Painting Original Artwork

337 artworks

  • Island Yachting 84 Original Oil Painting by Peter Keil

    Peter Keil Island Yachting 84 Original Oil Painting by Peter Keil

    Island Yachting 84 Original One of a Kind Oil Mixed Media Painting Artwork on Masonite Board by Popular Modern Impressionist Artist Peter Keil. 1984 Signed 24x12 Original Peter Keil Painting of Boats on the Lake Unveiling "Island Yachting '84" by Peter Keil "Island Yachting '84" is an original oil mixed media painting on Masonite board, a distinctive piece by Peter Keil, a celebrated modern impressionist artist. Signed and dated in 1984, this 24x12 artwork depicts a vibrant scene of boats on a lake, a subject that Keil approaches with his characteristic abstract flair and robust use of color. His portrayal of the yachting scene is not confined to the mimetic representation but is a lively expression of the scene's rhythm and the artist's emotional response. This piece exemplifies Keil's integration of Street Pop Art and Graffiti Artwork aesthetics into his impressionistic style. This synthesis has marked his place in modern art. Keil's choice of Masonite board as his canvas reflects his affinity for mediums that resonate with the authenticity and rawness of street art. The material's inherent durability and smooth surface make it an ideal foundation for Keil's vigorous painting style, allowing for the thick application of oil paint, a hallmark of his work. The textural qualities of "Island Yachting '84" give it a tactile presence and capture the transient effects of light and movement, much like the fleeting nature of graffiti art. The Artistic Merit of "Island Yachting '84" The artistic merit of "Island Yachting '84" lies in its dynamic composition and the expressive power of its brushwork. The sweeping gestures and bold contours that define the boats and their reflections in the water demonstrate Keil's prowess in conveying motion and depth. The painting's foreground is dominated by dark, silhouetted figures that starkly contrast the brightly colored yachts, creating a visual dialogue between the elements. This technique of determining light and dark, color and form, is reminiscent of the dramatic tension found in street murals and pop art imagery, a quality that Keil masterfully incorporates into his work. Keil's employment of mixed media also indicates his experimental approach to art-making. By combining various materials and techniques, he crafts a complex visual experience that challenges traditional boundaries and evokes the layered textures of urban street art. "Island Yachting '84" is thus not only a representation of a lakeside leisure activity but a manifestation of the artist's innovative spirit and contribution to the discourse of Street Pop Art and Graffiti Artwork. Impact and Legacy of Peter Keil's Work The impact and legacy of Peter Keil's work, as exemplified by "Island Yachting '84," are deeply rooted in his ability to infuse traditional impressionist motifs with the energy and spontaneity of street art. His distinctive style, characterized by an expressive use of line and color, has influenced a generation of artists who seek to bridge the gap between the gallery and the street. Keil's paintings are celebrated for their vivacity and capacity to engage viewers on both an aesthetic and visceral level. Moreover, "Island Yachting '84" reflects Keil's broader vision for art as a medium that is accessible and relatable. His deliberate choice to work with materials and subjects directly correlating to everyday experiences speaks to his desire to democratize art, a principle at the heart of Street Pop Art and Graffiti Artwork. Through pieces like this, Keil invites the viewer to partake in a visual journey that is both intimate and universal, a journey that is underscored by the unifying power of art. "Island Yachting '84" is a testament to Peter Keil's innovative blending of genres, a vibrant piece that captures the essence of his artistic inquiry. It is a compelling example of how the sensibilities of Street Pop Art and Graffiti Artwork can be translated into a more traditional art form, maintaining their inherent vibrancy and immediacy. As Keil's work continues to inspire and resonate, "Island Yachting '84" remains a significant piece within the oeuvre of an artist who has consistently pushed the boundaries of expression and form.

    $604.00

  • Friends Teal Red Original Stencil Spray Paint Painting by El Pez

    El Pez Friends Teal Red Original Stencil Spray Paint Painting by El Pez

    Friends Teal Red Original One of a Kind Mixed Media Spray Paint, Acrylic & Stencil Painting Artwork on 220gsm Royal Sundance Paper by Popular Street Graffiti Artist Pez. 2023 Signed Mixed Media Spray Paint Stencil Painting Artwork Size 27.56x19.68 The artistic creations of El Pez are defined by their striking, lively hues and lighthearted, upbeat themes. He often incorporates his trademark grinning fish into his pieces, alongside an array of other characters such as felines, birds, and assorted anthropomorphic beings. El Pez's signature fish can be found adorning walls and surfaces across the globe in cities like Barcelona, Miami, London, Paris, and beyond. This recurring emblem embodies the essence of life's simple pleasures and happiness, which is the message El Pez endeavors to convey through his art. A leading presence in the urban art and graffiti world, El Pez has taken part in numerous festivals and art events, and his creations have been displayed in galleries worldwide. Collaborating with other renowned street artists, El Pez is regarded as a pivotal figure in the realm of contemporary street art.

    $1,887.00

  • Collateral Damage Circles Original Spray Paint Mixed Media Painting by Risk Rock

    Risk Rock Collateral Damage Circles Original Spray Paint Mixed Media Painting by Risk Rock

    Collateral Damage Circles Original Painting Mixed-Media Spray Paint, Sand. Glitter, Acrylic on Heavy Paper by Risk Graffiti Street Artist Modern Pop Art. Collateral Damage Circles, 2018 - Own a Risk original! Original (spray paint, acrylic on heavy paper, Glitter, Sand Coarse Gritty Texture Grabs The Light) Size: 22x30 Inches Date Made: 2018 Original work – Each unique, one of a kind, hand-signed.

    $2,442.00

  • Nature Original Pasca Ink Drawing by Jon Burgerman

    Jon Burgerman Nature Original Pasca Ink Drawing by Jon Burgerman

    Nature Original Painting Pasca on Watercolor Paper by Jon Burgerman Graffiti Street Artist Modern Pop Art. 2014 Original Drawing on Paper by Artist Jon Burgerman Artwork Size 9x12 "Jon Burgerman makes vibrant, neo-primitive scrawls of shapes and color. He's pushed his monster-like characters into compositions where cartoon-like forms are crammed on top of each until they create a screaming mass of energy. Intensely prolific, he has pushed the character obsession of the late 90s into a far more interesting and strong direction. Think Walt Disney at an Incan monument on mescaline." - Francesca Gavin, Visual Arts Editor Dazed & Confused and author of Street Renegades and 100 New Artists published by Laurence King.

    $533.00

  • Brut Island Funk HTF Original Street Sign Painting by DrNuse89

    DrNuse89 Brut Island Funk HTF Original Street Sign Painting by DrNuse89

    Brut Island Funk HTF Sign Original Mixed Media Spray Paint Painting Modern Graffiti Pop Art on Vintage Tin Business Sign by Artist DrNuse89. 2022 Signed Original Painting on Vintage Tin Business Sign Size 42x11

    $218.00

  • Spread Love XXXIV Original Acrylic Spray Paint Painting by Snoeman

    Snoeman Spread Love XXXIV Original Acrylic Spray Paint Painting by Snoeman

    Spread Love- XXXIV Original One of a Kind Acrylic & Spray Paint Painting Artwork on Hand-Cut Fine Art Paper by Popular Street Graffiti Artist Snoeman. 2022 Original Signed Painting Acrylic and Aerosol on Hand-Cut Fine Art Paper Size: 19 x 24 Inches Release: April 01, 2022 Spread Love 12 aka Spread Love XXXIV Original Acrylic Spray Paint Painting by Snoeman

    $846.00

  • Cacophony Laser Cut Acrylic Archival Print by Eddie Colla

    Eddie Colla Cacophony Laser Cut Acrylic Archival Print by Eddie Colla

    Cacophony Hand-Painted Multiple Archival Pigment Print on 3 Tiers of Laser-Cut Acrylic Panel ready to hang by Eddie Colla Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 25 Laser Cut Acrylic Artwork Size 18x18 "The Goldfish Girl was created almost a decade ago. I often revisit it, and she has been the longest continuing character I've created. I often write backstories for these characters to help me create the pieces, but they are generally never shared with the viewer. The Goldfish Girl was born in mainland China and raised mostly by a single father. Her mother passed away when she was 18 months old from cancer. She was often very ill as a child and was eventually diagnosed with a compromised immune system disorder, although a precise diagnosis was never given. This is the reason for always wearing the mask and gloves. Her father bred Goldfish for a living and taught her that trade as a kid. They worked side by side and rarely had visitors because of her condition. Often being extremely ill and also losing her mother made her childhood difficult. As most children do, she tried to find a reason for her misfortune, a reason for why all this had happened to her and her father. Eventually, she believed that her illness and her mother's cancer were punishment by nature. A curse for toying with nature by breeding goldfish. Eventually, her father passed away as well. Needing to make a living and also to taunt fate she illegally immigrated to Hong Kong. There is a famous goldfish market in Mong Kok on Tung Choi street, but it's commonly called goldfish street. With a compromised immune system the most dangerous thing to her was other people. As a challenge to fate, she moved to one of the most densely populated cities in the world. She got a stall on Tung Choi Street. This is her challenge, to taunt fate and win, becoming the master of her own fate. These images are vignettes of her life in Hong Kong. I've never given the character a name. Sometimes she is pictured with a boombox because music becomes a central companion to her mostly solitary life. In the piece Cacophony I wanted her to literally be surrounded by the city. In some way, I think I tried to create a character that embodied a lot of traits I aspire to. To remind me.” - Eddie Colla

    $1,473.00

  • Supergirl No Trains Running Original Acrylic Spray Paint Painting by RD-357 Real Deal

    RD-357 Real Deal Supergirl No Trains Running Original Acrylic Spray Paint Painting by RD-357 Real Deal

    Supergirl- No Trains Running Original One of a Kind Mixed Media Spray Paint Acrylic Painting Artwork on New York Subway Notice by Popular Street Graffiti Artist RD-357. Painting of DC Comics Femail Superhero Supergirl on a real New York/Manhattan Subway Notice. Planned Service Changes, No Trains Running, Jan 14-17 2011

