is masterfully applied, along with pencil accents on robust, extra-thick white acid-free archival paper measuring 20 x 16 inches. Limited to an edition of 200, each piece is individually numbered and bears the artist's signature, underscoring its exclusivity. This artwork was released with the "Beautiful Losers: Contemporary Art and Street Culture" exhibit, which spanned from 2004 to 2009 and is held in high esteem within the Beautiful Losers Archive. The provenance of this piece traces back to Iconoclast Editions, a testament to its authenticity and cultural significance. Stecyk, a seminal figure in the Beautiful Losers project, created an installation that captivated audiences and garnered unprecedented acclaim. His work is a tribute to the vibrant Californian subcultures, drawing inspiration from custom car culture, surfing, and skateboarding, all depicted through his extensive photographic documentation. As a founding member of the Dogtown and Z-Boys, Stecyk's works are more than mere art; they are storied representations of a decadent cultural movement, rendered on paper with a palette that resonates with the energy and spirit of the streets. This piece is an artistic expression and a cultural artifact that captures the essence of Californian subcultures, immortalized through Stecyk's visionary lens. Craig R Stecyk III: Untitled Proof Gelatin Silver Silkscreen Print Signed/Numbered Craig R. Stecyk III's untitled piece is a statement of originality and artistic defiance. It is a part of an exclusive set of 100 artworks, each a gelatin silver and silkscreen print on paper, measuring 10.16 by 15.24 centimeters. The artwork boldly features the word "PROOF" in prominent red letters, asserting the piece's authenticity as an original generation photographic print. The text beneath serves as both a declaration and a restriction, emphasizing the print's purpose as a contractual document and expressly prohibiting reproduction, resale, and public display. The artist's signature underscores this boundary of exclusivity, scrawled energetically across the print, which authenticates each piece and marks it as a unique entity within the limited edition. The signature becomes an integral part of the artwork, blending with the textual message and the stark background, ensuring that each print is a testament to Stecyk's unique artistic philosophy and legacy within the art community. Tobin Yelland: Untitled Andy Roy Silkscreen Print 2004 Signed/Numbered Tobin Yelland's "Untitled (Andy Roy)" is a striking silkscreen that captures the essence of individuality and defiance, hallmarks of street culture. Produced in 2004, this piece features the image of Andy Roy, a figure synonymous with the skateboarding world, known for his raw style and unapologetic persona. Printed on high-quality paper, each piece within this limited edition spans 20 x 16 inches and is part of a series capped at 200 prints. Each is meticulously signed and numbered by Yelland, guaranteeing its authenticity and placing it within a lineage of sought-after collectibles. The artwork was created for the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009. This exhibition was pivotal for celebrating and acknowledging street culture within the contemporary art scene, bringing the aesthetics of skateboarding, graffiti, and beyond into the gallery space. Originating from Iconoclast Editions and the Beautiful Losers Archive, "Untitled (Andy Roy)" is more than a portrait; it's a narrative of subculture, an emblem of the rugged spirit of street art, and a snapshot of a movement that has left an indelible mark on the canvas of contemporary art. Collectors and admirers of the genre will find in this silkscreen a piece that continues to resonate with the authenticity and vibrancy of street culture. Tobin Yelland: Skate Smash Window PhotMills' Signed/Numbered Tobin Yelland's "Skate Smash Window Photo" is a raw and dynamic black and white photograph that seizes a candid moment of youthful rebellion. Captured in 2004, this image epitomizes the spirit of the street and skate culture of the time. The photo showcases the spontaneity and impulsiveness inherent in the skateboarding subculture, embodied by the act of a skateboard crashing through a car window. The photograph was featured in the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition celebrated the fusion of street sensibilities with the art world, bringing the authenticity of subcultural experiences into a fine art context. Originating from the Beautiful Losers Archive, with provenance through Iconoclast Editions, this piece is not just a photograph but a narrative, a slice of life from a culture that often goes undocumented. Yelland's ability to capture such a raw, unfiltered moment creates a visceral connection with the viewer, offering a window into the unrestrained aspects of youth culture. The "Skate Smash Window Photo" is a testament to the era it represents, serving as a historical document of the defiance and disruptive energy that skateboarding means. It is a valuable piece for collectors and enthusiasts of photography and street culture, offering an unapologetic look at the moments defining a movement. Mike Mills: The Cops Are Inside Us Silkscreen Print 2004 Signed/Numbered Mike Mills' evocative piece "The Cops Are Inside Us." stands as a profound statement in contemporary art, utilizing the raw medium of hand-printed silkscreen combined with pencil on soft white acid-free archival paper. This 2004 work measures 20 x 16 inches and is part of an exclusive edition limited to 200 signed and numbered prints. Each print from this series is a testament to Mills' keen eye for the interplay of text and image, crafting a narrative that speaks to the internal struggle and societal introspection. The bold red hue dominating the print, fading into a stark, gritty representation at the bottom, creates a striking visual contrast, suggesting a duality within the human condition. This artwork was released with the pivotal "Beautiful Losers" exhibition showcased from 2004 to 2009. The exhibit highlighted the cultural significance of street art and its impact on contemporary art practices. "The Cops Are Inside Us" reflects the sentiment of its era and continues to resonate with current social commentaries, making it a timeless piece for collectors and enthusiasts of meaningful art. Coming from the revered Beautiful Losers collection, this piece by Mike Mills is not just a work of art; it is a piece of cultural commentary, preserved through silkscreen and offering a window into the complex dialogue between society and self. Cheryl Dunn: Drafted 2004 Signed/Numbered Silkscreen Print & Signed Photograph Cheryl Dunn's "Drafted." is a provocative silkscreen artwork that starkly captures a moment of human interaction, set against a vibrant yellow backdrop. This 2004 creation measures 20 x 16 inches and is part of a limited edition of 200, each individually signed and numbered by the artist, underscoring its exclusivity. The artwork presents a high-contrast scene featuring silhouetted figures, one seated on the ground and the others seemingly in motion. Dunn's silhouettes create a universal narrative, allowing viewers to impart their stories and meanings onto the piece. The title "drafted." suggests themes of compulsion and resistance, resonating with viewers on a deeply personal level. Released during the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this piece contributes to the dialogue between street culture and fine art. The exhibition was a pivotal showcase for artists influenced by subcultural forms such as skateboarding, graffiti, and punk. Emerging from the prestigious Beautiful Losers Archive and produced by Iconoclast Editions, "drafted." is more than a piece of art; it's a cultural artifact that embodies the spirit of a movement. It is a powerful expression of Dunn's perspective and a visual commentary on the forces shaping our society. Collectors of contemporary art and street culture lovers will find a compelling blend of aesthetic boldness and social relevance in this work. Cheryl Dunn: C-4 San Francisco Tenderloin Hallway Giclee Print 2004 Signed/Numbered Presenting a captivating giclée print by Cheryl Dunn, this work transports the viewer to the vibrant heart of San Francisco's Tenderloin district. The piece, titled "C-4 San Francisco Tenderloin Hallway," is a testament to Dunn's keen eye for the raw and the real, capturing an evocative moment in a hallway that whispers tales of the city's urban fabric. The print measures display-friendly 15 by 10 inches, meticulously numbered and personally signed by Cheryl Dunn, signifying its authenticity and connection to the artist's original vision. This limited edition print is one of only 100 copies, making it a unique and collectible piece for art lovers and admirers of urban exploration. The subject stands in the narrow corridor, embodying a sense of stillness amidst the potential for city chaos. The individual is clad in a striking red and green jacket, adorned with whimsical bear ears that lend an air of innocence to the otherwise gritty scene. This person holds a spray paint can, suggesting a story of street art and expression. At the same time, the jacket pockets are intriguingly stuffed with additional cans, perhaps hinting at the artist's commentary on youth, rebellion, or creativity in urban spaces. Cheryl Dunn's print not only offers a visual narrative but also evokes a discussion on the cultural heartbeat of city life, the layers of stories packed into its walls, and the vibrant characters that walk its paths. This piece is more than a photograph; it's a slice of San Francisco's soul, beautifully preserved in high-quality giclée. Cynthia Connolly: Untitled Ice Machine Silkscreen Print 2004 Signed/Numbered Cynthia Connolly's "Untitled" from her "Ice Machines" series is a captivating silkscreen on paper, measuring an impressive 16 x 20 inches. This piece is part of a limited edition run of 200, each bearing the artist's signature and a unique number, marking its authenticity and limited availability. Crafted with an eye for the Americana aesthetic, this artwork is a poetic documentation of the once-ubiquitous ice machines dotted the American landscape, now a vanishing emblem of a bygone era. Connolly's work is celebrated for its ability to capture these fleeting slices of American life, preserving the nostalgia and cultural significance that these everyday objects hold. The "Untitled" print was published to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition was a pivotal moment that brought the rawness of street culture into the refined spaces of art galleries, highlighting the work of artists who draw inspiration from street aesthetics, skateboarding, and the undercurrents of subculture. Connolly's photographs, renowned for their poignant simplicity and depth, are held in the permanent collections of esteemed museums. This print, part of the "Ice Machines" body of work, reflects her dedication to chronicling elements of American life that are slowly fading from view. For collectors and admirers of contemporary art with a touch of nostalgia, Connolly's "Untitled" is a must-have. It's not just a silkscreen print; it's a piece of cultural heritage, a thoughtful reflection on the transient nature of the every day, and a beautiful work of art from a distinguished photographer and artist. Geoff McFetridge: The Hidden Radiance Silkscreen Print 2004 Signed/Numbered "The Hidden Radiance" by Geoff McFetridge is a testament to the artist's mastery of visual rhythm and narrative within the confines of silkscreen printing. Created in 2004, this silkscreen on paper measures 20 x 16 inches, a size that allows the intricate patterns and striking blue palette to envelop the viewer's field of vision—each element within the tessellated design pulses with an energy emblematic of McFetridge's graphic artistry. Upon closer inspection, one can discern the meticulous composition of abstract and figurative forms. This patterned artwork is a sophisticated visual puzzle where geometric and organic shapes converge to create a sense of depth and movement. The repetition of the elements serves an aesthetic purpose and weaves a deeper narrative, alluding to the interconnectedness of individuals within a community or the repetitive yet unique nature of urban landscapes. Signed by the artist, this piece holds the personal touch of McFetridge, ensuring its authenticity and connecting the collector directly to the creative process. "The Hidden Radiance" was featured in the renowned "The Beautiful Losers Portfolio" at Agnes B Gallery in Los Angeles as part of a collection celebrating the synergy between contemporary art and street culture. It is also highlighted in the pivotal book "Beautiful Losers: Contemporary Art and Street Culture," published by Edition Iconoclast, which documents this artwork's cultural phenomenon. This silkscreen print is a decorative piece integral to the dialogue between street pop art and mainstream art scenes. It is a collector's piece that captures the essence of McFetridge's influence on the visual language of contemporary art. This language speaks to the discerning art enthusiast and the vibrant street culture aficionado. Ed Templeton: Untitled Shocked Woman Silkscreen Print 2004 Signed/Numbered Presenting a compelling piece by Ed Templeton, "Untitled Shocked Woman" is a work that encapsulates the raw and expressive potential of silkscreen printing. Crafted in 2004, this piece measures 16 x 20 inches and is part of a limited edition of 200, each signed and numbered by Templeton, ensuring its exclusivity and collectible status. This silkscreen print showcases Templeton's unique ability to capture the human condition in its most vulnerable and candid moments. The artwork features the image of a woman, her expression of surprise or shock, a narrative moment frozen in time by Templeton's adept hand. The use of stark, contrasting colors and the overlay of abstract elements give this piece a dynamic quality that is both disturbing and intriguing. The imagery is imbued with immediacy and intimacy, characteristic of Templeton's approach to art. It challenges viewers to confront the unexpected and often unsettling emotions that his subjects display. The raw brushstrokes and the deliberate obscuring of details invite an exploration into the themes of privacy, emotion, and the voyeuristic nature of art. "Untitled Shocked Woman" was published during the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art scenes and mainstream recognition. Templeton's work is a testament to the power of street pop art to convey profound human experiences, making this piece a valuable acquisition for collectors and enthusiasts of contemporary art. James Jarvis x Amos Toys: In-Crowd The Thin Blue Line Wiggins Signed Figure Fine Art Toy 2004 He is introducing the "In-Crowd: The Thin Blue Line Wiggins" - a limited-edition of 100 signed series 3.5x6 collector's item that merges the imaginative world of James Jarvis with the tangible delight of fine art toys. Created in collaboration with Amos Toys, this figure represents a unique synthesis of art, collectibility, and narrative, culminating in a 6-inch (approximately 10cm) vinyl figure named Wiggins, part of a highly exclusive series limited to just 1660 overall pieces worldwide. Wiggins, the diminutive law officer, stands proudly in his uniform, crafted with meticulous attention to detail. From the top of his classic police hat to the soles of his steadfast boots, every element of his attire has been thoughtfully designed to reflect his character's essence. He holds a club, an accessory that hints at his readiness to jump into action and restore order. Yet, his face, with a mustache poised above a stern expression, suggests a depth of personality beyond his official duties. Each figure arrives encased in a beautifully designed box, proudly displaying the signature of James Jarvis, a mark of authenticity and a direct connection to the artist's hand. The packaging is as much a work of art as the figure itself, with the silhouette window showcasing Wiggins in a presentation that blurs the line between toy and art sculpture. Wiggins is not just a character but a storyteller in his own right, embodying the complexities of his profession with a twist of Jarvis's characteristic humor and insight. According to his backstory, when not patrolling the streets, he is penning confessional poetry, providing a glimpse into his sensitive soul—a contrast to his authoritative figure. This piece is a must-have for fans of street pop art and those who appreciate the intersection of art and playfulness. It is a tribute to the offbeat charm and creative vision that James Jarvis is renowned for, making "In-Crowd: The Thin Blue Line Wiggins" a standout addition to any collection of fine art toys or contemporary art pieces. ESPO- Steve Powers: Untitled Next Door HPM Silkscreen Print 2006 Signed/Numbered Steve Powers' "Untitled (Next Door...)" is an exemplary piece of contemporary art, blending the rawness of street art with the sophistication of a gallery piece. This silkscreen on paper, measuring 