Music

Habibi- Dammed HPM Pop Street Artwork Limited Edition Giclee Print With Acrylic & Diamond Dust on Photographique Rag Paper by Urban Graffiti Modern Artist Marwan Shahin. 2022 Signed & Numbered Limited Edition of 33 Marwan Shahin's "HABIBI" series an iconic portrait of Lebanese singer Fairuz interpreted throughout different stages of experiencing love, This very limited edition of 33, which each print is intricately arranged with a filigree of Diamond Dust to produce visually intoxicating kaleidoscope-like effects. Habibi: Dammed by Marwan Shahin – A Keyhole Into the Fractures of Love Habibi: Dammed by Marwan Shahin is a haunting and emotionally saturated piece that continues the artist’s compelling exploration of Lebanese music legend Fairuz through the lens of modern street pop art. This 2022 work is part of the HABIBI series, a collection of limited edition Giclée prints—only 33 copies exist—each hand-embellished with acrylic and diamond dust on Photographique Rag paper. With this piece, Shahin delves deeper into the psychological terrain of love, vulnerability, and memory by introducing bold symbolic motifs and a dramatic palette shift. The most striking element is the red and black optical wave background, which radiates tension and intensity. It contrasts sharply with the calm, solemn gaze of Fairuz, whose face is rendered in Shahin’s now-iconic engraved style. But this version introduces an arresting twist: a keyhole-shaped cutout in her face reveals a second, stylized inner portrait. That smaller image—a blue-hued, teary-eyed rendition of Fairuz’s likeness—invokes a fractured duality, as if the viewer is peering into her hidden emotional depths. Symbolism, Inner Worlds, and the Emotional Keyhole The use of the keyhole as a framing device is particularly powerful. It evokes the sense of unlocking private emotion, memory, or heartbreak—allowing viewers access to an internal world usually concealed from the public eye. The interior portrait rendered in bold blue and crimson tones acts as the psychological counterpoint to the stoic exterior. This duality captures the volatility and complexity of romantic love, a recurring theme throughout Shahin’s HABIBI series. Shahin’s hand embellishments, particularly the application of diamond dust, add another dimension to the work. The sparkle of the dust against the matte and flat inks creates visual tension—glamour clashing with grief, radiance interwoven with ruin. Each piece in the edition carries its own nuances due to these handcrafted touches, ensuring that every collector receives a one-of-a-kind artifact that echoes the layered nature of its subject matter. Pop Culture, Street Art, and Arab Emotional Realism As with other works by Marwan Shahin, Habibi: Dammed is deeply rooted in the visual language of street pop art and graffiti artwork, but with unmistakable Middle Eastern sensibility. Fairuz—long considered the voice of the Arab soul—is an apt muse for such a project. Shahin transforms her from a musical icon into a symbolic vessel for the universal experience of longing, heartbreak, and emotional revelation. Rather than idealize, Dammed humanizes. It pushes against the polished veneers of celebrity and national identity to reveal the turbulent inner tides that define the human experience. It is love not as perfection, but as a landscape of contradictions—intimate, messy, radiant, and raw. This piece is more than a portrait; it is an invitation to witness the private wars waged inside public figures, and a powerful testament to Shahin’s mastery at balancing emotion, iconography, and craft in the tradition of globally conscious pop art.

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Daft Punk- Tron 1 Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ron Guyatt Graffiti Street Artist Modern Pop Art. Artwork based on the famous music group Daft Punk. Gauntlet Gallery- "Daft Punk Deux" Art Show. The poster contains nods to the band Daft Punk. Within the design are references to Sound systems, mix stations, the pyramid designs from Daft Punk Albums, Digital Data, Energy, and more!

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Samiyam- The Blind Pig 2011 Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art. Samiyam, Raj Mahal, Mogi Grumbles, Josef Deas, A Bomb, DJ Dick Jones, Charles Trees at The Blind Pig on May 26th 2011

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Don't Stop The Rock Limited Edition Archival Pigment Fine Art Prints on 290gsm Moab Rag Fine Art Paper by Graffiti Street Art and Pop Culture Artist Ckaweeks. Ckaweeks is one part of the ingredients that make up this melting pot called Hawai’i. His art depicts playful and sometimes humorous images influenced by day-to-day life. It is a mash-up of life experiences from the past, present, and future.

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Frank Sinatra The Chairman Original One of a Kind Oil Painting on Framed Canvas by Steve Kaufman SAK modern pop artist. 1998 Signed Custom Framed Frank Sinatra The Chairman Original Oil Painting by Steve Kaufman SAK

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Frank Sinatra Mugshots Pair Limited Edition Hand-Embellished Oil Paint HPM Silkscreen Print on Canvas Framed by Steve Kaufman SAK Graffiti Street Artist Modern Pop Art. 2007 Oil on canvas Custom Guilded Frame. When stretched it should be about 24”-30” Brightly colored In good condition. Signed on verso. Great image. Frank Sinatra was arrested by the Bergen County, New Jersey sheriff in 1938 and charged with carrying on with a married woman (yes, you could get popped for that

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Saint Biggie Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist SSUR- Ruslan Karablin. Giclee print. Signed and numbered by SSUR, 2015. Edition of 13. Measures 18” x 24.” Original photo by Barron Claiborne.

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Flatstock 33 2012 Event Music Limited Edition Gig Poster 2-Color Hand-Pulled Silkscreen Print Artwork on Yellow Fine Art Paper by Jeremy Wheeler. Number 71 of 71. SXSW American Poster Institute March 14-17 2012 Austin Convention Center Texas

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Supreme ITS OK TOO Cassette Player- Red Limited Edition Designer Art Object Collectible Artwork by Famous Fashion Artists Supreme. FW22 2022 Transparent stereo cassette player. Bluetooth 5.0-compatible with 3.5mm headphone jack. Back clip included. 4.65" x 3.31" x 1.32". Made exclusively for Supreme.

