Original Artwork

Hula Bunny Original Marker Drawing by Joe Ledbetter on Card Stock Paper, Modern Street Pop Artwork. 2006 Signed Original Magic Marker Drawing Size 6x10 of a Bunny Rabbit Hula Girl. "Hula Bunny," an original marker drawing by Joe Ledbetter, presents a whimsical fusion of street art sensibilities and pop art aesthetics. Created in 2006, this piece features a charming bunny rabbit depicted as a hula girl, a playful subject matter characteristic of Ledbetter's signature style. The 6x10-inch artwork is a testament to the artist's ability to blend cartoon-like figures with a mature, street-influenced art form. Crafted with magic marker on card stock paper, "Hula Bunny" is imbued with spontaneity and fluidity, often found in street pop art. Ledbetter's lines are confident and animated, bringing the character to life with a few simple strokes. The artwork's bold black outlines and the absence of color draw attention to the form and movement suggested by the hula dancer's pose. Signed by the artist, this original piece captures the playful spirit of pop art, with its roots in commercial and popular imagery. Ledbetter often explores themes that resonate with a broad audience, and "Hula Bunny" is no exception. It reflects a joyful and carefree narrative, a departure from the conventional graffiti art associated with urban environments. This original drawing holds its own in modern street pop artwork, showcasing Ledbetter's creative range. His work bridges the gap between street art's raw expressiveness and pop art's accessible imagery. "Hula Bunny" is not just a piece of art; it is a slice of the culture from which it originates, offering a lighthearted take on the artist's surroundings and experiences. Collectors and admirers of Ledbetter's work appreciate his unique take on street pop art, where each piece often serves as a commentary on contemporary life. "Hula Bunny," with its charm and simplicity, continues to captivate viewers, remaining a delightful example of how traditional techniques can produce endearing and enduring art.

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Dont Leave Me Original Acrylic Painting by Serge Gay Jr One of a Kind Artwork on Art Board by Street Art Pop Artist. 2014 Signed Acrylic Painting Original Artwork Size 6.25x10 Don't Leave Me Original Acrylic Painting by Serge Gay Jr – One of a Kind Street Pop Art & Graffiti Artwork Serge Gay Jr. presents Don't Leave Me, a powerful 6.25x10-inch original acrylic painting on art board, created in 2014. This one-of-a-kind artwork is a striking example of his ability to merge portraiture, text, and cultural symbolism into a deeply expressive composition. Signed by the artist, this piece showcases his distinctive fusion of realism, abstraction, and layered storytelling, reflecting both emotional depth and socio-political undertones within the framework of Street Pop Art & Graffiti Artwork. The painting features a contemplative female figure, her expression somber yet resilient, bathed in a palette dominated by muted blues, deep purples, and shadowy tones. The intensity of her gaze and the softness of her posture contrast with the chaotic background, which is layered with fragmented imagery and cryptic text. Handwritten phrases, ghostly figures, and visual distortions create a sense of emotional unrest, reinforcing themes of longing, departure, and uncertainty. The textured surface, raw brushwork, and distressed aesthetic give the piece an almost weathered appearance, as if it carries the weight of memories and unspoken narratives. The Emotional Layers of Don't Leave Me Serge Gay Jr. has an exceptional ability to evoke emotion through composition, color, and symbolism. Don't Leave Me is a deeply intimate portrayal of vulnerability, addressing themes of abandonment, loss, and longing. The handwritten words in the upper right corner add a personal, almost confessional element to the piece, drawing the viewer into the subject’s unspoken dialogue. The emotional weight is further amplified by the figure’s body language—her downward gaze, the tension in her fingers, and the slight curve of her shoulders suggest an internal struggle between holding on and letting go. The surrounding imagery adds complexity to the narrative. A skeletal grin, a suited faceless figure, and scattered visual elements of transportation and machinery suggest themes of movement, time, and inevitable change. The layering of figures and textures creates a dreamlike effect, as if the painting exists between reality and memory. The juxtaposition of realism and abstraction allows the piece to feel both deeply personal and universally relatable, making it a significant contribution to the artist’s body of work. Serge Gay Jr.’s Approach to Street Pop Art & Graffiti Artwork Serge Gay Jr. has established himself as a leading figure in Street Pop Art & Graffiti Artwork, known for his ability to merge fine art techniques with contemporary urban storytelling. His use of fragmented imagery, bold contrast, and layered symbolism allows him to create works that feel both poetic and politically charged. Don't Leave Me exemplifies this approach, as it blurs the lines between traditional portraiture and street-inspired aesthetics. His use of mixed media and text adds an extra dimension to his work, reinforcing the idea that art can be both a visual and written form of expression. The incorporation of hand-drawn words and distressed textures gives the painting a raw, unfinished quality, making it feel immediate and unfiltered. This technique echoes the energy of graffiti and street murals, where personal messages and artistic expression exist simultaneously within public and private spaces. His ability to balance personal narratives with broader social themes allows his work to engage viewers on multiple levels. The Cultural Significance of Don't Leave Me Don't Leave Me captures a moment of emotional intensity, exploring themes of love, separation, and personal transformation within the framework of Street Pop Art & Graffiti Artwork. The painting speaks to the universal experience of attachment and the fear of loss, making it a deeply relatable work that resonates with audiences beyond its visual appeal. The textured layering, cryptic symbolism, and hauntingly expressive portrait all contribute to its ability to evoke thought and emotion. Serge Gay Jr. continues to challenge and redefine contemporary urban art through his ability to merge fine art with street culture. Don't Leave Me stands as a testament to his ability to tell complex, layered stories through visual expression, demonstrating how Street Pop Art & Graffiti Artwork can be both deeply personal and socially resonant. Through his masterful use of composition, color, and narrative, he continues to push boundaries, ensuring that his work remains impactful and relevant in the ever-evolving landscape of modern art.

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Video Surveillance 12x18- II Original Mixed Media Painting graffiti artist modern pop art on Real Metal Street Sign by Cope2. 2020 Signed Original Spray Paint Painting Bubble Letter on Real Metal Street Sign Artwork Size 12x18. This Area is Under 24 Hour Surveillance Sign.  

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SECHOR roller Original One of a Kind Mixed-Media Spray Paint Painting Artwork on Canvas by Popular Street Graffiti Artist Sechor. 2021 Signed Mix Media on 18x24 on Unstretched Canvas

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Enamored Die-Cut Wood- Pink Limited Multiple on Laser Cut Wood Panel ready to hang by Buff Monster Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 45 Pink Colorway Artwork Size 14.5 x 13.5 inches (37 x 34 cm) "I've wanted to do a silkscreened die-cut wood print for years! Finally, I have done it! They are all painted by me, too; the light pink background and the black on the sides have all been painted by me. The colors on a silkscreen edition are always much brighter." -Buff Monster Buff Monster, a New York-based street artist renowned for his vibrant and whimsical work in modern pop art and graffiti, presents "Enamored Die-Cut Wood- Pink." This limited edition artwork, part of a series of 45, is a testament to Buff Monster's commitment to innovation and craftsmanship in street pop art. Each piece, sized 14.5 x 13.5 inches, is meticulously crafted on laser-cut wood panels, primed for display without additional framing. The artwork features Buff Monster's signature motif: the melting Mister Melty character, often associated with joy, love, and the steadfast passage of time. The character's singular eye and the heart motif are done in a striking pink colorway, a hue recurrent in Buff Monster's work, symbolizing optimism and vitality. This particular edition is further enhanced by Buff Monster's hand, with the light pink background and the black sides personally painted by the artist, adding a layer of intimacy and authenticity to each print. As with traditional silkscreen prints, "Enamored Die-Cut Wood- Pink" colors are vivid and saturated, displaying Buff Monster's preference for bright, eye-catching palettes that bring his characters to life. The die-cut wood medium adds a sculptural dimension to the piece, offering a tactile experience that differs from two-dimensional prints. This multi-dimensional quality reflects the dynamism of street pop art, which often interacts with its environment unexpectedly. Buff Monster's creation is more than a mere decorative piece; it's a slice of street culture, a manifestation of the artist's influences drawn from Japanese culture, classic graffiti, and American cartoon aesthetics. The "Enamored Die-Cut Wood- Pink" edition represents a marriage of these inspirations, encapsulating the playful and irreverent spirit that defines Buff Monster's artistic practice and the broader street pop art movement. This work is a colorful ode to the melting wonders of life, love, and the enduring power of art to evoke emotion and provoke thought.

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Rich People Shit Original Spray Paint Painting by Atomik One of a Kind Artwork on Canvas by Street Art Pop Artist. 2023 Signed Spray Paint Painting Original Massive Artwork Size 80x100 Small Cute To Right Area "Rich People Shit," an original spray paint painting by Atomik, represents an explosive convergence of pop art, street art, and graffiti art. Atomik, a Miami-based artist known for his vibrant orange, bold visuals and irreverent approach to societal norms, has once again pushed the boundaries with this work. Distinguished by its unflinching commentary on wealth disparity and consumer culture, the painting is awash with Atomik's characteristic bright colors, which serve to highlight its potent message. The title of the work, "Rich People Shit," directly conveys its subject matter. It teases apart the excesses and indulgences of the upper crust, showcasing Atomik's biting satire and his knack for stirring dialogue through his art. The narrative embedded within the painting brings to life the often surreal experiences and commodities associated with immense wealth, boldly questioning the societal structures that uphold such a lifestyle. As an amalgamation of pop art, street art, and graffiti art, "Rich People Shit" exhibits all the crucial elements of these genres. From the populist appeal and familiar imagery of pop art, the gritty spontaneity and defiance of street art, to the unconventional canvas and daring statements of graffiti art - Atomik deftly blends these into a powerful commentary. The artist's prolific use of spray paint not only anchors the piece firmly within the graffiti art tradition but also infuses it with a raw energy that lends an immediacy to its critique. This painting, through its vivid imagery and incisive commentary, has managed to spark a broad conversation about the societal implications of wealth and its distribution. Atomik's "Rich People Shit" remains a significant piece in the contemporary art scene, serving as a bright beacon of subversive thought in the crossroads of pop, street, and graffiti art.

