Morsel HPM Archival Print by Laura Bifano

Artwork Description

Morsel Limited Edition Archival Pigment Hand-Embellished Prints on 330gsm Fine Art Paper by Laura Bifano Graffiti Street Artist Modern Pop Art.

"The painting was originally done for a show at Thinkspace Gallery called “Picks of the Harvest.” I had played around with a few ideas initially, but nothing seemed to take shape until I took a road trip up Vancouver Island to visit family. The scenery was stunning emerald green farmland dotted with grazing sheep, so I used that as a jumping-off point for the painting. I’ve always loved English Pastoral paintings and knew right away that I wanted to do something in a similar vein. I decided to introduce a predatory element to this otherwise idyllic scene, and a family of Wolves seemed appropriate. At the time I was also watching a steady stream of BBC nature documentaries and it got me in a contemplative mood, thinking about the cycles of life, death, and rebirth. I think that introducing the element of these artificial pixel sheep adds a touch of whimsy and levity to an otherwise morbid image." - Laura Bifano

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$77.00

    Morsel Limited Edition Archival Pigment Hand-Embellished Prints on 330gsm Fine Art Paper by Laura Bifano Graffiti Street Artist Modern Pop... Read more

    • Morsel HPM Archival Print by Laura Bifano
    • Year: 2016
    • Size: 16x14
    • Artist: Laura Bifano
    • Edition of: 20
    • Archival Pigment Print on 310gsm Fine Art Paper
      • Not Framed
      • Signed: Yes
      • Colors: Green, Brown

      Artwork Description

      Morsel Limited Edition Archival Pigment Hand-Embellished Prints on 330gsm Fine Art Paper by Laura Bifano Graffiti Street Artist Modern Pop Art.

      "The painting was originally done for a show at Thinkspace Gallery called “Picks of the Harvest.” I had played around with a few ideas initially, but nothing seemed to take shape until I took a road trip up Vancouver Island to visit family. The scenery was stunning emerald green farmland dotted with grazing sheep, so I used that as a jumping-off point for the painting. I’ve always loved English Pastoral paintings and knew right away that I wanted to do something in a similar vein. I decided to introduce a predatory element to this otherwise idyllic scene, and a family of Wolves seemed appropriate. At the time I was also watching a steady stream of BBC nature documentaries and it got me in a contemplative mood, thinking about the cycles of life, death, and rebirth. I think that introducing the element of these artificial pixel sheep adds a touch of whimsy and levity to an otherwise morbid image." - Laura Bifano

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