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I'm Sick Of That Fake Thug Dead Prez Silkscreen Print by Mark Drew Hand-Pulled on Fine Art Paper Limited Edition Artwork. 2019 Signed & Numbered Limited Edition of 200 Artwork Size 17x11 Silkscreen Print of Lucy van Pelt & Pig Pen Thinking "I'm Sick Of That Fake Thug RNB Rap Scenario" Mark Drew's Street Pop Commentary through Peanuts and Dead Prez Mark Drew’s 2019 silkscreen print titled I'm Sick Of That Fake Thug serves as a sharp and insightful fusion of music culture and nostalgic cartoon imagery. Known for his signature remixing of Peanuts characters with classic hip-hop lyrics, Drew pulls from the revolutionary voice of Dead Prez to create a vivid commentary on authenticity and street culture within the music industry. This hand-pulled silkscreen edition, limited to 200 signed and numbered pieces, measures 17 by 11 inches and utilizes bold visual contrast to reinforce its message. The print features Lucy van Pelt and Pig Pen in a stark black outline against a warm yellow-and-white backdrop, where Drew captures a moment of critique from Dead Prez's lyricism, visually anchoring it within the innocence of Schulz’s comic strip. Stylistic Juxtaposition and Cultural Subversion The work thrives on juxtaposition. The childlike familiarity of Peanuts is set against one of the most politically charged and socially aware hip-hop acts of the 2000s. Pig Pen, known for his disheveled appearance, is placed as the unexpected mouthpiece of frustration with inauthentic portrayals in the RNB and rap industry. This contradiction enhances the viewer’s engagement, forcing a reconsideration of cultural consumption. Drew’s consistent technique of overlaying vintage cartoon simplicity with potent hip-hop text transforms his prints into vehicles of cultural dialogue. This particular work uses its clean, silkscreened forms and expressive typography to deliver a punch of truth masked in humor and nostalgia. Process and Limited Format in Street Pop Art Executed as a traditional hand-pulled silkscreen print, Drew’s method aligns with the tactile history of street pop art and graffiti artwork. Each copy in this edition of 200 reflects the artist’s direct involvement and commitment to authenticity—ironically reinforcing the very critique embedded in the print’s message. The controlled color palette of black, yellow, and white gives the piece a visual rhythm that supports its lyrical source material while maintaining accessibility through recognizable characters. Drew’s prints are not mass-reproduced digital pieces but collectible fine art that maintains the rebellious soul of graffiti. Mark Drew’s Ongoing Hip-Hop Narrative Based in Tokyo, Mark Drew continues to elevate conversations around hip-hop, nostalgia, and cultural commentary through his street pop art works. His recontextualization of familiar American pop icons with global hip-hop culture continues to resonate across generations. By pairing Dead Prez’s critique with characters like Lucy and Pig Pen, Drew not only pays homage to lyricism and activism but also highlights how visual art can amplify the emotional and social truths found in music. Each print in this series carries not just artistic value, but a reflection of the ongoing dialogue between art, resistance, and authenticity.

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French Connection Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art. The French Connection Movie Screening at Michigan Theater June 27th & 29th 2010.

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Butthole Surfers 1989 Houston Austin Dallas Texas Handbill Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1989 Signed by Kozik Music Concert Handbill Artwork Size 11x17 Silkscreen Print Band Gig Poster by Frank Kozik in Texas April 27 28 30 1989 With Flaming Lips & Deccaration Of Love "Butthole Surfers x Frank Kozik" represents an iconic collaboration between the audacious rock band, Butthole Surfers, and acclaimed graphic artist, Frank Kozik. Known for their experimental, often outlandish sound, Butthole Surfers have made a name for themselves in the alternative rock scene. On the other hand, Kozik has been influential in revitalizing the concert poster art scene, and his designs are coveted for their distinctive, vivid style. This partnership brings together the edgy, anarchic spirit of the band with Kozik's striking visual aesthetics, creating a truly unique blend of sound and imagery that promises to be a feast for the senses.

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Tex Mex Calavera Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ernesto Yerena Montejano Graffiti Street Artist Modern Pop Art. 2014 Signed & Numbered Limited Edition of 150 Artwork Size 18x24 He created this calavera in honor of the rich history and culture of Mexican-Americans aka Chicanos in Texas or as most of them would like to call themselves: TEJANOS or TEJANAS. As a member of a Norteño family, "norteño" meaning from the north of Mexico, Ernesto grew up listening to Norteño music which is the Mexican version of the German Polka. He has always been a big fan of polkas and when he lived in Texas he began collecting Tejano records and began researching the culture.

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Tupac Pennant 1-Color Limited Edition 1-Color Silkscreen on Cloth Felt with Fringe Tapestry Artwork by Graffiti Artist Mike Giant Art. MIKE GIANT Tupac Pennant, 2021 1-Color Screen Print on Felt with Fringe 18 x 24 in (45.7 x 60.9 cm) Edition of 50, w/ Signed COA World-famous tattoo artist Mike Giant honed his chops in New Mexico on a steady diet of graffiti, heavy metal, punk rock, BMX biking, skateboarding, and hip hop. His black and white works now walk the world in the form of tattoos, paintings, photography, fine art prints, streetwear and more.

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Crossroads Guitar Festival 2010 Music Limited Edition Gig Poster Giclee Print Artwork on Fine Art Paper by Richard Pellegrino. 2012 Signed & Numbered Limited Edition of 75 by Rich Pellegrino Artwork Size 17x22

