Nature

Stoned Eye Moonrock Shrine Series 2 Neon Original One of a Kind Handmade & Painted Mini Nuggs Art Toy Collectible Artwork by Cannabis Artists Nug Life NY. 2022 Signed Original Mixed Media Marijuana Sculpture Artwork. "Stoned Eye Shrines exist all over Nugglife. From the jungles, oceans, the deep north, to the vast Kief deserts, ancient pyramids are tucked away with two Eye Nuggs. These shrines help bring smokers, growers, and nugmads together. From seeking knowledge to just taking a smoke break, great wonders are to come to those who take the time to appreciate them. They only open up to those who truly believe. Word around the town is these ancient relics were used by Aliens to communicate to other worlds. Each one is sculpted from scratch, with resin features. The plants are hand-made from wire and clay. Everything is hand-painted and dipped in our signature Kief mixture. 4 x 3.5 x 3 Inches and comes boxed" - Nugg Life NY- Ian Ziobrowski

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Afterglow 2019 Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Rodrigo Rod Luff. Rod Luff - 24x16 inches / 60.9x40.6 cm Fine art print on 290gsm paper Edition of 20 Hand-signed and numbered by the artist 2019

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Log Cabin Original Dunny Town Art Toy by Task One Kidrobot Vinyl & Plaster Art Toy Collectible Pop Artwork. 2012 Original Dunny Town Painted Plaster Kidrobot Custom Dunny Artwork Size Approximate 3x4 Town Log Cabin Original Dunny Art Toy by Task One Task One's Log Cabin Original Dunny Town Art Toy The "Log Cabin Original Dunny Town Art Toy" by Task One is a fascinating piece that interweaves the rustic charm of traditional log cabins with the urban edge of street pop art and graffiti artwork. This 2012 creation is part of the Dunny Town series, featuring the signature Kidrobot Dunny vinyl figure reimagined through the meticulous application of painted plaster. The artwork, sized approximately 3x4 inches, captures the essence of a log cabin with stunning detail, bringing a touch of wilderness to the urban-centric collection of Dunny Town. The log cabin Dunny is a testament to Task One's versatility as an artist and his ability to stretch the boundaries of what is possible within the form of a vinyl art toy. The texture of the plaster, fashioned to mimic the logs, the windows, and the tiny front door, all contribute to a sense of realism that belies the figure's small stature. The Dunny's ears are transformed into smokestacks, a creative twist that enhances the whimsical nature of the piece while remaining true to the original structure's aesthetic. Blending Nature with Urban Artistry in Collectible Form Task One's choice to represent a log cabin in the urban-focused series of Dunny Town speaks to the nostalgia for nature and simpler living within the fast-paced city environment. This piece transcends the typical street pop art narrative, which often revolves around the gritty, the contemporary, and the metropolitan, to invoke the tranquility and timeless beauty of the great outdoors. Yet, the art toy remains undeniably rooted in the street art tradition, with its foundation in craftsmanship, customization, and subcultural relevance. The "Log Cabin Original Dunny Town Art Toy" is a collectible that bridges disparate worlds—the rustic and the modern, the natural and the artificial. It stands as a work of art that invites contemplation on our relationship with the environment and the encroachment of urbanization on wild spaces. Collectors of Task One's work appreciate the skill involved in creating such pieces and the way they provoke thought and conversation about broader societal themes. Task One's artistry has always been characterized by an awareness of and a commentary on cultural phenomena, and the Log Cabin Dunny is no exception. This collectible reflects the artist's deep engagement with street pop art and graffiti artwork's potential for storytelling. Through this and other works in the Dunny Town series, Task One has demonstrated the profound ability of art toys to encapsulate complex narratives and serve as a platform for the intersection of diverse artistic disciplines. The "Log Cabin Original Dunny Town Art Toy" remains a beloved piece in the annals of street pop art, a tribute to the natural world rendered in the vibrant language of urban art.

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The Sacrifice of Color... Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Adrian Cox, Street Pop Art Graffiti Legend. 2022 Signed & Numbered Edition of 100- 13x24 Adrian Cox is a contemporary artist known for his paintings that often incorporate themes of mythology, surrealism, and the interconnectedness of beings and nature. "The Sacrifice of Color," is a piece that also exhibit elements of Cox's signature style. An archival print is a high-quality reproduction of an original work of art, created using advanced printing technology to ensure that the colors and details of the original piece are accurately captured. These prints are made using acid-free, archival-grade materials, which ensure that they will not fade or degrade over time, preserving the artwork's beauty for future generations.

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Calla | Moon- Oversized Hand-Pulled 10-Color Silkscreen Print on 410gsm Somerset Satin Deckled Tub Fine Art Paper by Pop Graffiti Artist Jet Martinez Rare Street Art Limited Edition Artwork. 2022 Signed & Numbered Limited Edition of 80 Artwork Size 31x23 "Calla | Moon" represents a stunning intersection of natural beauty and urban artistry, a striking creation by Jet Martinez, an artist celebrated for his work within the pop graffiti scene. This oversized, hand-pulled 10-color silkscreen print showcases Martinez's distinctive use of vibrant colors and bold patterns, which are the signature of his artwork. Released in 2022, the piece is part of a signed and numbered limited edition collection of 80, each print measuring an expansive 31x23 inches, allowing the details and colors to resonate with viewers. Crafted on 410gsm Somerset Satin Deckled Tub Fine Art Paper, the print exudes a tangible luxury, which is further enhanced by its substantial weight and texture. The deckled edges of the paper offer a traditional feel reminiscent of handcrafted art pieces and imbue the work with an additional layer of sophistication. The meticulous process of silkscreen printing, involving the manual layering of each color, ensures that every print is unique, with subtle variations contributing to the piece's individuality. Martinez's choice of the Calla lily as the central motif pays homage to the elegant simplicity and fluid lines characteristic of the Art Nouveau movement, which he modernizes with his graffiti-inspired aesthetic. The use of the moon element within the composition brings a sense of balance and harmony, as well as a touch of the ethereal, contrasting the organic with the cosmic. This duality reflects the artist's ability to blend the natural world with urban cultural expression. This piece of fine art, while deeply rooted in the motifs and messages of street and graffiti art, transcends the traditional boundaries of the genre. It speaks to an audience that appreciates the confluence of classical art principles with the dynamism of contemporary street art. "Calla | Moon" by Jet Martinez is not just an acquisition for collectors but a symbolic statement of the evolving narratives within pop and graffiti art movements, encapsulated in a form that will endure as both art and investment.

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That Place AP Archival Pigment Fine Art Limited Edition Print on Museo Portfolio Rag Paper by Artist Nosego, Street Pop Art Graffiti Legend. Artist Proof AP 2015 Signed 18x24 Limited Regular Edition of 75 Within the dynamic domain of pop art, street art, and graffiti art, there are pieces that not only captivate with their beauty but also with their compelling narratives. "That Place AP" by the acclaimed street pop art graffiti legend Nosego is one such artwork that resonates deeply with art enthusiasts and collectors alike. Executed on Museo Portfolio Rag Paper, this limited edition archival pigment fine art print showcases the artist's unique ability to weave intricate details, vibrant colors, and symbolic imagery into a cohesive and mesmerizing composition. Nosego, renowned for blending reality with fantasy, presents a fantastical creature in "That Place AP" – a hybrid of nature's elements fused seamlessly with an organic landscape. The creature, decorated with ornate patterns and adorned with surrealistic features, cradles a serene waterfall within its jaws, symbolizing perhaps the delicate balance of nature or the power of creation. The vivid hues and meticulous details transport the viewer to an otherworldly realm, where imagination reigns supreme. Released as an Artist Proof in 2015, the piece measures 18x24 and is part of a limited regular edition of 75, each personally signed by Nosego. The exclusivity of this edition further elevates its value in the art community. As the lines between street art and mainstream art continue to blur, masterpieces like "That Place AP" stand as reminders of the innovative spirit and boundless creativity inherent in this ever-evolving genre.

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Chemical Brothers 1997 Union Station Seattle WA Silkscreen Print by Frank Kozik 1997 Hand-Signed by Kozik & Numbered Limited Edition of 400 Artwork Size 21.75x17.75 Silkscreen Print Band Gig Poster by Frank Kozik. Chemical Brothers Union Station Seattle Washington 5-7-1997. Printed on Both Sides.