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Haru Original Ink Hand Mini Drawing on Fine Art Paper by modern trending street art artist Nicole Gustafsson. 2012 Signed Original Drawing 5x5

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The End Of The End Original Hand-Painted Multiple Spray Paint Aerosol on Framed Birch Wood Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered HPM Limited Edition of 10 Artwork Size 24x36 DENIAL is a Canadian artist whose work critiques consumerism and the human condition. Though based in Windsor Ontario, DENIAL spends much of the year traveling and exhibiting throughout Canada and the USA, having done solo shows in Los Angeles, Chicago, Detroit, New York, Toronto, and Vancouver. Denial has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continue to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.

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Flower Bouquet 87 Original Oil Painting by Peter Keil, is one-of-a-kind artwork on a Masonite Panel by The Wild Man of Berlin,  a famous contemporary artist. 1987 Signed by Peter Keil & Dated Oil Painting on Masonite Panel Original Artwork Size 24x24. All of Peter Keil's Art Used Thick Paint & Some Paint Flaking May Be Present Due to the Age and Nature of His Work. Painting of Flower Vase Bouquet. Peter Keil's "Flower Bouquet '87": A Celebration of Color and Form "Flower Bouquet '87," a remarkable original oil painting by Peter Keil, showcases the signature style of the artist known affectionately as "The Wild Man of Berlin." Created in 1987 and boldly signed, this 24x24 inch painting on a Masonite panel captures Keil's work's vibrancy and dynamic energy. Known for his thick application of paint, Keil's artistry in this piece displays the potential for texture and dimension within the medium of oil paint. Over time, some of this textural paint has flaked, which is common in Keil's work, lending a historical quality to the painting that chronicles its journey through time. The artwork features a vase of flowers, a classic still-life subject, which Keil reinterprets with his unique blend of expressionism and street art flair. In "Flower Bouquet '87," the traditional theme of the still life is revitalized through Keil's lens, which introduces the exuberant aesthetic of Street Pop Art and graffiti Artwork. The painting eschews subtlety in favor of bold, direct presentation, with flowers rendered in a style that borders the abstract. The whimsical shapes and exaggerated colors speak to the influence of pop art, while the freeform line work and vivid hues echo the raw appeal of graffiti. The artwork serves as a bridge, merging the historically distinct worlds of fine art and urban street art, and invites viewers to engage with the work on a visceral level. The Artistic Merit of Keil's Approach Keil's "Flower Bouquet '87" artistic merit lies in its unabashed celebration of color and form. Keil's work defies the constraints of traditional still-life painting, breathing new life into the genre with his innovative approach. Using Masonite as a substrate reinforces Keil's preference for sturdy, reliable materials that can support his vigorous application of oil paint. The Masonite's smooth surface is the perfect canvas for the thick, sculptural layers of paint, which add depth and complexity to the composition. Furthermore, Keil's painting is a testament to the enduring nature of art. The presence of paint flaking reveals the effects of time yet also highlights the intrinsic beauty found in the natural aging of artwork. This aspect of Keil's work is particularly resonant with the ethos of street and pop art, which often embrace the concept of impermanence and the beauty inherent in decay. "Flower Bouquet '87" does not just depict a scene; it tells a story of its existence through its evolving state. Keil's Legacy in the Fusion of Art Genres "Flower Bouquet '87" is emblematic of Peter Keil's legacy in the fusion of art genres. His approach to the still life reflects a more significant trend in contemporary art of breaking down barriers between high and low culture, between the gallery and the street. Keil's work challenges preconceived notions of fine art, pushing the boundaries of expression and medium. With its energetic brushstrokes and striking palette, this painting is a powerful example of Keil's influence on modern art, particularly within Street Pop Art and graffiti Artwork. Keil's contribution to contemporary art is significant in his stylistic choices and his philosophy towards the creation and consumption of art. He democratizes art by bringing the sensibilities of street art into the gallery space, making it accessible and relatable to a broad audience. "Flower Bouquet '87," as a representation of Keil's oeuvre, underscores the artist's ability to capture the viewer's imagination and to convey emotion through the vibrant language of paint. "Flower Bouquet"'87" stands as a '87" statement to Peter Keil's profound and positive contribution to art. Its textured surface, vibrant colors, and dynamic presence offer a fresh perspective on the still-life genre while honoring the traditions of Street Pop Art and graffiti Artwork. Keil's painting continues to enchant and engage audiences; it reaffirms the artist's place as a significant figure in contemporary art, whose work transcends time and continues to inspire dialogue and passion for the arts.

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Animaniac Original Marker & Pencil Hand Drawing on Bristol Paper by Modern Graffiti Street Art Artist Sechor. 2021 Signed Original Marker Drawing 01/2021 14x17 in, Bristol Paper

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Casque d'Or Golden Heart Original Metal French Mailbox Letterbox Sculpture by C215- Christian Guémy Artwork by Graffiti Street Artist. 2014 Signed Original Metal Hand Made Sculpture One of A Kind Artwork. Created in 2014, Casque d'Or is a spray-painted artwork on a reclaimed postal box measuring 47 x 12 x 12 inches (119.4 x 30.5 x 30.5 cm), with the artist’s signature and title inscribed on the top as "C215 / Casque d'Or." Part of a series honoring French cinema, this piece pays tribute to director Jacques Becker and features a striking portrait of Simone Signoret, the celebrated star of Becker’s 1952 film Casque d’Or ("Golden Helmet"). Casque d'Or Mailbox Sculpture by C215 – French Cinema Immortalized in Street Pop Art & Graffiti Artwork Created in 2014, Casque d'Or is a one-of-a-kind hand-painted sculpture by renowned French street artist Christian Guémy, known globally as C215. Measuring 47 x 12 x 12 inches, this imposing artwork is constructed from a reclaimed French metal mailbox, transformed into a monumental tribute to French cinema and urban heritage. The sculpture features luminous spray-painted portraits, most notably a hauntingly beautiful depiction of actress Simone Signoret, the star of Jacques Becker’s 1952 cinematic masterpiece Casque d’Or. With its vivid yellows and splattered patina, the mailbox retains its identity as a utilitarian public object, while C215 repurposes it as a canvas of homage and cultural memory. The piece is signed and inscribed on the top as C215 / Casque d'Or, anchoring it as both a personal expression and historical artifact within the artist's body of work. C215 and the Urban Poetics of the Forgotten Object Christian Guémy, born in France, has established a powerful voice in Street Pop Art & Graffiti Artwork through his use of layered stencils and emotionally resonant portraiture. Known for elevating everyday city elements—doors, utility boxes, abandoned walls—into platforms for human connection, C215 approaches this sculptural mailbox with the same reverence. His stencils are cut by hand, revealing a meticulous craftsmanship that balances street spontaneity with academic control. In Casque d'Or, Guémy turns attention to Simone Signoret not only as a film legend but as a symbol of strength and complexity. His line work captures her cinematic allure while the placement on a government-issued mailbox speaks to the intersection of national identity, communication, and nostalgia. It is a bold reclaiming of the public surface as sacred ground for cultural storytelling. Spray Paint as Medium, the Mailbox as Canvas Spray paint remains the primary medium in Casque d'Or, reinforcing the graffiti artist's vocabulary while pushing it into sculptural and archival territory. The bright orange and yellow hues reference the classic French postbox color but are intensified by Guémy’s application style—layered, textured, and aged. The mailbox itself, complete with slots and embossed lettering, retains its utilitarian geometry, grounding the fantastical imagery in physical infrastructure. It becomes a sculpture not through removal from the street, but through reinterpretation. The pedestal elevates it further, suggesting monumentality without separating it from its roots in civic architecture. As part of the larger tradition of Street Pop Art & Graffiti Artwork, this transformation embodies the genre’s power to repurpose the familiar as a vessel for personal and collective myth. Cinema, Identity, and the Legacy of French Culture Through Street Art Casque d'Or belongs to a broader series by C215 that celebrates French cinema icons, a project rooted in cultural reverence and creative activism. By choosing a symbol of public communication—the letterbox—as the foundation of this work, Guémy underscores the idea that art can speak from the street just as powerfully as from the screen. The portrait of Signoret carries with it layers of French history, femininity, and media influence, while the sculptural format makes it portable and permanent. This fusion of fine portraiture, graffiti tradition, and historic reference places the work firmly in the center of contemporary Street Pop Art & Graffiti Artwork. It is not only a tribute to a film, but a reminder that the city itself is a gallery, its surfaces waiting to speak, to remember, and to reimagine.

