Original Artwork

Capsule Collection #5 Original One of a Kind White Acrylic Painting Artwork on Black Mixed Media Paper by Popular Street Graffiti Artist HoxxoH- Douglas Hoekzema. 2021 Signed On Back Capsule Collection #5 From A Unique Hand Painted Series of 25, Each Different. Size 18x24

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Black or White Face 92 Original Oil Painting by Peter Keil: One-of-a-kind Artwork on Masonite Panel by The Wild Man of Berlin,  a Famous Contemporary Artist. 1992 Signed by Peter Keil & Dated Oil Painting on Masonite Panel Original Artwork Size 24x24. All of Peter Keil's Art Used Thick Paint & Some Paint Flaking May Be Present Due to the Age and Nature of His Work—painting of Black & White Face with Hat. Delving into "Black or White Face '92" by Peter Keil "Black or White Face '92" is an original oil painting on Masonite panel by Peter Keil, known as "The Wild Man of Berlin," a moniker that reflects his fierce and untamed approach to art. This artwork, created in 1992 and signed by the artist, measures 24x24 inches and is emblematic of Keil's bold and expressive style. The painting showcases a face rendered in stark black and white, adorned with a colorful hat that contrasts the composition. Keil's use of thick paint is evident here, a technique that gives the work its rich texture and depth, and over time, has led to some paint flaking, a characteristic that imparts an authentic patina to his pieces. The dichotomy of black and white in the painting resonates with the themes often explored in Street Pop Art and graffiti Artwork, where contrast is used to convey complex messages and evoke strong visual impact. Keil's depiction goes beyond the literal to hint at the dualities present within human nature and society. With its vibrant hues, the hat stands as a symbol of individuality and creativity, central to Keil's artistic philosophy and the spirit of street and pop art movements. Exploring the Significance of Keil's Technique and Medium In "Black or White Face '92," Peter Keil's technique and choice of medium speak volumes about his connection to the raw and immediate qualities associated with street art. His application of oil paint on Masonite panels, often in thick, impasto layers, creates a tactile surface that invites viewers to experience the artwork beyond its visual appeal. This sensory quality bridges the gap between the viewer and the artwork, making it more accessible and engaging, much like graffiti art that adorns urban landscapes. The Masonite panel itself, a departure from traditional canvas, underscores Keil's affinity with the street art genre, which favors unconventional materials and surfaces. The durability and solidity of Masonite also reflect the lasting impact of Keil's work, mirroring the permanence of graffiti art that becomes an integral part of the urban environment. This synergy between medium and message is a hallmark of Keil's art. It is a testament to his role as a pioneer in integrating the essence of street art into acceptable art practices. Keil's Artistic Legacy in Modern Art As exemplified by "Black or White Face '92," Peter Keil's artistic legacy is characterized by a vivid portrayal of human subjects and an unrestrained use of color and form. His works are a testament to the influence of street culture on contemporary art, demonstrating how the spontaneous and unfiltered expressions found in Street Pop Art and graffiti Artwork can be translated into the language of fine art. Keil's paintings are not mere representations but powerful expressions of emotion and identity infused with the artist's experiences and observations. Furthermore, the flaking of paint in Keil's work adds a dimension of time and history to his paintings, suggesting a narrative that extends beyond the moment of creation. This aspect of his work is particularly poignant in the context of street art, where the environment and the passage of time play crucial roles in shaping the artwork's life. Through his bold explorations and authentic expressions, Keil has left an indelible mark on modern art, inspiring artists and art enthusiasts to embrace the unconventional and appreciate the beauty inherent in the imperfections of the artistic process. "Black or White Face '92" is not just a significant piece within Peter Keil's body of work; it is a vibrant chapter in the story of street pop art and graffiti Art. It encapsulates Keil's artistry's energy, diversity, and creativity while reflecting the broader trends and transformations within contemporary art. As this piece continues to captivate viewers with its compelling imagery and rich textures, it serves as a reminder of Keil's enduring impact on the art world and his mastery of bringing the street into the gallery.

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Darth Vader Sketch Original Marker Drawing Art on Fine Art Paper by graffiti street artist modern pop art Rich Pellegrino. 2013 Signed Original Marker Drawing by Rich Pellegrino Artwork Size 9x12

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Red Carpet Imperial Original Oil Painting by Dred66- Tyree Davis of a Kind of Artwork on Foam Core Mounted to Acrylic Sheet From Street Art Pop Artist. 2001 Signed Acrylic Painting Original Artwork Size 32x12 Depicting 2 People Sharing a Meal at a Table with Wine Over a Massive Red Carpet. Tagged, Signed, Dated, and titled on the Back. Imperial / Red Carpet / Dred66 / March 2001 Essence of "Red Carpet Imperial" by Tyree Davis "Red Carpet Imperial" stands as a remarkable testament to the artistic prowess of Tyree Davis, known in the street pop art and graffiti artwork community as Dred66. This original oil painting, a one-of-a-kind artwork on foam core mounted to an acrylic sheet, exemplifies the fusion of street art aesthetics with the traditional oil painting medium. Created in 2001, this signed acrylic painting stretches across a sizeable 32x12 canvas, depicting a scene that is both intimate and grandiose — two people sharing a meal at a table with a wine bottle over a massive red carpet. Davis's "Red Carpet Imperial" encapsulates the ethos of street pop art by bringing the personal into the public sphere. The subjects of the painting — two individuals engaged in the simple act of sharing a meal — are universal in their relatability. Yet, they are set against a backdrop that speaks to grandeur and excess. This contrast sketched out in the earthy yet bold tones of the oil paints, evokes a narrative that is both a celebration and a critique of cultural and social dynamics. It's a snapshot of life that is as much about the environment as it is about the individuals within it. Signature Style of Dred66 and Artistic Influence Tyree Davis's signature style is evident in how "Red Carpet Imperial" harmonizes street art's raw energy with a gallery piece's sophistication. The painting carries the hallmarks of graffiti in its background — tagged, signed, and dated by the artist, which is a nod to the graffiti tradition of artists marking their territory and claiming space. This element of the artwork connects the practice of street art with the established conventions of fine art, creating a dialogue between two worlds often seen as disparate. The tactile quality of the foam core gives the painting a three-dimensional feel. At the same time, the mounting on an acrylic sheet provides a modern twist, suggesting the protective glazing found in street art installations. These material choices by Davis reflect a thoughtful consideration of medium and message, ensuring that "Red Carpet Imperial" resonates with the authenticity of street art even as it occupies a different physical and conceptual space. In "Red Carpet Imperial," Davis offers a cultural commentary that is as relevant today as it was at the beginning of the millennium. The work's title, 'Imperial,' hints at a critique of societal structures and the seduction of luxury, a theme deep in street pop art's veins. The painting invites viewers to reflect on the disparities and contradictions that pervade modern life by placing an everyday scene in a context that implies wealth and luxury. Moreover, the painting's year of creation, 2001, situates it at a time when street art began gaining widespread recognition as a legitimate art form. Tyree Davis contributed to this burgeoning recognition through his work, bridging the gap between the street and the gallery and challenging preconceived notions about the value and place of graffiti and street pop art in the art historical canon. Legacy and Continuing Influence Tyree Davis's "Red Carpet Imperial" legacy continues influencing the street art community and the broader art world. It stands as a powerful example of how the aesthetics and themes of street pop art can be translated into different mediums and settings, maintaining their impact and resonance. Davis's work invites ongoing discourse about the intersections between art, culture, and society through its bold visual language and underlying social commentary. This conversation is as vital now as it was two decades ago. "Red Carpet Imperial" is more than just a painting; it is a piece of social fabric, a historical document, and a beacon of street pop art's enduring power to communicate, challenge, and captivate. Tyree Davis, as Dred66, has crafted an artwork that is both a reflection and a critique of the world it inhabits, securing his place in the annals of street pop art history.

