Murder & Crime

Shoplifters Welcome Large Format Red Black Silver Silkscreen Print by Shepard Fairey- OBEY x Jamie Reid Hand-Pulled Screen Print on Cream Speckletone Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 50 Artwork Size 26x34.5 Created to Commemorate Reid's Ragged Kingdom Exhibition, March 16 to April 14, 2012. Shows a Hand Removing Laws From A Brief Case Infering Wall Street Money Regulations. "Jamie has been one of my biggest influences, and I'm honored that we worked on some collaborative images for the show. The new images deal with the mutual interests of Jamie and I, addressing the timeless problems of corruption and wealth inequality, but tie into the current themes of Occupy Wall Street and the dead end of fossil fuel consumption." -Shepard Fairey. Shepard Fairey and Jamie Reid: Art as Social Commentary In collaboration with Jamie Reid, the "Shoplifters Welcome Silkscreen Print" by Shepard Fairey is a powerful example of how street pop art and graffiti artwork can encapsulate and critique social and economic issues. This piece, a limited edition print, was created for the "Ragged Kingdom" exhibition from March 16 to April 14, 2012. It has become a significant work in street art for its bold political statement. The artwork depicts a hand removing a document labeled "MONEY" from a briefcase, a visual representation of deregulation, particularly within the context of Wall Street. This act is set against an offer for 'shoplifters,' a satirical nod to the notion that the financial elite operates under a different set of rules than the average person. The print's striking use of the phrase "THIS DECADE ONLY!" further emphasizes the timely nature of the message, suggesting a window of opportunity for unchecked financial behavior. Art Reflecting the Times: Occupy Wall Street and Beyond Shepard Fairey's statement about the collaboration with Jamie Reid highlights their shared focus on corruption and wealth inequality themes, notably echoed by the Occupy Wall Street movement. The movement, which started in 2011, brought widespread attention to these issues, and Fairey and Reid's work provided a visual commentary that resonated with the public sentiment of the time. The artwork not only represents the artists' perspectives but also serves as a historical marker of the socio-economic climate of the early 2010s. The "Shoplifters Welcome" print is a prime example of how street pop art and graffiti artwork can transcend the boundaries of traditional art by directly engaging with social commentary. Fairey, known for his provocative approach, and Reid, with his history of punk aesthetic, combine their styles to create a piece that is as aggressive as it is artistic. The limited edition nature of the print, signed and numbered by Fairey, adds to its allure as a collectible item, even as it challenges the structures of economic power. In creating this print, Fairey and Reid employ the aesthetic of propaganda, utilizing bold colors and stark contrasts to draw attention to their message. The choice of silkscreen printing, a technique closely associated with street art due to its mass production capabilities, further ties the work to the grassroots nature of its messages. It is a medium that allows the artwork to be disseminated widely, mirroring the spread of ideas central to movements like Occupy Wall Street. The "Shoplifters Welcome" print is a testament to the enduring power and relevance of street pop art and graffiti artwork in contemporary discourse. It is a reminder that art can be an intelligent tool for social critique, reflecting the issues of its time and prompting conversations that can lead to change. Through their collaborative efforts, Fairey and Reid have created more than just a visual piece; they have crafted a narrative that challenges viewers to consider the imagery's deeper implications and question the status quo.

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Mugshot Original Acrylic on Wood Panel Painting by AL Grime One of a Kind Artwork by Street Art Pop Artist. 2023 Signed Acrylic Original Painting Size 12x12 AL Grime's Mastery of Medium and Form "Mugshot," an original acrylic on wood panel painting by AL Grime, represents a compelling fusion of the raw essence of street art with the meticulous detail of fine art. Created in 2023, this signed 12x12 inch painting epitomizes the spirit of Street Pop Art and graffiti Artwork with its one-of-a-kind portrayal that captures the attention of art critics and enthusiasts alike. AL Grime demonstrates a profound command over acrylics, utilizing its versatility to produce stark contrasts and nuanced textures that give "Mugshot" its life-like depth and intensity. The wood panel is an unconventional canvas that adds a natural texture to the artwork, echoing the often improvised surfaces used in street art. The artwork's aesthetic is a complex interplay of geometric and organic forms, creating a visual language that speaks to the chaos and order found within urban environments. This dichotomy is a hallmark of graffiti art, which often finds beauty in the overlap of the planned and the spontaneous. AL Grime's "Mugshot" is no exception, with its layered composition that invites viewers to delve into a deeper narrative beyond the surface. Innovation in Street Art As a piece of modern Street Pop Art and graffiti Artwork, "Mugshot" does more than occupy space; it serves as a cultural commentary, reflecting the artist's perspective on contemporary issues. The title suggests an exploration of identity and perception, themes that are recurrent in AL Grime's body of work and resonate with the broader discourse in modern art. AL Grime's innovative approach to traditional portraiture through "Mugshot" showcases the evolving nature of street art. The fragmented, almost digital-like representation challenges conventional concepts of portraiture, blending them with the disruptive energy of street art to create something entirely new and thought-provoking. The impact of "Mugshot" within the art community is underscored by its originality and the artist's signature, marking it as a significant piece within the Street Pop Art and graffiti Artwork movement. It stands as a testament to the enduring nature of street art and its capacity to push the boundaries of artistic expression continually. "Mugshot" by AL Grime is a powerful representation of contemporary art's intersection with street culture, offering a fresh perspective on the medium of acrylic painting and the traditional wood panel. It exemplifies the transformative potential of street art and its ability to convey complex narratives through a visually striking and accessible form.

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The Dark Rider- Silver 2-Color Hand-Pulled Limited Edition Silkscreen Print on 290gsm Coventry Rag Paper by Artist Cleon Peterson. 2022 19 x 28 inch. Hand-pulled screen print. Printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Edition of 75. A small drop of ink by the tip of the sword from the printing process.

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Bike Reward Poster! Limited Edition 5-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jacob Borshard Graffiti Street Artist Modern Pop Art. 2011 Limited Edition of 50 Artwork Size 18x24 Pee-wee Herman, Pee-Wee's Playhouse, TV, Movie, Bike, Bicycle, Stolen. Not Signed or Numbered. Reads: $10000 REWARD FOR INFORMATION LEADING TO THE RECOVERY OF STOLEN BIKE CALL Pee Wee HERMAN 354-8567 Bike Reward Poster! Silkscreen Print by Jacob Borshard The Bike Reward Poster! silkscreen print by Jacob Borshard is a striking example of street pop art and graffiti artwork that merges nostalgia, humor, and cultural iconography. This 2011 hand-pulled, five-color silkscreen print is a tribute to one of the most famous fictional missing bicycles of all time—Pee-wee Herman’s stolen bike from the 1985 cult classic film Pee-wee’s Big Adventure. The piece blends the aesthetics of vintage reward posters with bold, graphic design elements that make it a standout in the modern pop art movement. The Pop Culture Influence of Pee-wee Herman Pee-wee Herman, the eccentric and lovable character created by the late Paul Reubens, has remained an enduring figure in pop culture. His signature red bicycle, prominently featured in Pee-wee’s Big Adventure, became an unforgettable symbol of childhood wonder, adventure, and obsession. This print by Jacob Borshard encapsulates that legacy with a reimagined, larger-than-life version of the fictional missing bike poster seen in the film. The text, rendered in bold red and black, mimics the dramatic urgency of real missing item posters while playfully referencing the absurdity of offering a massive reward for a simple bicycle. Street Pop Art & Graffiti Artwork Elements This print exemplifies the fusion of street pop art and graffiti artwork, utilizing bold typography, minimal color palettes, and an instantly recognizable subject. The five-color hand-pulled silkscreen technique gives the piece a tactile, layered effect, enhancing its retro feel. The halftone shading on the bike and background replicates the look of old newspaper prints, reinforcing the vintage aesthetic. This design approach is a common feature in modern street pop art, where traditional printmaking methods intersect with contemporary cultural commentary. Jacob Borshard’s work often plays with nostalgia and humor, making it an ideal fit for collectors who appreciate artwork that bridges classic Americana with a rebellious, urban edge. The inclusion of Pee-wee Herman’s fictional phone number further blurs the line between reality and pop culture fiction, drawing in audiences who cherish cult classics and the visual storytelling of screen-printed art. Limited Edition and Collectibility This print was produced in a limited edition of 50, making it a highly sought-after piece among collectors of street pop art and graffiti artwork. Though not signed or numbered, its rarity and unique cultural significance make it a desirable acquisition. Measuring 18x24 inches, it is a perfect size for display, allowing fans of Pee-wee Herman and contemporary printmaking to showcase a piece that is both visually captivating and culturally rich. Jacob Borshard’s Bike Reward Poster! silkscreen print is a celebration of the intersection of pop culture, street art, and classic print techniques. By transforming a moment from a beloved film into a collectible artwork, Borshard continues the tradition of blending humor, nostalgia, and graphic design into a striking visual statement.