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Tom Dula Black AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2012 Signed & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print—Lonesome Tree Stylized Old Gnarled Tree in Western Desert Setting. Thomas C. Dula was a former Confederate soldier who was convicted of murdering Laura Foster, based on a song made famous by Kingston Trio. Shepard Fairey Tom Dula Black AP 2012 Silkscreen Print Shepard Fairey, born Frank Shepard Fairey in the United States, created the Tom Dula Black silkscreen print in 2012 as part of his ongoing exploration of American folklore and historical narrative within Street Pop Art & Graffiti Artwork. This Artist Proof edition is signed and marked AP, distinguishing it from the standard numbered run and identifying it as part of a smaller subset traditionally reserved by the artist. The hand-pulled silkscreen measures 18 x 24 inches and is printed on cream Speckletone fine art paper, a textured stock frequently used in Obey editions for its archival strength and vintage character. The work references the story of Thomas C. Dula, a former Confederate soldier convicted in 1866 for the murder of Laura Foster, a case later embedded in American folk music through a ballad popularized in the twentieth century by The Kingston Trio. Fairey’s interpretation situates this narrative within a broader visual examination of justice, myth, and cultural memory. Lonesome Tree Imagery in Street Pop Art & Graffiti Artwork The composition centers on a stark, leafless tree rendered in bold black linework against layered red and gold tonal gradients. The gnarled branches stretch outward across a desert-like landscape, while intricate ornamental textures and faded imagery subtly emerge in the background. A rope hangs from one branch, symbolizing the historical implications of execution without overt depiction. The word Lonesome appears at the base, reinforcing the solitary and reflective tone of the image. Fairey’s use of distressed overlays and decorative patterning echoes vintage poster design while maintaining the graphic clarity associated with Street Pop Art & Graffiti Artwork. The restrained yet intense palette of crimson, ochre, and black heightens the emotional atmosphere and connects the work to Fairey’s broader visual language rooted in propaganda-inspired composition. Artist Proof Significance and Obey Historical Commentary Artist Proof editions carry particular importance in fine art printmaking, often representing early or reserved impressions from the print run and carrying enhanced collectibility. Within Street Pop Art & Graffiti Artwork, such AP markings underscore craftsmanship and direct artist involvement. The Tom Dula Black variant demonstrates how Fairey adapts a nineteenth-century American crime narrative into a contemporary silkscreen format, using symbolic landscape imagery rather than portraiture to communicate the story’s gravity. By merging archival textures, disciplined hand-pulled production, and culturally loaded symbolism, this 2012 Obey print stands as a thoughtful example of how Street Pop Art & Graffiti Artwork can reinterpret historical events through bold yet contemplative graphic storytelling.

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Lumineers Deer Guitar Pearlescent Gray 3-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited Edition of 25 Artwork Size 18x24 White Pearlescent Metallic Paper

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Quinqueflor Mordida #09 Original 100% Recycled, Hand Cut Iron Lak Aerosol Paint Can Sculpture Artwork by graffiti street artist modern pop artist Canlove. 2015 Signed Original Mixed Media Spray Paint Can Paint Displayed With Custom Box Sculpture Artwork Size 8x8 Ready To Hang on Wall  "We dubbed these flower creations Metaliflora and we’ve been experimenting with different shapes and forms for a few years. We challenged ourselves to create the greatest and most efficient use of one recycled spray paint can. The flower bloomed naturally. This series is partially about us returning to our roots. When we started cutting these flowers we wouldn’t paint them as we often do now. We’ve been venturing into this raw approach with some of our other work. It feels right to introduce it with this series as well.The can popping process always produces a unique pattern inside the can because as the marble moves around inside it leaves its tracks on the wet paint. Each flower is cut by hand and no two flowers are exactly alike. Each one is completely unique. And every box we shipped had a custom paint job." - Canlove

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Night Song Archival Print by Adrian Cox Archival Pigment Fine Art Limited Edition Print on 290gsm Bright White Moab Entrada Rag Paper Pop Artist Modern Artwork. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 18x24 Exploring the Essence of Adrian Cox's Night Song Archival Print Adrian Cox's "Night Song" is a compelling piece within the Street Pop Art and graffiti Artwork movement. This archival pigment fine art limited edition print is a testament to the fusion of contemporary pop influences with street art's raw, expressive energy. The artwork, rendered on 290gsm bright white Moab Entrada Rag Paper, speaks to the modern collector's desire for pieces that are accessible and profound, grounded in modern techniques yet flirting with the ephemeral nature of graffiti. The print, sized 18x24 inches, offers a visual narrative that balances the line between fantasy and reality, a joint thematic exploration of Street Pop Art and graffiti Artwork. Limited to a run of just 50, "Night Song" exclusivity is part of its allure, each piece signed and numbered by Cox himself in 2023. This practice harkens back to the personalized touch often found in street art, where each piece is unique to its environment and moment. The Visual Dynamics of Night Song At first glance, "Night Song" captures the viewer with its bold use of color and form. The print boasts a vibrant juxtaposition of a night sky brimming with stars encased in a fiery outline, which can be interpreted as a portal or a boundary between different realms. This imagery is particularly resonant within Street Pop Art and graffiti Artwork, where the conversation between the artwork and its environment is pivotal. Here, the boundary could represent the often contested space of street art within the public domain, a place where beauty meets resistance, where the night sky can be engulfed in the flames of public scrutiny or policy. The figures within the piece – spectral and otherworldly – carry their narrative weight. They are at once part of the landscape and distinctly separate from it, much like graffiti artists who leave their mark on the urban canvas. Using rag paper for the print underscores the textural qualities of street art, where the medium interacts with the message, and the tactile experience is as essential as the visual one. Cultural Significance and Collectibility "Night Song" holds its ground in the realm of collectible art. The limited edition nature of the print ensures that each piece is a slice of history, a fixed point in the ever-evolving story of Street Pop Art and graffiti Artwork. This type of artwork appeals to the modern collector for its vibrancy, its edge, and its capacity to communicate complex themes through the lens of pop culture and street aesthetics. The choice of Moab Entrada Rag Paper is a conscious nod to quality and longevity, countering the transient nature of traditional street art. Entrada Rag Paper is renowned for its color reproduction, a crucial aspect for preserving the vivid hues and deep contrasts that make "Night Song" stand out. By translating street art's immediacy and vibrancy onto a medium designed to endure, Cox bridges the gap between graffiti's fleeting nature and the permanence collectors seek. Adrian Cox's Contribution to Modern Art Adrian Cox's "Night Song" is a significant contribution to the broader conversation about modern artwork. It reflects the ongoing dialogue about the place of Street Pop Art and graffiti Artwork within the art world. Like many others within the genre, this piece challenges traditional notions of what fine art can be. It pushes boundaries, literally and metaphorically, and invites the viewer to reconsider preconceived notions about value, permanence, and the space art occupies in our lives. As a piece that defies easy categorization, "Night Song" symbolizes how modern artists blend styles and philosophies. Cox's work stands at the intersection of street art's rebellious spirit and the pop artist's embrace of mass culture and iconography. It is at once a celebration of individual expression and a collective experience, much like the best of street art, which speaks to communities and individuals alike. The artistry of Adrian Cox's "Night Song" is a testament to the fusion of pop culture and street-inspired artistry, a blend that continues to captivate and provoke. It is a print that encapsulates the zeitgeist of our times, where the lines between high art and accessible art are increasingly blurred and where the voice of the street is as powerful and as poignant as any established gallery.

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Afterglow Artwork Giclee Limited Edition Print on Hand Deckled Fine Art Paper by Pop Culture Graffiti Artist Rodrigo Rod Luff. Rod Luff - "Afterglow" limited edition fine art giclee print signed by the artist hand-numbered edition of 30 copies 11" x 14"

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Sweet Bee Artwork Giclee Limited Edition Print on 300gsm Fine Art Paper by Pop Culture Graffiti Artist Casey Weldon. "Each of the pieces was created using acrylic on a 16x16” piece of birch. Back in 2008, I did about 9 tiny headdress pieces, each featuring strange objects in an ornamental and ceremonial fashion. I liked the idea of using the craft of the headdress to display the objects and ideas we worship in modern society. After abandoning the idea for many years I came back to it last year with the intention of developing the original though in a more intricate, yet ambiguous fashion. Pun intended. These pieces were made in November of 2012 for the Prisma Collective’s group show “Second Sight” at Trifecta Gallery in Las Vegas." - Casey Weldon

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Wolf Mandala Limited Edition 3-Color Hand-Pulled Silkscreen Print with UV Clear Layer on 90lb Black Licorice Fine Art Paper by Chris Saunders Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 75 Artwork Size 24x24 "This piece was sold to a good friend of mine last year, which began as a custom commission that evolved over time. There are lots of sacred symbols that are in this piece that was created with the intention to protect the space that it is hung in. During the time I was experiencing some internal shifts that inspired me to create a piece that served as a protective guardian and the Wolf Archetype strongly embodied that quality. The Wolf Archetype to me resembles a symbol of intelligence as well as a fierce guardian. My work is about creating a reflective mirror that allows the viewer to see within themselves and evoke positive internal shifts. I’ve been exploring combining archetypal symbols with Mandalas that serve as symbols of strength to protect the space they are in as well as remind the viewer of their own internal strength and power." - Chris Saunders

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The Butterfly Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by John Vogl Graffiti Street Artist Modern Pop Art. The Butterfly Art Print was inspired by a poster for Oregon-based experimental music group Blitzen Trapper. It doesn’t light up, dance or make noise. It’s just tranquil and lovely. Isn’t that enough?