16 x 20 inches, is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its status as a collector's item. A standout feature of this artwork is that each print includes unique hand-drawn elements by Powers, making every piece a one-of-a-kind treasure. The artwork is infused with Powers' characteristic wit and visual language, featuring bold graphics and textual interplay that convey a complex narrative. Published in conjunction with the celebrated "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this print captures the essence of a movement that blurred the boundaries between underground and mainstream art. The varied elements, from the "Misfit" puzzle piece to the sad figure with a top hat, all speak to themes of identity, societal pressures, and the existential search for meaning. Originating from Iconoclast Editions and the Beautiful Losers Archive, Powers' "Untitled (Next door...)" is not merely a piece of printed art; it's a dialogue with the viewer, a satirical commentary on the human condition, and a reflection of Steve Powers' (aka ESPO) distinctive voice in the world of art. This piece will complement any art collection and serve as a conversation starter due to its vibrant imagery and the artist's unique storytelling prowess. ESPO- Steve Powers: Handy Signs for People You Know in New York City Custom HPM Print 2006 Steve Powers, also known as ESPO, brings the dynamic essence of urban communication to life with his "Handy Signs for People You Know in New York City" from 2006. This collection of die-cut stickers is more than mere decoration; it's a form of expression, embodying the pulse of New York City's streets. Each sticker is a burst of color and symbolism, measuring 12-1/8 x 10-1/4 inches, designed to capture the attention and provoke thought. This piece cleverly categorizes the various archetypes one might encounter in the bustling metropolis: "CONFUSERS" with a pointing hand in blue, "ABUSERS" with a thumbs down in red, "USERS" with a pointing finger in green, and "PRODUCERS" with a handshake in black—the background's vibrant yellow acts as a visual megaphone, amplifying each sign's message. Powers' artwork is a commentary on the social dynamics of city life, each sign a shorthand for the complex interactions that define the urban experience. Released as a custom, high-pressure matte (HPM) die-cut sticker sheet, these stickers are designed to adhere to any surface, turning everyday objects into mediums for social dialogue. "Handy Signs for People You Know in New York City" is an interactive art piece and a cultural artifact that reflects the artist's keen observation of the characters that make up the fabric of city life. For collectors and admirers of Steve Powers' work, this sticker sheet is a unique blend of graphic design, street art, and wry commentary—all hallmarks of Powers' distinct style. Jo Jackson: Untitled Silkscreen Print 2004 Signed/Numbered & "States" Artist Book Jo Jackson's "Untitled" from 2004 is a serene silkscreen print that captures the minimalist essence of natural forms through color and shape. Measuring 16 x 20 inches, this work is part of a limited edition series, with each piece signed and numbered by the artist, underscoring its exclusivity and collectible value. States is a limited edition flip book zine of 100. The print features a stark, icy peak set against an excellent blue background, evoking a sense of calm and contemplation. The mountain's apex is met with a singular, detailed snowflake, suggesting the purity and uniqueness of nature's creations. Below, a field of white dots dances across the base, reminiscent of a quiet snowfall or a starry night sky. Released in alignment with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, Jackson's artwork reflects the introspective and often meditative qualities that contemporary art can elicit. The exhibition was a landmark event showcasing artists who drew inspiration from street culture, graffiti, skateboarding, and other subcultural art forms. Emerging from the Beautiful Losers Archive, this piece represents a moment in contemporary art where simplicity and symbolism converge. For collectors and enthusiasts alike, Jackson's "Untitled" is not just a print but a piece of tranquil beauty, offering a moment of reflection amidst the chaos of everyday life. It is a testament to the artist's ability to distill complex emotions into a single, poignant image. Thomas Campbell: People Of Pangea Silkscreen Print 2005 Signed/Numbered Thomas Campbell's "People Of Pangea Unite" is a compelling silkscreen on paper that encapsulates a whimsical and thought-provoking perspective on unity and the natural world. This 2005 piece is part of a limited series, individually signed and numbered by the artist, making each print a collectible artifact. The artwork portrays a surreal landscape where human figures merge with the trunk of a tree, creating a visual metaphor for interconnectedness. Above, a speech bubble unfurls with the text, "WHAT EXACTLY ARE CONSERVATIVES CONSERVING," a provocative prompt encouraging viewers to ponder political and environmental stewardship. The piece is punctuated with vibrant splashes of color amidst an otherwise earth-toned palette, drawing the eye across the playful composition. Published for the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, Campbell's print embodies the exhibition's celebration of subcultural art forms and their influence on contemporary art. The exhibition was a significant cultural event, bringing the ethos of skateboarding, graffiti, and street art into the gallery space. "People Of Pangea Unite" is a testament to Campbell's unique ability to blend the fantastical with the critical, offering a statement that is both aesthetically pleasing and intellectually stimulating. For collectors, this print is not just a piece of art; it's a conversation piece that captures a distinctive moment in contemporary art history, characterized by its boldness and ability to challenge the status quo. Thomas Campbell: T Moe Still Smoking Paul Frank Limited Edition Hand Made Custom Wallet 2005 Thomas Campbell's "Still Smoking" is a bespoke, handcrafted wallet, a functional piece of art that fuses utility with the vibrancy of the street culture. Created in 2005, this limited edition item celebrates personal style and artistic flair. Adorned with a myriad of whimsical illustrations that are signature to Campbell's aesthetic, the wallet boasts a light blue background with vivid, contrasting images. From the playful depiction of clouds to the stylized structures and whimsical figures, each element is rendered with a sense of joy and a bold, graphic sensibility. The wallet was released as part of commemorating the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This global event was a landmark for showcasing the intersection of skateboarding, graffiti, and street art within the contemporary art scene. Campbell's "Still Smoking" wallet is not just an accessory but a collectible piece that captures the essence of an era where art was not confined to galleries but was carried in the pocket, a part of the everyday. It is a tribute to the spirit of "Beautiful Losers" and a must-have for collectors who appreciate the blend of art and everyday life. Andy Jenkins: Untitled Hang Unique HPM Print 2005 Signed/Dated A compelling piece from Andy Jenkins, this artwork is part of a unique collection of 100 inkjet prints, each approximately 11 by 9 inches. This untitled work is a symphony of visual elements, combining typography, graphic design, and hand-drawn illustrations to create a layered narrative. The piece boldly features the word "HANG" in oversized, staggered letters that dominate the visual field, set against a backdrop that intriguingly blends elements of a calendar and handwritten script, suggesting the passage of time and the fleeting nature of moments. A sketched rocket positioned alongside the typography adds a dynamic sense of motion and exploration, further enriching the story told by the print. Each print in this limited edition is individually signed and dated by Jenkins, ensuring its authenticity and connecting the collector directly to the artist's creative journey. This artwork is not just a visual statement but a testament to Jenkins' multidisciplinary approach, where text and image are interwoven to engage and challenge the viewer. Andy Jenkins: Untitled Circle HPM Unique Print 2005 Signed/Dated Andy Jenkins' "Circle Untitled HPM Print" from 2005 is a remarkable example of contemporary printmaking that marries the simplicity of geometric forms with the complexity of individual expression. This piece, one of a hundred unique inkjet prints, each measuring approximately 11 by 9 inches, showcases Jenkins' mastery of form, color, and composition. The artwork features two bold, black circles dominating the visual field; they form a study of perfect symmetry and balance. Surrounding these central figures appear to be handwritten notes and doodles, some clear, some obscured, hinting at the artist's process or perhaps thoughts left intentionally cryptic. The print is set against a pristine white background, which not only accentuates the vividness of the black circles and the red accents within one of them but also gives prominence to the subtle text and line work that invite the viewer to lean in closer. Each print in this series is signed and dated by Jenkins, indicating a personal touch and authenticity that collectors and admirers of art often seek. The limited edition nature of these prints makes each one unique in terms of its place in the series and the slight variations that occur in inkjet printing. Jenkins' "Circle Untitled HPM Print" is not just a visual experience but a tactile one as well, with the artist's choice of paper and printing technique contributing to the overall presence of the work. It is a testament to Jenkins' ability to convey depth and narrative within the minimalist framework, engaging the observer in a silent, reflective, and universal dialogue. With its clean lines and intriguing details, this piece is a compelling addition to any collection that values the intersection of modern design and personal expression within fine art printmaking. Andy "Mel Bend" Jenkins: Scribble Scrabble Silkscreen Print 2005 Signed/Numbered Andy Jenkins' "Scribble Scrabble" is an intriguing silkscreen and graphite work on paper, capturing the viewer's imagination through its bold graphic quality and playful engagement with typography. Measuring 20 x 16 inches, this piece is part of a finite edition of 200, each numbered and personally signed by Jenkins, affirming its uniqueness and collectible status. The composition features a raised fist entwined with flowing, ribbon-like lines against a backdrop of soft grays, punctuated by the eponymous "Scribble Scrabble" banner in striking black and red. Jenkins' graphic sensibility, honed through years as a pivotal creative in skateboarding culture, is on full display, merging elements of street art with delicate art sensibilities. Released with the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, "Scribble Scrabble" represents the creative evolution of skateboarding's aesthetic into gallery spaces. Jenkins, a versatile artist known for his work as a comic artist, illustrator, and creative director, co-founded Dirt magazine with Spike Jonze and Mark Lewman in the early 1990s, further cementing his influence in the subculture. "Scribble Scrabble" by Andy Jenkins is more than a print; it reflects a creative force shaping skateboarding culture's visual language. It holds a place of honor within the Beautiful Losers Archive, representing a time when the lines between subculture and high culture were blurred and beautifully intertwined. Terry Richardson: Smilen Broadway Eye Glasses Art Object 2004 This intriguing art object by Terry Richardson, titled "Smilen Broadway Eye Glasses," is a testament to the fusion of functional design and artistic expression. Presented as an art object from 2004, this pair of black eyeglasses represents Richardson's distinctive visual style, known for its boldness and directness. The glasses measure approximately 3 x 8 x 3 inches, embodying a sense of style within their compact form. The eyeglasses rest against a backdrop that reads "BROADWAY Collection SMILEN EYEWEAR," suggesting a theme of commercialism intertwined with personal identity. The clear acrylic lenses are set in a classic black frame, a color choice with timeless appeal. These glasses are not just accessories; they are statement pieces that reflect the wearer's personality and the artist's unique perspective on everyday objects. Crafted with meticulous attention to detail, the glasses carry the specifications "STYLE STEVEN COLOR BLACK SIZE 56-16 TEMPLE 145," denoting their bespoke nature. The art object blurs the lines between practical objects and collector's items, challenging the boundaries of what is typically perceived as art. Richardson's work here invites viewers to contemplate the intersection of visual culture, fashion, and personal expression, making it a compelling addition to any collection that values the innovative integration of art into daily life. Ari Marcopoulos: Justin Silkscreen Print 2004 Signed/Numbered Capturing a moment in contemporary portraiture, "Justin" by Ari Marcopoulos is a 2004 silkscreen creation on acid-free archival paper, measuring 20 x 16 inches. This work is part of a coveted limited edition series, with only 200 pieces, each meticulously signed and numbered by Marcopoulos, ensuring its exclusivity and collectible status. Set against a bold pink background, the portrait of 'Justin' is a compelling study of character and form. The stark contrast between the vivid backdrop and the monochromatic subject allows the figure to emerge with depth and introspection. The subject's neutral expression is rendered with a minimalist aesthetic, capturing a serene yet penetrating gaze that seems to look beyond the paper. This piece was published to mark the "Beautiful Losers" exhibit, a celebration of art that blurs the lines between street culture and high art. It reflects the movement's ethos, encapsulating a raw, unadulterated snapshot of youth and subculture. "Justin" is not just a portrait; it is a statement, a piece that speaks to the collector with an appreciation for the convergence of the art form with the zeitgeist of its time. It is a timeless addition to any collection, offering aesthetic beauty and cultural significance. Ari Marcopoulos: "I Might Be Wrong" Artist Art Book 2005 This image is a striking visual piece from Ari Marcopoulos' art book, "I Might Be Wrong," released as a limited fanzine in 2005 numbered limited edition of 100. This compelling work showcases Marcopoulos' skill in capturing street culture's raw and authentic essence. The photograph, printed in offset for precise, sharp detail, measures 20.32 x 12.7 cm, a size that invites close inspection and personal engagement with the viewer. In this monochrome portrayal, a figure stands before a weathered brick wall, their identity concealed behind what appears to be a boombox with eyes, evoking a sense of urban anonymity and artistic subterfuge. The boombox is a poignant symbol of the music and street scenes of the past decades, suggesting a narrative that intertwines personal expression with cultural artifacts. The backdrop is plastered with flyers, including one prominently featuring an announcement for the Alleged Gallery, providing context and anchoring the image in a specific cultural milieu. This edition numbered and limited to 100 copies, is a collector's item, offering an intimate glimpse into the artist's perspective on urban life and art. Marcopoulos is known for his documentary style that often explores the fringes of mainstream culture, and this image is a testament to his ability to find beauty and meaning in the everyday. Collectors and admirers of contemporary photography and street art will recognize the value of this art book as a touchstone for the dynamic and ever-evolving narrative of street culture. Todd James: Alive with Pleasure Silkscreen Print 2005 Signed/Numbered Introducing "Alive With Pleasure" by Todd James, a remarkable 2005 silkscreen creation on paper that vibrates with the artist's iconic energy and stylistic flair. This piece, measuring 7 x 5 inches, is part of an exclusive numbered edition of 100, making it a rare collectible for contemporary art enthusiasts. In this work, James continues to explore the themes of joy and exuberance that permeate much of his oeuvre. The composition features two figures rendered in a monochromatic pink hue that is striking and playful. The foreground is dominated by a character holding a smoke, her expression of unadulterated happiness, eyes closed, and a wide, toothy smile conveying a sense of contentment and delight. Behind her, a second figure, partially obscured, echoes this sentiment with a hand over her mouth smoking, suggesting laughter or a shared secret. James's line work in "Alive With Pleasure" is fluid and confident, with a cartoonish exaggeration immediately recognizable as his signature style. The characters are adorned