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Dont Leave Me Original Acrylic Painting by Serge Gay Jr One of a Kind Artwork on Art Board by Street Art Pop Artist. 2014 Signed Acrylic Painting Original Artwork Size 6.25x10 Don't Leave Me Original Acrylic Painting by Serge Gay Jr – One of a Kind Street Pop Art & Graffiti Artwork Serge Gay Jr. presents Don't Leave Me, a powerful 6.25x10-inch original acrylic painting on art board, created in 2014. This one-of-a-kind artwork is a striking example of his ability to merge portraiture, text, and cultural symbolism into a deeply expressive composition. Signed by the artist, this piece showcases his distinctive fusion of realism, abstraction, and layered storytelling, reflecting both emotional depth and socio-political undertones within the framework of Street Pop Art & Graffiti Artwork. The painting features a contemplative female figure, her expression somber yet resilient, bathed in a palette dominated by muted blues, deep purples, and shadowy tones. The intensity of her gaze and the softness of her posture contrast with the chaotic background, which is layered with fragmented imagery and cryptic text. Handwritten phrases, ghostly figures, and visual distortions create a sense of emotional unrest, reinforcing themes of longing, departure, and uncertainty. The textured surface, raw brushwork, and distressed aesthetic give the piece an almost weathered appearance, as if it carries the weight of memories and unspoken narratives. The Emotional Layers of Don't Leave Me Serge Gay Jr. has an exceptional ability to evoke emotion through composition, color, and symbolism. Don't Leave Me is a deeply intimate portrayal of vulnerability, addressing themes of abandonment, loss, and longing. The handwritten words in the upper right corner add a personal, almost confessional element to the piece, drawing the viewer into the subject’s unspoken dialogue. The emotional weight is further amplified by the figure’s body language—her downward gaze, the tension in her fingers, and the slight curve of her shoulders suggest an internal struggle between holding on and letting go. The surrounding imagery adds complexity to the narrative. A skeletal grin, a suited faceless figure, and scattered visual elements of transportation and machinery suggest themes of movement, time, and inevitable change. The layering of figures and textures creates a dreamlike effect, as if the painting exists between reality and memory. The juxtaposition of realism and abstraction allows the piece to feel both deeply personal and universally relatable, making it a significant contribution to the artist’s body of work. Serge Gay Jr.’s Approach to Street Pop Art & Graffiti Artwork Serge Gay Jr. has established himself as a leading figure in Street Pop Art & Graffiti Artwork, known for his ability to merge fine art techniques with contemporary urban storytelling. His use of fragmented imagery, bold contrast, and layered symbolism allows him to create works that feel both poetic and politically charged. Don't Leave Me exemplifies this approach, as it blurs the lines between traditional portraiture and street-inspired aesthetics. His use of mixed media and text adds an extra dimension to his work, reinforcing the idea that art can be both a visual and written form of expression. The incorporation of hand-drawn words and distressed textures gives the painting a raw, unfinished quality, making it feel immediate and unfiltered. This technique echoes the energy of graffiti and street murals, where personal messages and artistic expression exist simultaneously within public and private spaces. His ability to balance personal narratives with broader social themes allows his work to engage viewers on multiple levels. The Cultural Significance of Don't Leave Me Don't Leave Me captures a moment of emotional intensity, exploring themes of love, separation, and personal transformation within the framework of Street Pop Art & Graffiti Artwork. The painting speaks to the universal experience of attachment and the fear of loss, making it a deeply relatable work that resonates with audiences beyond its visual appeal. The textured layering, cryptic symbolism, and hauntingly expressive portrait all contribute to its ability to evoke thought and emotion. Serge Gay Jr. continues to challenge and redefine contemporary urban art through his ability to merge fine art with street culture. Don't Leave Me stands as a testament to his ability to tell complex, layered stories through visual expression, demonstrating how Street Pop Art & Graffiti Artwork can be both deeply personal and socially resonant. Through his masterful use of composition, color, and narrative, he continues to push boundaries, ensuring that his work remains impactful and relevant in the ever-evolving landscape of modern art.

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Tripping Devil is an original hand-drawn art drawing on framed, hand-deckled, aged art paper by Surreal Artist Naoto Hattori. 2012 Signed Original One of a Kind Pencil/Graphite Drawing Framed Artwork Frame Size 8.5x8.5 Image Size 3x5 Custom Framed & Matted By Artist. The Fusion of Street Pop and Graffiti Art in Naoto Hattori's Work The intersection of street pop art and graffiti represents a vibrant and often rebellious art form that seeks to challenge traditional aesthetics, present social commentary, and engage public spaces as a canvas for expression. Naoto Hattori's "Tripping Devil" is a profound example of this artistic intersection, although it differs from the conventional spray-painted murals on city walls. This 2012 original pencil/graphite drawing is a testament to the diverse techniques and materials employed within the genre, bridging the raw spirit of street art with the meticulous skills of classical drawing. Hattori's piece is delicately framed, sized at 8.5x8.5 inches, with the image measuring 3x5 inches. The artist crafted the custom frame and matting, underscoring the personalized touch and attention to detail that Hattori brings to his work. The art paper is hand-deckled and aged, a choice that lends an additional layer of texture and a sense of historical depth to the piece. This material selection is particularly poignant, as it imbues the artwork with an ancient quality that contrasts sharply with the typically ephemeral nature of street and graffiti art. Naoto Hattori's Unique Aesthetic within Street Pop Art Naoto Hattori's oeuvre is often characterized by dream-like surrealism, where fantastical creatures and morphed figures challenge the viewer's perception of reality. "Tripping Devil" is no exception. The drawing features a creature with a human-like face and a body that transitions into an octopus-like form. This blending of the human and the surreal is a hallmark of Hattori's style and speaks to the transformative potential of street pop art and graffiti artwork. The stark monochromatic palette of graphite focuses on the intricate details and shading that bring the "Tripping Devil" to life. Despite being contained within a frame, the artwork carries the spirit of street pop art, often characterized by a bold defiance of boundaries and an embrace of the unconventional. Hattori's systematic approach to drawing parallels the deliberate and thoughtful techniques used by street artists and graffiti writers to create their pieces, albeit on a different scale and medium. Naoto Hattori and the Collectibility of Street Pop Art Collectors and enthusiasts of street pop art and graffiti artwork are increasingly seeking pieces to be displayed within the home, transitioning from public spectacle to personal treasure. Hattori's "Tripping Devil" exemplifies this trend, offering the art market a one-of-a-kind piece that encapsulates the essence of street art in a form that is both collectible and suited for private exhibition. The artist's signature on the piece is a seal of authenticity and a bridge between the artist and the collector. The originality of the "Tripping Devil" is paramount. In a domain where mass production and replication are commonplace, Hattori's commitment to creating a singular original work elevates the piece's value and appeal. The meticulous nature of the work, combined with its unique presentation on aged art paper, creates a dialogue between the transient nature of street art and the enduring quality of fine art collecting. The Cultural Relevance of Hattori's Artistry In the broader context of street pop art and graffiti artwork, Hattori's "Tripping Devil" stands out as a cultural artifact that embodies the innovative spirit of these art forms. While street pop art often conveys messages about popular culture and societal issues, Hattori's work delves into the psyche, exploring themes of identity, consciousness, and the human condition through a surrealistic lens. This piece, while not displayed in a public space, continues the tradition of street pop art and graffiti artwork with its aim to provoke thought and evoke emotion. The surreal elements invite interpretation and reflection, much like the larger-than-life murals and tags in urban environments. Hattori's "Tripping Devil" is a reminder that the heart of street art lies not only in its location but also in its ability to connect with viewers on a profound level, challenging perceptions and encouraging a deeper engagement with the visual narrative. Naoto Hattori's "Tripping Devil" is an exquisite example of the potential for cross-pollination between street pop art, graffiti artwork, and traditional drawing techniques. It stands as a testament to the artist's skill and the versatility of street-inspired art. As this piece demonstrates, the value of street pop art and graffiti artwork extends beyond the city's walls, finding a place within the collections of art lovers who appreciate the nuanced blend of rebellion, craftsmanship, and narrative depth that these genres offer.

