New York City NYC

Pete Alonso Limited Edition Giclee Print on Fine Art Paper by Robert Bruno counter-culture street artist art. AP Artist Print. Pete Alonso of the Baseball Team New York Mets.

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No Sleep Till Brooklyn- Test Black 4-Color Mixed Edition Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Tim Oliveira Rare Street Art Famous Pop Artwork Artist. Test Print. ME Mixed Edition Print, The Prints Vary In Color Through The Numbers of The Edition. 76 different silkscreen colors and variants in one edition. Signed and numbered, date stamped on back. The name of this print run has a double meaning to me. I decided to release it on August 5th to pay tribute to the Beastie Boys legend MCA (Adam Yauch); his birthday. Growing up, just about every day after school I would grab my basketball and head to the park or Boy's Club for some pickup games. Most of the time it was Beastie Boys on my walkman when I made the walk. They have always been a big influence on me. Also, no sleep till I feel confident with enough artwork for a solo show in Brooklyn. It may be a few years out, but I will keep trying to juggle family life, a regular job, and artwork with many late nights... -Tim Oliveira

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Another New York Classic Archival Print by Tats Cru x BIO- Wilfredo Feliciano Limited Edition Print on 290gsm Moab Entrada Fine Art Paper Pop Artist Modern Artwork. 2021 Signed & Numbered Limited Edition of 50 Artwork Size 17x17 Archival Pigment Fine Art The Fusion of Street Heritage and Fine Art in "Another New York Classic" by Tats Cru x BIO "Another New York Classic" stands as a powerful testament to the vibrant energy of New York's street art scene, encapsulated in an archival print by the legendary Tats Cru and BIO, also known as Wilfredo Feliciano. This 2021 limited edition print on 290gsm Moab Entrada fine art paper merges the gritty aesthetics of street graffiti with the enduring qualities of fine art, a hallmark of the collective's work over the decades. The 17x17 inch artwork is brought to life with archival pigment, ensuring the vivid colors and intricate details remain as intended for years. This piece is signed and numbered, part of a limited run of just 50, solidifying its status as a collectible. Tats Cru, a group of Bronx-based graffiti artists and muralists, has been instrumental in elevating graffiti from street corners to galleries while maintaining the authenticity of the craft. BIO, a founding member, brings his distinct flair to this print, showcasing the intricate lettering and bold color schemes that have made their work iconic. BIO's Artistic Legacy and the Prestige of Tats Cru BIO's contributions to the art world through Tats Cru have been multifaceted, demonstrating that street art is not just a form of urban expression but a sophisticated, evolving art form. "Another New York Classic" exemplifies the group's ability to transform graffiti's raw power and visual language into pieces that resonate with a broad audience. Their work has always been a dialogue between the artist and the bustling city life, with each piece serving as a narrative of New York's cultural and artistic history. The inclusion of archival pigment in the creation of "Another New York Classic" is a nod to the collective's understanding of the importance of legacy in art. It's a celebration of the craft's journey from ephemeral street art to lasting works of fine art. The print is not merely a reproduction but a continuation of the conversation between street culture and the broader art community, a narrative that Tats Cru and BIO have been central in shaping. "Another New York Classic": A Celebration of Graffiti's Evolution In "Another New York Classic," the traditional elements of graffiti — the stylized letters, the vibrant colors, and the sense of movement — are all present. However, they are rendered with a precision and permanence that only a fine art print can provide. This work celebrates the evolution of graffiti from an act of rebellion to a respected and sought-after artistic genre. It acknowledges the roots of street pop art and graffiti artwork while showcasing the maturity and depth the form has achieved. "Another New York Classic" by Tats Cru x BIO is a vibrant homage to the enduring legacy of New York's graffiti art scene. As a limited edition print, it represents a piece of New York's cultural tapestry and a significant artifact within the street pop art movement. It is a testament to Tats Cru's and BIO's commitment to their craft and their role in the ongoing narrative of street art's place within the pantheon of modern art. This print stands as a beacon of the transformative power of street art and its ability to capture the essence of a time, a place, and a movement.

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Mick Jagger New York Original Oil Painting by Peter Keil One of a Kind Artwork on Foam Board Framed Panel by The Wild Man of Berlin,  a Famous Contemporary Artist. 1985 Signed by Peter Keil & Dated Oil Painting on Masonite Panel Original Artwork Size 28.5x37.5. All of Peter Keil's Art Used Thick Paint & Some Paint Flaking May Be Present Due to the Age and Nature of His Work. Painting of Rolling Stones Mick Jagger Head & Face Smoking a Cigarette. The Foam Panel is Bowing Inward Out The Back of the Frame and hangs Slightly Off the Wall. Capturing the Iconic: Peter Keil's Portrayal of Mick Jagger Peter Keil's "Mick Jagger New York" is an original oil painting that captures the essence of one of rock and roll's most iconic figures. Created in 1985 and framed on a foam board panel, this piece represents Keil's vibrant and expressionistic style. The artwork, signed and dated by the artist known as The Wild Man of Berlin, measures 28.5 x 37.5 inches, reflecting Keil's penchant for creating bold art. Within the pop art tradition, Keil's depiction of the Rolling Stones' lead singer is a perfect amalgam of celebrity culture and artistic innovation. The use of thick, textured paint is typical of Keil's technique, adding depth and intensity to the image of Mick Jagger, portrayed with a cigarette elegantly dangling from his lips. The potential presence of paint flaking adds a dimension of authenticity and history to the piece, speaking to the natural aging process of Keil's chosen mediums and the enduring nature of his works. The painting is more than a mere likeness of the famed musician; it is a narrative piece that conveys Jagger's persona's raw charisma and enduring legacy. Keil's use of color and form breaks from conventional portraiture, instead providing a window into the subject's soul, capturing the essence of Jagger's public and private personas. In the broader context of street pop art and graffiti artwork, Keil's painting stands out for its embrace of pop culture icons and its ability to translate that into a fine art context. The work aligns with the spirit of street art, which often appropriates popular imagery to make statements about society, fame, and the passage of time. Keil's painting does this with reverence and creativity, ensuring that "Mick Jagger New York" is not just a portrait but a piece of cultural history. In essence, Keil's work is a testament to the fusion of street art sensibilities with the sophistication of fine art. His portrayal of Mick Jagger is imbued with a sense of immediacy and intimacy, often the hallmark of the best street-inspired art. Through this painting, Keil continues to challenge and expand the boundaries of contemporary art, securing his place as a pivotal figure in the evolution of pop art and its intersection with street aesthetics.

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I Heart NY Nerm Nermal Limited Edition Anatomy Vinyl Art Toy Collectible Artwork by Street Brand Artists Rip N Dip. 2022 Limited Edition of 150 Size 14-inch Nerm Nermal Vinyl Figure I Heart NY Dissected Art Toy. New In Box. 14 inch I Heart NY Lord Nermal Vinyl Figure Created To Celebrate Our New NYC Flagship Store Opening I Heart NY Heart printed on chest and Bottom Of Foot

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Graffiti Dream 2-Color Hand-Pulled Limited Edition Silkscreen Print on 100lb Cougar Fine Art Paper by Rare Street Art Famous Pop Artwork Artist Mr André. Andre Saraiva Graffiti Dream 24" x 36" 4 Color Hand-Pulled Screen Print on Cougar White 100 lb cover Edition of 150 Signed and numbered by Andre

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Domino Sugar Hand-Pulled 5-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2014 Signed & Numbered Limited Edition of 90 Artwork Size 18x12

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Eye Heart NY 2-Color Hand-Pulled Limited Edition Risograph Print on Fine Art Paper by Buff Monster Rare Street Art Famous Pop Artwork Artist.

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NYC Taxi Limited Edition Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. 2020 Stamped on Verso Bobby Hill (b. 1973), is a New York-based visual artist whose career started as an illustrator. He began painting on canvas in 2008 after returning to the US from his first trip overseas,. His recent canvases combine ripped NYC billboard posters with elements of abstract expressionism, pop imagery, and graffiti... to create what he calls “The Bhillboards Collection.”

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Supreme NYC HPM Acrylic Archival Print by Daniel Loveridge Fine Art Hand-Embellished Limited Edition on 290gsm Moab Entrada Rag Bright Paper Artist Artwork. 2023 Signed & Numbered Acrylic Paint Hand Embellished Limited HPM Edition of 5 Artwork Size 17x14 "Daniel Loveridge’s gritty canvases seamlessly capture urban decay's raw and unrepentant beauty. Working predominantly in acrylic and ink on canvas, Loveridge paints en plein air, as he has for his sixteen-year-long career. Dilapidated interior scenes comprise the majority of the artist’s oeuvre. Abandoned buildings rife with decomposing tin and concrete walls are intensified by brilliantly pigmented patches of graffiti throughout his compositions." -House of Roulx

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Spin Magazine Webster Hall NYC 2005 Offset Lithograph Print Limited Edition Event Artwork on Fine Art Paper by Shepard Fairey, an urban graffiti pop street artist. 2005 Signed & Numbered Limited Edition of 500 Spin Magazine 20th Anniversary Bash Print by Shepard Fairey Webster Hall, NYC | Sept 28th, 2005 Offset Print on Heavy Paper Signed by the Artist [2005] Size: 23" x 32" Minor creasing and nicks to the outer margins are consistent with age, see photos.