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Shroomie SuperJanky SuperPlastic Art Toy by Thomas Han Limited Edition Janky Vinyl Art Toy Collectible Artwork by Modern Design Artist x Sket-One. 2022 Limited Run SuperKranky Janky Superplastic Vinyl Art Toy Artwork Size 6x8

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Rainbow Sherbet Mini Nug Limited Run Handmade & Painted Art Toy Collectible Artwork by Marijuana Artists Nugg Life NY- Ian Ziobrowski. 2022 Cannabis/Marijuana-themed plant tribute with colorful handmade hand-painted accents. Mini Nug stands about 2.5-3 inches tall and is handmade, painted, and assembled with an NYC delivery container. Limited run of 20 signed and numbered.

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The Bridge PP Printers Proof Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Scott Listfield. PP Printers Proof 2017 Signed & Marked PP Artwork Size 16x16

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Magic Mountain> New World Disorder Series Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Anthony Hurd Graffiti Street Artist Modern Pop Art. "These pieces are part of what started as palette cleansers. I would take what is left of the paint from other pieces and just let loose with large strokes on a small board and see what comes of it. The first couple pieces I did like this were a couple of years ago and they were way less evolved. Purely strokes with just a touch of more graphic details. In the last year, I really started to build on them and build them out into whole new worlds. It’s a total exploration phase for me. In between the pieces I already had in the works this was an outlet to completely move freely. To my own surprise really they were a very successful exploration in many ways.

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From The Ground Up Round 2- #22 Original Hand-Painted Multiple 2-Color Screen Print on Reclaimed Wood ready to hang by Meggs Graffiti Street Artist Modern Pop Art. 2015 From The Ground Up Round 2 #22 Original HPM Painting Print by Meggs Ready To Hang Meggs Adapting his street art and graffiti to fine art has granted Meggs extensive opportunities to travel, professionally exhibit his work, and participate in mural festivals around the globe. His street art and gallery works are recognized nationally and internationally in cities such as Melbourne, Sydney, London, San Francisco, Paris, Tokyo, Hawai‘i, Mexico, Los Angeles, and Hong Kong. Meggs’ artworks are included in the permanent paper collections of the National Gallery of Australia and the Victoria & Albert Museum of London.

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Vulcan Vasquez Rocks LA Star Trek Silkscreen Print by Justin Van Genderen Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2014 Signed & Numbered on Back Limited Edition of 50 Artwork Size 18x24 Location, Location, Location Series Silkscreen Print of Spock Vulcan Sci Fi Star Treck TV & Movie Character in Los Angeles LA Standing on Vasquez RocksDuring a Sunrise or Sunset Vulcan Vasquez Rocks LA Star Trek Silkscreen Print by Justin Van Genderen The Vulcan Vasquez Rocks LA Star Trek silkscreen print by Justin Van Genderen is a striking example of how street pop art & graffiti artwork can merge cultural nostalgia with minimalist modernism. This 2014 hand-pulled screenprint, limited to an edition of 50, presents an evocative depiction of Vasquez Rocks in Los Angeles County, a location famously associated with the Star Trek universe. The print captures the stark, alien-like landscape in a bold, graphic composition, reinforcing the cinematic significance of this natural landmark while paying tribute to one of the most iconic science fiction franchises in history. The Artistic Vision Behind the Silkscreen Print Van Genderen’s approach to this piece emphasizes minimalism, using sharp geometric forms, a limited color palette, and strong contrasts to create a visually arresting composition. The towering rock formations are rendered in deep shadow, juxtaposed against a massive, glowing sun that dominates the background. A lone figure, representing Spock or a traveler from the Star Trek universe, stands at the peak, reinforcing a sense of isolation and exploration. The typography is bold and futuristic, with the word Vulcan standing prominently at the top, reinforcing the extraterrestrial theme. The print’s use of space and color reflects key influences from street pop art & graffiti artwork, particularly in the way it simplifies complex landscapes into striking, high-impact visuals. The textures and distressed finishes evoke a vintage aesthetic reminiscent of classic sci-fi posters, adding to the timeless appeal of the piece. By stripping away extraneous details, Van Genderen creates an image that is immediately recognizable yet open to interpretation, allowing viewers to project their own narratives onto the scene. Vasquez Rocks as a Cultural and Artistic Landmark Vasquez Rocks has long been a favored location for filmmakers, particularly within the science fiction genre. Its jagged, otherworldly formations have served as the backdrop for numerous Star Trek episodes, making it an enduring symbol of exploration and discovery. By selecting this site for his artwork, Van Genderen taps into a collective cultural memory, using street pop art & graffiti artwork techniques to recontextualize a familiar setting into something fresh and thought-provoking. The silhouette of the lone figure atop the rocks adds a narrative element to the composition, inviting speculation about the character’s identity and purpose. Whether viewed as Spock gazing into the unknown or as an anonymous wanderer lost in the vastness of space, the scene encapsulates themes of solitude, curiosity, and the eternal search for meaning. The rising or setting sun adds to the sense of transition and timelessness, reinforcing the idea of exploration as both a personal and universal journey. The Significance of the Limited Edition Silkscreen Print As part of the Location Location Location series, this print continues Van Genderen’s exploration of how places—both real and fictional—shape cultural narratives. Each piece in the series distills the essence of a specific location into a minimalist, cinematic aesthetic, drawing on elements of street pop art & graffiti artwork to create a sense of immediacy and impact. This limited edition of 50, signed and numbered on the back, adds an element of exclusivity, making it a prized collectible for both art enthusiasts and Star Trek fans alike. The silkscreen printing process itself lends a tactile, handcrafted quality to the piece, distinguishing it from digital reproductions and mass-produced prints. Each print carries slight variations, reinforcing the uniqueness of the artwork and its connection to traditional printmaking techniques. The 18x24-inch format ensures that the piece makes a strong visual statement, whether displayed in a gallery, private collection, or as part of an urban art installation. Van Genderen’s Vulcan Vasquez Rocks LA Star Trek silkscreen print exemplifies the intersection of pop culture, cinematic history, and contemporary street pop art & graffiti artwork. By transforming a real-world location into an abstract, symbolic representation of exploration and science fiction mythology, the artwork continues to resonate with audiences who appreciate both visual storytelling and the timeless appeal of Star Trek’s visionary universe.

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Dead Meat Artwork Giclee Limited Edition Print on 300gsm Fine Art Paper by Pop Culture Graffiti Artist Casey Weldon. "Each of the pieces was created using acrylic on a 16x16” piece of birch. Back in 2008, I did about 9 tiny headdress pieces, each featuring strange objects in an ornamental and ceremonial fashion. I liked the idea of using the craft of the headdress to display the objects and ideas we worship in modern society. After abandoning the idea for many years I came back to it last year with the intention of developing the original though in a more intricate, yet ambiguous fashion. Pun intended. These pieces were made in November of 2012 for the Prisma Collective’s group show “Second Sight” at Trifecta Gallery in Las Vegas." - Casey Weldon

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WODH #1 Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Aaron Glasson. WODH, World Oceans Day Hawaii 2015 Printed Oceans is PangeaSeed Foundation's fine art print program that raises awareness and educates about pressing marine environmental issues through the lens of some of today's most respected creative minds. Since 2012, we have released over 100 original fine art print editions that highlight endangered marine species and ocean habitats. These stunning editions help to bring important conservation stories into homes and workspaces the world over creating critical dialogue and inspiring positive action. Through the purchase of these carefully hand-crafted, limited edition artworks, you are not only powering the groundbreaking work of PangeaSeed Foundation in communities across the globe but also contributing to the livelihoods of our supporting ARTivists. Together, via art and activism, we can help save our oceans. PangeaSeed's second annual summer series of the groundbreaking Sea Walls: Murals for Oceans festival July 17-26 2015 in Cozumel, Mexico. Sea Walls: Murals for Oceans is the first movement of its kind helping to save our seas via public art and activism (ARTivism). PangeaSeed's second annual summer festival will feature over 25 renowned contemporary artists from across the globe collaborating to shine a greatly needed spotlight on pressing ocean environmental issues - while helping to educate and inspire individuals and communities to protect the planet's most important ecosystem: the ocean.