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East 153rd St Deck Fine Art Original One of a Kind Spray Paint Painting on Natural Skateboard Deck by Street Artwork Graffiti Artist Cope2. Paint on Natural Skate Deck Size: 5.875 x 23 Inches Release: October 05, 2021 Run of: 1 During the mid-1990s Cope2 started slowly transitioning from the streets to the art scene of the galleries. At that time, street art was not as popular as it is in our days and the general public’s idea of it was still inextricably connected to ghettos, drug dealing, etc. The artist has never hidden his troubling past and avoids idealizing it, as a way to enhance his career and artistic persona. On the contrary, he mentions the following: “Oh man, there’s nothing to be proud of in hustling, but I had my first child at the age of 16, my son. So I had to make money to support him and his mother.

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Abstract A3 Original Spray Paint Acrylic Painting by Askew One Artwork on Canvas by Street Art Pop Artist. 2013 Signed, Dated & Titled On Back Acrylic Original Painting on Flat Canvas Size 20x20

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Pray Original Acrylic Painting by Vandul One of a Kind Artwork on Canvas by Street Art Pop Artist. 2023 Signed Original Hand Painted Acrylic Original Painting Size 14x14 Vandul's art has evolved over the years, with his pieces taking on a life of their own, often tackling themes of identity, consumerism, and the human experience. His work has captured the attention of collectors, enthusiasts, and fellow artists alike, solidifying his position as a leading figure in the world of urban art. As a tireless advocate for self-expression and artistic freedom, Vandul continues to inspire and challenge those who encounter his work, shaping the landscape of contemporary street art and beyond.

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Dissection Of The Letter S Original Painting Mixed Media Framed On Paper by Nychos Graffiti Street Artist Modern Pop Art. 2013 Signed Original Mixed Media Acrylic Spray Paint Painting Artwork Size 40x48.5 “My dad and my grandpa were traditional Austrian hunters, so I think that is where some of my interest in anatomy comes from. Seeing a deer dissected for the first time was very inspiring for me. Seeing all the guts and intestines drop out, it was a bit crazy at first,” Nychos told Hypebeast while painting at the world’s premiere street art festival Pow Wow Hawaii earlier this year. “Using all of this anatomy I think have found something I can stick with and really go crazy on. It’s staying fresh for me because I am always finding new ways to do it.” -Nychos

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Malt & Mark 02 Original Painting Mixed Media, Acrylic, Spray Paint on Fine Art Paper by Malt x Mark Penxa Graffiti Street Artist Modern Pop Art. Custom Red Frame “We started this series in July of last year. I think that’s when we first met and talked about collaborating together. It wasn’t until last month that we finished the sculpture pieces. Even after the public showing this idea just kept on growing.” - Mark Penxa“The first go, we both poured in all our energy into creating the work and by the deadline we both felt like we had many more ideas to explore. So enter the “Endangered Species” series.” - Malt

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Totem Melty Misfits Jumbo Unique Giclee Print by Buff Monster Artwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. 2020 Signed & Dated with COA Framed Unique 1-of-a-Kind Giclee Original Artwork Size 8.5x11.5 Framed "This certificate verifies the authenticity of the accompanying artwork by Buff Monster. This one-of-a-kind giclee print is signed by the artist and features one of the characters created for The Melty Misfits Jumbo series. The museum glass that accompanies this piece provides UV protection; as with any artwork, it should be displayed away from direct sunlight and areas of high humidity." -Buff Monster Totem Melty Misfits Jumbo Unique Giclée Print by Buff Monster Buff Monster’s Totem Melty Misfits Jumbo Unique Giclée Print exemplifies the fusion of whimsical character design with modern Street Pop Art & Graffiti Artwork sensibilities. Known for infusing joyful colors with darker undertones, Buff Monster continues this signature approach in this framed giclée, highlighting both his established themes and his inventive experimentation with form and presentation. Printed on fine art paper and paired with official back markings and Melty Misfits branding, this piece stands out as a collector-grade artifact in contemporary pop-driven street culture. A Totemic Tribute to Melty Culture The front of the piece displays a stacked totem composed of various signature Melty Misfits characters. Each level of the totem blends psychedelic eyeball motifs with mutated dessert creatures rendered in vibrant digital tones. The background features a serene outdoor landscape with a stylized blue sky and treetop line, contrasting the oddity of the figures with a calm natural setting. This composition cleverly nods to Native American totems while simultaneously creating a satirical cartoon mythology rooted in Buff Monster’s universe. The exaggerated features, wild expressions, and gooey textures give the illusion of melting vinyl toys, all constructed with perfect symmetry to evoke both structure and chaos. Street Pop Art in Framed Form Printed using giclée technology, the artwork achieves sharp detail and brilliant coloration, essential to capturing Buff Monster’s gradient-rich linework. The format is particularly rare, presented in a professionally mounted frame with matted border that enhances its gallery-ready aesthetic. On the back, a certificate of authenticity is fixed securely beneath The Melty Misfits logo, providing the provenance expected of limited-run Street Pop Art & Graffiti Artwork. A fluorescent sticker seals the presentation as a hallmark of Buff Monster’s brand identity. The tactile qualities of the piece—combined with its hand-assembled framing and character narrative—anchor it as more than just a print. It is a three-dimensional statement of visual rebellion masked in candy-coated fantasy. Buff Monster’s Legacy in the Designer Toy and Pop Art Movement Buff Monster, born in the United States, has earned his place at the forefront of hybrid pop and street art culture through decades of mural work, toy production, and experimental prints. From New York alleyways to Tokyo art fairs, his work remains instantly recognizable. The Totem Melty Misfits Jumbo Print reflects not only his consistent dedication to The Melty Misfits project but also his ability to evolve the format of street art into framed, collectible masterpieces. Each element in this print represents Buff Monster’s intent to make joy subversive and satire digestible. By anthropomorphizing sweet snacks into grotesque pop gods, he constructs a new iconography for a post-ironic generation. This piece is a compact, vivid document of the surrealist humor and graphic intensity that continues to define one of pop surrealism’s most celebrated graffiti artists.

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Brew Collection Original Painting Acrylic on Wood by Jesse Kassel Graffiti Street Artist Modern Pop Art. Brew Collection Original Wood Acrylic Painting by Jesse Kassel "I created this body of work this past summer (2013) for the Red Bull House of Art. Which is an Artist Residency that provides studio space and exhibit space for Detroit artists. This body of work was inspired by the after-hours environment as well as the landscape here in Detroit. This city is a gold mine for aging liquor store signs, and other hand-painted signs. There is a folk-art quality to the entire city and I wanted to bring that into a more specific subject. This piece is a collection of vintage beer cans that I like." - Jesse Kassel

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Frank Sinatra The Chairman Original One of a Kind Oil Painting on Framed Canvas by Steve Kaufman SAK modern pop artist. 1998 Signed Custom Framed Frank Sinatra The Chairman Original Oil Painting by Steve Kaufman SAK

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Contemplation Original Painting Acrylic on Canvas Ready To Hang by Mandy Tsung Graffiti Street Artist Modern Pop Art. 2014 Signed Original Acrylic Painting Artwork on Canvas Ready To Hang Size 20x20

