Murder & Crime

Long Live Death- Silver 2-Color Hand-Pulled Limited Edition Silkscreen Print on Hand Deckled 290gsm Coventry Rag Paper by Cleon Peterson Rare Street Art Famous Pop Artwork Artist. 2022 19 x 28 inch. Hand-pulled screen print. printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Edition of 75. The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. “Everything I do is a reaction to the world we live in.”, he says.

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Into The Night MMXXI- Black/Black 2-Color Hand-Pulled Limited Edition Silkscreen Print on 290gsm Coventry Rag Paper with Deckled Edges by Cleon Peterson Rare Street Art Famous Pop Artwork Artist. Into The Night MMXXI (black/black) 32 x 32 inch. Hand-pulled black on black screen print. printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 75 The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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On the Sunny Side of the Street- Yellow On Red Hand-Pulled 2-Color Silkscreen Print on 290gsm Coventry Rag Paper Deckled Edges by Artist Cleon Peterson Limited Pop Art Artwork. 2021 Signed & Numbered Limited Edition of 125 Artwork Size 14x20.5 Limited edition of 125 Hand-pulled 14 x 20.5” Yellow on Black screenprint on 290gsm Coventry Rag Paper with deckled edges. Signed and numbered. Cleon Peterson (b. 1973) On the Sunny Side of the Street (Yellow), 2021 Screenprint on Coventry Rag paper 20-1/2 x 14 inches (52.1 x 35.6 cm) (sheet) Ed. 125 Signed, numbered, and dated in pencil along the lower edge. Published by the artist. The art of Peterson has a robust anti-establishment character, and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist, and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks, paintings, prints, sculptures, and murals exhibited in the US, Europe, and Asia. "On the Sunny Side of the Street" is a yellow silkscreen print by Cleon Peterson, an American artist known for his provocative and often dark artwork. Peterson's work often explores themes of violence, power dynamics, and societal unrest, reflecting the complex and contradictory nature of human existence. This particular print, "On the Sunny Side of the Street," presents a different tone than much of Peterson's other work, given its title and yellow color. It could be an attempt to explore the brighter, more optimistic side of life, or perhaps it presents a contrasting view to the darker themes found in his other pieces. As an artist, Peterson is known for his ability to make striking visual statements that leave a lasting impact on viewers.

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Gloomy in Black Janky SuperPlastic x Mori Chack Limited Edition Vinyl Artwork Street Art Toy Collectable Figure Created by legendary Japanese street artist Mori Chack, Gloomy was discovered abandoned in a box by Pity, who loved and nursed the lil’ guy back to health…until Gloomy reached adulthood and broke poor Pity’s neck! Dragging his caretaker-victim behind him, Gloomy in Black comes with muzzle – for your own protection! Displayed With Box.

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Take Me Now Black & White Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 100 Artwork Size 18x18 Silkscreen Print. A Striking Vision of Raw Power Cleon Peterson is an American artist widely known for depicting tense confrontations and stark imagery that highlight conflict between figures. This black and white silkscreen print titled Take Me Now showcases his signature style of sharp contrasts, bold silhouettes, and dramatic tension. The artwork features two imposing figures locked in a dynamic struggle, emphasizing a sense of intensity that draws the eye to the violent clash of bodies. Printed on hand deckled 290gsm Coventry Rag Fine Art Paper, this piece reveals Peterson's unmistakable ability to convey visceral emotions through minimal yet forceful contours. Viewers often recognize the influence of Street Pop Art & Graffiti Artwork in Peterson's deliberate choice of a monochromatic color palette and deliberately simplistic forms that channel raw energy into a vivid visual narrative. Captivating Themes and Masterful Execution Take Me Now presents complex themes rooted in aggression, dominance, and survival. The tension in the composition captures a fleeting instant where one figure appears poised to strike, while the other fights against subjugation. Peterson's silhouettes feel like timeless symbols of chaotic struggles that echo throughout human history. The absence of intricate facial details concentrates attention on posture and shape, highlighting the universal aspect of conflict. The stark black and white contrasts enhance the piece's timeless quality, offering a minimalist yet powerful aesthetic. Collectors and enthusiasts admire how Peterson employs a combination of fine art techniques and references to Street Pop Art & Graffiti Artwork, creating a style that feels both raw and refined. Collectible Limited Edition Artwork This 2024 signed and numbered work comes in a limited edition of 100, underscoring its exclusivity and collectible nature. Measuring 18x18 inches, the print delivers a substantial presence on any wall. Cleon Peterson's use of archival-quality, hand deckled 290gsm Coventry Rag Fine Art Paper ensures durability and a refined texture that pairs well with his bold graphic designs. The subtle deckled edges convey an artisanal quality, reminding viewers that each print is meticulously produced. Serious art collectors often seek out Peterson's pieces for their ability to fuse contemporary influences with a timeless, almost mythological essence of confrontation and conflict. Resonance in Street Pop Art & Graffiti Artwork Fans of Peterson appreciate how his work resonates with a lineage that includes Street Pop Art & Graffiti Artwork, forms that disrupted conventional gallery scenes with provocative visuals. His figures, stripped of superfluous detail, reflect a background where bold lines and strong contrast are common. Take Me Now channels elements of graffiti culture, where swift, decisive gestures define the style. At the same time, it carries the pop art notion of using stark, arresting imagery to communicate human turmoil. This collision of influences makes Peterson's art compelling for admirers of urban aesthetics and contemporary fine art alike. By merging aggression with elegance, Take Me Now exemplifies the power of a simple palette and unwavering lines to command attention, leaving observers with a lasting impression.

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Punishment- Red Hand-Pulled 1-Color Silkscreen Print on 290gsm Coventry Rag Paper by Desirable Artist Cleon Peterson Limited Edition Pop Art Artwork. 2021 Signed & Numbered Limited Edition of 125 Artwork Size 36x36 “One of the main inspirations that I have is anger. If I can be angry about something, it means I feel passionate about it. It makes me want to make art about it”, Cleon Peterson says. Nonetheless, his art is not dealing with violence on a superficial level, and it is not used as a tool of provocation per se. His simple compositions entail complex connotations and an unsettling critique of society’s ever-growing disenfranchisement, isolation, and desperation. Looking at his work, one can easily understand that the artist is not advocating for violence, which he, instead, weaponizes in the battle with apathy. What’s alarming for Peterson in our world is not the poverty, injustice, and cruelty alone but the lack of reaction to them.

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Power Sculpture Limited Edition Resin Sculpture Artwork by Legendary Fine Graffiti Street Artist Cleon Peterson. Power, 2021 Matte White Resin Size: H 11.625" x W 7" x D 3" Limited edition of 500 Los Angeles-based artist Cleon Peterson is widely known for his fearless, psycho-social depictions of human nature and authoritarian elements in contemporary society. His monochromatic work." comprising paintings, sculptures, and prints, reflect his distinctive. graphic style. Peterson was a contributing artist in 2019's Beyond the Streets exhibition in Brooklyn, NY, For Beyond the Streets 2021, Peterson provides his iconic visual designs. The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. What’s alarming for Peterson in our world is not the poverty, injustice, and cruelty by themselves, but the lack of reaction to them.