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Lights Out 10"- Guggimon Chop Chop Janky SuperPlastic Limited Edition Vinyl Artwork Street Art Toy Collectable Figure by Guggimon 2021 Limited Edition of 1555 Artwork Size 10" Tall Guggi’s Chop Chop Series Wouldn’t Be Complete Without This Horrifyingly Radiant 10” Night Terror. 1555 made 2021

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Burning The Dead Red Silkscreen Print by Cleon Peterson Hand-Pulled on 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2016 Signed & Numbered Limited Edition of 150 Artwork Size 43.5x17 Hand Deckled Silkscreen Print "Burning The Dead Red" is a powerful silkscreen print by artist Cleon Peterson, known for his distinctive approach to street pop art and graffiti artwork. This piece, released in 2016, is a limited edition artwork with only 150 signed and numbered pieces in circulation. Crafted on 290gsm Coventry Rag fine art paper, it measures 43.5x17 inches and features hand-deckled edges contributing to its unique aesthetic. The print depicts a scene of figures engaged in what appears to be a ceremonial act, set against a stark, contrasting red backdrop. The artwork's bold lines and dynamic composition are emblematic of Peterson's style, which often explores themes of chaos, disorder, and the struggle for power within societal structures. As a visual narrative, "Burning The Dead Red" challenges viewers to confront the darker aspects of human nature and the complexities of social hierarchies. This piece is a testament to Peterson's ability to harness street art's raw, expressive energy and translate it into finely crafted silkscreen prints that resonate with contemporary socio-political discourse.

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The Passions 2 Limited Edition 3-Color Hand-Pulled Silkscreen Print on 100% Cotton Rag Archival Paper by Cleon Peterson Graffiti Street Artist Modern Pop Art. 2009 Signed & Numbered Limited Edition of 90 Artwork Size 18x18 Cleon Peterson The Passions, 2009 BLK/MRKT Editions Cleon Peterson’s world is full of merciless cruelty, chaotic debauchery, and a never-ending struggle to subvert power and oppression. His simple compositions entail complex connotations and an unsettling critique of society’s ever-growing disenfranchisement, isolation, and desperation. Looking at his work, one can easily understand that the artist is not advocating for violence, which he, instead weaponizes in the battle with apathy.

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The Naked Woman & Man White 2-Color Limited Edition Silkscreen Print on Deckled 290gsm Coventry Rag Paper by Artist Cleon Peterson. 2022 Signed & Numbered Limited Editon of 75 Artwork Size 13x18 Hand-pulled 13 x 18” black and bone screen print. It was printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered—a limited edition of 75. Cleon Peterson's visuality is based on various influences, from ancient Greek pottery to comics, resulting in monochromacy and strong color symbolism. In more detail, the figures exist on multiple straight lines, creating the illusion that the artwork is divided into levels. The perspective and the impression of depth moderately exist in the art of Peterson. Like in Greek vases, the background space is usually left empty or slightly embellished.

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Bound Original Painting Spray Paint Watercolor Mixed Media on Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2013 Signed Original Mixed Media Spray Paint Watercolor Artwork Size 15x22

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So Long Ramshackle Security Limited Edition Giclee Fine Art Prints on Archival Photo Paper by Graffiti Street Art and Pop Culture Artist Ben Kehoe. 12" x 12" w/ 1/2" white border printed on Hahnemuhle Photo Rag 308gsm paper signed and numbered

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The Godfather Limited Edition Hand-Embellished HPM Serigraph Print on Canvas Framed by Steve Kaufman Graffiti Street Artist Modern Pop Art. Ready to hang Gallery Wrapped. Medium: Hand-Embellished Silkscreen on Canvas Title: Godfather Size: 37.5" x 31" Canvas Year: 2000 Edition: 100 Signature: Hand Signed by Kaufman on Verso He eventually moved his studio to Los Angeles and in true Kaufman form, hired over a 100 ex-gang kids to assist him in his studio. During this time he created a new style called “Comic Book Pop Art,” where he used original paintings of super heroes as icons. He also worked with the Martin Lawrence Gallery where he created limited editions of such icons as Beethoven and Marilyn Monroe, breaking sales records for a new artist.

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King Janky The Sixth “Capo dei Capi” Janky SuperPlastic Limited Edition Vinyl Artwork Street Art Toy Collectable Figure Discovered half-buried in an immaculate pair of cement Nikes at the bottom of the East River, this most controversial member of the Janky royal family features Tommy gun, Cuban fedora, and blood-soaked newspaper. Opened Box Like New

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Supreme Scarface Split Deck Limited Edition Skateboard deck art by Designer Brand Supreme 2017 Printed Supreme x Scarface Limited Edition Skateboard Deck Depicting Al Pacino as Tony Montana from the Cult Classic Drug Movie Scarface. The Supreme Scarface Split Deck skateboard symbolizes the intersection where street culture, film, and design converge, creating a piece of Street Pop Art and graffiti Artwork that resonates with diverse audiences. This limited edition skateboard deck, released as part of the Fall/Winter 2017 collection by the designer Supreme, features iconic imagery from the cult classic drug movie "Scarface." The deck showcases a striking split design with Al Pacino as Tony Montana, capturing one of the film's most intense moments. Supreme, a brand deeply ingrained in the fabric of streetwear, has consistently demonstrated a knack for blending popular culture with its distinctive style. The collaboration with "Scarface" cements this approach, offering not just a skateboard but a canvas that reflects the gritty and raw narrative of the film. The deck is a homage to the character of Tony Montana, a figure whose pursuit of the American Dream through the darkest avenues of crime has left an indelible mark on cinema and popular culture. The "Shower" deck, in particular, grabs attention with a still from the infamous scene where a drug deal spirals into violence, placing Montana in a life-threatening standoff. This powerful image is complemented by the film's famous tagline on the top of the deck, further embedding the skateboard within the lore of "Scarface." This fusion of art, cinema, and skateboarding culture elevates the piece from a functional item to a collectible artifact within pop and street art. Supreme's decision to feature this graphic during the 2017 Fall/Winter collection was a strategic move that tapped into the nostalgia and aesthetic appeal of the 1980s, when skateboarding and the film "Scarface" rose to prominence. The deck's design captures the essence of that era while remaining relevant to the modern landscape of street art and fashion. As a piece of modern Street Pop Art and graffiti Artwork, the Supreme Scarface Split Deck transcends traditional boundaries, blending functionality with a solid artistic statement. Its creation speaks to a culture that values the defiant spirit of street art and the power of visual storytelling. For enthusiasts and collectors, the deck represents a piece of cultural history, embodying the spirit of rebellion and the relentless pursuit of ambition, themes as relevant today as they were at the time of the film's release.

