Music

Yo Yo- Tar Paper Limited Edition Metallic Silkscreen Ink on Hand Cut Organic Roofing Asphalt Felt by Graffiti Street Artist Skewville 2016 Hand Signed & Numbered Limited Edition of 80 Artwork Extra Thick Tar Paper Size 24x16 " A while ago we got an opportunity to paint a building that looked like a giant radio. So we painted a giant radio on it. Since then I wanted to pay a long over-due homage to this building in Bushwick, Brooklyn that no longer exists. The original mural was just flat black with metallic silver spray paint, so when I decided to finally make a print I felt like it had to have that same feel. So the only way I know how to get that really thick metallic look is to silkscreen print it with good ol' plastisol on tar paper." - Ad Deville of Skewville

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The Foundation Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Modern Pop Street Graffiti Artist Koe Rodriguez. Archival Pigment Print on 290gsm Moab Entrada Fine Art Paper Size: 66 x 24 Inches Release: August 11, 2021 Run of: 15

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Dylansteen 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Ron English- POPaganda Rare Street Art Famous Pop Artwork Artist. Signed 18x21 Limited Edition of 30 2019

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Psychedelic Paisley Amplifier 100% & 400% BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. 2022 Medicom Toys X-Japan's guitarist, Hideto Matsumoto, better known as his stage name hide is a very stylish musician! The Psychedelic Paisley pattern of this Bearbrick is inspired by the Fernandes MG-480X "PAINT" guitar which celebrated hide 50th anniversary. Guitar patterns onto the Bearbrick Motif is a unique way to pay homage to legendary guitarists. Stands at 7cm and 28cm tall.

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Blue Snaggletooth B&W- The Elbow Room 2009 Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art. Stoner Rick Night Event. Light creasing on the left lower corner. September 25th, 2009 Featuring Blue Snaggletooth, The Cranks, Black Irish, DJ Wheeler.

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Critical Condition 4-Color Hand-Pulled Limited Edition Silkscreen Print on 100lb French Speckletone Paper by Al Diaz x Dave Navarro x Lifeafterdeath Rare Street Art Famous Pop Artwork Artist. 2019 Al Diaz and lifeafterdeath "Critical Condition" - 4 Color Screen Print, Limited Edition of 25 - 19 x 25" Critical Condition • 4 layer hand-pulled screenprint on French Speckletone 100 lb paper• 19 x 25 inches Hand-signed and numbered by artists Al Díaz and Dave Navarro in a limited edition of 25 "Distortion Skull" ink stamping on verso hand-applied by Dave Navarro Hand-produced in Albany, NY by Pepper Spray Press NYC

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Treepeople 7-Year Bitch Gnome Nubbin 1992 Seattle WA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1992 Signed by Kozik & Numbered Limited Edition of 250 Artwork Size 11x35 Silkscreen Print Band Gig Poster by Frank Kozik. Treepeople 7 Year Bitch Gnome Nubbin RKCNDY Seattle Washington 5-15-1992 In the vibrant landscape of early 90s pop culture, Frank Kozik's "Treepeople 7-Year Bitch Gnome Nubbin" silkscreen print emerges as a vivid artifact of the era's music scene, particularly that of Seattle, Washington. Dated May 15, 1992, and designed for a concert at the now-legendary venue RKCNDY, the poster represents a visual symphony of the zeitgeist, highlighting the grit and raw energy that defined the grunge movement. This hand-pulled print on fine art paper is a limited edition, with Kozik signing and numbering each of the 250 pieces, underscoring the exclusivity and cultural value of the work. With its size stretching to an impressive 11x35 inches, the artwork presents a striking design that embodies the anarchic spirit associated with Kozik's work and the music of the featured bands—Treepeople, 7 Year Bitch, Gnome, and Nubbin. The central figure in the print is a clown-like character, a recurring motif in Kozik's work, which often blends the grotesque with the whimsical. The figure's exaggerated features and the explosion of colors around it create a sense of celebration and parody, a duality that often permeates street art. Such pieces are more than mere promotional items; they are snapshots of a cultural moment. They reflect the aesthetic and ethos of the underground music scenes of the time, where the visual art was as much a part of the experience as the music itself. Kozik's prints, like this one, connect the energy of live performances with the tangible world of art collecting, offering fans a piece of history that encapsulates the sound, mood, and rebellion of the period. The poster's inclusion in the annals of pop, street, and graffiti art is undeniable. It captures the do-it-yourself essence and the anti-establishment stance that the visual and musical arts expressed during the early nineties. For collectors and enthusiasts alike, it stands not just as a piece of memorabilia but as a symbolic work that continues to influence the aesthetic trajectories of street and pop art to this day.

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DJ Charlie Chase 89 Photo Print by Joe Conzo Jr Limited Edition on 290gsm Moab Entrada Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed Print Limited Edition of 5 Artwork Size 20x16 Archival Pigment Fine Art of DJ Charlie Chase at a Show in 1989. DJ Charlie Chase: 1989 Photo by Joe Conzo Jr in Street Pop Art & Graffiti Artwork The 1989 photograph of DJ Charlie Chase, captured by Joe Conzo Jr., stands as a pivotal visual piece within the context of Street Pop Art and Graffiti Artwork. This limited-edition archival pigment print, measuring 20x16 inches and produced on 290gsm Moab Entrada Fine Art Paper, encapsulates a defining moment in hip-hop’s cultural evolution. The photograph represents a connection between the musical artistry of DJ Charlie Chase and the visual creativity that dominates urban spaces through graffiti and pop art movements. Joe Conzo Jr.'s Contribution to Cultural Narratives Joe Conzo Jr., a photographer born and raised in New York City, is celebrated for documenting the early days of hip-hop. His work preserves the raw and energetic atmosphere of an emerging cultural movement during the late 20th century. This photograph of DJ Charlie Chase showcases not only the technical brilliance of Conzo’s lens but also his ability to capture the essence of hip-hop culture at its core. His photography often becomes a medium for Street Pop Art and Graffiti Artwork, as it bridges music, culture, and the visual storytelling inherent to urban communities. DJ Charlie Chase and Hip-Hop Culture DJ Charlie Chase, a prominent figure in hip-hop’s formative years, is known for his role in the Cold Crush Brothers. As one of the first Latino DJs to make an impact in the genre, his contributions are significant to the representation of diversity in hip-hop. This 1989 image captures him in the midst of a show, with turntables and an audience in the background, symbolizing the pulse of a movement that reshaped music and art worldwide. The energy in the image mirrors the dynamism found in graffiti walls and street art installations, where rhythm and motion translate into bold lines and vibrant compositions. The Artistic Medium and Modern Interpretation The use of archival pigment printing on Moab Entrada Fine Art Paper ensures this artwork remains a timeless piece. The limited edition of five, signed and numbered in 2023, makes it a rare collectible that resonates with the ethos of Street Pop Art and Graffiti Artwork. The visual language of the photograph, with its layered elements of movement, community, and creativity, inspires urban artists to reinterpret it in graffiti and murals. These reinterpretations extend the photograph’s narrative, embedding it in a larger cultural dialogue that continues to evolve. This photograph by Joe Conzo Jr. serves as a bridge between past and present, capturing the heartbeat of hip-hop culture while providing inspiration for modern artistic expressions in the realms of street art and graffiti.

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Hellacopters 1998 AP Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 1998 Signed by Kozik & Numbered Limited Edition of AP 50 Artwork Size VERIFY Silkscreen Print Band Gig Poster by Frank Kozik Frank Kozik Hellacopters 1998 Artist Proof Silkscreen Print Frank Kozik, born in Spain in 1962 and active primarily in the United States until his passing in 2023, was a major force in elevating gig posters into respected examples of Street Pop Art & Graffiti Artwork. The Hellacopters 1998 Artist Proof silkscreen print was created to promote the Swedish rock band’s North American release and reflects Kozik’s unmistakable graphic intensity during the late 1990s. This hand-pulled silkscreen on fine art paper was issued as a signed and numbered Artist Proof edition of 50, a smaller subset separate from the standard run and traditionally reserved for the artist. Artist Proof prints are especially valued within Street Pop Art & Graffiti Artwork due to their rarity and their direct connection to the printmaking process, reinforcing the poster’s status as a collectible fine art object rather than disposable promotional material. Skull Iconography and High-Impact Graphic Design The composition centers on a skull framed by crossed mechanical pistons, flanked by bold numerals and engulfed in stylized flames, creating a visual fusion of hot rod culture, heavy rock symbolism, and underground comic aesthetics. The dramatic Hellacopters masthead dominates the upper portion in sharp, flame-like typography, while the phrase Supershitty to the Max anchors the design with aggressive humor characteristic of the band’s identity. Kozik’s use of saturated reds, yellows, blacks, and purples produces a high-contrast layout that commands attention from a distance, a hallmark of effective Street Pop Art & Graffiti Artwork. The clean separations and flat color fields demonstrate disciplined silkscreen craftsmanship, ensuring durability and vibrancy decades after production. Additional promotional text such as Ask for it by name and 100 percent pure rock reinforces the energy of late 1990s rock marketing while remaining visually cohesive within the overall composition. 1990s Gig Poster Movement and Street Pop Art & Graffiti Artwork Legacy By 1998, Frank Kozik had firmly established the limited edition silkscreen gig poster as an important collectible within Street Pop Art & Graffiti Artwork. His work for bands such as The Hellacopters bridged underground music scenes with fine art print culture, helping to legitimize posters as archival works worthy of preservation. The Artist Proof designation further enhances this example’s significance, as such editions typically reflect early pulls from the print run and closer oversight by the artist. Posters like this document a period when rock music, bold graphic experimentation, and hand-crafted silkscreen production converged, shaping the visual identity of alternative culture at the close of the twentieth century.