with details such as the rainbow motif on the central figure's shirt, which adds a layer of visual interest and could be interpreted as a nod to themes of diversity and inclusion. This silkscreen print is not just a piece of art; it's a snapshot of happiness, a representation of life's simple pleasures, and a celebration of the moments that make us feel truly alive. It's a testament to Todd James's ability to capture the spirit of street pop art and package it in a format that resonates with the viewer on a visceral level. For collectors and admirers of Todd James's work, "Alive With Pleasure" is more than an artwork—it's an infusion of joy and an accurate representation of the artist's enduring appeal. Todd James: BullieJames'screen Print 2005 Signed/Numbered Presenting "Bullies" by the acclaimed artist Todd James, also known in the art circles as REAS, this 2005 silkscreen on paper is a vibrant testament to his renowned style deeply rooted in street culture and animated aesthetics. Measuring 20 x 16 inches, this piece is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its uniqueness and collectability. The artwork showcases four cartoon-like characters, each rendered with exaggerated expressions and gestures that convey a sense of movement and interaction. With its green complexion and fist raised, the dominant figure symbolizes the 'bully' archetype, a recurring theme in REAS's work, which often explores power dynamics and societal roles through a playful yet critical lens. Released in conjunction with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, "Bullies" encapsulates the energy and ethos of the street culture movement. The use of bold, primary colors and fluid lines is characteristic of Todd James's approach, where he blends elements of graffiti art with a refined art sensibility. This piece is a visual delight and a significant part of the dialogue between street art and mainstream contemporary art. It resonates with the rebellious spirit of the underground scenes from which Todd James emerged while also holding a mirror to society's broader narratives of confrontation and resilience. "Bullies" is a compelling example of Todd James's impact on the evolution of graffiti and street pop art, making it a coveted piece for collectors and enthusiasts. It embodies the fusion of street savvy and aesthetic finesse, a hallmark of James's artistic journey and a colorful addition to any collection. Wes Humpston: Bulldog Skates Silkscreen Print 2004 Signed/Numbered Featuring a striking blend of bold imagery and vibrant colors, the 'Bulldog Skates artwork by Wes Humpston is a profound piece that captures the essence of skateboarding culture. Created in 2004, this work is crafted with silkscreen and graphite on paper and stands at 20 x 16 inches. It belongs to a special edition limited to 200 pieces, each meticulously numbered and personally signed by the artist, establishing a direct connection between Humpston and the collector. This artwork was unveiled during the critically acclaimed exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the rich visual language of street culture and its influence on contemporary art. 'Bulldog Skates' is emblematic of Humpston's distinctive style, incorporating elements of street pop art and graffiti artwork. The central image—a fiery-eyed bulldog encapsulated within vibrant green flames—is not just a logo but an icon representing skateboarders' rebellious spirit and fiery passion. The vertical text that borders the central figure, reminiscent of graffiti tags, bears the name 'Bulldog Skates', reinforcing the brand's identity and roots in street art's gritty, raw energy. Humpston's artwork is a testament to the authenticity and creative freedom that defines the street skating scene, resonating with enthusiasts and art collectors alike. 'Bulldog Skates' is more than a piece of art; it is a cultural artifact that embodies the spirit of an era and a community that thrives on the edge of societal norms. Glen E Friedman: My Rules Silkscreen Print 2004 Signed/Numbered This dynamic silkscreen creation, 'My Rules,' by the acclaimed artist Glen E. Friedman, was produced in 2004. This piece, a bold representation of street culture's impact on visual arts, measures 20 x 16 inches and is part of a limited edition series, with only 200 prints available worldwide. Each piece is individually signed and numbered by Friedman, adding a personal authentication to the collector's item. Crafted with the precision and vibrancy characteristic of silkscreen printing, 'My Rules' serves as a visual manifesto of the punk and skateboarding ethos. The artwork was unveiled as part of the iconic 'Beautiful Losers: Contemporary Art and Street Culture' exhibition, which celebrated the crossover of street art into the gallery space. 'My Rules' is an emblem of the artist's storied career in documenting the rebellious spirit of youth subcultures. The print is a montage of energetic portraits and live-action shots, centering around a commanding figure vocalizing the title's sentiment. The electric lime-green typography slices through the monochrome backdrop, asserting the defiant tone of the work. This piece is not just an artwork; it is a historical archive that captures the pulse of a movement. It embodies the voice of a generation that challenged norms and lived by their own rules. Owning a piece from this edition is not just an investment in art; it's an acknowledgment of a transformative period in contemporary art, where the streets conversed with the studio, and Glen E. Friedman was there to capture it all. Chris Johanson: Untitled Why Are They So Frantic Silkscreen 2004 Signed/Numbered Untitled Why Are They So Frantic? by Chris Johanson is a compelling silkscreen that speaks volumes through its combination of text and imagery. Created in 2004, this piece is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It is part of a limited edition series, with only 200, each hand-signed and numbered by Johanson himself. This artwork was conceived for the groundbreaking "Beautiful Losers: Contemporary Art and Street Culture" exhibit that celebrated the influential movements in skate, graffiti, and street art from 2004 to 2009. The piece features an alien figure rendered in a minimalist outline, which serves as a conduit for a message that challenges the viewer to reflect on issues of hysteria and vulnerability within society. The bold, bright green backdrop accentuates the urgency and reflective nature of the text. Johanson's work traveled across various locations as a part of the "Beautiful Losers" exhibition. It was later featured in the "Transfer" shows in Brazil, at Santander Cultural in Porto Alegre and the Brazilian Cultural Pavilion in Ibirapuera Park, Sao Paulo. The influence and reach of the piece are further documented in the "Beautiful Losers" and "Transfer" bibliographies. Originating from the Beautiful Losers Archive, this artwork is a piece of visual culture and a historical snapshot, encapsulating the ethos of a movement that blurs the lines between the gallery and the street. It offers a unique opportunity for collectors and enthusiasts to engage with a pivotal time in contemporary art through Johanson's introspective lens. Chris Johanson: Love Not War Button Badge Set 2004 Numbered Chris Johanson's "Love Not War" is a thought-provoking collection of button badges measuring ten by 17.78 centimeters. This set, presented in a limited edition of 100 copies, reflects Johanson's engagement with contemporary socio-political themes encapsulated within each badge's brief, powerful messages. The badges, set against a vibrant backdrop of yellow with one standout in green, serve as wearable art that invites reflection and discourse. They echo the artist's commitment to peace, support for grassroots entrepreneurship, and critique of consumer culture and war. Each badge is a conversation starter, from advocating for human rights vigilance in global commerce to promoting inner tranquility and love. This numbered collection is a piece of art and a historical commentary, capturing the essence of advocacy and personal expression in miniature manifestos. Johanson's artistry turns wearing a badge into a statement of unique ethos and a call to social consciousness. Mark Gonzales & Harmony Korine: "Adulthood" Artist Art Zine 1995 "Adulthood" is a poignant collaborative art zine from 1995 by Mark Gonzales and Harmony Korine, artists known for their influential work within the skateboarding and film communities, respectively. This fanzine is a physical manifesto of the era's subculture, rendered through the photocopied medium that gives it a raw, authentic aesthetic. Measuring approximately 20.32 x 12.7 cm, the zine is a handheld testament to the DIY ethos that permeated the underground art scenes of the time. The cover features a grainy, high-contrast image of four young men, evoking the style of early 20th-century portraiture yet brimming with the defiant attitude of the 90s. Beneath the image, the names "Mark Gonzales" and "Harmony Korine" boldly declare this collaborative effort, uniting two distinct creative forces in a shared vision. The title "ADULTHOOD" looms above in stark, typewritten letters, juxtaposed with the date "First ish. March 1995," anchoring the piece in a specific moment of cultural production. Limited to 100 copies, this edition is as much a collectible as it is a slice of cultural history, capturing the ethos of a generation poised on the cusp of adulthood yet profoundly entrenched in the subversive youth culture of the time. Each zine serves as a snapshot of the period, a tangible artifact that embodies the spirit of collaboration and creativity that Gonzales and Korine are celebrated for. This work is a must-have for collectors and enthusiasts of 90s skate culture, indie film, and the raw energy of street-inspired art. Mark Gonzales: Limited Edition Krooked Air Freshener Art Object 2004 Embodying the skate culture aesthetic, Mark Gonzales presents the Limited Edition Krooked Air Freshener, a vibrant art object marring functionality with street art flair. Released in 2004 as part of the Beautiful Losers Portfolio, these air fresheners transcend their practical use, standing as collectible pieces reflective of Gonzales's artistic vision. Each air freshener features the distinctive Krooked skateboarding brand's playful and irreverent character, rendered in bold, graphic outlines. Available in two designs, the first flaunts a rich purple hue, embodying the Krooked eyes motif. In contrast, the second design showcases the brand's signature character in a stark white against a striking blue background. These art objects were curated for the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which celebrated the influential DIY spirit in art from 2004 to 2009. The collection taps into the heartbeat of street culture, infusing everyday items with a sense of artistry and rebellion against the mainstream. Originating from Iconoclast Editions and the esteemed Beautiful Losers Archive, the Krooked Air Fresheners holds a special place in the chronicles of contemporary art. They serve as a testament to GGonzales' impact on the skateboarding and art communities and a symbol of the era's diffusion of underground art with everyday life. These limited edition pieces are coveted by collectors and enthusiasts, representing a moment when street culture boldly claimed its space in the world of high art. Phil Frost: Custom Superwide Poster Refillable Marker 2004 Phil Frost presents a unique fusion of utility and artistry with his Superwide Marker and Poster Marker, crafted in 2004. These custom plastic refillable markers are more than mere tools; they are individual art pieces, standing approximately 2 x 5 inches, and are part of a limiwoman'stwomen'siwomen's00 each. The markers are adorned with FFrost's distinctive tribal-esque motifs in black against a vivid orange backdrop. This design is instantly recognizable to those familiar with FFrost'swork, known for its intricate patterns and a keen sense of the priMill's yet contemporary visual language. Sourced from Iconoclast Editions and part of the Beautiful Losers Archiv", these markers embody the ethos" of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. This project celebrated the DIY culture and street art that influenced a generation of artists. For MMills'srs, these markers are a tangible slice of the exhibition, encapsulating the essence of street culture's impact on contemporary art. They are a testament to the vision where the everyday object becomes a canvas, blending form and function with the fluidity of street art. These markers are functional items and collectible works that carry the artist's artist's signature style into the hands of creatives and art enthusiasts alike. Mike Mills: The Architecture of Reassurance 1999 Mini Book Mike MMills's" The Architecture of Reassurance" is a captivating softcover artist book that serves as a visual extension of his short film. Released in 1999, this first edition book measures 7 x 4.25 inches and is a rare collectible sourced directly from the Beautiful Losers Archive. Within its pages, the book offers a rich collection of photographs and film stills that capture the essence of a young woman's women's women's journey through the suburban landscapes around Los Angeles. These images are woven together to create a narrative that explores themes of urban isolation, the search for identity, and the comforting yet sometimes sterile uniformity of residential design. Mill's work is renowned for its ability to distill profound socio-cultural observations into minimalist visuals. "the Architecture of Reassurance" is no exception, reflecting thoughtfully on our environments and how they shape our experiences and perceptions. This intimate publication is a book and a portable gallery of MMills's cinematic and photographic talent. For admirers of MMills' work and those interested in the interplay between film, photography, and urban theory, this artist is an invaluable addition to their collection, offering a tactile piece of the late 20th-century zeitgeist. Clare Rojas: Peggy Honeywell Faint Humms Limited Edition CD 2004 This art object is a limited edition CD titled Peggy Honeywell "Faint Humms" by Clare E. Rojas, an artist whose work spans a variety of mediums, often exploring themes of identity and folklore. Released in conjunction with the influential exhibit "Beautiful Losers: Contemporary Art and Street Culture," this CD is not only a vessel of Rojas' auditory art but also a collectible item that represents the intersection of music and visual art within the street culture milieu. The CD is presented in a striking orange case, which underscores Rojas' bold use of color in her visual artworks. The case is enveloped in a foam liner, ensuring the protection of the disc and echoing the care typically given to preserve art objects. The disc, with its reflective surface creating a spectrum of colors, is reminiscent of Rojas' characteristic style, which often employs vibrant, contrasting hues. This piece is a tangible connection to the ethos of the "Beautiful Losers" exhibition, which celebrated the diverse art forms emerging from street culture and its influence on contemporary art. As a limited edition release, this CD is a snapshot of a particular moment in art history, embodying the creative spirit of an era where the lines between different artistic disciplines were blurred to create new forms of expression. Collectors and enthusiasts of Clare E. Rojas' work and those who appreciate the legacy of street culture in art will find this CD a meaningful addition to their collection. Ryan McGinness: Custom Sticker Pack 2005 Signed/Numbered This art piece is a Custom Multiverse Sticker Pack by Ryan McGinness, an artist renowned for graphic representations and organic forms. The pack, released in 2005, is part of a special edition, limited to 100 copies, each meticulously signed and numbered by McGinness, indicating its position as #of 100. The dimensions of the case are 12.7 x 12.7 cm, a compact size that encapsulates the essence of McGinness' design philosophy. Presented in a sleek silver case that shimmers with a metallic sheen, the pack embodies a sense of exclusivity and modernity. The artist's signature on the left side of the envelope certifies the work's originality. At the same time, the iconic crown emblem of the Ryan McGinness Studios logo on the right is a stamp of quality and authenticity. Inside, the case contains an array of stickers, each a fragment of McGinness' vibrant multiverse. These are not mere embellishments; they are adhesive artworks, allowing the bearer to carry a piece of the McGinness aesthetic into the world. The stickers serve as a portable gallery, a democratization of art at the heart of McGinness' ethos. This Multiverse Sticker Pack is a collectible that blurs the boundaries between high art and the accessible art form of stickers. For admirers of Ryan McGinness' work, this pack is a unique opportunity to own a piece of art history that is interactive, playful, and deeply rooted in the visual language of contemporary culture.

