Music

Harlem World CCB Gangsters 81 Photo Print by Joe Conzo Jr Limited Edition on 290gsm Moab Entrada Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed Print Limited Edition of 5 Artwork Size 20x16 Archival Pigment Fine Art of Cold Crush Brothers Rap Music Group in Vintage Gangster Costume and Outfits at Harlem World. Harlem World CCB Gangsters 81 Photo Print by Joe Conzo Jr The Harlem World CCB Gangsters 81 photo print by Joe Conzo Jr is a remarkable representation of hip-hop’s early visual aesthetic and theatricality. This 2023 limited-edition archival pigment print, produced on 290gsm Moab Entrada Fine Art Paper, captures the legendary Cold Crush Brothers in vintage gangster-inspired costumes. The 20x16 artwork, signed by Conzo, offers a window into the creativity and flair that defined the group’s performances, blending music, style, and Street Pop Art. The Cold Crush Brothers: Style Icons of Hip-Hop The Cold Crush Brothers were instrumental in shaping the culture and sound of hip-hop during its formative years in the late 1970s and early 1980s. Known for their lyrical prowess, elaborate stage routines, and eye-catching costumes, the group set a standard for showmanship and innovation. This photograph, taken at Harlem World in 1981, highlights their flair for dramatics. It features the group dressed in dapper suits and fedoras and accessorized with prop weapons, channeling the look of classic gangsters. Harlem World, a prominent venue in the Bronx during the golden age of hip-hop, served as a cultural hub for live performances, battles, and community gatherings. The Cold Crush Brothers often performed there, bringing their unique blend of storytelling and stage presence to captivated audiences. This image showcases their ability to merge music and fashion into a cohesive narrative, further solidifying their place in hip-hop history. Joe Conzo Jr: Documenting Hip-Hop’s Evolution Joe Conzo Jr is celebrated as one of the first photographers to document hip-hop’s emergence in New York City. His work captures the movement's pioneers' raw energy, individuality, and artistry. Known as the man who took hip-hop’s baby pictures, Conzo’s lens immortalized the vibrant culture of the Bronx and the figures who defined it. His photographs serve as a bridge between music and Street Pop Art, offering a unique perspective on the cultural intersections of the era. This photograph reflects Conzo’s eye for composition and detail, emphasizing the Cold Crush Brothers’ personalities and the deliberate craftsmanship of their image. The gangster motif seen in this photoshoot demonstrates how hip-hop artists adopted and reinterpreted cultural symbols to express power, confidence, and creativity. Artistic and Historical Significance The Harlem World CCB Gangsters 81 photo print exemplifies the interplay between music, fashion, and art that defined early hip-hop. The archival-quality materials used in its production ensure that the image’s intricate details, from the textures of the suits to the expressions of the group members, are preserved. The 20x16 size amplifies the photograph’s visual impact, making it a must-have piece for collectors and enthusiasts of Street Pop Art and graffiti artwork. This limited-edition print not only celebrates the Cold Crush Brothers as pioneers of hip-hop but also serves as a testament to the creative synergy between music and visual art during this transformative period. Through Joe Conzo Jr’s lens, the image captures the spirit of innovation and self-expression that continues to influence contemporary culture. The Harlem World CCB Gangsters 81 photo print is both a historical artifact and a dynamic piece of modern art that pays homage to the roots of hip-hop.