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New Wave Couple AP Dance Floor Riot Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled 1-Color Screen Print on Fine Art Paper Limited Edition Graffiti Pop Street Artwork. AP Artist Proof 2011 Signed & AP Marked Limited Edition Artwork Size 13x13 "Long before I knew about art galleries or even street art, I was excited about album cover art, if only because it was the visual counterpart to the music on the records I loved. Album covers conjured a euphoric association with the listening experience. Most of my earliest home-made tee shirts were stencils based on punk album covers… No matter how much I love art, or try to convince myself of its relevance in society, the fact remains that music is a lot cooler and way more able to reach people’s hearts and minds… but I’m a populist and I look at it this way: I may not play an instrument, but I’m gonna rock it hard as nails anyway. With my art I try to capture the same energy and spirit that makes music so powerful and democratic. REVOLUTIONS is a celebration of all the great music and accompanying art that has inspired me over the years." -Shepard Fairey New Wave Couple AP by Shepard Fairey: A Visual Tribute to Music and Street Pop Art The New Wave Couple Artist Proof silkscreen print by Shepard Fairey is a striking homage to the fusion of music, fashion, and cultural movements. Released in 2011, this limited-edition print measures 13 by 13 inches and is hand-pulled using a one-color silkscreen process. Signed and marked as an Artist Proof, the artwork is a rare collector’s piece that encapsulates Fairey’s talent for blending the bold aesthetics of Street Pop Art and Graffiti Artwork with the dynamic energy of musical subcultures. The design features a sharply dressed couple in mod-inspired attire, exuding the confidence and style synonymous with the new wave music era. Their checkerboard outfits and bold stances convey a sense of rhythm and rebellion, complemented by flowing musical notes that connect the figures to the larger composition. The intricate border design, combined with clean, graphic lines, creates a visually dynamic piece that pays tribute to the era's vibrant and innovative spirit. This print, part of Fairey’s Revolutions series, celebrates the cultural impact of music and its visual storytelling power. Music as a Muse in Street Pop Art Shepard Fairey has long credited music as a central influence in his work, with album covers and punk aesthetics shaping his early artistic identity. New Wave Couple captures the essence of the new wave movement, which emerged as a fresh, stylish offshoot of punk music. The sleek, checkerboard visuals and emphasis on individuality in this piece echo the movement's emphasis on self-expression and creative freedom. Fairey uses these cultural elements to craft a narrative that resonates with fans of music and art alike. The monochromatic palette and bold design evoke the aesthetics of vintage album art, aligning with Fairey’s aim to create visual counterparts to the energy and emotion of music. The print reflects the interplay between sound and style, demonstrating how music can influence fashion, art, and cultural identity. By combining these elements, Fairey crafts a piece that captures the spirit of an era while grounding it in the contemporary visual language of Street Pop Art. The Silkscreen Process and Artistic Precision The silkscreen printing process used for New Wave Couple exemplifies Shepard Fairey’s commitment to craftsmanship. Hand-pulled on fine art paper, the print achieves a high level of detail and clarity. The one-color design emphasizes contrast and precision, allowing the intricate patterns and bold imagery to take center stage. The texture of the fine art paper adds a tactile quality to the piece, enhancing its appeal as both a visual and physical work of art. The Artist Proof designation signifies the print’s unique status within the limited edition, often representing the most refined and personal iteration of the design. This rarity makes it a highly sought-after piece for collectors and fans of Fairey’s work. The silkscreen medium aligns with Fairey’s roots in graffiti art, where stenciling and printing techniques are integral to the DIY ethos of the movement. Shepard Fairey: Champion of Music-Inspired Art Shepard Fairey, a pioneer in Street Pop Art and Graffiti Artwork, has built a career on blending bold visual statements with cultural commentary. His Revolutions series, which includes New Wave Couple, reflects his passion for music and its transformative power. Fairey’s ability to translate the energy of music into striking visual compositions has made him a leading figure in contemporary art. New Wave Couple stands as a testament to Fairey’s talent for capturing the essence of musical and cultural movements. By blending nostalgic imagery with modern graphic design, he creates a work that celebrates the interconnectedness of art and music. This print is more than a visual representation; it is a celebration of individuality, creativity, and the enduring influence of new wave culture on art and society.

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Lee Scratch Perry Black Ark Cruiser- Yellow Limited Edition Skateboard deck art by Designer Brand Supreme x Lee Scratch Perry. Supreme and Jamaican record producer Lee Scratch Perry have teamed up for another collaboration. The Supreme x Lee Scratch Perry Black Ark Cruiser Deck was released during Week 8 of the Supreme FW20 season on October 15th, 2020

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Two Muses Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Brandon Boyd pop culture LSD artwork. Brandon Boyd’s work as a singer, songwriter, both as a solo artist and with his platinum-selling rock band, is well documented and universally acclaimed. But now his other life’s work -- that of a painter -- has been garnering increasing attention and devoted audiences of its own.

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Frederic Chopin Lithograph Print Limited Edition Artwork on Wove Fine Art Paper by Arman, an modern pop street artist. Frederic Chopin, ca. 1980 Color lithograph on wove paper 29 9/10 × 21 9/10 in 76 × 55.5 cm

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DJ Qbert Limited Edition Archival Pigment Print on 310gsm Fine Art Paper by Ben Frost, Denial, DJ Qbert Graffiti Street Artist Modern Pop Art. Canadian artist Denial and Australian-born Ben Frost have joined forces in a bold exhibition of new work that explores the boundaries of appropriation, in confronting re-imaginings of our current dystopian society. "Company of Thieves" at Inner State Gallery in Detroit with special guest DJ Qbert. These self-confessed ‘visual thieves have a long history of stealing and subverting the cultural icons that the advertising and consumerist world has thrust upon us, creating new and pertinent interpretations that are as confronting as they are humorous. This collaboration with DJ Qbert carries on with this theme as all 3 artists join together as a Company of Thieves, sampling and remixing to create something entirely new. Ben Frost is utilizing imagery familiar to western culture in order to make a statement about the culture itself on the basis of consumerism, modern icons, big corporations, etc. Animation characters, pop icons, brand logos, and many more are transformed into vibrant artworks and find their place in galleries. With this in mind, and in the case of Ben Frost, it is futile to try to identify a clear borderline between low and high art. In reality, the artist wants the audience to think on the terms of high or low value and, by extension, what these actually mean. Over the years street artists have managed to establish themselves as respected creators and some of them have even gained international fame, transforming graffiti from a fringe art, aiming sometimes to mark street gangs’ territory, into big business.