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Diaspora Tolu Original Painting Enamel and Acrylic on Plexiglass by Askew One Graffiti Street Artist Modern Pop Art. 2015 Signed Original Painting Artwork Size 20x14 Custom Framed "Back in April/May of 2014, I spent around 6 weeks based in Los Angeles making these paintings for my solo show at Known Gallery. I was living and working above the TSL store, trying my best to make enough work to fill the space which was a pretty daunting task. The pieces themselves are a combination of head portraits painted in what I would say are my signature style and then also a series of smaller abstract works that signify the idea of migration through the Pacific, both in a historic and recent sense. The model for the portraits was my friend Sereima aka Stelly, who’s Sydney-based and of Fijian descent. To me, she really represents the changing face of the Pacific in many ways. Following on from a really successful show in Sydney, ‘The Evolving Face’ I wanted to move away from the mugshot poses of the previous body and bring more attitude and exuberance and Sereima was perfect because she is the absolute embodiment of those things." - Askew One Diaspora Tolu Original Painting by Askew One Diaspora Tolu is a vibrant and thought-provoking 2015 original painting by renowned graffiti and Street Pop Art artist Askew One. Crafted with enamel and acrylic on plexiglass, this piece forms part of Askew One’s iconic exploration of migration and identity within the Pacific region. Measuring 20x14 and custom framed, the painting combines bold abstraction with dynamic patterns and rich symbolism. Signed by the artist, Diaspora Tolu stands as a testament to Askew One’s innovative approach to modern pop art, blending cultural narrative with cutting-edge artistic techniques. The Inspiration Behind Diaspora Tolu Diaspora Tolu was created during Askew One’s six-week residency in Los Angeles in preparation for his solo show at Known Gallery. This pivotal series explored themes of migration, transformation, and cultural identity, blending head portraits with smaller abstract works to convey the complexities of Pacific diaspora. Diaspora Tolu, as part of the abstract collection, signifies the movement of people, culture, and ideas across oceans and generations. The series draws inspiration from Sereima, a Sydney-based model of Fijian descent, who represents the evolving face of the Pacific. Askew One sought to move beyond traditional portraiture and infuse his work with energy and exuberance, which is reflected in the swirling lines, dynamic shapes, and vivid color palette of Diaspora Tolu. This piece captures the rhythm and motion of migration, embodying both historical journeys and contemporary cultural exchanges. Artistic Techniques in Diaspora Tolu Diaspora Tolu exemplifies Askew One’s mastery of combining graffiti-inspired techniques with sophisticated artistic methodologies. The use of enamel and acrylic on plexiglass creates a luminous, glossy surface that enhances the vibrancy of the colors. Bold strokes of pink, green, and blue intersect with precise geometric patterns, creating a sense of movement and energy. The circular composition within the work emphasizes continuity and connection, drawing viewers into its layered narrative. The artist’s graffiti roots are evident in the dynamic linework and spontaneous energy of the piece, while the meticulous execution demonstrates his dedication to craftsmanship. The integration of abstract forms and vibrant hues transforms this work into a visual metaphor for the complexity of identity and the richness of cultural exchange. Diaspora Tolu bridges the gap between urban art and fine art, making it an exemplary piece of Street Pop Art. The Significance of Diaspora Tolu Diaspora Tolu is a powerful representation of Askew One’s ability to use art as a medium for storytelling and cultural dialogue. The work captures the fluidity of identity in a world shaped by migration, celebrating the interconnectedness of the Pacific’s diverse cultures. Its vibrant colors and abstract design speak to both the challenges and beauty of movement and transformation. As part of a larger body of work created during a transformative period in Askew One’s career, Diaspora Tolu highlights the artist’s innovative approach to graffiti and Street Pop Art. It embodies the essence of his artistic vision: a commitment to elevating urban art into the realm of cultural and social commentary. For collectors and admirers of contemporary art, Diaspora Tolu is not just a striking visual piece but also a meaningful exploration of heritage, identity, and global connection.

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Fragment 01 Original Mixed Media Ceramic Painting by Add Fuel of a Kind Artwork Framed by a Street Art Pop Artist. 2020 Signed Mixed Media Original Three Panel Ceramic Painting Size 23.8x29.8 Ready To Hand Fragmented 2 Piece Artwork FRAGMENT 01, 2020 Three Panel Ceramic 23.8 × 29.8 Significance of Fragment 01 in Street Pop and Graffiti Artwork Fragment 01 emerges as a distinctive piece within the realm of Street Pop and Graffiti Artwork, symbolizing a harmonious blend of traditional ceramic art with the raw vibrancy of street art. Crafted in 2020, this original mixed-media artwork by the artist Add Fuel stands out as a one-of-a-kind framed piece that resonates with the dynamic energy of pop art. At the heart of Fragment 01 lies the artist's innovative approach to ceramic painting, a medium often associated with classical and traditional art. However, Add Fuel recontextualizes this perception by introducing elements typical of street art, thus creating a bridge between two ostensibly disparate worlds. The three-panel ceramic painting, with dimensions of 23.8 by 29.8 inches, captures the essence of Street Pop Art through its fragmented two-piece composition. The artwork's division into panels underscores the fragmented nature of street art, often found in unexpected locations and subject to the ravages of the urban environment. The visual narrative of Fragment 01 is characterized by a bold use of color and pattern, hallmarks of both pop art and graffiti. The dominant blues and intricate designs pay homage to the azulejo tradition of ceramic tilework, while the fractured presentation speaks to the spontaneity and impermanence of graffiti. By signing the piece, Add Fuel imparts a sense of identity and ownership, a nod to the graffiti artist's signature tag. The artwork is also ready to hang, emphasizing its accessibility and the street art ethos of art for the people. The Legacy of Fragment 01 in Contemporary Art Fragment 01 does not just represent a fusion of artistic styles; it also embodies the cultural dialogue between traditional craftsmanship and contemporary street expression. Through its form and medium, the artwork invites viewers to reflect on the evolution of art as it moves from the protected confines of galleries to the open and often contested spaces of the street. It challenges preconceived notions about the value and place of art in society and celebrates the democratization of art that street art and pop art have long championed. The significance of Fragment 01 extends beyond its aesthetic appeal; it is a testament to the growing recognition of street art and pop art as legitimate and influential art forms. By encapsulating the spirit of these movements within the time-honored medium of ceramic, Add Fuel's artwork bridges past and present, offering a powerful statement on the enduring nature of art and its capacity to adapt and thrive in various contexts. The piece is a vibrant example of how Street Pop and Graffiti Artwork continue to shape and inspire the trajectory of contemporary art. Fragment 01 is not merely a work of art but a vibrant narrative that captures the intersection of history, culture, and innovation. Through this piece, Add Fuel propels the conversation about the place of street art within the broader artistic canon, asserting its value and relevance in today's art landscape.

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Thriller Original Painting Acrylic, House Paint & Aerosol on Cradled Wood by Shark Toof Graffiti Street Artist Modern Pop Art. 2015 Signed Orignal Spray Paint Mixed Media Painting Artwork Size 24x36 The Artistic Fusion of Shark Toof's 'Thriller' "Thriller," an original painting by Shark Toof, is a dynamic foray into graffiti street art and modern pop art. Crafted in 2015, this mixed media artwork—acrylic, house paint, and aerosol on cradled wood—displays Shark Toof's signature blend of street influence and acceptable art discipline. The piece, measuring 24x36 inches, is signed by the artist, providing authenticity to this vibrant representation of his multifaceted style. Shark Toof, recognized for his powerful visual statements in the street art community, brings his graffiti roots to the forefront in this piece. His work is not confined to the traditional expectations of pop art; instead, it ventures into a realm where iconoclasm meets iconography. In "Thriller," the influence of street art is palpable, with the raw energy of graffiti translating into a structured yet spirited composition on wood. Shark Toof's approach to his work reflects a conscious decision to merge his established voice with a playful irreverence, challenging the viewer to consider the icons of our time and their mutable significance. The artwork encapsulates Shark Toof's philosophy that art should not always be taken too seriously, suggesting that there is power in subverting one's creations. This notion of 'vandalizing' one's icons is a commentary on the impermanence of fame and the fluidity of cultural symbols in our society. This blend of introspection and external commentary positions "Thriller" within a unique space in contemporary art. Shark Toof and the Do-It-Yourself Ethos of Street Art Shark Toof's preference for Detroit as a backdrop for his creative process tells of his affinity for the do-it-yourself, or DIY, ethos often associated with street art. His connection to the city, known for its prosperous industry and innovation history, mirrors his artistic journey. In Detroit, a city that has experienced grandeur and grit, Shark Toof finds a kindred spirit—a landscape that is both a canvas and a catalyst for creativity. "Thriller" embodies this DIY spirit not only in its creation but also in its presentation. Using cradled wood as a substrate is a nod to the makeshift surfaces often employed in street art, where any space or material can become the foundation for expression. Shark Toof's choice of materials—house paint and aerosol—further echoes the vernacular of street art, where the medium's immediacy matches the message's urgency. Shark Toof's "Thriller" celebrates the evolving narrative of street pop art and graffiti artwork. His work is a testament to street art's power to transcend its urban origins and find resonance in a gallery setting. Through his bold use of color, form, and medium, Shark Toof continues challenging and redefining what it means to be a street artist in the contemporary art world. His work is a dialogue with the viewer, an invitation to explore the deeper meanings behind the images we see and the icons we create.