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Obscure Art Book Tagged by Zes Zeser x The Seventh Letter Rare Limited Edition Modern Pop Graffiti Urban Culture Artworks Reference. 2014 Tagged Across Cover Signed Limited Edition of 2000 Book Size 9.5x6.5 Number of Pages 121 of Zes aka Zaser Graffiti Art & Artworks. This hardcover edition features white boards with a distinctive black circle on both the front and back covers, complemented by black lettering along the spine. The book is unpaginated, containing 121 pages filled with full-page black and white photographic images by Zes. Obscure Art Book Tagged by Zes Zeser: A Rare Limited Edition in Modern Pop Graffiti Art The Obscure art book by Zes, also known as Zeser, is a rare and highly sought-after limited edition publication that showcases the raw and immersive world of modern pop graffiti artwork. Limited to just 2000 copies, this hardcover book encapsulates the essence of urban culture through 121 pages of compelling black and white photography. The book serves as a crucial reference for enthusiasts of street pop art and graffiti artwork, offering an authentic glimpse into the artistic vision of one of Los Angeles' most influential graffiti artists. Design and Aesthetic of the Limited Edition This 2014 limited edition features a minimalist yet striking design. The hardcover is adorned with white boards contrasted by a bold black circle on both the front and back covers, lending a stark and impactful visual identity. The spine carries black lettering that simply states "Obscure," encapsulating the enigmatic nature of the content within. The book measures 9.5 x 6.5 inches, a compact but substantial format that allows for an intimate viewing experience of Zes' photography and artistic expressions. A particularly notable aspect of this edition is the hand-tagged cover, making each copy unique. Zes, a figure deeply rooted in Los Angeles' street pop art and graffiti artwork movement, has left his signature mark across the cover, enhancing its value as a collector’s piece. This tagging reinforces the authenticity of the book as a product of the graffiti subculture, where signatures and tags are a fundamental form of artistic identity. Exploring the Depth of Street Pop Art and Graffiti Artwork The content of Obscure is presented without pagination, allowing the viewer to immerse themselves fully in the visual narrative created by Zes. The book is composed entirely of full-page black and white photographic images, capturing moments from the urban environment through the lens of a graffiti artist. The monochrome aesthetic amplifies the raw energy of the streets, portraying the grit, dynamism, and rebellion inherent in graffiti culture. Zes, a Los Angeles native, has been an active figure in graffiti since the 1990s. His work often explores themes of movement, space, and identity, reflecting the transient and often ephemeral nature of street art. Unlike traditional gallery works, graffiti is inherently impermanent, subject to removal, destruction, or layering by other artists. This book serves as a crucial documentation of Zes' work, preserving moments that might otherwise be lost to time. The Significance of Obscure in Urban Art Culture Obscure stands as more than just a photobook; it is a historical artifact of a significant era in street pop art and graffiti artwork. With mainstream art institutions increasingly recognizing the legitimacy of graffiti as a powerful form of contemporary expression, works like this book provide essential documentation of artists who shaped the culture from the ground up. The book captures the tension between creation and destruction, anonymity and recognition, which are defining elements of the graffiti world. For collectors, urban art enthusiasts, and scholars studying street pop art and graffiti artwork, this book is an essential reference. The fact that it is a limited edition, hand-tagged by the artist, only increases its rarity and desirability. Zes' work continues to influence and inspire a new generation of artists who navigate the evolving landscape of urban expression, making Obscure an invaluable piece of graffiti history.

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Puerto Rican Day Parade... 2008 Archival Print by Joe Conzo Jr Limited Edition on 290gsm Moab Entrada Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed Print Limited Edition of 5 Artwork Size 20x16 Archival Pigment Fine Art of Woman Wrapped in a Puerto Rican Flag. Puerto Rican Day Parade... 2008 Archival Print by Joe Conzo Jr The Puerto Rican Day Parade... 2008 archival print by Joe Conzo Jr. is a striking visual celebration of culture, identity, and pride. Created in 2023 as a limited edition of only five signed and numbered prints, this artwork encapsulates a poignant moment from the 2008 Puerto Rican Day Parade. The image is rendered on 290gsm Moab Entrada Fine Art Paper using archival pigment techniques, ensuring the longevity and vibrancy of the print. Measuring 20x16 inches, the artwork captures the essence of a woman wrapped in a Puerto Rican flag, set against the backdrop of a serene park, highlighting the personal and cultural significance of the event. Joe Conzo Jr.’s Connection to Puerto Rican Culture Joe Conzo Jr., born in 1963 in New York City, is renowned for his ability to capture authentic moments of cultural and historical importance through his lens. Known as the man who documented the rise of hip-hop, Conzo is equally celebrated for his work that explores the experiences and expressions of the Puerto Rican community. This archival print, showcasing a participant at the parade draped in the Puerto Rican flag, speaks to Conzo’s deep connection to his heritage and his dedication to preserving its visual history. The flag serves as both a literal and symbolic representation of pride, unity, and resilience, elements central to Puerto Rican identity. The Significance of the Puerto Rican Day Parade The Puerto Rican Day Parade is a vibrant celebration of the island’s culture, heritage, and contributions, particularly within the diaspora. Held annually in New York City, the event attracts thousands of participants and spectators, serving as a powerful expression of cultural pride and solidarity. Conzo’s photograph from the 2008 parade captures the quieter, reflective side of the festivities. By focusing on an individual wrapped in the flag, the image brings an intimate perspective to an event often defined by its energy and spectacle. The juxtaposition of the figure with the surrounding park environment underscores the layered experiences of identity and belonging. Modern Artwork and Street Pop Art Influences This archival print is not just a documentary photograph but also a work of modern art that aligns with the ethos of Street Pop Art and Graffiti Artwork. Conzo’s use of framing, contrast, and cultural symbolism transforms a fleeting moment into a timeless piece of visual storytelling. The inclusion of urban elements, such as metal barriers and park benches, grounds the image in the lived reality of the city, echoing themes common in graffiti and street art. The limited edition format further elevates the work, making it a rare and collectible item for art enthusiasts and cultural historians alike. This print is a testament to the power of art to preserve and celebrate cultural identity, making it a significant contribution to both contemporary art and Puerto Rican heritage.

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Sidewalk Closed Original Mixed Media Graffiti Artist Modern Pop Art on Real Metal Street Sign by Sonic Bad. 2012 Signed Original Spray Paint & Metal Street Sign Artwork Size 24x18 Depicting 2 1970s-80s Stylized Beat Boys, NYC Graffiti Tags & Bubble Letters on Street Closed Sign Sonic Bad's Ode to the Streets: The 'Sidewalk Closed' Series The 'Sidewalk Closed' artwork by Sonic Bad, an original piece created in 2012, infuses the rebellious spirit of 1970s and 80s street culture into a medium that is emblematic of urban restriction: a real metal street sign. This mixed media work, signed by the artist, is a striking example of how street pop art and graffiti can repurpose public regulatory objects into canvases that challenge and reinterpret their original intent. Reclaiming Urban Symbols in Street Art Sonic Bad's choice of canvas—a metal street sign—turns an everyday symbol of control into a representation of creative liberation. The artwork, sized at 24x18 inches, is vibrant with color and life, presenting a stark contrast to the sign's mundane purpose of demarcating boundaries. By painting over it, Sonic Bad claims the object for art, much like graffiti artists claim walls for their tags and murals. The piece itself is a dynamic collage of NYC graffiti tags and bubble letters, styles deeply rooted in the history of street art. It showcases two stylized beat boys, figures that resonate with the hip-hop culture that was burgeoning on the streets of New York City during the 70s and 80s. These characters are not only representations of a specific era but also symbols of the energy and rhythm of street life. The Visual Language of Graffiti and Its Evolution Sonic Bad's work serves as a visual lexicon of graffiti's evolution, encapsulating the transition from tagging—often a raw, text-based expression of identity—to more complex and stylized works. The 'Sidewalk Closed' series is particularly evocative of this shift, highlighting the movement from simple letterforms to elaborate and colorful representations that are as much about the artistry of the line as they are about the message. The aerosol paint, a medium synonymous with graffiti, brings authenticity to the piece, its drips and opacity echoing the textures of street art seen in the wild. The metal sign, once reflective and directive, becomes muted and textured under layers of paint, a metaphor for the way street art can change the nature and conversation around public spaces and objects. Sonic Bad and the Living History of Street Art Sonic Bad's 'Sidewalk Closed' is more than a singular work; it is part of the living history of street pop art and graffiti artwork. It reflects a time when street culture began to permeate every aspect of urban life, from the music that played out of boomboxes to the art that adorned the walls and sidewalks of the city. This piece is a celebration of that era, a nod to the roots of street art, and a statement on its enduring influence. The artist, by merging nostalgia with contemporary expression, invites onlookers to explore the depth and breadth of street art. Through this work, Sonic Bad not only pays homage to the pioneers of the genre but also places himself within the continuum of artists who have utilized the street as their gallery. His legacy lies in his ability to transform the ordinary into the extraordinary, ensuring that the spirit of the streets remains vibrant and visible.