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Cold Crush Brothers Metal Plate Photo Print on Cradled Wood Panel by Joe Conzo Jr Ready to Hang Graffiti Street Artist Modern Pop Art. 2020 Signed Unique 1-of-a-Kind Print on Metal Mounted To Wood Cradle Frame Print Artwork Size 12x8.5 of Cold Crush Brothers Hip Hop Rap Music Artists in a Club Performing. Cold Crush Brothers Metal Plate Photo Print on Cradled Wood Panel The Cold Crush Brothers Metal Plate Photo Print on Cradled Wood Panel by Joe Conzo Jr. is a one-of-a-kind modern art piece that captures the raw energy of early hip-hop culture. Created in 2020, this signed, unique print is mounted on a durable wood cradle frame and showcases a dynamic performance scene of the legendary Cold Crush Brothers in a club setting. The artwork measures 12x8.5 inches and is ready to hang, blending the timeless aesthetics of Street Pop Art and Graffiti Artwork with the vivid history of hip-hop music. This piece not only immortalizes a pivotal moment in music history but also reflects the artistic vision of Joe Conzo Jr., a pivotal figure in documenting the rise of urban culture. The Iconic Cold Crush Brothers and Their Influence The Cold Crush Brothers were instrumental in shaping the early hip-hop scene, bringing unparalleled charisma, lyrical prowess, and stage presence to their performances. As pioneers of the genre, their influence extended far beyond music, inspiring graffiti artists, dancers, and fashion trends that defined urban culture. Joe Conzo Jr., often called hip-hop’s first photographer, captured these defining moments through his lens, creating a visual archive of this groundbreaking era. This particular print depicts the group performing in a packed club, surrounded by an electrified audience, illustrating the cultural significance and infectious energy of their performances. Joe Conzo Jr. and the Intersection of Music and Street Pop Art Joe Conzo Jr., born in 1963 in New York City, is celebrated for his role in preserving the history of hip-hop and graffiti culture through photography. His work is deeply rooted in the ethos of Street Pop Art and Graffiti Artwork, focusing on the authentic and unfiltered expression of urban life. This metal plate photo print is a testament to his talent for capturing the vibrancy and resilience of the Bronx during the birth of hip-hop. The juxtaposition of Conzo’s crisp black-and-white imagery with the industrial feel of the metal plate adds a contemporary edge to this artwork, making it a bridge between past and present. The Artistic and Collectible Value of the Metal Plate Photo Print Mounted on a cradled wood panel, this artwork combines craftsmanship with functionality, ensuring durability and ease of display. The use of a metal plate as the medium gives the photograph a sleek, modern aesthetic while preserving the raw intensity of the image. Signed by Joe Conzo Jr., this unique, one-of-a-kind piece holds significant value for collectors of Street Pop Art, Graffiti Artwork, and hip-hop memorabilia. Its intimate size of 12x8.5 inches allows it to fit seamlessly into any art collection or living space while commanding attention as a cultural artifact. This artwork serves as a vivid reminder of the artistic and cultural revolution driven by hip-hop, graffiti, and street art during the late 20th century.

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Feels So Good Original Silkscreen Etching Print by D*Face- Dean Stockton Hand-Pulled on Wove Fine Art Paper Limited Edition Pop Street Art Artwork. 2009 Signed & Numbered Limited Edition of 1 Original Artwork Size 33x54 Silkscreen Etching Print Custom Framed D*Face (b. 1978) Feels So Good, c. 2009 Etching and screenprint in colors on wove paper 54 x 33 inches (137.2 x 83.8 cm) (sheet) Ed. 1/1 Signed and numbered in pencil along the lower edge. No apparent condition issues. Floated and framed under acrylic. Framed Dimensions 59 X 37.5 Inches

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A Night On The Town Original One of a Kind Acrylic Painting Artwork on 270gsm Acrylic Canvas Stock by Popular Street Graffiti Artist Aaron Craig- Pop Mash. 2021 Signed Original Acrylic Painting Artwork Size 21x29 Artwork Specifications Artwork dimensions: 54cm x 74cm (21” x 29”) Medium: Acrylic paint on 270gsm acrylic canvas stock Signed and blind stamped by Aaron Craig

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Spraycan Art Train Original All City Style Subway Painting on Wall Sculpture Artwork by Graffiti Street Artist Artist Rek Santiago. 2010 Signed Original Spray Paint Marker & All City Style Train Sculpture One of A Kind Artwork Size 20.25x5x1.75 Signed, Titled & Dated on Back, Tagged On Front Rek & NSA. Original Hand Painted Graffiti on Wall Mountable All City Style Subway Train Platform. Displayed With Box. Box Has Artist-Made Paint Marks. Scattered Soiling & Blemishes Constatant With Age, Great Condition.

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Bound Original Painting Spray Paint Watercolor Mixed Media on Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2013 Signed Original Mixed Media Spray Paint Watercolor Artwork Size 15x22

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Catalyst Original Hand Drawn Art Drawing on Framed Hand Deckled Aged Art Paper by Surreal Artist Naoto Hattori. 2012 Signed Original One-of-a-Kind Pencil/Graphite Drawing Framed Artwork Frame Size 8.5x8.5 Image Size 3x5. Custom Framed & Matted By Artist Naoto Hattori's "Catalyst": A Surreal Intersection of Imagery and Emotion "Catalyst," an original hand-drawn art piece by the surreal artist Naoto Hattori, represents a unique convergence of delicate pencil work and emotive surrealism captured on hand-deckled aged art paper. This 2012 one-of-a-kind pencil/graphite drawing is a testament to Hattori's skill in portraying complex, dream-like visions within a compact space. The framed artwork, with an image size of 3x5 inches and a frame size of 8.5x8.5 inches, has been custom framed and matted by the artist, adding a personal touch that complements the intimate scale of the work. This drawing stands apart from conventional urban art's execution and presentation. While street pop art and graffiti artwork are typically associated with large-scale, public displays, Hattori's "Catalyst" invites a more personal interaction. The piece is imbued with the intricacies of fine art while resonating with the accessibility and visceral impact often found in street art. Hattori's work does not scream from the walls; instead, it whispers, drawing the viewer into a one-on-one dialogue with the art. Exploring the Artistic Detail in "Catalyst" The meticulous detail in "Catalyst" showcases Hattori's masterful control of pencil and graphite, revealing an otherworldly creature that seems to emerge from the very fibers of the aged paper. The hand-decked paper highlights the artist's appreciation for the tactile qualities of his materials and his intent to merge the traditional with the surreal. Each stroke and shadow in the drawing contributes to an overall sense of depth and dimension, breathing life into the fantastical subject. The creature depicted combines familiar elements with the enigmatic, challenging the viewer's perception of reality. The intimate size of the image, contrasting with the more substantial frame, emphasizes the artwork's precious nature, akin to a relic or a talisman. This sense of preciousness is often sought in street pop art and graffiti artwork, where the transient nature of the medium contrasts sharply with the desire to create something lasting and impactful. Hattori's "Catalyst," while not a typical street art piece, captures the essence of what many street artists strive for—an enduring connection with the audience. Naoto Hattori's "Catalyst" is a profound piece of art that transcends the boundaries between the various disciplines of pop art, street art, and surrealism. It encapsulates the ethereal, tangible, imagined, and accurate, inviting viewers to ponder the unknown depths of their psyche. The meticulous craftsmanship, coupled with the unique presentation, makes "Catalyst" a valuable addition to contemporary art discourse, highlighting the breadth and diversity within the realm of artistic expression.

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Shark Icon- Gold Original Hand-Painted Multiple on Laser Cut Wood Panel ready to hang by Shark Toof Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered HPM Embleshed Limited Edition of 7 Artwork on Wood Size 9.25x17 “This new body of work is a blend of my graffiti roots which is where I really developed my own unique voice. At the same time, there’s also an aspect of this work that is just not taking yourself too seriously, kind of vandalizing your own icons,” Shark Toof said while preparing in Detroit. “I like Detroit because it is very do-it-yourself and I am a very do-it-yourself artist so it is a great fit for me.” Shark Toof

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Rolph Original Ink Hand Mini Drawing on Fine Art Paper by modern trending street art artist Nicole Gustafsson. 2014 Signed Original Drawing 5x5

