Music

Sex Bob-omb 2010 Movie Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Jeremy Wheeler. Music group Sex Bob-omb from the movie Scott Pilgrim vs. the World. Sex Bobomb, Rock It, Crash & The Boys, August 10th 2010 Toronto Canada

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Habibi- Dammed HPM Pop Street Artwork Limited Edition Giclee Print With Acrylic & Diamond Dust on Photographique Rag Paper by Urban Graffiti Modern Artist Marwan Shahin. 2022 Signed & Numbered Limited Edition of 33 Marwan Shahin's "HABIBI" series an iconic portrait of Lebanese singer Fairuz interpreted throughout different stages of experiencing love, This very limited edition of 33, which each print is intricately arranged with a filigree of Diamond Dust to produce visually intoxicating kaleidoscope-like effects. Habibi: Dammed by Marwan Shahin – A Keyhole Into the Fractures of Love Habibi: Dammed by Marwan Shahin is a haunting and emotionally saturated piece that continues the artist’s compelling exploration of Lebanese music legend Fairuz through the lens of modern street pop art. This 2022 work is part of the HABIBI series, a collection of limited edition Giclée prints—only 33 copies exist—each hand-embellished with acrylic and diamond dust on Photographique Rag paper. With this piece, Shahin delves deeper into the psychological terrain of love, vulnerability, and memory by introducing bold symbolic motifs and a dramatic palette shift. The most striking element is the red and black optical wave background, which radiates tension and intensity. It contrasts sharply with the calm, solemn gaze of Fairuz, whose face is rendered in Shahin’s now-iconic engraved style. But this version introduces an arresting twist: a keyhole-shaped cutout in her face reveals a second, stylized inner portrait. That smaller image—a blue-hued, teary-eyed rendition of Fairuz’s likeness—invokes a fractured duality, as if the viewer is peering into her hidden emotional depths. Symbolism, Inner Worlds, and the Emotional Keyhole The use of the keyhole as a framing device is particularly powerful. It evokes the sense of unlocking private emotion, memory, or heartbreak—allowing viewers access to an internal world usually concealed from the public eye. The interior portrait rendered in bold blue and crimson tones acts as the psychological counterpoint to the stoic exterior. This duality captures the volatility and complexity of romantic love, a recurring theme throughout Shahin’s HABIBI series. Shahin’s hand embellishments, particularly the application of diamond dust, add another dimension to the work. The sparkle of the dust against the matte and flat inks creates visual tension—glamour clashing with grief, radiance interwoven with ruin. Each piece in the edition carries its own nuances due to these handcrafted touches, ensuring that every collector receives a one-of-a-kind artifact that echoes the layered nature of its subject matter. Pop Culture, Street Art, and Arab Emotional Realism As with other works by Marwan Shahin, Habibi: Dammed is deeply rooted in the visual language of street pop art and graffiti artwork, but with unmistakable Middle Eastern sensibility. Fairuz—long considered the voice of the Arab soul—is an apt muse for such a project. Shahin transforms her from a musical icon into a symbolic vessel for the universal experience of longing, heartbreak, and emotional revelation. Rather than idealize, Dammed humanizes. It pushes against the polished veneers of celebrity and national identity to reveal the turbulent inner tides that define the human experience. It is love not as perfection, but as a landscape of contradictions—intimate, messy, radiant, and raw. This piece is more than a portrait; it is an invitation to witness the private wars waged inside public figures, and a powerful testament to Shahin’s mastery at balancing emotion, iconography, and craft in the tradition of globally conscious pop art.

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Tomorrow's Another Night Red 3-Color Hand-Pulled Limited Edition Silkscreen Print on 320gsm Natural Coventry Rag Vellum Paper by Modern Artist Niagara x Shepard Fairey x Niagara. 2021 Signed & Numbered Red Limited Edition of 150 3-Color Screen Print on 320gsm Natural Coventry Rag Vellum Size: 18 x 24 Inches Release: July 02, 2021. "I chose an image of Ron and Niagara where I think they both look amazing, but there was a nice balance between in-your-face aggression with Ron's pose making eye contact, holding his fist up, and Niagara's seemingly demure embrace of Ron, but anyone who knows Niagara understands that though she may look sedate, she's pulling the strings. I added a switchblade that she is caressing with her finger, as a way to amplify her femme fatale chic, and because I thought it lent itself to my original idea of a title 'Bonnie & Clyde Were Lightweights.'" – Shepard Fairey-.OBEY Shepard Fairey's Collaboration with Niagara: 'Tomorrow's Another Night' 'Tomorrow's Another Night' is a testament to the dynamic collaboration between Shepard Fairey and Niagara, two pivotal figures in modern street pop art and graffiti artwork. This limited edition silkscreen print, hand-pulled on 320gsm Natural Coventry Rag Vellum paper, showcases Fairey's masterful screen printing technique alongside Niagara's provocative artistic vision. Released on July 2, 2021, each print in the series is meticulously signed and numbered, indicating the exclusive nature of this artwork. The 18 x 24 inches dimensions make it ideal for collectors who appreciate the nuanced intersection of pop culture and fine art. The artwork features iconic imagery that reflects the rebellious spirit of the punk rock movement, imbued with a sense of in-your-face aggression and subtle manipulation. Ron's direct gaze and clenched fist are juxtaposed with Niagara's calculated and serene posture, a duality that Fairey emphasizes with the strategic placement of a switchblade. This element augments Niagara's allure nod to Fairey's original concept of the duo as a modern-day Bonnie and Clyde, suggesting a narrative of power and seduction that belies their outward appearance. Exploring the Visual Narrative and Artistic Merit of 'Tomorrow's Another Night' Shepard Fairey's decision to work with Niagara on 'Tomorrow's Another Night births a rich visual narrative of contrast and complexity. The stark black-and-white imagery is accented by the thoughtful use of three colors, which adds depth and draws the viewer into the story unfolding within the print. The art piece resonates with the energy of the street, where graffiti art traditionally challenges societal norms and provokes thought through visual storytelling. The screen print is a visual exploration of the dichotomy between appearance and reality, power dynamics, and the role of women as unseen orchestrators in a male-dominated society. Fairey's description of Niagara as someone who appears demure yet is 'pulling the strings' is a powerful commentary on the multifaceted nature of female strength and agency. Thus, the artwork becomes a platform for aesthetic appreciation and engagement with broader themes of gender and control. The Cultural Impact of Fairey and Niagara's Artistic Fusion 'Tomorrow's Another Night' represents a cultural milestone in street pop art and graffiti artwork. The collaboration between Shepard Fairey and Niagara bridges generations and artistic styles, creating a piece that is both a tribute to the past and a relevant commentary on contemporary issues. The limited edition nature of the print adds to its cultural significance, offering a snapshot of a moment when two artists from different backgrounds and with distinct voices came together to create something unique and impactful. Moreover, the piece contributes to the ongoing discourse about the place of street art within the broader context of art history. By bringing street art aesthetics into fine art through silkscreen printing, Fairey and Niagara challenge traditional boundaries and invite a reevaluation of what constitutes art in the modern era. 'Tomorrow's Another Night' is an artwork to be enjoyed for its visual appeal and a conversation starter that encourages viewers to delve deeper into the stories behind the images. In essence, 'Tomorrow's Another Night' is a vibrant embodiment of the collaborative spirit that defines street pop art. Through this print, Shepard Fairey and Niagara offer a piece steeped in the ethos of street culture while maintaining a polished finesse that appeals to the fine art collector. The artwork is a testament to the power of artistic collaboration and the enduring allure of street-inspired art.