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Beginning of the End Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by John Vogl Graffiti Street Artist Modern Pop Art. Workshop Print number 14, made with autumnal guest printers on the afternoon of Saturday, October 11, 2014. 18 x 24 inches. Four screens on French Muscletone stock. Signed and numbered edition of 95. Released 30 October 2014.

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The Fire Swamp Limited Edition 5-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jacob Bouchard, Graffiti Street Artist Modern Pop Art. 2012 Signed & Numbered Art Limited Edition of 100 Artwork Size 16x24 Showing Westley & Buttercup From The Princess Bride Movie in The Fire Swamp. Jacob Borshard's "The Fire Swamp" is a remarkable representation of modern Pop Art, deeply rooted in the narrative-driven ethos of street art and graffiti. This limited edition silkscreen print, produced in 2012, brings to life the iconic scene from the cult classic film "The Princess Bride," featuring the characters Westley and Buttercup in the perilous Fire Swamp. It's a visually striking piece, utilizing a 5-color hand-pulled process on fine art paper, emphasizing the vivid storytelling and dramatic hues of the original scene. The artwork measures 16x24 inches, an intimate and commanding size, allowing the intricate details and layers of color to be fully appreciated. Limited to only 100 signed and numbered editions, "The Fire Swamp" presents a unique collectible for film, pop culture, and fine art enthusiasts. Borshard's creation is not just a mere reproduction; it is a creative interpretation that bridges the worlds of cinema and visual art through the lens of street-inspired aesthetics. Borshard, although not traditionally known as a graffiti artist, channels the spirit of graffiti's immediacy and its role as a public communicator through this piece. The characters are rendered with a stylized realism that nods to the roots of Pop Art, while the surrounding swamp is imbued with the complex, layered textures one might find in a mural painted on a city wall. This blending of styles and mediums is characteristic of contemporary Street Pop Art, which often seeks to dismantle boundaries between 'high' and 'low' art forms, making art accessible and resonant for a wider audience. The print's narrative quality, a defining feature of Borshard's work, is heightened by the strategic use of color and form, creating depth and movement that draw the viewer into the scene. The art captures a moment of tension and adventure, encapsulating the essence of the film's story while inviting personal interpretation and connection. Collectors of "The Fire Swamp" acquire a piece of art and a fragment of cinematic history reimagined through the artistic process. Each print, with its certificate of authenticity, becomes a testament to the lasting impact of film on visual culture and the power of art to reinterpret and revitalize stories from our collective consciousness. This limited edition print is a vibrant example of how modern Pop Art, like street art that shares its roots, can encapsulate moments of shared cultural memory in visually stunning and emotionally compelling ways.

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Floral Takeover 2017 Cream Red Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2017 Signed & Numbered Limited Edition of 200 Artwork Size 18x24 Silkscreen Print "I'm always creating new patterns for my street installs and fine art pieces. I used to buy discontinued wallpaper, but now I design and print my own. These look nice as stand-alone prints, not just repeat patterns, so I'm releasing a 200-print edition of four versions. Buy a couch to match… coming soon… just kidding!" -Shepard Fairey- OBEY. Floral Takeover 2017 Cream Red by Shepard Fairey Floral Takeover 2017 Cream Red is a hand-pulled silkscreen print by Shepard Fairey, released in 2017 as a signed and numbered limited edition of 200. Printed in two colors on cream Speckletone fine art paper, the artwork measures 18 x 24 inches. This version reverses the color balance of the companion print, placing red as the dominant field with cream floral forms layered throughout, creating a more saturated and commanding visual presence. Ornament as Occupation While rooted in decorative floral motifs reminiscent of wallpaper and textile design, Floral Takeover functions as more than ornamentation. Fairey uses repetition, scale, and bold contrast to turn pattern into visual force. The dense layering and assertive red ground echo his street practice, where imagery is used to claim space and attention. By presenting a repeat pattern as a standalone artwork, Fairey blurs the line between background design and foreground statement, transforming something traditionally passive into something confrontational and intentional. Context Within the OBEY Pattern Series This print is part of a four-version Floral Takeover series developed from patterns originally created for street installations and murals. Over time, these designs evolved into fine art editions that reflect Fairey’s interest in propaganda aesthetics, historical ornament, and visual saturation. The Cream Red variant stands out for its intensity and graphic clarity, offering a bolder counterpoint to the inverse colorway. Together, the series highlights Fairey’s ability to merge design, street art, and fine art into works that are visually elegant while still carrying the unmistakable authority of the OBEY aesthetic.

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Alone Limited Edition 1-Color Hand-Pulled Silkscreen Print on 130lb Cougar Natural Paper by Bernie Wrightson Graffiti Street Artist Modern Pop Art. AP Artist Proof 2014 Signed & Marked AP Limited Edition Artwork Size 20x30 Each print measures 20×30 and is signed by the master himself, Bernie Wrightson. These prints are hand-printed silkscreen images on heavy-weight 130lb Cougar Natural stock.

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Signal Fires Archival Print by Adrian Cox Archival Pigment Fine Art Limited Edition Print on 290gsm Bright White Moab Entrada Rag Paper Pop Artist Modern Artwork. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 17x17 The Artistic Vision of Adrian Cox's Signal Fires Archival Print Adrian Cox's "Signal Fires" is a mesmerizing contribution to the evolution of Street Pop Art and graffiti Artwork. This archival pigment fine art limited edition print encapsulates the essence of merging traditional pop art sensibilities with street and graffiti art's bold, unrestrained spirit. Printed on 290gsm bright white Moab Entrada Rag Paper, a medium chosen for its superb archival qualities and exceptional color rendition, the artwork represents a modern take on pop art with a nod to the enduring influence of street art. The dimensions of this exclusive print measure 17x17 inches, forming a perfect square that is somewhat unconventional in the world of graffiti-inspired artwork, where asymmetry and irregularity often reign. The limited edition run of only 50 prints assures each collector of unique art history, with each print meticulously signed and numbered by Cox in 2023. This personalized touch is a hallmark of street art, where the artist's direct engagement with their work is paramount. Interpreting the Symbolism in Signal Fires "Signal Fires" captures the viewer's imagination through its arresting visual narrative, set against the backdrop of a dramatic sunset. The solitary figure standing at the sea's edge, draped in a vibrant blue cloak and holding aloft a beacon of light, invites a contemplation of solitude, guidance, and the search for connection. These themes resonate deeply within Street Pop Art and graffiti Artwork. The beacon, a luminous contrast to the twilight, suggests the enduring human desire to communicate and connect across vast distances. This concept mirrors how street art communicates with its audience across the urban landscape. The nuanced play of light and shadow, the meticulous rendering of the seascape, and the circular framing of the print all speak to the complexity and depth of street art, often dismissed as mere vandalism, yet here elevated to a form of high art, capable of invoking profound emotional responses. The print, much like a piece of graffiti, occupies a space at once a part of the natural world yet distinctly apart from it, creating a dialogue between the environment and the artwork. Cultural and Aesthetic Impact of Signal Fires The cultural significance of "Signal Fires" within the Street Pop Art and graffiti Artwork movement cannot be overstated. The piece embodies the core ethos of street art - accessibility, public engagement, and a democratized approach to art consumption. Yet, through the medium of fine art printmaking, Cox elevates these principles into a form that is both collectible and enduring. The selection of Moab Entrada Rag Paper further amplifies this, ensuring that the rich textures and colors of the print will withstand the test of time, in stark contrast to the transient nature of street art. This juxtaposition of the transient and the permanent reflects a more profound narrative within the street art community, where the act of creation is often a fleeting moment, subject to the elements and the shifting dynamics of the cityscape. In "Signal Fires," Cox captures and crystallizes this transient beauty, offering a moment of reflection and permanence in a world constantly in flux. Adrian Cox and the Continuum of Street-Inspired Art Adrian Cox's role in the ongoing discourse of modern art is further solidified with "Signal Fires." His work is a vibrant thread in the tapestry of Street Pop Art and graffiti Artwork, pushing the boundaries of these genres into new and exciting territories. Cox's print stands as a beacon of innovation and cross-genre synthesis in a world where the lines between different art forms are increasingly blurred. The piece is a visual feast and a conceptual pivot point that challenges the viewer to reconsider the boundaries between high art and street art, between the gallery and the alleyway. It is a testament to the power of art to transcend these boundaries, to communicate universally, and to touch the human spirit in profound ways. Adrian Cox's "Signal Fires" captures the essence of our time, a period characterized by the intersection of traditional art forms with the pulsating energy of the streets. It is a testament to the artist's vision and the enduring power of Street Pop Art and graffiti Artwork to resonate with audiences profoundly and meaningfully.