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I Will Love You Until The End Limited Edition Hand-Embellished Spray Paint, Acrylic, Stencil, Mixed Media On Cradled Wood Panel by Denial Graffiti Street Artist Modern Pop Art. 2015 Signed Limited Edition of HPM 5 Hand Embellished Artwork Size 24x36 Wood Cradled Ready to Hang. I Will Love You Until The End by Denial: Innocence and Apocalypse in Street Pop Art & Graffiti Artwork I Will Love You Until The End is a 2015 limited edition hand-embellished mixed media artwork by Canadian pop and graffiti artist Denial. Each piece in the edition of five is uniquely created using spray paint, stencil, acrylic, and layered mixed media on a cradled wood panel measuring 24 x 36 inches. Signed and ready to hang, this large-scale painting merges emotional sincerity with a biting critique of global instability and modern chaos. It is a visual contradiction where romantic imagery collides with the language of war, solidifying Denial’s signature approach to Street Pop Art & Graffiti Artwork as both emotionally provocative and conceptually subversive. Contrasting Visual Elements and Emotional Duality The focal point of the work is the silhouette of a young boy and girl standing face to face, poised in a moment of tender affection. The boy hides a bouquet of flowers behind his back, a symbol of innocent love and youthful vulnerability. Behind them, however, explodes a massive mushroom cloud rendered in stark contrast with vibrant shades of red, yellow, and orange. This apocalyptic backdrop shatters the serenity of the foreground, suggesting that even the purest moments of love are not immune to the violent consequences of human decision-making. The boy’s gesture of giving and the girl’s attentive stance become metaphors for fragile hope amid destruction, underscoring how love persists in the shadow of looming catastrophe. Materials, Texture, and Hand-Painted Process Each work is created on wood panel, lending the artwork a raw, physical weight consistent with the grittiness of its street-art origins. The hand-embellished nature of the edition ensures that every panel is uniquely layered with stencil elements, expressive spray paint, and intentional imperfections. The use of negative space in the silhouettes contrasts with the explosively detailed background, drawing the viewer’s eye directly into the visual dialogue between affection and annihilation. The tactile nature of the panel surface and the layering of medium give depth and intensity to the emotional tension within the piece. Denial’s Vision and Cultural Commentary Denial, born Daniel Bombardier, is known for using irony, contradiction, and layered symbolism to critique media, consumerism, and political complacency. In I Will Love You Until The End, his use of youthful silhouettes is not nostalgic but intentionally ironic. The innocence of childhood becomes a symbol of hope, threatened by the ever-present specter of conflict. Denial’s art often exposes the absurdity of modern ideologies, and here he asks whether love can endure when the world is on fire. This piece reflects the duality often found in Street Pop Art & Graffiti Artwork—beauty versus chaos, sincerity versus spectacle, and human emotion standing resilient against systems of destruction. Through visual metaphor and confrontational aesthetics, Denial invites viewers to consider not only the fragility of affection but also its power in the face of oblivion.

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Detroit Entities Alpha Original Painting Acrylic and Spray Paint on Plexiglass by Askew One Graffiti Street Artist Modern Pop Art. 2013 Signed Original Painting Artwork Size 48x48 Custom Framed "Detroit started this whole train of thought during my first visit in 2009. I think the metaphor of Entropy is throughout the world but extends to Detroit as well. The Entropy in Detroit's case was human expanse and industry. This work is optimistic though, like Detroit. It's about new beginnings." – ASKEW ONE

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Supreme Drip Original One of a Kind Wheatpasters, Ink & Spray Paint Painting Artwork on Layered Wood by Popular Street Graffiti Artist Peter Van Flores. 2022 Signed Original SUPREME Drip Wood Cut A homage to SUPREME. Ink, Spraypaint, and wheatpaste on several layers of hand cut wood. 1 of 1 original. Medium in size. Unique dimensions with curves. Supreme Drip Original Spray Paint Collage Painting by Peter Van Flores

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Bound Original Painting Spray Paint Watercolor Mixed Media on Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2013 Signed Original Mixed Media Spray Paint Watercolor Artwork Size 15x22

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Shark Icon- Gold Original Hand-Painted Multiple on Laser Cut Wood Panel ready to hang by Shark Toof Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered HPM Embleshed Limited Edition of 7 Artwork on Wood Size 9.25x17 “This new body of work is a blend of my graffiti roots which is where I really developed my own unique voice. At the same time, there’s also an aspect of this work that is just not taking yourself too seriously, kind of vandalizing your own icons,” Shark Toof said while preparing in Detroit. “I like Detroit because it is very do-it-yourself and I am a very do-it-yourself artist so it is a great fit for me.” Shark Toof

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Saint Paul De Vence Original Pen Ink Drawing Art on Archival UV Protected Matt Paper by Modern Pop Art Artist Mark Powell. 2021 Signed  Original Ballpoint pen drawing Size: 43cm x 59cm Framed Drawing is protected by an archival UV protective matt varnish spray 16.9x23.2. Hyper Realistic & Photorealistic Image of a Man's Face The Penmanship of Mark Powell: Capturing Essence on Paper Mark Powell, a contemporary artist renowned for his unique approach to modern pop art, brings hyper-realism to the streets that often goes unseen in the typical vibrancy of street pop art and graffiti artwork. His piece "Saint Paul De Vence" is a prime example of his mastery with a simple ballpoint pen, creating depth, texture, and emotion on archival UV-protected matt paper. The artwork, signed and completed in 2021, measures 43cm x 59cm and showcases an intense, hyper-realistic image of a man's face, a testament to the human condition and the stories etched within. Street Realism: The Raw and Intimate in Mark Powell's Art Powell's "Saint Paul De Vence" represents more than just a technical achievement; it is a journey into the soul of its subject. The artwork, framed and safeguarded with an archival UV protective matt varnish spray, presents an individual whose life experiences are mapped out across the canvas of his face. Every line, wrinkle, and expression is rendered with meticulous detail, bringing the subject to life. This level of realism is often associated with high art, yet Powell's choice of materials – ballpoint pen and paper – roots his work in everyday life, making it accessible and relatable. The intimacy of the portrait invites viewers to contemplate the stories behind the eyes of the subject. It is this storytelling aspect that aligns Powell's work with the ethos of street art. The narratives of life, often unseen or overlooked, are brought to the forefront, compelling the audience to acknowledge the unspoken tales that unfold around them daily. Hyper-Realism in Street Pop Art While not commonly associated with street pop art and graffiti, hyper-realism finds a place in Powell's artistic lexicon. His technique challenges the notion that its bold lines and bright colors define street art. Instead, "Saint Paul De Vence" suggests that street art can be a space for subtlety and nuance. Powell's intricate shading and attention to detail pay homage to the very essence of street art: the ability to reflect reality and provoke thought. The emotion captured in the artwork transcends the medium, creating a connection with the viewer that is both immediate and profound. The subject's gaze penetrates beyond the surface, asking questions and evoking empathy. This level of emotional engagement is the hallmark of both street art and Powell's work, serving as a bridge between the viewer and the viewed. Mark Powell's "Saint Paul De Vence" is a remarkable piece within the street pop art and graffiti art world. It showcases the power of traditional techniques applied in new contexts and the ability of art to uncover the depths of human experience. As the painting hangs, protected, and preserved, it continues to speak volumes, reminding us that the stories of the streets are as varied as the people who walk them and that art is a language that can talk about life's intricacies in the stroke of a pen.

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Woody Original Magic Marker Drawing by Ronnie Cutrone on Card Stock Paper Modern Street Pop Artwork. 1988 Signed Dated Original Magic Marker Drawing Size 5x7 Woody Woodpecker Original Hand Drawing by Ronnie Cutrone. Comes With COA. Ronnie Cutrone, a prominent figure in the contemporary art movement, notably gifted the world with his renditions of popular culture icons. Among these masterpieces is his 1988 original magic marker drawing of Woody Woodpecker, a character synonymous with animated brilliance. Crafted meticulously on card stock paper, this piece vividly captures the essence of Woody with the distinctive style that Cutrone was celebrated for. What makes this drawing exceptionally unique is its origin in the heart of the modern street and pop art scene, where Cutrone's reputation was firmly rooted. Woody Woodpecker, with his iconic laughter and mischievous antics, becomes a perfect muse for Cutrone's exploration into the intersection of popular culture and street art. Measuring at an intimate size of 5x7, every stroke and shade of the marker reflects Cutrone's dedication to detailing and his mastery of expressing dynamism through minimalism. The bold contrasts, the playful aura, and the unmissable signature of Cutrone, dated '88, mark this piece as a testament to the era's artistic evolution. For collectors and art enthusiasts, the inclusion of a Certificate of Authenticity (COA) further elevates the drawing's significance, ensuring its authenticity and value. It's a stark reminder of when pop culture permeated street walls, galleries, and the hearts of many, through the hands of artists like Ronnie Cutrone. This piece, both in its subject and execution, stands as an embodiment of an era where animated characters were not just for entertainment but also a powerful medium of artistic expression.

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ENV Original One of a Kind Mixed Media Spray Paint Painting Artwork on Canvas by Canbot Canz Street Art Pop Culture Artist Czee13. 2022 Signed Original Mixed Media Spray Paint Painting Size 24x20

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Standing Sky Bear Original Painting on Fine Art Paper, Custom Framed by Phil Lumbang Graffiti Street Artist Modern Pop Art. Original one-of-a-kind painting of a standing white bear in big blue sky.

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Abstract Cubism 1 Original One of a Kind Mixed Media Spray Paint Acrylic Painting Artwork on Stretched Canvas by Popular Street Graffiti Artist RD-357. Custom Framed 31.5x22.5. Abstract Cubism 1 by RD-357 Painting- This original artist's stretched canvas mixed media spray paint graffiti painting features the RD tag with cubsitic colors in the background. Awesome rare original canvas art by prolific street artist Real Deal RD357.

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Meditating Bear Original Painting Oil on Canvas, Gallery Wrapped by Phil Lumbang Graffiti Street Artist Modern Pop Art. Original one-of-a-kind painting of a meditating stone bear in purple bamboo woods.

