Mouse & Rat

Night Time Manila Yellow Silkscreen Print by Dalek- James Marshall Hand-Pulled 14-Color on French Manila Yellow Kraft Cardstock Paper Limited Edition Artwork. 2023 Signed & Numbered Limited Edition of 15 Artwork Size 18x24 Silkscreen Print Night Time Manila Yellow Edition Night Time Manila Yellow Silkscreen Print by Dalek – James Marshall James Marshall, known in the art world as Dalek, brings his unmistakable aesthetic into radiant focus with the 2023 silkscreen edition “Night Time Manila Yellow.” This limited release, printed on French Manila Yellow Kraft cardstock, measures 18x24 inches and is restricted to a rare edition of only 15. Each hand-pulled screen print uses 14 carefully layered colors to construct an explosive and hypnotic composition that is as precise as it is playful. The print is signed and numbered by the artist, anchoring its place in the collector-driven Street Pop Art & Graffiti Artwork universe. Mechanized Play and Surreal Symbolism Dalek’s signature Space Monkey figures remain central to this print, yet here they multiply and entangle in a world of robotic mechanisms, riotous shapes, and layered structures. “Night Time Manila Yellow” feels like a visual symphony of saturation, with teal, fuchsia, neon yellow, and black elements collapsing into one another across a dreamlike grid. The figures wield mallets, spears, and geometric props, each one seemingly locked into an urgent task. This sense of choreography and visual automation transforms the print into more than a character study—it's an elaborate stage of organized chaos, one that balances between subconscious memory and futuristic design. Precision in Color and Structure The richness of this 14-color silkscreen process gives the artwork a luminous depth and tactile presence. Dalek’s use of French Manila Yellow cardstock as the paper base imbues the piece with a warmer, vintage sensibility—subtly grounding the neon, cartoon-drenched chaos that dominates the surface. The meticulous layering of color demonstrates Dalek’s technical discipline as well as his commitment to producing high-fidelity editions. Bold curves, repeating circular motifs, and structured overlaps give the artwork a sense of mechanical rhythm, echoing visual strategies seen in Op Art and Constructivism, but reimagined through a Street Pop Art lens. Color Theory Meets Urban Noise “Night Time Manila Yellow” stands as a contemporary artifact of street culture’s evolution into collectible fine art. Dalek’s work is deeply rooted in his early exposure to graffiti and punk iconography, yet here, his visual language has matured into complex architectural compositions. The use of saturation, repetition, and robotic characters reflects a commentary on technology, identity, and consumption, though without didacticism. The viewer is left to interpret the orchestration of symbols on their own terms. The balance between childlike excitement and structured precision makes this piece a compelling addition to Dalek’s growing body of highly sought-after silkscreen editions. With its rare edition count, rich color layering, and frenetic design, “Night Time Manila Yellow” is a defining example of modern screen printing intersecting with visual rebellion. It is a print that demands attention and invites exploration—a layered map of energy, control, and disintegration in full color.

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Night Time Cotton Candy Silkscreen Print by Dalek- James Marshall Hand-Pulled 14-Color on French Cotton Candy Kraft Cardstock Paper Limited Edition Artwork. 2023 Signed & Numbered Limited Edition of 15 Artwork Size 18x24 Silkscreen Print Night Time Cotton Candy< Edition Night Time Cotton Candy Silkscreen Print by Dalek – James Marshall Dalek, the moniker of American artist James Marshall, returns with a sugar-rush symphony of geometry and color in “Night Time Cotton Candy,” a 2023 silkscreen edition crafted with meticulous hand-pulled precision. Printed on French Cotton Candy Kraft cardstock and sized at 18x24 inches, this limited edition of only 15 is signed and numbered by the artist. The print explodes with a joyful riot of saturated tones, anchored by Dalek’s iconic Space Monkey characters, which appear like mechanized avatars of urban energy and consumer commentary. Hyperstructure Meets Playful Chaos “Night Time Cotton Candy” is a dazzling example of visual complexity. Built through 14 individually pulled screens, the composition unfolds like a futuristic blueprint mashed with childhood iconography. Dalek’s Space Monkeys march and float through layers of concentric circles, mechanical appendages, and retro-futuristic gadgets. This visual symphony is rendered in a vivid palette of bubblegum pinks, bright aqua blues, highlighter yellows, and inky blacks. The Cotton Candy color base gives the entire work a surreal glow, as if the whole scene exists on the outer rim of a neon-lit dream. Despite the childlike exuberance of the figures and palette, the architectural arrangement and robotic motion convey themes of precision and repetition. The overall effect is a commentary on rhythm, routine, and the mechanical aspects of modern life, veiled in the soft aesthetics of confectionery joy. Dalek harnesses the dualities of cuteness and control, of chaos and symmetry, creating an aesthetic tension that elevates the print beyond decorative abstraction. Technical Discipline in the Print Studio Silkscreening at this level demands absolute control. Each of the 14 color layers must align with pinpoint accuracy, especially in a piece as intricate and tightly composed as this. The crisp layering of hard-edged lines, flat fills, and gradients reveals Dalek’s mastery not only as a designer but as a technician. The French Cotton Candy Kraft paper used as the base further enhances the visual harmony, offering a soft tint that complements the vibrant pigments without overpowering them. The surface is smooth, the print is saturated without being bloated, and each section interacts like cogs in a kinetic sculpture. The process reflects the graffiti artist’s foundational respect for precision and rhythm, reinterpreted through the lens of Street Pop Art & Graffiti Artwork. Dalek’s Visual Philosophy and Collectible Allure James Marshall’s artistic legacy is deeply rooted in the language of street art, psychedelia, anime, and mathematical form. “Night Time Cotton Candy” is an evolved meditation on those sources. It feels like a remix of old-school rave flyers, Atari-era graphics, and mechanical illustrations, transformed into a collectible fine art object. The Space Monkey character is more than a mascot—it is a cultural transmitter, speaking to cycles of identity, media overload, and hyper-stimulation. With only 15 editions in existence, this piece is a rare and powerful acquisition. For collectors, it serves not just as a snapshot of Dalek’s signature visual style but as a statement of where street art and pop surrealism intersect in today's market. “Night Time Cotton Candy” encapsulates an ethos of playful critique, rendered with the discipline of a master printmaker.