    $26,253.00

  • They Live 2 Silkscreen Print by Shepard Fairey- OBEY

    Shepard Fairey- OBEY They Live 2 Silkscreen Print by Shepard Fairey- OBEY

    They Live 2 Movie Hand-Pulled 2-Color Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Artist Shepard Fairey x Mondo. 2011 Signed & Numbered Screen Print They Live 2, 2011 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 500 Signed, numbered, and dated in pencil along the lower edge Published by Obey Giant, Los Angeles They Live Movie Screening Alamo Drafthouse Austin Texas June 9 2011. This Is Your God, Obey Your Dictator Minute bump to the lower-left corner.

    $917.00

  • Sale -35% Dissection of Little Mermaid Anatomy Sheet No 24 Silkscreen Print by Nychos

    Nychos Dissection of Little Mermaid Anatomy Sheet No 24 Silkscreen Print by Nychos

    Dissection of Little Mermaid- Anatomy Sheet No 24 Hand-Pulled 1-Color Limited Edition Silkscreen Print on 300gsm Munken Pure Paper by Medical Pop Artist Nychos. 2018 Signed & Numbered Limited Edition of 200 11x17 Illustrated by NYCHOS 1-color Screen Print on 300 g/m² Munken Pure Paper Size: 11 x 17 Inches / 27,94 x 43,18 cm Limited Edition of 200 Year: 2018 Imprint & stamp of authenticity Numbered and signed by the artist The REM Anatomy Sheets focus on the anatomy of pop culture cartoon characters. In this new collection of black and white limited edition screenprints, Nychos lets the viewer engage with details of the anatomy of toons.

    $164.00 $107.00

  • Tickle Me Anarchy! Archival Print by Denial- Daniel Bombardier

    Denial- Daniel Bombardier Tickle Me Anarchy! Archival Print by Denial- Daniel Bombardier

    Tickle Me Anarchy! Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2022 Signed & Numbered Limited Edition of 25 Artwork Size 18x24 #1 of 25 Tickle Me Anarchy!: A Satirical Statement in Street Pop Art Tickle Me Anarchy! is a bold and humorous archival pigment fine art print by Daniel Bombardier, known as Denial. This limited-edition work from 2022 showcases Denial’s ability to blend iconic pop culture imagery with sharp political and social critique. Printed on 290gsm MOAB fine art paper, the piece measures 18 by 24 inches and is part of a signed and numbered edition of only 25 prints, making it a highly collectible artwork. The vibrant colors and playful yet subversive composition highlight Denial’s mastery of street pop art and graffiti artwork, creating a visual commentary that is as engaging as it is thought-provoking. Subverting Icons Through Street Pop Art Tickle Me Anarchy! takes a beloved cultural figure and infuses it with anarchistic rebellion, transforming it into a symbol of critique against societal norms. The familiar red character is depicted holding a Molotov cocktail, a striking juxtaposition that merges innocence with chaos. This subversive imagery creates a dialogue about the role of entertainment, media, and consumer culture in shaping societal behaviors and ideologies. The playful design, paired with an unmistakable sense of rebellion, reflects the core elements of street pop art, where accessible imagery is used to deliver powerful messages. Denial’s Artistic Vision Daniel Bombardier, based in Canada, is celebrated for his ability to deconstruct and reimagine cultural symbols through his work. His unique style combines the aesthetic of graffiti artwork with the thematic depth of pop art, resulting in pieces that challenge societal norms and provoke thought. Tickle Me Anarchy! encapsulates this approach, turning a nostalgic character into a commentary on political dissent and societal discontent. Denial’s use of archival pigment printing on fine art paper ensures that the artwork is both visually striking and durable, preserving the intensity of his colors and the precision of his details. The Cultural Impact of Tickle Me Anarchy! Tickle Me Anarchy! is a prime example of how street pop art can use humor and irony to address serious themes. By merging playful visuals with provocative imagery, Denial invites viewers to question the systems and structures that govern modern life. This artwork resonates with audiences by blending nostalgia with rebellion, creating a piece that is as entertaining as it is meaningful. As a limited-edition print, it not only holds artistic and cultural significance but also stands as a coveted item for collectors who appreciate the intersection of graffiti artwork and pop culture critique. Denial continues to redefine the boundaries of urban art with works like Tickle Me Anarchy!, cementing his influence in contemporary street pop art.  

    $313.00

  • Getting Up Silkscreen Print by Skinner

    Skinner Getting Up Silkscreen Print by Skinner

    Getting Up Limited Edition 5-Color Hand-Pulled Silkscreen Print on 100lb Metallic Cougar Paper Stock by Skinner Graffiti Street Artist Modern Pop Art. Skinner is a self-taught artist living in Oakland, California who has meticulously crafted a balance of extraordinary mural work, bizarre and antagonistic installations while maintaining a prolific commercial career. Influenced by 80’s pop culture, human struggle, myths and violence, dungeons and dragons and the heavy metal gods, Skinner’s mind is one of psycho social mayhem fueled by a calculated chaos. His work has been shown all over the world in various museums, universities, and galleries. Printed Oceans is PangeaSeed Foundation's fine art print program that raises awareness and educates about pressing marine environmental issues through the lens of some of today's most respected creative minds. Since 2012, we have released over 100 original fine art print editions that highlight endangered marine species and ocean habitats. These stunning editions help to bring important conservation stories into homes and workspaces the world over creating critical dialogue and inspiring positive action. Through the purchase of these carefully hand-crafted, limited edition artworks, you are not only powering the groundbreaking work of PangeaSeed Foundation in communities across the globe but also contributing to the livelihoods of our supporting ARTivists. Together, via art and activism, we can help save our oceans.

    $221.00

  • The Wretched Whole Giclee Print by Skinner

    Skinner The Wretched Whole Giclee Print by Skinner

    The Wretched Whole Limited Edition Giclee Print on Velvet Cotton Rag by Skinner counter-culture street artist art. Skinner is a self-taught artist living in Oakland, California who has meticulously crafted a balance of extraordinary mural work, bizarre and antagonistic installations while maintaining a prolific commercial career. Influenced by 80’s pop culture, human struggle, myths and violence, dungeons and dragons, and the heavy metal gods, Skinner’s mind is one of psycho social mayhem fueled by calculated chaos.

    $224.00

  • Swan Nurse Letterpress Print by Camille Rose Garcia

    Camille Rose Garcia Swan Nurse Letterpress Print by Camille Rose Garcia

    The Swan Nurse Letterpress Print by Camille Rose Garcia Limited Edition 1-Color on Deckled 290gsm Coventry Rag Fine Art Paper Graffiti Street Pop Artwork. 2020 Signed & Numbered Limited Edition of 100 Artwork Size 8x10 Letterpress Print Art Printmas 2020 of a Creapy Stylized Swan Bird Monster Dressed as a Nurse. The Swan Nurse Letterpress Print by Camille Rose Garcia The Swan Nurse letterpress print by Camille Rose Garcia is a hauntingly whimsical piece that combines surrealism with Street Pop Art’s bold and provocative aesthetic. Released in 2020 as part of the Art Printmas series, this 8x10 work of art is printed on deckled 290gsm Coventry Rag Fine Art Paper, emphasizing the artisanal quality of the print. The image features a stylized swan, grotesquely reimagined as a sinister nurse, complete with exaggerated features, gothic undertones, and a bow-tied costume. Signed and numbered in a limited edition of 100, this print exemplifies Garcia’s ability to craft deeply engaging narratives through her unique artistic vision. Camille Rose Garcia: A Visionary in Pop Surrealism Camille Rose Garcia is renowned for her ability to blend dark themes with playful imagery, creating pieces that invite both curiosity and introspection. Born in 1970 in Los Angeles, her work draws inspiration from vintage cartoons, dystopian literature, and surrealist art movements. Through her distinct style, Garcia often critiques consumerism, environmental degradation, and societal constructs, using fantastical characters and dreamlike settings to present her commentary. The Swan Nurse is a striking example of Garcia’s storytelling prowess. The swan, often associated with elegance and beauty, is here transformed into a macabre figure with sharp features, exaggerated proportions, and a menacing gaze. The nurse costume, complete with a hat bearing a medical cross, adds an eerie layer of ambiguity to the piece, leaving viewers to question its narrative. This juxtaposition of innocence and menace is a hallmark of Garcia’s work, emphasizing her ability to challenge traditional interpretations of beauty and morality. The Craftsmanship of Letterpress Printing The letterpress printing technique employed in The Swan Nurse adds a tactile richness and vintage charm to the artwork. By pressing ink into the deckled edges of the 290gsm Coventry Rag Fine Art Paper, this traditional method creates a textured, embossed finish that enhances the intricate details of the illustration. The single-color palette, rendered in deep black ink, amplifies the stark contrasts and dramatic linework, allowing the swan’s unsettling expression to dominate the composition. The choice of deckled paper adds an artisanal feel to the print, further connecting it to the handmade traditions of Street Pop Art. This emphasis on craftsmanship aligns with Garcia’s ethos of elevating her fantastical creations into timeless works of art that merge classic techniques with modern themes. The Swan Nurse as a Statement of Street Pop Art The Swan Nurse is a compelling representation of Street Pop Art, using a surreal and slightly grotesque character to convey themes of transformation, authority, and the uncanny. By reimagining the swan—a symbol of grace and purity—as a creepy nurse, Garcia subverts expectations, drawing viewers into a world where beauty and menace coexist. The work’s playful yet unsettling aesthetic is a hallmark of Street Pop Art’s ability to engage and provoke thought. This limited-edition print is not just a piece of art; it is a narrative-rich creation that invites the audience to explore its layers of meaning. Its 8x10 size and exclusive run of 100 make it an ideal collectible for enthusiasts of Camille Rose Garcia’s work and those who appreciate the intersection of fine art and urban commentary. The Swan Nurse exemplifies Garcia’s mastery in combining craftsmanship, narrative, and visual impact, solidifying its place as a standout piece in contemporary Street Pop Art.

    $100.00

  • Stay Wild Pennant Tapestry by Dan Christofferson- Beeteeth

    Dan Christofferson- Beeteeth Stay Wild Pennant Tapestry by Dan Christofferson- Beeteeth

    Stay Wild 3-Color Original Hand-Pulled Silkscreen 1 of a Kind Tapestry on Cloth by Dan Christofferson- Beeteeth Artist. 2015 tay Wild Pennant Tapestry by Dan Christofferson- Beeteeth. Rod is not included. S

    $371.00

  • Companion Flayed- Black Fine Art Toy by Kaws- Brian Donnelly

    Kaws- Brian Donnelly Companion Flayed- Black Fine Art Toy by Kaws- Brian Donnelly

    Companion Flayed- Black Limited Edition Vinyl Art Toy Collectible Artwork by Modern Pop Artist Kaws. 2016 Unopened Package Limited Open Edition 10.5 X 4.5 X 2.5 / 16.7 X 11.4 X 6.4 CM The Companion Flayed: An Icon of KAWS' Street Pop Art Legacy The Companion Flayed Black Limited Edition Vinyl Art Toy embodies the pinnacle of KAWS' influence in modern pop and street pop art. Unveiled in 2016, this piece is a profound iteration of the most recognizable figure in KAWS' artistic arsenal, the Companion. The artist has reimagined the Companion multiple times, each version laying bare a new facet of its symbolic resonance. The flayed version, particularly in its stark black form, invites viewers to peer beneath the surface, literally and metaphorically, into the layers composing this contemporary icon. Measuring 10.5 x 4.5 x 2.5 inches, the Companion Flayed stands as a testament to KAWS' ability to manipulate form and content to produce artworks that speak to a generation conversant in the visual language of design, pop culture, and street aesthetics. This series, including full-bodied and flayed versions of the classic character, was released in conjunction with KAWS's exhibition "Where The End Starts" in Fort Worth, Texas. Standing 11 inches tall, the figures were made available through KAWSONE, MoMA, and the Modern Art Museum of Fort Worth, marking a significant moment in the intersection of street art and institutional recognition. Companion Flayed's Role in the Dialogue of Street Pop Art KAWS' Companion Flayed is more than a collectible; it's a conversation piece that delves into the dialogue of what Street Pop Art and Graffiti Artwork can be. It's a manifestation of KAWS' unique ability to traverse the spectrum of visual art, from anonymous street tags to globally recognized sculptures. The flayed version, with its exposed internal vibrancy, can be seen as a deconstruction of the character itself and the culture from which it originates. The black color of the figure contrasts with the colorful internal details, creating a visual dialogue between the seen and unseen, the external persona, and the internal complexity. The release of this series through prominent art institutions and KAWS' platform, KAWSONE, reflects the evolving landscape where street-inspired art is as much at home in the museum as on the urban wall. It underscores the fluidity of KAWS' art, capable of eliciting a sense of familiarity while challenging perceptions with its dissected form. This feature has become a recurrent theme in his work. KAWS' Impact on the Art Toy Movement and Beyond The Companion Flayed Black Limited Edition Vinyl Art Toy is emblematic of KAWS' impact on the burgeoning art toy movement. This movement sees the toy as a canvas for artistic expression, a medium that allows the artist to explore form, concept, and accessibility in new ways. Through figures like the Companion Flayed, KAWS has been pivotal in pushing the boundaries of this movement, garnering attention not only from the realms of Street Pop Art and Graffiti Artwork but also from the wider art community and popular culture. The release of this collectible in a limited open edition signifies the democratizing vision KAWS has for art. While each piece holds the allure of exclusivity, the forthcoming edition format ensures it remains within reach for a diverse audience, aligning with the ethos of street art's accessibility. With its distinctive cross-eyed face and x-ed-out eyes, the Companion Flayed has transcended its role as mere merchandise to become an essential touchstone in contemporary art, embodying the interplay between mass culture and high art that defines KAWS' oeuvre.

    $2,430.00

  • Chucky Doll Art Object Toy by Supreme

    Supreme Chucky Doll Art Object Toy by Supreme

    Supreme Chucky Doll Limited Edition Cloth Art Toy Collectible Artwork by street graffiti artist Supreme. The Supreme Chucky Doll, potentially the brand's spookiest accessory ever, dropped on December 17th, 2020, as a part of their FW20 Week 17 release. This Supreme doll marks the third cuddleable toy that the brand has released in the last few years. This Supreme Chucky Doll is as close to the real character as it gets and features the ability to talk as well as a plastic knife. With a branded pair of overalls and a t-shirt, your Supreme Chucky Doll can be just as fly as you are.