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Absolute Power Silkscreen Print by Cleon Peterson Hand-Pulled on Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2018 Signed & Numbered Limited Edition of 150 Artwork Size 26x34 Silkscreen Print Cleon Peterson Absolute Power 2018 Silkscreen Print Cleon Peterson, born in the United States in 1973, is widely recognized for his stark visual narratives exploring dominance, submission, and institutional violence within Street Pop Art & Graffiti Artwork. Absolute Power, released in 2018, is a hand pulled silkscreen print produced on deckled 290gsm Coventry Rag fine art paper. Measuring approximately 26 x 34 inches, the edition is limited to 150 and each print is signed and numbered by the artist. Peterson’s work is defined by flattened silhouettes, restricted color palettes, and confrontational imagery that strips human conflict down to symbolic extremes. Through disciplined screen printing and high contrast composition, Absolute Power reinforces his reputation as a leading contemporary voice in politically charged Street Pop Art & Graffiti Artwork. Inverted Authority and Stark Political Symbolism The composition presents an upside down suited figure suspended in a field of red, black, and white, evoking themes of overturned authority and destabilized power structures. In the background, architectural forms resembling government institutions appear alongside barren trees and stark landscape elements, intensifying the atmosphere of institutional critique. The limited palette amplifies the emotional force of the imagery, allowing negative space and silhouette to carry the narrative weight. Peterson’s approach draws on the visual immediacy associated with Street Pop Art & Graffiti Artwork, where simplified forms and bold contrasts deliver direct commentary without reliance on intricate detail. The inversion of the central figure functions as a visual metaphor for corrupted leadership and the precarious nature of control. Limited Edition Craftsmanship in Contemporary Street Pop Art & Graffiti Artwork Absolute Power is printed on heavyweight Coventry Rag paper with deckled edges, reinforcing its status as a refined fine art multiple rather than a mass produced reproduction. The hand pulled silkscreen process ensures dense ink saturation and crisp edges, hallmarks of Peterson’s meticulous production standards. Limited to 150 signed and numbered impressions, the print follows the scarcity model that defines much of today’s Street Pop Art & Graffiti Artwork market. Through uncompromising imagery and disciplined execution, Absolute Power stands as a powerful example of how contemporary printmakers use bold graphic language to confront themes of authority, imbalance, and systemic violence.

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Art in Action- Stealing Banksy Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Jeff Gillette Urban Pop Art. 2022 Signed & Numbered Limited Edition of 100 Archival Pigment Print on 290gsm Moab Entrada Fine Art Paper Artwork Size 16x20 "Art in Action- Stealing Banksy" by Jeff Gillette is a provocative limited edition print that confronts the viewer with a powerful commentary on the commodification and ownership of street art. This 2022 archival pigment print on 290gsm Moab Entrada fine art paper, in a limited series of 100 signed and numbered editions, presents a stark black, white, and red composition that is sizeable at 16x20 inches, designed to make a statement wherever it is displayed. Gillette's work is often a satirical exploration of the intersection between global pop culture and the gritty realities of urban environments, and "Stealing Banksy" is no exception. The piece showcases a stenciled image reminiscent of the iconic style associated with the elusive street artist Banksy, featuring figures removing a wall piece, with the word "MINE" prominently displayed. The stark monochrome palette punctuated by the bright red text draws the eye immediately to the central message of the piece – the controversial practice of physically removing street art from its original public location to private collections for profit. In this print, Gillette plays with the layered concepts of art, ownership, and value. By depicting the act of 'stealing' Banksy, the artist raises questions about the nature of street art: is it meant to be a freely accessible art form or a commodity for the highest bidder? The image acts as a stark reminder of the tensions between art as a public treasure and as a private luxury. For collectors, "Art in Action- Stealing Banksy" is not just a piece of fine art; it's a piece of the ongoing dialogue about the place of street art in society. The limited nature of the print run reflects the exclusivity that comes with the territory of fine art, yet the subject matter critiques this exclusivity. Gillette's signature on each print adds a layer of authenticity and a direct connection to the artist, further entwining the themes of authorship and ownership inherent in the piece's narrative. Through "Stealing Banksy," Jeff Gillette invites us to reflect on the paradoxes of street art's ephemeral nature and its simultaneous status as a coveted commodity in the art market.

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French Connection Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art. The French Connection Movie Screening at Michigan Theater June 27th & 29th 2010.

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Target Red King HPM SDCC 12 Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Luke Chueh. 2012 Signed with Unique HPM San Diego Comic Con 2012 SDCC Exclusive Hand-Embellished Hand Drawn Image Limited Edition of 250 (A Select Amount HPM with Hand Drawn Unique Drawings on Wall) Sculpture Artwork Size 6.5x10.5 New in Box. Comes with a removable brush and bucket. From Famous Luke Chueh Target Series Depicting a Bear Painting Target on the Chest Standing at a Hand-Drawn Firing Wall with Red Target and Paint Bucket. Target Red HPM SDCC 2012 Limited Edition by Luke Chueh The 2012 Target Red HPM SDCC Limited Edition vinyl sculpture by Luke Chueh stands as a pivotal example of how emotionally resonant themes can be rendered through collectible art. Released as an exclusive for San Diego Comic Con in 2012, this hand-embellished edition of the Target series was produced by Munky King and remains one of the most sought-after releases in Chueh’s career. The artwork is based on his iconic painting which portrays a solitary bear marking himself with a target, standing in front of a bullet-riddled execution wall. This sculpture not only captures the essence of self-awareness and vulnerability but adds a raw layer through its physical dimensionality and hand-drawn elements unique to each piece. Hand-Embellished Detail and Signature Themes This particular Target figure, sized at 6.5 by 10.5 inches, is presented new in its box and includes removable accessories: a brush and a paint bucket. It is housed in molded packaging that mimics the stone wall backdrop of the original painting. What sets this SDCC 2012 edition apart from standard Target releases is the hand-drawn embellishment on the back panel. In this HPM version, Luke Chueh drew a bear with a crown and his own signature on the firing wall, using bullet hole placement to enhance the sense of mortality and critique. The red target on the bear’s chest, hand-painted to appear freshly applied, stands in sharp contrast to the surrounding destruction. Luke Chueh’s Street Pop Art & Graffiti Artwork Legacy Luke Chueh, a Los Angeles-based street pop art and graffiti artwork practitioner, has established a reputation for using minimalist figures and iconic bear characters to explore deeply psychological themes. His work merges pop surrealism with street sensibilities and draws heavily from his own personal experiences. Often cast in muted palettes, Chueh’s figures are vehicles for exploring alienation, depression, and self-destruction. In the Target Red HPM SDCC edition, he compresses the full weight of such emotions into a single moment of performative vulnerability—his bear choosing to mark itself for destruction, while standing against a wall already pockmarked with history. The use of humor, darkness, and childlike iconography invites audiences into a disarming confrontation with deeper truths. Collectibility and Cultural Commentary Limited to just 250 pieces, with only a select portion containing original hand-drawn details, the Target Red HPM SDCC figure remains a grail item for serious collectors of street pop art and graffiti artwork. Each sculpture captures a static yet emotionally turbulent moment that mirrors larger cultural critiques—on violence, societal pressures, and identity in the age of hyper-visibility. The fact that it debuted at San Diego Comic Con speaks to Chueh’s roots in pop culture and his ability to subvert it from within. This edition not only symbolizes the convergence of art toy culture and fine art, but it underscores Luke Chueh’s place as one of the most conceptually driven artists working in designer toys and modern narrative art.