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Minnie Period 12 Limited Edition Hand-Embellished HPM 9-Color Aerosol Stencil and Acrylic on Cradled Canvas Gallery Wrap by Jeff Gillette Graffiti Street Artist Modern Pop Art. 2020 Signed Original Stencil Spray Paint Acrylic Painting Artwork Size 20x24 The "Minnie Period 12 Hand Stencil Original Canvas" by Jeff Gillette is a significant piece in the realm of pop, street, and graffiti art. Characterized by its use of iconic imagery intertwined with gritty urban landscapes, it stands as a vivid commentary on consumer culture and societal decay. Jeff Gillette, an acclaimed American artist, has been dubbed as "the man who destroys Disneyland," as he frequently utilizes familiar and nostalgic Disney figures juxtaposed against dystopian backdrops in his art. In this particular piece, the recognizable figure of Minnie Mouse is manipulated in an unconventional graffiti stencil style, emphasizing the essence of street art in its rawest form. The "Period 12" refers to Minnie's untimely Menstruation and the painting number. Gillette infuses this piece with a paradoxical blend of innocence and bleakness. This contrast not only critiques our media-saturated society but also invites viewers to question the impact of corporations on our shared cultural consciousness. With its unfiltered portrayal of the tension between popular culture and reality, the "Minnie Period 12 Hand Stencil Original Canvas" by Jeff Gillette stands as a powerful exemplar of modern pop and street art.

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The Year Of The Super Power Rat Gold Leaf Silkscreen Print by Miss Bugs Hand-Pulled on Hahnemühle Fine Art Paper Limited Edition Artwork. 2008 Signed & Numbered HPM Hand-Embellished Spray Paint Gold Leaf Limited Edition of 30 Artwork Size 19.7x24 Silkscreen Print. Super Girl Minor Handling Creases to Left and Right Bottom & Mid Far Left Margins. Embellishing Street Art with Gold Leaf Miss Bugs, the enigmatic artist whose work straddles street pop art and graffiti, crafted a riveting series 2008 titled "The Year Of The Super Power Rat." This limited edition silkscreen print series is a striking example of the fusion between traditional printmaking techniques and contemporary street art sensibilities. Each piece in this collection is meticulously hand-pulled on Hahnemühle fine art paper, a testament to the artist's dedication to quality and craftsmanship. What sets "The Year Of The Super Power Rat" apart is the lavish use of gold leaf, which brings an element of luxury to the otherwise gritty domain of street art. This hand-embellished, hand-pulled silkscreen print series is limited to thirty pieces, intricately detailed and numbered by the artist. The inclusion of gold leaf in street art is a bold move by Miss Bugs, elevating the work from the brief to the eternal, from the urban to the exquisite. The Fusion of Pop Art Imagery and Graffiti Technique In "The Year Of The Super Power Rat," Miss Bugs delves into the symbolism of power and resilience, traits often associated with the eponymous rodent in cultural lore. The series reflects a year marked by these characteristics, with the superhero motif serving as a metaphor for the extraordinary capabilities within the ordinary. Miss Bugs' choice of materials—spray paint and gold leaf—on Hahnemühle fine art paper, traditionally reserved for more 'refined' art forms, blurs the lines between high art and street art, between the fleeting and the permanent. The exclusivity of the series, with only thirty pieces in existence, is a nod to the collector's desire to own something unique. Each artwork, sized at 19.7x24 inches, is an intimate canvas for Miss Bugs' layered visual storytelling. The limited edition nature of "The Year Of The Super Power Rat" assures that each piece is not just a fragment of street pop art but a collectible artifact that captures a moment in the evolving narrative of contemporary art. Miss Bugs' Contribution to Modern Street Art Miss Bugs' work, notably this series, contributes significantly to the dialogue surrounding modern street art. The artist challenges preconceived notions of what street art can embody by integrating elements like a gold leaf into the traditionally rebellious medium of spray paint and stenciling. "The Year Of The Super Power Rat" is a powerful example of how street pop art can be grand and accessible, both impermanent in its urban roots and lasting in its artistic statement. "The Year Of The Super Power Rat" by Miss Bugs is a profound piece within the spectrum of street pop art and graffiti artwork. Its hand-pulled silkscreen technique adorned with gold leaf on fine art paper stands as a testament to the innovation and artistry of Miss Bugs. This series captures the imagination with its visual splendor and encapsulates the transformative power of art as it moves from the street corners to the hallowed walls of collectors and connoisseurs.

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