Murder & Crime

Bound Original Painting Spray Paint Watercolor Mixed Media on Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2013 Signed Original Mixed Media Spray Paint Watercolor Artwork Size 15x22

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Bike Reward Poster! Limited Edition 5-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jacob Borshard Graffiti Street Artist Modern Pop Art. 2011 Limited Edition of 50 Artwork Size 18x24 Pee-wee Herman, Pee-Wee's Playhouse, TV, Movie, Bike, Bicycle, Stolen. Not Signed or Numbered. Reads: $10000 REWARD FOR INFORMATION LEADING TO THE RECOVERY OF STOLEN BIKE CALL Pee Wee HERMAN 354-8567 Bike Reward Poster! Silkscreen Print by Jacob Borshard The Bike Reward Poster! silkscreen print by Jacob Borshard is a striking example of street pop art and graffiti artwork that merges nostalgia, humor, and cultural iconography. This 2011 hand-pulled, five-color silkscreen print is a tribute to one of the most famous fictional missing bicycles of all time—Pee-wee Herman’s stolen bike from the 1985 cult classic film Pee-wee’s Big Adventure. The piece blends the aesthetics of vintage reward posters with bold, graphic design elements that make it a standout in the modern pop art movement. The Pop Culture Influence of Pee-wee Herman Pee-wee Herman, the eccentric and lovable character created by the late Paul Reubens, has remained an enduring figure in pop culture. His signature red bicycle, prominently featured in Pee-wee’s Big Adventure, became an unforgettable symbol of childhood wonder, adventure, and obsession. This print by Jacob Borshard encapsulates that legacy with a reimagined, larger-than-life version of the fictional missing bike poster seen in the film. The text, rendered in bold red and black, mimics the dramatic urgency of real missing item posters while playfully referencing the absurdity of offering a massive reward for a simple bicycle. Street Pop Art & Graffiti Artwork Elements This print exemplifies the fusion of street pop art and graffiti artwork, utilizing bold typography, minimal color palettes, and an instantly recognizable subject. The five-color hand-pulled silkscreen technique gives the piece a tactile, layered effect, enhancing its retro feel. The halftone shading on the bike and background replicates the look of old newspaper prints, reinforcing the vintage aesthetic. This design approach is a common feature in modern street pop art, where traditional printmaking methods intersect with contemporary cultural commentary. Jacob Borshard’s work often plays with nostalgia and humor, making it an ideal fit for collectors who appreciate artwork that bridges classic Americana with a rebellious, urban edge. The inclusion of Pee-wee Herman’s fictional phone number further blurs the line between reality and pop culture fiction, drawing in audiences who cherish cult classics and the visual storytelling of screen-printed art. Limited Edition and Collectibility This print was produced in a limited edition of 50, making it a highly sought-after piece among collectors of street pop art and graffiti artwork. Though not signed or numbered, its rarity and unique cultural significance make it a desirable acquisition. Measuring 18x24 inches, it is a perfect size for display, allowing fans of Pee-wee Herman and contemporary printmaking to showcase a piece that is both visually captivating and culturally rich. Jacob Borshard’s Bike Reward Poster! silkscreen print is a celebration of the intersection of pop culture, street art, and classic print techniques. By transforming a moment from a beloved film into a collectible artwork, Borshard continues the tradition of blending humor, nostalgia, and graphic design into a striking visual statement.

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The Naked Woman & Man White 2-Color Limited Edition Silkscreen Print on Deckled 290gsm Coventry Rag Paper by Artist Cleon Peterson. 2022 Signed & Numbered Limited Editon of 75 Artwork Size 13x18 Hand-pulled 13 x 18” black and bone screen print. It was printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered—a limited edition of 75. Cleon Peterson's visuality is based on various influences, from ancient Greek pottery to comics, resulting in monochromacy and strong color symbolism. In more detail, the figures exist on multiple straight lines, creating the illusion that the artwork is divided into levels. The perspective and the impression of depth moderately exist in the art of Peterson. Like in Greek vases, the background space is usually left empty or slightly embellished.

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The Godfather Limited Edition Giclee Print on Fine Art Paper by Marie Bergeron counter-culture street artist art. Based on Francis Ford Coppola's all-time classic - The Godfather. Exhibited at Hero Complex Gallery in LA for "A Life of Crime" show. Winner at the Cannes Film Festival / Film Doo alternative movie poster contest.

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Gaslamp Killer Artist Proof 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. AP Artist Proof. Signed & Numbered, Shepard Fairey (b. 1970) Gaslamp Killer, 2008 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) A.P. (aside from an edition of 400) Signed, numbered, and dated in pencil along lower edge Published by Obey Giant, Los Angeles. I Spit On Your Grave. “My art for the Gaslamp Killer mix was inspired by a combination of the music and personality of the Gaslamp Killer. The GLK is into dark and psychedelic sounds, so that, combined with his name, called for a hippie/horror salad tossed with a blood vinaigrette. The flavor was only enhanced by the Gaslamp Killer’s more sinister personal look, having shaved his dreads and grown an unruly beard and sideburns combo worthy of the most savage maniacs. You must wade through boiling pools of blood to get to the promised land, but the journey the Gaslamp Killer takes you on is all part of the destination.” Shepard Fairey

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Bias by Numbers- Large Format 30X42 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered, Bias by Numbers 30 inches by 42 inches Edition of 89 June 3, 2019 “Bias by Numbers” addresses racial bias in policing, criminal justice, and media culture. Racial bias in policing and criminal justice has a long history, including stats like – black people being five times more likely to be stopped and searched than white people, and four times more likely to be subjected to unnecessary use of force, or four times more likely to be killed by the police when unarmed. The statistics revealing racial bias in prosecution and sentencing are compelling as well. Though recreational drug use is equally common in both predominantly black communities and predominantly white communities, convictions for drug possession are almost six times higher for blacks. Blacks frequently receive longer prison sentences than whites contributing to African Americans being incarcerated at more than five times the rate of whites.

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Never Win Never Lose Black 2-Color Limited Edition Silkscreen Print on Deckled 290gsm Coventry Rag Paper by Artist Cleon Peterson. 2022 Signed & Numbered Limited Editon of 50 Hand Deckled Artwork Size 18x24 "Never Win Never Lose Black" is a masterful silkscreen print, a testament to the innovative prowess of Cleon Peterson. Emerging from the dynamic landscape of contemporary art in 2022, this piece stands as a harmonious blend of pop art, street art, and graffiti art influences, capturing the zeitgeist of modern visual expression. Crafted with meticulous precision, the two-color artwork comes to life in a powerful palette of black and bone, creating an evocative interplay of contrast and detail. The canvas of choice is the 290gsm Coventry Rag paper, renowned for its superior quality and texture. Elevating the print's charm is its deckled edge, lending it a touch of vintage allure juxtaposed with the artwork's modern aesthetics. Spanning a size of 18x24 inches, the artwork commands attention, drawing viewers into its intricate narrative and captivating patterns. The intertwining figures, characterized by fluidity and movement, tell a tale of conflict and harmony, a dance of light and shadow that resonates with the duality of human nature. Perhaps the most defining feature of this artwork is its exclusivity. Limited to an edition of just 50, each print is hand-pulled, ensuring the uniqueness and authenticity of every piece. Further reinforcing its value is the artist's signature, alongside a numbering that marks its position in the limited series. In "Never Win Never Lose Black", Cleon Peterson has indeed crafted an artwork that stands at the crossroads of tradition and innovation, a reflection of the ever-evolving narrative of art in the 21st century.