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Lagos Original Street Sign Spray Painting by Atomik Mixed Media Modern Graffiti Paint Pop Art on Real Metal Ready To Hang. 2023 Signed Original Painting on Reclaimed Metal City Road Construction Sign Artwork Size 36x36 of Spray Painted Smiling Atomik Orange In the vibrant world of modern graffiti and pop art, Atomik emerges as a unique voice, creating pieces that resonate deeply with art aficionados and street art enthusiasts alike. His 2023 artwork, titled "Lagos," is a prime example of his genius. Made on a reclaimed metal city road construction sign, this piece is not just a painting but a marriage of art and urban elements. Measuring 36x36 inches, "Lagos" is an ode to the urban environment from which Atomik draws inspiration. The centerpiece, the spray-painted smiling Atomik Orange, is instantly recognizable and evokes a sense of familiarity, bridging the gap between the street and the art gallery. The backdrop, a real metal city road construction sign, adds layers of authenticity and rawness to the piece. Its weathered appearance, marked with signs of wear and age, tells a story of its own, setting a contrasting stage for the vibrant and playful Atomik Orange. This painting does more than just showcase Atomik's technical prowess with a spray can. It challenges the boundaries of traditional art forms, blurring the lines between graffiti, pop art, and found object art. By choosing a reclaimed metal sign as his canvas, Atomik comments on the transient nature of urban life and the ever-evolving face of cities. For those who appreciate art that speaks to contemporary issues while staying rooted in traditional techniques, "Lagos" is a testament to Atomik's ability to capture the zeitgeist of modern urban culture. It's not just a piece of art; it's a conversation starter, a narrative, and a reflection of the times we live in.

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Scenic Route Original One-of-a-kind Watercolor Painting Artwork on Bristol Paper by Popular Street Graffiti Artist Kevin Ledo. 2021 Signed Original Watercolor on Bristol Paper Size: 12 x 9 Inches Kevin Ledo, a luminary in street and graffiti art, introduces a refreshing deviation from his usual expansive murals with "Scenic Route." This original, one-of-a-kind artwork manifests as a watercolor painting on Bristol Paper, showcasing Ledo's versatility. Created in 2021, "Scenic Route" captures the imagination with its labyrinth of flowing, interwoven shapes, painted with a palette that spans the spectrum from pastel hues to vibrant bursts of color. The harmonious blend of soft and vivid tones exudes a sense of tranquility, making it an embodiment of the scenic routes often taken by travelers in search of peace and inspiration. Measuring 12 x 9 inches, this intimate piece offers viewers an up-close experience with Ledo's meticulous brushwork and intricate detailing. Each brushstroke, each transition of color, speaks volumes about the artist's dedication to his craft. As a signed original, "Scenic Route" bears the mark of its creator, serving as a testament to Ledo's commitment to authenticity and originality. Within the broader context of pop art, street art, and graffiti, Kevin Ledo's "Scenic Route" stands as a beacon, illustrating how traditional techniques like watercolor can coexist and even flourish alongside edgier, urban art forms. Like many of Ledo's creations, "Scenic Route" invites introspection and evokes a deeper understanding of the symbiosis between the natural world and urban landscapes.

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Bubbles 9015 Original Spray Painting by Seen UA, a One-of-a-kind Artwork on Canvas by a Street Art Pop Artist. 2023 Signed Spray Paint Painting Original Artwork Size 30x34 "Bubbles 9015" is a vivid and engaging piece of art by the acclaimed street artist Seen UA, who is widely recognized as one of the pioneering figures of the graffiti movement. Originating from New York in the late 70s and early 80s, Seen UA's work quickly gained popularity, resonating with its energetic and dynamic expression of urban life. "Bubbles 9015" is a significant representation of Seen's mastery over spray paint, directly connecting to his graffiti origins and situating him firmly within pop art. Executed with a bold and vibrant palette, the painting captures the viewer's attention with its intricate detailing of bubbles, serving as a metaphor for transience and fragility. The artwork also encapsulates Seen's idiosyncratic pop sensibility, wherein everyday objects have new layers of meaning and interpretations. While "Bubbles 9015" draws from the aesthetics of street art, it is a testament to Seen's adaptability and evolution as an artist, transcending the confines of its graffiti roots to find a place in fine art galleries worldwide. The artwork challenges conventional boundaries and, in doing so, epitomizes the evolution of street art into an accepted and celebrated form of contemporary art. Through this piece, Seen UA reaffirms his place as a trailblazer in the evolution of graffiti and street art, reshaping and redefining its significance in the art world.

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Salvage Can 3 Original Painting on Spray Paint Can Mixed Media Sculpture Artwork by street artist graffiti legend Eddie Colla. 2018 Signed Original Spray Paint Acrylic Mixed Media on Spray Paint Can Artwork Size 3x8 "I made this series of cans in China in 2018. I had been waiting for supplies to start working on larger pieces. The residency where I was had kept all their empty spray cans. I started making these small pieces from the used spray cans. It wasn't anything I planned; I just had an unexpected amount of free time waiting for my materials to arrive, so I worked with what was available. Each can is signed and dated on the bottom of the can." -Eddie Colla. Eddie Colla's Creative Philosophy "Salvage Can 3" by Eddie Colla is a striking mixed-media sculpture that exemplifies the innovative nature of street pop art and graffiti artwork. Created in 2018 as part of a series during a residency in China, this artwork represents a unique fusion of spontaneity and intentionality that defines Colla's approach to art. Utilizing discarded spray paint cans as his canvas, Colla transformed these objects into thought-provoking artworks, each signed and dated, capturing his signature style and commentary on contemporary issues. In the "Salvage Can" series, Eddie Colla embraced the unexpected interlude in his creative process to produce a series that reflects a core principle of street art: the ability to create with whatever materials. "Salvage Can 3" manifests Colla's resourcefulness and artistic agility. This series speaks to the essence of street art's improvisational nature, with Colla repurposing the used spray cans from his residency to craft pieces that stand as a testament to the transformative power of art. Artistic Expression in "Salvage Can 3" The visual language of "Salvage Can 3" communicates a poignant narrative. The figure depicted on the can, partially obscured by what appears to be a mask, invites viewers to ponder themes of identity, concealment, and the human condition in the modern world. Using spray paint and acrylic, traditional mediums in graffiti artwork, on an unconventional substrate highlights Colla's skills in mixed media and his ability to push the boundaries of street pop art. Cultural Impact of Eddie Colla's Work Eddie Colla is not merely a street artist but a cultural commentator whose works resonate with a global audience. "Salvage Can 3," like the rest of the series, is more than an object of visual intrigue; it is a commentary on the times and an expression of individuality amidst collective narratives. Colla's work is renowned for its critical engagement with socio-political themes, and this piece is no exception. It is a cultural artifact that challenges viewers to question and reflect, embodying the rebellious spirit that often characterizes graffiti art. Significance in the Art Market The collectible nature of "Salvage Can 3" lies in its unique origin story and the reputation of Eddie Colla as a graffiti legend. Each can be individual, marked by Colla's hand and signature, and carries the story of its creation—making it a coveted item for street art collectors. These pieces occupy a special place in the art market, bridging the gap between temporary street murals and enduring art collectibles. "Salvage Can 3" is not just a mixed media sculpture; it is a piece of the ongoing narrative of street pop art and its evolution in the contemporary art scene. "Salvage Can 3" profoundly reflects Eddie Colla's ability to capture the ethos of street pop art and graffiti artwork within a singular object. Through his innovative use of materials and poignant visual storytelling, Colla continues to influence and define the street art genre. This work stands as a reminder of the power of art to adapt and thrive, even in unexpected places and forms, resonating with a universal audience and cementing Colla's status as a pivotal figure in the world of art.

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Winona Ryder- Rakugaki 3 126 Original Colored Pencil Hand Drawing on Paper by Pop Culture Artist Albert Reyes. 2021 Signed Original Colored pencil on paper. The artwork measures 8.5 x 11 inches.

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Salvage Can 10 Original Painting on Spray Paint Can Mixed Media Sculpture Artwork by street artist graffiti legend Eddie Colla. 2018 Signed Original Spray Paint Acrylic Mixed Media on Spray Paint Can Artwork Size 3x8 "I made this series of cans in China in 2018. I had been waiting for supplies to start working on larger pieces. The residency where I was had kept all their empty spray cans. I started making these small pieces from the used spray cans. It wasn't anything I planned; I just had an unexpected amount of free time waiting for my materials to arrive, so I worked with what was available. Each can is signed and dated on the bottom of the can." -Eddie Colla. Eddie Colla's Artistic Practice Eddie Colla's "Salvage Can 10" is a compelling piece that reflects the artist's adaptive creativity and resourcefulness, elements that are often at the core of street pop art and graffiti artwork. Created during a residency in China in 2018, this work is part of a series made from used spray paint cans, an example of the artist's ingenuity in repurposing materials at hand to make art. Standing at 3x8 inches, each original mixed media sculpture speaks to the improvisational spirit of street art and the artist's personal narrative. The "Salvage Can" series emerged from waiting for art supplies, showcasing Colla's ability to innovate with available resources. This circumstance led to the transformation of discarded spray cans into a medium for artistic expression. Colla's approach involved using spray paint and acrylics to craft a mixed-media sculpture that conveys a street-wise aesthetic and intricate detail. The fact that each can is signed and dated on the bottom adds authenticity and offers a tangible connection to the artist's engagement with his work. Symbolism and Technique in "Salvage Can 10" Colla's "Salvage Can 10" stands out for its haunting imagery, displaying a contemplative and intense figure. Using a spray can as a canvas is deeply symbolic within the context of graffiti art, signifying both the tool of the trade and the transient nature of the art form itself. The choice to repurpose used cans highlights themes of sustainability and the reclamation of materials, which aligns with the broader ethos of street art's ability to transform and reinvigorate urban environments. Impact on Street Art and Graffiti Culture Eddie Colla is recognized as a significant figure in the street art movement, and his "Salvage Can" series contributes to the rich tapestry of graffiti artwork. By taking an object that is so integral to the creation of street art and making it the subject of the art itself, Colla blurs the lines between tool and artwork, creator and creation. His work serves as a visual statement within the art community and as a physical artifact that embodies the process and environment in which street art is created. Collectibility of Eddie Colla's "Salvage Can" Series For collectors, each "Salvage Can" piece represents a unique slice of Eddie Colla's artistic journey. The series' creation story—borne out of a need to create with limited resources—resonates with the narrative of many street artists who often work with what they have available. This backstory, coupled with the intimate scale of the work, makes each piece desirable for those seeking to own a part of the improvisational and spontaneous energy that defines much of street pop art and graffiti artwork. "Salvage Can 10" encapsulates Eddie Colla's innovative spirit and ability to make profound statements through street art. His choice to work with used spray paint cans during an artist residency illustrates the authentic and impromptu essence that street art is known for. Each signed and original mixed media sculpture from this series is a testament to Colla's role as a graffiti legend and a creative force in contemporary art.