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Hammerhead Liquor Bike 1996 Nyabinghi West Virginia Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1996 Signed & Numbered Limited Edition of 675 Artwork Size 17.5x22.5 Silkscreen Print Music Gig Poster Art by Frank Kozik Nyabinghi Dance Hall, West Virginia February 2nd 1996 Frank Kozik Hammerhead Liquor Bike 1996 Nyabinghi Dance Hall Silkscreen Frank Kozik, born in Spain in 1962 and raised in the United States, became one of the most influential figures in modern gig poster culture before his passing in 2023. His 1996 Hammerhead Liquor Bike silkscreen print created for a February 2nd performance at Nyabinghi Dance Hall in Morgantown, West Virginia stands as a strong example of his impact on Street Pop Art & Graffiti Artwork. This hand-pulled silkscreen on fine art paper measures approximately 17.5 x 22.5 inches and was issued in a signed and numbered limited edition of 675. During the 1990s, Kozik helped redefine the concert poster as a collectible art object rather than disposable promotion, bringing sharp graphic sensibility, bold color blocking, and underground attitude into mainstream visibility through music-driven visual culture. Comic Book Noir Aesthetics and Graphic Impact The Hammerhead poster features a stern, hard-edged central figure rendered in a comic book noir style, framed by segmented panels depicting a firearm, a stack of cash, and secondary narrative elements that suggest crime pulp storytelling. The composition uses saturated blues, yellows, greens, and reds separated by thick black outlines, reflecting Kozik’s mastery of high-contrast screen printing techniques. The bold HAMMERHEAD headline dominates the upper register in block typography, while the event details anchor the lower portion with clear promotional hierarchy. This structured yet aggressive layout mirrors the raw energy of 1990s alternative and noise rock scenes, aligning music culture with the visual language of Street Pop Art & Graffiti Artwork. Kozik’s approach drew from underground comics, mid-century advertising graphics, and punk zine layouts, synthesizing them into a format that was immediately readable from a distance yet rich in stylistic detail up close. Legacy of the 1990s Gig Poster Movement in Street Pop Art & Graffiti Artwork The 1990s marked a pivotal era when silkscreen gig posters became collectible fine art, and Frank Kozik played a central role in that transformation. By producing limited edition, signed prints for live music events, he elevated ephemeral show advertising into enduring visual artifacts. The Nyabinghi Dance Hall print reflects that transition, capturing a specific date and venue while standing independently as a work of Street Pop Art & Graffiti Artwork. Kozik’s disciplined screen printing process, layered inks, and confident linework established a standard that influenced generations of poster artists who followed. Today, works like Hammerhead Liquor Bike are recognized not simply as memorabilia but as historically significant examples of how underground music scenes and graphic art movements merged to shape contemporary print culture.

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Daft Punk- Tron Metallic Gold Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ron Guyatt Graffiti Street Artist Modern Pop Art. Artwork based on the famous music group Daft Punk. Gauntlet Gallery- "Daft Punk Deux" Art Show. The poster contains nods to the band Daft Punk. Within the design are references to Sound systems, mix stations, the pyramid designs from Daft Punk Albums, Digital Data, Energy, and more!

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AK40Heaven Limited Edition Archival Pigment Prints on Metal by Fil Fury Graffiti Street Artist Modern Pop Art. "This piece is inspired by late UK 90's House and Garage music. There was an original digital artwork I created, made from photographs I took a few years back. That piece has since been modified to create a bespoke run for 1xRUN.The stock has been added to the gun and it is printed on metal. It looks crazy! I am so happy with the result, the metal sheeting reflects the textures of the original Technics deck. These Technics decks were part of my youth.” - Fil Fury

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Obey Long Playing AP Dance Floor Riot Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled 1-Color Screen Print on Fine Art Paper Limited Edition Graffiti Pop Street Artwork. AP Artist Proof 2011 Signed & AP Marked Limited Edition Artwork Size 13x13 "Long before I knew about art galleries or even street art, I was excited about album cover art, if only because it was the visual counterpart to the music on the records I loved. Album covers conjured a euphoric association with the listening experience. Most of my earliest home-made tee shirts were stencils based on punk album covers… No matter how much I love art, or try to convince myself of its relevance in society, the fact remains that music is a lot cooler and way more able to reach people’s hearts and minds… but I’m a populist and I look at it this way: I may not play an instrument, but I’m gonna rock it hard as nails anyway. With my art I try to capture the same energy and spirit that makes music so powerful and democratic. REVOLUTIONS is a celebration of all the great music and accompanying art that has inspired me over the years." -Shepard Fairey Obey Long Playing AP by Shepard Fairey: A Fusion of Music and Street Pop Art The Obey Long Playing Artist Proof silkscreen print by Shepard Fairey is a striking homage to the enduring influence of music on visual culture. Created in 2011, this limited-edition Artist Proof measures 13 by 13 inches and is hand-pulled as a one-color screen print on fine art paper. Signed and marked as an Artist Proof by Fairey, the print is a part of his Revolutions series, which celebrates the intersection of music and art. Through its bold, monochromatic design, this artwork captures the timeless appeal of vinyl records and the cultural legacy they represent. The design prominently features a stylized vinyl record encased in a decorative frame with ornate flourishes. The bold typography reading Obey Long Playing Records evokes the aesthetic of vintage album covers, blending nostalgia with Fairey’s contemporary Street Pop Art sensibilities. The intricate detailing in the border contrasts with the minimalist central image, creating a composition that is both visually dynamic and conceptually rich. This piece reflects Fairey’s deep connection to music as a driving force in his art, highlighting the shared energy and accessibility of music and street art. Music as a Visual and Cultural Inspiration Shepard Fairey’s connection to music runs deep, influencing much of his work, including Obey Long Playing. Growing up immersed in the punk rock scene, Fairey drew inspiration from the DIY ethos and rebellious spirit of the music. This influence is evident in his bold graphics and use of stencils, techniques rooted in the graffiti art tradition. In this piece, Fairey channels the energy and democracy of music into a visual form, celebrating its ability to unite people and transcend boundaries. The vinyl record featured in the design symbolizes a golden era of music, where physical albums and cover art played a crucial role in defining an artist’s identity. Fairey’s choice to emphasize this cultural artifact speaks to his admiration for the tangible connection between music and its audience. The print serves as a tribute to the artistry of album design and its ability to evoke powerful emotions, much like the music it represents. The Craft of Silkscreen Printing Obey Long Playing is a testament to Shepard Fairey’s mastery of the silkscreen printing process. Each print is meticulously hand-pulled, ensuring a high level of precision and quality. The one-color design allows for bold contrasts and sharp details, highlighting the intricacies of the decorative border and the clean lines of the central typography. Printed on fine art paper, the piece has a refined finish that enhances its visual impact and durability. The Artist Proof designation adds an element of rarity and exclusivity to this work, often representing the initial versions of a print used to refine the design. Fairey’s dedication to the silkscreen medium reflects his commitment to the traditions of graffiti and street art, where stenciling and hand-printing are integral to the art form. This choice of medium further emphasizes the tactile and authentic qualities that define Fairey’s work. Shepard Fairey: A Voice in Street Pop Art and Graffiti Artwork Shepard Fairey, an American artist and activist, has become synonymous with Street Pop Art and Graffiti Artwork. Known for his iconic designs that blend cultural commentary with bold aesthetics, Fairey’s work often draws on his love of music, particularly punk and hip-hop. Obey Long Playing exemplifies this connection, serving as both a celebration of music’s cultural significance and a reflection of its influence on Fairey’s art. Through his Revolutions series, Fairey explores the symbiotic relationship between music and visual art, creating works that resonate across generations. Obey Long Playing stands out as a powerful tribute to the legacy of vinyl records, blending nostalgia with modern artistic techniques. Fairey’s ability to capture the energy and spirit of music in visual form cements his place as a leading figure in contemporary Street Pop Art and Graffiti Artwork.

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Travis Scott Limited Edition Giclee Print on Fine Art Paper by Robert Bruno counter-culture street artist art. AP Artist Proof. Rapper Travis Scott.

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Halloween At The Roxie 1989 San Francisco CA Handbill Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1989 Signed by Kozik Music Concert Handbill Artwork Size 11x17 Silkscreen Print Band Gig Poster by Frank Kozik The iconic Roxy Theatre in San Francisco, CA, famous for its eclectic mix of independent, international, and classic cinema, is joining forces with Frank Kozik, renowned rock poster artist and the visual mastermind behind some of the most memorable music and pop culture imagery of the last three decades. This collaboration is anticipated to introduce a fusion of art and film like never before, reflecting Kozik's bold aesthetic and the Roxy's indomitable spirit. Stay tuned for unique film events, exclusive artwork, and a fresh, vibrant energy emanating from this legendary venue.