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Justice Limited Edition Hand Pulled 2-Color Serigraph Printed With Marinoni Machines on White BFK Rives 270 Gram Paper by Cleon Peterson Graffiti Street Artist Modern Pop Art. TITLE: JUSTICE DATE: December 2015 DIMENSIONS: 77,5 x 107,5 cm // 30,5 x 42,3 in approx TECHNIQUE: 2 colors lithograph printed with Marinoni machines PAPER: white BFK Rives – 270 grams Numbered /99 on the left side corner Signed on the right side corner (lead) by the artist The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. What’s alarming for Peterson in our world is not the poverty, injustice, and cruelty by themselves, but the lack of reaction to them.

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LIE Edward Snowden Original Painting Spray Paint Watercolor Mixed Media on Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2014 Signed Original Mixed Media Spray Paint Watercolor Artwork Size 15x22

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The Tempest Silkscreen Print by Cleon Peterson Hand-Pulled 1-Color on 370gsm Legion Sirio Ultrablack Fine Art Paper Limited Edition Artwork. 2021 Signed by Cleon Peterson & Numbered Limited Edition of 30 Artwork Size 24x30 Silkscreen Print Published by Louis Buhl & Co. Signed, Dated, And Numbered In Pencil Along Lower Edge. The Provocative Essence of The Tempest in Street Pop Art In the tapestry of street pop art, few works stir the pot of social commentary as vigorously as Cleon Peterson's "The Tempest." This hand-pulled silkscreen print, manifested on the decadent 370gsm Legion Sirio Ultrablack fine art paper, is a limited edition creation that delves deep into the dissonance of human nature and societal conflict. Completed in 2021, this piece is part of a limited series, with only 30 pieces decorated with Peterson's signature and a unique number denoting its place in this exclusive release. With dimensions of 24x30 inches, "The Tempest" commands presence, drawing the eye and the mind into a discourse that is quintessential to the ethos of street pop art and graffiti artwork. Peterson's work is not for the faint of heart. It's a visual punch, unapologetic and blunt in its depiction of the darker facets of humanity. "The Tempest" is a testament to this unabashed bravery, presenting a dichotomy of black and white that goes beyond color, delving into the dualities of power and subjugation, order and chaos. The starkness of the monochrome palette is a deliberate choice, reflective of the clear-cut division in the societal structures that Peterson often critiques through his art. The absence of color is a strategic silence, allowing the narrative of domination and resistance to resonate louder with its audience. Street Pop Art and Its Dialogues on the Concrete Canvas Street pop art, an umbrella under which "The Tempest" finds a comfortable abode, is not merely an artistic expression but a conversation carved on the concrete canvas of public spaces. Peterson takes this dialogue to the exclusivity of fine art paper, bringing the rawness of the streets into the galleries and collections of art lovers. This transition is not just a physical one; it's a migration of ideas, a movement that brings the unrefined and often uncomfortable truths of graffiti artwork into a space that commands contemplation and discussion. Peterson's "The Tempest" allure is magnified by its rarity. In the art collection world, a piece's value is often tied to its scarcity. A limited edition of 30 ensures that only a few can claim ownership of this tangible slice of Peterson's vision. The meticulous process of hand-pulling each print and the high-quality paper choice elevate "The Tempest" from mere street art replication to a collectible piece of cultural significance. The collaboration with Louis Buhl & Co. for publication furthers this narrative, lending an air of prestige and ensuring the legacy of the artwork within the echelons of high art. Cleon Peterson's Challenge to the Viewer "The Tempest" is a challenge laid bare by Cleon Peterson. It's a gauntlet thrown at the feet of society, asking the viewer not just to observe but to engage with the underlying themes of strife and control. The dialogue initiated by this piece is a hallmark of street pop art and graffiti artwork, which have long been mediums for social and political discourse. Peterson's commitment to these themes is unwavering, and his ability to convey them through the silkscreen medium is a testament to his artist skill and understanding of his role as a provocateur in the art world. In conclusion, Cleon Peterson's "The Tempest" is a resonant piece that captures the essence of street pop art and graffiti artwork through its thematic boldness and visual impact. The hand-pulled silkscreen on fine art paper, limited to a select thirty prints, transcends the boundaries of traditional street art to enter the realm of fine art collection while still retaining the raw, unfiltered dialogue that defines the genre. It is a piece that stands as a bridge between the ephemeral nature of graffiti and the lasting impact of fine art, a bridge that Peterson navigates with deft skill and audacious honesty.

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Ceci N'est Pas Une Spongebob PP Archival Print by Shark Toof Limited Edition Print on 310gsm Museum Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2019 Signed & Marked PP Limited Edition Artwork Size 24x18 Archival Pigment Fine Art. "Ceci N'est Pas Une Spongebob, This Is Not A Spongebob" Decoding "Ceci N'est Pas Une SpongeBob" by Shark Toof "Ceci N'est Pas Une SpongeBob" is a provocative piece by the renowned street pop artist Shark Toof, challenging the boundaries of pop culture iconography within the context of modern street art. The artwork is a Printer's Proof (PP) archival print from 2019, meticulously signed and marked by the artist, denoting its status as a rare collector's item. Printed on 310gsm Museum Fine Art Paper, this piece exemplifies the high-quality medium Shark Toof employs to ensure durability and depth of color, crucial for the archival pigment fine art that this work represents. A Fusion of Street Art and Pop Culture This piece is a testament to the collision of street pop art and graffiti artwork with mainstream pop culture symbols. Shark Toof takes the universally recognized figure of SpongeBob SquarePants and distorts it, presenting an image that both acknowledges and subverts the original character. The title itself, a nod to René Magritte's "The Treachery of Images," prompts viewers to question the nature of representation and reality in art. Shark Toof's work suggests that the image of SpongeBob we see is not the character itself but a representation skewed by the artist's perspective and the cultural context in which it is viewed. Shark Toof's Artistic Commentary In "Ceci N'est Pas Une SpongeBob," Shark Toof is not simply replicating a beloved character; he is initiating a dialogue about the saturation of media icons in society and the consumption of these images. The distortion and decomposition of SpongeBob's features invite the audience to reflect on how mass media shapes and sometimes distorts our perceptions. This work captures the spirit of street pop art by using graffiti artwork's spontaneous and rebellious essence to comment on and criticize phenomena. The layered textures and vibrant colors reveal the complex relationship between commercial imagery and artistic expression. The art piece explores the tension between street art's ephemeral nature and fine art prints' enduring quality. Shark Toof bridges two seemingly disparate worlds by choosing SpongeBob, an icon from an animated children's show, and placing it in the sophisticated realm of limited edition prints. This juxtaposition challenges the viewer's understanding of what constitutes 'legitimate' art, questioning the hierarchies within the art world. Through "Ceci N'est Pas Une SpongeBob," Shark Toof contributes to the discourse on the value and significance of street pop art and graffiti artwork in contemporary culture. By recontextualizing a figure from the lexicon of popular media, he endows it with new meaning and elevates it within the art canon. This artwork is a visual spectacle with an intellectual engagement, prompting conversations about the nature of art, media's influence, and street art's power to transform and transcend ordinary objects and characters into extraordinary pieces of cultural commentary.