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Tomorrow's Another Night Blue PP Printers Proof 3-Color Hand-Pulled Limited Edition Silkscreen Print on 320gsm Natural Coventry Rag Vellum Paper by Modern Artist Niagara x Shepard Fairey x Niagara. PP Printer Proof 2019 Signed & Numbered Blue Limited Edition of 150 3-Color Screen Print on 320gsm Natural Coventry Rag Vellum Size: 18 x 24 Inches Release: July 02, 2021. "I chose an image of Ron and Niagara where I think they both look amazing, but there was a nice balance between in-your-face aggression with Ron's pose making eye contact, holding his fist up, and Niagara's seemingly demure embrace of Ron, but anyone who knows Niagara understands that though she may look sedate, she's pulling the strings. I added a switchblade that she is caressing with her finger, as a way to amplify her femme fatale chic, and because I thought it lent itself to my original idea of a title 'Bonnie & Clyde Were Lightweights.'" – Shepard Fairey-.OBEY Niagara and Shepard Fairey's 'Tomorrow's Another Night': A Striking Silkscreen Collaboration 'Tomorrow's Another Night,' a captivating blue PP Printer's Proof silkscreen print, stands as a testament to the collaborative genius of Niagara and Shepard Fairey. This limited edition piece, hand-pulled on 320gsm Natural Coventry Rag Vellum paper, encapsulates the essence of modern street pop art and graffiti with its bold imagery and nuanced undertones. Each print, part of a limited edition run of 150, is signed and numbered, underscoring its exclusivity and the meticulous craftsmanship invested into every screen. Released on July 2, 2021, the artwork measures 18 x 24 inches, allowing intricate details and striking color contrasts to command attention. The print portrays two figures, Ron and Niagara, in a complex interplay of visual tension and harmony. Shepard Fairey's description of the piece reveals a deliberate balance between the overt aggression shown by Ron's direct eye contact and raised fist and Niagara's ostensibly gentle embrace. Yet, as Fairey notes, the true power lies with Niagara, whose understated demeanor masks a controlling presence, symbolized by the switchblade subtly caressed by her finger. This addition by Fairey amplifies the femme fatale motif and ties in with his original concept for the print, suggesting a narrative of concealed strength and influence. Exploring the Visual and Conceptual Depth of 'Tomorrow's Another Night' In creating 'Tomorrow's Another Night,' Fairey and Niagara delve into the dynamics of power, control, and the role of iconography in art. The piece's title and the imagery together weave a tale of anticipation and the recurring cycles of life's drama. The use of a limited color palette accentuates the graphic strength of the work. At the same time, the choice of a high-quality silkscreen process ensures that each color pops against the paper, offering a texture and depth that resonate with the layered meanings of the artwork. The collaboration between the two artists brings together distinct styles and perspectives, marrying the raw edge of street art with the finesse of fine art printmaking. Fairey's background in street pop art and activism and Niagara's punk rock aesthetic combine to create a print that is both a visual feast and a piece of social commentary. The contrast between Ron's defiant gesture and Niagara's subtle dominance challenges traditional gender narratives and invites viewers to look beyond appearances to the complex stories beneath. Cultural Significance and Artistic Legacy of the Print 'Tomorrow's Another Night' is more than just a piece of art; it is a cultural artifact that captures a moment in the evolution of street art and its intersection with pop culture. The collaboration between Niagara and Shepard Fairey represents a bridging of generational talents, fusing the spirit of punk rock with contemporary street art to create something nostalgic and fresh. The Printer's Proof status of the print adds to its cultural weight, as these proofs are typically reserved for the artist's and printer's archives, representing the gold standard of the print edition. Collectors and enthusiasts of street pop art and graffiti artwork value PP editions for their closeness to the artist's original intent and the fine quality of the print. In essence, 'Tomorrow's Another Night' is a shining example of the vibrant and transformative power of collaboration in street pop art and graffiti. It reflects the ongoing narrative of rebellion and the subversion of societal norms that street art embodies. Through this print, Fairey and Niagara offer a thought-provoking and visually impactful piece, solidifying their roles as influential figures in contemporary art.

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Heist Eyes HPM Stencil Spray Paint Silkscreen by Prefab77 Hand-Painted Multiple on 300gsm Somerset Fine Art Paper Unique Graffiti Street Artist Modern Pop Art. 2023 Signed & Numbered Edition of 60 HPM Unique Hand Painted Spray Paint Stencil Artwork Size 15x22 Silkscreen of Close Up of Woman's Eyes With Pop Culture Figures. Prefab77 Heist Eyes HPM Stencil Spray Paint Silkscreen Heist Eyes is a 2023 hand-painted multiple by Prefab77, the British artist known for fusing punk attitude, pop culture references, and layered graphic collage into bold Street Pop Art & Graffiti Artwork. Printed as a silkscreen with stencil spray paint elements on 300gsm Somerset fine art paper, this edition of 60 measures approximately 15 x 22 inches and is signed and numbered. The composition centers on a dramatic close-up of a woman’s eyes rendered in stark black and white, framed by fragmented typography, geometric patterning, and cultural iconography. The gaze becomes the anchor within a chaotic visual field of torn headlines, stylized figures, and angular motifs that recall vintage poster design reinterpreted through contemporary urban language. Pop Culture Fragmentation and Graphic Rebellion Prefab77 has built a reputation for integrating references to music, cinema, and countercultural imagery into tightly constructed compositions that feel both nostalgic and confrontational. In Heist Eyes, the central eyes function as both observer and observed, reinforcing themes of surveillance, spectacle, and identity. Surrounding elements include bold lettering, collaged text fragments, and recognizable stylistic nods to classic British punk graphics. The interplay of pastel pinks, muted gold tones, black, and soft blues injects vibrancy without overwhelming the central focal point. This layered fragmentation is characteristic of Street Pop Art & Graffiti Artwork, where appropriation and recontextualization transform familiar imagery into something newly charged. Hand-Painted Multiple Technique and Material Depth As an HPM, or hand-painted multiple, each print carries unique spray paint embellishments layered over the structured silkscreen base. This approach bridges studio printmaking and the immediacy of street practice. The stencil spray paint accents introduce subtle variations in texture and color distribution, ensuring that no two works in the edition are identical. Somerset paper provides a durable archival surface that enhances the crispness of the screenprinted lines while absorbing the spray applications with depth and character. Within Street Pop Art & Graffiti Artwork, Heist Eyes stands as a refined yet rebellious example of how stencil, collage aesthetics, and pop iconography converge into a visually assertive contemporary print.

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Alice Bag 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x Melanie Nissen Rare Street Art OBEY Pop Artwork Artist. 2022 Signed by Shepard Fairey & Melanie Nissen, Numbered 18x24 inches. Screenprint on thick cream Speckletone paper. Numbered edition of 550. "I was very excited to meet and collaborate with Melanie Nissen because, as co-founder of Slash magazine, she photographed some of the most important figures and moments in the early LA punk scene—a scene that dramatically impacted me as a creative person. Nissen’s new book of her punk photos from 1977-1980, Hard+Fast, is beautifully designed and full of amazing images. After some serious deliberation, I decided I’d like to make an illustration of Alice Bag. I first encountered Alice Bag as a teen in Penelope Spheeris’ documentary “The Decline of Western Civilization,” but The Bags did not put out a lot of music, and it was hard to find. However, in reading books about the LA punk scene like “We Got The Neutron Bomb” and “Lexicon Devil,” as well as the Slash magazine book, I realized that Alice was a very important figure in the LA scene who has continued to make great music and is an outspoken champion of LatinX and feminist causes. She’s also a very nice person. I’m glad to celebrate Alice for her contributions to culture then and now. If you are unfamiliar with The Bags, I’d recommend picking up “All Bagged Up… The Collected Works 1977-1980.” – Shepard

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Together Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by John Vogl Graffiti Street Artist Modern Pop Art. 8 x 10 inches. Four screens on French Speckletone cover. Signed and numbered edition of 180. Released 28 November 2014.

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Spoon at El Cid- 2009 Music Limited Edition Metallic Gold ink Gig Poster 2-Color Hand-Pulled Silkscreen Print Artwork on Cream Speckletone Paper by MFG- Matt Goldman Max Goldman for Spoon and Deep Sea Diver. 18 x 24 inches Hand Silk-Screen Print Red, Black Cream Speckletone Paper Limited Edition of 100 Printed by Nick Bowers / OBEY Signed and Numbered by MFG- Matt Goldman Released 2010 . This limited edition Spoon poster was designed by Matt Goldman for the January 18th secret show at El Cid. Celebrating the release of their seventh album, Transference, Spoon decided to do a pop-up show in a tiny venue for their fans. The poster features custom typography and original photography. Little known fact: the date on the poster is wrong (should be 2010) but nobody, to this day, has ever noticed or said anything about it... The posters were only available at the show the night of the event and we're selling the remaining copies here on the Dance Right store. The poster was printed in Obey Giant Art's printing facilities.