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Into The Night MMXXI- Gold/White 2-Color Hand-Pulled Limited Edition Silkscreen Print on 290gsm Coventry Rag Paper with Deckled Edges by Cleon Peterson Rare Street Art Famous Pop Artwork Artist. 32 x 32 inch. Hand-pulled gold and White screen print. printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125 Cleon Peterson’s world is full of merciless cruelty, chaotic debauchery, and a never-ending struggle to subvert power and oppression. His simple compositions entail complex connotations and an unsettling critique of society’s ever-growing disenfranchisement, isolation, and desperation. Looking at his work, one can easily understand that the artist is not advocating for violence, which he, instead weaponizes in the battle with apathy.

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Power Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Power, 2020 Screenprint in colors on Arches Rag paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 94/100 Signed, numbered, and dated in pencil along lower edge Published by the artist The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. What’s alarming for Peterson in our world is not the poverty, injustice, and cruelty by themselves, but the lack of reaction to them.

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Video Surveillance 12x18- II Original Mixed Media Painting graffiti artist modern pop art on Real Metal Street Sign by Cope2. 2020 Signed Original Spray Paint Painting Bubble Letter on Real Metal Street Sign Artwork Size 12x18. This Area is Under 24 Hour Surveillance Sign.  

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Razor Gun Limited Edition 5-Color Hand-Pulled Silkscreen Print on 130lbs Mohawk Vellum Fine Art Paper by Maximilian Wiedemann Graffiti Street Artist Modern Pop Art. "Looking at the current media coverage and shocking violence that has spread around the world, I felt it was time to release an anti-gun/crime piece. In the wider sense and anti-violence statement. Don't pull the trigger! As you see in the detail, the trigger is the razor, making it impossible or painful to shoot. It's a fine little detail in the gun that turns the meaning of weapons around. All you need is love. This design and coloring have exclusively been done for 1XRUN. This Idea has been shown first in New York in 2011 in the Vanity Unfair Show - I felt it has more relevance than ever these days." - Maximilian Wiedemann

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Room 237 Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jon Smith Graffiti Street Artist Modern Pop Art. 2013 Limited Edition of 60 Room 237. A tribute to the film Room 237 is a movie about perceived meanings in Stanley Kubrick's film The Shining.

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Bike Reward Poster! Limited Edition 5-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jacob Borshard Graffiti Street Artist Modern Pop Art. 2011 Limited Edition of 50 Artwork Size 18x24 Pee-wee Herman, Pee-Wee's Playhouse, TV, Movie, Bike, Bicycle, Stolen. Not Signed or Numbered. Reads: $10000 REWARD FOR INFORMATION LEADING TO THE RECOVERY OF STOLEN BIKE CALL Pee Wee HERMAN 354-8567 Bike Reward Poster! Silkscreen Print by Jacob Borshard The Bike Reward Poster! silkscreen print by Jacob Borshard is a striking example of street pop art and graffiti artwork that merges nostalgia, humor, and cultural iconography. This 2011 hand-pulled, five-color silkscreen print is a tribute to one of the most famous fictional missing bicycles of all time—Pee-wee Herman’s stolen bike from the 1985 cult classic film Pee-wee’s Big Adventure. The piece blends the aesthetics of vintage reward posters with bold, graphic design elements that make it a standout in the modern pop art movement. The Pop Culture Influence of Pee-wee Herman Pee-wee Herman, the eccentric and lovable character created by the late Paul Reubens, has remained an enduring figure in pop culture. His signature red bicycle, prominently featured in Pee-wee’s Big Adventure, became an unforgettable symbol of childhood wonder, adventure, and obsession. This print by Jacob Borshard encapsulates that legacy with a reimagined, larger-than-life version of the fictional missing bike poster seen in the film. The text, rendered in bold red and black, mimics the dramatic urgency of real missing item posters while playfully referencing the absurdity of offering a massive reward for a simple bicycle. Street Pop Art & Graffiti Artwork Elements This print exemplifies the fusion of street pop art and graffiti artwork, utilizing bold typography, minimal color palettes, and an instantly recognizable subject. The five-color hand-pulled silkscreen technique gives the piece a tactile, layered effect, enhancing its retro feel. The halftone shading on the bike and background replicates the look of old newspaper prints, reinforcing the vintage aesthetic. This design approach is a common feature in modern street pop art, where traditional printmaking methods intersect with contemporary cultural commentary. Jacob Borshard’s work often plays with nostalgia and humor, making it an ideal fit for collectors who appreciate artwork that bridges classic Americana with a rebellious, urban edge. The inclusion of Pee-wee Herman’s fictional phone number further blurs the line between reality and pop culture fiction, drawing in audiences who cherish cult classics and the visual storytelling of screen-printed art. Limited Edition and Collectibility This print was produced in a limited edition of 50, making it a highly sought-after piece among collectors of street pop art and graffiti artwork. Though not signed or numbered, its rarity and unique cultural significance make it a desirable acquisition. Measuring 18x24 inches, it is a perfect size for display, allowing fans of Pee-wee Herman and contemporary printmaking to showcase a piece that is both visually captivating and culturally rich. Jacob Borshard’s Bike Reward Poster! silkscreen print is a celebration of the intersection of pop culture, street art, and classic print techniques. By transforming a moment from a beloved film into a collectible artwork, Borshard continues the tradition of blending humor, nostalgia, and graphic design into a striking visual statement.

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The Crawler- White Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Prints by Cleon Peterson are an edition of 150. Made in June 2017, they are signed and numbered by the artist. Format : 20 x 26,75 inches (50,8 x 66 cm). The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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Where Does Time Go Artwork Giclee Limited Edition Print on 100% Cotton Rag Archival Paper by Pop Culture Graffiti Artist Barnaby Ward. This is a gallery-quality giclée art print on 100% cotton rag archival paper, printed with archival inks. Each art print is listed by sheet size and features a minimum one-inch border.