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The Crawler- White Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 16 x 12” black and bone screen print. Printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125. The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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Frank Sinatra Mug Shot- Rainbow Limited Edition Hand-Embellished Oil Paint HPM Silkscreen Print on Canvas by Steve Kaufman Graffiti Street Artist Modern Pop Art. AP Artist Proof, Unstretched, Mint directly from artist in 2005

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Possession Original Die Cut Vinyl, Oil Paint on Wood Cradled Panel ready to hang by Dan Christofferson- Beeteeth Graffiti Street Artist Modern Pop Art. "Possession" - 24"x32" Die-cut vinyl on the panel for my "West Was Won" show. -Dan Christofferson

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Video Surveillance 12x18- II Original Mixed Media Painting graffiti artist modern pop art on Real Metal Street Sign by Cope2. 2020 Signed Original Spray Paint Painting Bubble Letter on Real Metal Street Sign Artwork Size 12x18. This Area is Under 24 Hour Surveillance Sign.  

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Into The Night MMXXI- Gold/Black 2-Color Hand-Pulled Limited Edition Silkscreen Print on 290gsm Coventry Rag Paper with Deckled Edges by Cleon Peterson Rare Street Art Famous Pop Artwork Artist. 32 x 32 inch. Hand-pulled gold and black screen print. printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125 The visuality of Cleon Peterson's work is based on a variety of influences, from ancient Greek pottery to comics, resulting in monochromacy and strong color symbolism. In more detail, the figures exist on multiple straight lines, something that, subsequently, creates the illusion that the artwork is divided in levels. The perspective and the impression of depth do moderately exist in the art of Peterson and, just like in Greek vases, the background space is usually left empty or slightly embellished.

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No Trespassing No Graffiti 12x18- III Original Mixed Media Painting graffiti artist modern pop art on Real Metal Street Sign by Cope2. 2020 Signed Original Spray Paint Painting Bubble Letter on Real Metal Street Sign Artwork Size 12x18. No Trespassing No Graffiti Surveillance Sign. Challenging Norms with Cope2's Street Pop Art & Graffiti Artwork The piece "No Trespassing No Graffiti 12x18- III" by Cope2 is a provocative work that embodies the rebellious spirit of street pop art and graffiti artwork. The 2020 signed original spray paint painting features bubble letters on a real metal street sign, size 12x18 inches, boldly proclaiming "Graffiti Is A Crime." This artwork is a direct challenge to the legal and societal boundaries that have long been imposed on graffiti artists. Cope2, a name that carries weight in the graffiti world, uses this piece to confront the paradox of graffiti as an art form: its simultaneous existence as a celebrated creation and a criminal act. The medium of the actual metal street sign, an object that typically represents law and control, is subverted and repurposed as a canvas for free artistic expression. This inversion is symbolic of the very nature of street art — a medium that often exists in heavily regulated and surveilled spaces. By choosing this as his canvas, Cope2 does not just create a piece of art; he crafts a statement on the right to public space and the nature of artistic freedom. The Socio-Cultural Commentary of Cope2's Work "No Trespassing No Graffiti" is more than a visually striking piece; it serves as a socio-cultural commentary on the state of street art today. The bright colors and the unmissable bubble letters are quintessential elements of traditional graffiti, yet they stand in stark contrast against the formal, authoritative backdrop of the street sign. This contrast is a visual metaphor for the tension between the artist and the establishment, between creativity and conformity. The artwork captures what Cope2 represents — an artist who has thrived in the face of adversity and legal challenges for over three decades. This mixed media piece shows his dedication to the craft and his ability to adapt and evolve. He showcased his mixed-media the streets to a respected figure in modern pop art while maintaining the edge and authenticity of his street roots. Impact of "No Trespassing No Graffiti" on Street Pop Art & Graffiti Artwork Cope2's "No Trespassing No Graffiti" impact on the perception of street pop art and graffiti artwork cannot be understated. It is an embodiment of the defiance often intrinsic to this genre of art. Yet, it also represents a maturation of the form, a sign that street art has claimed its rightful place in contemporary art discourse. The piece stands as a symbol of resistance against the criminalization of graffiti, urging a reexamination of the laws and cultural perceptions that govern public expression. Through this work, Cope2 asserts the value of street art as a legitimate and powerful form of social and artistic expression. The painting is a direct engagement with the viewer, a call to question and redefine the boundaries of legality and artistry. It is a bold declaration that the presence of graffiti in the public sphere can be both an act of vandalism and a significant cultural artifact. "No Trespassing No Graffiti" is a pivotal piece in the narrative of street pop art and graffiti artwork. It is a testament to Cope2's enduring influence and his commitment to pushing the boundaries of what street art can convey. This artwork is not just a statement against prohibition; it is a proclamation of the transformative power of graffiti, its role in challenging the status quo, and its potential to change how we interact with and understand the urban landscape. It is a piece that encapsulates the complex identity of graffiti, standing as a vibrant example of the dialogue between artist, city, and society.

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LIE Edward Snowden Original Painting Spray Paint Watercolor Mixed Media on Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2014 Signed Original Mixed Media Spray Paint Watercolor Artwork Size 15x22