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George Harrison Beatles British Super Limited Edition Giclee Print on Fine Art Paper by Mike Mitchell Counter-Culture Street Artist. 2013 Signed & Numbered on Back Limited edition of 100 Artwork Size 4x6 Giclee Print by Mike Mitchell of Superman Clark Kent Pose Stylized with George Harrison of England Music Rock N Roll Band The Beatles Fame. George Harrison in Street Pop Art & Graffiti Artwork George Harrison, a member of one of the most influential rock bands in history, The Beatles, has become an iconic figure in street pop art and graffiti artwork. His presence in visual culture extends beyond music, as his distinctive style, spirituality, and contributions to counterculture movements make him a compelling subject for modern artists. His time with The Beatles, solo career, and philosophical pursuits have led to his imagery appearing in a variety of graffiti murals, pop art prints, and stylized illustrations. The Beatles Influence on Street Pop Art The Beatles revolutionized music, fashion, and visual expression, making them a frequent subject in street pop art and graffiti artwork. Harrison, in particular, stood out due to his fusion of Western rock with Eastern influences, inspiring artists who seek to blend traditional and modern styles in their work. The Sgt. Pepper’s Lonely Hearts Club Band era, with its bold, psychedelic imagery and elaborate costumes, provides an endless source of inspiration for contemporary artists. In pop art and graffiti murals, Harrison’s distinctive mustache, long hair, and flamboyant attire from the late 1960s serve as an instantly recognizable silhouette. His explorations into Hindu spirituality, transcendental meditation, and mysticism also make him a symbol of alternative thought and artistic rebellion, aligning him perfectly with the ethos of street art. George Harrison’s Counterculture Legacy in Visual Art As one of the driving forces behind The Beatles' psychedelic phase, Harrison’s impact on street pop art and graffiti artwork is particularly evident in pieces that explore themes of consciousness, enlightenment, and surrealism. Many artists depict him surrounded by kaleidoscopic patterns, Indian motifs, and cosmic elements, reflecting his spiritual journey. Modern graffiti artists often use stencil techniques and bold outlines to capture his likeness, emphasizing his stoic yet contemplative expression. Some reinterpret Harrison’s Sgt. Pepper’s regalia, infusing it with vibrant neon hues and surreal distortions to create a fresh, contemporary take on his image. The Continuing Presence of Harrison in Urban Art Harrison’s timeless influence on music, spirituality, and artistic expression keeps him alive in street pop art and graffiti artwork. His ability to evolve beyond just a rock musician into a symbol of peace, introspection, and alternative culture cements his place in counterculture art. Whether portrayed in psychedelic murals, pop art prints, or street art collages, George Harrison remains a powerful visual subject that continues to inspire generations of artists.

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Sterling Spoon Janes Addiction Calavera AP Artist Proof Silkscreen Print on Fine Art Paper by Latino Artist Ernesto Yerena Montejano- Hecho Con Ganas. AP Artist Proof 2016 Signed & Marked Limited Edition Artwork Size 18x24 Sterling Spoon Janes Addiction Calavera AP Artist Proof stands as a testament to the convergence of pop art and street art, epitomized in the modern art scene. Produced in 2016, this silkscreen print, crafted meticulously on fine art paper, is the brainchild of the acclaimed Latino artist, Ernesto Yerena Montejano, who is widely recognized under the banner "Hecho Con Ganas." Montejano's artistry is renowned for weaving cultural narratives and themes, particularly from his Latino heritage, into contemporary artistic expressions that resonate across a global audience. Diving deeper into the artwork, one cannot overlook its size – an impressive 18x24 inches – that commands attention and ensures that the details and nuances are not lost on the viewer. The choice of the Calavera, or skull, as a motif is not arbitrary. It embodies themes of mortality, celebration, and remembrance, often associated with the Day of the Dead celebrations in Latin cultures. This ties the work to a deep-rooted tradition while presenting it through the lens of modern-day pop and street art. What sets this piece apart, even more, is its exclusivity. As an Artist Proof, it is not just a mere representation of Montejano's vision but also offers a closer, more personal glimpse into his creative process. Marked with the artist’s signature, this limited edition piece serves as a bridge between the urban streets from where street art draws its inspiration and the polished galleries that pop art often finds its home. Such a piece not only speaks of its inherent artistic value but also stands as a chronicle of the times, cultures, and emotions that birthed it.