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Music Owl AP Artist Proof Hand-Pulled 4-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. AP Artist Proof 2012 Signed & Marked AP Limited Edition Artwork Size 24x18 Metallic Gold Ink

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Sun Tree AP Artist Proof Hand-Pulled 3-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. AP Artist Proof 2010 Signed & Marked AP Limited Edition Artwork Size 18x24

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Modular Silkscreen Print by Add Fuel x Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2022 Signed & Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print "Diogo Machado aka ADD FUEL’s art functions on several levels literally and metaphorically. His pieces master the aesthetics of traditional Portuguese tile work while adding his own playful character illustrations subversively woven into the designs. These two seemingly disparate styles are so elegantly blended together that discovering the oddity within the harmony is both bizarre and joyful. The actual and faux rips ADD FUEL incorporates into his art are more than just a nod to paper, the common material of modern street art, they’re also a provocative bit of visual dissonance since tiles don’t rip. Despite the incongruity of tiles and rips, ADD FUEL’s visually seductive compositions evoke a sense of time passed and a story behind each layer." -Shepard Fairey- OBEY Modular by Add Fuel x Shepard Fairey – Obey Collaborative Silkscreen in Street Pop Art & Graffiti Artwork Modular is a 2022 collaborative silkscreen print created by Portuguese artist Diogo Machado, known as Add Fuel, and American artist Shepard Fairey, the founder of OBEY. Hand-pulled on cream Speckletone fine art paper and released in a signed and numbered limited edition of 500, this 18 x 24 inch artwork exemplifies the synergy between ornamental heritage and contemporary visual resistance. The print layers traditional azulejo tile motifs, signature to Add Fuel’s practice, with Fairey’s distinct iconography and compositional balance. Faux paper rips tear through the layers, revealing dynamic juxtapositions of classic pattern, modern pop abstraction, and a central floral mandala infused with Fairey’s visual politics. The piece vibrates with blue, red, and white tonalities, echoing the dual themes of beauty and disruption at the core of their shared visual vocabulary. Tile Motifs, Illusion, and Layered History Add Fuel’s approach to traditional Portuguese tile work is at once reverent and subversive. By reinterpreting the symmetrical elegance of ceramic motifs with unexpected figures and graphic elements, he modernizes a centuries-old medium while injecting it with conceptual humor and narrative depth. In Modular, the faux rips slice through the precision of the tiles to expose underlying designs, mimicking the distressed layering often found in urban environments. These rips are visual contradictions—tiles do not tear—yet they ground the piece in the material reality of street posters, wheatpastes, and handbills. The effect suggests a story unfolding across time, where aesthetics are built upon each other, scraped away, and reassembled to create a living history. This illusion invites the viewer to peel back their own assumptions about permanence, tradition, and identity. Shepard Fairey’s Integration and Urban Influence Shepard Fairey’s signature influence is woven into the modular structure of the work through the inclusion of bold geometric symbology and red-toned central focal points. Known for his OBEY Giant campaign and the Hope poster for Barack Obama, Fairey brings a sharply honed graphic instinct to this collaboration. His presence in Modular is not dominant but seamlessly integrated, allowing the dialogue between his political design language and Add Fuel’s ornamental fluency to unfold in harmony. The composition carries Fairey’s commitment to layering, repetition, and symbolic forms of power, contributing to the conceptual weight of the piece without overpowering the decorative base. It is a rare fusion of design-minded street art and historic pattern making, emblematic of Fairey’s mission to preserve message within form. Craftsmanship and Concept in Street Pop Art & Graffiti Artwork This silkscreen print was meticulously crafted using multiple layers of ink on Speckletone paper, a choice that echoes the street origins of both artists’ practices while elevating the final result to gallery standards. Modular’s formal tension between classic ornament and pop symbolism makes it a quintessential example of contemporary Street Pop Art & Graffiti Artwork. It reflects an evolving aesthetic where collaboration expands meaning, and where cultural pasts are not preserved in silence but animated through visual intervention. For collectors and viewers, Modular offers a tactile and symbolic experience—a print that holds the precision of tradition and the urgency of the present in perfect contradiction. It stands as a testament to the transformative power of surface, story, and subversion.

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Sunset at the Mill Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Nicole Gustafsson.

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Woods Provocateurs Limited Edition Hand Pulled 2-Color Serigraph Print on 100% Cotton Rag Archival Paper w/ Deckled Edges by Stanley Donwood Graffiti Street Artist Modern Pop Art. The Provocateurs (Chicago) Event Print. 24 x 36-inch Serigraph Signed and Numbered Edition of 200 ART ALLIANCE publishing chop on the bottom left corner.

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Magnolia Artwork Giclee Limited Edition Print on 330 G/M2 Paper by Pop Culture Graffiti Artist Conrad Roset.

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Where Redwoods Meet The Sea AP Archival Pigment Fine Art Limited Edition Print on 300gsm Signa Smooth Paper by Artist Amy Sol, Street Pop Art Graffiti Legend. AP Artist Proof 2021 Signed & Numbered 19.5x19.5 Limited Edition of 35 Where Redwoods Meet the Sea: A Limited-Edition Artist Proof by Amy Sol Where Redwoods Meet the Sea is an evocative piece by Amy Sol, an artist recognized for her unique contribution to Street Pop Art and her ability to blend elements of natural beauty with the quiet, reflective presence of her human subjects. This artwork, created as an artist-proof in 2021, captures the awe-inspiring moment when towering redwoods meet the sea's gentle waves. With only 35 limited edition prints of this piece, each signed and numbered by Sol herself, the print’s exclusivity enhances its value as a collectible in contemporary and graffiti-inspired fine art. Printed on 300gsm Signa Smooth paper, this piece maintains high color fidelity and texture, bringing Amy Sol’s serene composition to life. Amy Sol’s Artistic Exploration of Nature and Solitude Amy Sol’s style is deeply rooted in soft, naturalistic imagery, often combining elements of nature with contemplative human figures. In Where Redwoods Meet the Sea, Sol’s artistry transports viewers into a serene, forested scene where the immensity of redwood trees contrasts with the delicacy of the lone figure who stands on the edge of the forest, gazing toward the water. Her muted pastel tones and gentle shading add a dream-like quality, allowing the viewer to feel the calm and isolation in the scene. The shadows of bear-like creatures between the trees add an intriguing layer to the composition, suggesting an unspoken harmony between human presence and wildlife. This quiet scene represents Amy Sol’s ability to convey emotions and narratives through subtle details and composition. By framing the female figure within the vast landscape of trees and water, Sol explores the themes of solitude and contemplation, emphasizing the individual’s connection to the natural world. Her signature approach of combining muted colors with intricate detail invites the viewer to explore the depth and harmony within the scene, offering a moment of introspection and peace. Street Pop Art and the Influence of Graffiti Artwork Though Amy Sol’s work does not immediately resemble the bold visuals of traditional graffiti art, her integration of Street Pop Art principles is evident in the way she presents her artwork as collectible prints with limited availability. Street Pop Art, a movement that blends the accessibility of pop culture with the raw expressiveness of street art, aligns with Sol’s method of producing limited editions, such as this artist's proof. This approach preserves the exclusivity and value of each piece, much like how graffiti artists often create ephemeral works that hold unique significance. Sol’s Where Redwoods Meet the Sea embraces this ethos, offering a piece that is both highly accessible in its appeal and exclusive in its collectible nature. Amy Sol’s use of limited editions allows her work to enter spaces where fine art and street art intersect, appealing to traditional art collectors and fans of urban-inspired art. Her choice to produce only 35 artist proofs for this piece gives each print a sense of rarity, reflecting the influence of street art’s fleeting nature and the desirability of capturing a moment. This modern practice within Street Pop Art adds to its value, establishing it as a treasured item for those who appreciate fine art infused with contemporary, street-inspired aesthetics. The Collectible Value of Where Redwoods Meet the Sea As a limited artist proof, Where Redwoods Meet the Sea carries an added layer of desirability, particularly for collectors who seek unique, signed works directly from the artist. Each print, crafted on high-quality 300gsm Signa Smooth paper, ensures the longevity and richness of Sol’s detailed scene. This type of paper enhances the soft transitions in color, allowing the viewer to appreciate every aspect of the tranquil landscape. The print’s dimensions of 19.5x19.5 inches make it versatile enough for various display settings, adding a subtle yet impactful presence to any collection. Where Redwoods Meet the Sea by Amy Sol is more than just a fine art print; it is an intimate reflection of solitude, nature, and the modern art movement. Amy Sol’s blending of Street Pop Art with naturalistic elements offers collectors a contemporary piece with emotional depth and artistic quality. Each limited-edition artist proof is a testament to her skill in creating works that are as visually captivating as they are meaningful, providing a space where viewers can reconnect with nature and explore the serenity of her art.