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Madison Avenue Baby Milo Plate- Black Limited Edition Art Object Collectible Artwork by street graffiti artist Bape. 2021 2G72-182-049 / Black / F Madison Ave New York City Plate Dish with Baby Milo Monkey Art Object

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The Professor Original Acrylic Spray Paint on Reclaimed MTA NYC Subway Panned Changes Notice Framed Painting by Dr Revolt One of a Kind Artwork by Street Art Pop Artist. 2022 Signed Acrylic & Spray Paint Painting Original Artwork Size 10.5x16.25 Reclaimed MTA New York Subway Train Notic Graffiti Artork by Dr Revolt. Framed Dimensions 20.25 X 14.25 Inches. The Professor by Dr Revolt – Spray-Painted Nostalgia on NYC Subway Ephemera in Street Pop Art & Graffiti Artwork The Professor is a 2022 original artwork by graffiti legend Dr Revolt, created using acrylic and spray paint on a reclaimed MTA New York City subway service changes notice. Measuring 10.5 x 16.25 inches and presented in a frame with dimensions of 20.25 x 14.25 inches, this piece exemplifies Dr Revolt’s iconic blend of graffiti heritage, comic illustration, and satirical urban commentary. Set atop an authentic F-line transit alert, the work brings together handstyle tags, wildstyle bursts, and a central cartoon character in a dynamic collision of color and street storytelling. The result is a one-of-a-kind fusion of lived infrastructure and pop narrative, transforming a routine public document into a canvas for visual mischief, rebellion, and style-driven identity. In the context of Street Pop Art & Graffiti Artwork, The Professor becomes both artifact and artwork, bridging functional signage with rebellious customization. Cartoon Authority and Urban Intelligence At the heart of The Professor is a blue-toned cartoon character rendered in Dr Revolt’s signature style, featuring thick outlines, oversized glasses, a scholarly cap, and dual spray cans. The character’s pose suggests both control and chaos, symbolizing the duality of graffiti culture—part scientific precision, part spontaneous eruption. The figure doesn’t just tag the wall; he commands it, studies it, and transforms it. This character can be read as a stand-in for the artist himself, or for the archetype of the graffiti writer as both outlaw and urban philosopher. The background retains legible fragments of the MTA’s bilingual text, timestamps, and service disruptions—markings of the everyday public rhythm now layered with an expressive intervention. Within Street Pop Art & Graffiti Artwork, the use of cartoon iconography as urban persona ties street visuals to mass culture and lowbrow illustration traditions. Handstyle, Wildstyle, and the Power of the Surface Spray fades in teal, violet, and neon yellow radiate across the surface, punctuated by splatters and black bubble forms. The word bubble motif becomes both graffiti cloud and comic exclamation. The handstyle tag in the lower left corner bears Dr Revolt’s recognizable moniker, with additional markings from RTW—Rolling Thunder Writers—paying homage to one of the most influential graffiti crews of the 1970s and 80s. These tags are not mere signatures; they are declarations of presence, lineage, and contribution to a culture built on walls and transit systems. The subway service notice beneath adds not just texture but meaning. It marks time and place. The repurposed paper substrate becomes a relic of New York’s transit ecosystem, layered with revolt, energy, and neon nostalgia. Dr Revolt and the Historic Legacy of Street-Based Disruption The Professor captures what makes Dr Revolt a defining force in the evolution of graffiti into Street Pop Art & Graffiti Artwork. He moves easily between character design, wildstyle legacy, comic influences, and social critique—all while remaining anchored in the core principles of graffiti: mark-making, disruption, authorship, and repetition. By using a reclaimed MTA service notice as his canvas, he links the rhythms of the city to the rhythms of art, echoing how writers hijacked infrastructure in the golden era of subway graffiti. This piece is not simply playful—it is historical. It is a reminder that graffiti is not just color or attitude but commentary, action, and remembrance. In The Professor, Dr Revolt delivers a witty, stylish, and layered love letter to New York, graffiti, and the endless possibilities of reimagining the surface.

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Baseball Jerks- Darryl Strawberry Limited Edition Giclee Print on Fine Art Paper by Oliver Barrett Dystopian Street Art Pop Artwork Artist. 8″ x 8″ giclee, have editions of 20, Signed & Numbered 2014. Featuring Famous MLB Sports Baseball Players In Macarbe Ways.

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1969 Super Sport Camaro 8-Color Hand-Pulled Limited Edition Silkscreen Print on Hand Deckled 290gsm Coventry Rag Paper by Lady Pink Rare Street Art Famous Pop Artwork Artist. 1969 Super Sport Camaro, 2021 8-Color Screen Print on Coventry Rag 290gsm Paper Deckled Edge 24 x 26 in (61 x 64.7 cm) Edition of 100 Signed and numbered by LADY PINK BEYOND THE STREETS Embossed This piece was inspired by the scene on the Lower East Side, before it was cleaned up and gentrified. PINK would travel to Jenny Holzer’s, right off of Houston Street, and would be witness to all the colorful people who came out at night. "It wasn’t pleasant. It was full of hookers and drug addicts. It was the stuff you heard about but to see it was pretty shocking.” -Lady Pink

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Icons Show- Charlie Chaplin Madonna Artwork Giclee Limited Edition Print on Glossy Paper by Pop Culture Graffiti Artist Mr Brainwash- Thierry Guetta. Super Rare Promo Poster in Great Condition From Mr. Brainwash's 2010 "Icons" show in NYC. Dimensions: 89 x 58.5 cm / 36 x 24 inches Offset lithograph print on glossy thin stock paper. Signed in the plate. 2010

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East 153rd St Deck Fine Art Original One of a Kind Spray Paint Painting on Natural Skateboard Deck by Street Artwork Graffiti Artist Cope2. Paint on Natural Skate Deck Size: 5.875 x 23 Inches Release: October 05, 2021 Run of: 1 During the mid-1990s Cope2 started slowly transitioning from the streets to the art scene of the galleries. At that time, street art was not as popular as it is in our days and the general public’s idea of it was still inextricably connected to ghettos, drug dealing, etc. The artist has never hidden his troubling past and avoids idealizing it, as a way to enhance his career and artistic persona. On the contrary, he mentions the following: “Oh man, there’s nothing to be proud of in hustling, but I had my first child at the age of 16, my son. So I had to make money to support him and his mother.

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The Reef Giclee Print by Scott Listfield Artwork Limited Edition Print on 310gsm Museum Grade Archival Fine Art Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 100 Artwork Size 18x24 Scott Listfield is an American contemporary artist who is best known for his paintings of a lone astronaut exploring various landscapes and cityscapes. "The Reef" is a giclee print featuring his iconic astronaut character. The print depicts the astronaut standing on a rock formation in the middle of a vast ocean, with a coral reef visible beneath the surface of the water but no its the Statue of Liberty! The sky is painted in shades of blue with wispy clouds adding to the dreamy and surreal atmosphere of the image. Listfield's use of a solitary figure in his paintings creates a sense of isolation and introspection, while the futuristic astronaut suit symbolizes exploration and discovery, sea rise & global warming. The underwater setting of "The Reef" adds a layer of mystery and intrigue to the piece, as if the astronaut has discovered a hidden world beneath the waves. Giclee printing is a high-quality fine art printing process that uses archival pigment inks to produce images with exceptional color accuracy and sharpness. This makes it an ideal medium for reproducing Listfield's detailed and intricate paintings.

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Dr. Revolt Ganges Yellow Wildstyle Spray Paint Can Artwork by Montana MTN Limited Edition Artist Paint Crossover Graffiti Street Object Art. 2024 Dr. Revolt Ganges Yellow Color Limited Edition of 500 Spray Paint Can with Custom Wood Box Object Artwork Size 3x8 Montana MTN Filled with Paint. Revolt Graffiti Street Wildstyle Tags & Throw-Ups Dr. Revolt Wildstyle and Montana MTN: The Synthesis of Spray Paint and Street Legacy In the expansive universe of Wildstyle graffiti and street art, the spray can is not just a tool; it's an emblem of the culture itself. The 2024 collaboration between legendary graffiti artist Dr. Revolt and the renowned Montana MTN brand illuminates this fact with the Ganges Yellow Color Limited Edition spray paint can. This exclusive series, limited to a production of 500, celebrates street art's vibrant history, encapsulating the essence of the craft within a single can. Each can, measuring 3x8 inches, is more than a container of high-quality paint; it's an art object that carries the weight of Dr Revolt's legacy within the street art community. Adorned with his distinctive tags and throw-ups, the can's design is a portable mural, a piece of street pop art that collectors can hold. Housed in a custom wood box, the presentation of the can blur the lines between utility and fine art, between the raw energy of the streets and the curated aesthetics of a gallery space. Dr Revolt's Iconography: Capturing the Spirit of Graffiti The artwork on the Ganges Yellow spray can is a testament to Dr Revolt's iconic status in the world of street art. His signature style, which emerged from the subway art movement of New York City, is characterized by its fluidity, bold lines, and vibrant color palette. This limited edition can is a canvas that showcases his skills and the evolution of his artistic journey. Each element, from the lettering style to the color choices, tells the story of a time, place, and culture that Dr Revolt helped to define. Dr. Revolt reinforces the intrinsic connection between the artist and their primary tool by transposing his art onto a functional object. The can, filled with Montana MTN's renowned paint, symbolizes potential – each holding the possibility of new creations, walls, and stories. This collaboration is a bridge between generations, connecting the pioneers of the graffiti movement with today's street artists and enthusiasts.  Collectible Cans: The Intersection of Wildstyle Art and Artifact The Dr. Revolt Ganges Yellow Limited Edition's collectible nature speaks to a growing trend in street art culture: transforming everyday objects into coveted artifacts. This object artwork transcends its original purpose, becoming a keepsake that embodies the ethos of street pop art and graffiti artwork. For Wildstyle collectors, each can is a piece of history, a direct link to the artists who have shaped the visual language of the streets. These cans are not merely products but part of a broader narrative that explores the boundaries of what art can be and where it can exist. As limited edition objects, they carry an air of exclusivity and prestige often associated with fine art yet remain faithful to the accessible spirit of street art. Dr Revolt's collaboration with Montana MTN is a testament to the power of street art to innovate, inspire, and infiltrate every aspect of popular culture. Through this unique collaboration, Dr Revolt and Montana MTN have created more than just a can of Wildstyle spray paint; they have produced a multi-faceted object that is a tool, a piece of art, and a historical document all at once. It encapsulates street art's past, present, and future, serving as a vibrant reminder of the ever-evolving landscape of urban artistic expression.