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Frederic Chopin Lithograph Print Limited Edition Artwork on Wove Fine Art Paper by Arman, an modern pop street artist. Frederic Chopin, ca. 1980 Color lithograph on wove paper 29 9/10 × 21 9/10 in 76 × 55.5 cm

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Dylansteen 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Ron English- POPaganda Rare Street Art Famous Pop Artwork Artist. Signed 18x21 Limited Edition of 30 2019

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Let There Be Dark Red Silkscreen Print by Shepard Fairey- OBEY x Niagara Hand-Pulled 3-Color on 320gsm Natural Coventry Rag Vellum Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2019 Signed & Numbered Limited Edition of 150 Artwork Size 24x18 Silkscreen Print "I chose an image of Ron and Niagara where I think they both look amazing, but there was a nice balance between in-your-face aggression with Ron's pose making eye contact, holding his fist up, and Niagara's seemingly demure embrace of Ron, but anyone who knows Niagara understands that though she may look sedate, she's pulling the strings. I added a switchblade that she is caressing with her finger, as a way to amplify her femme fatale chic, and because I thought it lent itself to my original idea of a title 'Bonnie & Clyde Were Lightweights'" -Shepard Fairey- OBEY Exploring the Bold Realms of "Let There Be Dark" by Shepard Fairey: A Street Pop Art Icon Shepard Fairey's "Let There Be Dark Red Silkscreen Print" is a striking embodiment of the symbiotic relationship between street pop art and contemporary visual culture. This limited edition piece, created in collaboration with Niagara, is a visual narrative encapsulating the energy and subversive undercurrents that course through this artistic movement. As a hand-pulled 3-color print on 320gsm Natural Coventry Rag Vellum fine art paper, it stands as a testament to Fairey's mastery over the medium and his unwavering commitment to pushing the boundaries of street art into the delicate art sphere. Produced in 2019, the artwork is part of a highly exclusive series, with only 150 signed and numbered editions available. The dimensions of the artwork, 24x18 inches, are significant not only for their visual impact but also for their ability to draw the viewer into the confrontational yet poised dynamic that defines the composition. Fairey's choice of subjects, Ron and Niagara, is particularly telling; their depictions are rendered with a stark contrast of black, white, and a commanding red, highlighting their iconic stances and the charged atmosphere they embody. Fairey's narrative intention behind "Let There Be Dark" is as compelling as the visual force of the artwork. In his words, he captures the essence of Ron and Niagara's personas, juxtaposing Ron's aggressive frontality with Niagara's seemingly delicate yet cunning disposition. The addition of a switchblade subtly caressed by Niagara adds a layer of danger and a nod to the femme fatale archetype. This imagery is not merely decorative; it is a deliberate act to challenge and subvert the viewer's expectations, a hallmark of Fairey's style that has cemented his place in street pop art and graffiti artwork. The title, "Let There Be Dark," invites interpretation, playing on the biblical phrase "Let there be light," suggesting a reversal or an embrace of shadow and complexity over simplicity and illumination. This reversal is symbolic of the more significant cultural critique often found in Fairey's work, where the binaries of good and evil, light and dark, are not just questioned but also deconstructed. Beyond the visual and thematic layers, the print's collectibility is further enhanced by its fine art attributes. The use of Coventry Rag Vellum fine art paper, known for its durability and smooth texture, ensures that the colors' vibrancy and the lines' precision remain intact over time. The paper choice reflects Fairey's nuanced understanding of materials and their role in elevating street art to OK art status. Shepard Fairey's "Let There Be Dark Red Silkscreen Print" is an authentic representation of the spirit of street pop art. It bridges the gap between street art's raw expressiveness and silkscreen printing's calculated precision. With its limited edition status and the artist's signature, the print is not just a piece of art; it is a cultural artifact that captures the pulse of contemporary society and the ongoing dialogue between street art and the mainstream art world. It is a vivid example of how street pop art continues to shape and influence our visual language and cultural conversations.