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Heist Eyes HPM Stencil Spray Paint Silkscreen by Prefab77 Hand-Painted Multiple on 300gsm Somerset Fine Art Paper Unique Graffiti Street Artist Modern Pop Art. 2023 Signed & Numbered Edition of 60 HPM Unique Hand Painted Spray Paint Stencil Artwork Size 15x22 Silkscreen of Close Up of Woman's Eyes With Pop Culture Figures. Prefab77 Heist Eyes HPM Stencil Spray Paint Silkscreen Heist Eyes is a 2023 hand-painted multiple by Prefab77, the British artist known for fusing punk attitude, pop culture references, and layered graphic collage into bold Street Pop Art & Graffiti Artwork. Printed as a silkscreen with stencil spray paint elements on 300gsm Somerset fine art paper, this edition of 60 measures approximately 15 x 22 inches and is signed and numbered. The composition centers on a dramatic close-up of a woman’s eyes rendered in stark black and white, framed by fragmented typography, geometric patterning, and cultural iconography. The gaze becomes the anchor within a chaotic visual field of torn headlines, stylized figures, and angular motifs that recall vintage poster design reinterpreted through contemporary urban language. Pop Culture Fragmentation and Graphic Rebellion Prefab77 has built a reputation for integrating references to music, cinema, and countercultural imagery into tightly constructed compositions that feel both nostalgic and confrontational. In Heist Eyes, the central eyes function as both observer and observed, reinforcing themes of surveillance, spectacle, and identity. Surrounding elements include bold lettering, collaged text fragments, and recognizable stylistic nods to classic British punk graphics. The interplay of pastel pinks, muted gold tones, black, and soft blues injects vibrancy without overwhelming the central focal point. This layered fragmentation is characteristic of Street Pop Art & Graffiti Artwork, where appropriation and recontextualization transform familiar imagery into something newly charged. Hand-Painted Multiple Technique and Material Depth As an HPM, or hand-painted multiple, each print carries unique spray paint embellishments layered over the structured silkscreen base. This approach bridges studio printmaking and the immediacy of street practice. The stencil spray paint accents introduce subtle variations in texture and color distribution, ensuring that no two works in the edition are identical. Somerset paper provides a durable archival surface that enhances the crispness of the screenprinted lines while absorbing the spray applications with depth and character. Within Street Pop Art & Graffiti Artwork, Heist Eyes stands as a refined yet rebellious example of how stencil, collage aesthetics, and pop iconography converge into a visually assertive contemporary print.

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Kurt Cobain- Endless Nameless 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Kurt Cobain – Endless Nameless 18 inches by 24 inches Edition of 650 April 7, 2021 "I have been a fan of Nirvana since I first heard them over 30 years ago. My appreciation for lead singer Kurt Cobain’s artistry and intelligence has only increased over the decades. I had an opportunity to see Nirvana and the Melvins in the fall of 1991, but I had a college project due, so I skipped it to finish my work. At the time, it seemed like both bands would remain underground and tour the smaller clubs for the foreseeable future." -Shepard Fairey

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New Wave Couple AP Dance Floor Riot Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled 1-Color Screen Print on Fine Art Paper Limited Edition Graffiti Pop Street Artwork. AP Artist Proof 2011 Signed & AP Marked Limited Edition Artwork Size 13x13 "Long before I knew about art galleries or even street art, I was excited about album cover art, if only because it was the visual counterpart to the music on the records I loved. Album covers conjured a euphoric association with the listening experience. Most of my earliest home-made tee shirts were stencils based on punk album covers… No matter how much I love art, or try to convince myself of its relevance in society, the fact remains that music is a lot cooler and way more able to reach people’s hearts and minds… but I’m a populist and I look at it this way: I may not play an instrument, but I’m gonna rock it hard as nails anyway. With my art I try to capture the same energy and spirit that makes music so powerful and democratic. REVOLUTIONS is a celebration of all the great music and accompanying art that has inspired me over the years." -Shepard Fairey New Wave Couple AP by Shepard Fairey: A Visual Tribute to Music and Street Pop Art The New Wave Couple Artist Proof silkscreen print by Shepard Fairey is a striking homage to the fusion of music, fashion, and cultural movements. Released in 2011, this limited-edition print measures 13 by 13 inches and is hand-pulled using a one-color silkscreen process. Signed and marked as an Artist Proof, the artwork is a rare collector’s piece that encapsulates Fairey’s talent for blending the bold aesthetics of Street Pop Art and Graffiti Artwork with the dynamic energy of musical subcultures. The design features a sharply dressed couple in mod-inspired attire, exuding the confidence and style synonymous with the new wave music era. Their checkerboard outfits and bold stances convey a sense of rhythm and rebellion, complemented by flowing musical notes that connect the figures to the larger composition. The intricate border design, combined with clean, graphic lines, creates a visually dynamic piece that pays tribute to the era's vibrant and innovative spirit. This print, part of Fairey’s Revolutions series, celebrates the cultural impact of music and its visual storytelling power. Music as a Muse in Street Pop Art Shepard Fairey has long credited music as a central influence in his work, with album covers and punk aesthetics shaping his early artistic identity. New Wave Couple captures the essence of the new wave movement, which emerged as a fresh, stylish offshoot of punk music. The sleek, checkerboard visuals and emphasis on individuality in this piece echo the movement's emphasis on self-expression and creative freedom. Fairey uses these cultural elements to craft a narrative that resonates with fans of music and art alike. The monochromatic palette and bold design evoke the aesthetics of vintage album art, aligning with Fairey’s aim to create visual counterparts to the energy and emotion of music. The print reflects the interplay between sound and style, demonstrating how music can influence fashion, art, and cultural identity. By combining these elements, Fairey crafts a piece that captures the spirit of an era while grounding it in the contemporary visual language of Street Pop Art. The Silkscreen Process and Artistic Precision The silkscreen printing process used for New Wave Couple exemplifies Shepard Fairey’s commitment to craftsmanship. Hand-pulled on fine art paper, the print achieves a high level of detail and clarity. The one-color design emphasizes contrast and precision, allowing the intricate patterns and bold imagery to take center stage. The texture of the fine art paper adds a tactile quality to the piece, enhancing its appeal as both a visual and physical work of art. The Artist Proof designation signifies the print’s unique status within the limited edition, often representing the most refined and personal iteration of the design. This rarity makes it a highly sought-after piece for collectors and fans of Fairey’s work. The silkscreen medium aligns with Fairey’s roots in graffiti art, where stenciling and printing techniques are integral to the DIY ethos of the movement. Shepard Fairey: Champion of Music-Inspired Art Shepard Fairey, a pioneer in Street Pop Art and Graffiti Artwork, has built a career on blending bold visual statements with cultural commentary. His Revolutions series, which includes New Wave Couple, reflects his passion for music and its transformative power. Fairey’s ability to translate the energy of music into striking visual compositions has made him a leading figure in contemporary art. New Wave Couple stands as a testament to Fairey’s talent for capturing the essence of musical and cultural movements. By blending nostalgic imagery with modern graphic design, he creates a work that celebrates the interconnectedness of art and music. This print is more than a visual representation; it is a celebration of individuality, creativity, and the enduring influence of new wave culture on art and society.