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Pablo 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by SSUR- Ruslan Karablin Rare Street Art Famous Pop Artwork Artist. 2014 Signed & Numbered Limited Edition of 60 Artwork Size 18x24 Some Staining and Minor Creases. A very cool Pablo Escobar wanted poster is depicted in this artwork print. Printed across his picture is the work Muerto, or DEAD. Rare special limited edition out-of-production art print. Pablo 2-Color Hand-Pulled Limited Edition Silkscreen Print by SSUR - Ruslan Karablin The Pablo 2-Color Hand-Pulled Limited Edition Silkscreen Print by SSUR - Ruslan Karablin is a provocative and rare example of street pop art & graffiti artwork, directly referencing the cultural and historical impact of Pablo Escobar through an iconic wanted poster. Created in 2014, this signed and numbered limited edition of 60 print captures the intersection of political commentary, crime history, and street art aesthetics. Measuring 18x24 inches, the artwork delivers a raw, impactful statement with a minimalist yet bold design that enhances its message. SSUR and the Influence of Counter-Culture Street Art Ruslan Karablin, known under the alias SSUR, is a counter-culture street artist who has built a reputation for fusing historical and political themes with bold visual storytelling. His work often critiques power, capitalism, and the glorification of infamy, making this Escobar-inspired print a natural extension of his artistic practice. SSUR has long utilized propaganda-style imagery, high-contrast prints, and subversive messaging, techniques that align perfectly with the punk-inspired rebellion of street pop art & graffiti artwork. The Pablo print exemplifies his ability to reframe historical figures in a modern, hyper-commercialized context, turning wanted posters, revolutionary imagery, and capitalist symbols into collectible artworks. The silkscreen process, known for its rich textures and bold contrast, adds a level of authenticity to the print, reinforcing its underground aesthetic while maintaining high artistic value. Symbolism and Cultural Impact of the Pablo Print This limited edition artwork is a reinterpretation of an actual Colombian government wanted poster issued for Pablo Escobar, the infamous drug lord whose criminal empire and mystique have continued to permeate pop culture, cinema, and street art. In place of an ordinary mugshot, SSUR adds a red censorship bar over Escobar’s eyes, with the word Muerto (meaning Dead) imprinted in bold, striking typography. The use of red over black-and-white imagery symbolizes violence, censorship, and the brutal finality of Escobar’s legacy. By using this historical imagery in a street pop art format, SSUR raises questions about the mythologizing of criminals, the commodification of crime in pop culture, and the relationship between propaganda and consumer culture. The Pablo print, much like the artist’s broader body of work, challenges viewers to reconsider power structures and the ways in which figures like Escobar are immortalized and romanticized in contemporary media. Rarity and Collector's Value This out-of-production special edition print is considered a rare collector’s item within the world of street pop art & graffiti artwork. With only 60 prints ever made, its hand-pulled silkscreen technique ensures that each piece retains a unique quality, reinforcing the authenticity and exclusivity of the artwork. Some prints may show minor creases and staining, which only add to their raw, street-art-inspired appeal. Collectors of urban contemporary art, political pop art, and subversive street culture pieces seek out works like this due to their commentary on history, power, and crime. The Pablo print by SSUR stands as a bold example of modern propaganda art, turning a government-issued bounty into a statement piece that blurs the lines between historical record and contemporary street art aesthetics.

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Escape Original Mixed Media Painting by Snik One of a Kind Artwork Framed on Panel by Street Art Pop Artist. 2018 Signed Mixed Media Painting Original Artwork Size 15.5x9.5 Framed 18.5x11.5 Escape by Snik – Frozen Descent and Poetic Stillness in Street Pop Art & Graffiti Artwork Escape is a 2018 original mixed media painting by the UK-based artist duo Snik, measuring 15.5 x 9.5 inches and presented in a custom frame at 18.5 x 11.5 inches. Executed with meticulous stencil layering and spray technique on panel, this one-of-a-kind work captures a suspended female figure mid-fall or mid-flight, her body arched in a moment of release, struggle, or transcendence. The blackened background becomes a void, while the figure, rendered in stark tones and delicate surface detail, floats like a ghost tethered to the edge of control. Known for their hand-cut stencil mastery and emotionally charged portraiture, Snik creates a composition in Escape that embodies tension, grace, and haunting visual poetry. In the space of Street Pop Art & Graffiti Artwork, the piece speaks to physical fragility and spiritual rupture using only the language of form and light. Layered Craftsmanship and Dimensional Emotion Snik’s signature process is grounded in precision: each layer of stencil is hand-cut and individually sprayed, allowing for a depth of detail and realism that transforms the spray medium into something near sculptural. In Escape, the folds of the subject’s dress, the flowing strands of her hair, and the delicate articulation of her limbs are all built through this exacting method. Her body is both grounded and weightless—tied in places, partially obscured, with limbs caught between movement and stillness. The tension created by the ropes suggests confinement, yet her airborne posture evokes release. This duality is central to Snik’s visual language: moments of beauty held within systems of restraint. In Street Pop Art & Graffiti Artwork, this emotional precision redefines what is possible with spray-based portraiture, pushing beyond the visual into the psychological. Blackened Void and Emotional Isolation The dark void that surrounds the figure in Escape is not merely background—it is conceptual space. It isolates the subject from any specific setting or context, forcing the viewer to focus only on form and feeling. This stark negative space amplifies the floating quality of the figure, making her appear suspended in thought or dream, rather than trapped by gravity. Subtle surface textures, fine spray line edges, and highlights along the limbs and fabric folds reveal a practiced control of light and atmosphere. The blackness becomes a mirror to the unknown—symbolic of trauma, transcendence, or the silent aftershock of an escape long attempted. This use of minimalism within Street Pop Art & Graffiti Artwork shows how absence can become as emotionally potent as visual excess. Snik and the Anatomy of Release Escape distills everything Snik is known for: masterful technique, female-centered storytelling, and a persistent exploration of emotional stillness through physical motion. The work is theatrical but never overdone, symbolic but rooted in real feeling. It reflects themes of vulnerability, personal confinement, and the bittersweet sensation of letting go. With Escape, Snik reaffirms their ability to create work that is both compositionally exact and emotionally unflinching. The piece invites viewers to interpret their own version of what is being fled from or toward, using only the pose, the silhouette, and the void. As a singular expression within Street Pop Art & Graffiti Artwork, Escape proves that beauty, when rendered with patience and purpose, can speak softly and still leave a lasting mark.

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Shoplifters Welcome Silkscreen Print by Shepard Fairey- OBEY x Jamie Reid Hand-Pulled Screen Print on Cream Speckletone Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 450 Artwork Size 18x24 Created to Commemorate Reid's Ragged Kingdom Exhibition, March 16 to April 14, 2012. Shows a Hand Removing Laws From A Brief Case Infering Wall Street Money Regulations. "Jamie has been one of my biggest influences, and I'm honored that we worked on some collaborative images for the show. The new images deal with the mutual interests of Jamie and I, addressing the timeless problems of corruption and wealth inequality, but tie into the current themes of Occupy Wall Street and the dead end of fossil fuel consumption." -Shepard Faire.y Shepard Fairey's Collaboration with Jamie Reid in Street Pop Art The "Shoplifters Welcome Silkscreen Print" is a remarkable intersection of street pop art and political commentary, created by the influential Shepard Fairey in collaboration with Jamie Reid. This limited edition hand-pulled screen print on cream speckletone art paper is a testament to the potency of visual art as a tool for social critique. Released as part of Jamie Reid's Ragged Kingdom exhibition from March 16 to April 14, 2012, this artwork resonates with anti-establishment and dissent themes common in street pop art and graffiti artwork. Shepard Fairey, renowned for his OBEY campaign and the iconic Obama "Hope" poster, has a history of infusing his work with sharp political insights. The artwork in discussion depicts a hand removing laws from a briefcase, a direct inference to the deregulation of Wall Street and the unshackling of financial institutions from legal constraints. This visual metaphor conveys the message of wealth inequality and corruption, both highly relevant to the zeitgeist of the early 2010s, especially in the Occupy Wall Street movement. Artistic Expression of Sociopolitical Issues The collaborative nature of this artwork, involving both Shepard Fairey and Jamie Reid, underscores a shared commitment to addressing pressing societal issues through art. Fairey's statement about the collaboration highlights their mutual interest in tackling the "timeless problems of corruption and wealth inequality," themes that are also deeply embedded in the philosophy of street pop art. The artwork becomes a canvas for discourse, echoing the sentiments of public protests and movements that call for justice and economic reform. In creating the "Shoplifters Welcome" piece, Fairey and Reid tap into the legacy of street pop art's ability to reach a broad audience. Street pop art, often found in public spaces, speaks directly to the masses, unfiltered by the gatekeeping of traditional art venues. Though housed within the confines of an exhibition, this print carries the spirit of street art by being a piece of graffiti artwork that one can own—a symbol of both rebellion and commodification. The limited edition nature of the print, being one of only 450, adds a layer of exclusivity to a piece that speaks about wealth disparity, creating an exciting tension between the artwork's message and its status as a collectible item. Each print, signed and numbered by Fairey, is a piece of art and a statement about the artist's role in society—as an observer, a critic, and a participant in the cultural dialogue about power and money. This artwork, sized 18x24, encapsulates a period of intense socio-political activism, serving as a historical document that captures the essence of the early 2010s. The stark imagery, reminiscent of propaganda art, is both a nod to the past and a commentary on the current state of affairs. It draws a parallel between the actions on Wall Street and the broader issues of regulatory oversight and the power imbalance, which remain relevant in discussions about the economy and governance. In the larger context of street pop and graffiti artwork, Shepard Fairey and Jamie Reid's "Shoplifters Welcome" print is a powerful reminder of art's role in society. It bridges the gap between aesthetic appeal and social commentary, functioning as a visual manifesto that calls for reflection and action. The piece is not merely an artwork to be viewed but a conversation starter, a call to arms, and a historical artifact.