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Target Red King #2 HPM SDCC 12 Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Luke Chueh. 2012 Signed with Unique HPM San Diego Comic Con 2012 SDCC Exclusive Hand-Embellished Hand Drawn Image Limited Edition of 250 (A Select Amount HPM with Hand Drawn Unique Drawings on Wall) Sculpture Artwork Size 6.5x10.5 New in Box. Comes with a removable brush and bucket. From Famous Luke Chueh Target Series Depicting a Bear Painting Target on the Chest Standing at a Hand Drawn Firing Wall with Red Target and Paint Bucket. Target Red King #2 HPM SDCC 12 Vinyl Art Toy by Luke Chueh Luke Chueh’s Target Red King #2 HPM SDCC 12 vinyl art toy stands out as one of the most emotionally evocative and conceptually striking releases in the Street Pop Art & Graffiti Artwork category. Released in 2012 as a San Diego Comic-Con exclusive and produced by Munky King, this limited edition figure is part of a larger series based on Chueh’s original Target painting. This particular version, hand-embellished with the artist’s own unique illustration on the firing wall, encapsulates Chueh’s deeply introspective themes through a sculptural medium that resonates with collectors, critics, and fans of dark, conceptual pop art. This figure is a continuation of Chueh’s exploration of vulnerability, self-awareness, and the relationship between creator and subject. Design, Details, and Physical Structure This collectible measures 6.5 x 10.5 inches and is crafted in vinyl with a mixed-media sculptural base. The figure depicts Chueh’s iconic bear character, rendered in a minimalist palette, painting a blood-red concentric target over its own chest while standing in front of a cracked wall riddled with bullet holes. The backdrop serves as a sculptural representation of vulnerability, punctuated with a bold hand-drawn bear head and crown motif signed by Luke Chueh. This version, known as Red King #2, is part of a select sub-edition of the original run of 250, featuring individually hand-drawn graffiti-style customizations on the wall base, turning each one into a distinct piece of hand-painted art. The inclusion of the removable brush and bucket gives the figure a tragic sense of complicity—blurring the line between empowerment and self-destruction. Conceptual Narrative and Symbolism Target is not merely a title; it is a statement about identity and visibility. By painting the target on its own body, the character becomes both artist and object, aggressor and victim. The wall behind it, resembling an urban execution backdrop, intensifies the piece’s tension. With this Red King edition, the additional crown scrawled above the bear adds a layer of sovereignty or martyrdom—elevating the character to a symbol of sacrifice. This duality has long been a hallmark of Luke Chueh’s work, combining cute and tragic elements into a surreal pop art narrative that reflects his ongoing commentary on anxiety, depression, self-image, and the burdens of self-expression. Legacy in Contemporary Urban Art Luke Chueh, born in the United States in 1973, is a pivotal figure in the Street Pop Art & Graffiti Artwork movement. His use of simplified, iconic characters and a muted color palette enables him to channel raw emotion through clean lines and impactful staging. Munky King’s collaboration with Chueh on the Target series represents one of the most successful translations of gallery-oriented character art into three-dimensional collectibles. Each edition, especially rare variants like Red King #2, carries with it the emotional depth and visual simplicity that Chueh has cultivated across mediums. The SDCC exclusive aspect of this release only enhances its rarity and desirability, cementing it as a significant artifact in the narrative of modern collectible sculpture.

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Assassination Silver Silkscreen Print by Dave Kinsey Hand-Pulled 4-Color on Off White Archival Fine Art Paper Limited Edition Pop Street Art Artwork. 2007 Signed & Numbered Limited Edition of 150 Artwork Size 18x24 Silkscreen Print by Dave Kinsey based on Auguste Rodin's The Thinker "I created this piece in 2007, which is a commentary on the slow degradation of the education system in the United States—an assassination of the educational nourishment of the people and our society. This piece references Rodin’s “The Thinker” sculpture whose pose is based on deep thought and contemplation. Our schools, universities, and so forth are catalysts to greater change and progress and we as humans need to protect this at all costs." -Dave Kinsey, Two Thousand & Twenty-Three Assassination Silver Silkscreen Print by Dave Kinsey Assassination Silver is a 2007 silkscreen print by Dave Kinsey, hand-pulled in four colors on off-white archival fine art paper. Measuring 18 x 24 inches, this work was released as a signed and numbered limited edition of 150. Drawing directly from Auguste Rodin’s iconic sculpture The Thinker, Kinsey reinterprets the classical pose through a contemporary Pop Street Art lens, transforming a symbol of contemplation into a stark political and cultural statement. Education, Violence, and the Erosion of Thought The composition presents The Thinker in a somber, high-contrast palette dominated by black, gray, and silver tones, punctuated by a thin, visceral streak of red running from the figure’s head. This single, deliberate accent functions as both a wound and a warning. Kinsey frames the act not as physical violence, but as an ideological one: the “assassination” of education, critical thinking, and intellectual nourishment. The rough textures and distressed background amplify the sense of decay, suggesting systems under strain and values being quietly dismantled rather than overtly destroyed. Conceptual Depth and Cultural Relevance Kinsey has stated that Assassination Silver is a commentary on the slow degradation of the American education system, positioning schools and universities as essential catalysts for societal progress that must be protected at all costs. By referencing Rodin’s The Thinker, a universal emblem of reason and reflection, Kinsey underscores what is at stake when education is neglected or undermined. The print stands as a powerful intersection of classical art history and modern street-informed critique, making it a significant and enduring work within Kinsey’s oeuvre and the broader conversation around culture, power, and intellectual freedom.

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Frank Sinatra Mug Shot- Rainbow Limited Edition Hand-Embellished Oil Paint HPM Silkscreen Print on Canvas by Steve Kaufman Graffiti Street Artist Modern Pop Art. AP Artist Proof, Unstretched, Mint directly from artist in 2005

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Life is a Killer Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Cristiano Suarez Graffiti Street Artist Modern Pop Art. Paying Homage to William S. Burroughs Screen Print Size: 18" x 24" City: Maceio, Brasi.

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Speak To Me Light Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 75 Artwork Size 17x22 Silkscreen Print Cleon Peterson is an artist whose work blends the aesthetics of pop art with the rawness of street art and graffiti, to create captivating pieces that address themes of violence, chaos, and social unrest. His art is characterized by an undeniable graphical potency, with stark figures often depicted in tumultuous or sinister settings, reflecting the more sinister aspects of society. His monochromatic or highly contrasting color palettes often lend an additional edge to his imagery, reminiscent of the urban grit and unconventional spirit characteristic of street art. His background in skateboarding culture and his time spent as a street artist in Los Angeles has significantly influenced his artistic style, blending elements of pop art's attention-grabbing graphics with the anti-establishment undercurrents of street art. What's more, Cleon’s works often exhibit the use of repeated patterns and figures, a technique that can be seen as a nod to the mass-produced style of classic pop art. However, it is crucial to note that his focus on dark subjects and narrative-driven scenes diverges from traditional pop art, which often features more lighthearted or commercial imagery. Cleon Peterson’s works are not only visually striking but also function as social commentaries, addressing topics such as power struggles and human savagery, and establishing him as an important figure in contemporary art that straddles the domains of pop, street, and graffiti art.