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Daft Punk- Tron Metallic Silver Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ron Guyatt Graffiti Street Artist Modern Pop Art. Artwork based on the famous music group Daft Punk. Gauntlet Gallery- "Daft Punk Deux" Art Show. The poster contains nods to the band Daft Punk. Within the design are references to Sound systems, mix stations, the pyramid designs from Daft Punk Albums, Digital Data, Energy, and more!

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Black Sabbath Silver Black Crescent Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2013 Signed & Numbered Limited Edition of 125 Artwork Size 18x24 Silkscreen Print of Metal Roc n' Roll Music Band Black Sabbath Featuring Ozzy Osbourne. "Black Sabbath has been one of my favorite bands for 25 years. I was fortunate to meet Jack Osbourne through my friend Big Dave in 2000. My relationship with Jack and Big Dave has led to several great Ozzy and Sabbath projects. One of my biggest “I’m not worthy!” moments occurred when Dave took me backstage to meet the Sabbath guys in 2004 at Ozzfest, and bassist and lyricist Geezer Butler was wearing an Obey shirt! Sabbath is still a phenomenal live band, and I’m incredibly honored to do my second(the first was in 2005) Sabbath/Obey tour poster. Sabbath released a great new record called “13” recently(produced by Rick Rubin) and are touring in support of the album." -Shepard Fairey- OBEY. Shepard Fairey's Interpretation of Black Sabbath's Legacy In 2013, Fairey, inspired by Black Sabbath's influence on his life and art, created a limited edition silkscreen print to commemorate the band's U.S.A. tour. This signed and numbered edition, limited to 125 pieces and sized at 18x24 inches, became an emblem of Black Sabbath's enduring impact on rock music and a collectible piece of street pop art. The artwork, hand-pulled on cream speckletone fine art paper, features iconic Black Sabbath symbols, such as the cross and the winged disc, alongside Fairey's signature style, which often includes elements like the star and the stylized imagery of the eye. The fusion of street pop art with music often manifests in gig posters, a medium that Shepard Fairey, known widely for his OBEY brand, has mastered with a distinctive style that resonates deeply within the pop culture landscape. His work for the iconic metal rock n' roll music band Black Sabbath, particularly the silver and black crescent silkscreen print, encapsulates the essence of the artist's and the band's legacies. The significance of Fairey's Black Sabbath artwork lies in its ability to bridge music's auditory experience with art's visual stimulus. The print does not merely represent the band; it evokes the rebellious spirit of Black Sabbath's music, the dark and mystical themes they explore, and the cultural movement they spearheaded within the heavy metal genre. Fairey's artistic trademarks, such as the word 'obey,' infuses the piece with a sense of authority and provocation that complements the band's ethos. Collectibility and Influence in the Art World Fairey's anecdote about meeting the band and finding Geezer Butler wearing an OBEY shirt is a testament to the reciprocal influence between artist and musician. It underlines how street pop art and music often come full circle, with artists influencing musicians and vice versa. The print is a celebration of the band's return with the album "13" and a nod to the historical relationship between the artist and Black Sabbath. It is this narrative that imbues the artwork with a personal touch, making it a profound statement within the realms of both pop culture and street art. As a collectible, the Black Sabbath silkscreen print by Shepard Fairey stands at the intersection of music memorabilia and fine art. Its scarcity and the reputation of its creator heighten its value not only in monetary terms but also as a cultural artifact. Collectors and fans seek such pieces for their aesthetic appeal and their ability to capture a moment in history, a period where music and street pop art intertwine to create a tangible representation of a musical era. In the broader spectrum of street pop art and graffiti artwork, Shepard Fairey's Black Sabbath print represents the genre's potential to transcend the streets and enter into the world of high art and collector's items. The piece, with its intricate design work and deep cultural connections, stands as a testament to the power of visual art to celebrate and immortalize the spirit of music.

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Police Grin HipHop Trooper Limited Edition Resin Art Toy Collectible Artwork by street graffiti artist Ron English- POPaganda. Hand cast and painted 3.75" scale carded resin figure. Signed and numbered by Ron English- POPaganda on the back. Signed by the HipHop trooper on the front. Numbered out of 100.

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Alice Bag 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x Melanie Nissen Rare Street Art OBEY Pop Artwork Artist. 2022 Signed by Shepard Fairey & Melanie Nissen, Numbered 18x24 inches. Screenprint on thick cream Speckletone paper. Numbered edition of 550. "I was very excited to meet and collaborate with Melanie Nissen because, as co-founder of Slash magazine, she photographed some of the most important figures and moments in the early LA punk scene—a scene that dramatically impacted me as a creative person. Nissen’s new book of her punk photos from 1977-1980, Hard+Fast, is beautifully designed and full of amazing images. After some serious deliberation, I decided I’d like to make an illustration of Alice Bag. I first encountered Alice Bag as a teen in Penelope Spheeris’ documentary “The Decline of Western Civilization,” but The Bags did not put out a lot of music, and it was hard to find. However, in reading books about the LA punk scene like “We Got The Neutron Bomb” and “Lexicon Devil,” as well as the Slash magazine book, I realized that Alice was a very important figure in the LA scene who has continued to make great music and is an outspoken champion of LatinX and feminist causes. She’s also a very nice person. I’m glad to celebrate Alice for her contributions to culture then and now. If you are unfamiliar with The Bags, I’d recommend picking up “All Bagged Up… The Collected Works 1977-1980.” – Shepard

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Mans Ruin Zeke AP 1998 Cocodrie San Francisco CA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 1998 Signed by Kozik & Marked AP Artwork Size 18x30.5 Silkscreen Print Band Gig Poster by Frank Kozik Zeke, Hammerlock, Jack Saints, Cocodrie, San Francisco CA 4-03-1998

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UMBowl 5- New York 2014- Umphreys McGee Limited Edition Gig Poster 8-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by AJ Masthay. Artist Edition, Hand deckled bottom edge.