    $631.00

  • Goonie 032 Original Watercolor Painting by Naoto Hattori

    Naoto Hattori Goonie 032 Original Watercolor Painting by Naoto Hattori

    Goonie 032 Original Watercolor Art Painting on Framed Fine Art Paper by Surreal Artist Naoto Hattori. 2013 Signed Original One-of-a-Kind Watercolor Painting Framed Artwork Frame Size 8.5x8.5 Image Size 3x3 Custom Framed & Matted By Artist. Naoto Hattori's "Goonie 032" and the Essence of Street Pop Art In the dynamic world of Street Pop Art & Graffiti Artwork, the term 'original' carries significant weight. Originality is the lifeblood of an art form that prides itself on its unique voice and resistance to the mainstream. Naoto Hattori's "Goonie 032," a 2013 watercolor painting, embodies this spirit of originality and is a fascinating piece within the broader context of pop and street art. The work, a one-of-a-kind watercolor painting, presents itself not only as an artifact of Hattori's vivid imagination but also as a reflection of the artist's ability to converge the ethos of street pop art with the subtleties of watercolor techniques. Presented on fine art paper, the painting measures 3x3 inches and is housed in a custom frame and matting at 8.5x8.5 inches. It was designed and executed by Hattori himself. This hands-on approach to the artwork's presentation speaks volumes about the artist's commitment to the totality of his craft. From the creation of the painting to its framing, every step is imbued with a personal touch that aligns with the DIY ethos prevalent in street art culture. Interpreting the Surrealism in Hattori's Street Pop Art "Goonie 032" showcases a subject that is quintessentially Hattori – a surreal figure with an almost otherworldly demeanor. The character's facial expression is a contemplative mystery set against an undefined backdrop, allowing the subject to command the viewer's full attention. The use of watercolors adds a dream-like quality to the work, with colors blending into one another, suggesting a fluidity often associated with street art's ever-changing and dynamic nature. The small size of the image within the substantial frame draws a viewer in, demanding close inspection and personal engagement, much like the intimate experience of encountering small yet striking pieces of graffiti or street pop art in unexpected urban nooks. The artistry lies not only in the painting itself but also in the juxtaposition of the scale against the bold statement made by the solid, dark frame that borders it. The Collectibility and Impact of Hattori's Watercolor Works The market for Street Pop Art & Graffiti Artwork values rarity and the hand of the artist, and Hattori's "Goonie 032" is exemplary in this regard. As a signed original, the painting directly connects to the artist's hand, amplifying its desirability among collectors. The watercolor medium, though not traditionally associated with the often bold and brash medium of street art, is employed by Hattori in such a way that it reflects the nuanced possibilities of street-inspired artwork. This piece asserts that the vibrancy of street art can be conveyed through the subtlety of watercolors, a notion that broadens the definition and reach of street pop art. The act of framing and matting the piece also contributes to its collectibility. By customizing the presentation, Hattori ensures that "Goonie 032" is not just a piece of art but an entire aesthetic experience. This attention to framing is similar to the way street artists often have to work within and around the confines of the spaces they choose to tag or moralize, turning limitations into a part of the creative process. Cultural Significance of "Goonie 032" in Contemporary Art Naoto Hattori's artwork transcends the traditional boundaries of pop art and graffiti, venturing into the realm of the personal and the fantastical. "Goonie 032" manifests how street art's influence has permeated various levels of art production, leading to innovative expressions that maintain a dialogue with viewers akin to the conversations sparked by outdoor murals and illicit tags. In "Goonie 032," the dialogue is intimate, prompting an inward journey reflective of the painting's introspective subject. The cultural relevance of Hattori's work is rooted in its ability to resonate with the ethos of street art – the expression of identity, the challenge to societal norms, and the breaking of artistic conventions. "Goonie 032," with its originality, craftsmanship, and surrealistic vision, is a vibrant example of how the principles of Street Pop Art & Graffiti Artwork can be applied across different mediums and contexts, maintaining the spirit of the street in the serenity of the gallery wall.

    $669.00

  • Red Carpet Imperial Original Oil Painting by Dred66- Tyree Davis

    Dred66- Tyree Davis Red Carpet Imperial Original Oil Painting by Dred66- Tyree Davis

    Red Carpet Imperial Original Oil Painting by Dred66- Tyree Davis of a Kind of Artwork on Foam Core Mounted to Acrylic Sheet From Street Art Pop Artist. 2001 Signed Acrylic Painting Original Artwork Size 32x12 Depicting 2 People Sharing a Meal at a Table with Wine Over a Massive Red Carpet. Tagged, Signed, Dated, and titled on the Back. Imperial / Red Carpet / Dred66 / March 2001 Essence of "Red Carpet Imperial" by Tyree Davis "Red Carpet Imperial" stands as a remarkable testament to the artistic prowess of Tyree Davis, known in the street pop art and graffiti artwork community as Dred66. This original oil painting, a one-of-a-kind artwork on foam core mounted to an acrylic sheet, exemplifies the fusion of street art aesthetics with the traditional oil painting medium. Created in 2001, this signed acrylic painting stretches across a sizeable 32x12 canvas, depicting a scene that is both intimate and grandiose — two people sharing a meal at a table with a wine bottle over a massive red carpet. Davis's "Red Carpet Imperial" encapsulates the ethos of street pop art by bringing the personal into the public sphere. The subjects of the painting — two individuals engaged in the simple act of sharing a meal — are universal in their relatability. Yet, they are set against a backdrop that speaks to grandeur and excess. This contrast sketched out in the earthy yet bold tones of the oil paints, evokes a narrative that is both a celebration and a critique of cultural and social dynamics. It's a snapshot of life that is as much about the environment as it is about the individuals within it. Signature Style of Dred66 and Artistic Influence Tyree Davis's signature style is evident in how "Red Carpet Imperial" harmonizes street art's raw energy with a gallery piece's sophistication. The painting carries the hallmarks of graffiti in its background — tagged, signed, and dated by the artist, which is a nod to the graffiti tradition of artists marking their territory and claiming space. This element of the artwork connects the practice of street art with the established conventions of fine art, creating a dialogue between two worlds often seen as disparate. The tactile quality of the foam core gives the painting a three-dimensional feel. At the same time, the mounting on an acrylic sheet provides a modern twist, suggesting the protective glazing found in street art installations. These material choices by Davis reflect a thoughtful consideration of medium and message, ensuring that "Red Carpet Imperial" resonates with the authenticity of street art even as it occupies a different physical and conceptual space. In "Red Carpet Imperial," Davis offers a cultural commentary that is as relevant today as it was at the beginning of the millennium. The work's title, 'Imperial,' hints at a critique of societal structures and the seduction of luxury, a theme deep in street pop art's veins. The painting invites viewers to reflect on the disparities and contradictions that pervade modern life by placing an everyday scene in a context that implies wealth and luxury. Moreover, the painting's year of creation, 2001, situates it at a time when street art began gaining widespread recognition as a legitimate art form. Tyree Davis contributed to this burgeoning recognition through his work, bridging the gap between the street and the gallery and challenging preconceived notions about the value and place of graffiti and street pop art in the art historical canon. Legacy and Continuing Influence Tyree Davis's "Red Carpet Imperial" legacy continues influencing the street art community and the broader art world. It stands as a powerful example of how the aesthetics and themes of street pop art can be translated into different mediums and settings, maintaining their impact and resonance. Davis's work invites ongoing discourse about the intersections between art, culture, and society through its bold visual language and underlying social commentary. This conversation is as vital now as it was two decades ago. "Red Carpet Imperial" is more than just a painting; it is a piece of social fabric, a historical document, and a beacon of street pop art's enduring power to communicate, challenge, and captivate. Tyree Davis, as Dred66, has crafted an artwork that is both a reflection and a critique of the world it inhabits, securing his place in the annals of street pop art history.

    $4,376.00

  • No Cure Original Acrylic Spray Paint Painting by Cope2- Fernando Carlo

    Cope2- Fernando Carlo No Cure Original Acrylic Spray Paint Painting by Cope2- Fernando Carlo

    No Cure Original Acrylic Spray Paint Painting by Cope2- Fernando Carlo One of a Kind Artwork on Canvas by Street Art Pop Artist. 2020 Signed Mixed Media Spray Paint & Acrylic Painting Original Artwork Size 43x53 on Unstretched Canvas Explosion of Color: Fernando Carlo's "No Cure" Fernando Carlo, known in the street pop art and graffiti art world as Cope2, is a Bronx-born artist whose work vibrates with the pulse of urban life. His piece titled "No Cure Original Acrylic Spray Paint Painting" is a spectacular canvas that showcases the raw energy and colorful chaos that defines street art. Created in 2020, this one-of-a-kind artwork is an amalgam of acrylic and spray paint, reflecting Cope2's dexterity with mixed media and his deep roots in graffiti culture. Spanning an impressive 43x53 inches on unstretched canvas, "No Cure" stands as a testament to Cope2's enduring influence in the realm of contemporary street art. In the canvas, we see a riot of colors and shapes, clashing and blending in an almost musical harmony. The artwork is signed by the artist, which not only ascertains its authenticity but also marks it as a significant piece within his extensive body of work. Cope2's signature is recognized worldwide, a symbol of credibility in the constantly evolving graffiti scene. With "No Cure," Cope2 demonstrates his versatility and his commitment to the craft, delivering a visual feast that is both a nod to the past and a step into the future of street art. The Bold Artistry of Cope2 Fernando Carlo's journey as Cope2 is a story etched onto the very streets of New York. Since the 1980s, he has been a figure synonymous with the graffiti scene, often regarded as one of the godfathers of New York City subway graffiti. His style has evolved over the decades, yet it retains the essence of the movement — bold, confrontational, and unapologetically public. "No Cure" captures this evolution, its canvas a dynamic collision of traditional graffiti elements with experimental pop art aesthetics. The title "No Cure" itself evokes a sense of raw, uncontained expression. It suggests an ailment for which there is no remedy, perhaps a reference to the addictive nature of artistic creation, especially within the context of street art where the act of painting can be as compelling as the art itself. This painting does not seek to cure but to capture and convey the complex layers of city life, the artist's inner narrative, and the vibrant cultural dialogue of the streets. The unapologetic presence of text, abstract motifs, and splattered paint illustrates Cope2's fearless approach to art and life. Contextualizing "No Cure" in Street Pop Art "No Cure" is not just an artwork but a visual representation of the culture from which it emanates. To understand this piece is to delve into the history of street art and its transition into the gallery space. Street pop art, with its roots in the countercultural movements of the 20th century, seeks to bring the vitality of street culture into the often sterile world of fine art. Cope2 does this masterfully, drawing on his experiences as a Bronx native to infuse his work with an authenticity that cannot be manufactured. The year 2020, when "No Cure" was created, marked an era where street art had firmly established itself as a genre that could command the walls of high-end art spaces while retaining its street cred. In this light, Fernando Carlo's work is a bridge, connecting the gritty sidewalks lined with aerosol to the white walls of art collectors seeking a piece of the street for themselves. "No Cure" embodies the zeitgeist of contemporary urban art, a beacon of the enduring spirit and evolving nature of street pop art and graffiti artwork. In the broader discourse of street pop art, Cope2's "No Cure" is a vibrant chapter that speaks to the diversity and complexity of graffiti art. It stands as a colorful testament to the artistic force of Fernando Carlo and the indelible mark he has left on the cultural fabric of the urban landscape. As the lines between street art and fine art continue to blur, pieces like "No Cure" remind us that at the heart of this movement is the power of raw, unedited expression — a power that indeed has no cure.