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Zeni Geva Zen Guerrilla Black Manna 1996 San Francisco California Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1996 Signed by Kozik & Numbered Limited Edition of 650 Artwork Size 17.5x22.5 Silkscreen Print Band Gig Poster by Frank Kozik. October 13, 1996 Das Kilowatt in San Francisco, California Capturing the raw energy and unbridled spirit of the 1990s San Francisco music scene, Frank Kozik’s silkscreen print for the Zeni Geva, Zen Guerrilla, and Black Manna gig on October 13, 1996, stands as a significant piece of pop and street art. Kozik, well-known for his contribution to the visual side of rock culture, has infused this piece with a compelling blend of political commentary and vivid imagery, hallmark traits of street art and his style. The limited edition print, measuring 17.5x22.5 inches, was meticulously hand-pulled on fine art paper, underscoring the artist's commitment to quality and the traditional methods of printmaking. With only 650 signed and numbered editions, this artwork is a treasure for collectors and enthusiasts. Its depiction of the Statue of Liberty, surrounded by figures wearing gas masks and holding flags, offers a subversive take on American iconography. The use of iconic symbols juxtaposed with elements that suggest upheaval reflects the era's punk and alternative rock ethos, resonating with themes of resistance and independence prevalent in the genres associated with the bands featured. The event, hosted at Das Kilowatt in San Francisco, California, is immortalized in Kozik’s signature style—where the text is as much a part of the art as the images. His choice of vibrant colors and bold lettering reflects the energy and intensity of the bands, making the poster a visual shout that echoes the music it advertises. This piece is more than promotional material; it's a snapshot of when street art began crossing into mainstream consciousness, blurring the lines between commercial art and political statements. Kozik’s work with this print serves not just to announce a concert but to stake a claim in the ongoing dialogue between art and society, where the streets become a canvas for messages that are as likely to provoke thought as they are to promote an event. In the world of street art, such pieces are vital—they challenge, they commemorate, and they often become a part of the history they depict.

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Blackbook- Return To Forever Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Urban Graffiti Modern Artist DocTC5. 2019 Signed & Numbered Limited Edition of 25 Artwork Size- 17x14 Blackbook - Return To Forever by DocTC5 Blackbook - Return To Forever is a vibrant fusion of Street Pop Art & Graffiti Artwork by DocTC5, whose full name is often credited as Doc of The Crazy 5. This 2019 limited edition giclee print pays homage to the enduring influence of jazz music on graffiti culture and visual storytelling. Executed with meticulous detail and saturated in symbolic energy, this piece reflects DocTC5’s deep reverence for Black American music history while maintaining the aesthetic codes of classic New York graffiti. With its 17x14 inch format and a limited run of 25 signed and numbered copies, the artwork preserves both the intimacy of a blackbook and the visual punch of a large-scale mural. Graffiti as Tribute to Jazz Icons and Culture This piece stands as a multi-layered tribute to the legacy of jazz and its cultural resonance within street art. The title Return To Forever references the iconic jazz fusion group of the same name and suggests a perpetual influence loop between sound and style. A hand-drawn likeness of a jazz trio appears in the lower right corner, giving shape to the musical legacy of figures like Miles Davis, whose name is referenced with the line Riff in Peace. The skyline silhouette at the top of the piece links back to New York City’s sonic and visual heritage, where graffiti writers and jazz musicians both claimed the streets and subways as their stages. The centerpiece graffiti text spells out Jazz in a wildstyle execution that is both chaotic and controlled, evocative of the improvisational structure of jazz music itself. Fine Art Execution with Underground Credibility Printed using archival-quality giclee methods on fine art paper, the piece retains the texture and color fidelity of original marker, ink, and aerosol sketches common to graffiti blackbooks. The lettering is surrounded by a mist of blues, purples, and reds that mimic the dreamy ambience of a late-night jazz session. The inclusion of tags, quotes, and dedications throughout the work reinforces the communal, layered authorship that defines both jazz and street culture. CD101.9, a reference to the iconic jazz radio station, anchors the lower left corner, positioning the piece in a real historical moment. The embossed DocTC5 seal in the bottom right guarantees authenticity and connects the work to the artist's decades-long career. Preserving Blackbook Culture in Contemporary Art Blackbook - Return To Forever stands as both an archival artifact and a contemporary celebration of the roots of graffiti. It illustrates how artists like DocTC5 continue to keep alive the collaborative spirit of the blackbook, where writers gathered to trade ideas, develop styles, and document their voice. This edition offers viewers a rare look into that sacred creative space, blending visual art, homage, and cultural memory into a single unified composition. Through Street Pop Art & Graffiti Artwork like this, DocTC5 reaffirms graffiti’s role as a vital medium of artistic and cultural expression.

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Obey Long Playing AP Dance Floor Riot Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled 1-Color Screen Print on Fine Art Paper Limited Edition Graffiti Pop Street Artwork. AP Artist Proof 2011 Signed & AP Marked Limited Edition Artwork Size 13x13 "Long before I knew about art galleries or even street art, I was excited about album cover art, if only because it was the visual counterpart to the music on the records I loved. Album covers conjured a euphoric association with the listening experience. Most of my earliest home-made tee shirts were stencils based on punk album covers… No matter how much I love art, or try to convince myself of its relevance in society, the fact remains that music is a lot cooler and way more able to reach people’s hearts and minds… but I’m a populist and I look at it this way: I may not play an instrument, but I’m gonna rock it hard as nails anyway. With my art I try to capture the same energy and spirit that makes music so powerful and democratic. REVOLUTIONS is a celebration of all the great music and accompanying art that has inspired me over the years." -Shepard Fairey Obey Long Playing AP by Shepard Fairey: A Fusion of Music and Street Pop Art The Obey Long Playing Artist Proof silkscreen print by Shepard Fairey is a striking homage to the enduring influence of music on visual culture. Created in 2011, this limited-edition Artist Proof measures 13 by 13 inches and is hand-pulled as a one-color screen print on fine art paper. Signed and marked as an Artist Proof by Fairey, the print is a part of his Revolutions series, which celebrates the intersection of music and art. Through its bold, monochromatic design, this artwork captures the timeless appeal of vinyl records and the cultural legacy they represent. The design prominently features a stylized vinyl record encased in a decorative frame with ornate flourishes. The bold typography reading Obey Long Playing Records evokes the aesthetic of vintage album covers, blending nostalgia with Fairey’s contemporary Street Pop Art sensibilities. The intricate detailing in the border contrasts with the minimalist central image, creating a composition that is both visually dynamic and conceptually rich. This piece reflects Fairey’s deep connection to music as a driving force in his art, highlighting the shared energy and accessibility of music and street art. Music as a Visual and Cultural Inspiration Shepard Fairey’s connection to music runs deep, influencing much of his work, including Obey Long Playing. Growing up immersed in the punk rock scene, Fairey drew inspiration from the DIY ethos and rebellious spirit of the music. This influence is evident in his bold graphics and use of stencils, techniques rooted in the graffiti art tradition. In this piece, Fairey channels the energy and democracy of music into a visual form, celebrating its ability to unite people and transcend boundaries. The vinyl record featured in the design symbolizes a golden era of music, where physical albums and cover art played a crucial role in defining an artist’s identity. Fairey’s choice to emphasize this cultural artifact speaks to his admiration for the tangible connection between music and its audience. The print serves as a tribute to the artistry of album design and its ability to evoke powerful emotions, much like the music it represents. The Craft of Silkscreen Printing Obey Long Playing is a testament to Shepard Fairey’s mastery of the silkscreen printing process. Each print is meticulously hand-pulled, ensuring a high level of precision and quality. The one-color design allows for bold contrasts and sharp details, highlighting the intricacies of the decorative border and the clean lines of the central typography. Printed on fine art paper, the piece has a refined finish that enhances its visual impact and durability. The Artist Proof designation adds an element of rarity and exclusivity to this work, often representing the initial versions of a print used to refine the design. Fairey’s dedication to the silkscreen medium reflects his commitment to the traditions of graffiti and street art, where stenciling and hand-printing are integral to the art form. This choice of medium further emphasizes the tactile and authentic qualities that define Fairey’s work. Shepard Fairey: A Voice in Street Pop Art and Graffiti Artwork Shepard Fairey, an American artist and activist, has become synonymous with Street Pop Art and Graffiti Artwork. Known for his iconic designs that blend cultural commentary with bold aesthetics, Fairey’s work often draws on his love of music, particularly punk and hip-hop. Obey Long Playing exemplifies this connection, serving as both a celebration of music’s cultural significance and a reflection of its influence on Fairey’s art. Through his Revolutions series, Fairey explores the symbiotic relationship between music and visual art, creating works that resonate across generations. Obey Long Playing stands out as a powerful tribute to the legacy of vinyl records, blending nostalgia with modern artistic techniques. Fairey’s ability to capture the energy and spirit of music in visual form cements his place as a leading figure in contemporary Street Pop Art and Graffiti Artwork.