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Shoplifters Welcome Silkscreen Print by Shepard Fairey- OBEY x Jamie Reid Hand-Pulled Screen Print on Cream Speckletone Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 450 Artwork Size 18x24 Created to Commemorate Reid's Ragged Kingdom Exhibition, March 16 to April 14, 2012. Shows a Hand Removing Laws From A Brief Case Infering Wall Street Money Regulations. "Jamie has been one of my biggest influences, and I'm honored that we worked on some collaborative images for the show. The new images deal with the mutual interests of Jamie and I, addressing the timeless problems of corruption and wealth inequality, but tie into the current themes of Occupy Wall Street and the dead end of fossil fuel consumption." -Shepard Faire.y Shepard Fairey's Collaboration with Jamie Reid in Street Pop Art The "Shoplifters Welcome Silkscreen Print" is a remarkable intersection of street pop art and political commentary, created by the influential Shepard Fairey in collaboration with Jamie Reid. This limited edition hand-pulled screen print on cream speckletone art paper is a testament to the potency of visual art as a tool for social critique. Released as part of Jamie Reid's Ragged Kingdom exhibition from March 16 to April 14, 2012, this artwork resonates with anti-establishment and dissent themes common in street pop art and graffiti artwork. Shepard Fairey, renowned for his OBEY campaign and the iconic Obama "Hope" poster, has a history of infusing his work with sharp political insights. The artwork in discussion depicts a hand removing laws from a briefcase, a direct inference to the deregulation of Wall Street and the unshackling of financial institutions from legal constraints. This visual metaphor conveys the message of wealth inequality and corruption, both highly relevant to the zeitgeist of the early 2010s, especially in the Occupy Wall Street movement. Artistic Expression of Sociopolitical Issues The collaborative nature of this artwork, involving both Shepard Fairey and Jamie Reid, underscores a shared commitment to addressing pressing societal issues through art. Fairey's statement about the collaboration highlights their mutual interest in tackling the "timeless problems of corruption and wealth inequality," themes that are also deeply embedded in the philosophy of street pop art. The artwork becomes a canvas for discourse, echoing the sentiments of public protests and movements that call for justice and economic reform. In creating the "Shoplifters Welcome" piece, Fairey and Reid tap into the legacy of street pop art's ability to reach a broad audience. Street pop art, often found in public spaces, speaks directly to the masses, unfiltered by the gatekeeping of traditional art venues. Though housed within the confines of an exhibition, this print carries the spirit of street art by being a piece of graffiti artwork that one can own—a symbol of both rebellion and commodification. The limited edition nature of the print, being one of only 450, adds a layer of exclusivity to a piece that speaks about wealth disparity, creating an exciting tension between the artwork's message and its status as a collectible item. Each print, signed and numbered by Fairey, is a piece of art and a statement about the artist's role in society—as an observer, a critic, and a participant in the cultural dialogue about power and money. This artwork, sized 18x24, encapsulates a period of intense socio-political activism, serving as a historical document that captures the essence of the early 2010s. The stark imagery, reminiscent of propaganda art, is both a nod to the past and a commentary on the current state of affairs. It draws a parallel between the actions on Wall Street and the broader issues of regulatory oversight and the power imbalance, which remain relevant in discussions about the economy and governance. In the larger context of street pop and graffiti artwork, Shepard Fairey and Jamie Reid's "Shoplifters Welcome" print is a powerful reminder of art's role in society. It bridges the gap between aesthetic appeal and social commentary, functioning as a visual manifesto that calls for reflection and action. The piece is not merely an artwork to be viewed but a conversation starter, a call to arms, and a historical artifact.

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Le Voleur Limited Edition 4-Color Screen Print on 130lbs Mohawk Fine Art Paper by 123Klan Graffiti Street Artist Modern Pop Art. "Le voleur, is one of our iconic characters. He exists on a 60" x 36" canvas which is available at Yves Laroche Galerie. At first glance he looks like a common thief, but in reality he is a version of a modern Robin Hood." - 123Klan

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Graffiti Crime Polystone Sculpture Limited Edition Artwork by Artist Brandalised of Contemporary Pop Art Fame. 2021 Limited Edition Pop Art Sculpture 10 Inches Tall. Displayed With Box Fuelled by their youth and a sense of rebellion, the detailed 10” polystone art collectible depicts two mischievous boys, one atop the other, pulling a spray can out of a “Graffiti is a Crime” sign. Featuring the stencil-like paintwork you’ve come to love with our Brandalised collaborations, Graffiti Crime also features incredible detailing - from every crack to every brick. Even the spray can is popping out and restrained by the sign that imprisons it.

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Shoplifters Welcome Large Format Red Black Silver Silkscreen Print by Shepard Fairey- OBEY x Jamie Reid Hand-Pulled Screen Print on Cream Speckletone Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 50 Artwork Size 26x34.5 Created to Commemorate Reid's Ragged Kingdom Exhibition, March 16 to April 14, 2012. Shows a Hand Removing Laws From A Brief Case Infering Wall Street Money Regulations. "Jamie has been one of my biggest influences, and I'm honored that we worked on some collaborative images for the show. The new images deal with the mutual interests of Jamie and I, addressing the timeless problems of corruption and wealth inequality, but tie into the current themes of Occupy Wall Street and the dead end of fossil fuel consumption." -Shepard Fairey. Shepard Fairey and Jamie Reid: Art as Social Commentary In collaboration with Jamie Reid, the "Shoplifters Welcome Silkscreen Print" by Shepard Fairey is a powerful example of how street pop art and graffiti artwork can encapsulate and critique social and economic issues. This piece, a limited edition print, was created for the "Ragged Kingdom" exhibition from March 16 to April 14, 2012. It has become a significant work in street art for its bold political statement. The artwork depicts a hand removing a document labeled "MONEY" from a briefcase, a visual representation of deregulation, particularly within the context of Wall Street. This act is set against an offer for 'shoplifters,' a satirical nod to the notion that the financial elite operates under a different set of rules than the average person. The print's striking use of the phrase "THIS DECADE ONLY!" further emphasizes the timely nature of the message, suggesting a window of opportunity for unchecked financial behavior. Art Reflecting the Times: Occupy Wall Street and Beyond Shepard Fairey's statement about the collaboration with Jamie Reid highlights their shared focus on corruption and wealth inequality themes, notably echoed by the Occupy Wall Street movement. The movement, which started in 2011, brought widespread attention to these issues, and Fairey and Reid's work provided a visual commentary that resonated with the public sentiment of the time. The artwork not only represents the artists' perspectives but also serves as a historical marker of the socio-economic climate of the early 2010s. The "Shoplifters Welcome" print is a prime example of how street pop art and graffiti artwork can transcend the boundaries of traditional art by directly engaging with social commentary. Fairey, known for his provocative approach, and Reid, with his history of punk aesthetic, combine their styles to create a piece that is as aggressive as it is artistic. The limited edition nature of the print, signed and numbered by Fairey, adds to its allure as a collectible item, even as it challenges the structures of economic power. In creating this print, Fairey and Reid employ the aesthetic of propaganda, utilizing bold colors and stark contrasts to draw attention to their message. The choice of silkscreen printing, a technique closely associated with street art due to its mass production capabilities, further ties the work to the grassroots nature of its messages. It is a medium that allows the artwork to be disseminated widely, mirroring the spread of ideas central to movements like Occupy Wall Street. The "Shoplifters Welcome" print is a testament to the enduring power and relevance of street pop art and graffiti artwork in contemporary discourse. It is a reminder that art can be an intelligent tool for social critique, reflecting the issues of its time and prompting conversations that can lead to change. Through their collaborative efforts, Fairey and Reid have created more than just a visual piece; they have crafted a narrative that challenges viewers to consider the imagery's deeper implications and question the status quo.

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In Response To... Deck Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist Eddie Colla. Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck Size: 8 x 31.875 Inches Release: June 21, 2019