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The Return Black Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2025 Signed & Numbered Cleon Peterson Limited Edition of TBD Artwork Size 20x20 Silkscreen Print of a Warrior Man on Horse with Bloody Sword. Released During January 2025, California Fires. The Return Black Silkscreen Print: Cleon Peterson’s Bold Commentary on Power The Return Black Silkscreen Print by Cleon Peterson is a visually arresting piece that embodies the artist’s exploration of power, conflict, and human struggle. Created in 2025 and printed on hand-deckled 290gsm Coventry Rag fine art paper, this 20x20-inch artwork is a testament to Peterson’s mastery of stark, minimalist storytelling. The composition depicts a warrior atop a horse, brandishing a bloody sword, and rendered entirely in black ink on a white background. This limited-edition work, signed and numbered by the artist, was released during the California fires of January 2025, adding an urgent layer of resonance to its themes of destruction and survival. Cleon Peterson’s Signature Style and Themes Cleon Peterson is renowned for his graphic, monochromatic approach, using stark contrasts to create impactful visuals. The Return Black exemplifies his distinctive style, where bold, simplified forms carry complex narratives. The central figure—a muscular, faceless warrior—symbolizes themes of conquest, chaos, and resilience, evoking both awe and unease. Peterson’s work often examines the darker aspects of human nature, and this piece is no exception. The pairing of the imposing warrior with the elegance of the horse creates a dichotomy that reflects the tension between power and vulnerability, a recurring theme in his body of work. Design and Symbolism in The Return Black The design of The Return Black is a study in contrasts, with the deep black ink creating a commanding presence against the stark white background. The warrior’s raised sword, dripping with blood, serves as a focal point, emphasizing themes of violence and dominance. The horse, rendered in Peterson’s signature minimalist style, adds motion and grandeur to the composition, while its positioning conveys both strength and submission. The hand-deckled edges of the fine art paper lend an artisanal quality to the piece, grounding its contemporary aesthetic in traditional craftsmanship. This juxtaposition mirrors the artwork’s narrative tension, where triumph and turmoil coexist. Context and Collectibility Released during the California fires of January 2025, The Return Black gains additional poignancy as it reflects themes of destruction and endurance in the face of adversity. This limited-edition print, with its exclusive run signed and numbered by Peterson, holds significant value for collectors of Street Pop Art and Graffiti Artwork. The use of silkscreen printing ensures a rich, tactile quality that enhances the artwork’s visual impact. As both a reflection of modern societal struggles and a timeless commentary on the human condition, The Return Black stands as a powerful addition to Peterson’s oeuvre and a compelling piece for contemporary art enthusiasts.

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Pablo 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by SSUR- Ruslan Karablin Rare Street Art Famous Pop Artwork Artist. 2014 Signed & Numbered Limited Edition of 60 Artwork Size 18x24 Some Staining and Minor Creases. A very cool Pablo Escobar wanted poster is depicted in this artwork print. Printed across his picture is the work Muerto, or DEAD. Rare special limited edition out-of-production art print. Pablo 2-Color Hand-Pulled Limited Edition Silkscreen Print by SSUR - Ruslan Karablin The Pablo 2-Color Hand-Pulled Limited Edition Silkscreen Print by SSUR - Ruslan Karablin is a provocative and rare example of street pop art & graffiti artwork, directly referencing the cultural and historical impact of Pablo Escobar through an iconic wanted poster. Created in 2014, this signed and numbered limited edition of 60 print captures the intersection of political commentary, crime history, and street art aesthetics. Measuring 18x24 inches, the artwork delivers a raw, impactful statement with a minimalist yet bold design that enhances its message. SSUR and the Influence of Counter-Culture Street Art Ruslan Karablin, known under the alias SSUR, is a counter-culture street artist who has built a reputation for fusing historical and political themes with bold visual storytelling. His work often critiques power, capitalism, and the glorification of infamy, making this Escobar-inspired print a natural extension of his artistic practice. SSUR has long utilized propaganda-style imagery, high-contrast prints, and subversive messaging, techniques that align perfectly with the punk-inspired rebellion of street pop art & graffiti artwork. The Pablo print exemplifies his ability to reframe historical figures in a modern, hyper-commercialized context, turning wanted posters, revolutionary imagery, and capitalist symbols into collectible artworks. The silkscreen process, known for its rich textures and bold contrast, adds a level of authenticity to the print, reinforcing its underground aesthetic while maintaining high artistic value. Symbolism and Cultural Impact of the Pablo Print This limited edition artwork is a reinterpretation of an actual Colombian government wanted poster issued for Pablo Escobar, the infamous drug lord whose criminal empire and mystique have continued to permeate pop culture, cinema, and street art. In place of an ordinary mugshot, SSUR adds a red censorship bar over Escobar’s eyes, with the word Muerto (meaning Dead) imprinted in bold, striking typography. The use of red over black-and-white imagery symbolizes violence, censorship, and the brutal finality of Escobar’s legacy. By using this historical imagery in a street pop art format, SSUR raises questions about the mythologizing of criminals, the commodification of crime in pop culture, and the relationship between propaganda and consumer culture. The Pablo print, much like the artist’s broader body of work, challenges viewers to reconsider power structures and the ways in which figures like Escobar are immortalized and romanticized in contemporary media. Rarity and Collector's Value This out-of-production special edition print is considered a rare collector’s item within the world of street pop art & graffiti artwork. With only 60 prints ever made, its hand-pulled silkscreen technique ensures that each piece retains a unique quality, reinforcing the authenticity and exclusivity of the artwork. Some prints may show minor creases and staining, which only add to their raw, street-art-inspired appeal. Collectors of urban contemporary art, political pop art, and subversive street culture pieces seek out works like this due to their commentary on history, power, and crime. The Pablo print by SSUR stands as a bold example of modern propaganda art, turning a government-issued bounty into a statement piece that blurs the lines between historical record and contemporary street art aesthetics.

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Video Surveillance 12x18- II Original Mixed Media Painting graffiti artist modern pop art on Real Metal Street Sign by Cope2. 2020 Signed Original Spray Paint Painting Bubble Letter on Real Metal Street Sign Artwork Size 12x18. This Area is Under 24 Hour Surveillance Sign.  

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Butch Limited Edition 5-Color Hand-Pulled Silkscreen Print on Mohawk Cream Paper by Jon Smith Graffiti Street Artist Modern Pop Art. Pulp Fiction-inspired piece from Spoke Art's Quentin vs. Coen group art show.

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Cruelty Is the Message Bone Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 125 Artwork Size 44x14 Silkscreen Print. Cleon Peterson's Gritty Reflection in "Cruelty Is the Message Bone" "Cruelty Is the Message Bone," a powerful silkscreen print by Cleon Peterson, presents a stark tableau as provocative as it is aesthetically arresting. Released in 2024, it forms part of a limited edition of 125 pieces, each bearing the artist's signature and individual number, confirming its exclusivity and importance in contemporary art. This artwork, measuring 44x14 inches, is printed on hand-deckled 290gsm Coventry Rag fine art paper, underscoring Peterson's commitment to quality and durability in his works. Dissecting the Visual Language of Conflict Peterson's monochromatic palette, dominated by bone-like whites and unforgiving blacks, delves into the dichotomy of chaos and order, power and vulnerability. Each figure is interlocked in scenes of violence and domination, creating a narrative that reflects on the inherent brutality within societal structures. The artwork resonates with the rawness of street pop art and graffiti artwork, carrying an unfiltered expression of human behavior stripped to its most primal forms. The imagery in "Cruelty Is the Message Bone" is characteristic of Peterson's oeuvre, wherein themes of conflict, authority, and aggression are recurrent. He employs a visual lexicon that is both universal and timeless, drawing parallels between historical cycles of power and contemporary instances of systemic violence. Peterson's work is a commentary not only on the societal but also on the personal realms of struggle and survival. The Impact of Peterson's Silkscreen on Street Art Discourse Peterson's work stands at the intersection of fine art and street art, drawing the meticulousness of printmaking into the often fleeting world of graffiti art. "Cruelty Is the Message Bone" is a testament to the potential of street pop art to transcend its origins and find a place within the more traditional art settings, all while retaining its edge and ability to provoke thought. The limited edition print's presence in the art market is a reminder of the genre's evolving dynamics, showcasing the shifting boundaries between high art and street art. With his stark depictions, Cleon Peterson captures the essence of the times, challenging viewers to confront uncomfortable truths about the world and their role within it. Cleon Peterson's "Cruelty Is the Message Bone" is a striking embodiment of the spirit of street pop art and graffiti artwork. It is a visual feast that delves into the depths of societal unrest and personal upheaval, serving as a mirror to the chaos and order that define the human condition. With its distinctive style and provocative themes, Peterson's work continues to contribute to the conversation around art's role in reflecting and shaping the socio-political landscape.