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Untitled Scroll 1 Original Acrylic Painting on Poylab Metal & Plastic Machine by Detour- Thomas Evans One of a Kind Artwork by Street Art Pop Artist. 2023 Signed Acrylic Poylab Metal Plastic on Roller Printing Machine Original Painting Size 12x12 The Intersection of Industrialism and Art in Detour's Work Detour, known off the canvas as Thomas Evans, is an artist whose work is at the forefront of Street Pop Art, transcending traditional boundaries by integrating materials and techniques from diverse realms. His piece, 'Untitled Scroll 1', an original acrylic painting on Polylab metal and plastic machine, is a hallmark of innovation within the genre. This artwork, created in 2023, encapsulates his vision by melding the mechanical with the handcrafted, creating a one-of-a-kind painting that stretches the definition of street art. Materiality and Technique in 'Untitled Scroll 1' The 'Untitled Scroll 1' by Detour – Thomas Evans – is not merely an artistic composition but a narrative about the materials. Polylab metal and plastic as substrates for the painting challenge the convention of canvas or wall-bound graffiti, inviting consideration of the role of industrial materials in fine art. The artwork’s dimensions, a square 12x12, present a concentrated space within which a flurry of colors clash and blend, creating an intimate yet intense visual experience. The rolling mechanism of the machine on which the painting is executed suggests a continuous scroll, an eternal canvas that evolves with each turn. This feature introduces a dynamic component to the artwork, allowing for a performative aspect as the painting is unrolled. It creates a dialogue with the viewer about the changing perspectives and interpretations that come with movement, reminiscent of how Street Pop Art and Graffiti Artwork often shift meaning depending on context and viewer engagement. Detour's Artistic Signature and Impact The signature style of Detour is apparent in the vibrant color scheme and the energetic application of paint, which exudes the rhythm and vivacity typical of street art. By signing the piece, Evans asserts his identity as the creator and stamps the work with a seal of Street Pop Art authenticity. His unique blend of street influence with pop culture elements propels his work into the spotlight, making 'Untitled Scroll 1' not just an artwork but a statement piece. This original painting, through its form and execution, broadens the scope of Street Pop Art and Graffiti Artwork, positioning itself at a crossroads where art and industry intersect. Detour has pushed the boundaries of street art, taking it from the alleys and exterior walls into the realm of sculptural and mechanical innovation, thereby expanding the potential for what street-inspired art can be. Continued Evolution of Street-Inspired Art Detour's 'Untitled Scroll 1' serves as an emblem of the progressive nature of Street Pop Art. The piece stands out for its fusion of acrylic painting techniques with unconventional materials, a true exploration of texture, form, and color. This particular work of Thomas Evans represents a forward-thinking approach to art-making, reflective of contemporary times where the lines between various forms of artistic expression become increasingly blurred. As Street Pop Art and Graffiti Artwork evolve, they increasingly adopt elements from multiple disciplines, pushing past the boundaries of traditional street art. Artists like Detour are at the vanguard of this movement, continually experimenting with new materials and methods. Their work broadens the horizons of what is possible, inviting artists and viewers to rethink the essence and possibilities of street art in the modern age. 'Untitled Scroll 1' is a testament to this ongoing transformation, a snapshot of the inventive spirit that drives the street art scene forward.

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Teleport To Mars Original Graphite Pencil Drawing Art on Fine Art Paper by graffiti street artist modern pop art Ana Bagayan. 2014 Original Drawing Signed on Verso 4.25x6.5

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Shadow Original Acrylic Painting by Richard Hambleton One of a Kind Artwork on Fine Art Paper by Street Art Pop Artist. 1983 Unsigned with COA From Robert Murphy Acrylic & Masking Tape Painting Original Artwork Size 33x76 Frame 37.75x80 Richard Hambleton's "Shadow": A Street Art Phenomenon The legacy of Richard Hambleton, a pioneering figure in the street pop art and graffiti artwork movement, is deeply enshrined in the "Shadow Original Acrylic Painting," a powerful example of his innovative spirit. Known for his stark, shadowy figures that seem to leap off urban surfaces, Hambleton's work has shaped the course of street art and significantly impacted the larger contemporary art scene. His 1983 "Shadow" is a testament to this influence, rendered in acrylic and masking tape on art paper, its paper size stretching to approximately 76 by 33 inches. The larger frame size of 80 by 37.75 inches provides an almost life-size experience, asserting a formidable presence reminiscent of the figures that Hambleton famously painted in alleyways and building sides. The fact that this particular piece is unsigned only adds to the mystique that Hambleton cultivated throughout his career. Provenance is crucial for artworks of such caliber, and this piece's authenticity is backed by a hand-written Certificate of Authenticity (COA) from Robert Murphy and another COA from Dirtypilot, grounding it firmly in its historical context. Robert Murphy and the Provenance of a Masterpiece Robert Murphy, a close friend of Richard Hambleton and an ardent supporter, plays a crucial role in the story of "Shadow." As the most prominent collector of Hambleton's works, Murphy's connection to the art is not merely that of a collector but also that of a confidant and advocate. His relationship with the artist grants the artwork an additional layer of depth, highlighting the personal connections and friendships that often underlie and, indeed, define the street art community. This relationship is immortalized in the feature film "Shadowman," where both Hambleton and Murphy feature, providing a cinematic glimpse into the artist's life and works. Such a connection enriches the narrative of the "Shadow," situating it within a fabric of personal histories that span beyond visual art. It serves as a poignant reminder that the value of street pop art extends beyond the physical work and into the realm of personal and communal histories. Legacy of Hambleton and His "Shadows" in Street Pop Art Within the pantheon of street pop art, Richard Hambleton's contributions stand out for their haunting simplicity and emotional depth. Born in Canada and having passed away in 2017, Hambleton's legacy continues through pieces such as "Shadow," which encapsulate his distinctive approach to street art. His shadow figures, which first appeared in the 1980s, brought a new level of critical engagement to graffiti, transforming it from an act of rebellion into a form of profound artistic expression. "Shadow Original Acrylic Painting" is an original piece from one of the seminal figures in street pop art and a witness to the era in which it was created. The early 1980s saw a dynamic growth in graffiti artwork, evolving from vandalism to a respected medium of socio-political discourse and artistic exploration. Hambleton's work cuts through this moment in history, offering a spectral yet profound critique of society and the self, asking the observer to confront the shadows that linger within urban life and themselves. The story of Richard Hambleton's "Shadow" is a narrative woven from threads of creative genius, personal bonds, and the shifting ethos of street art. This piece remains a vibrant component of Hambleton's oeuvre, a silent yet eloquent sentinel testament to the power of street pop art and graffiti artwork in shaping urban landscapes and discourse.

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Hollow Breath Original One of a Kind Charcoal & Acrylic Painting Artwork on Cradled Wood by Popular Street Graffiti Artist Craww. 2013 Signed Original Acrylic Painting Artwork Size 23.5x31.5 on Wood Cradled Panel Ready to Hang Fine Art. Exploring the Depths of Craww's Hollow Breath "Hollow Breath," a captivating original artwork by the acclaimed street graffiti artist Craww, is a poignant example of how the raw energy of street pop art & graffiti artwork can be channeled into more traditional fine art mediums. This one-of-a-kind piece, created in 2013, is a symphony of charcoal and acrylic on a cradled wood panel, showcasing the artist's adeptness with both materials. The 23.5x31.5 inches artwork provides a generous space for Craww's dark, dreamlike vision to unfold. Signed by the artist, "Hollow Breath" captures the essence of Craww's signature style, which often features ethereal female figures enmeshed with elements of nature. The painting explores recurrent themes in his work: the duality of beauty and melancholy and the intricate dance between life and death. The charcoal lends a softness to the painting, allowing for subtle gradations and depth, while the acrylics bring a vibrancy that pierces through the monochromatic veil. Technique and Symbolism in Craww's Hollow Breath In "Hollow Breath," Craww's use of charcoal and acrylic paints is not merely a choice of preference but a deliberate decision to convey complex emotional states. The charcoal, with its smoky and diffuse quality, creates a sense of impermanence and fragility, echoing the transient nature of life. Meanwhile, the acrylics, known for their boldness and clarity, highlight the painting's focal points, such as the lilies and roses, symbols of purity and passion. The cradled wood panel serves as an ideal substrate for this piece, its solidity starkly contrasting the delicacy of the imagery. This juxtaposition reflects the contrasts found throughout Craww's work, where strength and vulnerability often coexist. The wood's texture adds an organic feel to the piece, grounding it in the natural world that frequently influences Craww's art. Craww's Unique Position in Contemporary Art Craww is uniquely positioned in contemporary art, bridging the gap between the often separate worlds of street art and fine art. "Hollow Breath" is a testament to his ability to navigate these realms, bringing street art's immediacy and authenticity into a format traditionally associated with galleries and museums. The originality of this painting and its readiness to hang make it not just a work of art but a statement piece ready to grace the walls of an art connoisseur. The sad beauty of "Hollow Breath" resonates with those familiar with Craww's work in public spaces. Yet, it also stands alone as a powerful piece of fine art, inviting interpretation and admiration from viewers who may or may not be acquainted with his street art. This versatility and broad appeal make Craww's work particularly compelling within the contemporary art scene. "Hollow Breath" encapsulates the haunting allure of Craww's artistic vision, merging the fluidity of charcoal with the intensity of acrylics on a canvas as enduring as wood. This original painting is a striking example of how street pop art & graffiti artwork can transcend their urban roots to create fine art that is both profound and accessible, carrying the power to move and mesmerize within the quiet walls of an interior space.