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Moonage Daydream 5-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Artist Shepard Fairey OBEY. 2022 Shepard Fairey Numbered Limited Edition of 1910 18x24 inches. Screenprint on thick cream Speckletone paper. "David Bowie is one of my favorite musicians not only because so many of his songs possess magic, but also because he was creatively fearless and perpetually collaborative. I first discovered David Bowie in 1983 when his Let’s Dance album came out, and its hits like “Let’s Dance,” “China Girl,” and “Modern Love” were getting radio play. I became a die-hard Bowie fan once I picked up Ziggy Stardust and the Spiders From Mars at a flea market a few years later. Ziggy Stardust is one of my favorite albums ever. It makes sense that it was Bowie’s breakthrough album, not just because his newly adopted androgynous glam image was provocative and mesmerizing, but because the songs on the album are incredible! At first, my favorites were obvious rockers like “Suffragette City” and “Ziggy Stardust,” but over the years, folkier songs like “Soul Love” and “Starman” really grew on me. It’s almost impossible to pick a favorite Bowie song from Ziggy Stardust and the Spiders From Mars, much less Bowie’s entire catalog, but if I had to, I’d pick “Moonage Daydream.” –Shepard Shepard Fairey Moonage Daydream Silkscreen Print Moonage Daydream is a 2022 five-color hand-pulled silkscreen print by Shepard Fairey that honors David Bowie through the lens of Street Pop Art & Graffiti Artwork. The portrait captures Bowie during the Ziggy Stardust era, presenting him with stylized contours, cosmic backdrop, and sweeping graphic arcs that suggest motion, sound, and theatrical transformation. The palette of magenta, gold, black, and muted teal reinforces the glam rock atmosphere while maintaining the bold, poster-driven clarity that defines Fairey’s visual language. Printed on thick cream Speckletone fine art paper, the texture enhances the layered inks and gives the piece a tactile presence consistent with traditional screenprinting practices. David Bowie, Ziggy Stardust, and Cultural Impact David Bowie was born David Robert Jones in 1947 in the United Kingdom and died in 2016. He remains one of the most influential musicians and visual innovators of the twentieth century. The song Moonage Daydream appears on the 1972 album The Rise and Fall of Ziggy Stardust and the Spiders from Mars, a landmark release that introduced Bowie’s androgynous alien rock persona to a global audience. The track is widely recognized for its dynamic instrumentation and lyrical futurism, combining theatrical performance with experimental sound. Fairey’s portrait draws from photographic outtakes associated with the Ziggy Stardust era, translating Bowie’s photogenic intensity into a graphic composition that balances reverence with reinterpretation. Within Street Pop Art & Graffiti Artwork, Bowie’s boundary-pushing identity aligns naturally with Fairey’s long-standing interest in cultural icons who challenge convention and expand artistic vocabulary. Edition Details and Artistic Significance This 18 by 24 inch silkscreen print is signed and numbered in a limited edition of 1910. The five-color hand-pulled process requires precise registration to achieve the smooth gradients and bold separations that define the portrait. The cosmic star field background and flowing graphic elements reinforce the sci-fi undertones of the original song while situating Bowie within a timeless visual space. Shepard Fairey’s real name is Frank Shepard Fairey. He was born in 1970 in the United States and remains active. Known for merging music, activism, and graphic design into cohesive visual statements, Fairey approaches Moonage Daydream as both tribute and reinterpretation. As a work of Street Pop Art & Graffiti Artwork, this print connects the rebellious energy of glam rock with the visual immediacy of contemporary screenprinted iconography, making it a significant collectible for admirers of both Bowie and Fairey’s socially engaged artistic practice.