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The Fugees Collaboration with B+ Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ernesto Yerena Graffiti Street Artist Modern Pop Art. 2021 Signed by Brian Cross (B+) & Ernesto Yerena Montejano & Numbered Limited Edition of 250 Artwork 24x18 Art Print Photo of Wyclef Jean, Lauryn Hill, and Pras Michel of the Rap Music Group The Fugees. The Fugees Collaboration with B+ is a limited edition silkscreen print that encapsulates the intersection of music and visual art through the joint venture of street artist Ernesto Yerena and photographer Brian Cross, known professionally as B+. This 1-color hand-pulled print on fine art paper was crafted in 2021 and is a part of an exclusive collection limited to 250 signed and numbered pieces, each with dimensions of 24x18 inches. This artwork portrays the iconic trio of the rap group The Fugees—Wyclef Jean, Lauryn Hill, and Pras Michel—rendered in a style that merges the raw energy of street art with the sophisticated minimalism of modern pop art. Yerena, known for his works that often explore themes of cultural identity and political commentary, brings his unique stencil-like graphics to the mix, translating B+'s photographic capture into a high-contrast visual statement. B+, an established figure in the music industry through his photographic work, contributes the authenticity of the moment captured, a testament to his intimate relationship with the music scene and his subject matter. This print captures The Fugees in a candid state, seated on a staircase, which might be suggestive of the ascents and descents of their musical journey. The composition's stark lines and sepia-toned color palette highlight the group's unity and distinctive presence within the hip-hop community. The collaboration of Yerena and B+ in creating this print not only pays homage to The Fugees' significant impact on rap music but also immortalizes them within the legacy of pop art and street culture. This artwork is not merely a representation of the artists but a narrative piece that speaks to the broader cultural implications of their work and influence. It showcases how street art can elevate musical icons to a status that transcends their original medium, cementing their images within the public's consciousness through visual art. Each print in this series serves as an homage to the power of collaboration across artistic disciplines and the shared heritage of music and art within urban cultural landscapes.

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Imagine Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Leslie Ditto. Artist: Leslie Ditto Title: Imagine Medium: Giclee Print Size: 16 x 20 Inches Edition: 100

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Bad Brains Punk Showcase Rasta AP Artist Proof 5-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist For Musicians Bad Brains. AP Artist Proof 2016 Signed & Marked AP Limited Edition Artwork Size 18x24 Shepard Fairey's "Bad Brains Punk Showcase Rasta AP" is a culturally potent piece within the street pop and graffiti art landscape. As an artist proof of the limited edition series, this 5-color hand-pulled silkscreen print on cream speckle tone paper measures 18x24 inches and was released in 2016. Signed and marked as an artist-proof (AP), it is a collector's piece that delves into the pulsating heart of punk's ethos and reggae's rasta vibrations, manifested through the lens of Fairey's distinct style. This artwork resonates with the energy of Bad Brains, a band that epitomized the hardcore punk scene with its unique blend of punk and reggae, a hybrid that paralleled Fairey's melding of art forms. The print captures the band's spirit with the commanding phrase "Positive Mental Attitude!" a mantra that Bad Brains championed throughout their career. Fairey's work is a visual echo of this ethos, presenting the band members with a backdrop of rasta colors, which not only allude to their music's roots but also serve as a nod to a broader cultural movement. Fairey, known for his influence on street pop art through works like the iconic "OBEY" campaign and the Obama "HOPE" poster, continues his exploration of music's intersection with visual art in this print. The piece is saturated with the motifs of Fairey's "OBEY Propaganda" — the star, the bold lettering, and the stylized imagery. These elements merge, not promote a band, and celebrate an entire cultural movement, reflecting the potency of street pop art in capturing and promoting subcultural movements. The "Bad Brains Punk Showcase Rasta AP" print symbolizes Fairey's engagement with the punk scene and his ability to encapsulate its raw, unfiltered voice within his work. It's a testament to the enduring dialogue between music and visual art, which Fairey has continually fostered through his prints, murals, and street art. This piece doesn't just hang on a wall; it screams with the voice of a movement, echoing from the underground clubs to the sun-soaked streets where street art and graffiti have long found their home.

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The West Coast Migration Road Tour 2014 Artwork Giclee Limited Edition Print on Cold-Press Italian Watercolor Paper by Pop Culture Graffiti Artist Danny Miller. Printed Oceans is PangeaSeed Foundation's fine art print program that raises awareness and educates about pressing marine environmental issues through the lens of some of today's most respected creative minds. Since 2012, we have released over 100 original fine art print editions that highlight endangered marine species and ocean habitats. These stunning editions help to bring important conservation stories into homes and workspaces the world over creating critical dialogue and inspiring positive action. Through the purchase of these carefully hand-crafted, limited edition artworks, you are not only powering the groundbreaking work of PangeaSeed Foundation in communities across the globe but also contributing to the livelihoods of our supporting ARTivists. Together, via art and activism, we can help save our oceans.

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One with Nature Low Fidelity Music Bear Art Toy by Luke Chueh Limited Edition Collectible Sculpture Figure Fine Artwork by Graffiti Pop Street Artist. 2024 Limited Edition of 250 Artwork Size 4x7 New In Box Stamped Vinyl Fine Art Toy Figure Sculpture of Bear in Camo and Headphones Chilling. One with Nature: A Quiet Protest in Vinyl by Luke Chueh The 2024 release of One with Nature by Luke Chueh captures the deeply reflective tone of his Street Pop Art & Graffiti Artwork practice. This limited edition vinyl art toy, standing 7 inches tall and stamped for authenticity, fuses emotional stillness with layered symbolism. It depicts a stylized bear figure—a recurring motif in Chueh’s work—wearing headphones and a camouflage hoodie, standing with hands tucked in pockets. As part of the Low Fidelity Music Bear series, this edition of 250 quietly explores themes of solitude, visibility, and the tension between survival and serenity in modern life. The Camouflage Pattern as Modern Metaphor Camouflage, traditionally associated with warfare and concealment, becomes in this work a visual contradiction. Rather than hiding, the bear is put in full display, suggesting a yearning to disappear while being surrounded by the invasive noise of contemporary culture. This duality aligns with Luke Chueh’s signature approach, where innocent, cartoon-like characters are layered with meaning and melancholy. One with Nature channels this aesthetic to suggest the emotional armor worn by many navigating the overstimulation of modern society. In Street Pop Art & Graffiti Artwork, this blend of innocence and psychological burden is central, and Chueh executes it masterfully through minimal form and symbolic detail. Low Fidelity and Emotional Isolation The concept of low fidelity in this figure series relates not to sound quality but to the experience of emotional disconnect. The bear’s blank face and closed posture, paired with headphones that seal out the world, evoke a sense of retreat from overwhelming external stimuli. It is a posture familiar to those who use music as a shield against noise—literal and metaphorical. The sculpture invites viewers to consider what it means to be present yet unseen, and how urban life has turned introspection into a coping mechanism. Luke Chueh’s ability to materialize these abstract emotional states into clean vinyl forms speaks to his mastery of the medium and relevance within the graffiti art movement. A Collectible with Cultural Weight As a street pop collectible, One with Nature operates both as fine art and cultural commentary. The vinyl bear’s subdued expression and militaristic attire present a paradox of vulnerability and preparedness. Released in 2024 as part of a carefully limited edition of 250 pieces, each sculpture reflects the craftsmanship and intention that has come to define Chueh’s place within Street Pop Art & Graffiti Artwork. Collectors and admirers of his work recognize this figure not just as a toy, but as an emotional artifact—a statement on survival, silence, and the cost of blending in. In a world where visual chaos reigns, Chueh’s bear stands quietly, camouflaged yet conscious.

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Bob Weir Ratdog- Chicago 2014 Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by AJ Masthay. Artist Edition, Hand deckled bottom edge.

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We Own the Future Hand-Pulled 2-Color Silkscreen Print on Cream Speckletone Art Paper by Pop Graffiti Artist Shepard Fairey- Obey x Antonino D'Ambrosio Rare Street Art Limited Edition Artwork. 2013 Signed by Shepard Fairey/Antonino D'Ambrosio & Numbered Limited Edition of 450 Artwork Size 18x24 Shepard Fairey X Antonino D'Ambrosio We Own the Future The Makers of Fire Transform Our World With Creative Response, 2013 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered, and dated in pencil along the lower edge. Published by Obey Giant, Los Angeles The "We Own the Future" silkscreen print by Shepard Fairey is part of his OBEY Giant series, which has become a hallmark of his street artist and graphic designer work. Known for his bold, iconic imagery and thought-provoking messages, Fairey has created numerous artworks that inspire conversation and challenge societal norms. "We Own the Future" is no exception. The print features a striking design with a central figure surrounded by bold typography and a collage of patterns and shapes. The artwork evokes a sense of empowerment and optimism, encouraging the viewer to consider their role in shaping the future. As with many of Fairey's works, the piece incorporates his signature use of color, particularly red, to create a strong visual impact. Although Shepard Fairey is often associated with his iconic "Hope" poster featuring Barack Obama during the 2008 presidential campaign, "We Own the Future" does not have any direct connection to Obama. Instead, this artwork is part of Fairey's broader body of work, which encompasses a range of themes and messages that often revolve around social issues, activism, and the power of the individual.