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Sweet Dreams Artwork Giclee Limited Edition Surreal Print on 100% Cotton Rag Fine Art Paper by Pop Culture Graffiti Artist Naoto Hattori. SWEET DREAMS 20 x 24 inches (50.8 x 61 cm) High Quality Giclee Print on 100% Cotton Rag Fine Art Paper Signed and Numbered Edition of 150

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Life After Death Artwork Giclee Limited Edition Print on 290gsm Fine Art Paper by Pop Culture Graffiti Artist Ken Flewellyn. 20x16 inches / 51x41 cm Edition of 40 Fine art print on 290gsm paper Hand-signed and numbered by the artist Ken Flewellyn’s Life After Death: Baroque Symbolism in Street Pop Art Form Ken Flewellyn’s Life After Death presents a meticulously rendered still life that fuses classical painting traditions with the language of Street Pop Art & Graffiti Artwork. Released as a 20 x 16 inch giclée print on 290gsm fine art paper in a signed and numbered edition of 40, the piece takes aesthetic cues from 17th-century vanitas while layering in modern hip-hop and pop culture references. With photographic precision, Flewellyn constructs a visual narrative about legacy, excess, identity, and mortality—turning familiar symbols into philosophical statements. A gold-plated skull wearing a crown rests atop a stack of magazines, evoking both royalty and finality. The juxtaposition of this memento mori with luxury objects—a Versace-styled boombox, thick gold rope chain, designer sunglasses, a spilled wine glass—highlights the tension between materialism and impermanence. The broken cigar, empty jewelry case, and antique pocket watch on a satin ribbon extend this commentary, nodding to the fragility of status and time. Like Dutch vanitas painters who used decaying fruit and extinguished candles to hint at life’s brevity, Flewellyn replaces those metaphors with consumer goods, packaging the same message for a contemporary audience. Hyperrealism as a Tool of Cultural Synthesis The precision of Flewellyn’s painting style is not just a technical flex—it’s a deliberate choice that elevates the visual weight of every object on the table. Each item is treated with reverence and clarity, forcing the viewer to examine them individually and collectively. Hyperrealism in this context becomes a method of preservation, much like how historical paintings immortalized wealth, nobility, or religious conviction. Here, the objects preserved are relics of urban culture, hip-hop mythology, and fashion-driven self-construction. This synthetic approach to visual storytelling is one of Flewellyn’s strengths. Rather than lean into abstraction or expressive distortion, he paints with clinical sharpness. The boombox, decorated with intricate Medusa heads and gold patterning, becomes a sacred totem. The magazines, showing muscle-bound figures and flashy headlines, serve both as cultural archive and pop commentary. The reflection in the polished orb at left even contains the outline of the artist’s studio space, collapsing the illusion of classical detachment and re-inserting the viewer into the act of creation. Rewriting the Still Life Through Street Pop Language Ken Flewellyn’s background in pop culture study and urban visual language allows Life After Death to operate as a cross-genre artwork. Though not made with aerosol or on public walls, its structure and symbols place it firmly in the lineage of Street Pop Art & Graffiti Artwork. The work reframes the aesthetics of graffiti—where hierarchy, identity, and legacy are constantly negotiated—through the composition and technique of high art traditions. It does not imitate graffiti stylistically; instead, it honors its values through symbolism and narrative. By reconstructing a still life with hip-hop’s material vocabulary, Flewellyn bridges historical and contemporary methods of cultural storytelling. The table becomes a battlefield of symbols—power, time, excess, fame—and the viewer is invited to read the relics for what they reveal about the pursuit of permanence in a transient world. The crown, worn by a skull, reminds us that all power is borrowed. The spilled drink, the tangled chain, the tooth—each item carries encoded meaning, transformed by the hand of the artist into a modern-day parable. Ken Flewellyn’s Life After Death captures the essence of contemporary Street Pop Art by combining the rigor of fine art painting with the immediacy of cultural critique. Through composition, symbolism, and visual clarity, it serves as a statement on mortality, self-image, and what survives after the noise fades.

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- Notorios B.I.G. - Limited Edition Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Editon of 60 HPM Hand Painted Spray Paint Stencil Artwork Size 9x12. Each piece is unique and colors, painting, spray paintings made by hand by the artist are random, vary, and you may not receive the exact pictured item!   "I use photographic images as the basis for the art, but I would sometimes draw directly on the acetate before I burn the screens to bring out parts of the images I felt were important. Each piece for this run was individually screen printed and hand-painted using a variety of acrylic and other mediums. Take notice of the colors rather than the image, even though that might be difficult to do sometimes. The colors represent what's going on in my life at any given moment." - Bobby Hill Notorious B.I.G. – Limited Edition Hand-Embellished Mixed Media Screen Print by Bobby Hill Notorious B.I.G. is a striking limited edition hand-embellished mixed media screen print by graffiti street artist Bobby Hill. Created in 2015, this signed and numbered edition of 60 features unique variations in painting, spray paint, and stencil work on 200lb heavyweight paper. Measuring 9x12 inches, each piece is individually crafted, ensuring that no two are identical. The artwork merges elements of Street Pop Art and Graffiti Artwork, celebrating the cultural impact of Notorious B.I.G. while reflecting the raw energy of contemporary urban art. Bobby Hill’s approach to this piece is both expressive and dynamic, using bold color splashes, heavy textures, and layered compositions. The stencil portrait of Notorious B.I.G. is overlaid with unpredictable paint drips, aggressive brushstrokes, and spontaneous abstract details, embodying the spontaneity of graffiti culture. The crown motif, synonymous with Biggie’s legacy, is a recurring visual element that adds a regal yet rebellious quality to the work. Each edition carries its own distinctive pattern of color and texture, making every print a one-of-a-kind collectible. Bobby Hill and His Influence on Street Pop Art and Graffiti Artwork Bobby Hill is a New York-based artist known for his fusion of graffiti techniques, street pop aesthetics, and traditional screen printing. His work often explores themes of hip-hop culture, celebrity iconography, and urban life, translating the rawness of street art into fine art compositions. His unique process involves photographic manipulation, freehand drawing, and hand-painted elements, ensuring that each piece has an organic and unrepeatable feel. This particular series is a testament to Hill’s ability to capture the essence of cultural icons through experimental techniques. By layering spray paint, acrylics, and stencil work, he transforms familiar imagery into an energetic and texturally rich experience. His work speaks to the intersection of music, street culture, and visual expression, positioning him as a significant figure in modern urban art. His influences range from traditional graffiti writers to pop artists, blending past and present into a singular artistic vision. The Process Behind Hand-Embellished Mixed Media Prints Hand-embellished mixed media prints occupy a unique space in contemporary art, blending the accessibility of screen printing with the individuality of an original painting. Bobby Hill’s process involves manually altering each print after the initial screen printing stage, incorporating elements of abstraction, improvisation, and emotional expression. This technique ensures that every edition is distinct, carrying the artist’s direct handprint and spontaneous creative energy. The use of 200lb heavyweight paper provides a sturdy foundation for the layers of paint and texture, reinforcing the physicality of the piece. The combination of vibrant colors and raw brushwork reflects the unpredictable nature of street art, where environmental factors and chance encounters shape the final composition. This method aligns with graffiti traditions, where no two tags or murals are ever exactly alike. Collectibility and Cultural Significance of the Notorious B.I.G. Series Notorious B.I.G. remains one of the most influential figures in hip-hop history, and his image has become an enduring symbol within contemporary pop culture. Bobby Hill’s limited edition series pays homage to Biggie’s legacy, capturing his larger-than-life persona through the lens of street-inspired artistic techniques. The combination of stencil work and freeform painting ensures that this piece remains dynamic, reflecting both the chaos and rhythm of the music that inspired it. As a signed and numbered edition of 60, each print holds significant value for collectors of Street Pop Art and Graffiti Artwork. The rarity of the series, combined with its hand-embellished nature, makes it an appealing acquisition for fans of both hip-hop culture and contemporary urban art. Bobby Hill’s ability to merge music, street aesthetics, and fine art processes positions this work as a standout piece within modern visual culture. It serves as a reminder of the raw energy that both hip-hop and graffiti bring to the world of artistic expression.