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Lively Up Yourself- Bob Marley 1-Color Hand-Pulled Limited Edition Letterpress Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 16 inches by 19.5 inches Edition of 450 May 19, 2021 This letterpress set in collaboration with photographer Dennis Morris commemorates the 40th anniversary of Bob Marley’s passing. The series represents the amazing breadth of Marley’s character… the philosopher, the confrontational warrior for justice, and the evangelist for love and connection. Bob

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Yo Radio 1-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Skewville Rare Street Art Famous Pop Artwork Artist. 2013 Hand Signed & Numbered Limited Edition Artwork Extra Thick Tar Paper Size 24x15 " A while ago we got an opportunity to paint a building that looked like a giant radio. So we painted a giant radio on it. Since then I wanted to pay a long over-due homage to this building in Bushwick, Brooklyn that no longer exists. The original mural was just flat black with metallic silver spray paint, so when I decided to finally make a print I felt like it had to have that same feel. So the only way I know how to get that really thick metallic look is to silkscreen print it with good ol' plastisol on tar paper." - Ad Deville of Skewville

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Get Up Silkscreen Print by Skewville Hand-Pulled 2-Color on MEDIUM Limited Edition Pop Street Art Artwork. 2014 Signed & Numbered Limited Edition of 50 Artwork Size 16x20 Silkscreen Print "Get Up" is a silkscreen print by the artist duo Skewville. Skewville, comprised of twin brothers Ad and Droo, is an American street art collective known for their urban art installations, paintings, and prints. They have been active in the street art scene since the late 1990s, and their work often includes thought-provoking messages, social commentary, and a distinctive visual style. The "Get Up" silkscreen print, like much of Skewville's work, is characterized by its colors, bold graphic design, and a mix of urban imagery. It features elements referencing popular culture, graffiti, and hip hop music, merging them into a unique and cohesive piece.

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Frank Sinatra 1998 at Hofstra University Hand Signed By Artist Music Limited Edition Gig Poster Print Artwork on Fine Art Paper by LeRoy Neiman. Frank Sinatra at Hofstra 1998 Signed Poster by Leroy Neiman Description: Artist: LeRoy Neiman, American (1921 - 2012) Title: Frank Sinatra - The Conference Year: 1998 Medium: Poster, signed in ink Image Size: 31 x 19.5 inches Frame Size: 45 x 33.5 inches Notes: Pop Art, Music Art, Artist Name: LeRoy Neiman Medium: Poster, signed in ink Circa: 1998 Hempsted New York

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Bibi Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist Mimi Yoon. Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck Size: 8 x 31.875 Inches Release: June 22, 2020

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Frank Sinatra Mug Shot- Rainbow Limited Edition Hand-Embellished Oil Paint HPM Silkscreen Print on Canvas by Steve Kaufman Graffiti Street Artist Modern Pop Art. AP Artist Proof, Unstretched, Mint directly from artist in 2005

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Andy Gill Anti-Hero 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist.

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Zeni Geva Zen Guerrilla Black Manna 1996 San Francisco California Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1996 Signed by Kozik & Numbered Limited Edition of 650 Artwork Size 17.5x22.5 Silkscreen Print Band Gig Poster by Frank Kozik. October 13, 1996 Das Kilowatt in San Francisco, California Capturing the raw energy and unbridled spirit of the 1990s San Francisco music scene, Frank Kozik’s silkscreen print for the Zeni Geva, Zen Guerrilla, and Black Manna gig on October 13, 1996, stands as a significant piece of pop and street art. Kozik, well-known for his contribution to the visual side of rock culture, has infused this piece with a compelling blend of political commentary and vivid imagery, hallmark traits of street art and his style. The limited edition print, measuring 17.5x22.5 inches, was meticulously hand-pulled on fine art paper, underscoring the artist's commitment to quality and the traditional methods of printmaking. With only 650 signed and numbered editions, this artwork is a treasure for collectors and enthusiasts. Its depiction of the Statue of Liberty, surrounded by figures wearing gas masks and holding flags, offers a subversive take on American iconography. The use of iconic symbols juxtaposed with elements that suggest upheaval reflects the era's punk and alternative rock ethos, resonating with themes of resistance and independence prevalent in the genres associated with the bands featured. The event, hosted at Das Kilowatt in San Francisco, California, is immortalized in Kozik’s signature style—where the text is as much a part of the art as the images. His choice of vibrant colors and bold lettering reflects the energy and intensity of the bands, making the poster a visual shout that echoes the music it advertises. This piece is more than promotional material; it's a snapshot of when street art began crossing into mainstream consciousness, blurring the lines between commercial art and political statements. Kozik’s work with this print serves not just to announce a concert but to stake a claim in the ongoing dialogue between art and society, where the streets become a canvas for messages that are as likely to provoke thought as they are to promote an event. In the world of street art, such pieces are vital—they challenge, they commemorate, and they often become a part of the history they depict.