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Flower of Evil: There is an End To Everything- White 2-Color Hand-Pulled Limited Edition Silkscreen Print on Hand Deckled 290gsm Coventry Rag Paper by Cleon Peterson Rare Street Art Famous Pop Artwork Artist. 2021 FLOWERS OF EVIL: THERE IS AN END TO EVERYTHING (White) 32 x 32 inch. Hand-pulled black and bone screen print. printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125

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Absolute Power Silkscreen Print by Cleon Peterson Hand-Pulled on Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2018 Signed & Numbered Limited Edition of 150 Artwork Size 26x34 Silkscreen Print Cleon Peterson's "Absolute Power" silkscreen print is a striking piece within the Street Pop Art and Graffiti Artwork domain. Hand-pulled on deckled 290gsm Coventry Rag Fine Art Paper, this artwork encapsulates the intensity and confrontation often associated with urban art narratives. Created in 2018, this piece is part of a limited edition series, with only 150 signed and numbered prints, each measuring 26x34 inches. Peterson's stark contrast between red and black imbues the piece with an arresting and disturbing visceral energy. This artwork is a bold statement on the dynamics of power and submission within societal structures. The central figure's inverted pose and the surrounding motifs of struggle and dominance conjure a sense of upheaval. The print's aggressive lines and flattened perspective are reminiscent of Greek vases and Eastern iconography, yet the work is unequivocally modern in its thematic exploration of contemporary power struggles. Peterson's work often reflects on chaos and order, violence, and the cyclical nature of power, which he portrays through scenes of conflict that are as aesthetically stark as they are thematically challenging. "Absolute Power" is not merely an illustration; it is a conversation piece that demands contemplation on the forces that govern human interactions and the often brutal nature of authority. It is a testament to the power of Street Pop Art and Graffiti Artwork to reflect and critique the underlying tensions of our time. Through its bold depiction and limited availability, Peterson's print becomes a coveted item for collectors and a significant piece for observers, ensuring its message and impact resonate well beyond the confines of traditional gallery spaces.

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Lights Out 10"- Guggimon Chop Chop Janky SuperPlastic Limited Edition Vinyl Artwork Street Art Toy Collectable Figure by Guggimon 2021 Limited Edition of 1555 Artwork Size 10" Tall Guggi’s Chop Chop Series Wouldn’t Be Complete Without This Horrifyingly Radiant 10” Night Terror. 1555 made 2021

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Eclipse- Gold Limited Edition Hand Pulled 2-Color Serigraph Print on 290gsm Coventry Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Year 2017 Class Art Print Status Official Run 150 Technique Screen Print Paper 250gsm Coventry Rag Size 28" x 28" Markings Signed & Numbered The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. What’s alarming for Peterson in our world is not the poverty, injustice, and cruelty by themselves, but the lack of reaction to them.

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The Crawler- Black Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. 2017 Signed & Numbered Limited Edition of 150 Artwork Size 20x26.75 Prints by Cleon Peterson are an edition of 150. Made in June 2017, they are signed and numbered by the artist. Format : 20 x 26,75 inches (50,8 x 66 cm). Cleon Peterson’s world is full of merciless cruelty, chaotic debauchery, and a never-ending struggle to subvert power and oppression. His simple compositions entail complex connotations and an unsettling critique of society’s ever-growing disenfranchisement, isolation, and desperation. Looking at his work, one can easily understand that the artist is not advocating for violence, which he, instead weaponizes in the battle with apathy.

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Art Is Not a Crime- Hand Candy Silver Limited Edition Chrome Painted Resin Sculpture Artwork by Legendary Fine Graffiti Street Artist Mr Brainwash- Thierry Guetta. 2021 Signed & Numbered Limited Edition of 95 Artwork Size 7.25x6.5 Medium: Chrome-Painted Resin Sculpture Size: 6.5 x 7.25 x 2 in (16.5 x 20.9 x 5 cm) Edition: 95 + 10AP Signed and numbered

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Zed's Dead Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jon Smith Graffiti Street Artist Modern Pop Art. Pulp Fiction inspired piece from Spoke Art's Quentin vs. Coen group art show. 12"x18" six-color screen print. signed and numbered edition of 80.

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To Create & Destroy Bone Silkscreen Print by Cleon Peterson Hand-Pulled 2-Color on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 75 Artwork Size 45x36 Silkscreen Print Cleon Peterson is an internationally recognized contemporary artist, known for his stark, provocative works that often grapple with the darker aspects of human nature. Born in Seattle, Washington, Peterson's career has been shaped by his unique experiences and observations of societal dynamics, which he channels into his powerful art pieces. Peterson's signature style incorporates monochromatic figures, often depicted in scenes of brutal conflict or chaotic activity. These figures, lacking clear individuality, serve as a commentary on the universal aspects of human violence and power struggles. The raw, unsettling quality of his work challenges viewers to confront their own perceptions and biases about these challenging topics. His work has been displayed in numerous solo and group exhibitions all over the world, including Los Angeles, Paris, and Tokyo. Peterson's distinct voice in the art world has cemented his place as a significant figure in contemporary art, providing a lens through which we can examine the often uncomfortable realities of the human condition.