    $6,126.00

  • Malt & Mark 02 Original Spray Paint Acrylic Painting by Malt

    Malt Malt & Mark 02 Original Spray Paint Acrylic Painting by Malt

    Malt & Mark 02 Original Painting Mixed Media, Acrylic, Spray Paint on Fine Art Paper by Malt x Mark Penxa Graffiti Street Artist Modern Pop Art. Custom Red Frame “We started this series in July of last year. I think that’s when we first met and talked about collaborating together. It wasn’t until last month that we finished the sculpture pieces. Even after the public showing this idea just kept on growing.” - Mark Penxa“The first go, we both poured in all our energy into creating the work and by the deadline we both felt like we had many more ideas to explore. So enter the “Endangered Species” series.” - Malt

    $793.00

  • Mur Original Spray Paint Acrylic Painting by Copyright

    Copyright Mur Original Spray Paint Acrylic Painting by Copyright

    Mur Original One of a Kind Spray Paint & Acrylic Painting Artwork on Stretched Canvas by Popular Street Art Pop Culture Artist Copyright. 2000 Signed Framed Original Painting Size 32x40 Framed Dimensions 41.5 X 33.5 Inches

    $3,259.00

  • Hanging Gardens HPM Stencil Spray Paint Watercolor by Miss Bugs

    Miss Bugs Hanging Gardens HPM Stencil Spray Paint Watercolor by Miss Bugs

    Hanging Gardens HPM Stencil Spray Paint Watercolor by Miss Bugs Hand-Painted Unique Painting Mixed Media on Wove Fine Art Paper Graffiti Street Artist Modern Pop Art. 2017 Signed Dated & Numbered Unique Mixed Edition of 5 HPM Hand-Embellished Ink, Pencil, Spray Paint, Watercolor Paint Mixed Media Artwork Size 20.38x35.38. Soft creases around the borders of the top cut-out layer. Layered Complexity of "Hanging Gardens" by Miss Bugs Miss "Bugs, a graffiti" street artist renowned for a unique fusion of modern pop art sensibilities, made a compelling statement in the art world with the "Hanging Gardens" series in 2017. This collection, limited to a mixed edition of just five pieces, showcases the intricate and meticulous craftsmanship that Miss Bugs brings to the canvas, or in this case, to the fine wove art paper. Each piece within the "Hanging Gardens" series is a testament to the artist's commitment to pushing the boundaries of street pop art and graffiti artwork. The "Hanging Gardens" pieces explore texture and form, utilizing a variety of mediums such as stencil, spray paint, hand-embellished ink, pencil, andBugs'rcolor paint. The dimensions of" each artwork, "measuring 20.38x35.38 inches, provide a subsBugs'al canvas for Miss Bugs to delve into a complex narrative told through the language of visual art. These hand-painted unique paintings are a symphony of mixed media, with each layer contributing to the work's overall impact. The series is characterized by its signature Miss Bugs aesthetic, where abstract elements coalesce with figuration to create something simultaneously familiar and otherworldly. Signature Techniques in MissBugs" Artwork Each painting in the "Hanging Gardens" collection is a unique expression of Miss Bugs' vision, utilizing a combination 'f "stencil technique" e for pr "cision and free" and for fluidity and grace. The stencil work provides sharp, defined structure pieces, while the spray paint adds vibrancy and a streetwise edge. The watercolor elements introduce softness and depth, blurring the lines between the stark world of graffiti and the more delicate realm of watercolor painting. This interplay of mediums is a hallmark of Miss Bugs' style and allows for a rich dialogue between the different elements of street art and fine art. In the "Hanging Gardens" series, one can observe a recurring theme of juxtaposition—a halBugs' of Miss Bugs' approach to art. The" series presents" a visual language that speaks to the duality of human nature and the multifaceted world we inhabit. Combining disparate elements within each piece, Miss Bugs challenges the viewer to find coherence and meaning within the chaos. Using bright, pop-art colors against more subdued tones and the intricate stencil patterns against the fluid watercolors creates a dynamic Bugs'on that is thought-provoking and aesthetically pleasing. Limited Eartist'sature of Miss Bugs' Work The exclusive nature of the "Hanging Gardens" series, with its limited edition of five, adds to the desirability" of the works. E" ch piece is signed, dated, and numbered by Miartist, providing a direct connection between the artist and the collector. The hand-embellished aspects of each painting ensure that while the series may be viewed as a collective theme, each piece stands alone as a unique work of art. Collectors of Miss Bugs' work acquire a piece of street pop art and a segment of the artist's "personal narrative," as each stroke, color choice, and compositional element is a deliberate act of creation. Miss Bugs' "Hanging Gardens" series is a brilliant representation of the artist's ability to navigate the realms of street pop art and graffiti artwork, creating visually stunning pieces rich in meaning. The series serves as a bold statement on the versatility and depth that street art can embody, transcending its roots to become a sophisticated and sought-after form of modern pop art; through the "Hanging Gardens," Miss Bugs invites viewers to experience a world where the beauty of the natural world meets the grit of urban life, all while challenging conventional notions of what graffiti art can be.

    $2,400.00

  • Relax Original Acrylic Painting by Vandul

    Vandul Relax Original Acrylic Painting by Vandul

    Relax Original Acrylic Painting by Vandul One of a Kind Artwork on Canvas by Street Art Pop Artist. 2023 Signed Original Hand Painted Acrylic Original Painting Size 14x14 Vandul is a daring and enigmatic graffiti artist whose unique style and innovative approach have left an indelible mark on the contemporary street art scene. Known for his ability to blend thought-provoking messages with eye-catching visuals, Vandul's work has become synonymous with bold, unapologetic creativity. His dynamic characters and striking color palettes challenge traditional perceptions of graffiti, inviting audiences to question societal norms and reflect on the world around them.

    $578.00

  • Kim Original Mixed Media Watercolor Painting by Aelhra

    Aelhra Kim Original Mixed Media Watercolor Painting by Aelhra

    Kim Original Painting Spray Paint Watercolor Mixed Media on Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2014 Signed Original Mixed Media Spray Paint Watercolor Artwork Size 15x22

    $503.00

  • Abstract A4 Original Spray Paint Acrylic Painting by Askew One

    Askew One Abstract A4 Original Spray Paint Acrylic Painting by Askew One

    Abstract A4 Original Spray Paint Acrylic Painting by Askew One Artwork on Canvas by Street Art Pop Artist. 2013 Signed, Dated & Titled On Back Acrylic Original Painting on Flat Canvas Size 20x20

    $820.00

  • Multi Tags Series 8579 Original Graffiti Painting by Seen UA

    Seen UA Multi Tags Series 8579 Original Graffiti Painting by Seen UA

    Multi Tags Series 8579 Original Graffiti Painting by Seen UA One of a Kind Spray Paint & Acrylic Painting Artwork on Unstretched Canvas. 2023 Signed Original Multi Tags Series Acrylic & Spray Paint Painting Size 24x30 Multi Tags Series 8579 is an original graffiti painting by renowned graffiti artist Seen UA, whose real name is Richard Miraneen. UA is widely considered one of the pioneers of modern graffiti art, with a career spanning over four decades. Born in the Bronx, New York, in 1961, Seen UA started as a subway graffiti artist in the 1970s and soon gained recognition for his distinctive style and bold, colorful designs. The "Multi Tags Series" is a collection of works that showcase the artist's signature lettering, blending street art with traditional fine art. In Multi Tags Series 8579, Seen UA masterfully incorporates bright colors, intricate patterns, and diverse typography to create a striking and vibrant visual experience. As with other pieces in the series, Multi Tags Series 8579 emphasizes the power of artistic expression and its impact on urban landscapes while simultaneously serving as a testament to Seen UA's skill and creativity. The painting would make a significant addition to any contemporary art collection, particularly for fans of street art and graffiti.

    $1,194.00

  • Lagos Original Street Sign Spray Painting by Atomik

    Atomik Lagos Original Street Sign Spray Painting by Atomik

    Lagos Original Street Sign Spray Painting by Atomik Mixed Media Modern Graffiti Paint Pop Art on Real Metal Ready To Hang. 2023 Signed Original Painting on Reclaimed Metal City Road Construction Sign Artwork Size 36x36 of Spray Painted Smiling Atomik Orange In the vibrant world of modern graffiti and pop art, Atomik emerges as a unique voice, creating pieces that resonate deeply with art aficionados and street art enthusiasts alike. His 2023 artwork, titled "Lagos," is a prime example of his genius. Made on a reclaimed metal city road construction sign, this piece is not just a painting but a marriage of art and urban elements. Measuring 36x36 inches, "Lagos" is an ode to the urban environment from which Atomik draws inspiration. The centerpiece, the spray-painted smiling Atomik Orange, is instantly recognizable and evokes a sense of familiarity, bridging the gap between the street and the art gallery. The backdrop, a real metal city road construction sign, adds layers of authenticity and rawness to the piece. Its weathered appearance, marked with signs of wear and age, tells a story of its own, setting a contrasting stage for the vibrant and playful Atomik Orange. This painting does more than just showcase Atomik's technical prowess with a spray can. It challenges the boundaries of traditional art forms, blurring the lines between graffiti, pop art, and found object art. By choosing a reclaimed metal sign as his canvas, Atomik comments on the transient nature of urban life and the ever-evolving face of cities. For those who appreciate art that speaks to contemporary issues while staying rooted in traditional techniques, "Lagos" is a testament to Atomik's ability to capture the zeitgeist of modern urban culture. It's not just a piece of art; it's a conversation starter, a narrative, and a reflection of the times we live in.

    $1,174.00

  • Goldeneye Original Acrylic Painting by Jordan Mendenhall

    Jordan Mendenhall Goldeneye Original Acrylic Painting by Jordan Mendenhall

    Goldeneye Original Painting Acrylic on Canvas Mounted on Panel by Jordan Mendenhall Graffiti Street Artist Modern Pop Art. 2014 Signed Custom Gold Framed Orginal Painting Artwork Size 23x9 "I’ve always loved Zelda games and other video game classics. Even watching people play video games was magical to me when I was growing up. My older brothers did most of the playing because I was no good, but the games were magical. You could live, adventure, race, fight and make friends in these alternate worlds. I guess that’s why I love video games and art so much till this day. You get to create worlds and live in them and escape from reality. Real-life is stressful and sometimes is too much. I love to escape through my art and video games." - Jordan Mendenhall

    $962.00

  • Post No Bills- Untitled Stencil Original Graffiti Painting by Seen UA

    Seen UA Post No Bills- Untitled Stencil Original Graffiti Painting by Seen UA

    Post No Bills- Untitled Original One of a Kind Spray Paint & Stencil Painting Artwork on Stretched Canvas by Popular Street Art Pop Culture Artist Seen UA. 2018 Signed Original Painting Size 18x24 Craquelure throughout. Unlined canvas.