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It's a Nightmare Charlie- Clockwork Orange Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Raid71. Peanuts Charlie Brown Halloween Costumed as Clockwork Orange thug. 5" x 5" Giclee Signed, Numbered. It’s a Nightmare Charlie- Clockwork Orange Artwork Giclee Print by Raid71 – Street Pop Art & Graffiti Artwork Raid71 presents a thought-provoking and visually striking crossover with It’s a Nightmare Charlie- Clockwork Orange, a limited edition giclee print that merges the innocent world of Peanuts with the dystopian brutality of A Clockwork Orange. This 5x5-inch signed and numbered fine art print transforms the iconic Charlie Brown into an unsettling yet humorous version of Alex DeLarge, the infamous anti-hero of Stanley Kubrick’s cult classic. By juxtaposing these vastly different cultural symbols, Raid71 delivers a work that challenges the viewer’s perception of nostalgia, violence, and pop culture mythology. Charlie Brown, typically depicted as a lovable underdog riddled with existential woes, is reimagined in the menacing uniform of Alex DeLarge. The black bowler hat, single exaggerated eyelash, white button-up shirt, suspenders, and walking cane immediately reference the visual language of A Clockwork Orange, evoking the unsettling aura of ultraviolence that defines the character. Yet, despite these elements, Charlie Brown’s usual simplistic and childlike features remain, creating a dissonant effect that plays on the viewer’s emotions. This is the power of Street Pop Art & Graffiti Artwork—to take something familiar and force a deeper, sometimes uncomfortable, reinterpretation. The Duality of Innocence and Violence in Pop Art Raid71 is well known for his ability to merge seemingly incompatible elements of pop culture, and It’s a Nightmare Charlie- Clockwork Orange is a prime example of this skill. By merging the playful and lighthearted world of Charles Schulz’s Peanuts with the disturbing and chaotic themes of A Clockwork Orange, the piece forces viewers to confront the intersection of innocence and corruption. Charlie Brown is one of the most widely recognized characters in comic strip history, representing perseverance in the face of perpetual failure. In contrast, Alex DeLarge is a deeply unsettling figure, embodying free will and chaos in a dystopian world where morality is manipulated and controlled. The fusion of these two figures is both jarring and strangely poetic, prompting viewers to question whether the nature of a character is defined by their visual aesthetic or the actions they perform. Giclee Printing and the Appeal of Limited Edition Art This giclee print captures the crisp lines and vibrant yet minimal color palette of Raid71’s work, making it a standout piece in any contemporary art collection. Giclee printing is favored in Street Pop Art & Graffiti Artwork due to its ability to replicate the fine details and textures of an artist’s original vision while ensuring the longevity of the print. The high-quality paper further enhances the depth of the colors, allowing each detail—from the soft yellow background to the subtle shading in Charlie Brown’s costume—to pop with clarity. The 5x5-inch format gives the piece an intimate, collectible quality that aligns with Raid71’s signature approach of turning pop culture imagery into carefully crafted fine art. The limited edition nature of this print also adds to its exclusivity, making it highly desirable for collectors who appreciate art that plays with cultural nostalgia and satire. The Subversion of Pop Culture in Contemporary Art Street Pop Art & Graffiti Artwork often thrives on the manipulation of cultural symbols, using well-known imagery to evoke new narratives and interpretations. It’s a Nightmare Charlie- Clockwork Orange is a perfect example of this approach, transforming a universally recognized childhood figure into something far more complex and unsettling. This method of artistic reimagining is a defining characteristic of urban contemporary art, where the lines between nostalgia, satire, and critique blur into a visually compelling experience. Raid71 continues to push boundaries with his ability to blend humor, darkness, and cultural commentary. It’s a Nightmare Charlie- Clockwork Orange not only serves as a playful mashup of two vastly different fictional worlds but also as a reflection of how media shapes identity, morality, and perception. By placing Charlie Brown in the attire of a cinematic anti-hero, the piece forces viewers to reconsider the narratives that have been ingrained in them from childhood to adulthood. This print is more than just a visually striking artwork—it is a cultural conversation starter. It taps into the viewer’s memory of Peanuts while subverting its wholesome legacy, proving once again that even the most innocent figures can be transformed into something entirely unexpected through the power of street art and pop culture reinvention.

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Obey Radical Peace- Blue 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 18 inches by 24 inches Edition of 375 May 7, 2021. Shepards Spin of the Capital Protest 2021 Where Cops Killed 5 Unarmed Protestors.

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Tony Montana 2 Archival Print by Adam Lister Limited Edition on 300gsm Hot Press Matte Fine Art Paper Pop Graffiti Street Art Artist Modern Artwork. 2022 Signed & Numbered Print Limited Edition of 50 Artwork Size 10x8 Archival Pigment Fine Art Tony Montana From Scarface Movie Sitting At Deck With Cocaine in Glitch Style Blending the worlds of pop culture and avant-garde artistry, Adam Lister presents 'Tony Montana 2 Archival Print,' a unique exploration of a film legend through pixelated lens. Revisiting the iconic scene from the movie "Scarface", Lister captures the intense ambiance surrounding Tony Montana as he sits at his desk, hinting at the notorious pile of cocaine without overt depiction. The 8x10 artwork, crafted with meticulous attention to detail, employs a glitch art style that breaks down the visual into geometric blocks. This pixelated representation evokes a sense of nostalgia, reminiscent of early video game graphics, and contrasts sharply with the high-definition world of today's cinema. It serves as a stark reminder of the digital evolution while preserving the essence of the dramatic scene. Printed on premium 300gsm hot press matte fine art paper, the tactile quality of the piece complements the visual intricacies. The use of archival pigment ensures that the colors, from the cold grays of Montana's suit to the warm hues of his surroundings, remain vibrant, offering viewers a lasting, unadulterated experience. With this limited edition offering, restricted to a mere 50 signed and numbered prints, Lister cements his position in the world of modern street and pop art. His reinterpretation of Tony Montana invites art enthusiasts and movie buffs alike to witness a classic scene under an entirely new, pixelated light, broadening the horizons of interpretative art.

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Frank Sinatra Mugshots Pair Limited Edition Hand-Embellished Oil Paint HPM Silkscreen Print on Canvas Framed by Steve Kaufman SAK Graffiti Street Artist Modern Pop Art. 2007 Oil on canvas Custom Guilded Frame. When stretched it should be about 24”-30” Brightly colored In good condition. Signed on verso. Great image. Frank Sinatra was arrested by the Bergen County, New Jersey sheriff in 1938 and charged with carrying on with a married woman (yes, you could get popped for that

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Lights Out 10"- Guggimon Chop Chop Janky SuperPlastic Limited Edition Vinyl Artwork Street Art Toy Collectable Figure by Guggimon 2021 Limited Edition of 1555 Artwork Size 10" Tall Guggi’s Chop Chop Series Wouldn’t Be Complete Without This Horrifyingly Radiant 10” Night Terror. 1555 made 2021

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Zig-Zag Black Silkscreen Print by Cleon Peterson Hand-Pulled 2-Color Screen Print on 290gsm Arches Rag Paper Hand Deckled Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 75 Artwork Size 24x16 Zig-Zag Black is a silkscreen print created by Cleon Peterson, an American contemporary artist known for his bold and graphic art style. The artwork features a monochromatic color scheme, typically utilizing black and white to create stark contrasts. This print, like many of Peterson's works, reflects themes of power, violence, and societal chaos. Cleon Peterson's art is heavily influenced by his own experiences and struggles with addiction and the darker side of human nature. His work often explores themes such as brutality, corruption, and the struggle for control. His distinctive style has earned him a following in the contemporary art world and his work has been exhibited in galleries and museums worldwide. The Zig-Zag Black silkscreen print is part of a limited edition series, which makes it highly collectible. Silkscreen printing is a technique that involves using a stencil to transfer ink onto Arches Rag Paper, creating a design. This method allows for the creation of vibrant, high-quality prints with crisp lines and clear details.