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Way of the Cross Silver Obscure Serigraph Print by Zes Zeser Limited Edition Hand Pulled Artwork on Fine Art Paper Modern Street Graffiti Pop Artist. 2014 Signed & Numbered Limited Edition of 25 Artwork Size 28x19.5 With Artist Signed COA Way of the Cross Silver Obscure Serigraph Print by Zes Zeser Way of the Cross Silver by Zes Zeser is a haunting visual document steeped in the tension and silence that defines the urban environment after dark. Released in 2014 as a signed and numbered limited edition of only 25, this 28x19.5 inch serigraph pushes the language of Street Pop Art & Graffiti Artwork into poetic, cinematic terrain. Printed on fine art paper through traditional hand-pulled screen print techniques, the piece captures a uniquely nocturnal visual experience with a stark monochromatic silver palette that references both the photographic roots of graffiti documentation and the emotional gravity of solitary exploration. Atmosphere and Iconography in Urban Decay The piece presents a lone figure standing on a lattice of metal girders, possibly a bridge or part of industrial infrastructure, with the electrical wires above and the sprawl of Los Angeles dimly glowing in the background. The central subject faces away from the viewer, anonymous yet human, framed by a linear burst of converging lines formed by both architectural elements and the city’s electrical veins. The title, Way of the Cross, evokes religious pilgrimage, struggle, and suffering—a layered allusion that transforms this suspended moment into a metaphor for endurance and isolation in contemporary city life. The visual elements suggest risk, abandonment, and confrontation with personal demons, all hallmarks of Zes Zeser’s intensely autobiographical approach to street art. Zes Zeser’s Impact on Street Art Culture Zes Zeser, known for his deep roots in the Los Angeles graffiti scene, blends raw graffiti aesthetics with a refined compositional eye often associated with gallery work. His use of grayscale, combined with sparse but precise composition, bridges the divide between photographic realism and the ephemeral energy of graffiti bombing. With a background as both a vandal and a trained artist, Zeser’s serigraphs like this one become maps of his emotional and physical journeys across the city, often created under duress, in the margins of legality and personal risk. Way of the Cross Silver represents a crystallization of Zeser’s dual identity—anonymous tagger and fine art practitioner. The bleak elegance of the piece is intensified by the use of silver ink, which gives the work a cold, reflective quality, enhancing the mood of desolation and existential weight. The limited edition run of just 25, each signed and accompanied by a Certificate of Authenticity, cements its place as a collector’s artifact that merges subcultural graffiti heritage with contemporary art relevance. A Cinematic Freeze Frame in the Urban Landscape This artwork is more than a static image; it functions as a freeze-frame of movement, a visual distillation of street-level poetry. It occupies a space between documentary and dreamscape, a whispered narrative about the soul of a city as experienced by those who climb, tag, and wander its skeletal scaffolding under cover of darkness. In the context of Street Pop Art & Graffiti Artwork, Way of the Cross Silver remains a bold testament to introspection amidst chaos—silent, silver-toned, and unforgettable.

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Walking Tall Original Acrylic Spray Paint Marker Painting by BLADE- Steven Ogburn One of a Kind Artwork on MTA NYC Subway Map by Street Art Pop Artist. 2011 Signed Acrylic, Spray Paint & Paint Marker Painting Original Artwork Size 32x23 on Reclaimed NYC Transit Subway Map. Walking Tall on the Tracks of History Created in 2011 by New York graffiti legend BLADE, born Steven Ogburn, Walking Tall is a standout one-of-a-kind painting that encapsulates the grit and pride of subway graffiti culture. Executed on a reclaimed MTA NYC Subway Map, this 32 by 23 inch mixed media piece is a raw fusion of acrylic, spray paint, and paint marker that brings to life the aesthetics of the early 1970s graffiti boom while echoing the artist’s unmistakable handstyle. It is both a throwback to BLADE's reign over the NYC subway system and a reflection of his continued presence as a living force in the evolution of Street Pop Art & Graffiti Artwork. The use of an actual subway map as a canvas is symbolic and literal—a surface that once served as his open-air gallery is transformed into collectible fine art. Subway Trains Reimagined on Paper BLADE’s Walking Tall centers on a stylized train car with an abstract letter fill, where traditional graffiti writing techniques meet geometric expression and iconography. The upper portion of the map features the minimal render of a silver subway car, as if peeking above a black cloud—a direct nod to the iconic whole-car takeovers of the past. The bottom third explodes with stylized green and yellow letters on a textured spray-painted background, complete with stars, lines, and symbols that have become identifiers of BLADE’s visual language. Each panel section bursts with controlled chaos, symbolizing both the movement of trains and the relentless momentum of the graffiti movement itself. This format reinforces the context in which the artist made his name—among the motion, dirt, and noise of a working urban infrastructure. The Personal Markings of a King Walking Tall is more than a graffiti piece—it is a statement of longevity and authorship. Above the stylized train, BLADE tags himself and his original crew, The Crazy 5, anchoring this work in the foundational lore of New York graffiti history. The inclusion of his classic elements such as arrows, shapes, and three-dimensional tricks is not just decorative but deeply personal. These components serve as narrative cues to an era when tagging trains was as much a cultural revolution as it was an artistic one. BLADE’s decision to layer his work atop an official MTA map adds yet another level of engagement—fusing outlaw history with institutional cartography. Street Pop Art & Graffiti Artwork with Institutional Impact As with much of BLADE’s gallery work, Walking Tall maintains the ethos of the street while recontextualizing graffiti into the domain of contemporary fine art. The result is a hybrid visual experience: high art with a raw edge, refined technique with street spontaneity. This piece belongs to a broader trajectory in which subway-born artists have made the leap from anonymous fame to documented, signed, and archived works. It reflects a career rooted in authentic urban storytelling, now preserved in permanent collections and museums around the world. Walking Tall is not nostalgia—it is survival, expression, and style, captured on a map that once guided the very trains he transformed into rolling canvases.

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Statue of Liberty Stars- Blue Red Original One of a Kind Oil Painting on Canvas by Steve Kaufman SAK modern pop artist. 2001 Signed Unstretched Canvas Original Good Condition Artwork Size 38x42

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Harlem World CCB Gangsters 81 Photo Print by Joe Conzo Jr Limited Edition on 290gsm Moab Entrada Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed Print Limited Edition of 5 Artwork Size 20x16 Archival Pigment Fine Art of Cold Crush Brothers Rap Music Group in Vintage Gangster Costume and Outfits at Harlem World. Harlem World CCB Gangsters 81 Photo Print by Joe Conzo Jr The Harlem World CCB Gangsters 81 photo print by Joe Conzo Jr is a remarkable representation of hip-hop’s early visual aesthetic and theatricality. This 2023 limited-edition archival pigment print, produced on 290gsm Moab Entrada Fine Art Paper, captures the legendary Cold Crush Brothers in vintage gangster-inspired costumes. The 20x16 artwork, signed by Conzo, offers a window into the creativity and flair that defined the group’s performances, blending music, style, and Street Pop Art. The Cold Crush Brothers: Style Icons of Hip-Hop The Cold Crush Brothers were instrumental in shaping the culture and sound of hip-hop during its formative years in the late 1970s and early 1980s. Known for their lyrical prowess, elaborate stage routines, and eye-catching costumes, the group set a standard for showmanship and innovation. This photograph, taken at Harlem World in 1981, highlights their flair for dramatics. It features the group dressed in dapper suits and fedoras and accessorized with prop weapons, channeling the look of classic gangsters. Harlem World, a prominent venue in the Bronx during the golden age of hip-hop, served as a cultural hub for live performances, battles, and community gatherings. The Cold Crush Brothers often performed there, bringing their unique blend of storytelling and stage presence to captivated audiences. This image showcases their ability to merge music and fashion into a cohesive narrative, further solidifying their place in hip-hop history. Joe Conzo Jr: Documenting Hip-Hop’s Evolution Joe Conzo Jr is celebrated as one of the first photographers to document hip-hop’s emergence in New York City. His work captures the movement's pioneers' raw energy, individuality, and artistry. Known as the man who took hip-hop’s baby pictures, Conzo’s lens immortalized the vibrant culture of the Bronx and the figures who defined it. His photographs serve as a bridge between music and Street Pop Art, offering a unique perspective on the cultural intersections of the era. This photograph reflects Conzo’s eye for composition and detail, emphasizing the Cold Crush Brothers’ personalities and the deliberate craftsmanship of their image. The gangster motif seen in this photoshoot demonstrates how hip-hop artists adopted and reinterpreted cultural symbols to express power, confidence, and creativity. Artistic and Historical Significance The Harlem World CCB Gangsters 81 photo print exemplifies the interplay between music, fashion, and art that defined early hip-hop. The archival-quality materials used in its production ensure that the image’s intricate details, from the textures of the suits to the expressions of the group members, are preserved. The 20x16 size amplifies the photograph’s visual impact, making it a must-have piece for collectors and enthusiasts of Street Pop Art and graffiti artwork. This limited-edition print not only celebrates the Cold Crush Brothers as pioneers of hip-hop but also serves as a testament to the creative synergy between music and visual art during this transformative period. Through Joe Conzo Jr’s lens, the image captures the spirit of innovation and self-expression that continues to influence contemporary culture. The Harlem World CCB Gangsters 81 photo print is both a historical artifact and a dynamic piece of modern art that pays homage to the roots of hip-hop.