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Camouflage Hangman Blue Limited Edition Archival Pigment Fine Art Prints on Fine Art Paper by Graffiti Street Art and Pop Culture Artist Peter Adamyan. Artist: Peter Adamyan Title: "Camouflage Hangman Blue" Medium: Archival Pigment Print Edition: 40 Markings: Signed and numbered by the artist. Dimensions: 12" x 24"

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Supreme Scarface Split Deck Limited Edition Skateboard deck art by Designer Brand Supreme 2017 Printed Supreme x Scarface Limited Edition Skateboard Deck Depicting Al Pacino as Tony Montana from the Cult Classic Drug Movie Scarface. The Supreme Scarface Split Deck skateboard symbolizes the intersection where street culture, film, and design converge, creating a piece of Street Pop Art and graffiti Artwork that resonates with diverse audiences. This limited edition skateboard deck, released as part of the Fall/Winter 2017 collection by the designer Supreme, features iconic imagery from the cult classic drug movie "Scarface." The deck showcases a striking split design with Al Pacino as Tony Montana, capturing one of the film's most intense moments. Supreme, a brand deeply ingrained in the fabric of streetwear, has consistently demonstrated a knack for blending popular culture with its distinctive style. The collaboration with "Scarface" cements this approach, offering not just a skateboard but a canvas that reflects the gritty and raw narrative of the film. The deck is a homage to the character of Tony Montana, a figure whose pursuit of the American Dream through the darkest avenues of crime has left an indelible mark on cinema and popular culture. The "Shower" deck, in particular, grabs attention with a still from the infamous scene where a drug deal spirals into violence, placing Montana in a life-threatening standoff. This powerful image is complemented by the film's famous tagline on the top of the deck, further embedding the skateboard within the lore of "Scarface." This fusion of art, cinema, and skateboarding culture elevates the piece from a functional item to a collectible artifact within pop and street art. Supreme's decision to feature this graphic during the 2017 Fall/Winter collection was a strategic move that tapped into the nostalgia and aesthetic appeal of the 1980s, when skateboarding and the film "Scarface" rose to prominence. The deck's design captures the essence of that era while remaining relevant to the modern landscape of street art and fashion. As a piece of modern Street Pop Art and graffiti Artwork, the Supreme Scarface Split Deck transcends traditional boundaries, blending functionality with a solid artistic statement. Its creation speaks to a culture that values the defiant spirit of street art and the power of visual storytelling. For enthusiasts and collectors, the deck represents a piece of cultural history, embodying the spirit of rebellion and the relentless pursuit of ambition, themes as relevant today as they were at the time of the film's release.

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Many Mao Green HPM Limited Edition Hand Deckled 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of 15 Artwork Size 18x24 #13/15 Hand Deckled Hand Painted Embleshed Multiple Print

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Memories of Rape Murder One of a Kind Original Mixed Media Painting Artwork on Vintage 1963 New York Mirror Newspaper on Canvas by Popular Street Graffiti Artist Christabel Christo. Signed 2010 12x15.5 Memories of Rape Murder Painting by Christabel Christo

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Alonso Alcalde 123 Klan Blue Spray Paint Can Artwork by Montana MTN  Limited Edition Artist Paint Crossover Graffiti Street Object Art. 2024 123 Klan Blue Color Limited Edition of 500 Spray Paint Can with Custom Wood Box Object Artwork Size 3x8 Montana MTN Filled with Paint. Alonso Alcalde x Montana MTN 123 Klan Blue Spray Paint Can in Street Pop Art & Graffiti Artwork In 2024, Chilean-born artist Alonso Alcalde collaborated with Montana Colors to release a limited edition spray can titled 123 Klan Blue. Known for his street-influenced abstract work and his presence in international graffiti culture, Alcalde brought his unique visual language to the cylindrical surface of a functioning spray paint can. The edition was capped at 500 units worldwide and came housed in a custom-engraved wooden box, cementing its status as both functional tool and collectible object. This release is part of Montana MTN’s broader initiative to highlight influential voices in the Street Pop Art & Graffiti Artwork movement by turning the tools of creation into platforms for visual storytelling. Measuring 3 inches in diameter and 8 inches in height, the piece blurs the boundary between utilitarian graffiti material and gallery-level sculpture. Design Approach and Symbolic Layers Alonso Alcalde’s can artwork features a dense collage of photography, painted marks, graphic fragments, and layered textures that mirror the aesthetic techniques he applies to his traditional works. The imagery wraps around the surface with intentional fragmentation, suggesting themes of motion, place, and memory—key elements in his ongoing artistic exploration. Dominant tones of orange, red, and yellow contrast against the branded 123 Klan Blue dome, merging chaos and control in the visual composition. The word Patiperro, one of Alcalde’s longtime monikers, appears subtly within the layout, linking the object to his graffiti identity. This mix of hand-rendered energy and print production reflects the wider evolution of graffiti from its ephemeral urban origins into institutional and collectible formats. It transforms the spray can from a disposable tool into an archival artifact with artistic weight. Montana MTN Artist Series and Cultural Relevance Montana Colors is known for curating collaborations with artists deeply rooted in the culture of graffiti and urban visual language. The 123 Klan Blue edition featuring Alonso Alcalde continues this tradition by selecting an artist who authentically represents both street credibility and experimental artistry. Unlike promotional collectibles, this can is filled with usable spray paint, maintaining its utility while operating as a sculptural object. This duality reinforces the power of Street Pop Art & Graffiti Artwork to inhabit spaces of both raw creation and refined presentation. The artist’s ability to integrate layered narrative with functional form resonates with collectors, writers, and fans of contemporary street-based culture. Limited Edition Status and Market Impact The release of only 500 units, each individually boxed and signed with custom design elements, elevates the can from graffiti supply to high-value object art. As part of a long-standing tradition where graffiti culture intersects with product design, the Alonso Alcalde 123 Klan Blue can embodies the move toward street artist-branded merchandise with integrity. Its rarity, packaging, and embedded artistic voice place it in the lineage of spray can collectibles that document not only creative aesthetics but also shifts in the art market’s view of graffiti. By participating in this Montana MTN collaboration, Alcalde reinforces his position as a contemporary force in Street Pop Art & Graffiti Artwork, producing work that both honors tradition and reshapes how it is experienced.

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The Passions 1 Limited Edition 3-Color Hand-Pulled Silkscreen Print on 100% Cotton Rag Archival Paper by Cleon Peterson Graffiti Street Artist Modern Pop Art. 2009 Signed & Numbered Limited Edition of 90 Artwork Size 18x18 Cleon Peterson The Passions, 2009 BLK/MRKT Editions The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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Supreme Scarface Shower Deck Limited Edition Skateboard deck art by Designer Brand Supreme FW17 2017 Supreme x Scarface's iconic imagery was utilized for a full collection of items during the Fall/Winter 2017 collection. Each deck includes the film's famous tagline printed on the top of the deck. This "Shower" deck grabs a still from the infamous scene where a drug deal goes wrong, and Montana is forced into the shower with a gun to his head.

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Street Prophet Original One of a Kind Acrylic Paint Painting Artwork on Archival Paper by Popular Street Graffiti Artist KC Ortiz. KC Ortiz "Street Prophet" KC ORTIZ Street Prophet, 2021 Acrylic paint on archival paper 8.66 x . 12.99 inches 22 x . 33 cm 1 of 1.