    $1,124.00

  • Fragment 01 Original Mixed Media Ceramic Painting by Add Fuel

    Add Fuel Fragment 01 Original Mixed Media Ceramic Painting by Add Fuel

    Fragment 01 Original Mixed Media Ceramic Painting by Add Fuel of a Kind Artwork Framed by a Street Art Pop Artist. 2020 Signed Mixed Media Original Three Panel Ceramic Painting Size 23.8x29.8 Ready To Hand Fragmented 2 Piece Artwork FRAGMENT 01, 2020 Three Panel Ceramic 23.8 × 29.8 Significance of Fragment 01 in Street Pop and Graffiti Artwork Fragment 01 emerges as a distinctive piece within the realm of Street Pop and Graffiti Artwork, symbolizing a harmonious blend of traditional ceramic art with the raw vibrancy of street art. Crafted in 2020, this original mixed-media artwork by the artist Add Fuel stands out as a one-of-a-kind framed piece that resonates with the dynamic energy of pop art. At the heart of Fragment 01 lies the artist's innovative approach to ceramic painting, a medium often associated with classical and traditional art. However, Add Fuel recontextualizes this perception by introducing elements typical of street art, thus creating a bridge between two ostensibly disparate worlds. The three-panel ceramic painting, with dimensions of 23.8 by 29.8 inches, captures the essence of Street Pop Art through its fragmented two-piece composition. The artwork's division into panels underscores the fragmented nature of street art, often found in unexpected locations and subject to the ravages of the urban environment. The visual narrative of Fragment 01 is characterized by a bold use of color and pattern, hallmarks of both pop art and graffiti. The dominant blues and intricate designs pay homage to the azulejo tradition of ceramic tilework, while the fractured presentation speaks to the spontaneity and impermanence of graffiti. By signing the piece, Add Fuel imparts a sense of identity and ownership, a nod to the graffiti artist's signature tag. The artwork is also ready to hang, emphasizing its accessibility and the street art ethos of art for the people. The Legacy of Fragment 01 in Contemporary Art Fragment 01 does not just represent a fusion of artistic styles; it also embodies the cultural dialogue between traditional craftsmanship and contemporary street expression. Through its form and medium, the artwork invites viewers to reflect on the evolution of art as it moves from the protected confines of galleries to the open and often contested spaces of the street. It challenges preconceived notions about the value and place of art in society and celebrates the democratization of art that street art and pop art have long championed. The significance of Fragment 01 extends beyond its aesthetic appeal; it is a testament to the growing recognition of street art and pop art as legitimate and influential art forms. By encapsulating the spirit of these movements within the time-honored medium of ceramic, Add Fuel's artwork bridges past and present, offering a powerful statement on the enduring nature of art and its capacity to adapt and thrive in various contexts. The piece is a vibrant example of how Street Pop and Graffiti Artwork continue to shape and inspire the trajectory of contemporary art. Fragment 01 is not merely a work of art but a vibrant narrative that captures the intersection of history, culture, and innovation. Through this piece, Add Fuel propels the conversation about the place of street art within the broader artistic canon, asserting its value and relevance in today's art landscape.

    $7,290.00

  • Goonie 038 Original Watercolor Painting by Naoto Hattori

    Naoto Hattori Goonie 038 Original Watercolor Painting by Naoto Hattori

    Goonie 038 Original Watercolor Art Painting on Framed Fine Art Paper by Surreal Artist Naoto Hattori. 2013 Signed Original One-of-a-Kind Watercolor Painting Framed Artwork Frame Size 8.5x8.5 Image Size 3x3. Custom Framed & Matted By Artist Naoto Hattori's "Goonie 038": A Vision of Surreal Introspection "Goonie 038" by Naoto Hattori is a profound statement of surreal introspection, a masterpiece that seamlessly blends the essence of watercolor finesse with the depth of surrealistic imagination. Signed and completed in 2013, this original, one-of-a-kind painting is a testament to Hattori's commitment to the craft and his ability to evoke emotion through his art. The framed artwork, confined within an 8.5x8.5-inch boundary and showcasing a 3x3-inch image, is a microcosm of Hattori's vast artistic universe, thoughtfully custom framed and matted by the artist. The work diverges from street pop art and graffiti artwork in form and presentation yet shares an intrinsic connection with these genres through its capacity to captivate and communicate profound messages. "Goonie 038" may not adorn a public wall or shout its existence through sprawling murals, but it commands attention through its intimate scale and the powerful presence of its subject matter. Unraveling the Symbolism in "Goonie 038" In "Goonie 038," Hattori presents a creature that defies ordinary classification—a being at the intersection of human-like emotion and unbelievable features. This hybrid form is a hallmark of Hattori's style, where familiar traits are interwoven with extraordinary elements. The intricate watercolor work accentuates the textures and contours of the subject, drawing the viewer's gaze into the complexities of its expression. The creature's eyes hold a world-weariness that belies its otherworldly appearance, prompting reflection on the shared experiences that transcend the boundaries of reality. Hattori's custom framing and matting are not merely protective measures but integral components of the artwork's overall impact. The decision to frame the piece underscores the importance of context in presenting art. For Hattori, the frame is a gateway, inviting the viewer into the surreal world he has created on paper. It symbolizes the transition from the artist's mind to the viewer's world, allowing "Goonie 038" to reside within a space that honors its unique character. Naoto Hattori's "Goonie 038" is a small yet mighty representation of the artist's surreal vision, offering a window into a world that challenges and expands the viewer's perception. While it may occupy a different space than traditional street pop art and graffiti artwork, it shares the same spirit of rebellion against the ordinary and a desire to disrupt and enchant. Through "Goonie 038," Hattori has created a piece that stands as a compelling contribution to the world of surreal art, which holds the power to mesmerize and provoke thought in equal measure.

    $669.00

  • Astro Boy Original Watercolor Painting by Adam Lister

    Adam Lister Astro Boy Original Watercolor Painting by Adam Lister

    Astro Boy Original Watercolor Painting by Adam Lister One of a Kind Artwork on 140lb Cold-Press Watercolor Fine Art Paper by Street Art Pop Artist. 2023 Signed Date & Title on Back Watercolor Original Painting Size 8x10 Astro Boy Kaws Tribute by Adam Lister. Discover the unique and mesmerizing world of Adam Lister, an exceptional contemporary artist renowned for his original acrylic paintings. Lister skillfully combines geometric shapes, bold colors, and intricate compositions to create a visual experience that transcends the ordinary. His art is a harmonious blend of abstraction and representation, inviting viewers to engage with familiar subjects in a fresh, innovative way. Lister's work is celebrated internationally, with collectors and enthusiasts praising his ability to reinvent classic themes and cultural icons through a modern lens. Immerse yourself in the captivating universe of Adam Lister and explore the profound impact his acrylic paintings have on the art world. This is an artistic journey you don't want to miss.

    $3,295.00

  • Tooth For Tooth Original Acrylic Painting by RT Vegas

    RT Vegas Tooth For Tooth Original Acrylic Painting by RT Vegas

    Tooth For Tooth is an Original Acrylic Painting by RT Vegas, a Kind of Artwork on Canvas Ready to Hang by Street Art Pop Artists. 2010 Signed Acrylic on Stretched Ready to Hang Canvas Painting Original Artwork Size 22.5x16. RT Vegas: A Vibrant Voice in Street Pop Art The original acrylic painting "Tooth For Tooth" by RT Vegas exemplifies street pop art's dynamic and expressive power. Created in 2010, this work is a signature piece by RT Vegas, a street art pop artist known for his bold visuals and thought-provoking imagery. Signed by the artist, this ready-to-hang canvas measures 22.5x16 inches and serves as a compelling piece within the oeuvre of contemporary street art. RT Vegas's approach to art marries the grit of street art with the allure of pop art, resulting in works that are visually arresting and rich in commentary. "Tooth For Tooth" is a canvas awash with striking contrasts, fluid forms, and a haunting anthropomorphic display that captures the eye and engages the mind. Using acrylics allows for vibrant, enduring colors that pop against the canvas, a characteristic that has become a trademark of Vegas's work. The painting is a conversation piece that evokes the raw, unfiltered expression of graffiti and pop art's boldness. RT Vegas has honed a unique visual language that speaks volumes in the public discourse, often bringing to the forefront societal issues and human emotions that resonate with a diverse audience. The artwork's title, "Tooth For Tooth," hints at themes of reciprocity and balance, perhaps alluding to more profound reflections on justice or retribution. Street Art's Evocative Power in RT Vegas's Work RT Vegas's "Tooth For Tooth" is a testament to the artist's ability to communicate complex themes through street pop art. The power of his work lies in its capacity to convey universal and deeply personal messages, utilizing street art's accessibility and pop art's widespread appeal. Vegas's paintings often encapsulate a moment, reflecting the artist's reactions to the world around him. In Thisepiece'spressionistic faces and curved lines create a sense of movement and intensity typical of Vegas's style. The stretched canvas serves as a window into the artist's psyche, distilling the external world into a series of emotional vignettes. Like much of Vegas's work, this painting is not simply a static image but a living entity that communicates with those who encounter it. "Tooth For Tooth" is a compelling example of RT Vegas's commitment to the street pop art genre. His work is a beacon in contemporary art, highlighting the importance of street art and graffiti as valid and vital forms of artistic expression. Through his vivid compositions and engaging subject matter, RT Vegas continues to capture the attention of art lovers and collectors alike, cementing his position as an influential figure in street pop art.

    $168.00

  • Strapped Original Acrylic SPray Paint Painting by KayLove

    KayLove Strapped Original Acrylic SPray Paint Painting by KayLove

    Strapped Original Acrylic SPray Paint Painting by KayLove One of a Kind Artwork on Canvas by Street Art Pop Artist. 2024 Signed Acrylic & Spray Paint Painting Original Artwork Size 24x48 Strapped by KayLove – Original Acrylic and Spray Paint Street Pop Art & Graffiti Artwork Strapped is a 2024 one-of-a-kind original painting by KayLove, executed with acrylic and spray paint on a large-format 24 x 48 inch canvas. The artwork features a central nude female figure rendered with stylized curves, flowing brown hair, and symbolic buckles, standing confidently atop a wave-like base of lavender and white. Set against a stark white background energized by blocks of red, blue, and orange spray patterns, the composition is surrounded by graffiti tags in pink, green, blue, and yellow. The piece functions as a powerful visual dialogue on identity, vulnerability, empowerment, and expression. With her head tilted downward, eyes closed, and hands positioned assertively on her hips and thigh, the figure embodies poise and presence. KayLove uses line and color not only to define form, but to amplify message. Feminine Form as Resistance and Radiance Strapped speaks directly to the role of the body in public and private space, particularly as it relates to women and femme-presenting individuals navigating the gaze, restriction, and autonomy. The straps that crisscross the figure’s upper arm and thighs are not instruments of constraint—they are symbols of armor, resilience, and self-possession. They act as coded references to the ways in which Black and Brown women often must guard and assert their presence within dominant visual culture. The stylized form leans into exaggeration and softness simultaneously, challenging viewers to reevaluate how the body is often read through a hyper-sexualized or objectified lens. Here, the body is sovereign, expressive, and sacred. The confident stance, curved linework, and closed eyes suggest peace within power, control within exposure. Layered Graffiti as Commentary and Community Around the central figure, tags erupt across the canvas in a multicolored array, overlaying parts of the figure and base in classic graffiti fashion. These tags are not random—they function as visual voices that layer the composition with meaning. They evoke both interruption and affirmation, suggesting the street’s chaotic visual noise while amplifying a communal call to witness, affirm, and engage. In Street Pop Art & Graffiti Artwork, layering tags over form is a form of reclamation, and in Strapped, it reads like a collective presence—others bearing witness, shouting names, claiming space around the body. The use of vibrant pastels over earth tones adds contrast and dynamism, pulling the viewer between intimacy and intensity. KayLove’s Fusion of Narrative, Culture, and Street Aesthetic Strapped is emblematic of KayLove’s broader body of work, where cultural iconography, spiritual introspection, and graffiti collide. Her use of clean brush strokes layered with raw spray textures speaks to her ability to navigate between muralism, fine art, and traditional graffiti without diluting the impact of any one approach. The figure is not merely a muse or symbol—it is a stand-in for all who carry layers of history, resistance, and beauty while standing tall in the face of erasure. Through this canvas, KayLove continues her legacy of giving voice to the unseen, crafting pieces that function as both aesthetic and affirmation. Strapped stands as a celebration of the feminine form, the complexity of being, and the graffiti writer’s right to mark, claim, and express without apology.