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Red Max Voodoo Liquor Hotrod Tour 1997 Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1997 Signed by Kozik & Numbered Limited Edition of 300 Artwork Size 17.5x22.5 Silkscreen Print Event Gig Poster by Frank Kozik. Red Baron-like monster flying bi-wing plane drinking beer.  Frank Kozik Red Max Voodoo Liquor Hotrod Tour 1997 Silkscreen Print Frank Kozik, born in Spain in 1962 and later based in the United States until his passing in 2023, was a defining figure in the evolution of gig posters into collectible Street Pop Art & Graffiti Artwork. The Red Max Voodoo Liquor Hotrod Tour 1997 silkscreen print exemplifies his bold, irreverent style during the peak of the 1990s poster movement. This hand-pulled silkscreen on fine art paper measures approximately 17.5 x 22.5 inches and was released as a signed and numbered limited edition of 300. Created as an event poster for the Voodoo Liquor Hotrod Tour, the print reflects Kozik’s ability to merge music culture, underground illustration, and sharp graphic design into a format that transcends simple promotion and enters the sphere of fine art multiples. Illustrative Satire and High-Impact Graphic Style The composition features a grotesque, Red Baron-inspired monster piloting a bright red bi-wing airplane while clutching a beer stein, blending wartime aviation imagery with punk absurdity. The exaggerated green face, jagged teeth, bulging eyes, and extended tongue create a manic energy that mirrors the loud, aggressive tone of alternative music culture in the 1990s. Flames, mechanical details, and bold black outlines heighten the sense of motion, while the vivid primary color palette reinforces the immediacy typical of Street Pop Art & Graffiti Artwork. The Gothic-inspired Red Max lettering across the top anchors the composition with dramatic presence, balancing the chaotic illustration below. Kozik’s disciplined silkscreen technique ensures flat, saturated color fields that remain crisp and visually commanding even decades after printing. 1990s Gig Poster Culture and Street Pop Art & Graffiti Artwork During the 1990s, Kozik played a pivotal role in transforming event posters into limited edition artworks that collectors actively sought out and preserved. By signing and numbering editions such as this run of 300, he reinforced the legitimacy of gig posters within the broader art market. The Red Max Voodoo Liquor Hotrod Tour print captures a moment when underground music, hot rod culture, and cartoon-influenced satire converged within Street Pop Art & Graffiti Artwork. Rather than serving as disposable advertising, works like this stand as enduring examples of how hand-pulled silkscreen printing, rebellious imagery, and bold typography reshaped contemporary print culture.

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Headspin Silkscreen Print by Rosy One 3 Color Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2022 Signed & Numbered Limited Edition of 35 Artwork Size 39.4x27.6 Silkscreen Print Rosy One Headspin Silkscreen Print Limited Edition Street Pop Artwork The 2022 Headspin Silkscreen Print by Swiss graffiti artist Rosy One is a rare, bold, and vivid celebration of movement, rhythm, and character-driven Street Pop Art & Graffiti Artwork. Hand-pulled using a three-color screenprint process on fine art paper, this limited edition release of only 35 signed and numbered prints spans an impressive 39.4 by 27.6 inches. The composition immediately commands attention with its stylized character performing a headspin — a clear nod to the foundational role of breakdancing in hip-hop and graffiti culture. With dynamic brush lines, graphic elements, and abstracted anatomy, Rosy One captures not only the motion of dance but also the energy and attitude embedded in street expression. Rosy One’s Identity Within Graffiti and Street Pop Aesthetics Rosy One, based in Lausanne, Switzerland, has been deeply rooted in hip-hop culture since the early 1990s and is internationally recognized for blending graffiti styles with comic book visuals and subcultural iconography. She is one of the few prominent female graffiti artists who successfully bridges raw wall-based art with collectible editions, maintaining her signature aesthetic across both platforms. Known for cartoonish exaggeration, saturated palettes, and humorous yet critical perspectives, her work often reflects the dynamic lifestyle of street culture. Headspin continues this visual vocabulary, transforming an action associated with b-boying into a graffiti-infused visual pun that exists both as an art object and a cultural emblem. Visual Symbolism and Color Theory in Headspin by Rosy One Rendered in vibrant blue, yellow, and black, the piece leans into the visual impact of high-contrast color theory. The figure’s oversized hands, stylized headgear, and tilted body create a literal spin around the composition’s center. Graphic accents such as stars, concentric spirals, and exaggerated facial expressions push the visual language into the realm of caricature, while the artist’s graffiti roots remain visible in the thick outlines and bubble-inspired forms. The deliberate simplicity of the color scheme enhances clarity and movement, giving the impression that the character is both in motion and locked into a freeze-frame moment. This approach resonates with graffiti’s ephemeral nature and the performative core of street culture. Headspin as a Modern Artifact of Street Pop Art & Graffiti Artwork As both a silkscreen print and a narrative graphic, Headspin functions as a contemporary artifact of street history. It honors hip-hop's golden era, when breakdancers and graffiti writers occupied the same cultural space, each contributing to the visual and physical rhythm of the street. Rosy One’s translation of that synergy into fine art form preserves and reanimates the spirit of rebellion, athleticism, and comic absurdity that characterizes the best of graffiti culture. This limited edition not only stands as a collector’s item but also as a visual manifesto for those who understand graffiti not just as an art movement but as a living culture in motion.

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Spin Magazine Webster Hall NYC 2005 Offset Lithograph Print Limited Edition Event Artwork on Fine Art Paper by Shepard Fairey, an urban graffiti pop street artist. 2005 Signed & Numbered Limited Edition of 500 Spin Magazine 20th Anniversary Bash Print by Shepard Fairey Webster Hall, NYC | Sept 28th, 2005 Offset Print on Heavy Paper Signed by the Artist [2005] Size: 23" x 32" Minor creasing and nicks to the outer margins are consistent with age, see photos.

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Vote For Miles Skate Deck - White Limited Edition Silkscreen Skateboard deck art by street pop culture artists at Huf. Vote For Miles Skate Deck - White - Huf. Vote For Miles White Skateboard Art Deck by Huf Skateboards

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Da Street Corner Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Angel Gonzalez Graffiti Street Artist Modern Pop Art. Angel Gonzalez's debut silkscreen print, titled 'Da Street Corner' is one color (metallic gold) 18 x 24-inch screenprint. The screens were shot in the sun using a hand-cut rubylith with an edition size of 26.

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Ramones '76 Blotter Paper Print by Tim Page Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2019 Signed & Numbered Limited Edition of XXX Archival Pigment Print on Perforated Blotter Paper Size: 7.5x5 Inches Limited blotter editions are hand-perforated by Zane Kesey. Having a sharp eye for the counterculture movement of the 60s and 70s, Tim Page, a photojournalist and author, managed to capture some of the most striking images of the Vietnam War. Despite being injured in combat on four separate occasions, Page's love for adventure kept him undaunted. He possessed a peculiar personality that inspired Dennis Hopper's character in the renowned film Apocalypse Now. With his intriguing life serving as the subject of numerous documentaries, ten books, and two films, Page even held the role of the UN's Photographic Peace Ambassador in Afghanistan for two years. His recent recognition as one of the "100 Most Influential Photographers of All Time" has cemented his place among the most exceptional artists.