    $664.00

  • No-Longer Bart Archival Print by Alex Pardee

    Alex Pardee No-Longer Bart Archival Print by Alex Pardee

    No-Longer Bart Archival Print by Alex Pardee Limited Edition Print on Fine Art Paper Pop Artist Modern Artwork. 2023 Signed & Numbered Limited Edition of 100 Artwork Size 24x18 Archival Pigment Fine Art "No-Longer Bart" is an archival print by the artist Alex Pardee, known for his unique, twisted, and darkly humorous illustrations. Alex Pardee's work often incorporates popular culture icons, such as characters from The Simpsons, in bizarre and distorted forms that challenge viewers' perceptions and emotions. The "No-Longer Bart" print features a warped and unsettling rendition of the beloved character Bart Simpson, whose image has been altered to align with Pardee's signature style. Alex Pardee's archival prints are typically produced with high-quality materials to ensure the longevity and preservation of the artwork.

    $218.00

  • Conceal N Bury Fashion EDC SuperGuggi Art Toy Guggimon x SuperPlastic

    Guggimon Conceal N Bury Fashion EDC SuperGuggi Art Toy Guggimon x SuperPlastic

    Conceal N Bury- Fashion EDC SuperGuggi Janky SuperPlastic Limited Edition Vinyl Artwork Street Art Toy Collectable Figure by Artist Guggimon. Limited Run Made In 2021 8' Tall. With iconic guggi mask, ax, and a bag full of lavender-scented lye, this 8” psycho is the perfect accomplice to any crime of fashion

    $264.00

  • Sale -35% Krueger Silkscreen Print by Joe King

    Joe King Krueger Silkscreen Print by Joe King

    Krueger- Rook Brand Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Joe King Graffiti Street Artist Modern Pop Art.

    $138.00 $90.00

  • Otto Dino Art Toy by Max Elbo

    Max Elbo Otto Dino Art Toy by Max Elbo

    Otto Dino Limited Edition Vinyl Art Toy Collectible Artwork by Modern Pop Culture Artist Max Elbo x GZ1. 2022 Hand-Numbered Box Limited Edition of 250. This 10-inch vinyl toy is a collaboration between artists GZ1 and ELBO. Limited to 250 pieces total, "Otto Dino" is the third GZ1 x ELBO collaborative collection character. Each box is hand-numbered by the artist. The Creative Fusion of Max Elbo and GZ1 in Otto Dino Vinyl Art Toy "Otto Dino," a limited edition vinyl art toy, represents a unique collaboration between the modern pop culture artist Max Elbo and GZ1, crystallizing the intersection of Street Pop Art and graffiti Artwork with collectible design. Launched in 2022, this 10-inch art piece encapsulates the essence of street art's accessibility and pop art's mass appeal within contemporary collectibles. Limited to 250 pieces, "Otto Dino" is a standout third character in the GZ1 x ELBO collaborative collection, each unit being hand-numbered by the artists themselves. This collectible art toy's vibrant colors and whimsical design underscore the playful yet provocative spirit inherent in many street and pop art movements. "Otto Dino" fuses the rebellious energy of graffiti with the polished aesthetic of vinyl toys, crafting a three-dimensional character that doubles as a piece of interactive artwork. Such collectibles have become a medium in their own right, through which artists can reach a broader audience, transcending traditional gallery spaces and embedding themselves into the fabric of daily life. Max Elbo's Artistic Vision in the Collectible Arena Max Elbo's artistic vision translates seamlessly from large-scale murals to the intimate scale of "Otto Dino," showcasing his versatility and commitment to bringing art into the personal space of collectors. Much like his street art, this vinyl toy is replete with details and nuances that invite close examination and reflect Elbo's iconic style. By collaborating with GZ1, Elbo ventures into a new mode of creative expression that resonates with the tactile and playful nature of Street Pop Art and graffiti Artwork. Each "Otto Dino" is a tangible expression of Elbo's art, bringing the same level of craftsmanship and artistic integrity to the collectible as one would expect from his murals. The hand-numbering of each box adds a personal touch reminiscent of the signature tags found in street art and further elevates the collectible's status as a limited edition artwork. This practice not only enhances the value of each piece but also forges a direct connection between the artist and the collector, a valued aspect in the world of art collectibles. The Rising Trend of Art Toys in Street Pop Culture The emergence of art toys like "Otto Dino" as a significant trend in the street pop culture scene indicates the evolving landscape of art consumption and appreciation. These collectibles allow artists to expand their reach and explore new artistic directions while engaging with a community of collectors who value the intersection of art and play. The limited edition nature of such toys creates a sense of urgency and exclusivity, qualities that have long been associated with the acquisition of art. In the broader context of Street Pop Art and graffiti Artwork, art toys represent the democratization of art ownership. Pieces like "Otto Dino" allow for a more personal and interactive art experience, breaking down barriers between the artist and the audience. They celebrate the fusion of aesthetic pleasure and collectible appeal, embodying the essence of street and pop art movements that have always sought to make art a part of everyday life. Impact and Legacy of Otto Dino in Modern Art Collectibles "Otto Dino" stands as a testament to the potential of collaborations between artists like Max Elbo and GZ1 in pushing the boundaries of what is considered collectible art. The impact of such works is far-reaching, influencing not just the art toy market but also the perceptions of what street and pop art can be. The legacy of "Otto Dino" will be measured in its aesthetic value or collectibility and its ability to inspire future collaborations and innovations within the Street Pop Art and graffiti Artwork community. The success of "Otto Dino" and its contribution to the modern art collectible scene reaffirms the importance of accessibility and interactivity in contemporary art. As collectors continue to seek out unique and meaningful pieces, the role of art toys in the artistic landscape will undoubtedly grow, with artists like Max Elbo and GZ1 at the forefront of this dynamic intersection between artistry, collectibility, and cultural commentary. "Otto Dino" is not just an object of desire for collectors; it is a piece of cultural currency, a symbol of the playful yet profound impact of modern street and pop art.

    $749.00

  • Against All Odds Blue Silkscreen Print by Jeff Soto

    Jeff Soto Against All Odds Blue Silkscreen Print by Jeff Soto

    Against All Odds- Blue Limited Edition 2-Color Silkscreen Print on Medium Weight Off-White Colored Speckletone Paper by Jeff Soto Graffiti Street Artist Modern Pop Art.

    $224.00

  • Travel To Paint Silkscreen Print by Nychos

    Nychos Travel To Paint Silkscreen Print by Nychos

    Travel To Paint Limited Edition 1-Color Hand-Pulled Silkscreen Print on 140lb French Pop-Tone Sweet Tooth Paper by Nychos Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition Artwork Size 18x24 Rabbit Eye Movement is proud to announce the San Francisco premiere of Nychos' documentary The Deepest Depths of the Burrow. Directed by Christian Fischer the documentary features an insider's look at Nychos' ever-changing world. Nychos is an illustrator, Urban Art, and Graffiti artist who became known with his street concept RABBIT EYE MOVEMENT (REM) 10 years ago. The icon of the movement is a white rabbit, which has been breeding since then and has been popping up in the streets all over the globe for the past decade.

    $251.00

  • Sale -35% Freddy VHS Red Silkscreen Print by Jeremy Wheeler

    Jeremy Wheeler Freddy VHS Red Silkscreen Print by Jeremy Wheeler

    Freddy VHS- Red Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art. Nightmare on Elm Street with “The Dream Machine” - a silkscreen print made for the recent VHS convention, Tape Eaters 2.

    $106.00 $69.00

  • Untitled Squid Misfit Crew AP Artist Proof Silkscreen Print by Buff Monster

    Buff Monster Untitled Squid Misfit Crew AP Artist Proof Silkscreen Print by Buff Monster

    Untitled Squid Misfit Crew 3-Color Hand-Pulled Limited Edition Silkscreen Print on Wove Paper by Buff Monster Rare Street Art From Famous Pop Artwork Artist. AP Artist Proof. Screenprint in colors on wove paper 24-1/8 x 18-1/4 inches (61.3 x 46.4 cm) (sheet, each) A.P; A.P Each signed, numbered and dated in pencil lower right. Mild scuffs and scratches most prominent in the black ink. Very mild handling creases.

    $861.00

  • Third Rail PP Serigraph Print by Risk Rock

    Risk Rock Third Rail PP Serigraph Print by Risk Rock

    Third Rail PP Printers Proof Limited Edition Hand Pulled 7-Color Serigraph Print on 320gsm Fine Art Paper by Graffiti Pop Artist Risk Rock. PP Printers Proof 2015 Signed Limited Edition Artwork Size 24x24 Third Rail, 2015 Serigraph in colors on Coventry Rag Fine Art paper 24 x 24 inches (61 x 61 cm) (sheet) P.P. (aside from an edition of 50) Signed, numbered, and dated in pencil along lower edge. 7-Color Serigraph on 320gsm Fine Art Paper Size: 24 x 24 Inches Release: May 10, 2015 Run of: 50. This edition was originally sold with Risk's monograph Old Habits Die Hard. The book narrates Risk’s role as one of the pioneers of graffiti in Los Angeles and his aim to not only push the boundaries of his own art but also help elevate the graffiti movement to worldwide recognition. "Third Rail" by the celebrated graffiti pop artist Risk Rock is a striking embodiment of the vibrancy and subversive energy that define street art. Released on May 10, 2015, as a limited edition hand-pulled serigraph print, it encapsulates the artist's reputation for pushing visual boundaries. Each of the prints from this exclusive release is presented on premium 320gsm Coventry Rag Fine Art paper, with the dimensions of each sheet measuring 24 x 24 inches. This specific print, marked as a Printer's Proof (P.P.), stands apart from the main edition limited to 50, making it even more unique and sought after by collectors. Emphasized by a vivid seven-color palette, the serigraph method employed by Risk enhances the piece's textural depth and chromatic intensity, celebrating the graffiti art form's intrinsic link to urban culture. The artwork is not only signed by the artist but also numbered and dated along its lower edge, verifying its authenticity and connecting it directly to its creator's storied career. The image itself, a devilish, grinning face set against a backdrop of psychedelic colors and shapes, exudes the rebellious spirit inherent to the graffiti movement. This edition holds special significance as it was originally sold with Risk's monograph, "Old Habits Die Hard." The publication dives into Risk's influential role as one of the progenitors of the Los Angeles graffiti scene. His work and leadership helped catapult street art from its underground roots to a significant movement recognized worldwide. The monograph details Risk’s journey as an artist and his dedication to advancing not only his artistic expressions but also to contributing to the broader acceptance and appreciation of graffiti as a legitimate and powerful art form. Risk Rock's "Third Rail" stands as a potent representation of this transformative era in art, symbolizing the transition of graffiti from street corners to fine art galleries, and securing Risk’s legacy within the cultural tapestry of pop art, street art, and graffiti.

    $913.00

  • Jahbreaker Brightmare SuperJanky Designer Art Toy by SuperPlastic x Alex Pardee

    Alex Pardee Jahbreaker Brightmare SuperJanky Designer Art Toy by SuperPlastic x Alex Pardee

    Jahbreaker Brightmare SuperJanky Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Alex Pardee. 2021 8" Limited Run by Alex Pardee x Superplastic Horror Scary Fine Art Toy New in Box Exploring the Eerie and Eclectic with Alex Pardee's Jahbreaker Brightmare SuperJanky The Jahbreaker Brightmare SuperJanky is a formidable figure in the world of collectible vinyl art toys, epitomizing the cross-section where horror meets street pop art. Alex Pardee, an American artist known for his unique blend of brightly colored, often grotesque and horror-inspired artwork, collaborated with Superplastic in 2021 to create this limited run, 8-inch figure that fuses the playful and the petrifying in a way that resonates deeply with contemporary art enthusiasts. Alex Pardee: Bridging Art Genres and Aesthetic Boundaries Alex Pardee's foray into the art toy industry with the creation of Jahbreaker Brightmare represents a significant evolution of street pop art and graffiti artwork into three-dimensional forms. Known for his distinctive style that often incorporates elements of the absurd and macabre, Pardee's work is instantly recognizable. His fine art toys, like the Jahbreaker Brightmare, are no exception, serving as a physical manifestation of his vision that challenges and expands the boundaries of conventional street art. The Jahbreaker is a figure that stands out for its paradoxical design: a seemingly innocent form decorated with bright, polka-dot patterns that clash with the horror evoked by its exaggerated monstrous features. This juxtaposition is a hallmark of Pardee's approach to art, where horror elements are not hidden in shadows but are brought into the glaring light, dressed in vibrancy. It is a loud, unapologetic celebration of the bizarre and a commentary on the nature of fear and the unexpected places it can surface. Collectible Art Toys as a Medium of Street Pop Art Expression The emergence of art toys as a legitimate medium in the street pop art scene marks a significant shift in how art is consumed and appreciated. Collectible figures like the Jahbreaker Brightmare SuperJanky are not only admired for their aesthetic and craftsmanship but also for their ability to capture the essence of street art in a form that is both accessible and interactive. These objects transcend the static nature of two-dimensional works, inviting engagement and personal interpretation in ways that traditional graffiti artwork cannot. As a new in box item, the Jahbreaker retains a sense of untouched potential, a collectible that is both an art piece and a commodity, reflecting the dual nature of street art's underground roots and its contemporary mainstream appeal. Pardee's collaboration with Superplastic on this limited edition toy underscores the growing trend of street artists partnering with brands to reach wider audiences, while still maintaining the authenticity and edge that defines the spirit of street pop art. The Jahbreaker Brightmare SuperJanky by Alex Pardee is a compelling piece that stands at the intersection of horror, street pop art, and collectible culture. It embodies the tension between the playful and the terrifying, between commercial appeal and artistic integrity. This vinyl art toy is not only a testament to Pardee's vision but also to the evolving landscape of street art, where the canvas is no longer just a wall, but any object that can bear the weight of an artist's message.