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Yo Yo- Tar Paper Limited Edition Metallic Silkscreen Ink on Hand Cut Organic Roofing Asphalt Felt by Graffiti Street Artist Skewville 2016 Hand Signed & Numbered Limited Edition of 80 Artwork Extra Thick Tar Paper Size 24x16 " A while ago we got an opportunity to paint a building that looked like a giant radio. So we painted a giant radio on it. Since then I wanted to pay a long over-due homage to this building in Bushwick, Brooklyn that no longer exists. The original mural was just flat black with metallic silver spray paint, so when I decided to finally make a print I felt like it had to have that same feel. So the only way I know how to get that really thick metallic look is to silkscreen print it with good ol' plastisol on tar paper." - Ad Deville of Skewville

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Frogtar- White Hand-Pulled 1-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2014 Signed Limited Edition Artwork Size 4x4

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Glo Dino OG Vinyl Sculpture by Max Elbo x Glo Gang x Mula Limited Edition Modern Pop Graffiti Street Art Artwork. 2023 Stamped & Limited Edition of 100 Artwork Sculpture Size 3x6 New In Custom Box Elbo is a well-known glass artist creating intricate, hand-blown pieces for years. His work often incorporates his love for dinosaurs, and his signature character, the "Dino," has become a recognizable symbol in the glass art community. Elbo's designs are admired for their attention to detail, craftsmanship, and artistic vision. Glo Gang is a music and fashion collective that rapper Chief Keef and his associates formed. The group has gained significant attention in the entertainment industry and has become known for its distinctive style and branding. Glo Gang often collaborates with artists, designers, and other creatives, resulting in unique and exciting projects that cross the boundaries of music, fashion, and art. Mula is a talented designer and artist known for contributing to urban streetwear and collectible art. With a flair for the unconventional, Mula's work often features bold colors, striking designs, and a playful edge. The Glo Dino OG Vinyl Sculpture perfectly fuses these three creative entities. By combining Elbo's beloved Dino design with the unmistakable styling of Glo Gang and Mula, this vinyl sculpture is a unique and eye-catching piece that will surely be a sought-after collector's item. The vibrant colors and intricate details make it a standout addition to any vinyl art or streetwear memorabilia collection.

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Say Goodnight Gracie Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Herbie Greene pop culture LSD artwork. 2021 Signed & Numbered with COA Archival Pigment Print on Perforated Blotter Paper Artwork Size: 7.5 x 7.5 Inches Release: April 19, 2021. Limited blotter editions are hand-perforated by Zane Kesey. Say Goodnight Gracie by Herbie Greene: Blotter Paper Resistance in Street Pop Art & Graffiti Artwork Say Goodnight Gracie is a 7.5 x 7.5 inch archival pigment print on perforated blotter paper by Herbie Greene, released on April 19, 2021. Signed and numbered with a certificate of authenticity, each piece in this limited edition was hand-perforated by Zane Kesey, reinforcing its symbolic roots in psychedelic counterculture. The print features a black-and-white photograph of Grace Slick, the iconic frontwoman of Jefferson Airplane, overlaid with colorized elements including a paisley red outfit and piercing cyan eyes. The backdrop includes Egyptian-inspired sketches and faded, spray-painted text reading Happy New Year, creating a layered composition that mixes defiance, memory, and cultural critique. Herbie Greene, a legendary photographer from the United States, was known for capturing defining moments of the 1960s San Francisco music scene. This print is more than just a photo—it is a protest embedded in a relic. Slick’s expression and raised middle finger become the central focal point, offering a timeless act of rebellion immortalized through photographic grit and street-inflected style. The surrounding textures—worn concrete, hand-drawn symbols, and fading graffiti—echo the raw surfaces used in Street Pop Art & Graffiti Artwork, reinforcing the voice of anti-establishment figures who spoke through walls, posters, and sound. Grace Slick, Counterculture, and the Power of Visual Protest The image of Grace Slick in Say Goodnight Gracie resonates deeply with the cultural spirit of the 1960s and its aftermath. Slick's role as a voice of psychedelic rock and protest was unmistakable, and this moment of visual resistance encapsulates that spirit perfectly. She does not perform; she confronts. Her multicolored attire, contrasted against a grayscale background, draws attention to individuality and dissent amidst uniformity and decay. The visual isolation of colorized features within a monotone space mimics the effect of street stenciling or wheatpaste posters, techniques commonly used in urban protest art to highlight voices against a muted backdrop of authority. The print format on blotter paper is significant. It bridges the documentation of music history with the tangible aesthetics of drug culture and underground art. Zane Kesey’s involvement in hand-perforating the editions ties this piece directly to the visual traditions of LSD blotter art, where iconography often merged political satire, celebrity, and surrealism. This connection reinforces the idea of art not just as commentary, but as a vehicle of transformation—mental, social, and spiritual. The Urban Palimpsest as Art Form Herbie Greene’s composition in Say Goodnight Gracie operates like an urban palimpsest. Layers of history, rebellion, femininity, and symbolism are built into every detail. The hieroglyph-like drawings add an archaeological tone, suggesting lost messages or forgotten rituals that still echo in the present. The crumbling wall texture and ghosted graffiti add urgency and vulnerability, as if the image could fade at any moment—just like the posters pasted on city walls, fleeting yet unforgettable. This quality is central to Street Pop Art & Graffiti Artwork, where temporality, public visibility, and emotion collide to create impact. Grace Slick’s raised hand and unflinching gaze are a signal, not just a pose. They challenge the viewer to consider where protest lives today. In Greene’s composition, the past is not frozen but reanimated on blotter paper, a medium that has transported minds beyond the visible world for decades. This visual dialogue between photography, protest, and psychedelic symbolism speaks not just to nostalgia but to the ongoing role of image as resistance. Herbie Greene and the Documentation of Rebellion Herbie Greene’s work captures moments that transcend the frame. By reissuing Say Goodnight Gracie on perforated blotter paper, he transforms documentation into object, memory into statement, and portrait into symbol. This choice elevates the piece beyond archival photography into the arena of Street Pop Art & Graffiti Artwork, where message and method matter equally. Greene, born in the United States, became known for his close work with artists like Jefferson Airplane, the Grateful Dead, and Janis Joplin. His lens documented a generation seeking transformation, and in this work, that spirit persists—vivid, fierce, and permanent on a medium built for moments that change everything. Say Goodnight Gracie is not just a tribute to a music icon. It is a distilled act of visual rebellion, sharpened by decades of cultural memory and executed on one of the most subversive print surfaces in art history. It offers a flash of resistance captured in time, formatted for the hand, the wall, and the mind alike.