    $750.00

  • Star Spangled Shark Toof Orange HPM Wood Print by Shark Toof

    Shark Toof Star Spangled Shark Toof Orange HPM Wood Print by Shark Toof

    Star Spangled Shark Toof- Orange Original Hand-Painted Multiple on Laser Cut Wood Panel ready to hang by Shark Toof Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered HPM Embleshed Limited Edition of 7 Artwork on Wood Size 9.25x17 “This new body of work is a blend of my graffiti roots which is where I really developed my own unique voice. At the same time there’s also an aspect of this work that is just not taking yourself too seriously, kind of vandalizing your own icons,” Shark Toof said while preparing in Detroit. “I like Detroit because it is very do-it-yourself and I am a very do-it-yourself artist so it is a great fit for me.”

    $664.00

  • East 153rd St Deck Original Spray Paint Skateboard Deck Art by Cope2- Fernando Carlo

    Cope2- Fernando Carlo East 153rd St Deck Original Spray Paint Skateboard Deck Art by Cope2- Fernando Carlo

    East 153rd St Deck Fine Art Original One of a Kind Spray Paint Painting on Natural Skateboard Deck by Street Artwork Graffiti Artist Cope2. Paint on Natural Skate Deck Size: 5.875 x 23 Inches Release: October 05, 2021 Run of: 1 During the mid-1990s Cope2 started slowly transitioning from the streets to the art scene of the galleries. At that time, street art was not as popular as it is in our days and the general public’s idea of it was still inextricably connected to ghettos, drug dealing, etc. The artist has never hidden his troubling past and avoids idealizing it, as a way to enhance his career and artistic persona. On the contrary, he mentions the following: “Oh man, there’s nothing to be proud of in hustling, but I had my first child at the age of 16, my son. So I had to make money to support him and his mother.

    $820.00

  • Fragment #2 Original Mixed Media Painting by Ryan Thomas Monahan

    Ryan Thomas Monahan Fragment #2 Original Mixed Media Painting by Ryan Thomas Monahan

    Fragment #2 What The Hell Original Mixed Media Painting by Ryan Thomas Monahan One of a Kind Artwork on Wood Panel Affixed to Frame 3D Street Art Pop Artist. 2022 Signed 3D Stacked Mixed Media New York NYC Street Manhole Scene Painting Original Artwork Size 11.25x9.25 Framed Fragment #2: What The Hell by Ryan Thomas Monahan – Urban Memory as Sculpture in Street Pop Art & Graffiti Artwork Fragment #2: What The Hell is a 2022 original mixed media work by American artist Ryan Thomas Monahan, created on a wood panel and presented in a framed 11.25 x 9.25 inch format. This one-of-a-kind piece captures a hyperrealistic street-level view of New York City, complete with a sculpted manhole cover, bits of food debris, torn signage, and a crushed takeout container rendered in painstaking detail. It is a physical fragment of the imagined street, an emotional terrain frozen in time. The textures are layered through 3D stacking and sculptural techniques, forming a tactile diorama of a forgotten sidewalk scene. Signed by the artist, the work is part of Monahan’s larger practice of constructing micro-environments that reflect on consumer culture, ephemerality, and the language of urban decay. Miniature Realism and Emotional Debris Ryan Thomas Monahan’s artistry is rooted in the act of remembering—through objects, through trash, through surfaces that most people overlook. In Fragment #2: What The Hell, Monahan builds a narrative through placement, imperfection, and meticulous realism. The partially visible manhole cover, etched with MADE IN NYC, grounds the work in a specific geography while allowing the viewer to connect with a universal street scene. Scattered remnants like the Chinese takeout box and torn WET FLOOR label add both humor and grit, evoking a space that feels lived in, walked over, and uncelebrated. These elements are not simply decorative—they function as emotional cues, anchoring the piece in memory and identity. The artwork’s title reflects the confusion and clutter that defines public space, suggesting a moment of bewilderment or absurdity embedded in the everyday. Construction, Texture, and Dimensional Intimacy This work exists in three dimensions. Constructed on a wood panel with mixed media materials, it includes real-world textures that mimic asphalt, metal, cardboard, and grime. The 3D elements are not exaggerated—they are subtle enough to suggest depth while preserving the illusion of a flat surface when viewed from a distance. This trick of the eye is part of Monahan’s signature technique, allowing viewers to become physically and mentally engaged with the scale and structure of the piece. Framed in black, the artwork is displayed with the formality of fine art, yet retains its street-level roots in every detail. The materials are layered, collaged, and manipulated to blur the boundary between sculpture and painting, between memory and documentation. Ryan Thomas Monahan and the Material Poetics of the City In the world of Street Pop Art & Graffiti Artwork, Ryan Thomas Monahan occupies a distinctive space. His work does not shout through color or scale, but instead whispers through detail, decay, and resonance. Fragment #2: What The Hell is not a monument, but a memory—a slice of overlooked reality pulled into focus. It reflects the detritus of culture, the poetry of trash, and the persistence of place. Monahan reminds viewers that beauty is found in the smallest fragments, and that the stories of the street are written not just in murals and tags, but in the crumbs, stains, and signage that mark every corner. This piece is not only an artwork—it is a sculpture of lived experience, preserved at human scale for those willing to look down and pay attention.

    $850.00

  • Psychedelic Spiral 01 HPM Spray Paint Wood Print by Tavar Zawacki- Above

    Tavar Zawacki- Above Psychedelic Spiral 01 HPM Spray Paint Wood Print by Tavar Zawacki- Above

    Psychedelic Spiral- 01 Original Hand-Painted Multiple Spray Paint, Ink Mixed Media on Laser Cut Wood Panel ready to hang by Tavar Zawacki (Above) Graffiti Street Artist Modern Pop Art. "The Psychedelic series were made in conjunction with my recent solo exhibition Remix. All of the Psychedelic series was designed with an emphasis on a sharp visual contrast. It's similar to 'Op-art' (Optical Art) which makes your eyes trip out. It's an effect that alters your perception as if you were on Psychedelic drugs. Some of the Psychedelic designs I made were featured in Remix, and some of them I created specifically for this series. This particular 'Sunset Strip' design I made with more complexity for my solo exhibition Remix. The Remix exhibition was about interchanging and swapping different cut patterns of the same design, in different colors to achieve the final piece. The Psychedelic series achieves a similar effect but in a more basic style of blocking out colors and allowing the negative space to reveal itself." - Above

    $835.00

  • Aki Sharks #3 Drawing - Sprayed Paint Art Collection

    Akinori Oishi Aki Sharks #3 Original Marker Drawing by Akinori Oishi

    Aki Sharks #3 Original Marker Hand Drawing on Canvas by modern trending street art artist Akinori Oishi. 2014 Signed Original Marker Drawing on Unstretched Canvas Artwork Size 11x13.25 Printed Oceans is PangeaSeed Foundation's fine art print program that raises awareness and educates about pressing marine environmental issues through the lens of some of today's most respected creative minds. Since 2012, we have released over 100 original fine art print editions that highlight endangered marine species and ocean habitats. These stunning editions help to bring important conservation stories into homes and workspaces the world over creating critical dialogue and inspiring positive action. Through the purchase of these carefully hand-crafted, limited edition artworks, you are not only powering the groundbreaking work of PangeaSeed Foundation in communities across the globe but also contributing to the livelihoods of our supporting ARTivists. Together, via art and activism, we can help save our oceans.

    $503.00

  • Joker Brand- Green Pink Original Spray Paint Acrylic Painting by Ben Frost

    Ben Frost Joker Brand- Green Pink Original Spray Paint Acrylic Painting by Ben Frost

    Joker Brand- Green Pink Original One of a Kind Mixed Media Acrylic & Spray Paint Painting Artwork on Cradled Wood by Popular Street Graffiti Artist Ben Frost. 2022 ‘Joker Brand’ - Acrylic and spray paint on board - Green/Pink variant 60cm x 60cm (23.5 x 23.5 inches) Signed, titled and dated on the reverse

    $5,463.00

  • Untitled Scroll 1 Original Acrylic Painting on Poylab Machine by Detour- Thomas Evans

    Detour- Thomas Evans Untitled Scroll 1 Original Acrylic Painting on Poylab Machine by Detour- Thomas Evans

    Untitled Scroll 1 Original Acrylic Painting on Poylab Metal & Plastic Machine by Detour- Thomas Evans One of a Kind Artwork by Street Art Pop Artist. 2023 Signed Acrylic Poylab Metal Plastic on Roller Printing Machine Original Painting Size 12x12 The Intersection of Industrialism and Art in Detour's Work Detour, known off the canvas as Thomas Evans, is an artist whose work is at the forefront of Street Pop Art, transcending traditional boundaries by integrating materials and techniques from diverse realms. His piece, 'Untitled Scroll 1', an original acrylic painting on Polylab metal and plastic machine, is a hallmark of innovation within the genre. This artwork, created in 2023, encapsulates his vision by melding the mechanical with the handcrafted, creating a one-of-a-kind painting that stretches the definition of street art. Materiality and Technique in 'Untitled Scroll 1' The 'Untitled Scroll 1' by Detour – Thomas Evans – is not merely an artistic composition but a narrative about the materials. Polylab metal and plastic as substrates for the painting challenge the convention of canvas or wall-bound graffiti, inviting consideration of the role of industrial materials in fine art. The artwork’s dimensions, a square 12x12, present a concentrated space within which a flurry of colors clash and blend, creating an intimate yet intense visual experience. The rolling mechanism of the machine on which the painting is executed suggests a continuous scroll, an eternal canvas that evolves with each turn. This feature introduces a dynamic component to the artwork, allowing for a performative aspect as the painting is unrolled. It creates a dialogue with the viewer about the changing perspectives and interpretations that come with movement, reminiscent of how Street Pop Art and Graffiti Artwork often shift meaning depending on context and viewer engagement. Detour's Artistic Signature and Impact The signature style of Detour is apparent in the vibrant color scheme and the energetic application of paint, which exudes the rhythm and vivacity typical of street art. By signing the piece, Evans asserts his identity as the creator and stamps the work with a seal of Street Pop Art authenticity. His unique blend of street influence with pop culture elements propels his work into the spotlight, making 'Untitled Scroll 1' not just an artwork but a statement piece. This original painting, through its form and execution, broadens the scope of Street Pop Art and Graffiti Artwork, positioning itself at a crossroads where art and industry intersect. Detour has pushed the boundaries of street art, taking it from the alleys and exterior walls into the realm of sculptural and mechanical innovation, thereby expanding the potential for what street-inspired art can be. Continued Evolution of Street-Inspired Art Detour's 'Untitled Scroll 1' serves as an emblem of the progressive nature of Street Pop Art. The piece stands out for its fusion of acrylic painting techniques with unconventional materials, a true exploration of texture, form, and color. This particular work of Thomas Evans represents a forward-thinking approach to art-making, reflective of contemporary times where the lines between various forms of artistic expression become increasingly blurred. As Street Pop Art and Graffiti Artwork evolve, they increasingly adopt elements from multiple disciplines, pushing past the boundaries of traditional street art. Artists like Detour are at the vanguard of this movement, continually experimenting with new materials and methods. Their work broadens the horizons of what is possible, inviting artists and viewers to rethink the essence and possibilities of street art in the modern age. 'Untitled Scroll 1' is a testament to this ongoing transformation, a snapshot of the inventive spirit that drives the street art scene forward.