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Suckadelic Suckpax 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by The Sucklord Rare Street Art Famous Pop Artwork Artist. 2021 Size: 19″x25″ Edition of 50 Signed, Numbered and hand-splattered by The Super Sucklord The Sucklord’s “Suckadelic Suckpax Print” is a limited edition, four-color screen print. Embracing the retro design of trading card wax packaging straight out of the ’80s, this colorful classic is sure to make you smirk as you gaze upon the man himself, wearing his notorious Boba Fett helmet, carrying a ghetto blaster! Limited to only 50 signed, numbered and hand-paint splatted copies with an image based upon the Suckpax Series 2 release’s art. We’re not sure if buying this will make you an asshole… but you’ll certainly feel like one if you don’t!

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Chocomoo BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. 2022 Bearbrick Medicom Collectible Size 400% New in Box

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Terry Hall Tribute Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 1-Color on Pure White Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2023 Signed & Numbered Limited Edition of 325 Artwork Size 18x24 Silkscreen Print "Terry Hall, singer of the Specials, one of my favorite bands, died of pancreatic cancer a little less than a year ago. This past Saturday, Musack did an amazing tribute to Terry with a bonkers lineup, including Horace Panter and Lynval Golding of the Specials, Jane Wiedlin of the Go-Go’s, Fishbone, No Doubt (except Gwen), Tom Morello, Tim Armstrong and Jesse Michaels of Operation Ivy, Donita Sparks of L7, and others! I fell in love with the Specials in the summer of 1989, around the time I started listening to Operation Ivy and Fishbone, so to have members of all those bands celebrating Terry was incredible! I was also able to do the poster for the event based on a beautiful photo by Chalkie Davies. There are two versions of the print, one with the event lineup included and another that is a simpler tribute to Terry. The black and white print are editions of 325, but the show lineup print is a smaller quantity (edition of 300) because many were sold at the event, and all proceeds from those benefit Musack, an excellent music charity for kids. On a personal note, Terry came by my studio a couple of times, and we talked for hours. He was kind, thoughtful, and very open about life’s ups and downs. We talked about kids, mental health, insecurity, relationships, the therapeutic benefits of creativity, and many other heavy topics. He was a kindred spirit who I thought I’d be friends with for many years. This print was done with love… thanks for the tunes Terry!" -Shepard Fairey- OBEY The realm of street art, pop culture, and graffiti has witnessed countless legendary figures whose artistry has both challenged and changed perceptions. One such luminary is Shepard Fairey, the renowned artist behind the OBEY campaign, who has consistently melded activism and artistry in his works. A notable tribute by Fairey is the silkscreen print dedicated to Terry Hall, the iconic lead singer of the Specials. Terry Hall's influence in the world of music was significant, and his tragic passing due to pancreatic cancer was a tremendous loss to the music community. This sentiment was palpable when Musack hosted an astounding tribute to Hall, graced by stalwarts like Horace Panter, Lynval Golding, Jane Wiedlin, Fishbone, members of No Doubt, and numerous other eminent artists. This tribute not only celebrated Hall's legacy but also underscored the bond shared by these artists, many of whom were influenced by the Specials during their formative years. The silkscreen print crafted by Fairey serves as a testament to Hall's enduring impact on him and the broader music fraternity. The artwork, pulled by hand on fine art paper, epitomizes the meticulousness synonymous with Fairey's creations. Limited to an edition of 325, the monochromatic rendition of Hall draws inspiration from a poignant photograph by Chalkie Davies. An alternative version features the event lineup, limited to an edition of 300, with a significant portion having been sold during the event. The proceeds from this version were dedicated to Musack, a laudable charity aimed at empowering kids through music. Fairey's connection with Hall went beyond mere admiration. Their conversations, which delved deep into topics like mental health, creativity, and life's intricacies, highlighted the profound respect and mutual understanding they shared. The artist's tribute to Hall is more than just a print; it's a heartfelt homage to a kindred spirit. Through this artwork, Fairey offers the world a glimpse into their shared moments, while simultaneously emphasizing Terry Hall's undying influence in the realms of music and culture.

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Blue Dawn 8-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Stanley Mouse Rare Street Art Famous Pop Artwork Artist. 2021 Signed & Numbered Limited Edition of 100 Artwork Size 18x24

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Tomorrow's Another Night Blue PP Printers Proof 3-Color Hand-Pulled Limited Edition Silkscreen Print on 320gsm Natural Coventry Rag Vellum Paper by Modern Artist Niagara x Shepard Fairey x Niagara. PP Printer Proof 2019 Signed & Numbered Blue Limited Edition of 150 3-Color Screen Print on 320gsm Natural Coventry Rag Vellum Size: 18 x 24 Inches Release: July 02, 2021. "I chose an image of Ron and Niagara where I think they both look amazing, but there was a nice balance between in-your-face aggression with Ron's pose making eye contact, holding his fist up, and Niagara's seemingly demure embrace of Ron, but anyone who knows Niagara understands that though she may look sedate, she's pulling the strings. I added a switchblade that she is caressing with her finger, as a way to amplify her femme fatale chic, and because I thought it lent itself to my original idea of a title 'Bonnie & Clyde Were Lightweights.'" – Shepard Fairey-.OBEY Niagara and Shepard Fairey's 'Tomorrow's Another Night': A Striking Silkscreen Collaboration 'Tomorrow's Another Night,' a captivating blue PP Printer's Proof silkscreen print, stands as a testament to the collaborative genius of Niagara and Shepard Fairey. This limited edition piece, hand-pulled on 320gsm Natural Coventry Rag Vellum paper, encapsulates the essence of modern street pop art and graffiti with its bold imagery and nuanced undertones. Each print, part of a limited edition run of 150, is signed and numbered, underscoring its exclusivity and the meticulous craftsmanship invested into every screen. Released on July 2, 2021, the artwork measures 18 x 24 inches, allowing intricate details and striking color contrasts to command attention. The print portrays two figures, Ron and Niagara, in a complex interplay of visual tension and harmony. Shepard Fairey's description of the piece reveals a deliberate balance between the overt aggression shown by Ron's direct eye contact and raised fist and Niagara's ostensibly gentle embrace. Yet, as Fairey notes, the true power lies with Niagara, whose understated demeanor masks a controlling presence, symbolized by the switchblade subtly caressed by her finger. This addition by Fairey amplifies the femme fatale motif and ties in with his original concept for the print, suggesting a narrative of concealed strength and influence. Exploring the Visual and Conceptual Depth of 'Tomorrow's Another Night' In creating 'Tomorrow's Another Night,' Fairey and Niagara delve into the dynamics of power, control, and the role of iconography in art. The piece's title and the imagery together weave a tale of anticipation and the recurring cycles of life's drama. The use of a limited color palette accentuates the graphic strength of the work. At the same time, the choice of a high-quality silkscreen process ensures that each color pops against the paper, offering a texture and depth that resonate with the layered meanings of the artwork. The collaboration between the two artists brings together distinct styles and perspectives, marrying the raw edge of street art with the finesse of fine art printmaking. Fairey's background in street pop art and activism and Niagara's punk rock aesthetic combine to create a print that is both a visual feast and a piece of social commentary. The contrast between Ron's defiant gesture and Niagara's subtle dominance challenges traditional gender narratives and invites viewers to look beyond appearances to the complex stories beneath. Cultural Significance and Artistic Legacy of the Print 'Tomorrow's Another Night' is more than just a piece of art; it is a cultural artifact that captures a moment in the evolution of street art and its intersection with pop culture. The collaboration between Niagara and Shepard Fairey represents a bridging of generational talents, fusing the spirit of punk rock with contemporary street art to create something nostalgic and fresh. The Printer's Proof status of the print adds to its cultural weight, as these proofs are typically reserved for the artist's and printer's archives, representing the gold standard of the print edition. Collectors and enthusiasts of street pop art and graffiti artwork value PP editions for their closeness to the artist's original intent and the fine quality of the print. In essence, 'Tomorrow's Another Night' is a shining example of the vibrant and transformative power of collaboration in street pop art and graffiti. It reflects the ongoing narrative of rebellion and the subversion of societal norms that street art embodies. Through this print, Fairey and Niagara offer a thought-provoking and visually impactful piece, solidifying their roles as influential figures in contemporary art.