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Dr. Revolt Print Archival Print by Dr. Revolt Limited Edition on Bright White Hot Press Paper Pop Graffiti Street Art Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 25 Artwork Size 18x22 Archival Pigment Fine Art Dr. Revolt's Archival Print: A Confluence of Pop and Street Artistry The "Dr. Revolt Print," an archival print by the iconic pop graffiti street art artist Dr. Revolt, represents a vivid intersection of classic New York graffiti with pop art's bold colors and sensibilities. This limited edition print, produced on bright white hot press paper in 2023, is a testament to Dr. Revolt's enduring influence in street pop art and graffiti artwork. Each piece in the series is meticulously signed and numbered, highlighting its exclusive nature, with only 25 editions released, measuring 18x22 inches. Dr. Revolt's Signature Style and Influence Dr. Revolt is renowned for his pioneering contributions to the graffiti movement that emerged from the subway culture of New York City in the 1970s. His style is characterized by vibrant hues, dynamic lettering, and cultural motifs that capture the spirit of an era that revolutionized visual culture. His prints often reflect his graffiti heritage while being infused with the aesthetic of pop art, exemplifying a genre that he helped to define. Symbolism in the Archival Print The "Dr. Revolt Print" showcases a spray paint can amidst flames, a symbol of the graffiti artist's primary tool, set against a backdrop that features the iconic New York City skyline. This image conjures the rebellious energy of street art, its capacity to ignite conversations, and its fiery impact on urban spaces. The choice of the spray can as the central element signifies the power of art to transform and challenge the status quo. At the same time, the flames suggest both the controversy and passion that graffiti has historically ignited. Cultural Significance of Dr. Revolt's Work As a limited edition archival pigment fine art print, Dr. Revolt's work transcends the temporary nature of street art, capturing a moment in time within the permanence of fine art. The "Dr. Revolt Print" not only serves as a piece of visual artistry but also as a historical document that records the influence of graffiti on contemporary art and popular culture. It reflects the journey of street art from the fringes to the mainstream, from ephemeral urban expressions to coveted collectibles. Dr. Revolt's "Archival Print" celebrates the fusion of street art with pop art sensibilities. It is a tangible reminder of the impact of street pop art and graffiti artwork as legitimate forms of modern artistic expression. The limited edition nature of the print underscores the importance of preserving and honoring the legacy of street art and its practitioners, who continue to shape and color our visual landscape.

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Shoplifters Welcome Large Format Red Black Silver Silkscreen Print by Shepard Fairey- OBEY x Jamie Reid Hand-Pulled Screen Print on Cream Speckletone Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 50 Artwork Size 26x34.5 Created to Commemorate Reid's Ragged Kingdom Exhibition, March 16 to April 14, 2012. Shows a Hand Removing Laws From A Brief Case Infering Wall Street Money Regulations. "Jamie has been one of my biggest influences, and I'm honored that we worked on some collaborative images for the show. The new images deal with the mutual interests of Jamie and I, addressing the timeless problems of corruption and wealth inequality, but tie into the current themes of Occupy Wall Street and the dead end of fossil fuel consumption." -Shepard Fairey. Shepard Fairey and Jamie Reid: Art as Social Commentary In collaboration with Jamie Reid, the "Shoplifters Welcome Silkscreen Print" by Shepard Fairey is a powerful example of how street pop art and graffiti artwork can encapsulate and critique social and economic issues. This piece, a limited edition print, was created for the "Ragged Kingdom" exhibition from March 16 to April 14, 2012. It has become a significant work in street art for its bold political statement. The artwork depicts a hand removing a document labeled "MONEY" from a briefcase, a visual representation of deregulation, particularly within the context of Wall Street. This act is set against an offer for 'shoplifters,' a satirical nod to the notion that the financial elite operates under a different set of rules than the average person. The print's striking use of the phrase "THIS DECADE ONLY!" further emphasizes the timely nature of the message, suggesting a window of opportunity for unchecked financial behavior. Art Reflecting the Times: Occupy Wall Street and Beyond Shepard Fairey's statement about the collaboration with Jamie Reid highlights their shared focus on corruption and wealth inequality themes, notably echoed by the Occupy Wall Street movement. The movement, which started in 2011, brought widespread attention to these issues, and Fairey and Reid's work provided a visual commentary that resonated with the public sentiment of the time. The artwork not only represents the artists' perspectives but also serves as a historical marker of the socio-economic climate of the early 2010s. The "Shoplifters Welcome" print is a prime example of how street pop art and graffiti artwork can transcend the boundaries of traditional art by directly engaging with social commentary. Fairey, known for his provocative approach, and Reid, with his history of punk aesthetic, combine their styles to create a piece that is as aggressive as it is artistic. The limited edition nature of the print, signed and numbered by Fairey, adds to its allure as a collectible item, even as it challenges the structures of economic power. In creating this print, Fairey and Reid employ the aesthetic of propaganda, utilizing bold colors and stark contrasts to draw attention to their message. The choice of silkscreen printing, a technique closely associated with street art due to its mass production capabilities, further ties the work to the grassroots nature of its messages. It is a medium that allows the artwork to be disseminated widely, mirroring the spread of ideas central to movements like Occupy Wall Street. The "Shoplifters Welcome" print is a testament to the enduring power and relevance of street pop art and graffiti artwork in contemporary discourse. It is a reminder that art can be an intelligent tool for social critique, reflecting the issues of its time and prompting conversations that can lead to change. Through their collaborative efforts, Fairey and Reid have created more than just a visual piece; they have crafted a narrative that challenges viewers to consider the imagery's deeper implications and question the status quo.

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Fab 5 Colorado Red Spray Paint Can Artwork by Fab 5 Freddy- Fred Brathwaite x Montana MTN Limited Edition Artist Paint Crossover Graffiti Street Object Art. 2024 Fab 5 Colorado Red Color Limited Edition of 500 Spray Paint Can with Custom Wood Box Object Artwork Size 3x8 Montana MTN Filled with Paint. Wildstyle Rapper Musician Artist Fab 5 Freddy African American Man Vintage Style Photo Stylized Graffiti Spray Paint Can Art. Fab 5 Freddy and Montana MTN: A Spray Can Revolution The collaboration between Fab 5 Freddy, born Fred Brathwaite, and Montana MTN in 2024 produced a unique artifact that fuses the energy of street art with the essence of collectible design. The "Fab 5 Colorado Red" spray paint can is not just a tool for creating graffiti but a standalone piece of art. With only 500 made, each can is a limited edition work that captures the spirit of Fab 5 Freddy's influence on graffiti and hip-hop culture. The custom wood box packaging elevates the can from a simple container of paint to an object of art, underscoring the importance of presentation in the world of art collectibles. Each can, sized at a modest 3x8 inches, is filled with the vibrant "Colorado Red" hue of paint, a nod to the bold and impactful color choices often made by graffiti artists. The design of the can features a vintage-style photo of an African American man, representing Fab 5 Freddy himself, stylized in a way that marries graffiti's wildstyle lettering with a classic portrait. This design encapsulates Fab 5 Freddy's legacy within the worlds of street pop art and graffiti artwork, bridging the divide between the street and the gallery. Legacy of Wildstyle: Fab 5 Freddy's Impact on Graffiti Art Fab 5 Freddy's contributions to the culture of graffiti are monumental. He was among the first to bring graffiti and hip-hop from the streets of New York to a global audience, transforming the perceptions of graffiti from acts of vandalism to recognized forms of art. His wildstyle graffiti, characterized by intricate, interlocking letters and symbols, was revolutionary, influencing countless artists and cementing his place in street art history. The "Fab 5 Colorado Red" spray paint can artwork continues this legacy, serving as a tribute to the style and influence of Fab 5 Freddy. The can’s artwork tells a story of the streets, of the evolution of graffiti as an art form, and of the man who helped propel it into the cultural mainstream. Each limited edition can is a celebration of the history and progression of street pop art, embodying the creative spirit that Fab 5 Freddy represented. The Art Object Phenomenon: From Utility to Icon The phenomenon of transforming utilitarian objects like spray paint cans into icons of art has become increasingly prevalent in the world of pop graffiti and street art. These objects, once solely seen as the tools of the trade for street artists, have become canvases in their own right, offering artists a new medium to express their vision. The "Fab 5 Colorado Red" spray paint can by Montana MTN is a prime example of this trend, where the object itself becomes a piece of art, coveted by collectors and enthusiasts alike. The collaboration between Fab 5 Freddy and Montana MTN is more than a business venture; it's a symbolic convergence of art and utility, of the street and the establishment. Each can, with its vibrant color and striking design, is a testament to the power of street art to innovate and inspire, to transcend its roots and become an integral part of the art world’s lexicon. These limited edition cans are not only vessels of paint but vessels of history, carrying the legacy of street pop art and graffiti artwork forward for new generations to discover and appreciate. In the art community, collaborations like the "Fab 5 Colorado Red" are reminders of the transformative power of art, of its ability to reshape objects and perceptions. They stand as monuments to the artists like Fab 5 Freddy who have paved the way for the recognition and celebration of street art, ensuring that the essence of the streets—the bold, unapologetic voice of the graffiti artist—continues to be a vital part of the conversation in the world of art.