    $264.00

  • Cosmic Vacation Blotter Paper Archival Print by Bunnie Reiss

    Bunnie Reiss Cosmic Vacation Blotter Paper Archival Print by Bunnie Reiss

    Cosmic Vacation Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Bunnie Reiss pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

    $371.00

  • Goonie 031 Original Watercolor Painting by Naoto Hattori

    Naoto Hattori Goonie 031 Original Watercolor Painting by Naoto Hattori

    Goonie 031 Original Watercolor Art Painting on Framed Fine Art Paper by Surreal Artist Naoto Hattori. 2013 Signed Original One-of-a-Kind Watercolor Painting Framed Artwork Frame Size 8.5x8.5 Image Size 3x3 Custom Framed & Matted By Artist. Naoto Hattori's Integration of Surrealism into Street Pop Art The art world continually evolves, especially within the domains of Street Pop Art & Graffiti Artwork, where each piece serves as a pulse to the vibrant lifeblood of contemporary visual culture. Naoto Hattori's "Goonie 031" is a striking manifestation of this evolution, a piece that interweaves the ethereal aspects of surrealism with the grounded, accessible nature of street art. This 2013 original watercolor painting captures the viewer's imagination, much like a piece of graffiti captures the eye of a passerby. At the heart of "Goonie 031" is Hattori's signature style, a merger of the fantastical and the real, encapsulated in the 3x3-inch painting space. The painting is set within a custom 8.5x8.5 inch frame, a choice that reflects the artist's dedication to the craft. Every aspect of this work, from the fine art paper to the watercolor technique, has been carefully considered and executed by Hattori, highlighting the meticulous nature often found in the creation of graffiti art. Reflecting the Street Art Ethos in Watercolor Medium With its inherent fluidity and capacity for subtle gradations of tone, the watercolor medium might seem at odds with the often bold and aggressive style of street art. However, in "Goonie 031," Hattori uses this medium to channel a soft yet poignant voice that speaks the language of street art through a different dialect. The painting's subject, an enigmatic figure with an expressive gaze, carries an urban tale within its contours, a narrative that resonates with the viewer on an intimate level. Like the unexpected discovery of street art in an urban landscape, the small size of "Goonie 031" invites surprise and discovery. It compels the viewer to step closer and engage with the artwork on a personal level, much like how one might stumble upon a hidden mural in an alleyway. The painting's custom frame acts as a border, creating a window into Hattori's world, just as a building's wall frames a piece of graffiti, offering a glimpse into the street artist's mind. The Collectible Nature of Hattori's Original Artwork In collectible art, especially pieces rooted in the tradition of Street Pop Art & Graffiti Artwork, originality and authenticity are paramount. "Goonie 031," a signed and framed original work by Hattori, possesses a high degree of collectibility, much coveted by fans and collectors. The personalized touch of the artist's hand, evident in every brushstroke and the careful selection of framing materials, ensures that the artwork is a visual expression and a tangible piece of Hattori's artistic journey. This collectibility is further enhanced by the artwork's unique positioning within street pop and fine art crossover. Although delicate, Hattori uses the watercolor medium to challenge the normative expectations of street art, thereby expanding the definition of what street-inspired artwork can embody. "Goonie 031" thus is an intriguing piece for collectors who value the intersection of diverse artistic practices and the innovative use of traditional mediums in contemporary art. Cultural Dialogue Through Hattori's Artistic Expression "Goonie 031" is a cultural artifact that captures the conversation between the street and the individual, between the public space and the personal experience. While firmly rooted in the conceptual frameworks of surrealism, Hattori's work engages with the cultural and social dialogues typically associated with street pop art. Though silent in its stationary frame, the watercolor painting speaks volumes through its expressive subject and the emotional resonance of its colors. In a broader cultural context, Hattori's "Goonie 031" contributes to the narrative of street art's influence on the fine arts and vice versa. It exemplifies how street pop art and graffiti's authenticity, rawness, and immediacy can be translated into a more traditional art form while maintaining its connection to the viewer. Hattori's work encourages a contemplative interaction reminiscent of the reflective nature of the best street art, which often prompts passersby to pause and consider the message conveyed through the visual medium. In sum, "Goonie 031" is a testament to Naoto Hattori's talent and ability to transcend traditional art boundaries. It invites viewers to reevaluate their perceptions of Street Pop Art & Graffiti Artwork, offering a watercolor narrative that holds as much power and presence as any large-scale mural found on the bustling streets of a city.

    $704.00

  • Holiday Indonesia Plush Charm Object Art by Kaws- Brian Donnelly

    Kaws- Brian Donnelly Holiday Indonesia Plush Charm Object Art by Kaws- Brian Donnelly

    Holiday Indonesia Accomplice Plush Charm Object Art by Kaws- Brian Donnelly Limited Edition Designer Collectible Pop Artist Artwork. 2023 Out of Print Rare Kaws Accomplice in Rabbit Costume Hands of Face Plush Object Art Size 4x6.5 Charm New in Package Within the kaleidoscopic world of pop art and street art, certain artists emerge with distinctive voices and identifiable styles that encapsulate the zeitgeist of their generation. One such name that stands tall in this dynamic arena is Brian Donnelly, popularly known by his pseudonym, Kaws. Rooted in graffiti and nurtured through street art, Kaws’ trajectory has propelled him to the mainstream, blurring the lines between art, commercial product design, and pop culture. His 2023 masterpiece, the “ Holiday Indonesia Plush Charm Object Art,” exemplifies the uniqueness of his artistic voice. This limited edition designer collectible, visually striking and tactile, presents the rare Kaws Accomplice – an emblematic motif in his repertoire – dressed in a whimsical rabbit costume, with its hands covering its face. This particular iteration, measuring 4x6.5 inches, stands out not just for its craftsmanship but also for its profound undertones, possibly alluding to the complexities of identity, popular culture, and the universal human sentiment of disguise and revelation. Its packaging, pristine and untouched, ensures the integrity of the piece, adding to its allure for collectors and art enthusiasts alike. Beyond mere aesthetic value, Kaws’ creations, including the aforementioned Plush Charm Object Art, resonate deeply with the themes of urbanity, culture, and the ever-evolving landscape of street art. It’s a testament to the powerful interplay between art and the urban environment, ensuring that such pieces remain not just collectibles but also symbols of an era.

    $238.00

  • Sale -35% Dissection of Goofy Anatomy Sheet No 28 Silkscreen Print by Nychos

    Nychos Dissection of Goofy Anatomy Sheet No 28 Silkscreen Print by Nychos

    Dissection of Goofy- Anatomy Sheet No 28 Hand-Pulled 1-Color Limited Edition Silkscreen Print on 300gsm Munken Pure Paper by Medical Pop Artist Nychos. 2018 Signed & Numbered Limited Edition of 200 11x17 Illustrated by NYCHOS 1-color Screen Print on 300 g/m² Munken Pure Paper Size: 11 x 17 Inches / 27,94 x 43,18 cm Limited Edition of 200 Year: 2018 Imprint & stamp of authenticity Numbered and signed by the artist The REM Anatomy Sheets focus on the anatomy of pop culture cartoon characters. In this new collection of black and white limited edition screenprints, Nychos lets the viewer engage with details of the anatomy of toons.

    $164.00 $107.00

  • Caught Fire Yellow Pink B-Side Silkscreen Print by Faile

    Faile Caught Fire Yellow Pink B-Side Silkscreen Print by Faile

    Caught Fire Yellow Pink B-Side Silkscreen Print by Faile HPM 4-Color Hand-Pulled With Stencil on 310 gsm Coventry Rag. 2022 Signed & Numbered Limited Edition of 22 HPM Artwork Size 31x39 Caught Fire: Yellow/Pink 31 x 39 Inches / Edition of 22 Acrylic and Silkscreen Ink on Archival Paper Signed, Stamped and Embossed FAILE 20222022 Holiday release. A new image and edition that's been waiting to find its way into the world. These are heavy multi-layered prints from the studio. Each a little different given the handprinted qualities and a fun B-Side print as well.

    $6,303.00

  • Sexual Tyrannosaurus AP Silkscreen Print by Jon Smith

    Jon Smith Sexual Tyrannosaurus AP Silkscreen Print by Jon Smith

    Sexual Tyrannosaurus Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jon Smith Graffiti Street Artist Modern Pop Art. AP Artist Proof 2012 Signed & Marked AP Limited Edition Artwork Size 12x18 Exploring Jon Smith's "Sexual Tyrannosaurus" The "Sexual Tyrannosaurus" is a provocative and compelling piece within the oeuvre of Jon Smith, an artist who bridges the realms of graffiti, street, and modern pop art. This limited edition 6-color hand-pulled silkscreen print on fine art paper is a testament to Smith's audacious approach to art that challenges and engages viewers. Created as an artist-proof in 2012 and signed by the artist, the 12x18 inch artwork is a mélange of prehistoric ferocity and modern cultural commentary. Street Pop Art and the Reimagining of Prehistory In this piece, Smith takes the iconic figure of the Tyrannosaurus Rex and imbues it with a contemporary edge, resulting in an artwork beyond simple representation. The name itself, "Sexual Tyrannosaurus," suggests a playfulness and irreverence that is often found in street pop art. The visual narrative crafted by Smith pushes the boundaries of traditional pop art by infusing it with the rawness and immediacy of street art. It's a piece that does not shy away from making a statement, demanding the viewer's attention with its vivid colors and striking imagery.  The Cultural Impact of "Sexual Tyrannosaurus" This work symbolizes the cultural impact and the versatility of street pop art and graffiti artwork. By choosing the Tyrannosaurus Rex, an emblem of power and dominance, and placing it within a modern context, Jon Smith opens up a dialogue about the intersection of past and present, nature and culture. The "Sexual Tyrannosaurus" is a metaphor for the enduring fascination with these ancient creatures while commenting on how they are perceived in contemporary society. In street pop art, such pieces are not mere decorations but conversations etched onto paper, walls, and the public consciousness. Artists like Jon Smith play a pivotal role in this ongoing discourse, using their art to explore, provoke, and reflect the zeitgeist. The limited edition nature of "Sexual Tyrannosaurus" underscores its value as a collectible piece of art that captures a moment in time in the ever-evolving narrative of street art. Through works like this, the legacy of prehistoric giants continues to be felt, reimagined through the lenses of artists who continue to challenge the status quo.

    $228.00

  • The Missing Peace Giclee Print by Pushead

    Pushead The Missing Peace Giclee Print by Pushead

    The Missing Peace Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Urban Graffiti Modern Artist Pushead. 2021 Signed Screenprint on fine art paper. 14x22 Edition 59

    $561.00

  • End Of Season Archival Print by Dulk- Antonio Segura Donat

    Dulk- Antonio Segura Donat End Of Season Archival Print by Dulk- Antonio Segura Donat

    End Of Season Archival Print by Dulk- Antonio Segura Donat Limited Edition on Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2018 Signed & Numbered Print Limited Edition of 50 Artwork Size 20x20 Archival Pigment Fine Art of a Stylistic Bird Comprised of Colorful Flowers in a Surreal Fantasy Setting. The Artistic Essence of "End Of Season" by Dulk - Antonio Segura Donat "End Of Season" is a striking archival print by the artist Dulk, the moniker of Antonio Segura Donat, who is acclaimed for his forays into pop art, street art, and graffiti art. This 2018 limited edition work is distinctive, with only 50 signed and numbered prints, each measuring 20x20 inches. Crafted on fine art paper, the piece showcases Dulk's capacity for blending natural elements with surrealistic overtones, presenting a stylistic bird that is an amalgamation of colorful flowers set against a fantasy backdrop. The artwork stands as a testament to Dulk's vision, where flora and fauna merge to create a bird that does not exist in reality but is vivid in the imagination. This bird is comprised of a diverse palette of flowers, each petal and color carefully selected to contribute to the overall harmony of the piece. The surreal landscape in which the bird resides further accentuates the fantastical theme, inviting viewers into a world where the end of a season brings about a literal and metaphorical transformation. Technical Brilliance and Symbolism in Dulk's Work In creating "End Of Season," Dulk employs archival pigment fine art printing, a method renowned for its long-lasting quality and ability to reproduce artworks' original colors and details faithfully. This technique ensures that each print retains the vibrancy and depth of the artist's original painting, allowing the artwork to stand the test of time. Fine art paper adds a tactile dimension to the prints, giving them a presence that resonates with the weight of a gallery piece. The symbolism in "End Of Season" is multilayered, reflecting the artist's commentary on the cycle of life and the transient beauty of nature. The bird, a creature often associated with freedom and the changing of seasons, is depicted in a state of splendid decay, as its body of flowers is both blooming and wilting, signifying the inevitable passage from life to death, from vibrancy to dormancy. Street Pop Art & Graffiti Artwork: Dulk's Contribution to Contemporary Art Dulk is an artist who straddles the lines between street art, pop art, and fine art, with "End Of Season" being a prime example of his ability to create works that are as much at home on the walls of a city as in a collector's private gallery. The piece's limited edition status adds to its desirability, marking it as a unique treasure in the landscape of modern art. The artist's influence on Street Pop Art and graffiti Artwork is considerable. His vibrant colors and fantastical themes capture the essence of graffiti's boldness and pop art's mass appeal. Dulk's work resonates with a broad audience, appealing to those captivated by the beauty and complexity of nature and those drawn to the fantastical and surreal elements of street art. "End Of Season" contributes significantly to the dialogue of what constitutes modern artwork in the street art genre. It transcends traditional boundaries, challenging viewers to find brief beauty and appreciate the artistry that can turn a season's end into a visual celebration of life's cyclical nature. Dulk's artistic narrative speaks to the transformative power of art, whether on the canvas of the natural world or the concrete surfaces of urban environments.