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Big Head Todd & The Monsters- Red Rock 2006 Music Limited Edition Gig Poster 3-Color Metallic Ink Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Todd Slater. AP Artist Proof, 12 x 34 – 3 color silkscreen (metallic copper) – S/N edition of 200. Big Head Todd at Red Rocks Amphitheater in Morrison Colorado on June 10th 2006

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Scratch on the Wire 1-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckletone Paper by Shepard Fairey x Dennis Morris Rare Street Art Famous Pop Artwork Artist. 24 x 24 inches. Silver Metallic Ink Screenprint on thick cream Speckletone paper. Original photo by Dennis Morris. Signed by Shepard Fairey and Dennis Morris. Numbered edition of 600. Max order: 1 per customer/household. "Legendary reggae producer and pioneer of the dub sound, Lee “Scratch” Perry passed away on Aug. 29. I first discovered Lee Perry when I got deep into Bob Marley and the Wailers found out Perry had produced several seminal Wailers tracks. I also loved the Clash song “Police and Thieves” which I learned was a cover of the version by Jamaican artist Junior Murvin which Lee Perry had produced. Perry also co-produced the song “Complete Control” by the Clash." -Dennis Morris

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Father John Misty- St Louis MO 2013 Music Limited Edition Gig Poster 1-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by John Vogl. The Firebird Saint Louis Mo with Pure Bathing Culture June 14th 2013

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Miles Davis- Pink/Green Limited Edition 5-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Mr Brainwash- Thierry Guetta Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of 50 Artwork Size 30x22.5 Miles Davis (Pink/Green), 2015 Screenprint in colors on paper 22-1/2 x 30 inches (57.2 x 76.2 cm) (sheet) Ed. 50 Signed and numbered in pencil along edges, with artist's thumbprint and date verso Published by the artist

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-ISMFEST 96 Night 1 Beyond the Criminals Red Max 1996 Lincoln NE Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1996 Signed by Kozik & Numbered Limited Edition of 600 Artwork Size 22.5x17.5 Silkscreen Print Band Gig Poster by Frank Kozik. Beyond the Criminals Red Max Knickerbocker's, Lincoln, NE 8-15-1996 -ISMFEST '96 Night 1 Beyond the Criminals Red Max Silkscreen Print by Frank Kozik -ISMFEST '96 Night 1 is a hand-pulled silkscreen print by legendary artist Frank Kozik, created for the August 15, 1996, concert featuring Beyond the Criminals and Red Max at Knickerbocker's in Lincoln, Nebraska. Measuring 22.5 x 17.5 inches, this limited-edition print was produced in a numbered edition of 600 and is signed by the artist. Known for his bold, irreverent style, Kozik’s work is a defining example of Street Pop Art and Graffiti Artwork, blending underground music culture with the aesthetics of punk rock and lowbrow art. This gig poster encapsulates Kozik’s signature visual language—an electrifying color palette, exaggerated cartoon imagery, and an unapologetic embrace of counterculture aesthetics. The design features a grinning, intoxicated blue dog with drool dripping from its mouth, attached to a beer tap pouring directly into its tongue. The background bursts with vibrant red and yellow rays, enhancing the chaotic energy of the piece. The typography is oversized and confrontational, drawing inspiration from punk zines and DIY screen printing traditions. Every element in this artwork exudes raw energy, aligning perfectly with the rebellious nature of the underground music scene it represents. Frank Kozik and His Influence on Street Pop Art and Graffiti Artwork Frank Kozik is one of the most influential figures in modern poster art, widely credited with revitalizing the concert poster scene during the late 1980s and 1990s. Originally from Spain and later based in the United States, he began his artistic career creating DIY flyers for punk and alternative bands before evolving into a leading name in silkscreen printmaking. His work often draws from underground comics, psychedelic rock posters, and vintage advertising, merging them with an unfiltered punk ethos. This print exemplifies Kozik’s ability to capture the spirit of a moment in time—ISMFEST '96 was not just another concert, but an event that embodied the underground music culture of the era. The design’s mix of absurdity, humor, and confrontational visuals reflects Kozik’s knack for transforming promotional materials into collectible works of art. His contributions to Street Pop Art and Graffiti Artwork extend far beyond the music scene, influencing everything from contemporary poster design to vinyl toy culture. The Art of Silkscreen Printing in Music Poster Culture Silkscreen printing has played a crucial role in the history of concert posters, particularly within the punk and alternative rock movements. Unlike mass-produced digital prints, silkscreen posters are hand-pulled, meaning each piece carries unique imperfections and variations that add to its authenticity. This technique allows for intense, saturated colors and bold contrasts, which are essential in creating visually striking designs that stand out in a crowded promotional landscape. The printing process involves layering different colors one at a time, requiring precise alignment and expert craftsmanship. In this particular piece, the interplay of neon-like hues and bold black outlines demonstrates Kozik’s mastery of the medium. The thick ink application gives the print a tactile quality, reinforcing the handcrafted nature of the work. These qualities make silkscreen concert posters highly collectible, as they represent not only a historical moment in music but also an artistic achievement in printmaking. Collectibility and Cultural Impact of -ISMFEST '96 Night 1 As a signed and numbered limited-edition print, -ISMFEST '96 Night 1 is a sought-after piece for collectors of Street Pop Art and Graffiti Artwork. Kozik’s posters are revered not only for their visual impact but also for their role in shaping the aesthetics of underground music culture. His work has been featured in galleries and museums worldwide, solidifying its place as an important part of contemporary art history. Concert posters like this one serve as artifacts of a bygone era, where hand-printed promotional materials were essential to the identity of a band or event. Unlike today’s digital flyers and social media advertisements, these posters were tangible, often plastered on city walls or collected by fans as mementos. The humor, rebellion, and rawness embedded in this piece ensure that it remains relevant decades later, resonating with those who appreciate both the artistic craft and the cultural movement it represents. Frank Kozik’s influence extends beyond posters, impacting the worlds of graffiti, pop art, and designer toys. His ability to blur the lines between commercial art and fine art has made his work enduringly popular among both street artists and contemporary art collectors. -ISMFEST '96 Night 1 is a prime example of his legacy—a work that continues to inspire, provoke, and celebrate the unapologetic spirit of underground creativity.