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Lines In The Slipstream #14 Original One of a Kind Marker Ink Drawing Artwork on Watercolor Fine Art Paper by Popular Street Art Pop Culture Artist JM Rizzi. 2022 Signed Original Marker Ink Painting Size 18x24 “Ours are tense times. Eyes closed, I surrender to the slipstream, skate the wake of an energetic flow that never stops. This series of works on paper marks a more sophisticated experiment with abstract motifs. The aluminum of an airplane and regal gold all ripple and tangle like eddies punctuated by crimson. The final act—amalgamating metallic hues with wiry black lines that interrogate the delineation between positive and negative space. Visually interpreting the tacit sensation of human history’s everlasting propulsion.” –JM Rizzi

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Snitches Get Stitches Methadone Original Acrylic Painting by Ben Frost One of a Kind Artwork on Upcycled Pharmaceutical Methadone Drug Packaging by Street Art Pop Artist. 2025 Signed Acrylic Painting Original Artwork Size 6.9x8.6 on Reclaimed/Upcycled Methadone Drug Packaging. Stylized Stitch from Lilo & Stitch. Snitches Get Stitches: The Subversive Original by Ben Frost Ben Frost, a contemporary Australian artist known for his razor-sharp juxtapositions, continues to challenge cultural norms with his 2025 one-of-a-kind original titled Snitches Get Stitches. This acrylic painting is a direct application of Frost's signature aesthetic, merging pop iconography with pharmaceutical detritus. The artwork features a stylized, hyper-expressive rendition of Stitch from Disney’s Lilo & Stitch, hand-painted over upcycled methadone packaging measuring 6.9 x 8.6 inches. By using reclaimed drug containers as his canvas, Frost transforms discarded clinical waste into confrontational, high-contrast Street Pop Art & Graffiti Artwork. Pop Surrealism Meets Pharmaceutical Critique The artwork takes the viewer into an uncanny space where innocence and institutionalized control collide. Stitch, depicted in a manic, tongue-out pose, becomes the perfect stand-in for chaos within a tightly regulated system. Methadone packaging, typically linked to addiction treatment and regulatory control, becomes a new battleground for Frost’s visual rebellion. The sharp lines of commercial branding and dosage information clash against the whimsical, cartoonish character, forming a potent juxtaposition that critiques both consumer addiction and commodified escapism. The use of pharmaceutical packaging is not arbitrary. Frost consistently sources his materials from real-world clinical products, embedding layers of commentary on the commodification of health, the packaging of dependency, and the visual language of trust. By painting directly on the box that once held medication for opioid dependency, Frost questions how both pharmaceuticals and media serve as palliatives for society’s deeper ailments. Ben Frost’s Weaponization of Nostalgia Frost is known for dissecting the nostalgia economy—his work tears apart the sentimentality we assign to childhood icons by throwing them into harsh, adult contexts. In this piece, Stitch becomes an emblem of rebellion, recast not as a cuddly alien companion but as a mischievous agent of disruption amid medical sterility. The title Snitches Get Stitches adds further bite to the message. It's a coded nod to subcultural ethics, resistance to authority, and retaliation against betrayal, wrapped in the visual candy of a beloved animated figure. This weaponized nostalgia is central to Frost’s practice. He blends vintage comics, anime, and cartoon branding with medical advertising and capitalist excess to create a saturated feedback loop of mass culture. His works are instantly digestible but deliberately laced with critical aftertaste. Snitches Get Stitches fits perfectly into this lineage, continuing the artist’s commitment to peeling back layers of comfort to expose a system dependent on sedative imagery and chemical coping. Upcycled Packaging as Contemporary Canvas Reclamation is integral to the ethics and visual appeal of this artwork. Upcycled pharmaceutical packaging serves not only as material but also as message. The literal recycling of objects used in the treatment of addiction becomes symbolic of the broader process of cultural reconditioning. In Street Pop Art & Graffiti Artwork, the surface is never neutral. Frost’s choice of methadone box repositions trash as testimony and forces viewers to reconsider where art belongs and what it is allowed to critique. With Snitches Get Stitches, Ben Frost continues his radical fusion of medical-industrial commentary and pop surrealist distortion, offering a disruptive, collectible artifact that sits at the intersection of vandalized commercial design and fine art provocation. The work’s scale, material honesty, and iconic visual language make it not only a standout within Frost’s 2025 output but also a snapshot of a culture caught between sugar-coated rebellion and controlled dependency.

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Batman Sketch Original Marker Drawing Art on Fine Art Paper by graffiti street artist modern pop art Rich Pellegrino. 2013 Signed Original Marker Drawing by Rich Pellegrino Artwork Size 9x12

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Bubbles PNB RAW 8675 Orange Original Graffiti Painting by Seen UA One of a Kind Spray Paint & Acrylic Painting Artwork on Untretched Canvas. 2023 Signed Original Orange Bubbles PNB RAW Post No Bills Series Acrylic & Spray Paint Painting Size 26x30 Original canvas from SEEN, Bubbles PNB RAW Series, 2023, Actual painting size is 30" x 34" (76,2 x 86,3 cm) with an added 2" border (5 cm) around all four sides for stretching on wood. Stretched size is 26" x 30" (66 x 76,2 cm) // UN- stretched size is 30" x 34" (76,2 x 86,3 cm). SIGNED ON THE BACK. Bubbles PNB RAW 8675 is an original graffiti painting by renowned graffiti artist Seen UA, whose real name is Richard Mirando. Seen UA is widely considered one of the pioneers of modern graffiti art, with a career spanning over four decades. Born in the Bronx, New York, in 1961, Seen UA started as a subway graffiti artist in the 1970s and soon gained recognition for his distinctive style and bold, colorful designs. The "Bubbles PNB RAW" is a collection of works that showcase the artist's signature lettering, post no bills stencil, blending street art with traditional fine art. In Bubbles PNB RAW 8675, Seen UA masterfully incorporates an array of bright colors, intricate patterns, and diverse typography to create a striking and vibrant visual experience. As with other pieces in the series, Multi Tags Series 8579 emphasizes the power of artistic expression and its impact on urban landscapes, while simultaneously serving as a testament to Seen UA's skill and creativity. The painting would make a significant addition to any contemporary art collection, particularly for fans of street art and graffiti.

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Detroit Tag Series- 6 Original Painting Aerosol & Krink Marker on Canvas by Cope2 Graffiti Street Artist Modern Pop Art. 2010 Signed Original Aerosol & Krink on Stretched Canvas Size: 20 x 12 x 1.5 Inches Release: November 16, 2010 Run of 1 "I've always wanted to do a show like this. Lately, I have transitioned mostly into mixed media paintings, but I've been doing hardcore graffiti, if you want to call it that, for thirty-plus years. It's what made me Cope2. But I like to change it up and show all my different styles. So, with this show, I can show my style evolution and how I've progressed. "Versatile" shows where I came from and what I'm doing now," -Cope2 Exploring Cope2's 'Detroit Tag Series- 6' Cope2, born Fernando Carlo, is a name that resonates with authority in graffiti and street art. His 'Detroit Tag Series- 6' is a powerful original painting that combines the raw energy of aerosol art with the precision of Krink markers on canvas. This piece, created in 2010, is a testament to his versatility and evolution as an artist who has been influential in the scene for over three decades. The Evolutionary Path of Cope2's Artistry Cope2's journey as an artist has seen him transition from the streets of the Bronx, where he earned his stripes as a graffiti writer, to the galleries that now house his canvas work. 'Detroit Tag Series- 6' reflects this journey, showcasing a mature style without losing the spontaneity and vigor of his early work. The piece, with dimensions of 20 x 12 x 1.5 inches, is a singular expression within a limited run, emphasizing Cope2's commitment to creating unique works that are personal and reflect his roots in street culture. Cope2 captures the essence of Detroit's urban landscape in this series through his iconic tag style. The bold, sweeping curves and sharp lines rendered in black against a striking red background indicate his confident hand, honed by years of practice. The use of Krink markers, known for their vibrant ink and durability, allows Cope2 to bring the immediacy and authenticity of street tagging to the canvas. Cope2's 'Versatile' Exhibition: A Display of Artistic Range The 'Detroit Tag Series- 6' was a highlight of Cope2's exhibition titled 'Versatile,' which showcased the breadth of his artistic repertoire. In his own words, the show was an opportunity to present the evolution of his style and his progression as an artist. Cope2's ability to navigate between the street and the studio, to exhibit the rawness of graffiti alongside the refinement of mixed media paintings, speaks to his adaptive approach to art-making. His work not only captures the essence of street pop art but also pushes its boundaries, inviting viewers to experience the dynamic nature of graffiti in new contexts. The exhibition was a narrative of growth, a visual documentation of Cope2's transition from street legend to a respected figure in contemporary art. 'Detroit Tag Series- 6' stands as a proud testament to the original spirit of street art while signaling Cope2's ongoing exploration of form, color, and medium. The Enduring Legacy of Cope2 in Street Art Cope2's impact on street pop art and graffiti artwork is indelible. 'Detroit Tag Series- 6' is a canvas and a chronicle of an artist's life-long dedication to his craft. Through this work and others like it, Cope2 demonstrates that graffiti is not a static art form but a living, evolving practice that continues to challenge and redefine artistic expression. As a pivotal figure in the graffiti world, Cope2's contributions extend beyond his artworks. He has inspired generations of artists to pick up the can and the marker, to make their mark on the world, and to express their voices in bold and unapologetic ways. Cope2 remains a vital presence in the art community; his work bridges the past and future of street art. His legacy is one of transformation, a reminder that art is constantly in motion, seeking new surfaces to conquer and stories to tell.