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My Rules Silkscreen Print by Glen E Friedman Hand-Pulled on Fine Art Paper Limited Edition Artwork. 2004 Signed & Numbered Limited Edition of 200 Artwork Size 16x20 Silkscreen Print Glen E. Friedman's My Rules: A Testament to Street Pop Art & Graffiti Artwork Glen E. Friedman's "My Rules" silkscreen print is a visual manifesto that embodies the spirit of street pop art and graffiti artwork. This 16x20 limited edition print, part of a series of 200 signed and numbered editions, captures the raw energy and DIY ethos of the underground punk and skateboarding scenes. Published in 2004 on the occasion of the groundbreaking "Beautiful Losers: Contemporary Art and Street Culture" exhibition, the artwork is a testament to the profound influence of subcultures on mainstream art and society. The photozine format of "My Rules," with its collage of expressive faces and anarchic energy, speaks to the rebellious heart of street culture. Friedman, a seminal figure in the documentation of punk, skateboarding, and hip-hop subcultures, uses the silkscreen print to transcend the temporality of the zine medium, cementing its contents in the annals of art history. The work is not just an object to be admired but a historical document that captures the zeitgeist of a pivotal moment in cultural history. The Significance of "My Rules" in the Evolution of Street Art The significance of "My Rules" in the evolution of street art is manifold. The artwork bridges the ephemeral nature of street culture and the permanence of fine art. By translating the dynamic imagery of his photography into the medium of silkscreen print, Friedman elevates the transient moments captured in his photographs to the status of high art. This elevation is a commentary on the value of street culture and its unwavering influence on contemporary aesthetics. Friedman's work has always been about more than just documenting subcultures; it is about understanding and conveying the underlying messages of defiance, creativity, and freedom that these movements embody. "My Rules" encapsulates this understanding, presenting the viewer with a raw and unfiltered look at the individuals who define these movements. The faces and moments he captures are not passive; they are charged with an energy that demands engagement and recognition. Provenance and Cultural Impact of "My Rules" The provenance of "My Rules" is rooted in the Beautiful Losers Archive and Iconoclast Editions, collections that celebrate the work of artists who have profoundly impacted the dialogue between street culture and fine art. These institutions are custodians of a history that might otherwise have been overlooked, preserving the artifacts of street culture's incursion into the art world. "My Rules," as part of these collections, is a piece that not only reflects the history of street art but also contributes to its ongoing narrative. The cultural impact of "My Rules" and the work of Glen E. Friedman is far-reaching. The print and its exhibition have played a crucial role in shaping perceptions of street art, demonstrating its depth and complexity. Street pop art and graffiti artwork, often relegated to the peripheries of the art world, are brought to the forefront through Friedman's lens, asserting their place as vital components of contemporary art discourse. Through "My Rules," Friedman challenges the art establishment, questions the boundaries of art, and celebrates the indomitable spirit of street culture. The artwork stands as a reminder of the power of visual documentation in capturing and preserving the essence of cultural movements. In the hands of Glen E. Friedman, the camera is as much a tool for creating art as it is for recording it, and "My Rules" is a vibrant illustration of this dual capability. The print is not just a reflection of a bygone era but a beacon for future generations to understand the cultural undercurrents that have shaped and will continue to shape the world of art and expression.

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Spoon at El Cid- 2009 Music Limited Edition Metallic Gold ink Gig Poster 2-Color Hand-Pulled Silkscreen Print Artwork on Cream Speckletone Paper by MFG- Matt Goldman Max Goldman for Spoon and Deep Sea Diver. 18 x 24 inches Hand Silk-Screen Print Red, Black Cream Speckletone Paper Limited Edition of 100 Printed by Nick Bowers / OBEY Signed and Numbered by MFG- Matt Goldman Released 2010 . This limited edition Spoon poster was designed by Matt Goldman for the January 18th secret show at El Cid. Celebrating the release of their seventh album, Transference, Spoon decided to do a pop-up show in a tiny venue for their fans. The poster features custom typography and original photography. Little known fact: the date on the poster is wrong (should be 2010) but nobody, to this day, has ever noticed or said anything about it... The posters were only available at the show the night of the event and we're selling the remaining copies here on the Dance Right store. The poster was printed in Obey Giant Art's printing facilities.