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46th Street Station Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Cope2. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

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Fragment #2 What The Hell Original Mixed Media Painting by Ryan Thomas Monahan One of a Kind Artwork on Wood Panel Affixed to Frame 3D Street Art Pop Artist. 2022 Signed 3D Stacked Mixed Media New York NYC Street Manhole Scene Painting Original Artwork Size 11.25x9.25 Framed Fragment #2: What The Hell by Ryan Thomas Monahan – Urban Memory as Sculpture in Street Pop Art & Graffiti Artwork Fragment #2: What The Hell is a 2022 original mixed media work by American artist Ryan Thomas Monahan, created on a wood panel and presented in a framed 11.25 x 9.25 inch format. This one-of-a-kind piece captures a hyperrealistic street-level view of New York City, complete with a sculpted manhole cover, bits of food debris, torn signage, and a crushed takeout container rendered in painstaking detail. It is a physical fragment of the imagined street, an emotional terrain frozen in time. The textures are layered through 3D stacking and sculptural techniques, forming a tactile diorama of a forgotten sidewalk scene. Signed by the artist, the work is part of Monahan’s larger practice of constructing micro-environments that reflect on consumer culture, ephemerality, and the language of urban decay. Miniature Realism and Emotional Debris Ryan Thomas Monahan’s artistry is rooted in the act of remembering—through objects, through trash, through surfaces that most people overlook. In Fragment #2: What The Hell, Monahan builds a narrative through placement, imperfection, and meticulous realism. The partially visible manhole cover, etched with MADE IN NYC, grounds the work in a specific geography while allowing the viewer to connect with a universal street scene. Scattered remnants like the Chinese takeout box and torn WET FLOOR label add both humor and grit, evoking a space that feels lived in, walked over, and uncelebrated. These elements are not simply decorative—they function as emotional cues, anchoring the piece in memory and identity. The artwork’s title reflects the confusion and clutter that defines public space, suggesting a moment of bewilderment or absurdity embedded in the everyday. Construction, Texture, and Dimensional Intimacy This work exists in three dimensions. Constructed on a wood panel with mixed media materials, it includes real-world textures that mimic asphalt, metal, cardboard, and grime. The 3D elements are not exaggerated—they are subtle enough to suggest depth while preserving the illusion of a flat surface when viewed from a distance. This trick of the eye is part of Monahan’s signature technique, allowing viewers to become physically and mentally engaged with the scale and structure of the piece. Framed in black, the artwork is displayed with the formality of fine art, yet retains its street-level roots in every detail. The materials are layered, collaged, and manipulated to blur the boundary between sculpture and painting, between memory and documentation. Ryan Thomas Monahan and the Material Poetics of the City In the world of Street Pop Art & Graffiti Artwork, Ryan Thomas Monahan occupies a distinctive space. His work does not shout through color or scale, but instead whispers through detail, decay, and resonance. Fragment #2: What The Hell is not a monument, but a memory—a slice of overlooked reality pulled into focus. It reflects the detritus of culture, the poetry of trash, and the persistence of place. Monahan reminds viewers that beauty is found in the smallest fragments, and that the stories of the street are written not just in murals and tags, but in the crumbs, stains, and signage that mark every corner. This piece is not only an artwork—it is a sculpture of lived experience, preserved at human scale for those willing to look down and pay attention.

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Brooklyn Water Towers Limited Edition Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. Each piece is unique and colors, painting, spray paintings made by hand by the artist are random, vary, and you may not receive the exact pictured item! "I use photographic images as the basis for the art, but I would sometimes draw directly on the acetate before I burn the screens to bring out parts of the images I felt were important. Each piece for this run was individually screen printed and hand-painted using a variety of acrylic and other mediums. Take notice of the colors rather than the image, even though that might be difficult to do sometimes. The colors represent what's going on in my life at any given moment." - Bobby Hill

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Idyllic Scene With 7 Train Limited Edition Archival Pigment Fine Art Prints on 300gsm Moab Ebtrada Rag Paper by Graffiti Street Art and Pop Culture Artist Lady Pink. LADY PINK- Titled “Idyllic Scene with 7 Train” Edition size 40 archival pigment prints. 5 artists' proofs and 5 Printers Proofs. Hand-signed and numbered by Lady Pink, along with the DirtyPilot emboss. Sheet Size a LARGE 31”x 24”(78 cm x 60 cm). Printed on Moab Ebtrada Rag, 300gms. A heavy-weight paper acid-free art. From a vintage 1985 painting.

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MOG Lips East Coast Legends Canbot Canz by Lady Pink x Czee13 Limited Edition Spray Paint Can Figure Robot Artwork. 2023 Limited Edition of 150 New in Box Size 3x5.5 Lady Pink Graffiti Robot 5oz Canz Canbot Spray Paint Can Art Toy with Trow Ups & Tags in Yellow Pink Gradient Coloring Marijuana Leaf on Back. Empowering Street Aesthetics: Lady Pink's MOG Lips Canbot The MOG Lips East Coast Legends Canbot is a profound statement in the street pop and graffiti art scene. This limited edition piece results from a collaborative effort between the legendary Lady Pink and artist Czee13, released in 2023. With only 150 pieces, each Canbot is a new-in-box collector's item at 3x5.5 inches. Lady Pink, known as the "first lady of graffiti," infuses each robot with her iconic style, featuring vibrant throw-ups and tags in a yellow-pink gradient and a striking marijuana leaf adorning the back. This art toy pays homage to the roots of graffiti while addressing contemporary themes and expressing a bold attitude toward societal norms. The MOG Lips Canbot isn't just a representation of Lady Pink's pioneering status in graffiti art; it's also a symbol of empowerment, diversity, and counterculture celebration within the urban art landscape. Lady Pink's Vision in Pop Street Art and Collectible Culture Lady Pink's contributions to street art have been groundbreaking, and her venture into the art toy realm with the MOG Lips Canbot underscores her commitment to bringing the vibrancy of street art into new forms and spaces. Her artwork in the Canbot series goes beyond aesthetic appeal; it carries the message of female strength and resilience in a traditionally male-dominated field. The Canbot, with its detailed design and bold coloration, is a testament to Lady Pink's artistry and ability to adapt her street art sensibilities to a tangible medium. The limited edition nature of the Canbot makes it a sought-after item, merging the collectible toy culture with street art's authenticity and raw energy. Each piece serves as a functional work of art that collectors can interact with, providing a personal connection to the pulsating heart of city life and the spray-paint narratives that adorn its walls. Canbot: A New Medium for Street Art Expression The MOG Lips East Coast Legends Canbot by Lady Pink and Czee13 is a testament to the evolving narrative of street art. It's a tangible piece of the rich tapestry of urban art culture, making a powerful statement on the walls of collectors' homes as it would on the streets. The Canbot is more than a collector's item; it's a medium through which Lady Pink communicates her story, influences, and vision for the future of street art. This art toy captures the dynamic spirit of graffiti culture, embodying both the history and the progressive momentum of street art. Each Canbot is a celebration of Lady Pink's legacy as an artist who witnessed the evolution of street pop art and actively shaped it. Through this piece, collectors and admirers are invited to engage with the dialogue that Lady Pink has been championing throughout her career – one that speaks of empowerment, creativity, and the indomitable spirit of the street art movement.

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The North Road Original Gouache Painting by Chris Austin One of a Kind Artwork on Wood by Street Art Pop Artist. 2023 Signed Gouache Painting Original Artwork Size 10x10 Chris Austin's extraordinary "The North Road" original gouache wood painting, is an exemplar of how contemporary art can challenge and redefine our conventional understanding of space and form. This piece of art, which seamlessly fuses elements of pop, street and graffiti art, is instantly captivating and thought-provoking. It uniquely presents a surreal scenario where a shark is depicted flying through taxi cabs amid city traffic. Austin's bold and idiosyncratic style confronts the viewers with the reality of urban chaos and the power of imagination. The artist's use of gouache, a type of watercolor paint that can produce intensely vibrant colors, allows for a rich depiction of the otherwise everyday urban landscape and the completely out-of-place ocean predator. The brightness of the taxis and the shark, contrasted with the muted, almost monochromatic background of the cityscape, gives the composition an intense visual impact, typical of pop and street art. In the realms of street and graffiti art, such pieces not only provide aesthetic pleasure but are also often imbued with social and political commentary. Austin's painting could be seen as a critique of urban congestion and pollution, using the incongruous image of the shark to draw attention to the unnaturalness of city life. Alternatively, the flying shark might symbolize the survival instincts and adaptability needed to thrive in a bustling city. "The North Road" stands as a testament to the limitless creativity and capacity for social commentary inherent in the genres of pop, street, and graffiti art. It continues to captivate audiences with its vibrant colors, surreal subject matter, and the compelling dialogue it prompts about our relationship with urban spaces.