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Police Shooting Black Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2015 Signed & Numbered Cleon Peterson Limited Edition of 150 Artwork Size 14x18 Silkscreen Print. Cleon Peterson's 2015 Silkscreen Print “Police Shooting Black” – A Stark Voice in Street Pop Art & Graffiti Artwork Cleon Peterson’s 2015 limited edition silkscreen print titled Police Shooting Black is a powerful example of politically charged Street Pop Art & Graffiti Artwork that holds nothing back. Printed on hand-deckled 290gsm Coventry Rag fine art paper, this 14 x 18 inch piece was released in a signed and numbered edition of 150. The print is rendered in stark black silhouette, showing a faceless police officer mid-strike over a defenseless figure on the ground. Peterson employs a style that is instantly recognizable—clean, aggressive, and intentionally stripped of detail to focus entirely on the narrative of power, submission, and societal conflict. It is more than a commentary. It is a visual confrontation. Cleon Peterson: American Artist With a Vision Rooted in Violence and Power Dynamics Cleon Peterson was born in 1973 in the United States and continues to create work that deeply engages with themes of chaos, institutional abuse, and systemic violence. A former street artist who has also worked in illustration and fashion, Peterson often centers his practice around the representation of violent struggle. His works are filled with archetypal figures that reenact the brutal power plays of modern society. Police Shooting Black stands out in his body of work not only for its limited edition fine art format but for its focused depiction of racialized police violence. It is not an ambiguous image. The figures speak with immediacy, channeling real-world incidents into high-contrast allegory. The facelessness of both the oppressor and the oppressed creates a disturbing universality, implicating systems rather than individuals. The Visual Economy of Violence in Street Pop Art & Graffiti Artwork This print carries forward the street-level urgency found in graffiti while leveraging the formal control of screenprinting and gallery presentation. Street Pop Art & Graffiti Artwork often borrows visual language from commercial signage, propaganda, and rebellion, and Peterson’s work is no exception. The figures are iconographic, each line intentional, each silhouette loaded with symbolic weight. Peterson reduces the image to its emotional and psychological core, amplifying the sense of dehumanization and systemic brutality. The use of black-and-white further enforces the emotional starkness while refusing to distract with color. Every inch of the composition is confrontational and calculated to provoke response, conversation, and discomfort. Coventry Rag Paper and Silkscreen Technique as Mediums of Resistance The use of 290gsm Coventry Rag paper—known for its archival quality and textured surface—adds gravity and permanence to what might otherwise feel like a transitory protest image. Silkscreen printing, traditionally used in mass production, is elevated here as a fine art method, offering precision and boldness while still invoking its underground and street origins. Peterson’s choice of material and medium serves to highlight the duality in Street Pop Art & Graffiti Artwork: existing between gallery walls and political walls, between collectability and dissent. Each print is hand-deckled, giving it an edge—literally and figuratively—that speaks to the raw emotion and crafted message embedded in the work. Would you like write-ups for any of Peterson’s other prints or projects?

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Revenge Day Silkscreen Print by Cleon Peterson Hand-Pulled 2-Color on 290gsm Coventry Rag Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 75 Artwork Size 28x28 Silkscreen Print Revenge Day is a silkscreen print created by Cleon Peterson, a Los Angeles-based artist known for his controversial and provocative work. His art often explores themes of violence, chaos, and societal struggles, reflecting the darker aspects of human nature and social dynamics. The Revenge Day silkscreen print is an example of Cleon Peterson's signature style, featuring stark black, white, and tan color schemes with heavy use of harsh symmetry. His characters often engage in violent or antagonistic interactions, highlighting the artist's view of the world as a cruel and brutal place.

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Jumper- Light Gray Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Colus. The Jumper Art Figure by Colus is made of high-quality resin. Colus and Kidrobot have previously teamed up for the recent Ravenous Resin Art Figures, Colus explores themes of morality through to mortality with symbolic, bold, contrast-rich works with an underground tone leaving questions unanswered. Box has light scuffing.

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In Response To... Deck Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist Eddie Colla. Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck Size: 8 x 31.875 Inches Release: June 21, 2019

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On the Shady Side of the Street- Black on Yellow 2-Color Hand-Pulled Limited Edition Silkscreen Print on 290gsm Coventry Rag Paper by Cleon Peterson Rare Street Art Famous Pop Artwork Artist. Limited edition of 125 Hand-pulled 14 x 20.5” black on Yellow screenprint on 290gsm Coventry Rag Paper with deckled edges. Signed and numbered. The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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Graffiti Is A Crime 12x18- I Original Mixed Media Painting graffiti artist modern pop art on Real Metal Street Sign by Cope2. 2020 Signed Original Spray Paint Painting Bubble Letter on Real Metal Street Sign Artwork Size 12x18. Graffiti Is A Crime Sign. Graffiti as a Form of Street Pop Art and Graffiti Artwork Graffiti, often perceived as a rebellious or illegal act, has gradually evolved into a recognized form of art, gaining substantial attention in the realm of modern pop and street art. This transformation is vividly exemplified by the work of renowned graffiti artist Cope2. His piece titled "Graffiti Is A Crime 12x18-I Original Mixed Media Painting" is a striking representation of this evolution. Created in 2020, this artwork is not just a mere expression of street culture but a significant icon in the graffiti art world. It stands out as a signed original spray paint painting, featuring bubble letters on a real metal street sign. Measuring 12x18 inches, this piece encapsulates the essence of street pop art and graffiti artwork, blending the raw energy of street art with the sophistication of modern pop art. The choice of a real metal street sign as the canvas for this artwork speaks volumes about the artist's intention to blur the lines between what is considered legal and illegal, art and vandalism. By transforming a symbol of authority and regulation, a street sign, into a piece of art, Cope2 challenges the conventional perceptions of graffiti. This act of repurposing a street sign, an object typically associated with law and order, into a canvas for graffiti, traditionally viewed as a form of rebellion, creates a powerful contrast and commentary on the societal views of art and expression. The Cultural Significance of Graffiti in Modern Art The artwork "Graffiti Is A Crime" is not just a physical piece of art; it's a statement about the cultural and societal impact of graffiti. Historically, graffiti has been associated with underground movements, often being a tool for the voiceless to express their opinions and emotions. However, as seen through the works of artists like Cope2, graffiti has transcended these boundaries, finding its way into the world of high art and becoming a celebrated form of creative expression. This metamorphosis of graffiti from vandalism to a respected art form is significant in understanding the dynamics of modern art. It reflects the evolving attitudes towards what constitutes art and who gets to define it. By incorporating elements of pop culture, graffiti artists have brought a new dimension to the art world, one that resonates with a broader audience and reflects contemporary societal themes. This shift has not only given graffiti artists like Cope2 a platform to showcase their talent but has also prompted a reevaluation of street art's role in the broader context of art history. Impact on the Perception of Street Art and Graffiti The significance of "Graffiti Is A Crime" and similar works in the context of street pop art and graffiti artwork lies in their ability to challenge and redefine the boundaries of traditional art. These pieces are not just expressions of individual creativity but are also powerful tools for social commentary. They represent a form of artistic democracy, where the street becomes a gallery, accessible to all, and not just the elite few. This democratization of art through graffiti challenges traditional art paradigms and encourages a more inclusive understanding of what art can be. Moreover, the increasing acceptance and celebration of graffiti art in galleries and art exhibitions signify a cultural shift. It represents a growing recognition of the artistic value and social commentary embedded in these works. The journey of graffiti from the streets to the galleries is a testament to the changing perceptions of what is considered legitimate art. It highlights the importance of context, medium, and message in the world of art, proving that creativity knows no bounds and that art can emerge from the most unexpected places. The artwork "Graffiti Is A Crime" by Cope2 is a pivotal piece in the narrative of street pop art and graffiti artwork. It encapsulates the essence of graffiti's journey from the fringes to the forefront of modern art. This piece is not just a representation of artistic skill but a symbol of cultural evolution, challenging perceptions, and redefining the boundaries of art. As such, it holds a special place in the history of modern art, symbolizing the dynamic and ever-evolving nature of artistic expression.