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Baelyn As Conduit Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Brandon Boyd pop culture LSD artwork. INFO

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Samiyam- The Blind Pig 2011 Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art. Samiyam, Raj Mahal, Mogi Grumbles, Josef Deas, A Bomb, DJ Dick Jones, Charles Trees at The Blind Pig on May 26th 2011

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Zooka Pac Archival Pigment Fine Art Limited Edition Print on 308gsm Hahnemuhle Cotton Rag Paper by Marley Mcfly, Street Pop Art Graffiti Artist. 2022 Signed Limited Edition of 50 Artwork Size 18x24, #1 of 50 Marley Mcfly's "Zooka Pac": A Fusion of Street Art and Iconography Marley Mcfly's "Zooka Pac" is a compelling archival pigment fine art print that embodies the spirit of Street Pop Art and Graffiti Artwork. This limited edition of 50 prints, signed by the artist and spanning a canvas of 18x24 inches, is a vibrant blend of urban artistry and pop culture symbolism. Created in 2022, the work is part of a series that showcases Marley Mcfly's unique ability to blend graffiti's raw energy with the poignant stylings of pop art, culminating in a piece that is both a tribute and an original artistic statement. Marley Mcfly, a notable figure in the contemporary street art scene, uses 308gsm Hahnemühle cotton rag paper for this series, a medium known for its fine texture and durability. This choice underscores the importance of materiality in graffiti and street art, which often relies on the quality and character of surfaces to communicate messages. The "Zooka Pac" print stands out for its subject matter and meticulous attention to the craft of printmaking. Creative Expression in Archival Pigment Prints Creating an archival pigment print like "Zooka Pac" requires a balance of technical precision and creative flair. The archival nature of the pigment inks ensures that the artwork resists fading over time, preserving the vividness of Mcfly's color palette and the sharpness of his imagery. The 308gsm Hahnemühle paper, with its delicate yet robust composition, provides the perfect backdrop for the artist's dynamic interplay of color and form. In "Zooka Pac," Mcfly uses the visual language of graffiti art to pay homage to iconic figures, weaving together street art's spontaneity with pop art's focus on popular culture icons. The artwork features a graphic that captures the viewer's attention, a testament to McFly's skillful hand and ability to convey depth and personality within the confines of a two-dimensional space. The Impact of Marley Mcfly's Work Marley Mcfly's contributions to the evolution of Street Pop Art are significant. His works, including "Zooka Pac," are infused with the ethos of graffiti art while being meticulously crafted to meet the standards of fine art prints. This harmonious blend of street culture and acceptable art practices makes Mcfly's work highly sought after by collectors and enthusiasts who appreciate the confluence of different art forms. The release of "Zooka Pac" as a limited edition also plays into the exclusivity and community aspects of street art culture, where owning a piece of the edition can feel like belonging to an underground society of art connoisseurs. McFly's ability to create art that is accessible yet profound has cemented his reputation in the street art world as an artist who pushes boundaries and challenges perceptions. "Zooka Pac," as the inaugural piece of its series, marks the beginning of a journey into Marley Mcfly's exploration of pop culture through street art. The piece is not merely a representation of an iconic figure but a reflection of the era and a statement on the enduring influence of such figures in the collective memory. Through this work, Mcfly continues to foster a dialogue between street art's rebellious origins and its increasingly recognized status within the canon of contemporary art.

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Butthole Surfers Concert Handbill 1991 Texas Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1991 Signed by Kozik Music Concert Handbill Artwork Size 11x17 Silkscreen Print Band Gig Poster by Frank Kozik. April 12th, 1991 The Unicorn The Butthole Surfers and Frank Kozik collaboration is an electrifying fusion of psychedelic punk and iconic design. The Surfers, known for their chaotic, surreal sounds, paired their unconventional musical ethos with Kozik, an artist revered for his vibrant rock poster art and vinyl toy designs. The result? An immersive sensory experience that intertwines the Surfers' audio mayhem with Kozik's visual pandemonium. This collaboration is a must-experience for fans of both, promising an unpredictable journey through the edgy fringes of music and art.

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New Old Stock Vans x David Bowie Sk8-Hi Bowie Check Black & White- Size 12 Shoe Rare Shoes Limited Edition Sneaker Artwork Collectible. New In Box. Celebrate a legend and one of the best albums of all time, in the Slip-On 47 V Hunky Dory Skate Shoes from Vans and David Bowie. Part of the Vans and David Bowie Archive collection, the Slip-On 47 V Hunky Dory Skate Shoes feature black, grey, and white checkered faux-fur panels at the vamp and heel, matching the fur jacket that Bowie wears on his 1971 album, "Hunky Dory." Yellow-gold suede panels are added to the collar and sidewall, along with hook and loop fastener straps, for a pop of color. The design is complete with David's name embossed on the top strap, and Hunky Dory embossed at the outsole, for a look that pays homage to a great musical talent.

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Grateful Dead Steal Your Face 100% & 400% Be@rbrick Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. 2022 Bearbrick Medicom Collectible Size 100% & 400% New In Box

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Black Sabbath Standard PP Printer Proof Silkscreen Print by Jim Houser Hand-Pulled 8-Color Screen Print on 290gsm Stonehenge Art Paper Limited Edition Pop Street Artwork & Graffiti. PP Printers Proof 2019 Signed & PP Marked Limited Edition Run Artwork Size 12x12 The Convergence of Music and Visual Art in Jim Houser's "Black Sabbath Standard PP" Jim Houser's "Black Sabbath Standard PP Printer Proof" is a striking representation of Street Pop Art and Graffiti, where the energetic pulse of music and the visual dynamism of art collide. This hand-pulled silkscreen print, created in 2019, encapsulates the spirit of the iconic band Black Sabbath through an 8-color process on 290gsm Stonehenge art paper, renowned for its smooth surface and resilience. Each piece in the limited edition run is uniquely signed and marked with 'PP' by Houser, indicating its status as a Printer's Proof—an exclusive subset of prints typically reserved for the artist's approval. Jim Houser's Artistic Signature in Pop Street Artwork Houser's artistry is palpable in the vivid colors and bold geometric shapes that animate the print, reflecting street art's raw, expressive nature and the rebellious undertones of Black Sabbath's music. The artwork size, a square 12x12 inches, mirrors the classic format of a vinyl record cover, creating a tangible connection between the auditory and the visual. This piece is not merely a print; it is a synthesis of pop culture iconography and the contemporary aesthetic of graffiti art, infusing the viewer's space with the essence of a musical era and the edginess of street art. Collecting the Culture: Limited Edition Street Pop Art The Printer's Proof designation of "Black Sabbath Standard PP" elevates its value within the collectors' market, as such proofs are rare and often differ subtly from the main edition. Houser's decision to sign and mark the print signifies a direct connection from the artist to the collector, which adds personal value and historical significance to the piece. The limited edition nature of the print positions it as a desirable object for enthusiasts of pop street artwork and graffiti, as well as fans of Black Sabbath, bringing together diverse audiences in their appreciation for crossover art forms. In the landscape of contemporary art, Jim Houser's "Black Sabbath Standard PP" is a powerful example of how the visual and the musical can interplay to create a new narrative form. The print is an homage to the enduring impact of Black Sabbath's music while showcasing Houser's mastery of the silkscreen technique and his innovative approach to street pop art. It is a piece that captures the zeitgeist of its time and continues to resonate with the pulsating energy of street art's visual storytelling.

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Ween Roach Motel- Vermont 2007 Music Limited Edition Gig Poster 2-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Todd Slater. 24 x 32 – 2 color silkscreen – S/N edition of 200 – 2 blends. South Burlington, Vermont November 26 2007 Higher Ground

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Off! You Will Do What We Say 2-Color Hand-Pulled Limited Edition Silkscreen Print on True White Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2019 Signed Limited Edition Print. 18 inches x 24 inches Edition of 600 July 11, 2019 Punk rock band OFF! which includes members from Black Flag, Circle Jerks, Redd Kross, The Burning Brides, and The Black Heart Procession is making a movie called “Watermelon,” and according to their lead singer Keith Morris, “You will do what we say”…… is an MK Ultra mantra from out of the shadows. - Shepard Fairey

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Chicano Batman- Los Angeles 2015 Limited Edition Band Signed 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ernesto Yerena Montejano Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of 100 Size 18x24 Signed by Entire Band Chicano Batman Along the Bottom. 2015 Music Gig Poster 18x24 Limited Edition Signed of 100- En Vivo Los Angeles El Rey Theatre August 28th 2015

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Imagine Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Leslie Ditto. Artist: Leslie Ditto Title: Imagine Medium: Giclee Print Size: 16 x 20 Inches Edition: 100