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Obsidian 00- Blastoline 3-Color Limited Edition Stereograph Print on Fine Art Paper by Justin Anville Rare Street Art Famous Pop Artwork Artist. Obsidian 00 - 'Blastoline': During the last twenty years, there has been very difficult times for Daphne’s family, and one of the hardest moments was the loss of her fathers classic one-off automobile during the bankruptcy. Rebuilding her father’s company with supreme dedication, here she sits as a testament to his legacy with the very car that belonged to him, restored to pristine condition minus a small fortune. 3 color Serigraph - 16 x 20 inch - on smooth white stock Regular colorway in a limited edition of: 75 (w/ hand-painted detail) Signed and numbered by the artist

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Quinqueflor Mordida #11 Original 100% Recycled, Hand Cut Iron Lak Aerosol Paint Can Sculpture Artwork by graffiti street artist modern pop artist Canlove. 2015 Signed Original Mixed Media Spray Paint Can Paint Displayed With Custom Box Sculpture Artwork Size 8x8 Ready To Hang on Wall "We dubbed these flower creations Metaliflora and we’ve been experimenting with different shapes and forms for a few years. We challenged ourselves to create the greatest and most efficient use of one recycled spray paint can. The flower bloomed naturally. This series is partially about us returning to our roots. When we started cutting these flowers we wouldn’t paint them as we often do now. We’ve been venturing into this raw approach with some of our other work. It feels right to introduce it with this series as well.The can popping process always produces a unique pattern inside the can because as the marble moves around inside it leaves its tracks on the wet paint. Each flower is cut by hand and no two flowers are exactly alike. Each one is completely unique. And every box we shipped had a custom paint job." - Canlove

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Protect the Sacred Limited Edition Graffiti Artwork Offset Lithograph Print on Cream Speckle Tone Paper by street artist Shepard Fairey. 2015 Signed & Numbered 24x36 Edition of 200- Protect the Sacred, 2015 Offset lithograph in colors on thick speckled cream paper 36 x 24 inches (91.4 x 61 cm) (sheet) Ed. 200 Signed, numbered, and dated in pencil along lower edge Published by Obey Giant, Los Angeles Protect the Sacred Offset Lithograph by Shepard Fairey Protect the Sacred by Shepard Fairey is a landmark piece of Street Pop Art & Graffiti Artwork that delivers both a powerful visual experience and an urgent social message. Released in 2015 as a signed and numbered limited edition of 200, this offset lithograph is printed on thick cream Speckletone paper and measures 24x36 inches. Fairey, one of the most influential voices in contemporary street art, uses this work to amplify Indigenous voices and underscore the importance of honoring land, culture, and environmental sanctity. Symbolism and Visual Composition The composition features a young Indigenous figure standing bare-backed at the edge of a sacred body of water, flanked by a trio of wild horses. The central figure stares into the distance, symbolizing spiritual reflection, generational strength, and resistance. A bold red sun radiates behind a jagged mountain range, creating a powerful sense of harmony and tension. The sun’s rays stretch out like a mandala, suggesting divine illumination and cyclical renewal. The use of high-contrast red, yellow, and black evokes both urgency and reverence—colors often tied to warning as well as heritage. Every element in the composition has a voice. The water, rendered in rippling blocks of red and yellow, suggests instability and reflection. The horses symbolize freedom, natural power, and cultural continuity. Shepard Fairey roots this work in deep respect for Indigenous traditions and cosmologies, which hold land and nature not as resources but as sacred relations. Offset Printing as Political Tool While Shepard Fairey is globally known for his screenprint and stencil work, the choice of offset lithograph printing for Protect the Sacred is intentional. Offset printing allows for broader distribution and reproduction fidelity, aligning with Fairey’s ethos of accessible political art. The print maintains his hallmark sharp linework, layering techniques, and propaganda-inspired layout, but presents them with the finesse of a high-resolution poster. This makes the work not just a collector’s object but a tool of advocacy—designed for walls, protests, and public dialogue. Activist Roots and Cultural Solidarity This artwork was created in support of Honor the Treaties, an organization that uses art to amplify the voices of Indigenous communities fighting for environmental justice. The print foregrounds the relationship between sacred land and Indigenous sovereignty—a central concern for Native activists and water protectors across North America. Fairey’s involvement in this movement is not performative; he lends his visual language, platform, and printing resources to amplify those historically silenced. Protect the Sacred stands as a prime example of how Street Pop Art & Graffiti Artwork can transcend aesthetic to become cultural weaponry. Shepard Fairey’s offset lithograph not only reminds the viewer of past injustices but demands present accountability. It is a call to remember, a call to protect, and a call to listen.

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Flower Power Blue AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2021 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Blue Lotus Flower &Electric Power Lines. "These Flower Power prints are a symbolic urge for a concerted effort to transition off of fossil fuels and to sustainable energy sources. Life, as we know it on Earth, will depend on this transition happening with the support of citizens, government, and corporations. Read "This Changes Everything" by Naomi Klein if you'd like a strong analysis of the severity of the climate crisis and the urgency to transition off of fossil fuels. Proceeds from these prints will benefit 350.org to support their work around the climate emergency. Thanks for caring." -Shepard Fairey Shepard Fairey, the mind behind the iconic OBEY imagery, once again channels his signature blend of street and pop art in the "Flower Power Blue AP" silkscreen print. An emblem of countercultural movement, Fairey's piece presents a striking juxtaposition of the serene blue lotus flower against the industrial backdrop of electric power lines. Cast on Speckletone Fine Art Paper, this hand-pulled screen print not only exemplifies the artist's meticulous craftsmanship but also carries a poignant and timely message. The "Flower Power" series, which this print is a part of, stands as a clarion call for humanity's pivot from environmentally harmful fossil fuels to more sustainable energy sources. This transition, as Fairey suggests, is not just a matter of technological or economic feasibility; it is an imperative for the continuity of life as we understand it. The reference to Naomi Klein's "This Changes Everything" underscores the severity of the looming climate crisis, offering readers a comprehensive analysis of our current ecological predicament and the urgency with which we must act. Beyond its aesthetic appeal and socio-political commentary, the artwork demonstrates Fairey's commitment to environmental advocacy. Proceeds from the sale of these prints are directed to 350.org, an organization at the forefront of the global movement to address climate change. Such initiatives are emblematic of Fairey's approach to art — one that is not just visually stimulating but also deeply rooted in activism and the broader call to collective action. Through this masterful piece, Shepard Fairey once again reiterates the power of art in shaping conversations, influencing change, and fostering a more conscious global community.

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M. Amanita Attersee Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Matt Gordon pop culture LSD artwork. Matt Gordon is a mixed media artist who strives to make well-crafted and highly detailed acrylic paintings and pencil drawings, along with the occasional 3-D fabrication thrown in there to satisfy sculptural needs and to provide live models for things that don't really exist but need to look like they do.