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The Foundation Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Modern Pop Street Graffiti Artist Koe Rodriguez. Archival Pigment Print on 290gsm Moab Entrada Fine Art Paper Size: 66 x 24 Inches Release: August 11, 2021 Run of: 15

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Bronx Meets Queens Set of 2 Original One of a Kind Mixed Media Spray Paint Air Brush Acrylic Painting Artwork on Wood Shoe Cut Out by Graffiti Artist L'mour Supreme. 2022 Signed One Pair (Two wooden shoes total) of customed Skewville Wooden shoes by Artist L’Amour Supreme. Each Shoe measures 11″ x 5.5″ x 0.5″. Bronx Meets Queens Set Shoe Tossing Wood Silkscreen Print by Skewville

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Basquiat Limited Edition Hand Deckled 1-Color Hand Etching Print on Fine Art Paper by Mark Powell Urban Pop Artist Art. 24.8x35.82 Edition of 7

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New York City Subway Maps IV Limited Edition Spray Paint Hand-Embellished HPM Archival Pigment Prints on Moab Fine Art Paper by Cope2 Graffiti Street Artist Modern Pop Art. 2019 Signed & Numbered Limited Edition of 15 Artwork Size 17x24. New York City Subway Maps IV, 2019 Archival pigment print in colors with hand-embellishments on Moab Fine Art paper 17x24 inches (43.2 cm x 61) (sheet) Ed. 10/15 Signed and numbered in pencil lower left. Work displays a .5-inch tear in the lower left border. Embracing Urban Narratives: Cope2's New York City Subway Maps IV Cope2's "New York City Subway Maps IV" is a dynamic fusion of graffiti's raw energy with the refined aesthetics of modern Pop Art, embodying the pulse of urban life on a tangible artifact of the city's daily motion. This 2019 limited edition series, with only 15 signed and numbered pieces, represents a significant contribution to the Street Pop Art and Graffiti Artwork movement. Each 17x24 inch piece is a hand-embellished archival pigment print on Moab Fine Art paper, offering a unique blend of street culture and high art. Cope2's signature authenticates the work, and its edition number is penciled on the lower left, with one particular piece displaying a minor .5-inch tear, adding to the authentic feel of the artwork. The piece serves as a visual archive of New York's graffiti history, immortalizing the spontaneous, often temporary, art gracing the city's subway maps. Cope2, a Bronx native, brings authenticity and street credibility to his work, with a reputation for over three decades in the graffiti scene. His "New York City Subway Maps IV" reflects urban street art's layered, complex nature, where tags and symbols intermingle to tell the stories of the city's diverse inhabitants. Cope2's Intersection of Street Art and Fine Art Cope2's artwork stands at the intersection of street art and fine art, capturing the essence of one medium within the form of the other. His pieces are more than mere representations of street graffiti; they are the confluence of the artist's lived experiences and interactions with the urban environment. The bold, saturated colors and aggressive brushstrokes hark back to the golden era of graffiti in the 1980s and 1990s when artists like Cope2 were not just decorating the city but also marking territories and expressing identities. The limited edition nature of "New York City Subway Maps IV" and the hand-embellishments by Cope2 himself ensure that each print is a unique piece of art, embodying both the spirit of the original street art and the artist's personal touch. The series encapsulates the rawness of the graffiti subculture while elevating it through fine art printmaking, challenging traditional notions of what constitutes art and who is deemed an artist. In essence, Cope2's work is a celebration of the visual language of the streets, presented within the context of fine art. It offers a narrative deeply rooted in New York City's cultural fabric, providing a snapshot of a movement that has evolved from the margins to the mainstream. The "New York City Subway Maps IV" series not only pays homage to the history of street art but also asserts its place within the continuum of contemporary art. Through his work, Cope2 continues to influence and shape the dialogue around Street Pop Art and Graffiti Artwork, ensuring that the vibrancy of street culture remains a vital part of the art world's discourse.

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NY Tripway Map III Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Cope2 pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown. During the mid-1990s Cope2 started slowly transitioning from the streets to the art scene of the galleries. At that time, street art was not as popular as it is in our days and the general public’s idea of it was still inextricably connected to ghettos, drug dealing, etc. The artist has never hidden his troubling past and avoids idealizing it, as a way to enhance his career and artistic persona. On the contrary, he mentions the following: “Oh man, there’s nothing to be proud of in hustling, but I had my first child at the age of 16, my son. So I had to make money to support him and his mother.

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Sidewalk Closed- Wood Original Mixed Media Graffiti Artist Modern Pop Art on Real Street Sign by Sonic Bad. 2018 Signed Original Spray Paint & Mixed Media on Wooden New York City NYC Sidewalk Closed Vintage Sign Artwork Size 21.5x11.5 The Artistic Alchemy of Sonic Bad: Reimagining Public Notices Sonic Bad's 'Sidewalk Closed - Wood' is an exemplary showcase of modern pop art manifested through the lens of street sensibilities and graffiti culture. Created in 2018, this signed original piece is a vibrant declaration of the transformative power inherent in street pop art and graffiti artwork. The fusion of spray paint and mixed media on a wooden canvas that once served as a New York City sidewalk sign encapsulates the artist's penchant for repurposing the functional into the visually extraordinary. Technique and Symbolism in Sonic Bad's Work The artwork, measuring 21.5x11.5 inches, is a testament to Sonic Bad's mastery over mixed media. The piece harmoniously integrates the textures of wood with the fluidity of spray paint, achieving a layered effect that adds depth and complexity to the composition. The choice of a 'Sidewalk Closed' sign is significant; it takes an object that signifies obstruction and transforms it into a portal of creative expression, thus inviting reflection on the role of public space and the rules that govern it. Sonic Bad's approach to the sign is subversive yet playful, disrupting its original intent and engaging viewers in a dialogue about the accessibility of art and public communication. The vibrant color palette and intricate design work serve to capture the gaze and provoke thought, a hallmark of effective street pop art. The way the letterforms and characters are interwoven with the sign's warning embodies a kind of artistic alchemy, turning the mundane into the magical. Impact and Reception of Sonic Bad's Street Sign Artwork The 'Sidewalk Closed - Wood' piece by Sonic Bad does not simply occupy space; it commands attention and interaction. Its existence in a gallery or a private collection continues to challenge perceptions of street art's place within the art world hierarchy. Sonic Bad's work is celebrated for its unabashed embrace of street art aesthetics while simultaneously pushing the boundaries of what such art can communicate and how it is perceived. Sonic Bad, an artist who remains an enigmatic figure in the graffiti art scene, utilizes anonymity as a tool, allowing the work to speak for itself. The artist's contributions to street pop art are measured by the vibrancy of the pieces left in public view and the conversations they ignite. The influence of such work extends beyond the streets, infiltrating popular culture and challenging traditional art's status quo. Sonic Bad's Legacy in Street Pop Art Sonic Bad's 'Sidewalk Closed - Wood' is not merely a piece of reclaimed street furniture but a microcosm of street art's potential to redefine the aesthetics of urban living. This work stands as a cultural artifact, a piece of New York City's story told through the eyes of a street artist. Sonic Bad's legacy is enshrined in every color splash and line twist, a testament to the enduring allure and social commentary of street pop art and graffiti artwork. The legacy of artists like Sonic Bad is often measured by the endurance of their work in the public imagination and their ability to inspire future generations of artists. By turning a sidewalk sign into a canvas, Sonic Bad has not only altered the sign's trajectory but also contributed to the narrative of street art as a form of modern pop art. This piece will continue to be a point of reference for discussions about the interplay between public space and artistic freedom, embodying the spirit of street art that refuses to be sidelined.

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Stacked MTA Subway Map 11 Original Spray Painting by Cope2- Fernando Carlo One of a Kind Artwork on Real New York Train Map by Street Art Pop Artist. 2011 Signed Spray Paint Painting Original Artwork Size 22.8x28.9 Custom Framed Subway Map from New York City.

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Empire State Building Limited Edition Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. 2020 Stamped On Verso HPM with Metallic Inks Bobby Hill (b. 1973), is a New York-based visual artist whose career started as an illustrator. He began painting on canvas in 2008 after returning to the US from his first trip overseas,. His recent canvases combine ripped NYC billboard posters with elements of abstract expressionism, pop imagery, and graffiti... to create what he calls “The Bhillboards Collection.”