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No Trespassing No Graffiti 12x18- III Original Mixed Media Painting graffiti artist modern pop art on Real Metal Street Sign by Cope2. 2020 Signed Original Spray Paint Painting Bubble Letter on Real Metal Street Sign Artwork Size 12x18. No Trespassing No Graffiti Surveillance Sign. Challenging Norms with Cope2's Street Pop Art & Graffiti Artwork The piece "No Trespassing No Graffiti 12x18- III" by Cope2 is a provocative work that embodies the rebellious spirit of street pop art and graffiti artwork. The 2020 signed original spray paint painting features bubble letters on a real metal street sign, size 12x18 inches, boldly proclaiming "Graffiti Is A Crime." This artwork is a direct challenge to the legal and societal boundaries that have long been imposed on graffiti artists. Cope2, a name that carries weight in the graffiti world, uses this piece to confront the paradox of graffiti as an art form: its simultaneous existence as a celebrated creation and a criminal act. The medium of the actual metal street sign, an object that typically represents law and control, is subverted and repurposed as a canvas for free artistic expression. This inversion is symbolic of the very nature of street art — a medium that often exists in heavily regulated and surveilled spaces. By choosing this as his canvas, Cope2 does not just create a piece of art; he crafts a statement on the right to public space and the nature of artistic freedom. The Socio-Cultural Commentary of Cope2's Work "No Trespassing No Graffiti" is more than a visually striking piece; it serves as a socio-cultural commentary on the state of street art today. The bright colors and the unmissable bubble letters are quintessential elements of traditional graffiti, yet they stand in stark contrast against the formal, authoritative backdrop of the street sign. This contrast is a visual metaphor for the tension between the artist and the establishment, between creativity and conformity. The artwork captures what Cope2 represents — an artist who has thrived in the face of adversity and legal challenges for over three decades. This mixed media piece shows his dedication to the craft and his ability to adapt and evolve. He showcased his mixed-media the streets to a respected figure in modern pop art while maintaining the edge and authenticity of his street roots. Impact of "No Trespassing No Graffiti" on Street Pop Art & Graffiti Artwork Cope2's "No Trespassing No Graffiti" impact on the perception of street pop art and graffiti artwork cannot be understated. It is an embodiment of the defiance often intrinsic to this genre of art. Yet, it also represents a maturation of the form, a sign that street art has claimed its rightful place in contemporary art discourse. The piece stands as a symbol of resistance against the criminalization of graffiti, urging a reexamination of the laws and cultural perceptions that govern public expression. Through this work, Cope2 asserts the value of street art as a legitimate and powerful form of social and artistic expression. The painting is a direct engagement with the viewer, a call to question and redefine the boundaries of legality and artistry. It is a bold declaration that the presence of graffiti in the public sphere can be both an act of vandalism and a significant cultural artifact. "No Trespassing No Graffiti" is a pivotal piece in the narrative of street pop art and graffiti artwork. It is a testament to Cope2's enduring influence and his commitment to pushing the boundaries of what street art can convey. This artwork is not just a statement against prohibition; it is a proclamation of the transformative power of graffiti, its role in challenging the status quo, and its potential to change how we interact with and understand the urban landscape. It is a piece that encapsulates the complex identity of graffiti, standing as a vibrant example of the dialogue between artist, city, and society.

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Supreme 20th Anniversary Taxi Driver Deck- Natural Fine Art Limited Edition Archival Pigment Print Transfer on Natural Veneer Wood Skateboard Deck by Street Artwork Graffiti Artists at Supreme. 2014 Widely considered one of Robert De Niro's best performances, Taxi Driver was released long before Supreme opened for business in 1994. That didn't stop them from including a stark image of Travis Bickle on one of their first t-shirt's, which eventually made its way onto skateboards in Supreme's 20th Anniversary collection that dropped in April 2014. This natural version features an a clear wood stain on the bottom and includes a Supreme 20th Anniversary seal printed on the top.

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Power Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Power, 2020 Screenprint in colors on Arches Rag paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 94/100 Signed, numbered, and dated in pencil along lower edge Published by the artist The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. What’s alarming for Peterson in our world is not the poverty, injustice, and cruelty by themselves, but the lack of reaction to them.

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Seppuku Artwork Giclee Limited Edition Print on 300gsm Matt Fine Art Paper by Pop Culture Graffiti Artist Luke Chueh. Print was released in 2014 during Luke's visit to Singapore. Signed and numbered edition of 75 12" x 16" Printed on 300gsm matt fine art paper

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Supreme Scarface Shower Deck Limited Edition Skateboard deck art by Designer Brand Supreme FW17 2017 Supreme x Scarface's iconic imagery was utilized for a full collection of items during the Fall/Winter 2017 collection. Each deck includes the film's famous tagline printed on the top of the deck. This "Shower" deck grabs a still from the infamous scene where a drug deal goes wrong, and Montana is forced into the shower with a gun to his head.

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Hammerhead Liquor Bike 1996 Nyabinghi West Virginia Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1996 Signed & Numbered Limited Edition of 675 Artwork Size 17.5x22.5 Silkscreen Print Music Gig Poster Art by Frank Kozik Nyabinghi Dance Hall, West Virginia February 2nd 1996

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Art Is Not a Crime- Hand Candy Silver Limited Edition Chrome Painted Resin Sculpture Artwork by Legendary Fine Graffiti Street Artist Mr Brainwash- Thierry Guetta. 2021 Signed & Numbered Limited Edition of 95 Artwork Size 7.25x6.5 Medium: Chrome-Painted Resin Sculpture Size: 6.5 x 7.25 x 2 in (16.5 x 20.9 x 5 cm) Edition: 95 + 10AP Signed and numbered

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Obey Radical Peace- Blue 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 18 inches by 24 inches Edition of 375 May 7, 2021. Shepards Spin of the Capital Protest 2021 Where Cops Killed 5 Unarmed Protestors.

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Where Does Time Go Artwork Giclee Limited Edition Print on 100% Cotton Rag Archival Paper by Pop Culture Graffiti Artist Barnaby Ward. This is a gallery-quality giclée art print on 100% cotton rag archival paper, printed with archival inks. Each art print is listed by sheet size and features a minimum one-inch border.

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Hows Annie Limited Edition Giclee Print on Fine Art Paper by Jon Smith counter-culture street artist art. Spoiler Alert Series is a new print series showcasing the most epic shocking events in major cult television history! At this point, if you’re not up to speed on Breaking Bad, Twin Peaks, and Game Of Thrones you’re shit out of luck.

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French Connection Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art. The French Connection Movie Screening at Michigan Theater June 27th & 29th 2010.

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Revenge Night Silkscreen Print by Cleon Peterson Hand-Pulled 2-Color on 290gsm Coventry Rag Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 75 Artwork Size 28x28 Silkscreen Print Revenge Night is a silkscreen print created by Cleon Peterson, a Los Angeles-based artist known for his controversial and provocative work. His art often explores themes of violence, chaos, and societal struggles, reflecting the darker aspects of human nature and social dynamics. The Revenge Night silkscreen print is an example of Cleon Peterson's signature style, featuring stark black, white, and tan color schemes with heavy use of harsh symmetry. His characters often engage in violent or antagonistic interactions, highlighting the artist's view of the world as a cruel and brutal place.