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Mike Gordon- LA 2014 Music Limited Edition Gig Poster 4-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by John Vogl for Mike Gordon of Phish. March 17th, Los Angeles CA, The El Rey Theatre

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Red Hot Chili Peppers Primus 1989 Fillmore Silkscreen San Francisco CA Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1989 Kozik Artwork Size 13x19 Silkscreen Print Band Gig Poster by Frank Kozik. Bill Graham San Francisco The Fillmore Poster F115 Red Hot Chili Peppers Mary's Danish Primus September 15 16, 1989 Red Hot Chili Peppers Primus 1989 Fillmore Silkscreen Print by Frank Kozik The Red Hot Chili Peppers Primus 1989 Fillmore silkscreen print by Frank Kozik is an iconic piece of Street Pop Art & Graffiti Artwork that embodies the rebellious energy of late 1980s underground music and poster culture. Created for the Red Hot Chili Peppers' performance at the legendary Fillmore in San Francisco, this 13x19-inch hand-pulled silkscreen print was commissioned as part of the Bill Graham Presents concert series. Featuring bold colors, surrealist imagery, and an unmistakable punk aesthetic, this piece captures the raw intensity of the era’s alternative rock movement. The inclusion of supporting acts Primus and Mary’s Danish further cements its significance as a relic of an explosive time in live music history. Visual Composition and Artistic Style Frank Kozik’s artistic style is instantly recognizable in this print, with its bold neon hues, high-contrast linework, and provocative subject matter. The composition features a flaming skeleton with an exaggerated grin, clad in a polka-dotted bikini bottom, with its tongue out in a defiant gesture. The presence of a stylized, curvy female figure in the background adds a surreal, almost psychedelic touch, reinforcing the wild, chaotic energy associated with the Red Hot Chili Peppers' music. The background consists of swirling patterns in bright pink and purple, creating a hypnotic effect that draws the viewer into the image. The heavy use of black outlines and exaggerated cartoonish elements reflect Kozik’s influence from underground comics, skate culture, and punk zine aesthetics. The typography follows a classic gig poster format, with large block lettering announcing the headlining act in bright pink against a dark background, while additional text in cyan provides details of the event. This mix of playful, irreverent imagery and structured design highlights Kozik’s mastery in blending controlled chaos with striking visual appeal. Street Pop Art & Graffiti Artwork Influence Frank Kozik’s work stands at the crossroads of Street Pop Art & Graffiti Artwork, merging countercultural aesthetics with fine art printmaking techniques. The poster's aggressive, high-contrast design is reminiscent of graffiti stencils, while the hand-pulled silkscreen process ensures that each print carries a unique, raw texture. The exaggerated punk-inspired figures, combined with psychedelic color palettes, align with the visual language found in 1980s street art and underground concert promotion. This piece reflects the DIY spirit of gig poster culture, where artists crafted promotional artwork that doubled as collectible art. Kozik’s ability to merge lowbrow sensibilities with high-impact design has made his prints some of the most sought-after in the gig poster scene. His background in self-published artwork and street-level design tactics translates into compositions that feel alive, rebellious, and unfiltered. Collectibility and Cultural Impact As an official Fillmore poster, this silkscreen print holds immense historical and artistic value. The late 1980s were a defining era for the Red Hot Chili Peppers, as they blended funk, punk, and rock to create a sound that would later dominate alternative music. The collaboration with Primus, a band equally known for its genre-defying sound, adds to the poster’s significance as a symbol of musical innovation. Frank Kozik’s gig posters have become highly collectible, with limited-edition prints from this era commanding high demand among both art collectors and music fans. The handcrafted nature of the silkscreen process ensures that each piece has its own unique character, reinforcing the authenticity and individuality of the work. Kozik’s influence continues to shape modern poster design, and this print remains a testament to his ability to translate the raw energy of live music into visually arresting artwork. This piece is not just a concert advertisement; it is a statement of the era, an artifact of underground culture, and a masterpiece within the world of Street Pop Art & Graffiti Artwork.

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Dance At The Garden Block Archival Print by Faile Limited Edition on Deckled 290gsm Cotton Entrada Rag Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 250 Artwork Size 12x16 Archival Pigment Fine Art Woman Dancer Pinning Wrestling Wrestler at Match. "Do You Dare Dance at the Garden" Faile's "Dance At The Garden Block": A Bold Intersection of Sport and Art The archival print "Dance At The Garden Block" by Faile is a provocative and vibrant piece that captures the essence of street pop art and graffiti artwork. Printed on 290gsm Cotton Entrada Rag fine art paper, this 2023 signed and numbered limited edition of 250 exemplifies pop culture dynamism's unique blend with street art's gritty edge. Sized at 12x16 inches, it features an evocative scene of a woman dancer dominating a wrestling match, a powerful representation of strength and grace. Faile, a collaborative duo known for their impactful street art, presents a visually arresting and conceptually stimulating narrative. The image of the woman dancer pinning her opponent is layered with meaning, challenging traditional representations of femininity and power. The background text, "Do You Dare Dance at the Garden," suggests a dare or a challenge, perhaps to the norms of the art world and society. The use of archival pigment ensures that the colors and details of the print will endure, much like the lasting impact of Faile's work on the public consciousness. This particular piece, with its bold lines, comic book aesthetic, and juxtaposition of text and imagery, is a perfect example of their approach to art-making. This fearless blending of genres and styles cemented Faile's reputation in the street pop art scene. The wrestlers in the artwork are enveloped in a background of vivid colors and patterns, typical of Faile's style, which often incorporates elements of vintage advertising and pulp magazines. This blend of old and new, classical and contemporary, is a hallmark of street pop art and graffiti, genres known for repurposing and remixing cultural references to create something entirely new. "Dance At The Garden Block" is not just a static image; it is a dynamic conversation between the artwork and the viewer, a conversation that is indicative of Faile's work as a whole. The collective's ability to draw on the energy and spontaneity of street art while delivering it through the refined medium of fine art prints allows them to reach a broad audience, bridging the gap between the street and the gallery. Collectors and admirers of Faile's work will appreciate the print's quality and the significance of owning a piece representing a pivotal moment in the evolution of street pop art and graffiti artwork. "Dance At The Garden Block" is a testament to Faile's innovative spirit and their enduring contribution to the discourse of modern art.

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Charles Street Deck Limited Edition Silkscreen Skateboard deck art by street pop culture artist Ricky Powell. 2020 Signed & Numbered on Verso Charles Street Shuffle, Archival pigment print on Cold Pressed Steep Natural Skate Deck 32 x 8 inches (81.3 x 20.3 cm) Ed. 5/75 Numbered in ink to reverse and released January 20, 2020. The Integration of Skate Culture and Street Pop Art in Ricky Powell's "Charles Street Deck" The "Charles Street Deck," a limited edition skateboard deck art by Ricky Powell, exemplifies the seamless integration of skate culture within the realm of Street Pop Art and Graffiti Artwork. Released on January 20, 2020, this piece is part of an exclusive set, limited to 75 editions, each signed and numbered on the verso. The deck features the "Charles Street Shuffle," an archival pigment print on a cold-pressed, steep, natural skate deck measuring 32 x 8 inches. This site is standard for skateboarding functionality and canvas for Powell's street pop culture artistry. Edition 5/75, marked in ink to reverse, signifies its authenticity and place within this highly collectible series. Ricky Powell's work on the "Charles Street Deck" captures the raw energy and rebellious spirit of both the street art and skateboarding worlds. The silkscreen process in creating this deck harks back to the DIY ethos prevalent in both subcultures. The detailed and durable print reflects the resilience required in skateboarding, just as the art must withstand the streets' wear and tear. Ricky Powell's "Charles Street Deck": A Cultural Artifact The "Charles Street Deck" is not merely a skateboard but a cultural artifact representing a fusion of artistry and athleticism. It is a tribute to the vibrant street life and urban landscapes that have long been the backdrops for street artists and skaters alike. Powell's choice to create a piece that is both a functional skateboard and a work of art speaks to the evolution of Street Pop Art, where practical objects are transformed into canvases for expression. This deck art, with its image of individuals in motion, encapsulates the dynamism of street culture. The figures captured on the deck are mid-shuffle, a freeze-frame of life in the streets that echoes the movement and flow of skateboarding. This visual narrative aligns with the storytelling aspect of graffiti art, where each piece conveys a moment, an emotion, or a statement from the artist. The Significance of Ricky Powell's Work in Street Art Ricky Powell's contribution to the art world through pieces like the "Charles Street Deck" is significant in elevating street culture and connecting it to a broader audience. By merging the worlds of skateboarding and street art, he bridges a gap between various forms of urban expression, underscoring their intrinsic value as both art and social commentary. The limited edition nature of the deck adds to its desirability, much like a rare piece of graffiti that can only be seen in one place for a limited time. Powell's work on this deck also showcases the potential for street art to inhabit new spaces and reach new audiences. Once a blank slate, the skateboard deck becomes a traveling exhibition of Powell's vision, carried through the streets and across skate parks, much like how graffiti art shares its messages with everyone who passes by. The "Charles Street"Deck" by Ricky Powe celebrates the intersection between skate culture and Street Pop Art, a testament to the creativity that flourishes within urban environments. As edition 5/75 rolls through the streets or adorns the wall of a collector, it carries with it the spirit of the streets, the essence of movement, and the undeniable force of street-inspired artistry.