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The Return Gold Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2025 Signed & Numbered Cleon Peterson Limited Edition of TBD Artwork Size 20x20 Silkscreen Print of a Warrior Man on Horse with Bloody Sword. Released During January 2025, California Fires. The Return Gold Silkscreen Print: Cleon Peterson’s Vision of Conflict and Power The Return Gold Silkscreen Print by Cleon Peterson is a powerful representation of human conflict and resilience, expressed through the language of Street Pop Art and Graffiti Artwork. This limited-edition piece, released in January 2025, is crafted on hand-deckled 290gsm Coventry Rag fine art paper, offering a tactile richness that complements its striking visual impact. Measuring 20x20 inches, the artwork features a solitary warrior astride a horse, brandishing a bloody sword. Rendered entirely in gold ink against the paper’s stark white background, the piece exudes an aura of regality and violence, encapsulating the duality of triumph and destruction. Cleon Peterson and His Iconic Style Cleon Peterson is celebrated for his graphic, minimalist approach to storytelling, often exploring themes of violence, power, and survival. His work is deeply rooted in the tension between chaos and order, with stark compositions that evoke raw emotion. The Return Gold exemplifies this style, presenting a scene that is at once elegant and unsettling. Peterson’s use of simplified forms and bold silhouettes allows viewers to focus on the narrative elements of the piece, while the use of gold adds a layer of symbolism tied to wealth, power, and legacy. Released during the California fires of 2025, this artwork gains additional relevance as it parallels themes of destruction and endurance. Symbolism and Visual Impact in The Return Gold The central figure in The Return Gold is a commanding warrior on horseback, raising a sword still dripping with blood. This imagery speaks to themes of conquest, survival, and the cyclical nature of violence. The horse, a timeless symbol of power and freedom, adds to the piece’s dramatic intensity. The monochromatic gold palette amplifies the artwork’s impact, creating a luminous quality that contrasts with the grim subject matter. The hand-deckled edges of the paper emphasize the rawness of the work, grounding its polished aesthetic in the tactile authenticity of street-inspired art. Collectibility and Context of The Return Gold Printed on premium Coventry Rag fine art paper, The Return Gold is a testament to Cleon Peterson’s dedication to craftsmanship and narrative depth. Each print is signed and numbered, ensuring its exclusivity within an unspecified but highly anticipated edition size. The timing of its release during the California fires adds an additional layer of significance, drawing connections between the artwork’s themes and real-world events. As both a fine art print and a piece of Street Pop Art, The Return Gold blurs the lines between traditional and contemporary, offering collectors a meaningful and visually captivating addition to their collections. It stands as a reflection of Peterson’s mastery in distilling complex human experiences into bold, minimalist forms.

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A Lawyer you can TRust Limited Edition Giclee Print on Fine Art Paper by Robert Bruno counter-culture street artist art. AP Artist Proof. A satirical tribute to Saul Goodman and 'Better Call Saul' the Breaking Bad spinoff TV show. Limited Edition Fine Art Giclee Print AP Edition of 25 9' in. x 12' in. Signed & Numbered

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Many Mao Green Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of 75 Artwork Size 18x24

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The Return Black Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2025 Signed & Numbered Cleon Peterson Limited Edition of TBD Artwork Size 20x20 Silkscreen Print of a Warrior Man on Horse with Bloody Sword. Released During January 2025, California Fires. The Return Black Silkscreen Print: Cleon Peterson’s Bold Commentary on Power The Return Black Silkscreen Print by Cleon Peterson is a visually arresting piece that embodies the artist’s exploration of power, conflict, and human struggle. Created in 2025 and printed on hand-deckled 290gsm Coventry Rag fine art paper, this 20x20-inch artwork is a testament to Peterson’s mastery of stark, minimalist storytelling. The composition depicts a warrior atop a horse, brandishing a bloody sword, and rendered entirely in black ink on a white background. This limited-edition work, signed and numbered by the artist, was released during the California fires of January 2025, adding an urgent layer of resonance to its themes of destruction and survival. Cleon Peterson’s Signature Style and Themes Cleon Peterson is renowned for his graphic, monochromatic approach, using stark contrasts to create impactful visuals. The Return Black exemplifies his distinctive style, where bold, simplified forms carry complex narratives. The central figure—a muscular, faceless warrior—symbolizes themes of conquest, chaos, and resilience, evoking both awe and unease. Peterson’s work often examines the darker aspects of human nature, and this piece is no exception. The pairing of the imposing warrior with the elegance of the horse creates a dichotomy that reflects the tension between power and vulnerability, a recurring theme in his body of work. Design and Symbolism in The Return Black The design of The Return Black is a study in contrasts, with the deep black ink creating a commanding presence against the stark white background. The warrior’s raised sword, dripping with blood, serves as a focal point, emphasizing themes of violence and dominance. The horse, rendered in Peterson’s signature minimalist style, adds motion and grandeur to the composition, while its positioning conveys both strength and submission. The hand-deckled edges of the fine art paper lend an artisanal quality to the piece, grounding its contemporary aesthetic in traditional craftsmanship. This juxtaposition mirrors the artwork’s narrative tension, where triumph and turmoil coexist. Context and Collectibility Released during the California fires of January 2025, The Return Black gains additional poignancy as it reflects themes of destruction and endurance in the face of adversity. This limited-edition print, with its exclusive run signed and numbered by Peterson, holds significant value for collectors of Street Pop Art and Graffiti Artwork. The use of silkscreen printing ensures a rich, tactile quality that enhances the artwork’s visual impact. As both a reflection of modern societal struggles and a timeless commentary on the human condition, The Return Black stands as a powerful addition to Peterson’s oeuvre and a compelling piece for contemporary art enthusiasts.