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No End In Sight HPM Embellished Archival Print by Chris Austin Limited Edition on Fine Art Paper Pop Graffiti Street Art Artist Modern Artwork. 2023 Signed & Numbered Hand Paint Multiple Embellished Print Limited Edition of 10 Artwork Size 36x16 Archival Pigment Fine Art of a Shark Flying Trough Burning Woods "No End In Sight," an HPM (Hand Paint Multiple) embellished archival print by renowned artist Chris Austin, showcases an exciting convergence of pop, graffiti, and street art aesthetics in the modern art scene. Born out of 2023, this limited edition of only ten pieces elevates exclusivity and fine art appreciation to new heights. Embodying Austin's distinctive stylistic voice, the work manifests as a striking 36x16 fine art paper print. Through a careful interplay of vibrant colors, edgy outlines, and pop culture elements, Austin successfully captures a startlingly novel image of a shark flying through burning woods. This potent metaphorical scene underscores the artist's skillful versatility, giving life to inanimate objects, subverting the laws of nature, and pushing the boundaries of reality. The archival pigment used in the artwork ensures longevity, preserving the intensity of the hues and the fine details of the composition for future generations to appreciate. The hand embellishment process introduces an additional layer of authenticity and depth, giving each of the limited-edition prints a unique quality. Austin's signature and the print number further enhance the work's value, verifying its origin and rarity. Whether you're an ardent lover of pop, graffiti, or street art, "No End In Sight" serves as a testament to Austin's prowess and the uncharted potential of these intertwined art genres. This piece not only commands attention but also incites thought, sparking conversations around perception, imagination, and the unbounded possibilities within the realms of art. In essence, "No End In Sight" by Chris Austin reflects the pulse of modern art as it continues to evolve and challenge traditional norms. This HPM embellished archival print, with its limited availability and arresting imagery, represents a prized possession for any art enthusiast or collector, a testament to Austin's enduring impact on contemporary visual culture.

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Big Slick Aloha Silkscreen Print by OG Slick x The Beautiful Losers Hand-Pulled on 30in Circle Hand Deckled Fine Art Paper Limited Edition Screenprint Artwork. 2024 Signed & Numbered Limited Edition of 99 Artwork Size 30in Diameter Circle  Silkscreen Print Smiley Face Hands Holding Spray Paint Can Spraying Hawaiian Flower. Big Slick Aloha: A Vibrant Celebration of Hawaiian Street Pop Art Big Slick Aloha, created by OG Slick in collaboration with The Beautiful Losers, is a striking example of Street Pop Art and Graffiti Artwork that captures the essence of Hawaiian culture infused with urban artistry. This 2024 hand-pulled silkscreen print is crafted on a 30-inch circular piece of hand-deckled fine art paper, offering a unique tactile and visual experience. Limited to a signed and numbered edition of 99, this work combines OG Slick’s signature Smiley Face motif with a playful yet meaningful Hawaiian twist, featuring hands holding a spray paint can, creating a vibrant hibiscus flower and rainbow. OG Slick and the Cultural Context of Big Slick Aloha OG Slick, an artist hailing from Hawaii, is renowned for blending graffiti culture with the rich heritage of the islands. Big Slick Aloha exemplifies his ability to merge traditional Hawaiian symbols with contemporary street art techniques. The hibiscus flower, a key element of the piece, is a symbol of Hawaiian beauty and identity, while the rainbow evokes the natural wonder of the islands. Slick’s use of his iconic Smiley Face motif brings a universal sense of joy and unity, connecting local culture with global urban art traditions. By collaborating with The Beautiful Losers, known for their focus on street-inspired narratives, this artwork stands as a testament to the enduring influence of Hawaiian culture in contemporary art. Visual Elements and Symbolism in Big Slick Aloha The composition of Big Slick Aloha is both bold and inviting, featuring a vibrant yellow backdrop that radiates energy and positivity. The central Smiley Face, adorned with expressive hands holding a spray paint can, captures the playful yet rebellious spirit of graffiti art. The spray can releases a delicate red hibiscus flower, symbolizing Hawaiian pride and natural beauty, while a rainbow arcs across the piece, representing hope and connection. The surrounding clouds add depth and movement, creating a harmonious blend of natural and urban imagery. The circular design emphasizes unity and inclusivity, making the artwork universally appealing while staying true to its Hawaiian roots. Craftsmanship and Limited Edition Appeal Big Slick Aloha is a masterclass in silkscreen printing, showcasing OG Slick’s dedication to craftsmanship and detail. The hand-pulled technique ensures the vibrancy and precision of each layer, while the hand-deckled edges of the fine art paper add a unique, tactile dimension. With only 99 editions available, each signed and numbered, this artwork is highly coveted by collectors and enthusiasts of Street Pop Art and Graffiti Artwork. Big Slick Aloha is not only a celebration of Hawaiian culture but also a reminder of the universal power of art to bring joy, reflect identity, and inspire creativity.

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Humboldt Snow- Stoned Eye Edition Mini Nug Limited Run Handmade & Painted Art Toy Collectible Artwork by pop artists Nugg Life NY- Ian Ziobrowski. 2021 Limited Run of 20, Cannabis/Marijuana-themed plant tribute with colorful handmade hand-painted accents. Mini Nug stands about 2.5-3 inches tall and is handmade, painted, and assembled with an NYC delivery container. Limited run signed and numbered. 2.5-3 inches tall - Made with clay, wire, and resin each one is hand-painted and assembled. Deep in Nothern Cali, the snowy mountains have helped established. one of the most epic strains in its counties HUMBOLDT SNOW. Don't be fooled by this pleasantly looking strain, 1 too many tokes might leave you laid out on the snowy floor to wake up like a popsicle.

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Floral Takeover 2017 Red Cream Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2017 Signed & Numbered Limited Edition of 200 Artwork Size 18x24 Silkscreen Print "I'm always creating new patterns for my street installs and fine art pieces. I used to buy discontinued wallpaper, but now I design and print my own. These look nice as stand-alone prints, not just repeat patterns, so I'm releasing a 200-print edition of four versions. Buy a couch to match… coming soon… just kidding!" -Shepard Fairey- OBEY. Floral Takeover 2017 Red Cream by Shepard Fairey Floral Takeover 2017 Red Cream is a hand-pulled silkscreen print by Shepard Fairey, released in 2017 as part of a limited edition of 200. Printed in two colors on cream Speckletone fine art paper, the artwork measures 18 x 24 inches and is signed and numbered by the artist. The composition features an all-over floral pattern rendered in Fairey’s signature red, drawing inspiration from ornamental wallpaper, textile design, and historic decorative motifs. Pattern, Power, and Subversion At first glance, Floral Takeover appears purely decorative, but the repetition and scale transform the pattern into something more assertive. Fairey has long used pattern as a form of visual occupation, echoing his street practice of wheatpasting and large-scale installations. The floral imagery references traditional wallpaper and domestic design, yet its bold color and dense layout give it a confrontational presence. By elevating a repeat pattern into a standalone fine art print, Fairey challenges the boundary between decoration and statement, turning ornament into a vehicle for cultural takeover. Place Within the OBEY Body of Work This print belongs to a broader series in which Shepard Fairey explores pattern-making as both a design exercise and a conceptual tool. Originally developed for street installs, these patterns evolved into collectible fine art works that reflect his interest in propaganda aesthetics, repetition, and visual saturation. Floral Takeover 2017 Red Cream stands out for its balance of elegance and intensity, offering a quieter yet still commanding example of Fairey’s practice. As part of a four-version release, it has become a sought-after piece for collectors who appreciate the graphic and ornamental side of the OBEY canon.

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WODH Poster #3 Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Celeste Byers. WODH, World Oceans Day Hawaii 2015 Printed Oceans is PangeaSeed Foundation's fine art print program that raises awareness and educates about pressing marine environmental issues through the lens of some of today's most respected creative minds. Since 2012, we have released over 100 original fine art print editions that highlight endangered marine species and ocean habitats. These stunning editions help to bring important conservation stories into homes and workspaces the world over creating critical dialogue and inspiring positive action. Through the purchase of these carefully hand-crafted, limited edition artworks, you are not only powering the groundbreaking work of PangeaSeed Foundation in communities across the globe but also contributing to the livelihoods of our supporting ARTivists. Together, via art and activism, we can help save our oceans. PangeaSeed's second annual summer series of the groundbreaking Sea Walls: Murals for Oceans festival July 17-26 2015 in Cozumel, Mexico. Sea Walls: Murals for Oceans is the first movement of its kind helping to save our seas via public art and activism (ARTivism). PangeaSeed's second annual summer festival will feature over 25 renowned contemporary artists from across the globe collaborating to shine a greatly needed spotlight on pressing ocean environmental issues - while helping to educate and inspire individuals and communities to protect the planet's most important ecosystem: the ocean.