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Endless Winter Chicago 2013-2014 Silkscreen Print by CHema Skandal! Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2014 Signed & Numbered Limited Edition of 30  Artwork Size 18.5x24.5 Silkscreen Print for The Chancers Music Album Age of Rudeness. Endless Winter Chicago 2013-2014 Silkscreen Print by CHema Skandal! Endless Winter Chicago 2013-2014 is a limited edition silkscreen print created by CHema Skandal! in 2014. This hand-pulled screenprint, sized at 18.5x24.5 inches, was produced in a signed and numbered edition of 30. The artwork was designed in connection with The Chancers' music album Age of Rudeness, merging the themes of ska, punk, and underground music culture with the raw energy of Street Pop Art & Graffiti Artwork. Known for his bold visual storytelling, CHema Skandal! brings a chaotic yet playful aesthetic to this piece, embodying the spirit of independent art and music scenes. Visual Aesthetics and Composition The print features a dynamic and cartoon-like character, exaggerated in expression and motion, dressed in winter gear while playfully engaged in a snowball fight. The character’s mischievous grin and energetic pose add a sense of rebellious joy, reminiscent of classic underground comic book styles and punk poster design. The typography, hand-drawn and slightly distressed, contributes to the raw and unfiltered nature of the composition. The color palette, limited to bold blue and magenta, enhances the high-contrast aesthetic commonly associated with DIY printmaking and graffiti-style artwork. The rough textures and imperfect ink application highlight the hand-crafted silkscreen process, reinforcing the authenticity of the print as a piece of urban street-inspired art. Street Pop Art & Graffiti Artwork Influence CHema Skandal! has long been associated with Street Pop Art & Graffiti Artwork, blending traditional printmaking with the immediacy and accessibility of urban street culture. Endless Winter Chicago 2013-2014 reflects this influence through its punk-infused design and the incorporation of playful yet subversive imagery. The piece evokes the energy of independent gig posters, zine culture, and protest art, all of which have roots in the underground scenes that define street art movements. The hand-pulled silkscreen process further cements the connection to DIY aesthetics, where imperfections and variations in each print contribute to its unique identity. The layered use of texture and negative space gives the composition a spontaneous quality, aligning with the raw nature of street-based artwork. Connection to Music and Cultural Impact This print was created for The Chancers’ album Age of Rudeness, reflecting the strong relationship between visual art and independent music. CHema Skandal! has frequently collaborated with musicians, designing posters and album covers that capture the rebellious and energetic spirit of ska, punk, and rock. The imagery in Endless Winter Chicago 2013-2014 reflects both the harsh reality of Chicago’s winter and the resilience of underground culture, where creativity thrives regardless of external conditions. The scarcity of this edition, with only 30 prints in circulation, makes it a highly sought-after collectible among fans of Street Pop Art & Graffiti Artwork. The continued relevance of CHema Skandal!’s work in both gallery and street settings highlights his influence in shaping contemporary print-based street art movements.

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Billie is Beautiful- Magenta Limited Edition Spray Paint Can Sculpture Artwork by street artist graffiti & pop culture legend Mr Brainwash- Thierry Guetta. 2020 Signed & Numbered Limited Edition of 150 Artwork Size 3x8 Signed Via Thumbprint & Numbered With Custom Display Box. Ultra rare and very cool Mr Brainwash- Thierry Guetta limited edition spray paint can artwork collectibles.

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Rap in Blue HPM Acrylic Spray Paint Silkscreen Print by Faile Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Glitter, Spray Paint, Acrylic HPM Embellished Limited Edition of 50 Artwork Size 19x25 Silkscreen Print of Darth Vader in Classic Sweater With Girlfriend Hugging & The Word Rap Rap in Blue by Faile: Pop Culture Clash in Street Pop Art & Graffiti Artwork Rap in Blue is a 2023 hand-embellished silkscreen print by the artist collective Faile, combining elements of pop parody, retro comic style, and subcultural nostalgia. Measuring 19x25 inches, this limited edition of 50 is printed on fine art paper and finished with layers of glitter, spray paint, and acrylic paint, making each piece a unique hand-painted multiple. The artwork features a couple mid-embrace, with the male figure wearing a Darth Vader helmet and a vintage-style sweater, while the woman, dressed in a noir-style jacket and domino mask, leans in close. The word Rap dominates the bottom third of the image in bold typography, creating a textual anchor that disrupts the composition’s vintage sensibility. The image plays with identity, anonymity, and cultural remix—core themes in Street Pop Art & Graffiti Artwork. Stylistic Fusion and Subversive Iconography Faile’s Rap in Blue exemplifies the group’s ability to recontextualize mass imagery through layered visual narrative and material disruption. The piece references pulp romance covers and old comic strips, using halftone textures and simplified shading while simultaneously inserting the surreal juxtaposition of Darth Vader’s unmistakable helmet. The sweater on the Vader figure adds absurd normalcy, contrasting the sci-fi mask with suburban fashion, while the woman's masked eyes hint at mystery and performance. The spray paint splatter and hand-brushed embellishments break the surface polish, giving the piece physical energy and the immediacy of the street. Glitter is applied in select areas, catching light and adding tension between kitsch and reverence. In the context of Street Pop Art & Graffiti Artwork, these contradictions drive the message—where recognition is weaponized and nostalgia is reassembled into something strange, personal, and political. Process, Materials, and Unique Presentation Each print in the edition is hand-signed and numbered by Faile, with no two pieces exactly alike. The silkscreen process forms the base structure, but the added acrylic brushwork and layered spray give each work a customized, almost collage-like texture. The use of archival fine art paper ensures stability while allowing absorbency for the mixed-media embellishments. The word Rap is rendered in thick black print, anchoring the composition and tying it to urban music, street culture, or even misunderstood slang, depending on the viewer's interpretation. The physical surface holds evidence of hand movements—splatters, drips, and streaks—connecting the piece to the tactile language of graffiti walls and paste-ups, where icon and slogan live together in visual confrontation. Faile’s Role in Contemporary Street Pop Expression Founded in Brooklyn in the late 1990s, Faile is the collaborative project of Patrick McNeil and Patrick Miller. Known for their ability to fuse street aesthetics with fine art polish, their work blends advertising, pop fiction, spiritual symbols, and social commentary. Rap in Blue sits comfortably within Faile’s broader practice, where the collision of mass culture and memory is the central terrain. The Vader figure is not just a nod to franchise dominance—it’s a symbol of masked identity, commercial saturation, and the lingering power of media-based characters in contemporary life. By offsetting this figure with a noir-drenched romantic embrace and an unexplained bold slogan, Faile reframes the scene as both absurd and meaningful. In Street Pop Art & Graffiti Artwork, this piece functions as visual sampling—layered like a mixtape, referencing multiple decades, and filtered through a lens that values rupture, remix, and rebellion.

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Confrontation- Bob Marley 1-Color Hand-Pulled Limited Edition Letterpress Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 16 inches by 19.5 inches Edition of 450 May 19, 2021 This letterpress set in collaboration with photographer Dennis Morris commemorates the 40th anniversary of Bob Marley’s passing. The series represents the amazing breadth of Marley’s character… the philosopher, the confrontational warrior for justice, and the evangelist for love and connection. Bob

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Jerry Moth Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Matt Gordon pop culture LSD artwork. Matt Gordon is a mixed media artist who strives to make well-crafted and highly detailed acrylic paintings and pencil drawings, along with the occasional 3-D fabrication thrown in there to satisfy sculptural needs and to provide live models for things that don't really exist but need to look like they do.