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End of Empire Limited Edition Hand Pulled 2-Color Silkscreen Printed on White Coventry Rag Paper by Cleon Peterson Graffiti Street Artist Modern Pop Art. End of Empire, 2015 Screenprint in colors on White Coventry Rag paper 28 x 28 inches (71.1 x 71.1 cm) (sheet) Ed. 2/150 Signed, numbered and dated in pencil along lower edge Published by the artist Cleon Peterson’s world is full of merciless cruelty, chaotic debauchery, and a never-ending struggle to subvert power and oppression. His simple compositions entail complex connotations and an unsettling critique of society’s ever-growing disenfranchisement, isolation, and desperation. Looking at his work, one can easily understand that the artist is not advocating for violence, which he, instead weaponizes in the battle with apathy.

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Flower of Evil: There is an End To Everything- Black 2-Color Hand-Pulled Limited Edition Silkscreen Print on Hand Deckled 290gsm Coventry Rag Paper by Cleon Peterson Rare Street Art Famous Pop Artwork Artist. 2021 FLOWERS OF EVIL: THERE IS AN END TO EVERYTHING (BLACK) 32 x 32 inch. Hand-pulled black and bone screen print. printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125

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Hurricanes- Come Out To Play Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Robin Boyden. Come Out To Play- an illustrated tribute series to 1979 cult movie classic The Warriors!

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Cruelty Is the Message Bone Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 125 Artwork Size 44x14 Silkscreen Print. Cleon Peterson's Gritty Reflection in "Cruelty Is the Message Bone" "Cruelty Is the Message Bone," a powerful silkscreen print by Cleon Peterson, presents a stark tableau as provocative as it is aesthetically arresting. Released in 2024, it forms part of a limited edition of 125 pieces, each bearing the artist's signature and individual number, confirming its exclusivity and importance in contemporary art. This artwork, measuring 44x14 inches, is printed on hand-deckled 290gsm Coventry Rag fine art paper, underscoring Peterson's commitment to quality and durability in his works. Dissecting the Visual Language of Conflict Peterson's monochromatic palette, dominated by bone-like whites and unforgiving blacks, delves into the dichotomy of chaos and order, power and vulnerability. Each figure is interlocked in scenes of violence and domination, creating a narrative that reflects on the inherent brutality within societal structures. The artwork resonates with the rawness of street pop art and graffiti artwork, carrying an unfiltered expression of human behavior stripped to its most primal forms. The imagery in "Cruelty Is the Message Bone" is characteristic of Peterson's oeuvre, wherein themes of conflict, authority, and aggression are recurrent. He employs a visual lexicon that is both universal and timeless, drawing parallels between historical cycles of power and contemporary instances of systemic violence. Peterson's work is a commentary not only on the societal but also on the personal realms of struggle and survival. The Impact of Peterson's Silkscreen on Street Art Discourse Peterson's work stands at the intersection of fine art and street art, drawing the meticulousness of printmaking into the often fleeting world of graffiti art. "Cruelty Is the Message Bone" is a testament to the potential of street pop art to transcend its origins and find a place within the more traditional art settings, all while retaining its edge and ability to provoke thought. The limited edition print's presence in the art market is a reminder of the genre's evolving dynamics, showcasing the shifting boundaries between high art and street art. With his stark depictions, Cleon Peterson captures the essence of the times, challenging viewers to confront uncomfortable truths about the world and their role within it. Cleon Peterson's "Cruelty Is the Message Bone" is a striking embodiment of the spirit of street pop art and graffiti artwork. It is a visual feast that delves into the depths of societal unrest and personal upheaval, serving as a mirror to the chaos and order that define the human condition. With its distinctive style and provocative themes, Peterson's work continues to contribute to the conversation around art's role in reflecting and shaping the socio-political landscape.

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Target Red King HPM SDCC 12 Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Luke Chueh. 2012 Signed with Unique HPM San Diego Comic Con 2012 SDCC Exclusive Hand-Embellished Hand Drawn Image & Text "Shoot to Kill" Limited Edition of 250 (A Select Amount HPM with Hand Drawn Unique Drawings on Wall) Sculpture Artwork Size 6.5x10.5 New in Box. Comes with a removable brush and bucket. From Famous Luke Chueh Target Series Depicting a Bear Painting Target on the Chest Standing at a Hand Drawn Firing Wall with Red Target and Paint Bucket. Target Red HPM SDCC 2012 Limited Edition by Luke Chueh The 2012 Target Red HPM SDCC Limited Edition vinyl sculpture by Luke Chueh stands as a pivotal example of how emotionally resonant themes can be rendered through collectible art. Released as an exclusive for San Diego Comic Con in 2012, this hand-embellished edition of the Target series was produced by Munky King and remains one of the most sought-after releases in Chueh’s career. The artwork is based on his iconic painting which portrays a solitary bear marking himself with a target, standing in front of a bullet-riddled execution wall. This sculpture not only captures the essence of self-awareness and vulnerability but adds a raw layer through its physical dimensionality and hand-drawn elements unique to each piece. Hand-Embellished Detail and Signature Themes This particular Target figure, sized at 6.5 by 10.5 inches, is presented new in its box and includes removable accessories: a brush and a paint bucket. It is housed in molded packaging that mimics the stone wall backdrop of the original painting. What sets this SDCC 2012 edition apart from standard Target releases is the hand-drawn embellishment on the back panel. In this HPM version, Luke Chueh drew a bear with a crown and his own signature on the firing wall, using bullet hole placement to enhance the sense of mortality and critique. Some versions feature additional phrases like shoot to kill, injecting a powerful sense of danger and societal commentary. The red target on the bear’s chest, hand-painted to appear freshly applied, stands in sharp contrast to the surrounding destruction. Luke Chueh’s Street Pop Art & Graffiti Artwork Legacy Luke Chueh, a Los Angeles-based street pop art and graffiti artwork practitioner, has established a reputation for using minimalist figures and iconic bear characters to explore deeply psychological themes. His work merges pop surrealism with street sensibilities and draws heavily from his own personal experiences. Often cast in muted palettes, Chueh’s figures are vehicles for exploring alienation, depression, and self-destruction. In the Target Red HPM SDCC edition, he compresses the full weight of such emotions into a single moment of performative vulnerability—his bear choosing to mark itself for destruction, while standing against a wall already pockmarked with history. The use of humor, darkness, and childlike iconography invites audiences into a disarming confrontation with deeper truths. Collectibility and Cultural Commentary Limited to just 250 pieces, with only a select portion containing original hand-drawn details, the Target Red HPM SDCC figure remains a grail item for serious collectors of street pop art and graffiti artwork. Each sculpture captures a static yet emotionally turbulent moment that mirrors larger cultural critiques—on violence, societal pressures, and identity in the age of hyper-visibility. The fact that it debuted at San Diego Comic Con speaks to Chueh’s roots in pop culture and his ability to subvert it from within. This edition not only symbolizes the convergence of art toy culture and fine art, but it underscores Luke Chueh’s place as one of the most conceptually driven artists working in designer toys and modern narrative art.

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