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Crystal Bearbrick Art Graphite on Paper Layered Over Gold Leaf on Matboard Artwork by Street Pop Culture Artist MMont. 2021 Signed Original Mixed Media Gold Leaf Graphite Drawing Painting Framed Artwork Size 9x12 Crystal Bearbrick by MMont Graphite on paper, layered over gold leaf on mat board Still life drawing of Baccarat/Bearbrick collaboration 9"x12" framed From: Chicago

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Aki Sharks #1 Original Marker Hand Drawing on Canvas by modern trending street art artist Akinori Oishi. 2014 Signed Original Marker Drawing on Unstretched Canvas Artwork Size 11x13.25 Printed Oceans is PangeaSeed Foundation's fine art print program that raises awareness and educates about pressing marine environmental issues through the lens of some of today's most respected creative minds. Since 2012, we have released over 100 original fine art print editions that highlight endangered marine species and ocean habitats. These stunning editions help to bring important conservation stories into homes and workspaces the world over creating critical dialogue and inspiring positive action. Through the purchase of these carefully hand-crafted, limited edition artworks, you are not only powering the groundbreaking work of PangeaSeed Foundation in communities across the globe but also contributing to the livelihoods of our supporting ARTivists. Together, via art and activism, we can help save our oceans.

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Gojira Original Painting Spray Paint Watercolor Mixed Media on Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2014 Signed Original Mixed Media Spray Paint Watercolor Artwork Size 15x22

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Perfect Family One of a Kind Original Pastel Graphite Drawing Artwork on Paper by Popular Street Graffiti Artist Christabel Christo. Signed 2010 10.5x8 Perfect Family Original Drawing by Christabel Christo

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Multi Tags Series 8609 Original Graffiti Painting by Seen UA One of a Kind Spray Paint & Acrylic Painting Artwork on Unstretched Canvas. 2023 Signed Original Multi Tags Series Acrylic & Spray Paint Painting Size 20x34 Multi Tags Series 8609: Original Graffiti Painting by Seen UA Multi Tags Series 8609 is a 2023 original painting by the graffiti artist Seen UA. Known as one of the pioneers of graffiti culture, Seen UA, born Richard Mirando, gained notoriety for his work on subway trains and urban landscapes during the early days of the graffiti movement in the 1970s. This piece is part of his ongoing Multi Tags Series, a collection that explores the expressive power of tagging in its raw, repetitive form. Measuring 20x34 inches, the artwork is crafted using acrylic paint and spray paint on unstretched canvas, emphasizing the street art origins of Seen’s work. The Art of Tagging in Street Pop Art and Graffiti Culture Tagging is one of the most fundamental elements of graffiti culture. A tag, typically a stylized signature or name, is the artist’s mark left on a surface, often as a form of identity or declaration of presence. In street pop art, tagging transcends its initial association with urban vandalism and becomes a form of visual expression and artistry. UA’s Multi Tags Series, 8609, captures this ethos, presenting a wall of repeated tags layered over one another rhythmically and chaotically. The repetition of tags in the series can be seen as both an assertion of identity and a commentary on the nature of urban life. The layering of tags, with overlapping colors and textures, mirrors the layering of voices, identities, and experiences in the urban environment. This dense field of repeated tags evokes the sensation of walking through a city covered in graffiti, where each tag competes for attention while simultaneously blending into the collective hum of the urban landscape. UA’s use of color in Multi Tags Series 8609 further enhances this effect. The painting is dominated by a palette of blues, grays, and whites, with each tag applied in quick, gestural strokes. The color variations suggest a gradient effect, where the tags seem to move in and out of focus, creating a sense of depth and movement. This visual layering invites the viewer to engage with the piece as a whole and on a more detailed, individual level, much like how street art is experienced in public spaces. Graffiti as an Artistic Language UA’s career has been defined by his ability to elevate graffiti from its underground roots into the wider art world. In the early days of graffiti, tags were often seen as acts of rebellion or defiance, expressions of a counterculture that rejected the norms of mainstream society. However, artists like Seen have demonstrated that tagging can also be a sophisticated form of visual language. Multi Tags Series 8609 exemplifies this idea, using tags as markers of identity and tools for creating intricate compositions. In this piece, Seen UA employs acrylic and spray paint, two mediums central to graffiti culture. Combining these materials allows for a range of textures and effects, from the smooth, controlled lines of the acrylic to the more spontaneous, unpredictable bursts of spray paint. The contrast between the two mediums reflects the tension between control and chaos often present in street art. The acrylic tags are precise and deliberate, while the spray paint adds an element of raw energy, evoking the feeling of graffiti created quickly in public spaces. The unstretched canvas in Multi Tags Series 8609 further connects the work to its graffiti roots. Unlike traditional gallery paintings, which are typically stretched and framed, the unstretched canvas recalls graffiti's impermanent, transient nature. Graffiti is often created on surfaces subject to weathering, removal, or destruction, and by choosing an unstretched canvas, Seen UA embraces this sense of impermanence. Much like the graffiti tags it depicts, the artwork feels as though it could be rolled up, moved, or even erased, underscoring the temporary and ever-changing nature of street art. Seen UA: A Legacy of Graffiti and Street Pop Art UA’s influence on the graffiti movement cannot be overstated. Often referred to as the “Godfather of Graffiti,” his work has been a cornerstone of the street art scene for decades. Starting as a young artist tagging subway cars in New York City, Seen UA helped shape the visual language of graffiti, bringing it from the streets into galleries and museums worldwide. His transition from illegal tagging on subway trains to producing fine art pieces like Multi Tags Series 8609 reflects the evolution of graffiti as an art form. Despite his success in the art world, Seen UA has always remained true to the ethos of graffiti culture. His Multi Tags Series continues to celebrate street art's raw energy and rebellious spirit, even as it is displayed in more formal settings. By repeating his tags repeatedly in this series, Seen UA reminds viewers of the persistence and resilience of graffiti culture. Tags are often removed, painted over, or buffed out by city authorities, but graffiti artists continue to create, leaving their marks wherever possible. In this sense, Multi Tags Series 8609 can be seen as a celebration of the enduring nature of graffiti and the artists who create it. The Visual Power of Repetition One of the most striking aspects of Multi Tags Series 8609 is its use of repetition as a visual device. Repetition is a powerful tool in street pop art, where the constant reiteration of symbols, images, and motifs helps to reinforce their meaning. In this piece, Seen UA’s repeated tags create a hypnotic pattern that draws the viewer’s eye across the canvas. Each tag is distinct and part of a larger whole, creating a sense of unity within the chaos. The repeated tags also evoke the act of tagging itself, which is often done in quick, repetitive motions. This physicality is reflected in the gestural quality of the tags, which appear to have been applied rapidly, with energy and urgency. The viewer can almost imagine the artist’s hand moving across the canvas, repeating the same mark repeatedly to leave a lasting impression. Multi Tags Series 8609 is a testament to Seen UA’s mastery of graffiti as a visual language and artistic expression. Using repetition, color, and texture, Seen UA creates a dynamic, engaging work that captures the essence of graffiti culture while pushing the boundaries of what street pop art can be.

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20TwentyMinutes #10 Original Hand-Painted Acrylic on Laser Cut Birch Wood ready to hang by HoxxoH Graffiti Street Artist Modern Pop Art. "'Time waits for no man' has long been the catalyst that has propelled man to make use of his conscious existence. Time is an observable quantity created by man to keep track of the motions of our mysterious Universe. Yet now, perhaps more than ever does man seek to use time to alleviate the pressures of an unexplainable existence through applications that measure and calculate the value of our time.Posts and likes on social networks, the stock market’s peaks and falls, little monitors in our hands, monitoring us, always counting, ticking up and down, drowning us in sensory overload. Making us believe that time can be tracked and controlled in a convenient algorithm. Disguising time in programs meant to objectify and symbolize our presence as a glorified status amongst the cosmos." by Andrew Leshin