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Let There Be Dark Red Silkscreen Print by Shepard Fairey- OBEY x Niagara Hand-Pulled 3-Color on 320gsm Natural Coventry Rag Vellum Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2019 Signed & Numbered Limited Edition of 150 Artwork Size 24x18 Silkscreen Print "I chose an image of Ron and Niagara where I think they both look amazing, but there was a nice balance between in-your-face aggression with Ron's pose making eye contact, holding his fist up, and Niagara's seemingly demure embrace of Ron, but anyone who knows Niagara understands that though she may look sedate, she's pulling the strings. I added a switchblade that she is caressing with her finger, as a way to amplify her femme fatale chic, and because I thought it lent itself to my original idea of a title 'Bonnie & Clyde Were Lightweights'" -Shepard Fairey- OBEY Exploring the Bold Realms of "Let There Be Dark" by Shepard Fairey: A Street Pop Art Icon Shepard Fairey's "Let There Be Dark Red Silkscreen Print" is a striking embodiment of the symbiotic relationship between street pop art and contemporary visual culture. This limited edition piece, created in collaboration with Niagara, is a visual narrative encapsulating the energy and subversive undercurrents that course through this artistic movement. As a hand-pulled 3-color print on 320gsm Natural Coventry Rag Vellum fine art paper, it stands as a testament to Fairey's mastery over the medium and his unwavering commitment to pushing the boundaries of street art into the delicate art sphere. Produced in 2019, the artwork is part of a highly exclusive series, with only 150 signed and numbered editions available. The dimensions of the artwork, 24x18 inches, are significant not only for their visual impact but also for their ability to draw the viewer into the confrontational yet poised dynamic that defines the composition. Fairey's choice of subjects, Ron and Niagara, is particularly telling; their depictions are rendered with a stark contrast of black, white, and a commanding red, highlighting their iconic stances and the charged atmosphere they embody. Fairey's narrative intention behind "Let There Be Dark" is as compelling as the visual force of the artwork. In his words, he captures the essence of Ron and Niagara's personas, juxtaposing Ron's aggressive frontality with Niagara's seemingly delicate yet cunning disposition. The addition of a switchblade subtly caressed by Niagara adds a layer of danger and a nod to the femme fatale archetype. This imagery is not merely decorative; it is a deliberate act to challenge and subvert the viewer's expectations, a hallmark of Fairey's style that has cemented his place in street pop art and graffiti artwork. The title, "Let There Be Dark," invites interpretation, playing on the biblical phrase "Let there be light," suggesting a reversal or an embrace of shadow and complexity over simplicity and illumination. This reversal is symbolic of the more significant cultural critique often found in Fairey's work, where the binaries of good and evil, light and dark, are not just questioned but also deconstructed. Beyond the visual and thematic layers, the print's collectibility is further enhanced by its fine art attributes. The use of Coventry Rag Vellum fine art paper, known for its durability and smooth texture, ensures that the colors' vibrancy and the lines' precision remain intact over time. The paper choice reflects Fairey's nuanced understanding of materials and their role in elevating street art to OK art status. Shepard Fairey's "Let There Be Dark Red Silkscreen Print" is an authentic representation of the spirit of street pop art. It bridges the gap between street art's raw expressiveness and silkscreen printing's calculated precision. With its limited edition status and the artist's signature, the print is not just a piece of art; it is a cultural artifact that captures the pulse of contemporary society and the ongoing dialogue between street art and the mainstream art world. It is a vivid example of how street pop art continues to shape and influence our visual language and cultural conversations.

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God Save Margaret Thatcher Giclee Print Record CD Box Set by Billy Childish x Jamie Reid Artwork Limited Edition Print With Safety-pin On Distressed Fine Art Paper Graffiti Pop Street Artist. 2013 Signed & Numbered Limited Edition of 200 Artwork Size 27.6x20.5 2013 Thatcher's Children Boxed Record CD & Letter Box Set Plus L-13 Brown Bag The collaborative artwork "God Save Margaret Thatcher" by Billy Childish and Jamie Reid is a sharp and provocative commentary rendered through the lens of street pop art and graffiti artwork. The limited edition giclee print, part of a collection that includes a boxed record CD and letter box set, is a fusion of political narrative and artistic expression that captures the cultural zeitgeist of its time. Political Satire and Artistic Expression The giclee print is a bold statement within the pop art movement, a genre known for blurring the lines between high art and popular culture. Billy Childish and Jamie Reid, known for their aggressive aesthetics, use the iconography associated with Margaret Thatcher, the former Prime Minister of the UK, to create a layered discourse on power, policy, and patriotism. The artwork, sized 27.6x20.5 inches, employs the distressed look typical of street art and the precision of fine art printing techniques, with the addition of a safety pin that punctuates the piece with an emblem of punk culture. The image of Thatcher, presented with a stylized rendition of the Union Jack and the phrase "God Save," evokes the nationalistic fervor and divisive politics of her era. The choice of giclee printing ensures that each piece in the limited edition of 200 retains the vibrancy and detail of the original work, making it not just a political statement but also a collector's item. Reid and Childish's Distinctive Styles Jamie Reid, famously associated with the punk rock band the Sex Pistols, brings his characteristic ransom-note typography to the collaboration, complementing Childish's raw and expressive style. The layered text over Thatcher's image creates a visual cacophony that mirrors the social and political turbulence associated with her tenure as Prime Minister. The aesthetics of the print are reminiscent of Reid's work on album covers, while Childish's influence is evident in the vibrant and unrefined quality of the imagery. This limited edition print, signed and numbered by the artists, is a testament to their shared ethos of challenging authority and convention through art. The use of distressed fine art paper adds a layer of authenticity, emulating the ephemeral nature of street art and graffiti while simultaneously offering the permanence of fine art. Boxed Record CD and Letter Box Set Accompanying the giclee print is the "Thatcher's Children" boxed record CD and letter box set, an extension of the narrative explored in the print. This set, a combination of visual art and music, encapsulates the multifaceted approach to storytelling that both Childish and Reid employ. Including music and the written word with the optical components enriches the dialogue initiated by the print, offering a more immersive experience of the artwork's thematic content. Cultural Packaging: The L-13 Brown Bag The entire collection is presented in an L-13 brown bag, a packaging choice that is both practical and symbolic. The unassuming brown bag, often associated with the bland transportation of goods, is a vessel for transporting powerful artistic and political statements. The L-13 stamp on the bag indicates the involvement of the L-13 Light Industrial Workshop, known for supporting avant-garde and counter-culture artists, further aligning the collection with the spirit of rebellion and dissent. Significance in Modern Art The "God Save Margaret Thatcher" giclee print and accompanying items hold a significant place in the narrative of modern art. They represent a confluence of street art's accessibility, pop art's use of popular imagery, and the personal touch of graffiti art. The collection is not only a reflection of the political climate of the 1980s but also a timeless exploration of the power dynamics and societal structures that continue to shape contemporary discourse. Billy Childish and Jamie Reid's collaborative effort in creating the "God Save Margaret Thatcher" collection is a masterful blend of street pop art and graffiti artwork that resonates with cultural and political relevance. The print's limited edition nature, the giclee medium's quality, and the boxed set's comprehensive nature all contribute to the collection's appeal as a significant piece of art history and a poignant commentary on the social and political landscape.

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27 Club- Morrison 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by DKNG Rare Street Art Famous Pop Artwork Artist. Signed & Numbered 2012 Edition of 200 Blunt Graffix in Oregon invited us to be a participating artist in their upcoming group show "Dead Rockstars: A Tribute to the Mortal Gods of Sound". We decided to explore the 27 Club, a meme regarding popular musicians who all died at the age of 27. Each print is a mini 4.625" x 5.375" four color screen print with an edition of 200.

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John Lennon 02 Limited Edition Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. Each piece is unique and colors, painting, spray paintings made by hand by the artist are random, vary, and you may not receive the exact pictured item! "I use photographic images as the basis for the art, but I would sometimes draw directly on the acetate before I burn the screens to bring out parts of the images I felt were important. Each piece for this run was individually screen printed and hand-painted using a variety of acrylic and other mediums. Take notice of the colors rather than the image, even though that might be difficult to do sometimes. The colors represent what's going on in my life at any given moment." - Bobby Hill

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Cut The Record- MF Doom Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Tavar Zawacki- ABOVE Graffiti Street Artist Modern Pop Art. "The 'Cut The Record' series was made solely for this release and was part of my most recent exhibition Remix. This was a very personal series for me, as I selected 10 of my favorite musicians to portray and Remix. All of the 10 musicians I selected to make for this series are personal favorites of mine. Music I actually listen to on a day-to-day basis. For my exhibition, I kinda tweaked the meaning of Remix to fit the swapping and sampling of different, but similar pieces of woodcuts I had made on the pieces. With the 10 musicians, I selected for the 'Cut The Record series each have either had their music remixed and or remix music themselves. -Above

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Trips Festival Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Bob Masse pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 5.75 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Happy Bears Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Matt Gordon pop culture LSD artwork. Matt Gordon is a mixed media artist who strives to make well-crafted and highly detailed acrylic paintings and pencil drawings, along with the occasional 3-D fabrication thrown in there to satisfy sculptural needs and to provide live models for things that don't really exist but need to look like they do.

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