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Arches Original One of a Kind Mixed-Media Spray Paint Painting Artwork on Canvas by Popular Street Graffiti Artist Sechor. 2021 Signed Mix Media on 18x24 on Unstretched Canvas

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Salvage Can 3 Original Painting on Spray Paint Can Mixed Media Sculpture Artwork by street artist graffiti legend Eddie Colla. 2018 Signed Original Spray Paint Acrylic Mixed Media on Spray Paint Can Artwork Size 3x8 "I made this series of cans in China in 2018. I had been waiting for supplies to start working on larger pieces. The residency where I was had kept all their empty spray cans. I started making these small pieces from the used spray cans. It wasn't anything I planned; I just had an unexpected amount of free time waiting for my materials to arrive, so I worked with what was available. Each can is signed and dated on the bottom of the can." -Eddie Colla. Eddie Colla's Creative Philosophy "Salvage Can 3" by Eddie Colla is a striking mixed-media sculpture that exemplifies the innovative nature of street pop art and graffiti artwork. Created in 2018 as part of a series during a residency in China, this artwork represents a unique fusion of spontaneity and intentionality that defines Colla's approach to art. Utilizing discarded spray paint cans as his canvas, Colla transformed these objects into thought-provoking artworks, each signed and dated, capturing his signature style and commentary on contemporary issues. In the "Salvage Can" series, Eddie Colla embraced the unexpected interlude in his creative process to produce a series that reflects a core principle of street art: the ability to create with whatever materials. "Salvage Can 3" manifests Colla's resourcefulness and artistic agility. This series speaks to the essence of street art's improvisational nature, with Colla repurposing the used spray cans from his residency to craft pieces that stand as a testament to the transformative power of art. Artistic Expression in "Salvage Can 3" The visual language of "Salvage Can 3" communicates a poignant narrative. The figure depicted on the can, partially obscured by what appears to be a mask, invites viewers to ponder themes of identity, concealment, and the human condition in the modern world. Using spray paint and acrylic, traditional mediums in graffiti artwork, on an unconventional substrate highlights Colla's skills in mixed media and his ability to push the boundaries of street pop art. Cultural Impact of Eddie Colla's Work Eddie Colla is not merely a street artist but a cultural commentator whose works resonate with a global audience. "Salvage Can 3," like the rest of the series, is more than an object of visual intrigue; it is a commentary on the times and an expression of individuality amidst collective narratives. Colla's work is renowned for its critical engagement with socio-political themes, and this piece is no exception. It is a cultural artifact that challenges viewers to question and reflect, embodying the rebellious spirit that often characterizes graffiti art. Significance in the Art Market The collectible nature of "Salvage Can 3" lies in its unique origin story and the reputation of Eddie Colla as a graffiti legend. Each can be individual, marked by Colla's hand and signature, and carries the story of its creation—making it a coveted item for street art collectors. These pieces occupy a special place in the art market, bridging the gap between temporary street murals and enduring art collectibles. "Salvage Can 3" is not just a mixed media sculpture; it is a piece of the ongoing narrative of street pop art and its evolution in the contemporary art scene. "Salvage Can 3" profoundly reflects Eddie Colla's ability to capture the ethos of street pop art and graffiti artwork within a singular object. Through his innovative use of materials and poignant visual storytelling, Colla continues to influence and define the street art genre. This work stands as a reminder of the power of art to adapt and thrive, even in unexpected places and forms, resonating with a universal audience and cementing Colla's status as a pivotal figure in the world of art.

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Abstract A4 Original Spray Paint Acrylic Painting by Askew One Artwork on Canvas by Street Art Pop Artist. 2013 Signed, Dated & Titled On Back Acrylic Original Painting on Flat Canvas Size 20x20

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Titanium, Grease & Leather Original Painting Acrylic & Canvas in Custom Frame by Ron Zakrin Graffiti Street Artist Modern Pop Art. 2015 Signed Original Painting 22x33 Ron Zakrin has been an ever-present creative force in Detroit since the mid-nineties when he emerged on to the underground electronic music set with paintings that provided a visual counterpart to the Detroit sound that was taking the world by storm. Since those early days Ron's work has expanded in scope and scale; no longer strictly focused on man and his relationship with technology, Zakrin probes the veins of society and explores the nature of man, love, and loss. Zakrin lives in Detroit Michigan, where he was born and works daily.

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Josh Has Dysentery Original One of a Kind Acrylic Painting Artwork on Stretched Canvas by Popular Street Graffiti Artist J-Flood. 2010 Original Painting Signed in Verso 24x10 Some light hairline cracking

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Migration Shark 4 Original Painting Spray Paint, Acrylic and Mixed Media on Laser Cut Wood by Shark Toof Graffiti Street Artist Modern Pop Art. 2014 Signed Orignal Spray Paint Mixed Media Painting Artwork Size 115x43 Massive art object. “This new body of work is a blend of my graffiti roots which is where I really developed my own unique voice. At the same time, there’s also an aspect of this work that is just not taking yourself too seriously, kind of vandalizing your own icons,” Shark Toof said while preparing in Detroit. “I like Detroit because it is very do-it-yourself and I am a very do-it-yourself artist so it is a great fit for me.” -Shark Toof

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Quiet Water Beach Original Painting Watercolor on Fine Art Paper by P Bernstein art.

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Paths We Pave Original Painting Spray Paint & Acrylic on Cradled Wood by Malt Graffiti Street Artist Modern Pop Art. 2011 Signed Paths We Pave Original Spray Paint Acrylic Painting by Malt Malt is a self-taught artist, living and working in Metro Detroit. Blending graffiti and aerosol techniques with his signature acrylic style, the latest work from Malt takes an abstract spin on traditional landscapes and the characters that inhabit the psychedelic backdrops. The juxtaposition of forest birds, trees, life/death, growth/decay, strength/weakness is what keeps things fresh and habitually interesting in Malt's work.

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Pop Graff Original Painting Acrylic, Spray Paint Mixed Media on Canvas Gallery Wrap by Sen2 Graffiti Street Artist Modern Pop Art. "Having developed my style over the course of thirty years, I often use vibrant colors and funky lettering to capture the viewer's attention in an instant. While my graffiti is generally limited to the street, I decided to showcase three original canvases exclusively for 1xRUN.As an artist, I have deep and passionate respect for the forefathers of the Pop Art Movement. Some of my greatest influence has come from Andy Warhol and Roy Lichtenstein. They planted the seeds in the latter part of the 20th century which changed people's perception of art. It's remarkable when a handful of individuals can spawn a revolution that will continue for many years to come, well into the 21st century. They created a paradigm shift in how art was to be interpreted and became the legendary masters." - Sen2

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Fence Piece Original Marker & Pencil Hand Drawing on Bristol Paper by Modern Graffiti Street Art Artist Sechor. 2021 Signed Original Drawing 04/2021 14x17 in, Bristol Paper