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Ezekiel 25:17 Limited Edition ICON Series 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by DKNG Graffiti Street Artist Modern Pop Art. Signed & Numbered. Briefcase from Pulp Fiction Cult Classic Movie. "Every film has one. A signature prop, set, or location. Something that, in a single image, can represent the entire movie. The design team of Dan Kuhlken and Nathan Goldman, also known as DKNG, call these images “Icons,” and they are the subject of their first-ever solo show at Gallery 1988 West in Los Angeles. The show, called simply ICON, is comprised of 50 pieces featuring iconic places and things from some of your favorite movies and TV shows of all time. Each piece is small – 12 inches square – and is of one thing that sums up an entire movie. And of course, each is done in DKNG’s distinctive bright, geometric yet detailed style.” - DKNG

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Target Black HPM Shoot To Kill Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Luke Chueh. 2012 Signed with Unique HPM Hand-Embellished Hand Drawn Image & Text "Shoot to Kill" Limited Edition of 250 (A Select Amount HPM with Hand Drawn Unique Drawings on Wall) Sculpture Artwork Size 6.5x10.5 New in Box. Comes with a removable brush and bucket. From Famous Luke Chueh Target Series Depicting a Bear Painting Target on the Chest Standing at a Hand Drawn Firing Wall with Black Target and Paint Bucket. Luke Chueh’s Target Black HPM Shoot To Kill Luke Chueh’s Target Black HPM Shoot To Kill stands as a hauntingly reflective and sharply executed vinyl art sculpture from one of the most compelling voices in Street Pop Art & Graffiti Artwork. Released in 2012 in a limited edition of 250 pieces, this figure comes from the renowned Target series. A selected number of these editions were hand-embellished with the artist’s signature dark humor and symbolic punch, featuring custom illustrations and text hand-drawn on the firing wall base behind the bear figure. This particular version includes the phrase “Shoot To Kill” written across the shattered backdrop, drawing a chilling contrast between innocence and violence. Visual Symbolism and Artistic Elements This 6.5 x 10.5 inch sculpture captures the essence of Chueh’s narrative style. A solemn white bear stands calmly, clutching a paintbrush and a red bucket while proudly displaying a freshly painted black target on its chest. Behind it, a fragmented concrete wall is peppered with bullet holes and adorned with a childlike drawing of the bear itself, eyes wide open, surrounded by damage. The words “Shoot To Kill” amplify the work’s confrontation with themes of vulnerability, targeting, and emotional exposure. Each component of the sculpture, from the character’s blank expression to the gritty base and graffiti-style marks, pushes the viewer to question where sympathy ends and complicity begins in a world desensitized to harm. Collectible Rarity and Conceptual Weight Produced by Munky King, this Target Black HPM version is not only limited in number but also customized, making it a valuable piece for collectors of contemporary vinyl and street pop culture art. The addition of hand-drawn embellishments directly onto the backdrop elevates this from a production piece to a hybrid of toy and original artwork. It sits at the intersection of narrative storytelling and conceptual critique. The packaging itself reinforces the piece’s gravity, with the original painting reproduced on the box and a molded insert that perfectly cradles the figure, brush, and paint can. Impact on Contemporary Street Pop Art & Graffiti Artwork Luke Chueh, an American artist known for exploring personal trauma and dark satire through minimalist, anthropomorphic characters, continuously blends pop iconography with raw human experiences. In this sculpture, he manipulates the cuteness of a cartoon bear and inserts it into a context of conflict and emotional volatility. The result is a poignant visual metaphor: self-inflicted exposure, where the artist literally becomes the target. Target Black HPM Shoot To Kill is not just a collectible. It is a statement about how pain is projected, how identity is marked, and how art reflects the raw discomfort of modern living with stunning simplicity and confrontational honesty.

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Out The Window Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Michael Polakowski pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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On the Shady Side of the Street- Black on Yellow 2-Color Hand-Pulled Limited Edition Silkscreen Print on 290gsm Coventry Rag Paper by Cleon Peterson Rare Street Art Famous Pop Artwork Artist. Limited edition of 125 Hand-pulled 14 x 20.5” black on Yellow screenprint on 290gsm Coventry Rag Paper with deckled edges. Signed and numbered. The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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Barney X 5-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Frank Kozik Rare Street Art Famous Pop Artwork Artist. Barney Malcolm X crossover from the 2014 riots/protests. Barney X Burn Baby Burn ! ! 18″ x 23 14/16″ Designed & Signed by Frank Kozik Limited Edition of 50

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Supreme Scarface Split Deck Limited Edition Skateboard deck art by Designer Brand Supreme 2017 Printed Supreme x Scarface Limited Edition Skateboard Deck Depicting Al Pacino as Tony Montana from the Cult Classic Drug Movie Scarface. The Supreme Scarface Split Deck skateboard symbolizes the intersection where street culture, film, and design converge, creating a piece of Street Pop Art and graffiti Artwork that resonates with diverse audiences. This limited edition skateboard deck, released as part of the Fall/Winter 2017 collection by the designer Supreme, features iconic imagery from the cult classic drug movie "Scarface." The deck showcases a striking split design with Al Pacino as Tony Montana, capturing one of the film's most intense moments. Supreme, a brand deeply ingrained in the fabric of streetwear, has consistently demonstrated a knack for blending popular culture with its distinctive style. The collaboration with "Scarface" cements this approach, offering not just a skateboard but a canvas that reflects the gritty and raw narrative of the film. The deck is a homage to the character of Tony Montana, a figure whose pursuit of the American Dream through the darkest avenues of crime has left an indelible mark on cinema and popular culture. The "Shower" deck, in particular, grabs attention with a still from the infamous scene where a drug deal spirals into violence, placing Montana in a life-threatening standoff. This powerful image is complemented by the film's famous tagline on the top of the deck, further embedding the skateboard within the lore of "Scarface." This fusion of art, cinema, and skateboarding culture elevates the piece from a functional item to a collectible artifact within pop and street art. Supreme's decision to feature this graphic during the 2017 Fall/Winter collection was a strategic move that tapped into the nostalgia and aesthetic appeal of the 1980s, when skateboarding and the film "Scarface" rose to prominence. The deck's design captures the essence of that era while remaining relevant to the modern landscape of street art and fashion. As a piece of modern Street Pop Art and graffiti Artwork, the Supreme Scarface Split Deck transcends traditional boundaries, blending functionality with a solid artistic statement. Its creation speaks to a culture that values the defiant spirit of street art and the power of visual storytelling. For enthusiasts and collectors, the deck represents a piece of cultural history, embodying the spirit of rebellion and the relentless pursuit of ambition, themes as relevant today as they were at the time of the film's release.

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To Create & Destroy Bone Silkscreen Print by Cleon Peterson Hand-Pulled 2-Color on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 75 Artwork Size 45x36 Silkscreen Print Cleon Peterson is an internationally recognized contemporary artist, known for his stark, provocative works that often grapple with the darker aspects of human nature. Born in Seattle, Washington, Peterson's career has been shaped by his unique experiences and observations of societal dynamics, which he channels into his powerful art pieces. Peterson's signature style incorporates monochromatic figures, often depicted in scenes of brutal conflict or chaotic activity. These figures, lacking clear individuality, serve as a commentary on the universal aspects of human violence and power struggles. The raw, unsettling quality of his work challenges viewers to confront their own perceptions and biases about these challenging topics. His work has been displayed in numerous solo and group exhibitions all over the world, including Los Angeles, Paris, and Tokyo. Peterson's distinct voice in the art world has cemented his place as a significant figure in contemporary art, providing a lens through which we can examine the often uncomfortable realities of the human condition.