    $1,084.00

  • Pink Party Original Acrylic Painting by Serge Gay Jr

    Serge Gay Jr Pink Party Original Acrylic Painting by Serge Gay Jr

    Pink Party Original One of a Kind Acrylic Painting Artwork on Stretched Canvas by Popular Art Pop Culture Artist Serge Gay Jr. 2011 Signed Original Acrylic Painting Size 40x30 Ready To Hang On Stretched Canvas Serge Gay Jr.'s "Pink Party": A Vibrant Fusion of Pop Culture and Fine Art "Pink Party," an original acrylic painting on stretched canvas by the acclaimed pop culture artist Serge Gay Jr., is a striking embodiment of the fusion between the worlds of high art and popular culture. This 2011 signed original artwork, measuring 40x30 inches, exemplifies Gay's ability to capture the zeitgeist of his era through a vibrant tableau that is at once playful, provocative, and poignant. The painting, ready to hang and enjoy, offers a window into the artist's vision where the lines between street art, pop art, and graffiti blur, creating a narrative that resonates on both an aesthetic and conceptual level. The artwork's visual lexicon is rich with symbolism and iconography, characteristic of Gay's style, which often weaves together elements of street pop art and graffiti artwork. "Pink Party" is no exception, with its bold colors, dynamic composition, and juxtaposition of imagery that speaks to the societal narratives and pop culture references. The painting's scene is a carnival of motifs that engage with themes of identity, celebration, and the undercurrents of social commentary, inviting viewers into a dialogue with the piece that goes beyond its surface beauty. Exploring the Layers in Serge Gay Jr.'s Artistic Expression The layers of meaning in Serge Gay Jr.'s "Pink Party" are a testament to the depth of his artistic expression. Each element within the canvas works in concert with the others to create a cohesive narrative that is both deeply personal and universally relevant. Gay's work often touches on the intersectionality of identity, culture, and the vibrant energy of urban life, and this painting is a celebration of those themes, presented with the flair and finesse that only a master of his craft can achieve. Gay's approach to pop culture is nuanced and layered, often reflecting on the past while commenting on the present. The imagery in "Pink Party" draws from a broad palette of cultural references, from music and fashion to social movements and everyday life. His ability to distill these elements into a single, harmonious composition is a hallmark of his work, making each piece a complex conversation starter. The use of acrylic paint adds a tangible texture to the work, emphasizing the physicality of the street art influence in his practice. The Cultural Relevance of "Pink Party" in the Artistic Landscape "Pink Party" holds a place of cultural relevance in the contemporary artistic landscape. It is reflective of a time when the boundaries between different art forms are increasingly porous, and the influence of pop culture on traditional art practices is undeniable. Serge Gay Jr.'s work is situated at the heart of this cultural shift, using the canvas to explore and explode the conventions of what fine art can be. This original piece by Gay not only exemplifies his skill as a painter but also his insight as a cultural commentator. Through his art, Gay captures the spirit of the times, embodying the energy, challenges, and triumphs of modern society. "Pink Party," with its captivating visual narrative and layered meanings, continues to resonate with audiences, securing its place as a significant work in the canon of 21st-century pop art. In the broader context of Street Pop Art & Graffiti Artwork, "Pink Party" represents the evolving nature of these genres, showcasing how they can transition from the walls of the city to the walls of a gallery without losing their impact or authenticity. The painting is a celebration of the street art ethos — accessible, engaging, and unapologetically bold. Serge Gay Jr.'s ability to bridge the gap between these worlds with such fluency is a testament to his role as a leading figure in the contemporary art scene. As a unique art object, "Pink Party" is not only a visual feast but also a piece of history, capturing the essence of an era where art is increasingly becoming a vehicle for social change and personal expression. It stands as a beacon of the creative possibilities that arise when the street meets the studio, and the result is a work that is as thought-provoking as it is beautiful.

    $781.00

  • MTA Subway Map Lime Green Purple Original Spray Paint Acrylic Painting by Cope2- Fernando Carlo

    Cope2- Fernando Carlo MTA Subway Map Lime Green Purple Original Spray Paint Acrylic Painting by Cope2- Fernando Carlo

    MTA Subway Map- Lime Green Purple Original One of a Kind Mixed Media Acrylic Spray Paint Painting Artwork on Reclaimed NYC Paper Subway Map by Popular Street Graffiti Artist ARTIST. Lime green-purple MTA subway map Hand-made original one-of-a-kind Painted NYC subway map. 22x33inches The beginning of the new millennium found Cope2 in a different place in his career, as he started focusing more and more on ways to establish himself in the art scene of galleries and museums. Even though the artist had started working on canvas much earlier than the 2000s, it was then that he made this dynamic twist and agreed to exhibit indoors systematically. Whether you see graffiti as an expressive and lively form of art or as a form of irresponsible vandalism, one thing is certain; in recent years it has captured the attention of the general population to the world’s biggest galleries.

    $1,917.00

  • Generative Mask Green Original Acrylic Painting by Mysterious Al

    Mysterious Al Generative Mask Green Original Acrylic Painting by Mysterious Al

    Generative Mask Green Original Acrylic Painting by Mysterious Al One of a Kind Artwork on Stretched Canvas Ready to Hang by Street Art Pop Artist. 2023 Signed Acrylic Spray Paint Mixed Media Painting Original Artwork Size 36x36. Mysterious Al used a AI to select the colors, the hand painted the artwork. "These two paintings were done together with me using an algorithm to choose the colours! It's the first time I've done this, and it really worked." -Mysterious Al. Generative Mask Green: A Techno-Cultural Synthesis in Art The union of technology and art reaches a compelling crescendo in Mysterious Al's "Generative Mask Green," an original acrylic painting that is stirring the waters of Street Pop Art. The piece is a hallmark of how contemporary artists are embracing the digital age's capabilities to redefine the creation and perception of art. In this case, the innovation lies within the vibrant visuals that Mysterious Al is known for and in the process behind the painting. Utilizing artificial intelligence to select the color scheme, the artist has married the precision of algorithms with the soul of human creativity, resulting in a one-of-a-kind artwork that captures the zeitgeist of the modern world. The Process: AI Meets Acrylic in Street Art In a groundbreaking approach, "Generative Mask Green" was born from a partnership between Mysterious Al and AI technology. The AI's role was to choose the colors, traditionally reserved for the artist's intuitive sense. This pioneering method allowed for a color palette that might have remained unexplored without the algorithm's input, leading to a fresh and unforeseen aesthetic outcome. Once the colors were selected, Mysterious Al took to the canvas, using spray paint and mixed media to bring the artwork to life. The 36x36-inch artwork epitomizes the evolution of Street Pop Art and Graffiti Artwork, representing a shift from the genre's traditional methods. Using AI tools introduces a new narrative in street art—a genre always reflecting current trends and technologies. The artwork bears the artist's signature, not only physically through his hand-applied strokes of paint but also conceptually, through his willingness to allow a machine a role in the creative decision-making process. The result of this collaboration is a painting that speaks to both the continuity of the artist's vision and the advent of a new era where technology becomes an integral part of the artistic journey. It captures the essence of Street Pop Art, which thrives on innovation and disrupting the status quo. The painting is a testament to Mysterious Al's adaptability and embrace of the unknown, qualities that have always been at the heart of the street art movement. Generative Mask Green: Reflecting the Pulse of Modern Society "Generative Mask Green" does more than represent the synthesis of AI and artistic expression; it reflects the pulse of modern society and its complex relationship with technology. The painting is a visual commentary on the convergence of our digital and physical realities. It embodies the spirit of Street Pop Art, which often serves as a cultural barometer, measuring and expressing societal shifts through visual means. In this piece, Mysterious Al is not just an artist but a cultural narrator, documenting the era of AI through the lens of street art. The painting's aesthetics are unmistakably Mysterious Al's, but the color selection process introduces an unexpected element. This aspect invites viewers to engage with the artwork on a new level, to question the origins of the choices made on the canvas, and to contemplate the future of art in an age where machines can play a part in creative expression. For Street Pop Art and Graffiti Artwork, which have always been deeply rooted in human emotion and societal discourse, the introduction of AI presents a fascinating expansion of the artists' toolkit, enabling new forms of dialogue and expression. "Generative Mask Green" is not just a painting but a symbol of the ever-changing landscape of Street Pop Art and Graffiti Artwork. It represents a bold step into a future where the lines between artist and machine are blurred, where creativity is a dance between human impulse and algorithmic suggestion. This piece stands as a powerful statement on the potential of technology to influence and enhance the creative process, offering a glimpse into a new horizon for artists and art enthusiasts alike. As Mysterious Al continues to explore this fertile ground between art and artificial intelligence, the art world anticipates what innovative creations will come next from this dynamic collaboration.