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DJ Charlie Chase 89 Photo Print by Joe Conzo Jr Limited Edition on 290gsm Moab Entrada Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed Print Limited Edition of 5 Artwork Size 20x16 Archival Pigment Fine Art of DJ Charlie Chase at a Show in 1989. DJ Charlie Chase: 1989 Photo by Joe Conzo Jr in Street Pop Art & Graffiti Artwork The 1989 photograph of DJ Charlie Chase, captured by Joe Conzo Jr., stands as a pivotal visual piece within the context of Street Pop Art and Graffiti Artwork. This limited-edition archival pigment print, measuring 20x16 inches and produced on 290gsm Moab Entrada Fine Art Paper, encapsulates a defining moment in hip-hop’s cultural evolution. The photograph represents a connection between the musical artistry of DJ Charlie Chase and the visual creativity that dominates urban spaces through graffiti and pop art movements. Joe Conzo Jr.'s Contribution to Cultural Narratives Joe Conzo Jr., a photographer born and raised in New York City, is celebrated for documenting the early days of hip-hop. His work preserves the raw and energetic atmosphere of an emerging cultural movement during the late 20th century. This photograph of DJ Charlie Chase showcases not only the technical brilliance of Conzo’s lens but also his ability to capture the essence of hip-hop culture at its core. His photography often becomes a medium for Street Pop Art and Graffiti Artwork, as it bridges music, culture, and the visual storytelling inherent to urban communities. DJ Charlie Chase and Hip-Hop Culture DJ Charlie Chase, a prominent figure in hip-hop’s formative years, is known for his role in the Cold Crush Brothers. As one of the first Latino DJs to make an impact in the genre, his contributions are significant to the representation of diversity in hip-hop. This 1989 image captures him in the midst of a show, with turntables and an audience in the background, symbolizing the pulse of a movement that reshaped music and art worldwide. The energy in the image mirrors the dynamism found in graffiti walls and street art installations, where rhythm and motion translate into bold lines and vibrant compositions. The Artistic Medium and Modern Interpretation The use of archival pigment printing on Moab Entrada Fine Art Paper ensures this artwork remains a timeless piece. The limited edition of five, signed and numbered in 2023, makes it a rare collectible that resonates with the ethos of Street Pop Art and Graffiti Artwork. The visual language of the photograph, with its layered elements of movement, community, and creativity, inspires urban artists to reinterpret it in graffiti and murals. These reinterpretations extend the photograph’s narrative, embedding it in a larger cultural dialogue that continues to evolve. This photograph by Joe Conzo Jr. serves as a bridge between past and present, capturing the heartbeat of hip-hop culture while providing inspiration for modern artistic expressions in the realms of street art and graffiti.

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AK40Heaven Limited Edition Archival Pigment Prints on Metal by Fil Fury Graffiti Street Artist Modern Pop Art. "This piece is inspired by late UK 90's House and Garage music. There was an original digital artwork I created, made from photographs I took a few years back. That piece has since been modified to create a bespoke run for 1xRUN.The stock has been added to the gun and it is printed on metal. It looks crazy! I am so happy with the result, the metal sheeting reflects the textures of the original Technics deck. These Technics decks were part of my youth.” - Fil Fury

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Clementine AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2012 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Neil Young Music Influenced Woman Floating In Water Clementine AP Silkscreen Print by Shepard Fairey Clementine is a 2012 Artist Proof silkscreen print by Shepard Fairey, released as part of his ongoing exploration of music, emotion, and visual symbolism within Street Pop Art & Graffiti Artwork. This hand-pulled screen print was produced on speckletone fine art paper and marked AP, indicating its status as an Artist Proof from the original run. Signed by Shepard Fairey, the work measures 18 x 24 inches and exists outside the standard numbered edition, making it especially sought after by collectors. The composition depicts a woman floating horizontally in water, her body suspended between stillness and motion, evoking both serenity and vulnerability. The title Clementine references musical and lyrical influences often associated with Neil Young, whose themes of introspection and melancholy align closely with the tone of the image. Visual Atmosphere and Symbolic Elements The artwork is built around layered textures and earthy tones, with deep browns, blacks, and golds forming a dense, almost submerged environment beneath the figure. The waterline near the top of the composition creates a threshold between consciousness and surrender, while the woman’s outstretched arms and relaxed posture suggest a moment of release rather than distress. Subtle ornamental patterns and shadowed forms beneath her body add depth and complexity, hinting at unseen histories or emotional weight below the surface. Fairey’s use of contrast, both in color and negative space, reinforces the feeling of quiet tension, where beauty and unease coexist. The typography at the bottom anchors the image without overpowering it, allowing the scene to remain contemplative and open-ended. Music Influence and Place in Fairey’s Work Clementine fits squarely within Shepard Fairey’s body of work that draws inspiration from music as a vehicle for memory, mood, and social reflection. Much like his other Neil Young influenced pieces, this print prioritizes emotional resonance over overt political messaging, while still engaging with themes of fragility, endurance, and inner conflict. The floating figure can be read as a metaphor for navigating personal or cultural uncertainty, suspended between resistance and acceptance. As an Artist Proof, this edition carries added significance, reflecting Fairey’s direct involvement in the printing process and his commitment to craftsmanship. Clementine stands as a quieter, more introspective example of his Street Pop Art & Graffiti Artwork, demonstrating how restraint and atmosphere can be just as powerful as bold iconography.

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Icons Show- Rolling Stones Artwork Giclee Limited Edition Print on Glossy Paper by Pop Culture Graffiti Artist Mr Brainwash- Thierry Guetta. Super Rare Promo Poster in Great Condition From Mr. Brainwash's 2010 "Icons" show in NYC. Dimensions: 33x23 Offset lithograph print on glossy thin stock paper. Signed in the plate. 2010

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Confrontation- Bob Marley 1-Color Hand-Pulled Limited Edition Letterpress Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 16 inches by 19.5 inches Edition of 450 May 19, 2021 This letterpress set in collaboration with photographer Dennis Morris commemorates the 40th anniversary of Bob Marley’s passing. The series represents the amazing breadth of Marley’s character… the philosopher, the confrontational warrior for justice, and the evangelist for love and connection. Bob

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Lumineers Deer Guitar 3-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited Edition of 60 Artwork Size 18x24

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Brian Slade 73 Tour 2011 Movie Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Pink Fine Art Paper by Jeremy Wheeler. Music group Brian Slade from the movie Velvet Goldmine.

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Led Zeppelin IV 40 Misty Mountain Hop 4-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2014 Signed Limited Edition of 25 Artwork Size 18x24 Silver Metallic Ink “I have always been drawn to the lyrics “So I’m packing my bags for the Misty Mountains where the spirits go now, over the hills where the spirits fly. “ They not only paint a picture of what was going on in the park that famed day in the song, but touch on the oft-mentioned middle-earth interests the guys seem to have had throughout their illustrious career. I wanted to let my mind run wild and send myself off to the misty mountains where I was greeted by this very flying spirit. I modeled our flying friend after the serpents and Dragons Jimmy has been known to adorn on-stage.” Nate Duval

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Good Morning Coffee, Second Edition Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by John Vogl Graffiti Street Artist Modern Pop Art. Good Morning Coffee. Second edition. Different colors from the first edition. 8 by 10 inches. Four screens printed on French Speckletone stock. Signed and numbered edition of 190. Released 28 November 2014.

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Sing It, One More Time Limited Edition Archival Pigment Fine Art Prints on 290gsm Natural White Fine Art Paper by Graffiti Street Art and Pop Culture Artist William Schaff. 2013 Signed & Dated Limited Edition of 50 Artwork Size 7x5 William Schaff's "Sing It, One More Time" is a poignant piece that encapsulates the evocative storytelling inherent in street pop art and graffiti artwork. The limited edition archival pigment fine art prints on 290gsm natural white fine art paper, sized at 7x5 inches, present a profoundly emotional narrative conveyed through Schaff's intricate linework and thoughtful composition. This edition, limited to 50 signed and dated prints from 2013, exemplifies Schaff's mastery of creating art that speaks to the human condition. The artwork features two central figures, one appearing to whisper into the other's ear, with textual ribbons that plead for one more song for the sake of unity and remembrance. The red heart on the sleeve of the whispering figure symbolizes the passion and sincerity behind the words. At the same time, the phrase "Once for everyone who got left behind" adds a layer of inclusivity and compassion to the piece. Schaff's ability to convey complex emotions through simple yet powerful imagery sets his work apart in contemporary art. Schaff's choice of eco-friendly materials, a fine art paper made from bamboo fibers and cotton, aligns with the street art tradition of being conscious about the environment and sustainability. The paper's natural texture complements the image's organic quality, grounding the artwork in a tactile reality that viewers can connect with. This attention to material choice further demonstrates Schaff's commitment to his craft and the principles underlying street pop art and graffiti - authenticity, connection, and responsible creation. "Sing It, One More Time" goes beyond the visual to evoke a sense of solidarity and shared humanity. It is a clarion call to remember those who may have been forgotten and to give voice to the voiceless. Through this print, Schaff contributes to the narrative of street pop art as a medium that beautifies spaces and carries potent messages that resonate with individuals from all walks of life. This work is a testament to Schaff's role as an artist who bridges the worlds of music, culture, and visual art, creating pieces that linger in the mind long after the initial viewing.