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Gaslamp Killer Artist Proof 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. AP Artist Proof. Signed & Numbered, Shepard Fairey (b. 1970) Gaslamp Killer, 2008 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) A.P. (aside from an edition of 400) Signed, numbered, and dated in pencil along lower edge Published by Obey Giant, Los Angeles. I Spit On Your Grave. “My art for the Gaslamp Killer mix was inspired by a combination of the music and personality of the Gaslamp Killer. The GLK is into dark and psychedelic sounds, so that, combined with his name, called for a hippie/horror salad tossed with a blood vinaigrette. The flavor was only enhanced by the Gaslamp Killer’s more sinister personal look, having shaved his dreads and grown an unruly beard and sideburns combo worthy of the most savage maniacs. You must wade through boiling pools of blood to get to the promised land, but the journey the Gaslamp Killer takes you on is all part of the destination.” Shepard Fairey

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Stop The Violence! Voices of Parkland 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. "Voices of Parkland" Screen Print on Cream Speckle Tone Paper by Shepard Fairey. It measures 18" x 24"

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 MartÍ Sawe Glossy Black Spray Paint Can Artwork by Montana MTN Limited Edition Artist Paint Crossover Graffiti Street Object Art. 2024 MartÍ Sawe Glossy Black Color Limited Edition of 500 Spray Paint Can with Custom Wood Box Object Artwork Size 3x8 Montana MTN Filled with Paint. Sawe Glossy Black Spray Paint Can by Montana MTN in Street Pop Art & Graffiti Artwork In 2024, Barcelona-based graffiti artist Sawe released a limited edition collaborative piece with Montana Colors, featuring a fully wrapped design on a glossy black spray paint can. Known for his exaggerated character design and wild-style letterforms, Sawe’s work often merges graffiti technique with a playful cartoon aesthetic. This collectible spray can release is a continuation of Montana MTN’s tradition of elevating artist-designed objects into hybrid works of art and utility. Produced as a limited edition of 500, the can is both a functional piece filled with black paint and a standalone object artwork housed in a custom wood box, making it a rare fusion of street art culture and collectible design. With a size of 3x8 inches, it maintains the familiar proportions of a graffiti tool while functioning as a three-dimensional canvas. Artwork Composition and Visual Identity The Sawe can artwork presents a vibrant, animated composition using bold color shifts, clean black outlines, and exaggerated volumes. The visual treatment includes Sawe’s signature use of soft, inflated shapes and character-driven abstraction. The can’s front displays bulbous, interwoven forms in hues of pink, copper, green, and blue, suggesting anthropomorphic figures or surreal graffiti tags. The rear side includes the artist’s tag in stylized white across a fade of pastel tones and blurred textures. This level of illustration and print application demonstrates Montana Colors’ commitment to reproducing high-fidelity versions of original art on unconventional surfaces. Sawe’s ability to balance chaos with humor and clarity is at the core of his visual identity, and this can captures that tension in a compact, cylindrical format that holds both paint and narrative energy. Artist Background and Stylistic Influence Sawe, born and raised in Barcelona, is known across Europe for his cartoon-meets-lettering approach to graffiti. He frequently experiments with character design, urban intervention, animation, and mural work, establishing a flexible identity that shifts between comic surrealism and graffiti traditions. His style often blurs the boundary between graffiti writing and visual storytelling, where letters take on anthropomorphic qualities and scenes evolve into layered worlds. Montana MTN’s decision to work with Sawe in their 2024 artist series places him among a select group of creators who bridge raw graffiti roots with contemporary art contexts. His work speaks to a generation raised on animation, digital art, and comics, while maintaining street credibility grounded in tagging and muralism. Limited Edition Form and Collector Significance The Sawe Glossy Black can is presented in a signed wood box with a clear protective front, designed to allow full visibility of the artwork. Each can is an officially numbered part of a 500-unit run, filled with Montana MTN Glossy Black paint. This fusion of street tool and art object elevates the can beyond commercial material into the category of collectible sculpture. The packaging reinforces this intent, with the artist’s tag also appearing on the box, further connecting the item to graffiti culture. As both a tribute to the act of painting and a document of Sawe’s visual legacy, this release stands out in the landscape of Street Pop Art & Graffiti Artwork, offering a tangible piece of one artist’s imagination and his place in the international street art conversation.

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Texas Chainsaw Massacre- Horror Show Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Robin Davey. Horror Show is an illustrated homage to the best and worst of schlock-horror flicks from down the years.

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Revolution Is a Mother Who Eats Its Children Black Tondo Silkscreen Print by Cleon Peterson on Hand Deckled Circle Cut 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 100 Artwork Size 24x24 Circle Cut Silkscreen Print. Cleon Peterson's Tondo: A Visceral Exploration of Revolution Cleon Peterson's "Revolution Is a Mother Who Eats Its Children Black Tondo" captures the essence of revolution — its transformative fury and cannibalistic backlash. This 2024 limited edition silkscreen print is a stark embodiment of the cyclic violence inherent in societal upheaval. With his signature high-contrast aesthetic, Peterson compels contemplation of the tumult that accompanies systemic change. Artistic Merits of Peterson's Black Tondo Limited to a series of 100, each piece is meticulously signed and numbered, accentuating the exclusivity of this thought-provoking artwork. The tondo — a circular artwork — measures 24x24 inches, a format that historically suggests wholeness and infinity but represents the never-ending loop of revolutionary fervor in Peterson's hands. The hand-deckled edges of the circle cut 290gsm Coventry Rag fine art paper enhance the tactile quality of the piece, adding to its visceral impact. The choice of the circle is deliberate, disrupting the traditional rectangular canvas to create a more immersive and contemplative experience. This shape allows the violence within to spill out in all directions, mirroring the all-consuming nature of the theme. Peterson's work does not simply hang on a wall; it confronts and envelops the viewer in its narrative. Cultural Commentary through Peterson's Silkscreen In "Revolution Is a Mother Who Eats Its Children Black Tondo," Peterson lays bare the paradoxes of revolt. His use of black — associated with the unknown and often with death — serves as a void into which the figures emerge and are consumed. The artwork is an allegory of the cyclical nature of history, where each act of uprising carries the seeds of its destruction within it. The stark black-and-white hues strip the scene of any romanticism, exposing the raw power struggle. It speaks to the heart of street pop art and graffiti artwork, which often deal in objective truths and lay claim to public spaces as forums for dialogue. Peterson's work takes this further, encapsulating the raw, uncensored voice of the street in a fine art context. The "Revolution Is a Mother Who Eats Its Children Black Tondo" is a poignant reminder of the perpetual dance between order and chaos. It is a piece that encapsulates the essence of Cleon Peterson's approach to street pop art, rendering visible the often uncomfortable realities that underpin human societies. Through his work, Peterson challenges the viewer, compelling a deeper engagement with the undercurrents of cultural and political change.

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On the Shady Side of the Street- White 1-Color Hand-Pulled Limited Edition Silkscreen Print on 290gsm Coventry Rag Paper by Cleon Peterson Rare Street Art Famous Pop Artwork Artist. Limited edition of 125 Hand-pulled 14 x 20.5” black on White screenprint on 290gsm Coventry Rag Paper with deckled edges. Signed and numbered. The visuality of Cleon Peterson's work is based on a variety of influences, from ancient Greek pottery to comics, resulting in monochromacy and strong color symbolism. In more detail, the figures exist on multiple straight lines, something that, subsequently, creates the illusion that the artwork is divided in levels. The perspective and the impression of depth do moderately exist in the art of Peterson and, just like in Greek vases, the background space is usually left empty or slightly embellished.

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