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Burrard Arts Foundation BAF 2014 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Erik Otto Rare Street Art Famous Pop Artwork Artist. For the inaugural 2014 BAF Gallery exhibition, Erik Otto chose to create a site-specific installation accompanied by a limited edition screenprint series on paper. The exhibition, both serious and playful in nature, was ripe with imagery that explored the idea of looking inward, and the realization that follows.

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Endless Winter Chicago 2013-2014 Silkscreen Print by CHema Skandal! Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2014 Signed & Numbered Limited Edition of 30  Artwork Size 18.5x24.5 Silkscreen Print for The Chancers Music Album Age of Rudeness. Endless Winter Chicago 2013-2014 Silkscreen Print by CHema Skandal! Endless Winter Chicago 2013-2014 is a limited edition silkscreen print created by CHema Skandal! in 2014. This hand-pulled screenprint, sized at 18.5x24.5 inches, was produced in a signed and numbered edition of 30. The artwork was designed in connection with The Chancers' music album Age of Rudeness, merging the themes of ska, punk, and underground music culture with the raw energy of Street Pop Art & Graffiti Artwork. Known for his bold visual storytelling, CHema Skandal! brings a chaotic yet playful aesthetic to this piece, embodying the spirit of independent art and music scenes. Visual Aesthetics and Composition The print features a dynamic and cartoon-like character, exaggerated in expression and motion, dressed in winter gear while playfully engaged in a snowball fight. The character’s mischievous grin and energetic pose add a sense of rebellious joy, reminiscent of classic underground comic book styles and punk poster design. The typography, hand-drawn and slightly distressed, contributes to the raw and unfiltered nature of the composition. The color palette, limited to bold blue and magenta, enhances the high-contrast aesthetic commonly associated with DIY printmaking and graffiti-style artwork. The rough textures and imperfect ink application highlight the hand-crafted silkscreen process, reinforcing the authenticity of the print as a piece of urban street-inspired art. Street Pop Art & Graffiti Artwork Influence CHema Skandal! has long been associated with Street Pop Art & Graffiti Artwork, blending traditional printmaking with the immediacy and accessibility of urban street culture. Endless Winter Chicago 2013-2014 reflects this influence through its punk-infused design and the incorporation of playful yet subversive imagery. The piece evokes the energy of independent gig posters, zine culture, and protest art, all of which have roots in the underground scenes that define street art movements. The hand-pulled silkscreen process further cements the connection to DIY aesthetics, where imperfections and variations in each print contribute to its unique identity. The layered use of texture and negative space gives the composition a spontaneous quality, aligning with the raw nature of street-based artwork. Connection to Music and Cultural Impact This print was created for The Chancers’ album Age of Rudeness, reflecting the strong relationship between visual art and independent music. CHema Skandal! has frequently collaborated with musicians, designing posters and album covers that capture the rebellious and energetic spirit of ska, punk, and rock. The imagery in Endless Winter Chicago 2013-2014 reflects both the harsh reality of Chicago’s winter and the resilience of underground culture, where creativity thrives regardless of external conditions. The scarcity of this edition, with only 30 prints in circulation, makes it a highly sought-after collectible among fans of Street Pop Art & Graffiti Artwork. The continued relevance of CHema Skandal!’s work in both gallery and street settings highlights his influence in shaping contemporary print-based street art movements.