    $2,626.00

  • Childs Face 84 Original Oil Painting by Peter Keil

    Peter Keil Childs Face 84 Original Oil Painting by Peter Keil

    Childs Face 84 Original One of a Kind Oil Mixed Media Painting Artwork on Cardboard by Popular Modern Impressionist Artist Peter Keil. 1984 Signed 12x16 Original Peter Keil Painting of a large child boy's face. Some paint chipped on the cheek, as is common with Peter Keil originals. Peter Keil's Child's Face '84: A Fusion of Expressionism and Street Pop Art The "Child's Face '84" by Peter Keil stands as a vibrant example of how modern impressionist techniques can intersect with the ethos of Street Pop Art and Graffiti Artwork. Measuring 12x16 inches, this original oil mixed media painting on cardboard brings forth the distinct style of Keil, often recognized for his spontaneous, bold approach to modern art. The painting, which presents a giant boy's face, encapsulates the innocence and expressiveness associated with children, rendered through the lens of Keil's vivid, impressionistic style. Characteristic of Peter Keil's original works, this piece exhibits some paint chipping on the cheek, a natural consequence of the artist's heavy impasto technique and the delicate nature of cardboard as a medium. The chips do not detract from the artwork's impact; instead, they add to the piece's narrative, reflecting the passage of time and the tactile history of Keil's artistic process. This textural element, common in Keil's originals, underscores the raw, unfiltered emotion he seeks to capture in his subjects. Interpreting Keil's Artistic Language in Child's Face '84 Interpreting Keil's "Child's Face '84" requires an appreciation of his artistic language, which merges the abstracted forms of impressionism with street art's vibrant colors and emotional immediacy. Keil's portrayal goes beyond simply representing a child's features; it explores character and emotion conveyed through exaggerated forms and a rich color palette. The large, luminous eyes dominate the composition, serving as windows to the child's soul and echoing the depth of human experience that Keil aims to explore through his art. The choice of cardboard as a substrate for this piece mainly tells of Keil's intention to bridge the gap between conventional fine art and the more accessible, everyday materials often used in Street Pop Art and Graffiti Artwork. This unconventional choice reflects a democratization of art, a key theme in street art, where the emphasis is on making art available and relatable to a broad audience. By utilizing cardboard, Keil challenges traditional art norms and aligns himself with a form of artistic expression grounded in the realities of urban life. The Lasting Influence of Keil's Approach to Portraiture The lasting influence of Peter Keil's approach to portraiture is evident in "Child's Face '84." His work, often categorized under the umbrella of modern impressionism, resonates with a broader range of art forms, including Street Pop Art and Graffiti Artwork. Keil's contribution to these genres lies in his ability to infuse traditional portrait painting with a sense of immediacy and street-wise rawness often found in urban art. This painting, with its bold contours and striking colors, is a testament to Keil's innovative spirit and impact on contemporary art. Furthermore, the painting's vibrant quality, a defining characteristic of Keil's work, underscores the expressive potential of Street Pop Art and Graffiti Artwork. "Child's Face '84" exemplifies how these genres can convey complex emotional narratives, challenging the perception that street art is solely concerned with public commentary or social critique. Keil's portrait is a celebration of individuality and the human spirit, encapsulated within the gaze of a child and articulated through the medium of paint. Peter Keil's "Child's Face '84" is a significant piece that captures the intersection of modern impressionism with the dynamic world of Street Pop Art and Graffiti Artwork. The painting's spontaneous execution, vibrant colors, and textural nuances contribute to its enduring appeal and status as a meaningful representation of Keil's artistic vision. As a piece that bears the marks of its creation, it continues to engage and inspire, offering a window into the depth and diversity of Keil's oeuvre.

    $266.00

  • Snoop Dogg Trying to Make Peace Going Home 56 Original Acrylic Painting by Kozyndan

    Kozyndan Snoop Dogg Trying to Make Peace Going Home 56 Original Acrylic Painting by Kozyndan

    Snoop Dogg Trying to Make Peace Going Home 56 Original Acrylic Painting by Kozyndan One of a Kind Artwork on Black Fine Art Paper by Street Art Pop Artist. 2016 Signed Acrylic Original Painting Size 10.75x6.75 "Snoop Dogg Trying to Make Peace Going Home 6" is an original acrylic painting by the contemporary artist duo, Kozyndan. The duo consists of husband and wife team Kozue and Dan Kitchens, who are known for their playful and imaginative art that often incorporates pop culture icons, animals, and surreal landscapes. In this particular artwork, Kozyndan has chosen to portray the legendary rapper and entertainer Snoop Dogg in a vibrant and thought-provoking piece. The painting features Snoop Dogg walking through a black landscape filled with cop elements and police peace. The composition conveys a sense of peace and harmony, with the iconic musician making his way through this dreamlike world. This artwork highlights Snoop Dogg's journey as an artist and public figure, as well as his efforts to promote peace and understanding in the world. The painting's vibrant colors and intricate details encourage the viewer to contemplate Snoop's path and the broader impact of his career. Kozyndan's signature style, blending pop culture references and whimsical elements, creates a visually captivating piece that is both entertaining and thought-provoking. As an original acrylic painting, "Snoop Dogg Trying to Make Peace Going Home 6" is a unique and valuable addition to any art collection, appealing to fans of Snoop Dogg, contemporary art enthusiasts, and collectors of Kozyndan's work.

    $2,717.00

  • Orange Umber #2 - Sprayed Paint Art Collection

    Dvate Orange Umber #2 Original Spray Paint Painting by Dvate

    Orange Umber #2 Original Painting MTN Acrylic Spray on Watercolour Art Paper by Dvate Graffiti Street Artist Modern Pop Art. "The print is based of an original artwork that was produced a few years back for a group show at our old gallery PerSquareMetre. I was exploring degradation and layering and also painting on found objects. The original piece belongs to my wife and she wont give it up!The original piece was created using a combination of acrylic paint and spray enamel. The artwork is painted on an old print that belonged to my Mother. I really liked the texture and weathering of the timber on the back so that’s the side I chose to paint. The cheesy 50’s print is still on the other side.At the time I was working with a lot of found objects and customizing my letter style to suit them. I have always used layering in my work to create depth and reference to the gritty street walls that were my original canvas."- Dvate

    $533.00

  • Goonie 040 Original Watercolor Painting by Naoto Hattori

    Naoto Hattori Goonie 040 Original Watercolor Painting by Naoto Hattori

    Goonie 040 Original Watercolor Art Painting on Framed Fine Art Paper by Surreal Artist Naoto Hattori. 2013 Signed Original One-of-a-Kind Watercolor Painting Framed Artwork Frame Size 8.5x8.5 Image Size 3x3. Custom Framed & Matted By Artist Naoto Hattori's Miniature Mastery in "Goonie 040" Naoto Hattori's "Goonie 040" is a singular gem in surreal art, a miniature watercolor painting that captures a vast imagination within a diminutive space. Signed and crafted in 2013 by Hattori, this original one-of-a-kind piece is framed and matted personally by the artist, underscoring the intimate connection between the creator and his creation. The artwork, measuring just 3x3 inches and encased in an 8.5x8.5-inch frame, is an exquisite example of Hattori's meticulous technique and fascination with the surreal. While Hattori's art diverges from the typical urban sprawl of street pop art and graffiti artwork, it shares a kindred spirit with the transformative power of these art forms. "Goonie 040" conveys a deep sense of introspection and wonder, inviting the viewer to delve into a realm where the boundaries of reality are fluid and subjective. Like much of Hattori's work, this piece suggests a world where the fantastical becomes possible and the lines between the conscious and subconscious are blurred.  The Deep Symbolism in "Goonie 040" In "Goonie 040," the depicted subject is more than a mere figment of fantasy. It is a vessel for the exploration of deeper psychological and existential themes. Hattori's choice to present this watercolor painting within a custom frame speaks to the artwork's preciousness, akin to a relic or artifact meant to be pondered and treasured. The image's size draws the viewer closer, demanding a personal engagement that more significant works might not command. The framing and matting by the artist himself further exemplify the craftsmanship and care that goes into each of Hattori's pieces. In the broader art world context, "Goonie 040" is a testament to the enduring appeal of handcrafted art in an age increasingly dominated by digital creation and mass production. It is a beacon of individuality and the unique touch of the human hand. Naoto Hattori's "Goonie 040" is a masterful intersection of technical skill and boundless creativity, an artwork that holds its own in the discourse of contemporary surrealism and beyond. It showcases a small-scale piece's profound impact, inviting viewers to engage with art on a personal level and find meaning within the layers of paint and paper. Through works like "Goonie 040," Hattori continues to enchant and engage audiences, contributing to the rich tapestry of modern art.

    $669.00

  • Untitled III Original Acrylic Painting by Atomik

    Atomik Untitled III Original Acrylic Painting by Atomik

    Untitled III Original Acrylic Painting by Atomik One of a Kind Artwork on Canvas by Street Art Pop Artist. 2020 Signed Acrylic Painting Original Artwork Size 12x12 Smiling Atomik Orange Untitled III by Atomik: The Smiling Orange as Icon of Street Pop Art & Graffiti Artwork Untitled III is a 12 x 12 inch original acrylic painting on canvas by Atomik, a Miami-based artist widely recognized for his recurring character—the grinning orange with exaggerated features and slick green leaves. Created in 2020, this one-of-a-kind signed piece captures the energy and wit that defines Atomik’s work in the worlds of Street Pop Art & Graffiti Artwork. The subject, affectionately known as the Atomik Orange, emerged as a response to the demolition of Miami’s Orange Bowl in 2008 and has since evolved into a vibrant symbol of community memory, local pride, and artistic defiance. In Untitled III, the orange character is presented in a tightly cropped view, its cartoonish grin stretched across the lower canvas, eyes glinting with thick, comic-style highlights. The paint is layered with precision, bold black linework creating a crisp barrier between vivid orange and lime green tones. Shades of blue and white bring depth to the character’s eyes and smile, while the use of directional hatching nods to print-era comic illustrations. The background, rendered in a calm sky blue, allows the character’s electric palette to explode off the canvas. This color relationship enhances the orange’s buoyant personality, which is humorous, manic, and defiant all at once. The Atomik Orange and the Language of Urban Reclamation The character at the center of Untitled III represents more than just visual branding—it is a reclamation of space and memory. When the Orange Bowl was razed, a piece of Miami’s identity was lost. Atomik, born and active in the United States, responded with a visual intervention that turned grief into vibrancy. His orange character began to appear across the city on walls, mailboxes, rooftops, and abandoned buildings, acting as both a tribute and a defiant marker of presence. In canvas form, as seen here, the character retains all of its street energy while transitioning into a collectible artifact. The cheeky grin and raised brow act as visual shorthand for Miami’s blend of attitude, warmth, and creative resistance. Atomik’s work embodies the style and function of Street Pop Art & Graffiti Artwork, where characters serve as symbolic graffiti tags, social commentary, and public avatars. His orange exists in multiple states—rebel, clown, mascot—and its simplicity is its power. The use of expressive line, exaggerated proportion, and strategic highlights is directly linked to the language of muralism and comic book art, both of which feed into graffiti’s visual vocabulary. From Street to Canvas: Atomik’s Expansion into Gallery Culture Untitled III represents an important aspect of Atomik’s practice: the movement of street-born characters into formal art spaces without sacrificing edge or identity. By bringing his orange to canvas, Atomik maintains the same boldness and accessibility found on city walls. The work is not diluted but concentrated, focusing all its pop intensity into a contained format. The painting retains the urgency and charm of its graffiti roots, made sharper through studio technique and acrylic detail. This transition from public wall to private collection is central to many Street Pop Art & Graffiti Artwork artists, who continue to operate in both spheres simultaneously. Atomik remains prolific in Miami’s streets, but his gallery pieces like Untitled III allow collectors to engage with the movement in intimate, long-lasting ways. These pieces become cultural documents, embodying not only the energy of a character but the broader movement it represents. Visual Identity and Cultural Commentary in the Work of Atomik Atomik’s orange is more than an aesthetic motif—it is a cultural signal. The bold grin, the splash of citrus color, and the playful features all contribute to a language of visual activism. It communicates joy while remembering loss, mischief while asserting presence. Untitled III, with its clean composition and signature style, preserves this energy on canvas in a way that invites repeated viewing. The piece pulses with the same character-driven ethos that has defined pop art figures since the mid-twentieth century, while remaining grounded in graffiti’s rebellious tradition. As a singular work of Street Pop Art & Graffiti Artwork, Untitled III captures a moment in time when characters were not just imagined but lived across a city’s architecture. Atomik’s orange continues to smile—on walls, on canvases, in print, and in spirit—reminding viewers that personality and protest often share the same line.