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Cheese Dollar Original Stencil Cut Dollar Bill Mixed Media One-of-a-Kind Painting Artwork Framed by Popular Street Art Pop Culture Artist RYCA- Ryan Callanan. 2017 Signed Original Artwork Size 6x2.5 RYCA Cheese Dollar Stencil cut dollar bill 2-1/2 x 6-1/8 inches (6.4 x 15.5 cm) Signed on lower right corner. Framed Dimensions 6.25 X 9.75 Inches. RYCA's "Cheese Dollar" as a Statement in Street Pop Art & Graffiti Artwork The "Cheese Dollar" by RYCA, a piece by Ryan Callanan, is a compelling embodiment of the fusion between street pop art and traditional currency. This one-of-a-kind mixed media artwork, signed and created in 2017, encapsulates the spirit of street art's incursion into the world of pop culture and economic commentary. At the dimensions of 6x2.5 inches, with a framed presentation extending to 6.25 x 9.75 inches, it is a testament to Callanan's work's meticulous craft and thought-provoking nature. In "Cheese Dollar," RYCA utilizes the stencil cut technique on an actual dollar bill, a medium that serves as an icon of commercialism and capitalism, reimagining it with a whimsical yet pointed message. By altering this ubiquitous symbol of value, Callanan injects humor and critique into the conversation about money's role in modern society. The artwork's title, "Cheese," a colloquial term for money, further plays on the intersection of language and symbolism often explored in street pop art. Significance of Mixed Media in RYCA's Work The mixed media nature of "Cheese Dollar" indicates RYCA's innovative approach to street pop art, blending non-traditional materials and techniques to create something entirely new. Using an actual dollar bill as the canvas for this piece challenges the viewer to reconsider the value we ascribe to currency and the objects we deem worthy of artistic transformation. Callanan's signature on the lower right corner is a seal of authenticity and a claim of the artist's role in transforming the object. This piece by RYCA reflects the artist's broader engagement with consumerism, value, and pop culture themes. By appropriating and altering currency, RYCA's "Cheese Dollar" becomes a vehicle for social commentary, aligning with the tradition of street pop art and graffiti artwork meant to provoke and engage public discourse. The choice to frame this piece elevates it from a mere object of transaction to a protected and valued piece of art, further complicating its interpretation and significance. RYCA's Ongoing Influence in Artistic Circles RYCA's "Cheese Dollar" symbolizes the artist's ongoing influence in street pop art and graffiti artwork circles. Through such works, Callanan continues challenging perceptions and engaging viewers with his clever blend of cultural references and commentary. The piece contributes to a dialogue on the materialism inherent in contemporary culture, using art to question and critique the systems of value that dominate our society. As street pop art and graffiti artwork continue to evolve, artists like RYCA play a crucial role in steering the conversation and challenging the status quo. Works like "Cheese Dollar" ensure that the discourse remains as dynamic and multifaceted as the art forms, offering new perspectives and insights into the complex interplay between art, culture, and economics. Through his art, RYCA captures the essence of the times and shapes the future of how street pop art is perceived and understood.

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1987 Original One of a Kind Mixed Media Spray Paint & Reclaimed Items Painting Artwork on Reused Wood by Popular Street Graffiti Artist Eddie Colla. 2019 Signed Original Mixed Media Spray Paint Acrylic Painting With Reclaimed Elements Artwork Size 34x34 "1987" 34 x 34 inches (86 x 86cm) Mixed media on wood 2019 Signed and titled on the back

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Relax Original Acrylic Painting by Vandul One of a Kind Artwork on Canvas by Street Art Pop Artist. 2023 Signed Original Hand Painted Acrylic Original Painting Size 14x14 Vandul is a daring and enigmatic graffiti artist whose unique style and innovative approach have left an indelible mark on the contemporary street art scene. Known for his ability to blend thought-provoking messages with eye-catching visuals, Vandul's work has become synonymous with bold, unapologetic creativity. His dynamic characters and striking color palettes challenge traditional perceptions of graffiti, inviting audiences to question societal norms and reflect on the world around them.

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Peace Fingers Geometric Setup Original Stencil Painting by Shepard Fairey x Ernesto Yerena Montejano One of a Kind Artwork on Cotton Rag Paper by Street Art Pop Artist. 2022 Signed Spray Paint Stencil Original Painting Size 20.5x26.5 Ernesto Yerena Montejano- Hecho Con Ganas x Shepard Fairey- Obey Hand Spray Painted with Stencils on 100% Cotton Rag Paper Setup Sheet 1 of 1 Signed by Shepard Fairey in 2021 Comes with a Certificate of Authenticity Hecho Con Ganas publishing chop in lower left corner. first to make sure all the stencil This piece is one of a kind. I painted this separations where working correctly. This piece is super clean with solid paint colors. Meaning there is NO collage stencils no acrylic medium embossing that the final VSE edition had in it. 26.5x20.5 inches

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Somewhere Over The Rainbow Original One of a Kind Wheatpasters, Ink & Spraypaint Painting Artwork on Hand Cut Wood by Popular Street Graffiti Artist Peter Van Flores. 2022 Signed Original Somewhere Over The Rainbow Wood Cut A homage to Money. Ink, Spraypaint, and wheatpaste on several layers of hand-cut wood. 1 of 1 original

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Joker Brand- Green Pink Original One of a Kind Mixed Media Acrylic & Spray Paint Painting Artwork on Cradled Wood by Popular Street Graffiti Artist Ben Frost. 2022 ‘Joker Brand’ - Acrylic and spray paint on board - Green/Pink variant 60cm x 60cm (23.5 x 23.5 inches) Signed, titled and dated on the reverse

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Friend Face 84 Original Oil Painting by Peter Keil , a Kind Artwork on Masonite Panel by The Wild Man of Berlin,  a Famous Contemporary Artist. 1984 Signed by Peter Keil & Dated Oil Painting on Masonite Panel Original Artwork Size 24x24. All of Peter Keil's Art Used Thick Paint & Some Paint Flaking May Be Present Due to the Age and Nature of His Work. Painting of Face of Blad Man in Red & Yellow. Exploring "Friend Face '84" by Peter Keil "Friend Face '84" by Peter Keil, the distinguished artist also known as "The Wild Man of Berlin," is an original oil painting that encapsulates the vibrant energy and raw emotion that define his body of work. Signed and dated in 1984, this piece represents Keil's fearless approach to color and form, embodied on a 24x24-inch Masonite panel. The painting explores facial expression, depicted through a bold juxtaposition of red and yellow. In line with Keil's signature style, the paint is applied in thick layers, contributing to the tactile experience of the artwork. Over time, these layers may have developed some flaking, a natural testament to the work's age and the organic nature of the materials used. The subject, a bald man's face, is portrayed in a fragmented style that reflects the visual language of Street Pop Art and graffiti Artwork. The use of contrasting colors not only delineates the features of the face but also communicates a deeper psychological landscape, characteristic of Keil's approach to portraiture. The artwork conveys a sense of intimacy and familiarity, suggesting that the subject may be a personal acquaintance of the artist, captured through the dynamic lens of Keil's artistic vision. Artistic Merits of Keil's Technique in "Friend Face '84" In "Friend Face '84," the merits of Keil's technique are evident in the lively interplay of color and the expressive contours that define the composition. The choice of Masonite as a substrate is a testament to Keil's preference for sturdy materials that can endure the weight of his heavy impasto technique. Like much of his work, this painting goes beyond the visual narrative, engaging the viewer through a rich palette and the palpable energy of the brushstrokes. The flaking paint, indicative of the piece's history, adds an element of temporal beauty, echoing the urban decay often celebrated in graffiti art. Keil's work embraces the beauty found in the imperfections and the passage of time, much like the ethos of street art, which often finds poignancy in the ephemeral nature of its creations. "Friend Face '84," therefore, is a visual feast and a historical artifact that carries the marks of its existence. The Legacy of "Friend Face '84" Within Pop and Street Art The legacy of "Friend Face '84" is significant within the context of pop and street art. It represents Keil's contribution to the evolving dialogue between established art forms and the burgeoning street art movement of the time. The painting manifests Keil's ability to translate the spontaneity and authenticity of street art into the permanence of oil on Masonite. This piece exemplifies how traditional artistic mediums can be infused with the spirit and energy of contemporary movements, bridging the gap between disparate creative worlds. Keil's "Friend Face '84" is a powerful reflection of the artist's influence on modern art, particularly in how it challenges and expands the boundaries of how art is perceived and experienced. The painting is a vibrant example of Keil's innovative style, which inspires new generations of artists to explore and embrace the rawness and immediacy of street-inspired art within their practice. "Friend Face '84" is a significant work that captures the essence of Peter Keil's approach to art, characterized by a bold use of color, an embrace of the textural possibilities of paint, and a celebration of the imperfect and the transient. The painting serves as a poignant reminder of the enduring nature of Keil's work and his status as an influential figure in contemporary art. As this piece continues to engage and resonate with audiences, it secures Keil's place in the narrative of art history as an artist who masterfully combines the sensibilities of Street Pop Art and graffiti Artwork with the depth and complexity of traditional painting techniques.