    $563.00

  • FL-001 Pointman Black Vinyl Figure Art Toy by Futura 2000- Leonard McGurr

    Futura 2000- Leonard McGurr FL-001 Pointman Black Vinyl Figure Art Toy by Futura 2000- Leonard McGurr

    FL-001 Pointman Black Vinyl Figure Art Toy by Futura 2000- Leonard McGurr Vinyl Sculpture Collectible Artwork by Pop Street Artist. 2019 Limited Edition of 500 Artwork Size 3.75x12 New In Box Black 5 Points of Movement FL-001 Pointman Black Vinyl Figure by Futura 2000 The FL-001 Pointman Black Vinyl Figure is a striking collectible designed by Leonard McGurr, famously known as Futura 2000, a pioneer in graffiti artwork and street pop art. Released in 2019, this figure is part of a limited edition of 500, standing at an impressive 12 inches tall with a sleek black finish. Featuring five points of movement, this vinyl sculpture exemplifies Futura 2000's signature style, blending futuristic aesthetics with urban culture. Packaged new in a custom-designed box, this figure is both a work of art and a testament to the artist's lasting impact on the art world. A Futuristic Vision in Vinyl The FL-001 Pointman is instantly recognizable as an extension of Futura 2000's abstract and avant-garde design language. The figure’s elongated limbs, angular features, and minimalist black finish evoke a sense of otherworldly sophistication. The inclusion of five points of articulation ensures that this figure is not just a static sculpture but also an interactive art piece. The monochromatic palette enhances its futuristic aesthetic, allowing the viewer to focus on the intricate sculptural details and dynamic form that characterize Futura 2000’s Pointman series. The Genius of Futura 2000 Leonard McGurr, widely known as Futura 2000, is a legendary artist who rose to prominence in the 1980s graffiti scene. Renowned for his abstract approach to graffiti and his innovative use of space and form, Futura 2000 has left an indelible mark on both street art and contemporary art. His Pointman character has become a recurring motif in his work, symbolizing a blend of human and mechanical elements, bridging the gap between the organic and the futuristic. The FL-001 Pointman Vinyl Figure is a continuation of this legacy, bringing his vision to life in three dimensions. A Coveted Collector’s Piece With only 500 pieces in existence, the FL-001 Pointman Black Vinyl Figure is a rare and valuable addition to any collection of street pop art or designer toys. Its impressive 12-inch height and impeccable craftsmanship make it a standout piece for display, whether in a home, gallery, or office. The figure’s sleek black finish adds an element of sophistication, while the five points of articulation offer versatility for posing and presentation. Packaged in a custom-designed box, it arrives as a complete collectible ready to be admired and preserved. The FL-001 Pointman Black Vinyl Figure by Futura 2000 is more than just a collectible—it is a representation of the artist’s innovative approach to design and his ability to merge graffiti culture with fine art. Its limited-edition status, combined with its striking design and cultural significance, makes it a must-have for enthusiasts and collectors of modern art and street pop culture. This figure stands as a tribute to Futura 2000's enduring influence on contemporary art.

    $746.00

  • Flower 8.0 White Skateboard Art Deck by Takashi Murakami TM/KK

    Takashi Murakami TM/KK Flower 8.0 White Skateboard Art Deck by Takashi Murakami TM/KK

    Flower 8.0 White Skateboard Art Deck by Takashi Murakami TM/KK Limited Edition Archival Print on Wood Skateboard Deck by Street Artwork Graffiti Artist. 2017 Limited Edition Skateboard Artwork Size Approximately 8x31 Skateboard Art Deck Brand New Perfect Condition Skateboard decks are made from layers of wood veneer that are glued together to create a strong and flexible board. The Flower 8.0 White Skateboard Art Deck is made from high-quality Canadian maple wood, which is known for its durability and resilience. The deck measures 31 inches in length and 8 inches in width, making it suitable for a variety of skating styles. Takashi Murakami is known for his colorful and playful artworks that blend traditional Japanese techniques with contemporary pop culture. His iconic smiling flower motif has become a signature element of his work and has been featured in numerous exhibitions and collaborations with fashion and lifestyle brands. The Flower 8.0 White Skateboard Art Deck by Takashi Murakami TM/KK is a unique and collectible piece of art that combines skateboarding culture with contemporary art.

    $659.00

  • Hostage 2 Brown Resin Art Toy by Vandul

    Vandul Hostage 2 Brown Resin Art Toy by Vandul

    Hostage 2 Brown Art Toy by Vandul Limited Edition Resin Sculpture Collectible Artwork by Pop Street Artist. 2024 Hostage 2 Brown Limited Edition of 125 Art Toys Artwork Size 4x8.5 New In Box Kaws Inspired Art Toy in Potato Sack Hood Mask Stylized as a Tired Up Hostage in Brown Colorway.  The Fusion of Commentary and Collectibility in Vandul's Hostage 2 Brown Art Toy Vandul's Hostage 2 Brown 2024 Art Toy emerges as a potent symbol within the Street Pop Art and graffiti Artwork genre, encapsulating a narrative rich in commentary and artistry. This limited-edition resin sculpture, with only 125 pieces in existence, offers a profound visual statement on the nature of consumerism and the commodification of art. Measuring 4x8.5 inches, the art toy presents itself as a new-in-box collectible, a testament to Vandul's skill in creating compelling figures that resonate with collectors and critics alike. The Hostage 2 Brown's design is unmistakably inspired by the iconic work of Kaws, another artist renowned for contributing to the art toy movement. Vandul's interpretation is both homage and critique; the art toy's stylized form—a figure tied up and obscured by a potato sack hood—evokes a sense of captivity and anonymity that can be interpreted in various ways. This could be seen as a commentary on the art world itself, where originality can sometimes feel confined by market expectations or broader societal constraints that stifle expression and identity. Vandul's choice of the brown colorway further adds depth to the piece, possibly referencing the earthy, raw qualities of street art or perhaps the universal feeling of being 'bagged' or 'labeled' in a figurative sense. The figure's posture, with head bowed, might represent resignation or exhaustion, an emotional state that viewers can empathize with or ponder. Despite the toy's silent stance, it communicates volumes, embodying the spirit of street art's capability to convey powerful messages through simple yet striking visuals. The Cultural Resonance of Vandul's Hostage 2 Brown in the Art Toy Domain The Hostage 2 Brown Art Toy is not merely a collectible item but a cultural artifact bridging the gap between art and societal discourse. Vandul's work is steeped in the ethos of Street Pop Art and graffiti Artwork, where the street is both a canvas and a crucible for messages that challenge the status quo. The art toy becomes a conduit for these messages, reaching an audience that extends beyond the confines of urban streets and into the private collections of art enthusiasts. In the limited edition art toy market, Vandul's Hostage 2 Brown stands out for its poignant conceptualization and its direct lineage to the techniques and themes of graffiti art. Using a potato sack as a hood is reminiscent of the raw materials often employed in street art, signifying a return to primary, tactile mediums that are at once accessible and laden with meaning. This tactility is an essential element of the art toy's appeal, inviting collectors to view and physically engage with the art. Each Hostage 2 Brown piece is a canvas that tells a story, with the artist's decision to limit the edition to 125 pieces ensuring its rarity and desirability. Collectors invest not only in a physical object but also in the narrative and critique it embodies. As such, Vandul's art toy transcends its material form to become a part of the ongoing conversation about art's role in reflecting and shaping societal values. Art toys like Vandul's Hostage 2 Brown reflect the growing intersection of high art with popular culture, making profound statements through playful collectibles. As a limited edition resin sculpture, it mirrors our collective experiences and the tensions between freedom and constraint, individuality and anonymity. Vandul's contribution to the genre of Street Pop Art and graffiti Artwork through this piece reinforces the power of art to provoke thought and to do so in a form that is as endearing as it is critical.

    $607.00

  • Fashion Slumber Party Insomniac Surprise Slurp SuperGuggi SuperPlastic Art Toy by Guggimon

    Guggimon Fashion Slumber Party Insomniac Surprise Slurp SuperGuggi SuperPlastic Art Toy by Guggimon

    Fashion Slumber Party Insomniac Surprise Slurp SuperGuggi SuperPlastic Art Toy by Guggimon Limited Edition Janky Vinyl Art Toy Collectible Artwork by Modern Design Artist. 2022 Limited Run of 2000 SuperKranky Janky Superplastic Vinyl Art Toy Artwork Size 6x8

    $222.00

  • Gorillaz 2D Song Machine 12 Music Figure Art Toy by SuperPlastic

    Gorillaz Gorillaz 2D Song Machine 12 Music Figure Art Toy by SuperPlastic

    Gorillaz 2D: Song Machine 12" Janky SuperPlastic Limited Edition Vinyl Artwork Street Art Toy Collectable Figure 2021 Limited Edition Gorillaz Music-Themed Art Sculptures New in Box. SuperPlastic's Limited Edition Vinyl Tribute to Gorillaz 2D: The Song Machine Era SuperPlastic, known for its artful synthesis of street pop art and collectibles, unveiled a limited edition vinyl figure in 2021 that captures the essence of 2D, the legendary frontman of the virtual band Gorillaz. Standing at 12 inches of meticulously crafted soft vinyl, this figure is a tangible incarnation of 2D as depicted in the innovative 'Song Machine' series. A collectible that fuses the animated world of Gorillaz with the natural realm of street art toys, this vinyl figure is a must-have for enthusiasts of the genre. Design Elements Reflecting 2D's Iconic Style Each element of the figure is imbued with a distinctive style that has become synonymous with 2D. From his notoriously spiky blue hair to his casually unlaced kicks, the figure exudes the relaxed, calm vibe that fans have come to love. The 'Black Planet' tee and lucky beads further accentuate 2D's unique fashion sense, mirroring his appearance in the 'Song Machine' visual outputs. These design choices are not merely aesthetic; they narrate the story of 2D, his personality, and his journey through Gorillaz's ever-evolving musical saga. Artistic Significance in the Context of Street Pop Art and Graffiti The 2D Song Machine figure by SuperPlastic transcends its role as a mere representation of a music icon; it serves as a canvas that showcases the creative intersection of street pop art, graffiti artwork, and popular music culture. The Gorillaz have always been at the forefront of blending music with visual art, and this collectible continues that tradition, bringing 2D's animated persona into a three-dimensional form that fans can display and treasure. The limited-edition nature of this vinyl figure, combined with its box presentation, makes it not just a toy but a piece of art that celebrates the street art ethos of accessibility and subcultural cool. In the vibrant landscape of contemporary collectibles, SuperPlastic's Gorillaz 2D Song Machine figure stands as a testament to the enduring legacy of Gorillaz and the innovative spirit of street pop art. It reflects the ongoing dialogue between various media and art forms, offering fans a tangible connection to the music and imagery that has defined a generation.

    $223.00

  • Storyteller Variant AP Silkscreen Print by Raid71

    Raid71 Storyteller Variant AP Silkscreen Print by Raid71

    Storyteller Variant AP Silkscreen Print by Raid71 Artist Proof Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2023 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 The "Storyteller AP" silkscreen print by Raid71, the moniker of British artist Chris Thornley, is a rich, evocative tribute to the legendary Japanese animator Hayao Miyazaki, a towering figure in the world of animation. This work, infused with a deep admiration for Miyazaki, emerges as a unique confluence of pop art, street art, and graffiti art, embodying elements that are quintessential to each of these genres, thereby capturing the essence of their dynamism. The print encapsulates the magical realism and intricate artistry characteristic of Miyazaki's films. By employing silkscreen printing, a popular method in the pop art movement famously used by artists like Andy Warhol, Raid71 is able to imbue the artwork with vivid colours and bold shapes, capturing the exuberant visual style typical of Miyazaki's fantastical worlds. Simultaneously, Raid71's print exhibits an aesthetic that is reminiscent of street art and graffiti. The organic forms and somewhat edgy, wild feel of the design mirrors the raw energy found in street murals or urban spray-can masterpieces. A hint of subversiveness is introduced, much like street art and graffiti often serve as counter-culture expressions or socio-political commentary. The "Storyteller AP" by Raid71 is thus not just an homage to Miyazaki, but also a celebration of these artistic genres. It mirrors the world-building capabilities of pop art, the raw energy of street art, and the disruptive potency of graffiti, all while maintaining a unique identity. This intertwining of styles generates a captivating visual narrative, positioning Raid71 as a modern-day storyteller, translating the magic of Miyazaki's oeuvre into a new medium.

    $285.00

  • Dali's Mustache Embellished HPM Wood Panel Print by Jeff Soto

    Jeff Soto Dali's Mustache Embellished HPM Wood Panel Print by Jeff Soto

    Dali's Mustache- Embellished Print on Wood Panel HPM Framed Ready to Hang by Jeff Soto Graffiti Street Artist Modern Pop Art. 10 x 15 in. (25.4 x 38.1 cm) Fine art wood print on 3/4" sustainable Birch, bright white finish Hand signed and numbered fine art wood canvas print, each one is hand-embellished by Jeff Soto DesignerCon 2017 Exclusive print release.

    $371.00

  • The Joker Silkscreen Print by Mr Brainwash- Thierry Guetta

    Mr Brainwash- Thierry Guetta The Joker Silkscreen Print by Mr Brainwash- Thierry Guetta

    The Joker Batman DC Comics Limited Edition 7-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Mr. Brainwash Graffiti Street Artist Modern Pop Art. 2019 Signed & Numbered Limited Edition of 79 Artwork Size 32x43 "Mr. Brainwash is pleased to announce a new addition to the ongoing series of comic book covers, this time featuring one of the most notorious supervillains, The Joker. A seven-color screen print on hand-torn archival art paper. Each print is signed and numbered, with a thumbprint on the back. The standard edition will be out of an edition of 79" -Mr Brainwash- Thierry Guetta (Team) Mr. Brainwash, a moniker used by the street artist Thierry Guetta, continues to influence the street pop art and graffiti art movement with his distinctive works that often blend pop culture references and an edgy street aesthetic. His latest foray into comic book art brings us a limited edition silkscreen print featuring The Joker, one of Batman's most infamous adversaries from DC Comics. This particular piece is a stunning representation of The Joker, encapsulating the character's chaotic energy and anarchic spirit. Crafted through a meticulous seven-color hand-pulled silkscreen process on fine art paper, the print exemplifies Mr. Brainwash's signature style that fuses street art and pop art elements. The artwork is a riot of color, with splashes and drips that suggest a raw, uncontained force, much like The Joker himself. This approach to the piece invokes graffiti art's spontaneity and rebellious nature, while the iconic comic imagery ties it firmly to pop art traditions. Each of the limited edition prints, sized at an impressive 32x43 inches, is not only signed and numbered but also carries the unique thumbprint of the artist on the back, serving as a hallmark of authenticity and a personal touch from Mr. Brainwash. With only 79 pieces, this artwork is a coveted item for collectors and enthusiasts of comic books and contemporary street pop art. The choice of The Joker is particularly resonant in today's culture, symbolizing the dual nature of chaos and intellect. Mr. Brainwash's portrayal taps into the zeitgeist, presenting The Joker as a comic character and an icon of modern-day societal contradictions. The artwork is a bold statement in Mr. Brainwash's oeuvre, continuing his exploration of popular culture and its icons through street and pop art.