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Stevie Ray Vaughan Guitar Magazine Limited Edition Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. Each piece is unique and colors, painting, spray paintings made by hand by the artist are random, vary, and you may not receive the exact pictured item! "I use photographic images as the basis for the art, but I would sometimes draw directly on the acetate before I burn the screens to bring out parts of the images I felt were important. Each piece for this run was individually screen printed and hand-painted using a variety of acrylic and other mediums. Take notice of the colors rather than the image, even though that might be difficult to do sometimes. The colors represent what's going on in my life at any given moment." - Bobby Hill

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Austin 3-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited Edition of 100 Artwork Size 24x12 Austin TX Bat Playing Acoustic Guitar

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Electric Instrument Co- Silver Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jacob Borshard Graffiti Street Artist Modern Pop Art. 2013 Signed & Numbered Limited Edition of 57 "Electric Instrument Co.- Metallic Silver Edition" by artist Jacob Borshard. Print measures 16x30 inches. Signed and numbered in a limited edition of 57. Hand deckled edges on the left side of the print.

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Say Goodnight Gracie Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Herbie Greene pop culture LSD artwork. 2021 Signed & Numbered with COA Archival Pigment Print on Perforated Blotter Paper Artwork Size: 7.5 x 7.5 Inches Release: April 19, 2021. Limited blotter editions are hand-perforated by Zane Kesey. Say Goodnight Gracie by Herbie Greene: Blotter Paper Resistance in Street Pop Art & Graffiti Artwork Say Goodnight Gracie is a 7.5 x 7.5 inch archival pigment print on perforated blotter paper by Herbie Greene, released on April 19, 2021. Signed and numbered with a certificate of authenticity, each piece in this limited edition was hand-perforated by Zane Kesey, reinforcing its symbolic roots in psychedelic counterculture. The print features a black-and-white photograph of Grace Slick, the iconic frontwoman of Jefferson Airplane, overlaid with colorized elements including a paisley red outfit and piercing cyan eyes. The backdrop includes Egyptian-inspired sketches and faded, spray-painted text reading Happy New Year, creating a layered composition that mixes defiance, memory, and cultural critique. Herbie Greene, a legendary photographer from the United States, was known for capturing defining moments of the 1960s San Francisco music scene. This print is more than just a photo—it is a protest embedded in a relic. Slick’s expression and raised middle finger become the central focal point, offering a timeless act of rebellion immortalized through photographic grit and street-inflected style. The surrounding textures—worn concrete, hand-drawn symbols, and fading graffiti—echo the raw surfaces used in Street Pop Art & Graffiti Artwork, reinforcing the voice of anti-establishment figures who spoke through walls, posters, and sound. Grace Slick, Counterculture, and the Power of Visual Protest The image of Grace Slick in Say Goodnight Gracie resonates deeply with the cultural spirit of the 1960s and its aftermath. Slick's role as a voice of psychedelic rock and protest was unmistakable, and this moment of visual resistance encapsulates that spirit perfectly. She does not perform; she confronts. Her multicolored attire, contrasted against a grayscale background, draws attention to individuality and dissent amidst uniformity and decay. The visual isolation of colorized features within a monotone space mimics the effect of street stenciling or wheatpaste posters, techniques commonly used in urban protest art to highlight voices against a muted backdrop of authority. The print format on blotter paper is significant. It bridges the documentation of music history with the tangible aesthetics of drug culture and underground art. Zane Kesey’s involvement in hand-perforating the editions ties this piece directly to the visual traditions of LSD blotter art, where iconography often merged political satire, celebrity, and surrealism. This connection reinforces the idea of art not just as commentary, but as a vehicle of transformation—mental, social, and spiritual. The Urban Palimpsest as Art Form Herbie Greene’s composition in Say Goodnight Gracie operates like an urban palimpsest. Layers of history, rebellion, femininity, and symbolism are built into every detail. The hieroglyph-like drawings add an archaeological tone, suggesting lost messages or forgotten rituals that still echo in the present. The crumbling wall texture and ghosted graffiti add urgency and vulnerability, as if the image could fade at any moment—just like the posters pasted on city walls, fleeting yet unforgettable. This quality is central to Street Pop Art & Graffiti Artwork, where temporality, public visibility, and emotion collide to create impact. Grace Slick’s raised hand and unflinching gaze are a signal, not just a pose. They challenge the viewer to consider where protest lives today. In Greene’s composition, the past is not frozen but reanimated on blotter paper, a medium that has transported minds beyond the visible world for decades. This visual dialogue between photography, protest, and psychedelic symbolism speaks not just to nostalgia but to the ongoing role of image as resistance. Herbie Greene and the Documentation of Rebellion Herbie Greene’s work captures moments that transcend the frame. By reissuing Say Goodnight Gracie on perforated blotter paper, he transforms documentation into object, memory into statement, and portrait into symbol. This choice elevates the piece beyond archival photography into the arena of Street Pop Art & Graffiti Artwork, where message and method matter equally. Greene, born in the United States, became known for his close work with artists like Jefferson Airplane, the Grateful Dead, and Janis Joplin. His lens documented a generation seeking transformation, and in this work, that spirit persists—vivid, fierce, and permanent on a medium built for moments that change everything. Say Goodnight Gracie is not just a tribute to a music icon. It is a distilled act of visual rebellion, sharpened by decades of cultural memory and executed on one of the most subversive print surfaces in art history. It offers a flash of resistance captured in time, formatted for the hand, the wall, and the mind alike.

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Hendrix- Silver Limited Edition 5-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Mr Brainwash- Thierry Guetta Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of 70 Artwork Size 22.5x30 Artist: Mr. Brainwash Title: Hendrix (Silver) Year: 2015 Dimensions: 30in. by 22.5. Edition: From a limited edition of 70 Medium: Color screenprint on hand torn archival paper. Condition: Excellent Signature Details: Hand signed and thumb printed

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