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Punisher Crossing Original Street Sign Painting by RD-357 Real Deal One of a Kind Artwork on Real Metal Crosswalk Street Sign by Graffiti Art Pop Artist. 2012 Signed Mixed Media Acrylic & Spray Paint on Real Reclaimed NYC New York City Crossing Cross Walk Street Sign Painting Original Artwork Size 30x37.5  RD-357: Pioneering Street Pop Art on Urban Canvases RD-357, an artist known for his distinctive contribution to street pop art and graffiti artwork, has manifested his creativity through a unique, striking, and thought-provoking medium. His original piece titled "Punisher Crossing Original Street Sign Painting" encapsulates street art's raw essence while ingeniously infusing pop culture iconography elements. This work is a stellar example of RD-357's inventive use of everyday objects as canvases, transforming a mundane metal crosswalk street sign into a vibrant artwork that commands attention and sparks dialogue. The "Punisher Crossing" is a unique artwork that exudes the rebellious spirit and subversive edge often associated with street pop art. Created in 2012, this mixed media piece employs acrylic and spray paint on a real crossing sign measuring 30x37.5 inches. RD-357's choice to use an actual street sign as the foundation for his artwork not only repurposes the object but also embeds the art piece within the fabric of urban life it seeks to comment on. The sign, once a directive for pedestrians, now carries a powerful visual message, made all the more potent by its placement on an object of regulation and order. The Artistic Language of RD-357's Street Sign Paintings In "Punisher Crossing," RD-357 demonstrates a masterful control over color and composition. The background of the sign is ablaze with a vivid, almost violent splatter of yellow and red spray paint, reminiscent of the chaos and energy of city streets. Against this explosive backdrop, the figure of the Punisher is rendered with precision in acrylic, his stark, menacing presence immediately drawing the eye. The character's hand, outstretched and holding a gun, breaks the boundaries of the sign's frame, suggesting a defiance of constraints and a breaking free from imposed limits. RD-357's work is deeply embedded in the language of street pop art, a genre that combines the gritty, underground aesthetic of street art with the bright, graphic quality of pop art. His paintings, especially this piece, are a dialogue between the artist and the urban landscape, between the fictional characters of pop culture and the reality of the viewer's environment. By bringing the Punisher - a symbol of vigilante justice and anti-heroism - into the context of a crosswalk sign, RD-357 creates a juxtaposition that is at once startling and intriguing. The artwork becomes a statement on control and chaos, power and powerlessness, and the fine line between societal order and individual action. RD-357's Impact on Contemporary Street Art RD-357's contributions to the street art scene have been significant, and his influence can be seen in the way street pop art has evolved over the years. His artworks, particularly those on street signs, are more than mere paintings; they are interventions into the urban environment, which challenge the viewer to reconsider the role and potential of public space. The "Punisher Crossing" sign is emblematic of this approach, seamlessly integrating art into the city's daily liandlso elevating the discourse around street art. By signing his work, the artist claims ownership of a public domain piece, an act that is a form of artistic rebellion. The signature on "Punisher Crossing" is not merely a mark of authenticity; it is a declaration of presence, a proof of the artist's interaction with the world around him. Through works like this, RD-357 has etched his name into the annals of street pop art history, securing his place as a maverick who has expanded the possibilities of graffiti artwork. The "Punisher Crossing Original Street Sign Painting" by RD-357 stands as a testament to the power of street pop art to communicate, provoke, and inspire. By transforming a simple street sign into a complex and compelling work of art, RD-357 challenges perceptions, invites reflection, and continues influencing the ever-evolving narrative of street and graffiti art.

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Big Twinkie Ghostbusters Silkscreen Print by Tim Doyle Hand-Pulled 8-Color Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. 2015 Signed & Numbered Limited Edition of 150 Artwork Size18x24 Ghostbusters Movie Tribute, 4th Unreal Estate show

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Silver East Coast Legends 5oz Canbot Canz Pop Graffiti Art Toy by Crash- John Matos x Czee13 Limited Edition Spray Paint Can Figure Robot Artwork. 2023 Limited Edition of 100 New in Box Size 3x5.5 Silver Crash Graffiti Robot 5oz Canz Canbot Spray Paint Can Art Toy.   Crash's Canbot: A Homage to Graffiti's Spirit The Silver East Coast Legends Canbot is a limited-edition art toy that encapsulates the spirit and history of graffiti art in its design and conception. A collaborative effort by renowned graffiti artist John "Crash" Matos and artist Czee13, this collectible merges street art's rebellious energy with pop art's aesthetics. Released in 2023, this series was limited to a batch of 100, each piece a new-in-box robot figure styled after a spray paint can, the quintessential tool of the graffiti artist. Crafted with a metallic sheen, the Canbot embodies graffiti's industrial and provocative nature. The design is a tribute to Crash's legacy as a pioneer of the East Coast graffiti scene, his tag "CRASH" inscribed on the can's top. The robot's form takes on a personified spray can, with a cap for a head and a body adorned with Matos' iconic graffiti. This art toy does not merely represent a static figure but symbolizes graffiti art's movement and fluidity. Matos and Czee13: Bridging Street Art and Collectible Culture John Matos, better known as Crash, has been instrumental in elevating graffiti from the streets to the galleries, and his collaboration with Czee13 on the Canbot further bridges the gap between street art and collectible culture. The Canbot is not just an art toy; it is a piece of street pop art, merging the collectible market with the ethos of street art. Each Canbot's unique design is a testament to the individuality and creativity that defines the graffiti art form. This series extends the narrative of street art into collectors' homes and personal spaces, allowing for an intimate interaction with a piece of pop culture history. The Canbot, with its sleek design and historical significance, serves as a functional work of art, encapsulating the essence of street art's impact on contemporary culture and its persistent influence on various artistic mediums. The Canbot as a Statement Piece in Graffiti Artwork The Silver East Coast Legends Canbot is more than a mere homage; it is a statement piece that speaks to the endurance and evolution of graffiti artwork. The limited edition series highlights the transformative journey of street art from the fringes of public spaces to the center stage of art collector's showcases. Each Silver Canbot, with its brilliant finish and detailed design, carries the story of graffiti's past, its vibrant present, and its potential future. In a broader sense, the Canbot by Crash and Czee13 is a physical manifestation of the dialogues that street pop art and graffiti artwork inspire – conversations about art, accessibility, culture, and the ways these intersect within our modern world. Through this piece, the artists invite viewers to reflect on the intrinsic value of street art beyond the walls and into the realm of the every day, offering a tangible connection to the pulse of the city streets and the art that breathes life into them.

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Bob Tewksbury/ Bald Man- Yankees Unique Hand-Embellished Collage Mixed Media on Vintage Baseball Card by Pat Riot. 2014 Stamped Original Mixed Media Layered on Real MLB Topps Vintage Card With Pop Art Like: Bob Tewksbury/ Bald Man- Yankees

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Joey Home 79 Photo Print by Joe Conzo Jr Limited Edition on 290gsm Moab Entrada Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed Print Limited Edition of 5 Artwork Size 20x16 Archival Pigment Fine Art of Joe Conzo in a Self Portrait by One Way Sign in 1979. Joey Home 79 Photo Print by Joe Conzo Jr The Joey Home 79 photo print by Joe Conzo Jr is a limited edition archival pigment print that captures a defining moment in the context of Street Pop Art and graffiti artwork. Created on 290gsm Moab Entrada Fine Art Paper, this piece offers a striking black-and-white depiction of the artist himself in a self-portrait taken by a one-way street sign in 1979. This 2023 edition, signed and limited to five pieces, brings renewed attention to Joe Conzo Jr's unique style and contribution to modern artwork. Joe Conzo Jr: The Photographer of a Cultural Movement Joe Conzo Jr, an American photographer, is renowned for his role in documenting the early days of hip-hop culture and the vibrant urban scenes of the Bronx in the late 20th century. His lens captured the raw essence of an evolving art movement that melded music, graffiti, and street culture. Conzo's photographs are celebrated for their candid approach, emphasizing the human stories behind street art and its creators. His work, including Joey Home 79, demonstrates a powerful connection between people, urban landscapes, and the social movements of the time. The Joey Home 79 print stands as a testament to the artist's ability to blend personal storytelling with cultural documentation. Taken in the Bronx, the photograph features Conzo himself, his Afro framing his youthful energy. The one-way street signs add a layer of symbolism, suggesting the pathways and directions individuals navigate in the complex urban environment. The gritty texture of the surrounding architecture reinforces the authenticity of the setting. The Role of Street Pop Art and Graffiti in Modern Art Street Pop Art and graffiti artwork have long been rooted in the expression of identity, rebellion, and social commentary. Emerging from the streets of New York City, artists like Conzo played a significant role in bringing urban narratives to life. Joey Home 79 reflects the broader conversation surrounding self-representation and community in street art. The photograph serves as an artistic bridge, connecting the viewer to the cultural vibrancy of the 1970s Bronx. Graffiti and street art during this era were not confined to spray cans and walls. Instead, they manifested in photography, music, and dance, creating a cohesive cultural tapestry. Conzo's work captures the spirit of this interconnectedness, elevating photography to a vital form of street art. The Legacy of Joey Home 79 in Contemporary Art Joey Home 79 exemplifies the timeless appeal of Conzo's work in the landscape of contemporary art. As a limited edition piece, this print gains significance for collectors and enthusiasts of Street Pop Art and graffiti artwork. The 20x16 size amplifies its impact, inviting viewers to explore its fine details and emotive power. Printed on archival-quality Moab Entrada Fine Art Paper, the piece combines durability with aesthetic finesse. The texture of the paper enhances the depth of the photograph, preserving the mood and authenticity of the original shot. The signature by Joe Conzo Jr reinforces its value as a modern artwork, bridging historical cultural significance with present-day appreciation.

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