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Critical Condition 4-Color Hand-Pulled Limited Edition Silkscreen Print on 100lb French Speckletone Paper by Al Diaz x Dave Navarro x Lifeafterdeath Rare Street Art Famous Pop Artwork Artist. 2019 Al Diaz and lifeafterdeath "Critical Condition" - 4 Color Screen Print, Limited Edition of 25 - 19 x 25" Critical Condition • 4 layer hand-pulled screenprint on French Speckletone 100 lb paper• 19 x 25 inches Hand-signed and numbered by artists Al Díaz and Dave Navarro in a limited edition of 25 "Distortion Skull" ink stamping on verso hand-applied by Dave Navarro Hand-produced in Albany, NY by Pepper Spray Press NYC

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The Band Limited Edition Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. Each piece is unique and colors, painting, spray paintings made by hand by the artist are random, vary, and you may not receive the exact pictured item! "I use photographic images as the basis for the art, but I would sometimes draw directly on the acetate before I burn the screens to bring out parts of the images I felt were important. Each piece for this run was individually screen printed and hand-painted using a variety of acrylic and other mediums. Take notice of the colors rather than the image, even though that might be difficult to do sometimes. The colors represent what's going on in my life at any given moment." - Bobby Hill

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Good Morning Coffee, Second Edition Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by John Vogl Graffiti Street Artist Modern Pop Art. Good Morning Coffee. Second edition. Different colors from the first edition. 8 by 10 inches. Four screens printed on French Speckletone stock. Signed and numbered edition of 190. Released 28 November 2014.

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Tom Dula White AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2012 Signed & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print—Lonesome Tree Stylized Old Gnarled Tree in Western Desert Setting. Thomas C. Dula was a former Confederate soldier who was convicted of murdering Laura Foster, based on a song made famous by Kingston Trio. Shepard Fairey Tom Dula White AP 2012 Silkscreen Print Shepard Fairey, born Frank Shepard Fairey in the United States, created the Tom Dula White silkscreen print in 2012 as part of his continued exploration of American folklore, history, and visual propaganda language within Street Pop Art & Graffiti Artwork. This Artist Proof edition is signed and marked AP, distinguishing it from the standard run and reflecting a smaller subset traditionally retained by the artist. The hand-pulled silkscreen measures 18 x 24 inches and is printed on cream Speckletone fine art paper, a stock frequently used in Fairey’s Obey editions for its textured, archival quality. The composition references the story of Thomas C. Dula, a former Confederate soldier convicted in the 1866 murder of Laura Foster, a case that later became widely known through the folk ballad popularized in the twentieth century by The Kingston Trio. Fairey’s engagement with this narrative situates the print within a broader tradition of examining American myth, justice, and cultural memory. Symbolism of the Lonesome Tree in Street Pop Art & Graffiti Artwork The image centers on a stark, leafless tree stretching across a red and gold desert landscape, rendered in layered gradients and ornamental textures that echo vintage poster design and distressed printmaking techniques. A rope hangs from one of the branches, subtly invoking themes of execution and frontier justice without overt depiction of violence. The word Lonesome appears at the base, reinforcing the solitary atmosphere of the scene. Fairey’s restrained color palette of deep reds, burnt oranges, and cream tones creates a dramatic contrast that heightens the emotional weight of the subject matter. Within Street Pop Art & Graffiti Artwork, such symbolic reduction allows historical references to be communicated through simplified yet powerful visual cues, drawing viewers into reflection on the tension between legend and documented history. Artist Proof Editions and Historical Narrative in Obey Artwork Artist Proof prints hold particular significance in fine art printmaking, as they represent limited impressions outside the numbered edition and often serve as part of the artist’s archive. In the context of Street Pop Art & Graffiti Artwork, these AP editions emphasize craftsmanship and authenticity while reinforcing collectibility. Fairey’s Tom Dula White print demonstrates how Obey imagery frequently bridges historical narrative and contemporary design language, translating nineteenth-century folklore into a modern silkscreen format. By merging archival textures, symbolic landscape imagery, and disciplined hand-pulled production, the work stands as a refined example of how Street Pop Art & Graffiti Artwork can reinterpret American history through bold yet contemplative visual storytelling.

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Lumineers Deer Guitar 3-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited Edition of 60 Artwork Size 18x24

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