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It's a Nightmare Charlie- Clockwork Orange Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Raid71. Peanuts Charlie Brown Halloween Costumed as Clockwork Orange thug. 5" x 5" Giclee Signed, Numbered. It’s a Nightmare Charlie- Clockwork Orange Artwork Giclee Print by Raid71 – Street Pop Art & Graffiti Artwork Raid71 presents a thought-provoking and visually striking crossover with It’s a Nightmare Charlie- Clockwork Orange, a limited edition giclee print that merges the innocent world of Peanuts with the dystopian brutality of A Clockwork Orange. This 5x5-inch signed and numbered fine art print transforms the iconic Charlie Brown into an unsettling yet humorous version of Alex DeLarge, the infamous anti-hero of Stanley Kubrick’s cult classic. By juxtaposing these vastly different cultural symbols, Raid71 delivers a work that challenges the viewer’s perception of nostalgia, violence, and pop culture mythology. Charlie Brown, typically depicted as a lovable underdog riddled with existential woes, is reimagined in the menacing uniform of Alex DeLarge. The black bowler hat, single exaggerated eyelash, white button-up shirt, suspenders, and walking cane immediately reference the visual language of A Clockwork Orange, evoking the unsettling aura of ultraviolence that defines the character. Yet, despite these elements, Charlie Brown’s usual simplistic and childlike features remain, creating a dissonant effect that plays on the viewer’s emotions. This is the power of Street Pop Art & Graffiti Artwork—to take something familiar and force a deeper, sometimes uncomfortable, reinterpretation. The Duality of Innocence and Violence in Pop Art Raid71 is well known for his ability to merge seemingly incompatible elements of pop culture, and It’s a Nightmare Charlie- Clockwork Orange is a prime example of this skill. By merging the playful and lighthearted world of Charles Schulz’s Peanuts with the disturbing and chaotic themes of A Clockwork Orange, the piece forces viewers to confront the intersection of innocence and corruption. Charlie Brown is one of the most widely recognized characters in comic strip history, representing perseverance in the face of perpetual failure. In contrast, Alex DeLarge is a deeply unsettling figure, embodying free will and chaos in a dystopian world where morality is manipulated and controlled. The fusion of these two figures is both jarring and strangely poetic, prompting viewers to question whether the nature of a character is defined by their visual aesthetic or the actions they perform. Giclee Printing and the Appeal of Limited Edition Art This giclee print captures the crisp lines and vibrant yet minimal color palette of Raid71’s work, making it a standout piece in any contemporary art collection. Giclee printing is favored in Street Pop Art & Graffiti Artwork due to its ability to replicate the fine details and textures of an artist’s original vision while ensuring the longevity of the print. The high-quality paper further enhances the depth of the colors, allowing each detail—from the soft yellow background to the subtle shading in Charlie Brown’s costume—to pop with clarity. The 5x5-inch format gives the piece an intimate, collectible quality that aligns with Raid71’s signature approach of turning pop culture imagery into carefully crafted fine art. The limited edition nature of this print also adds to its exclusivity, making it highly desirable for collectors who appreciate art that plays with cultural nostalgia and satire. The Subversion of Pop Culture in Contemporary Art Street Pop Art & Graffiti Artwork often thrives on the manipulation of cultural symbols, using well-known imagery to evoke new narratives and interpretations. It’s a Nightmare Charlie- Clockwork Orange is a perfect example of this approach, transforming a universally recognized childhood figure into something far more complex and unsettling. This method of artistic reimagining is a defining characteristic of urban contemporary art, where the lines between nostalgia, satire, and critique blur into a visually compelling experience. Raid71 continues to push boundaries with his ability to blend humor, darkness, and cultural commentary. It’s a Nightmare Charlie- Clockwork Orange not only serves as a playful mashup of two vastly different fictional worlds but also as a reflection of how media shapes identity, morality, and perception. By placing Charlie Brown in the attire of a cinematic anti-hero, the piece forces viewers to reconsider the narratives that have been ingrained in them from childhood to adulthood. This print is more than just a visually striking artwork—it is a cultural conversation starter. It taps into the viewer’s memory of Peanuts while subverting its wholesome legacy, proving once again that even the most innocent figures can be transformed into something entirely unexpected through the power of street art and pop culture reinvention.

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Razor Gun Limited Edition 5-Color Hand-Pulled Silkscreen Print on 130lbs Mohawk Vellum Fine Art Paper by Maximilian Wiedemann Graffiti Street Artist Modern Pop Art. "Looking at the current media coverage and shocking violence that has spread around the world, I felt it was time to release an anti-gun/crime piece. In the wider sense and anti-violence statement. Don't pull the trigger! As you see in the detail, the trigger is the razor, making it impossible or painful to shoot. It's a fine little detail in the gun that turns the meaning of weapons around. All you need is love. This design and coloring have exclusively been done for 1XRUN. This Idea has been shown first in New York in 2011 in the Vanity Unfair Show - I felt it has more relevance than ever these days." - Maximilian Wiedemann

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The Naked Woman & Man Gold 2-Color Limited Edition Silkscreen Print on Deckled 290gsm Coventry Rag Paper by Artist Cleon Peterson. 2022 Signed & Numbered Limited Editon of 75 Artwork Size 13x18 Hand-pulled 13 x 18” Gold black and bone screen print. It was printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered—a limited edition of 75. Cleon Peterson's visuality is based on various influences, from ancient Greek pottery to comics, resulting in monochromacy and strong color symbolism. In more detail, the figures exist on multiple straight lines, creating the illusion that the artwork is divided into levels. The perspective and the impression of depth moderately exist in the art of Peterson. Like in Greek vases, the background space is usually left empty or slightly embellished.

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A Lawyer you can TRust Limited Edition Giclee Print on Fine Art Paper by Robert Bruno counter-culture street artist art. AP Artist Proof. A satirical tribute to Saul Goodman and 'Better Call Saul' the Breaking Bad spinoff TV show. Limited Edition Fine Art Giclee Print AP Edition of 25 9' in. x 12' in. Signed & Numbered

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The Return Gold Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2025 Signed & Numbered Cleon Peterson Limited Edition of TBD Artwork Size 20x20 Silkscreen Print of a Warrior Man on Horse with Bloody Sword. Released During January 2025, California Fires. The Return Gold Silkscreen Print: Cleon Peterson’s Vision of Conflict and Power The Return Gold Silkscreen Print by Cleon Peterson is a powerful representation of human conflict and resilience, expressed through the language of Street Pop Art and Graffiti Artwork. This limited-edition piece, released in January 2025, is crafted on hand-deckled 290gsm Coventry Rag fine art paper, offering a tactile richness that complements its striking visual impact. Measuring 20x20 inches, the artwork features a solitary warrior astride a horse, brandishing a bloody sword. Rendered entirely in gold ink against the paper’s stark white background, the piece exudes an aura of regality and violence, encapsulating the duality of triumph and destruction. Cleon Peterson and His Iconic Style Cleon Peterson is celebrated for his graphic, minimalist approach to storytelling, often exploring themes of violence, power, and survival. His work is deeply rooted in the tension between chaos and order, with stark compositions that evoke raw emotion. The Return Gold exemplifies this style, presenting a scene that is at once elegant and unsettling. Peterson’s use of simplified forms and bold silhouettes allows viewers to focus on the narrative elements of the piece, while the use of gold adds a layer of symbolism tied to wealth, power, and legacy. Released during the California fires of 2025, this artwork gains additional relevance as it parallels themes of destruction and endurance. Symbolism and Visual Impact in The Return Gold The central figure in The Return Gold is a commanding warrior on horseback, raising a sword still dripping with blood. This imagery speaks to themes of conquest, survival, and the cyclical nature of violence. The horse, a timeless symbol of power and freedom, adds to the piece’s dramatic intensity. The monochromatic gold palette amplifies the artwork’s impact, creating a luminous quality that contrasts with the grim subject matter. The hand-deckled edges of the paper emphasize the rawness of the work, grounding its polished aesthetic in the tactile authenticity of street-inspired art. Collectibility and Context of The Return Gold Printed on premium Coventry Rag fine art paper, The Return Gold is a testament to Cleon Peterson’s dedication to craftsmanship and narrative depth. Each print is signed and numbered, ensuring its exclusivity within an unspecified but highly anticipated edition size. The timing of its release during the California fires adds an additional layer of significance, drawing connections between the artwork’s themes and real-world events. As both a fine art print and a piece of Street Pop Art, The Return Gold blurs the lines between traditional and contemporary, offering collectors a meaningful and visually captivating addition to their collections. It stands as a reflection of Peterson’s mastery in distilling complex human experiences into bold, minimalist forms.