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1 • 12 • 5 • 24 Original Painting Mixed Media on Canvas by Eddie Colla Graffiti Street Artist Modern Pop Art. 2017 SIgned Original Acrylic & Spraypaint on Ready To Hang Canvas Artwork Size 18x24 "Through this, we hold steadfast when our challenge was to turn fate not to be victorious that possibility evaporated did not we endure together and often alone for all of us for tomorrow and yesterday and for what could've been and is and for what is and might well be lest we forget each of us and used memory and failing and standing when standing was all there was." -Eddie 1 • 12 • 5 • 24 Original Mixed Media Painting on Canvas by Eddie Colla 1 • 12 • 5 • 24 is a powerful original mixed media painting on canvas by graffiti street artist Eddie Colla. Created in 2017, this signed artwork is an 18x24-inch piece executed with acrylic and spray paint, embodying the raw energy and layered narratives that define Street Pop Art and Graffiti Artwork. The piece presents a haunting portrait of a masked individual, rendered in high-contrast black and sepia tones, with textures and distressed effects that evoke themes of resilience, rebellion, and survival. Eddie Colla is known for his ability to capture the psychological and emotional weight of contemporary struggles through his art. His figures, often masked or adorned in protective gear, reflect themes of identity, resistance, and societal unrest. The grommeted edges and weathered surface of this piece reinforce its industrial and urban aesthetic, making it feel like a fragment of a larger, unseen history. This painting is not just a portrait but a narrative encapsulated in texture, symbol, and form, urging viewers to consider the deeper implications of endurance, defiance, and memory. Eddie Colla and His Influence on Street Pop Art and Graffiti Artwork Eddie Colla is an American street artist and contemporary painter whose work frequently explores themes of urban decay, civil disobedience, and existential perseverance. His art is deeply influenced by graffiti culture, punk aesthetics, and dystopian storytelling, often featuring masked figures navigating hostile or uncertain environments. Through his work, Colla addresses issues of personal freedom, governmental control, and the struggles of marginalized communities. 1 • 12 • 5 • 24 exemplifies his signature visual language—characters with obscured identities, layered textures that mimic aged or decayed surfaces, and cryptic numbering or lettering that suggest coded messages or hidden histories. His use of stencil and spray paint techniques, combined with hand-painted elements, bridges the worlds of fine art and street culture, reinforcing the transient and defiant spirit of graffiti. This painting is a striking representation of his ongoing exploration of survival and memory, serving as both an aesthetic statement and a cultural reflection. The Symbolism and Aesthetic Power of 1 • 12 • 5 • 24 The masked figure in this painting stands as a powerful emblem of both protection and protest. The gaze, partially obscured yet intensely expressive, draws the viewer into a moment of contemplation—what is the subject confronting, and what struggles have they endured? The rough, textured background and muted color palette amplify the sense of history embedded in the piece, as if the painting itself has witnessed unseen conflicts and untold stories. The presence of the cryptic numbering, 1 • 12 • 5 • 24, invites interpretation, suggesting themes of coded messages, dates of significance, or an abstract reference to time and memory. Colla’s distressed, layered surfaces reflect the impermanence of both urban landscapes and human experiences. The grommets in the canvas further enhance the industrial aesthetic, reinforcing the idea that this is not just a piece of art but a relic—an artifact from a moment of resistance or an imagined future where survival is an act of defiance. The artwork’s ability to evoke emotion while maintaining a sense of mystery is what makes it a compelling addition to the discourse of Street Pop Art and Graffiti Artwork. Collectibility and Cultural Impact of Eddie Colla’s Work Eddie Colla’s work has gained significant recognition within contemporary urban art circles, with his pieces exhibited in galleries and public installations worldwide. His ability to translate street culture into fine art has made his work highly collectible among enthusiasts of modern graffiti and dystopian-themed art. This piece, being an original mixed media work, holds unique value as it captures the raw essence of his style and thematic focus. 1 • 12 • 5 • 24 stands as a testament to the resilience of human expression in challenging times. It resonates with audiences who appreciate art that is both visually striking and conceptually profound. The combination of hand-painted details, stencil work, and industrial elements makes it a distinctive work within Colla’s portfolio, reinforcing the importance of art as a means of resistance, remembrance, and social commentary.

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Collateral Damage Original Painting Mixed-Media Spray Paint, Acrylic on Heavy Paper by Risk Graffiti Street Artist Modern Pop Art. Collateral Damage, 2018 - Own a Risk original! Original (spray paint, acrylic on heavy paper) Size: 22x30 Inches Date Made: 2018 Original work – Each unique, one of a kind, hand-signed.

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Tripping Devil is an original hand-drawn art drawing on framed, hand-deckled, aged art paper by Surreal Artist Naoto Hattori. 2012 Signed Original One of a Kind Pencil/Graphite Drawing Framed Artwork Frame Size 8.5x8.5 Image Size 3x5 Custom Framed & Matted By Artist. The Fusion of Street Pop and Graffiti Art in Naoto Hattori's Work The intersection of street pop art and graffiti represents a vibrant and often rebellious art form that seeks to challenge traditional aesthetics, present social commentary, and engage public spaces as a canvas for expression. Naoto Hattori's "Tripping Devil" is a profound example of this artistic intersection, although it differs from the conventional spray-painted murals on city walls. This 2012 original pencil/graphite drawing is a testament to the diverse techniques and materials employed within the genre, bridging the raw spirit of street art with the meticulous skills of classical drawing. Hattori's piece is delicately framed, sized at 8.5x8.5 inches, with the image measuring 3x5 inches. The artist crafted the custom frame and matting, underscoring the personalized touch and attention to detail that Hattori brings to his work. The art paper is hand-deckled and aged, a choice that lends an additional layer of texture and a sense of historical depth to the piece. This material selection is particularly poignant, as it imbues the artwork with an ancient quality that contrasts sharply with the typically ephemeral nature of street and graffiti art. Naoto Hattori's Unique Aesthetic within Street Pop Art Naoto Hattori's oeuvre is often characterized by dream-like surrealism, where fantastical creatures and morphed figures challenge the viewer's perception of reality. "Tripping Devil" is no exception. The drawing features a creature with a human-like face and a body that transitions into an octopus-like form. This blending of the human and the surreal is a hallmark of Hattori's style and speaks to the transformative potential of street pop art and graffiti artwork. The stark monochromatic palette of graphite focuses on the intricate details and shading that bring the "Tripping Devil" to life. Despite being contained within a frame, the artwork carries the spirit of street pop art, often characterized by a bold defiance of boundaries and an embrace of the unconventional. Hattori's systematic approach to drawing parallels the deliberate and thoughtful techniques used by street artists and graffiti writers to create their pieces, albeit on a different scale and medium. Naoto Hattori and the Collectibility of Street Pop Art Collectors and enthusiasts of street pop art and graffiti artwork are increasingly seeking pieces to be displayed within the home, transitioning from public spectacle to personal treasure. Hattori's "Tripping Devil" exemplifies this trend, offering the art market a one-of-a-kind piece that encapsulates the essence of street art in a form that is both collectible and suited for private exhibition. The artist's signature on the piece is a seal of authenticity and a bridge between the artist and the collector. The originality of the "Tripping Devil" is paramount. In a domain where mass production and replication are commonplace, Hattori's commitment to creating a singular original work elevates the piece's value and appeal. The meticulous nature of the work, combined with its unique presentation on aged art paper, creates a dialogue between the transient nature of street art and the enduring quality of fine art collecting. The Cultural Relevance of Hattori's Artistry In the broader context of street pop art and graffiti artwork, Hattori's "Tripping Devil" stands out as a cultural artifact that embodies the innovative spirit of these art forms. While street pop art often conveys messages about popular culture and societal issues, Hattori's work delves into the psyche, exploring themes of identity, consciousness, and the human condition through a surrealistic lens. This piece, while not displayed in a public space, continues the tradition of street pop art and graffiti artwork with its aim to provoke thought and evoke emotion. The surreal elements invite interpretation and reflection, much like the larger-than-life murals and tags in urban environments. Hattori's "Tripping Devil" is a reminder that the heart of street art lies not only in its location but also in its ability to connect with viewers on a profound level, challenging perceptions and encouraging a deeper engagement with the visual narrative. Naoto Hattori's "Tripping Devil" is an exquisite example of the potential for cross-pollination between street pop art, graffiti artwork, and traditional drawing techniques. It stands as a testament to the artist's skill and the versatility of street-inspired art. As this piece demonstrates, the value of street pop art and graffiti artwork extends beyond the city's walls, finding a place within the collections of art lovers who appreciate the nuanced blend of rebellion, craftsmanship, and narrative depth that these genres offer.

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East 153rd St Deck Fine Art Original One of a Kind Spray Paint Painting on Natural Skateboard Deck by Street Artwork Graffiti Artist Cope2. Paint on Natural Skate Deck Size: 5.875 x 23 Inches Release: October 05, 2021 Run of: 1 During the mid-1990s Cope2 started slowly transitioning from the streets to the art scene of the galleries. At that time, street art was not as popular as it is in our days and the general public’s idea of it was still inextricably connected to ghettos, drug dealing, etc. The artist has never hidden his troubling past and avoids idealizing it, as a way to enhance his career and artistic persona. On the contrary, he mentions the following: “Oh man, there’s nothing to be proud of in hustling, but I had my first child at the age of 16, my son. So I had to make money to support him and his mother.

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Quiccs xSneakerHereos- Banned 1s Original One of a Kind Acrylic Painting Artwork on Stretched Canvas Panel by Popular Street Graffiti Artist Eric Pagsanjan. 2019 Quiccs x SneakerHereos - Original Painting Used As Comic Book Cover by Eric Pagsanjan Created Exclusively for NBA All-Star Weekend Pop-Up Acrylic on Stretched Canvas Panel Size: 18" x 24" x .75" "I hold respect and admiration for artists that create their own apparel. I’m a huge sneaker fan, and my personal collection is ever-growing. Combining my love for sneakers, the designers who make them, and comic-book style superheroes, I created a series of portraits dedicated to the designers that I consider to be incredible. To me, they are superheroes. They are ‘SneakerHeroes. Few shoes in the 30-plus-year history of the Air Jordan line are as infamous as the black and red Air Jordan 1. The sneaker—known as the 'Banned' Jordan 1—has been perennially important, from the mythology around its genesis to the fervor its retros inspire. Here's how it all happened. The story goes that Michael Jordan was fined $5,000 by the NBA every time he wore the shoes during their debut in 1984 because they broke the league's uniform rules. Nike capitalized on this, creating an ad campaign that played on that forbidden fruit quality..." -Eric Pagsanjan

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Icky Mouse Original One of a Kind Colored Pencil Painting Artwork on Reclaimed Paper by Popular Street Graffiti Artist Brandon Sopinsky. 2013 Icky Mouse Original Colored Pencil Drawing by Brandon Sopinsky

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