    $4,740.00

  • Release Original Oil Painting by Naoto Hattori

    Naoto Hattori Release Original Oil Painting by Naoto Hattori

    Release Original Oil Painting on Board Ornately Framed by Surreal Artist Naoto Hattori. 2011 Signed & Dated On Verso Original One of a Kind Oil Painting Framed Artwork Frame Size 9.5x13.75 Image Size 3x3 Ornate Guilded Gold Custom Frame By Artist. Release Original Oil Painting by Naoto Hattori

    $3,430.00

  • Thriller Original Spray Paint Wood Painting by Shark Toof

    Shark Toof Thriller Original Spray Paint Wood Painting by Shark Toof

    Thriller Original Painting Acrylic, House Paint & Aerosol on Cradled Wood by Shark Toof Graffiti Street Artist Modern Pop Art. 2015 Signed Orignal Spray Paint Mixed Media Painting Artwork Size 24x36 The Artistic Fusion of Shark Toof's 'Thriller' "Thriller," an original painting by Shark Toof, is a dynamic foray into graffiti street art and modern pop art. Crafted in 2015, this mixed media artwork—acrylic, house paint, and aerosol on cradled wood—displays Shark Toof's signature blend of street influence and acceptable art discipline. The piece, measuring 24x36 inches, is signed by the artist, providing authenticity to this vibrant representation of his multifaceted style. Shark Toof, recognized for his powerful visual statements in the street art community, brings his graffiti roots to the forefront in this piece. His work is not confined to the traditional expectations of pop art; instead, it ventures into a realm where iconoclasm meets iconography. In "Thriller," the influence of street art is palpable, with the raw energy of graffiti translating into a structured yet spirited composition on wood. Shark Toof's approach to his work reflects a conscious decision to merge his established voice with a playful irreverence, challenging the viewer to consider the icons of our time and their mutable significance. The artwork encapsulates Shark Toof's philosophy that art should not always be taken too seriously, suggesting that there is power in subverting one's creations. This notion of 'vandalizing' one's icons is a commentary on the impermanence of fame and the fluidity of cultural symbols in our society. This blend of introspection and external commentary positions "Thriller" within a unique space in contemporary art. Shark Toof and the Do-It-Yourself Ethos of Street Art Shark Toof's preference for Detroit as a backdrop for his creative process tells of his affinity for the do-it-yourself, or DIY, ethos often associated with street art. His connection to the city, known for its prosperous industry and innovation history, mirrors his artistic journey. In Detroit, a city that has experienced grandeur and grit, Shark Toof finds a kindred spirit—a landscape that is both a canvas and a catalyst for creativity. "Thriller" embodies this DIY spirit not only in its creation but also in its presentation. Using cradled wood as a substrate is a nod to the makeshift surfaces often employed in street art, where any space or material can become the foundation for expression. Shark Toof's choice of materials—house paint and aerosol—further echoes the vernacular of street art, where the medium's immediacy matches the message's urgency. Shark Toof's "Thriller" celebrates the evolving narrative of street pop art and graffiti artwork. His work is a testament to street art's power to transcend its urban origins and find resonance in a gallery setting. Through his bold use of color, form, and medium, Shark Toof continues challenging and redefining what it means to be a street artist in the contemporary art world. His work is a dialogue with the viewer, an invitation to explore the deeper meanings behind the images we see and the icons we create.

    $3,063.00

  • Untitled UltraGiclée Print by Sam Taylor

    Sam Taylor Untitled UltraGiclée Print by Sam Taylor

    Untitled UltraGiclée Print by Sam Taylor Artwork Limited Edition Print on SIHL Ivory White Matt Paper Graffiti Pop Street Artist. 2022 Signed & Numbered Limited Edition of 300 Artwork Size 22x22 Bape 30th Anniversary Collection Sam Taylor, a highly acclaimed illustrator, is renowned for his distinctive style featuring bold line work, vibrant colors, and playful character designs infused with a variety of pop culture references. Taylor's work is infused with humor and energy, making it a joy to behold. Additionally, his creations are intimately connected with the everyday experiences of people.

    $561.00

  • Holiday Changbai Mountain- Black Fine Art Toy by Kaws- Brian Donnelly

    Kaws- Brian Donnelly Holiday Changbai Mountain- Black Fine Art Toy by Kaws- Brian Donnelly

    Holiday Changbai Mountain- Black Figure Vinyl Art Toy Sculpture Collectible Artwork by Modern Popular Artist Kaws. 2022 Open Edition Out of Print Sold Out Size 8.5" Stamped/Printed. Displayed With Box, Holiday Changbai Mountain features a Black companion figure sitting down with a smaller companion in its lap. The KAWS Holiday Changbai Mountain figure measures 8.5 inches tall. KAWS' Holiday Changbai Mountain-Black: A Study in Contemporary Street Pop Art The "Holiday Changbai Mountain-Black" figure by KAWS is a vinyl art toy sculpture that captures the essence of modern pop art through its minimalist aesthetic and emotional resonance. Released as an open edition in 2022, this sought-after piece quickly went out of print and is now considered a sold-out collectible. Standing 8.5 inches tall, the sculpture features the iconic KAWS Black companion seated, cradling a smaller companion, conveying a sense of protection and tenderness. This collectible sculpture is a quintessential representation of KAWS's unique ability to convey human emotion through the simplified, stylized forms characteristic of street pop art and graffiti artwork. The monochromatic black finish enhances the contours and shadows of the figures, emphasizing their volumetric presence. Each figure is stamped or printed, asserting its authenticity and connection to KAWS's expansive work. Cultural Significance of KAWS' Holiday Changbai Mountain-Black in Art Discourse The cultural significance of KAWS' "Holiday Changbai Mountain-Black" goes beyond its status as a collectible; it is a poignant commentary on the nature of relationships and care. The artwork's design resonates with the urban roots of street art, where figures and characters often serve as proxies for the artist's voice or societal reflections. In this piece, the interaction between the two companions is a silent narrative, open to interpretation but suggestive of familial or communal bonds, which are frequent themes in street and pop art. The collectible is also a testament to the growing trend of incorporating street art aesthetics into everyday life, bridging the gap between art galleries and personal spaces. Displayed with its box, the "Holiday Changbai Mountain-Black" figure is not just a sculpture but a piece of home décor, a physical manifestation of the crossover between art and lifestyle that KAWS has mastered. Its release and subsequent popularity underscore the high demand for art objects that combine collectibility with artistic expression. Impact of KAWS' Work on the Perception of Street Pop Art KAWS' "Holiday Changbai Mountain-Black" sculpture is symbolic of street art's impact on the perception of contemporary art. By transforming the visual language of graffiti and street art into three-dimensional forms, KAWS has contributed to the elevation of street-inspired art to global recognition and acclaim. The sculpture is more than a figure; it reflects the nuanced evolution of street art, which has grown from subversive beginnings to become a celebrated and influential art form. With their crossed-out eyes, the seated companions are instantly recognizable symbols within the street pop art movement, representing the anonymity and universality of urban experience. As an open edition that quickly sold out, the "Holiday Changbai Mountain-Black" figure demonstrates the convergence of art, commerce, and culture. It illustrates how street art's accessibility does not diminish its value or significance in the art world. KAWS's work, particularly this sculpture, continues to challenge and expand the boundaries of street pop art and graffiti artwork, solidifying its place in the contemporary artistic canon.

    $1,001.00

  • Gotta Take 'Em All Blotter Paper Archival Print by Ben Frost

    Ben Frost Gotta Take 'Em All Blotter Paper Archival Print by Ben Frost

    Gotta Take 'Em All Blotter Paper Archival Print by Ben Frost Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2023 Signed & Numbered Limited Edition of 100 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2023 Pikachu Pokemon Limited blotter editions are hand-perforated by Zane Kesey. The "Gotta Take 'Em All Blotter Paper Archival Print" by Ben Frost stands out as a distinct fusion of pop culture and fine art, encapsulated in a medium as unconventional as its visual messaging. Launched on April 19, 2023, this work is a limited edition, with only 100 signed and numbered prints available, offering a sense of exclusivity to collectors and fans of contemporary art. Measuring 7.5 x 7.5 inches, the artwork is meticulously crafted on perforated blotter paper, a nod to the artist's unique canvas choice and the potential historical context of the material's use. Ben Frost is known for his bold commentary on consumerism, blending iconic pop culture characters with themes that provoke thought on modern society's state and psyche. The image of Pikachu, the beloved Pokémon character, juxtaposed with the branding of Prozac, a well-known antidepressant, creates a striking statement on the pharmaceutical industry's role in contemporary life. It's a thought-provoking mix that confronts the viewer with the juxtaposition of innocence and the complex realities of mental health treatment. Adding to the authenticity and intricacy of the piece, each blotter is hand-perforated by Zane Kesey, suggesting meticulous attention to detail and craftsmanship. This element of human touch interplays with the mass-produced imagery of pop culture, creating a personalized and tangible connection to the art. As a topic in pop art, street art, or graffiti art, Frost's work maintains a sharp relevance. It taps into the zeitgeist of today's visual culture, stirring a dialogue that is as much about the imagery it appropriates as it is about the medium it inhabits. This piece, much like the rest of Frost's work, offers an arresting visual experience that both celebrates and critiques the pervasive nature of consumerist imagery in our daily lives. For art collectors and enthusiasts, "Gotta Take 'Em All" is not just a piece of art; it's a conversation piece that embodies the crossroads of contemporary culture, mental health, and artistic expression.

    $491.00

  • Hercules Pixel Silkscreen Print by Buff Monster

    Buff Monster Hercules Pixel Silkscreen Print by Buff Monster

    Hercules- Pixel Hand-Pulled 5-Color Silkscreen Print on Cotton Rag Paper by Pop Graffiti Artist Buff Monster Rare Street Art Limited Edition Artwork. 2022 Signed & Numbered Pixel Variant Limited Edition of 25 Artwork Size 18X24 Buff Monster (b. 1979) Hercules (Pixel), 2019 Screenprint in colors on Cotton Rag paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 25 Signed, numbered, and dated in pencil along lower edge Published by the artist The allegory of Hercules At The Crossroads is about the choice we make about the path we lead; will it be a virtuous life or a sinful life? Hercules is caught in the middle, trying to choose (though I always show him looking towards the light). In this version of the scene, the characters are rendered in pixelated lines. Each print is silkscreened with 5 screens featuring a variety of colors. Nice cotton rag paper, 18x24”, signed and numbered in an edition of only 25.

    $861.00

  • Sway With The Wind Giclee Print by Curiot Tlalpazotl

    Curiot Tlalpazotl Sway With The Wind Giclee Print by Curiot Tlalpazotl

    Storm On The Horizon AP Artist Proof Giclee Print by Curiot Tlalpazotl Artwork Limited Edition Print on Moab Entrada Fine Art Paper Graffiti Pop Street Artist. AP Artist Proof 2014 Signed & Marked AP Limited Edition Artwork Size 20x16 Mexican Indian Latin Themed Stylized Tribal Folk Lore.

    $507.00

Monsters Creatures & Beasts Graffiti Street Pop Artwork

Monstrous Reflections in Pop Art

In pop art, the monstrous takes on a guise that often challenges the status quo, pushing against the boundaries of traditional aesthetics. These depictions serve not only as a reflection of the cultural zeitgeist but also as a mirror of the human condition. Artists like Andy Warhol and Keith Haring have utilized the motif of monsters to represent the more grotesque aspects of celebrity culture and the mass media landscape, creating both unsettling and familiar works. The exaggeration and distortion inherent in their monstrous figures magnify the absurdity of societal obsessions and the dark underbelly of fame and consumerism. Monsters, creatures, and beasts have been a recurring theme in the dynamic spheres of pop art, street pop art, and graffiti artwork, capturing the imagination and attention of a diverse audience. This thematic exploration offers a rich tapestry of symbolism and cultural commentary, reflecting societal fears, aspirations, and the collective unconscious. Artists leverage the monstrous and mythical to craft visuals ranging from the whimsically absurd to the deeply reflective, often imbued with a sense of irony or social critique characteristic of pop art's dialogue with mainstream culture.

Urban Mythologies in Street Pop Art

Street pop art, the rebellious offspring of pop art and graffiti, takes this monstrous theme to the public canvas of city walls and back alleys. Here, artists like Banksy and Shepard Fairey have crafted images that blend the mythical and the urban, creating modern mythologies that resonate with a city's inhabitants. Their works often serve as social and political allegories, with creatures standing in for the marginalized or the oppressive forces of society. Public spaces for these artworks democratizes the viewing experience, allowing these monstrous tales to be part of the everyday urban landscape, accessible to all who traverse the city.

Graffiti Artwork's Beastly Narratives

Graffiti artwork, with its roots deep in subversive and countercultural movements, has always embraced the monstrous in various forms. The creatures and beasts that sprawl across buildings and trains often convey the raw emotions and experiences of the graffiti artists themselves. This form of expression, illicit and usually performed under the cover of darkness, is akin to the nocturnal nature of mademocratizebeasts, creating a parallel between the artists and their creations. These creatures can be protective totems for the communities they watch over or symbols of resistance against societal constraints.

Technological Horizons and Digital Monsters

As the digital age advances, pop art, street pop art, and graffiti artwork have embraced new technologies to reimagine the concept of monsters. Digital tools have enabled artists to create more complex and interactive creatures that engage with viewers in real-time, often with the ability to change and evolve. This intersection of technology and art has given rise to virtual monsters that inhabit digital landscapes, commenting on the increasingly blurred lines between the real and the virtual and reflecting modern fears of digital surveillance, privacy erosion, and the loss of humanity in an increasingly automated world.

Cultural Synthesis and Global Monsters

The globalization of pop art and graffiti has led to a cross-pollination of monstrous themes, with creatures from different cultures and mythologies coming together on the same wall or canvas. This fusion creates a universal language of monsters, where a Japanese kappa can coexist with a Latin American chupacabra, each bringing their own stories and cultural significance to the artwork. This synthesis celebrates diversity and highlights the commonalities of human storytelling and the shared archetypes that transcend geographical and cultural boundaries. In summary, monsters, creatures, and beasts are more than mere subjects in the diverse genres of pop art, street pop art, and graffiti artwork. They are potent symbols, carriers of meaning, and vehicles for the artists to engage with viewers on multiple levels. Whether as a critique of consumer culture, a reflection of societal issues, or a celebration of myth and legend, these themes continue to evolve, ensuring that the monstrous will remain a central figure in the visual dialogue of street pop art and graffiti artwork.
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