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Never Win Never Lose Black 2-Color Limited Edition Silkscreen Print on Deckled 290gsm Coventry Rag Paper by Artist Cleon Peterson. 2022 Signed & Numbered Limited Editon of 50 Hand Deckled Artwork Size 18x24 "Never Win Never Lose Black" is a masterful silkscreen print, a testament to the innovative prowess of Cleon Peterson. Emerging from the dynamic landscape of contemporary art in 2022, this piece stands as a harmonious blend of pop art, street art, and graffiti art influences, capturing the zeitgeist of modern visual expression. Crafted with meticulous precision, the two-color artwork comes to life in a powerful palette of black and bone, creating an evocative interplay of contrast and detail. The canvas of choice is the 290gsm Coventry Rag paper, renowned for its superior quality and texture. Elevating the print's charm is its deckled edge, lending it a touch of vintage allure juxtaposed with the artwork's modern aesthetics. Spanning a size of 18x24 inches, the artwork commands attention, drawing viewers into its intricate narrative and captivating patterns. The intertwining figures, characterized by fluidity and movement, tell a tale of conflict and harmony, a dance of light and shadow that resonates with the duality of human nature. Perhaps the most defining feature of this artwork is its exclusivity. Limited to an edition of just 50, each print is hand-pulled, ensuring the uniqueness and authenticity of every piece. Further reinforcing its value is the artist's signature, alongside a numbering that marks its position in the limited series. In "Never Win Never Lose Black", Cleon Peterson has indeed crafted an artwork that stands at the crossroads of tradition and innovation, a reflection of the ever-evolving narrative of art in the 21st century.

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My Love Is Vengeance Black 2-Color Limited Edition Silkscreen Print on Deckled 290gsm Coventry Rag Paper by Artist Cleon Peterson. 2022 Signed & Numbered Limited Editon of 50 Hand Deckled Artwork Size 18x24 "My Love Is Vengeance" is a compelling silkscreen print that exemplifies the masterful artistry of Cleon Peterson. Released in 2022, the piece is an evocative blend of pop, street, and graffiti art influences, capturing the dynamic evolution of modern visual narratives. With a powerful dichotomy of black and bone, the artwork explores profound themes of passion, conflict, and resilience, drawing viewers into its rich tapestry of emotion and symbolism. Printed meticulously on the premium 290gsm Coventry Rag paper, the artwork's quality is indisputably top-notch. The paper, known for its rich texture, amplifies the depth of the piece, allowing the intricate details to shine through. The choice of deckled edges adds an air of vintage charm, offering a stark contrast to the modern and contemporary essence of the depicted figures. With dimensions set at 18x24 inches, the expansive canvas becomes a window to a world where love and vengeance dance in an eternal embrace. The intertwined figures, rendered in fluid lines and sharp contrasts, echo tales of love and its multifaceted nature—both tender and fierce. Each curve, shadow, and hue speaks volumes, challenging viewers to introspect and interpret. And adding to the allure is the artwork's exclusivity. With each print being hand-pulled, a unique touch of authenticity is embedded. The signature of Cleon Peterson and the numbered mark further assert its rarity, making it a treasured addition for any art collector. In "My Love Is Vengeance", Cleon Peterson has, yet again, showcased his unparalleled ability to merge diverse artistic genres, creating a timeless piece that resonates deeply with today's art aficionados.

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Black Dahlia Murder- Red on Blue Free Press Houston Summerfest 2011 Music Limited Edition Gig Poster 4-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Justin Anville. Ultra Rare Red on blue paper - edition of 2. Created for the Free Press Houston Summerfest. This is a chrome variant, which has different colors from the poster available at the festival. It is an 18" x 24" four-color screenprint on 100lb paper. Black Dahlia Murder Red on Blue Free Press Houston Summerfest, Texas, Houston, June 4th 5th 2011 Eleanor Tinsley Park

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King Janky The 6.5 "Platinum Panama" Janky SuperPlastic Limited Edition Vinyl Artwork Street Art Toy Collectable Figure The "Capo dei Capi" of the Janky royal family is back from hiding out in Panama from the feds, and he’s got a plan to right the wrongs brought against the familia. This boss on the run features Tommy gun, "nice guy" fedora, and newspaper headlining the hoodlum—it won't be long until one of the three is soaked by the blood of neighborhood narcs. 3.5-inches tall, soft vinyl, and drenched in family disgrace. Just 999 made.

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Take Me Now Black & White Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 100 Artwork Size 18x18 Silkscreen Print. A Striking Vision of Raw Power Cleon Peterson is an American artist widely known for depicting tense confrontations and stark imagery that highlight conflict between figures. This black and white silkscreen print titled Take Me Now showcases his signature style of sharp contrasts, bold silhouettes, and dramatic tension. The artwork features two imposing figures locked in a dynamic struggle, emphasizing a sense of intensity that draws the eye to the violent clash of bodies. Printed on hand deckled 290gsm Coventry Rag Fine Art Paper, this piece reveals Peterson's unmistakable ability to convey visceral emotions through minimal yet forceful contours. Viewers often recognize the influence of Street Pop Art & Graffiti Artwork in Peterson's deliberate choice of a monochromatic color palette and deliberately simplistic forms that channel raw energy into a vivid visual narrative. Captivating Themes and Masterful Execution Take Me Now presents complex themes rooted in aggression, dominance, and survival. The tension in the composition captures a fleeting instant where one figure appears poised to strike, while the other fights against subjugation. Peterson's silhouettes feel like timeless symbols of chaotic struggles that echo throughout human history. The absence of intricate facial details concentrates attention on posture and shape, highlighting the universal aspect of conflict. The stark black and white contrasts enhance the piece's timeless quality, offering a minimalist yet powerful aesthetic. Collectors and enthusiasts admire how Peterson employs a combination of fine art techniques and references to Street Pop Art & Graffiti Artwork, creating a style that feels both raw and refined. Collectible Limited Edition Artwork This 2024 signed and numbered work comes in a limited edition of 100, underscoring its exclusivity and collectible nature. Measuring 18x18 inches, the print delivers a substantial presence on any wall. Cleon Peterson's use of archival-quality, hand deckled 290gsm Coventry Rag Fine Art Paper ensures durability and a refined texture that pairs well with his bold graphic designs. The subtle deckled edges convey an artisanal quality, reminding viewers that each print is meticulously produced. Serious art collectors often seek out Peterson's pieces for their ability to fuse contemporary influences with a timeless, almost mythological essence of confrontation and conflict. Resonance in Street Pop Art & Graffiti Artwork Fans of Peterson appreciate how his work resonates with a lineage that includes Street Pop Art & Graffiti Artwork, forms that disrupted conventional gallery scenes with provocative visuals. His figures, stripped of superfluous detail, reflect a background where bold lines and strong contrast are common. Take Me Now channels elements of graffiti culture, where swift, decisive gestures define the style. At the same time, it carries the pop art notion of using stark, arresting imagery to communicate human turmoil. This collision of influences makes Peterson's art compelling for admirers of urban aesthetics and contemporary fine art alike. By merging aggression with elegance, Take Me Now exemplifies the power of a simple palette and unwavering lines to command attention, leaving observers with a lasting impression.