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Noise & Lies- Cream 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2018 Signed & Numbered, Noise & Lies (Cream) Screen Print 18 x 24 inches Edition of 325 January 31, 2018 Gimmie Some Truth, Reject These Damaged Goods The realm of street art has been consistently energized by the compelling work of Shepard Fairey, a renowned artist best known for his iconic OBEY campaign and the Obama "Hope" poster. One of his works that significantly punctuates his unique style and pervasive influence is the "Noise & Lies- Cream 2-Color Hand-Pulled Limited Edition Silkscreen Print." The piece, produced on Fine Speckletone Art Paper, stands out as an exclusive demonstration of Fairey's expertise in producing rare street and pop art. Produced on January 31, 2018, this artwork not only exhibits the vibrant culture of street art but also serves as a reflective commentary on socio-political dynamics. This 18 x 24 inches silkscreen print, limited to an edition of 325, is adorned with Shepard Fairey's autograph, a mark of its authenticity and distinct value. Significantly, the phrases "Gimmie Some Truth, Reject These Damaged Goods" incorporated into the art piece amplify its critique of societal falsehoods and consumerist mentality, thereby echoing Fairey's counter-culture narrative. The artwork's cream-toned backdrop paired with Fairey's signature 2-color hand-pulled silkscreen print technique creates an enthralling contrast, enhancing the visual appeal of the art piece. This nuanced blend of color and texture is a testament to Fairey's mastery over his craft and his ability to communicate potent messages through his art. This composition, coupled with Fairey's renowned reputation in the realms of pop, street, and graffiti art, adds to the artwork's desirability and significance. In essence, "Noise & Lies- Cream 2-Color Hand-Pulled Limited Edition Silkscreen Print" by Shepard Fairey represents more than just an art piece. It embodies Fairey's distinct style, socio-political commentary, and his unparalleled contribution to the world of street and pop art, making it an invaluable piece in the domain of contemporary art.

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Blondie Live at the Roundhouse- Black 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Live at the Roundhouse (Black) Screen Print 18 x 24 inches Edition of 150 June 23, 2017 It measures 18" x 24". Blondie the Punk Rock Music Artist Live Performance At The Roundhouse London England 2017 Gig Poster.

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UMBowl 5- New York 2014- Umphreys McGee Limited Edition Gig Poster 8-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by AJ Masthay. Artist Edition, Hand deckled bottom edge.

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Demagogue 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist For Musician Franz Ferdinand. Signed & Numbered Screen Print 18 x 24 inches Edition of 500 October 18, 2016 I’ve been a big fan of the band Franz Ferdinand since they first hit the scene in 2003. Stylistically, Franz mixes a pinch of glam rock, a nice serving of post-punk and a bit of dance-punk to create a sound that is irresistibly infectious. The band is undeniably stylish in their fashion and their album artwork which is frequently inspired by Russian Constructivism, one of my biggest inspirations as well. The lyrics of singer Alex Kapranos are witty, charming, and often insightful about human nature. Franz Ferdinand is a band of style and substance. -Shepard Fairey

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Letter F Alphabet Original Pen Hand Drawing on Fine Art Paper by modern trending street art artist Deth P Sun. 2014 Signed Original Hand Drawn Pen Drawing by Deth P Sun Artwork Size 8.5x11 Hand Drawn Items That Pertain To The Letter F.

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The Doors Strange Days 1000% BE@RBRICK Limited Edition Vinyl Artwork Medicom Toy Collectable Art Figure. 2021 The Doors Strange Days Music x Bearbrick 1000%

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Cactus Jack For Fragment Imagination Rug Limited Edition Designer Art Object Collectible Artwork by street graffiti artist Travis Scott. 2021 Brand New Never Displayed

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Paul's Boutique Deck Limited Edition Archival Pigment Print Skateboard deck art by street pop culture artist Ricky Powell. 2019 Signed & Numbered on Verso Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck Size: 8 x 31.875 Inches Release: November 19, 2019 Ricky Powell (1961-2021) Paul's Boutique, 2019 Archival pigment print in colors on skate deck 32 x 8 inches (81.3 x 20.3 cm) Ed. 37/75 Numbered in ink to reverse. The Fusion of Skate Culture and Street Pop Art in Ricky Powell's Paul's Boutique Deck The convergence of skate culture and street pop art epitomizes a distinctive form of urban expression that has gained prominence and respect within the art community. This unique blend is beautifully encapsulated in the limited edition Paul's Boutique Deck, an archival pigment print skateboard deck art by the renowned street pop culture artist Ricky Powell. Released on November 19, 2019, this piece stands out as a celebration of street aesthetics and pop culture sensibilities, embodying the spirit of the streets with its visually striking design and cultural references. Ricky Powell's Artistic Legacy and Urban Influence Ricky Powell, born in 1961 and departed in 2021, was an illustrious figure in the realm of street pop art. Known for his raw and candid photography that captured the essence of New York City's vibrant street life and the golden era of hip hop, Powell's work transcends mere visual appeal. His foray into the world of skateboard deck art with the Paul's Boutique Deck further cemented his legacy as an artist who could effortlessly navigate between mediums while maintaining a connection to urban culture. The deck itself, measuring 32 x 8 inches, is a testament to Powell's eye for detail and his ability to convey a narrative through imagery. The archival pigment print features colors that are both vibrant and telling of the time in which Powell thrived. Numbered 37 out of 75, each piece of this limited series carries the authenticity of Powell's vision, with his signature and numbering on the reverse underscoring the exclusivity and collectible nature of the work. Skateboard Decks as Canvases for Street Art Expression Skateboard decks have long been recognized as canvases for artistic expression, often adorned with designs that reflect the personal style or ethos of the rider. However, when artists like Ricky Powell take to this medium, the decks transcend their functional purpose and become pieces of street pop art. The Paul's Boutique Deck, with its archival pigment print transfer on cold-pressed steep natural skate deck, becomes a mobile mural, a portable piece of graffiti artwork that carries the indomitable spirit of street art wherever it travels. The choice of the skateboard deck as a medium is deliberate and speaks to the subcultural significance of skateboarding within the urban landscape. It is a nod to the DIY ethos of both skaters and street artists, a celebration of the counter-cultural movements that have shaped the aesthetics and philosophies of generations. Ricky Powell's work on this deck blurs the lines between art and utility, between the galleries and the streets, creating a piece that is equally at home in a collector's display as it is on the ramps and sidewalks of the city. The Paul's Boutique Deck is a vibrant homage to the street pop art and graffiti artwork that has become an integral part of urban culture. Through the vision and craftsmanship of Ricky Powell, this limited edition skateboard deck emerges as a symbol of the synergistic relationship between art and the subcultures that inspire it. It stands as a piece of history, a slice of the city's soul captured on wood, an enduring reminder of the power of art to encapsulate and elevate the narratives of the streets.

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The Beatles Anthology 1000% BE@RBRICK Limited Edition Vinyl Artwork Medicom Toy Collectable Art Figure. 2021 Medicom Toys Anthology Medicom Toy celebrates The Beatles with The Beatles A'nthology' Bearbrick which features a collection of photographs of the world-renowned rock band. Water transfer technology ensures unique print placements. This is a 1000% Bearbrick and it stands at 70 cm tall.

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