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Flower Vine Black Red AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2009 Signed & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print. Flowers Growing on Vines in a Luxury Stylized Pattern. Shepard Fairey Flower Vine Black Red AP 2009 Silkscreen Print Shepard Fairey, born Frank Shepard Fairey in the United States, created Flower Vine Black Red in 2009 as part of his continued exploration of ornamental pattern, repetition, and graphic reduction within Street Pop Art & Graffiti Artwork. This Artist Proof edition is signed and marked AP, distinguishing it from the standard numbered run and identifying it as a smaller subset traditionally reserved by the artist. The hand pulled two color silkscreen measures 18 x 24 inches and is printed on cream Speckletone fine art paper, a textured stock frequently used in Obey releases for its durability and vintage tone. Fairey’s practice often merges decorative motifs with bold propaganda inspired aesthetics, and this print reflects his ability to elevate wallpaper like pattern into a collectible fine art format. Ornamental Repetition and Graphic Authority in Street Pop Art & Graffiti Artwork The composition features an all over floral vine pattern rendered in deep black against a saturated red background. Stylized blossoms and curling stems interweave in a symmetrical yet flowing arrangement, punctuated by subtle emblematic details that echo Fairey’s recurring iconography. The two color limitation intensifies the visual impact, relying on contrast and negative space rather than layered gradients. This disciplined reduction aligns with principles found in Street Pop Art & Graffiti Artwork, where bold repetition and strong silhouettes command attention in public space. By transforming a traditionally decorative floral motif into a high contrast, poster scale print, Fairey bridges the gap between domestic ornamentation and street driven graphic force. Artist Proof Editions and the Evolution of Obey Pattern Work Artist Proof prints hold particular importance in fine art printmaking because they represent impressions outside the main edition and often remain closely tied to the artist’s archive. Within Street Pop Art & Graffiti Artwork, AP markings reinforce authenticity and scarcity while highlighting the handcrafted nature of silkscreen production. Flower Vine Black Red demonstrates Fairey’s interest in pattern as both aesthetic surface and ideological framing device, showing that repetition itself can become a powerful visual statement. Through precise hand pulled execution and controlled color fields, this 2009 silkscreen stands as a refined example of how ornamental design can be recontextualized within contemporary Street Pop Art & Graffiti Artwork.

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Island Yachting 84 Original One of a Kind Oil Mixed Media Painting Artwork on Masonite Board by Popular Modern Impressionist Artist Peter Keil. 1984 Signed 24x12 Original Peter Keil Painting of Boats on the Lake Unveiling "Island Yachting '84" by Peter Keil "Island Yachting '84" is an original oil mixed media painting on Masonite board, a distinctive piece by Peter Keil, a celebrated modern impressionist artist. Signed and dated in 1984, this 24x12 artwork depicts a vibrant scene of boats on a lake, a subject that Keil approaches with his characteristic abstract flair and robust use of color. His portrayal of the yachting scene is not confined to the mimetic representation but is a lively expression of the scene's rhythm and the artist's emotional response. This piece exemplifies Keil's integration of Street Pop Art and Graffiti Artwork aesthetics into his impressionistic style. This synthesis has marked his place in modern art. Keil's choice of Masonite board as his canvas reflects his affinity for mediums that resonate with the authenticity and rawness of street art. The material's inherent durability and smooth surface make it an ideal foundation for Keil's vigorous painting style, allowing for the thick application of oil paint, a hallmark of his work. The textural qualities of "Island Yachting '84" give it a tactile presence and capture the transient effects of light and movement, much like the fleeting nature of graffiti art. The Artistic Merit of "Island Yachting '84" The artistic merit of "Island Yachting '84" lies in its dynamic composition and the expressive power of its brushwork. The sweeping gestures and bold contours that define the boats and their reflections in the water demonstrate Keil's prowess in conveying motion and depth. The painting's foreground is dominated by dark, silhouetted figures that starkly contrast the brightly colored yachts, creating a visual dialogue between the elements. This technique of determining light and dark, color and form, is reminiscent of the dramatic tension found in street murals and pop art imagery, a quality that Keil masterfully incorporates into his work. Keil's employment of mixed media also indicates his experimental approach to art-making. By combining various materials and techniques, he crafts a complex visual experience that challenges traditional boundaries and evokes the layered textures of urban street art. "Island Yachting '84" is thus not only a representation of a lakeside leisure activity but a manifestation of the artist's innovative spirit and contribution to the discourse of Street Pop Art and Graffiti Artwork. Impact and Legacy of Peter Keil's Work The impact and legacy of Peter Keil's work, as exemplified by "Island Yachting '84," are deeply rooted in his ability to infuse traditional impressionist motifs with the energy and spontaneity of street art. His distinctive style, characterized by an expressive use of line and color, has influenced a generation of artists who seek to bridge the gap between the gallery and the street. Keil's paintings are celebrated for their vivacity and capacity to engage viewers on both an aesthetic and visceral level. Moreover, "Island Yachting '84" reflects Keil's broader vision for art as a medium that is accessible and relatable. His deliberate choice to work with materials and subjects directly correlating to everyday experiences speaks to his desire to democratize art, a principle at the heart of Street Pop Art and Graffiti Artwork. Through pieces like this, Keil invites the viewer to partake in a visual journey that is both intimate and universal, a journey that is underscored by the unifying power of art. "Island Yachting '84" is a testament to Peter Keil's innovative blending of genres, a vibrant piece that captures the essence of his artistic inquiry. It is a compelling example of how the sensibilities of Street Pop Art and Graffiti Artwork can be translated into a more traditional art form, maintaining their inherent vibrancy and immediacy. As Keil's work continues to inspire and resonate, "Island Yachting '84" remains a significant piece within the oeuvre of an artist who has consistently pushed the boundaries of expression and form.

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Flower Vase HPM Risograph Print by MCXT- Monica Canilao x Xara Thustra Riso Print on Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Stamped Mark on Back  HPM Embellished Limited Edition Artwork Size 7x8.5 Mild Crease Across Middle, Does Not Affect Overall Presentation Flower Vase HPM Risograph Print by MCXT: Collaborative Layers of Identity in Street Pop Art & Graffiti Artwork The Flower Vase HPM Risograph Print by MCXT—an artist collective composed of Monica Canilao and Xara Thustra—presents a layered, thought-provoking fusion of symbolism, activism, and material experimentation. Created in 2023, this limited edition 7 x 8.5 inch print on fine art paper merges risograph printing with hand-painted embellishments, making each piece a unique variation within a shared conceptual framework. The initials HPM refer to Hand Painted Multiple, which emphasizes the individual attention and craftsmanship given to each edition. Stamped on the reverse to certify its authenticity, this print operates at the crossroads of fine art and protest culture, reinforcing MCXT’s ethos of resistance, identity, and transformation through collaborative creation. Symbolic Imagery and Hidden Messaging At first glance, the Flower Vase Risograph Print appears as a tranquil floral composition, centered around a bold orange vase filled with abstract botanicals. Upon closer inspection, the piece reveals a more intricate and layered composition involving hidden text, translucent motifs, and faint echoes of anatomical and architectural elements. Embedded in the center is the faintly visible image of a saxophone, subtly forming the stem of the central bloom—an emblem of both improvisation and expression. Faint text appears above the vase, partially obscured by leafy overlays and risograph gradients, asking the viewer to confront themes of censorship, freedom of identity, and emotional honesty. The surrounding embellishments include stenciled circles, starburst patterns, and holographic stickers, all adding a dimensional, near-sacred quality to the work. Monica Canilao and Xara Thustra’s Collaborative Process As MCXT, Monica Canilao and Xara Thustra merge their distinct visual languages into a singular voice that speaks to marginalized identity, radical love, and cultural reclamation. Monica Canilao, based in Oakland, California, is known for her intricate mixed-media work using found materials and references to folk traditions. Xara Thustra, also a Bay Area icon, gained prominence through politically charged graffiti, public murals, and zines that challenge binary constructs and consumer-driven culture. Together, their work in the MCXT collective channels a mix of spiritual resonance and punk sensibility. This print, like much of their output, challenges the viewer to question what is decorative versus what is dissent. Riso Aesthetics as a Tool of Resistance in Pop Street Forms The use of risograph printing is not merely aesthetic but political. It speaks to underground publishing, DIY zine culture, and community-accessible production methods. The imperfect textures, overlapping tones, and color registration flaws are embraced as part of the visual identity of the work. These imperfections contrast the slickness of commercial art, aligning MCXT’s production with grassroots art activism. The additional hand-painted elements in the Flower Vase HPM Print turn each version into a one-of-a-kind expression, reaffirming the collective’s belief in autonomy and impermanence within art-making. As a piece of Street Pop Art & Graffiti Artwork, it is both a visual poem and a quiet rally cry—a message coded in color, form, and spirit.

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