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Heath Ledger Joker Construction Zone Original Street Sign Painting by RD-357 Real Deal One of a Kind Artwork on Real Metal NYC New York Construction Zone No Trespassing Street Sign by Graffiti Art Pop Artist. 2012 Signed Mixed Media Acrylic & Spray Paint on Reclaimed NYC New York Construction Zone No Trespassing Sign Painting Original Artwork Size 24x24 Batman Villian Played by Heath Ledger in the Movie as Joker Looking at the Viewer. RD Tag in Rust Red. RD-357's Heath Ledger Joker: A Fusion of Street Pop Art and Iconography The Heath Ledger Joker Construction Zone original street sign painting by RD-357, also known as Real Deal, encapsulates the essence of street pop art through its provocative use of public signage repurposed for artistic expression. Created in 2012, this mixed media acrylic and spray paint artwork transforms a New York City construction zone 'No Trespassing' sign into a canvas, depicting the iconic Batman villain played by Heath Ledger in a way that both challenges and captivates the viewer. Contextualizing RD-357's Artistic Approach RD-357, an artist whose real name remains elusive in the true spirit of street art anonymity, is known for his gritty interpretations of pop culture figures on unconventional canvases. This particular artwork measures 24x24 inches and is a testament to street art's versatility, pushing beyond traditional boundaries. RD-357 draws upon the anarchic spirit of the Joker, using a symbol of law and order – a construction sign – to present an image of chaos and rebellion. The irony is palpable; the sign, which once stood as a warning against unauthorized entry, now invites viewers to engage with the art in a personal, almost aggressive manner. Symbolism and Impact in RD-357's Joker Artwork This piece is not just a portrait; it is a statement. By choosing Heath Ledger's Joker, RD-357 taps into the collective consciousness of a society fascinated by the anti-hero archetype. Ledger's portrayal of the Joker was posthumously celebrated, and his death in 2008 left a cultural imprint that RD-357 leverages in this artwork. The juxtaposition of the Joker’s figure against the backdrop of a New York construction sign speaks volumes about the chaotic undercurrents within the perceived order of urban life. The use of mixed media, with acrylic and spray paint, highlights street art's raw, visceral nature, while also paying homage to the vibrancy of pop art. The viewer is confronted with the Joker's gaze, which, coupled with the bright warning colors of the construction sign, creates an unsettling yet magnetic presence. This interaction compels the audience to contemplate the layers of meaning behind the piece – from transforming public property into a medium for personal expression to the dialogue between art and spectator that challenges societal norms and the very definition of public space. In conclusion, RD-357's Heath Ledger Joker on a New York City construction sign is an outstanding example of how street pop art can merge cultural iconography with subversive messaging. Through this piece, the artist immortalizes a beloved film character and raises questions about authority, ownership, and the role of art in public discourse. The artwork remains a one-of-a-kind testament to the power of graffiti art to redefine spaces and provoke thought long after the paint has dried.

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Le Voleur Limited Edition 4-Color Screen Print on 130lbs Mohawk Fine Art Paper by 123Klan Graffiti Street Artist Modern Pop Art. "Le voleur, is one of our iconic characters. He exists on a 60" x 36" canvas which is available at Yves Laroche Galerie. At first glance he looks like a common thief, but in reality he is a version of a modern Robin Hood." - 123Klan

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Shoplifters Welcome Silkscreen Print by Shepard Fairey- OBEY x Jamie Reid Hand-Pulled Screen Print on Cream Speckletone Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 450 Artwork Size 18x24 Created to Commemorate Reid's Ragged Kingdom Exhibition, March 16 to April 14, 2012. Shows a Hand Removing Laws From A Brief Case Infering Wall Street Money Regulations. "Jamie has been one of my biggest influences, and I'm honored that we worked on some collaborative images for the show. The new images deal with the mutual interests of Jamie and I, addressing the timeless problems of corruption and wealth inequality, but tie into the current themes of Occupy Wall Street and the dead end of fossil fuel consumption." -Shepard Faire.y Shepard Fairey's Collaboration with Jamie Reid in Street Pop Art The "Shoplifters Welcome Silkscreen Print" is a remarkable intersection of street pop art and political commentary, created by the influential Shepard Fairey in collaboration with Jamie Reid. This limited edition hand-pulled screen print on cream speckletone art paper is a testament to the potency of visual art as a tool for social critique. Released as part of Jamie Reid's Ragged Kingdom exhibition from March 16 to April 14, 2012, this artwork resonates with anti-establishment and dissent themes common in street pop art and graffiti artwork. Shepard Fairey, renowned for his OBEY campaign and the iconic Obama "Hope" poster, has a history of infusing his work with sharp political insights. The artwork in discussion depicts a hand removing laws from a briefcase, a direct inference to the deregulation of Wall Street and the unshackling of financial institutions from legal constraints. This visual metaphor conveys the message of wealth inequality and corruption, both highly relevant to the zeitgeist of the early 2010s, especially in the Occupy Wall Street movement. Artistic Expression of Sociopolitical Issues The collaborative nature of this artwork, involving both Shepard Fairey and Jamie Reid, underscores a shared commitment to addressing pressing societal issues through art. Fairey's statement about the collaboration highlights their mutual interest in tackling the "timeless problems of corruption and wealth inequality," themes that are also deeply embedded in the philosophy of street pop art. The artwork becomes a canvas for discourse, echoing the sentiments of public protests and movements that call for justice and economic reform. In creating the "Shoplifters Welcome" piece, Fairey and Reid tap into the legacy of street pop art's ability to reach a broad audience. Street pop art, often found in public spaces, speaks directly to the masses, unfiltered by the gatekeeping of traditional art venues. Though housed within the confines of an exhibition, this print carries the spirit of street art by being a piece of graffiti artwork that one can own—a symbol of both rebellion and commodification. The limited edition nature of the print, being one of only 450, adds a layer of exclusivity to a piece that speaks about wealth disparity, creating an exciting tension between the artwork's message and its status as a collectible item. Each print, signed and numbered by Fairey, is a piece of art and a statement about the artist's role in society—as an observer, a critic, and a participant in the cultural dialogue about power and money. This artwork, sized 18x24, encapsulates a period of intense socio-political activism, serving as a historical document that captures the essence of the early 2010s. The stark imagery, reminiscent of propaganda art, is both a nod to the past and a commentary on the current state of affairs. It draws a parallel between the actions on Wall Street and the broader issues of regulatory oversight and the power imbalance, which remain relevant in discussions about the economy and governance. In the larger context of street pop and graffiti artwork, Shepard Fairey and Jamie Reid's "Shoplifters Welcome" print is a powerful reminder of art's role in society. It bridges the gap between aesthetic appeal and social commentary, functioning as a visual manifesto that calls for reflection and action. The piece is not merely an artwork to be viewed but a conversation starter, a call to arms, and a historical artifact.

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Gaslamp Killer Artist Proof 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. AP Artist Proof. Signed & Numbered, Shepard Fairey (b. 1970) Gaslamp Killer, 2008 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) A.P. (aside from an edition of 400) Signed, numbered, and dated in pencil along lower edge Published by Obey Giant, Los Angeles. I Spit On Your Grave. “My art for the Gaslamp Killer mix was inspired by a combination of the music and personality of the Gaslamp Killer. The GLK is into dark and psychedelic sounds, so that, combined with his name, called for a hippie/horror salad tossed with a blood vinaigrette. The flavor was only enhanced by the Gaslamp Killer’s more sinister personal look, having shaved his dreads and grown an unruly beard and sideburns combo worthy of the most savage maniacs. You must wade through boiling pools of blood to get to the promised land, but the journey the Gaslamp Killer takes you on is all part of the destination.” Shepard Fairey

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