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My Shadows Got My Back Original One of a Kind Mixed Media Spray Paint &b Acrylic Painting Artwork on Canvas by Popular Street Graffiti Artist Chris RWK. 2022 Signed Original 24x30 Canvas Painting A child of the 80s, Chris’ world was often completely flooded with the imagery and ideas presented by his television, his comic books, and the music and movies of the time. Immersed in these various mediums, Chris began to store the images brought forward though these everyday experiences in what he refers to as a “mental journal”.

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Orange Umber #2 Original Painting MTN Acrylic Spray on Watercolour Art Paper by Dvate Graffiti Street Artist Modern Pop Art. "The print is based of an original artwork that was produced a few years back for a group show at our old gallery PerSquareMetre. I was exploring degradation and layering and also painting on found objects. The original piece belongs to my wife and she wont give it up!The original piece was created using a combination of acrylic paint and spray enamel. The artwork is painted on an old print that belonged to my Mother. I really liked the texture and weathering of the timber on the back so that’s the side I chose to paint. The cheesy 50’s print is still on the other side.At the time I was working with a lot of found objects and customizing my letter style to suit them. I have always used layering in my work to create depth and reference to the gritty street walls that were my original canvas."- Dvate

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Prey Red HPM Doodled Silkscreen Print by D*Face- Dean Stockton Screen Print on Paperboard Framed Limited Edition Pop Street Art Artwork. 2007 Signed Unique Paint & Pencil HPM Embellished with Doodle on Front Framed Artwork Size 23.25x33. Initially, This Was a Design Used as Wheat Plasters Across Cities. It's Rumored This is one of 2 Versions Produced and Signed by D*Face on higher-grade paper. Custom Framed with Red Metal Frame. D*Face's Signature Style in Prey Red The confluence of pop art and street art finds a striking manifestation in the work of British artist Dean Stockton, better known as D*Face. Among his vast array of impactful artworks, the "Prey Red HPM Doodled Silkscreen Print" is a prime example of his skill in blending subversive street art techniques with the ethos of pop art. This limited edition piece, a silkscreen print on paperboard and an original work embellished with unique paint and pencil doodles by the artist himself captures the essence of his critique on consumerism and the cult of celebrity. Stockton's "Prey Red HPM Doodled Silkscreen Print" is not just another piece of street art; it reflects the artist's journey and commentary on society. The artwork features bold lines and stark contrasts, a hallmark of D*Face's aesthetic, which owes much to his early influences from skateboarding, graffiti, and punk music. The print, measuring 23.25 by 33 inches, is framed in a custom red metal frame that echoes the vibrancy of the artwork within. D*Face and the Pop Street Art Movement Originally conceived as a design for wheatpaste posters plastered across cities, "Prey Red" evolved into a more refined expression of DFace's art when it was reimagined as a high-grade paper print. This transition from street art to a gallery-worthy piece underscores the fluid boundaries between different art forms and the versatility of DFace as an artist. The fact that this piece was one of just two versions produced and signed by the artist adds to its exclusivity and allure. DFace's work is often seen as a bridge between the raw, rebellious energy of street art and the polished, image-focused world of pop art. DFace challenges preconceived notions about art and its place in society by bringing his work into galleries without losing the street-smart edge. The "Prey Red HPM Doodled Silkscreen Print" is a testament to this, embodying the artist's skill in bringing depth and multiple layers of meaning to his work. The Cultural Impact of D*Face's Artwork Beyond its visual appeal, "Prey Red" is a cultural critique, much like the rest of DFace's oeuvre. Through his art, DFace invites viewers to question the icons and symbols that populate our visual landscape. This print, with its sharp imagery and the word "PREY" emblazoned across it, suggests a deeper conversation about who the prey is in a world saturated with media and celebrity culture. DFace's "Prey Red HPM Doodled Silkscreen Print" is not merely a piece of art to be admired for its style; it is a conversation starter, a piece of cultural commentary, and a collector's item all at once. It represents the artist's ongoing commitment to challenging viewers and the art establishment, urging a reevaluation of what is displayed on city walls and gallery halls. As DFace continues to create and evolve, works like "Prey Red" ensure his place in the annals of contemporary art history, bridging the gap between the underground and the mainstream.

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A Delightful Balance Original Watercolor Painting by Bwana Spoons One of a Kind Artwork on Deckled Wove Fine Art Paper by Street Art Pop Artist. 2006 Signed Watercolor Painting Original Artwork Size 5.5x7.5 A Delightful Balance by Bwana Spoons – Playful Equilibrium in Street Pop Art & Graffiti Artwork A Delightful Balance is a 2006 original watercolor painting by Bwana Spoons, executed on 5.5 x 7.5 inch wove fine art paper. Known for his whimsical characters, radiant color palettes, and deeply imaginative world-building, Bwana Spoons brings his signature blend of innocence, strangeness, and narrative abstraction into a compact composition full of visual delight. The painting features a fantastical character—half humanoid, half creature—juggling or balancing a dish on their head while riding or interacting with a stylized turtle. Surrounded by swirling floral motifs, loose color washes, and dense brush textures, the scene becomes a metaphor for composure amidst chaos. It evokes emotional calm while still exploding with energy. As a standalone work within the genre of Street Pop Art & Graffiti Artwork, it represents Bwana Spoons’ dedication to fantasy storytelling through accessible, painterly forms. Character, Gesture, and Symbolic Motion The figure at the center of A Delightful Balance is rendered with exaggerated limbs, stylized facial features, and expressive lines that combine cartoon logic with surreal motion. The character’s outstretched arms and lifted legs suggest both acrobatics and a moment of suspended movement. The wide smile, bright blue nose, and swirl of green hair enhance the overall whimsy, turning the figure into a visual protagonist in a wordless story. The turtle beneath the character anchors the piece in slow movement and grounded energy, reinforcing the theme of balance. Bwana Spoons' approach to character design is non-linear and playful, refusing conventional anatomy in favor of shapes that feel fluid and emotionally coded. Within Street Pop Art & Graffiti Artwork, these characters operate as emotional reflections, channeling energy through visual abstraction. Watercolor Technique and the Handcrafted World Bwana Spoons’ use of watercolor is dense, layered, and richly textural. Rather than soft washes or translucent minimalism, his approach embraces color collisions, thick brush gestures, and vibrant gradients. The pinks, greens, blues, and earth tones in A Delightful Balance blend into one another with intentional harmony, creating a background that feels like a fantastical natural setting without locking into realism. The use of opaque color in some sections pushes the boundaries of the medium, suggesting the layering seen in mural work or screen printing. The hand-torn edges of the wove paper further highlight the intimate scale and handcrafted nature of the work. Every part of the image vibrates with movement, making even stillness feel alive. In the language of Street Pop Art & Graffiti Artwork, this painting is a small-scale expression of large-scale imagination. Bwana Spoons and the Celebration of Emotional Design A Delightful Balance exemplifies Bwana Spoons’ ability to inject kindness, weirdness, and narrative into every stroke. His work does not seek to critique or confront—it offers escape, humor, and introspection in equal measure. By creating strange creatures in vibrant harmony with their environment, Spoons invites the viewer to pause, observe, and reconnect with a form of visual joy that is often absent in urban contemporary culture. The balance he explores is not just literal—it is emotional and visual. As a figure in Street Pop Art & Graffiti Artwork, Bwana Spoons continues to offer a portal into worlds that feel both personal and universal. This piece reminds us that art can be soft and ecstatic at once—that balance, while fleeting, is always worth painting.

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