    $655.00

  • Somewhere Over The Rainbow Original Spray Paint Collage Painting by Peter Van Flores

    Peter Van Flores Somewhere Over The Rainbow Original Spray Paint Collage Painting by Peter Van Flores

    Somewhere Over The Rainbow Original One of a Kind Wheatpasters, Ink & Spraypaint Painting Artwork on Hand Cut Wood by Popular Street Graffiti Artist Peter Van Flores. 2022 Signed Original Somewhere Over The Rainbow Wood Cut A homage to Money. Ink, Spraypaint, and wheatpaste on several layers of hand-cut wood. 1 of 1 original

    $2,282.00

  • Cheese Dollar Original Mixed Media Painting by RYCA- Ryan Callanan

    RYCA- Ryan Callanan Cheese Dollar Original Mixed Media Painting by RYCA- Ryan Callanan

    Cheese Dollar Original Stencil Cut Dollar Bill Mixed Media One-of-a-Kind Painting Artwork Framed by Popular Street Art Pop Culture Artist RYCA- Ryan Callanan. 2017 Signed Original Artwork Size 6x2.5 RYCA Cheese Dollar Stencil cut dollar bill 2-1/2 x 6-1/8 inches (6.4 x 15.5 cm) Signed on lower right corner. Framed Dimensions 6.25 X 9.75 Inches. RYCA's "Cheese Dollar" as a Statement in Street Pop Art & Graffiti Artwork The "Cheese Dollar" by RYCA, a piece by Ryan Callanan, is a compelling embodiment of the fusion between street pop art and traditional currency. This one-of-a-kind mixed media artwork, signed and created in 2017, encapsulates the spirit of street art's incursion into the world of pop culture and economic commentary. At the dimensions of 6x2.5 inches, with a framed presentation extending to 6.25 x 9.75 inches, it is a testament to Callanan's work's meticulous craft and thought-provoking nature. In "Cheese Dollar," RYCA utilizes the stencil cut technique on an actual dollar bill, a medium that serves as an icon of commercialism and capitalism, reimagining it with a whimsical yet pointed message. By altering this ubiquitous symbol of value, Callanan injects humor and critique into the conversation about money's role in modern society. The artwork's title, "Cheese," a colloquial term for money, further plays on the intersection of language and symbolism often explored in street pop art. Significance of Mixed Media in RYCA's Work The mixed media nature of "Cheese Dollar" indicates RYCA's innovative approach to street pop art, blending non-traditional materials and techniques to create something entirely new. Using an actual dollar bill as the canvas for this piece challenges the viewer to reconsider the value we ascribe to currency and the objects we deem worthy of artistic transformation. Callanan's signature on the lower right corner is a seal of authenticity and a claim of the artist's role in transforming the object. This piece by RYCA reflects the artist's broader engagement with consumerism, value, and pop culture themes. By appropriating and altering currency, RYCA's "Cheese Dollar" becomes a vehicle for social commentary, aligning with the tradition of street pop art and graffiti artwork meant to provoke and engage public discourse. The choice to frame this piece elevates it from a mere object of transaction to a protected and valued piece of art, further complicating its interpretation and significance. RYCA's Ongoing Influence in Artistic Circles RYCA's "Cheese Dollar" symbolizes the artist's ongoing influence in street pop art and graffiti artwork circles. Through such works, Callanan continues challenging perceptions and engaging viewers with his clever blend of cultural references and commentary. The piece contributes to a dialogue on the materialism inherent in contemporary culture, using art to question and critique the systems of value that dominate our society. As street pop art and graffiti artwork continue to evolve, artists like RYCA play a crucial role in steering the conversation and challenging the status quo. Works like "Cheese Dollar" ensure that the discourse remains as dynamic and multifaceted as the art forms, offering new perspectives and insights into the complex interplay between art, culture, and economics. Through his art, RYCA captures the essence of the times and shapes the future of how street pop art is perceived and understood.

    $655.00

  • Friend Face 84 Original Oil Painting by Peter Keil

    Peter Keil Friend Face 84 Original Oil Painting by Peter Keil

    Friend Face 84 Original Oil Painting by Peter Keil , a Kind Artwork on Masonite Panel by The Wild Man of Berlin, a Famous Contemporary Artist. 1984 Signed by Peter Keil & Dated Oil Painting on Masonite Panel Original Artwork Size 24x24. All of Peter Keil's Art Used Thick Paint & Some Paint Flaking May Be Present Due to the Age and Nature of His Work. Painting of Face of Blad Man in Red & Yellow. Exploring "Friend Face '84" by Peter Keil "Friend Face '84" by Peter Keil, the distinguished artist also known as "The Wild Man of Berlin," is an original oil painting that encapsulates the vibrant energy and raw emotion that define his body of work. Signed and dated in 1984, this piece represents Keil's fearless approach to color and form, embodied on a 24x24-inch Masonite panel. The painting explores facial expression, depicted through a bold juxtaposition of red and yellow. In line with Keil's signature style, the paint is applied in thick layers, contributing to the tactile experience of the artwork. Over time, these layers may have developed some flaking, a natural testament to the work's age and the organic nature of the materials used. The subject, a bald man's face, is portrayed in a fragmented style that reflects the visual language of Street Pop Art and graffiti Artwork. The use of contrasting colors not only delineates the features of the face but also communicates a deeper psychological landscape, characteristic of Keil's approach to portraiture. The artwork conveys a sense of intimacy and familiarity, suggesting that the subject may be a personal acquaintance of the artist, captured through the dynamic lens of Keil's artistic vision. Artistic Merits of Keil's Technique in "Friend Face '84" In "Friend Face '84," the merits of Keil's technique are evident in the lively interplay of color and the expressive contours that define the composition. The choice of Masonite as a substrate is a testament to Keil's preference for sturdy materials that can endure the weight of his heavy impasto technique. Like much of his work, this painting goes beyond the visual narrative, engaging the viewer through a rich palette and the palpable energy of the brushstrokes. The flaking paint, indicative of the piece's history, adds an element of temporal beauty, echoing the urban decay often celebrated in graffiti art. Keil's work embraces the beauty found in the imperfections and the passage of time, much like the ethos of street art, which often finds poignancy in the ephemeral nature of its creations. "Friend Face '84," therefore, is a visual feast and a historical artifact that carries the marks of its existence. The Legacy of "Friend Face '84" Within Pop and Street Art The legacy of "Friend Face '84" is significant within the context of pop and street art. It represents Keil's contribution to the evolving dialogue between established art forms and the burgeoning street art movement of the time. The painting manifests Keil's ability to translate the spontaneity and authenticity of street art into the permanence of oil on Masonite. This piece exemplifies how traditional artistic mediums can be infused with the spirit and energy of contemporary movements, bridging the gap between disparate creative worlds. Keil's "Friend Face '84" is a powerful reflection of the artist's influence on modern art, particularly in how it challenges and expands the boundaries of how art is perceived and experienced. The painting is a vibrant example of Keil's innovative style, which inspires new generations of artists to explore and embrace the rawness and immediacy of street-inspired art within their practice. "Friend Face '84" is a significant work that captures the essence of Peter Keil's approach to art, characterized by a bold use of color, an embrace of the textural possibilities of paint, and a celebration of the imperfect and the transient. The painting serves as a poignant reminder of the enduring nature of Keil's work and his status as an influential figure in contemporary art. As this piece continues to engage and resonate with audiences, it secures Keil's place in the narrative of art history as an artist who masterfully combines the sensibilities of Street Pop Art and graffiti Artwork with the depth and complexity of traditional painting techniques.

    $676.00

  • Black Book Graffiti Journal by TC5 x Totem x Psycho x ZiNk x Kaws

    Kaws- Brian Donnelly Black Book Graffiti Journal by TC5 x Totem x Psycho x ZiNk x Kaws

    Black Book Graffiti Drawing Tg Throw Up Practice Personal Journal by TC5 x Totem x Psycho x ZiNk x Delk x Comet x Kaws Modern Street Pop Tag, Doodles, Drawings, Paintings & Thought Artwork. 1994 Signed Tagged Original Marker, Spray Paint, Acrylic, Sticker, Mixed Media Drawing Graffiti, Black Book Size 8.5x11.  Various Artists Graffiti Blackbook, c. 1994 Hardcover sketchbook with artist's original tags and signatures 11 x 8-1/2 x 1 inches (27.9 x 21.6 x 2.5 cm) A hardcover sketchbook with various artists' original tags and signatures, including Kaws, ZiNk, Psycho Seen TC5and Totem from the TC5 Crew. There are a bunch of fill color drawings, tons of tags & marker art, some personal scraps, old phone numbers, hangout locations, ideas and private info about the crew. 50 Pages & the Cover Full of Drawings (There are also many blank pages). Also Includes IBM, Squad One, Pilot, MPV. Black Book Graffiti Journal by TC5 x Totem x Psycho x ZiNk x Kaws This black book sketch journal from 1994 captures an extraordinary moment in graffiti history, representing a convergence of style, rebellion, and creative experimentation by some of the most influential members of the TC5 graffiti crew. The 8.5 x 11 inch hardcover book is not simply a sketchpad but a deeply personal archive of raw street energy. The journal includes vibrant marker renderings, sticker layering, detailed character illustrations, fill-ins, throw-up drills, personal notes, and signed tags from core members like Totem, Psycho, ZiNk, Delk, Comet, Seen and Kaws. The book also includes aliases and side crews such as IBM, MPV, and Squad One, providing a layered snapshot of interconnected graffiti subgroups active in New York City during the golden age of black book culture. Tag Evolution and Street Pop Art & Graffiti Artwork The entries in this journal reflect the fusion of graffiti’s traditional wildstyle aesthetics with the graphic sensibilities that would come to influence Street Pop Art. Each page reveals a combination of practice and performance: tag outlines sharpened to perfection, psychedelic fill-ins, collaged flyer scraps, and character doodles full of humor and attitude. Artists like ZiNk and Psycho demonstrated their technical prowess in dimensional letterforms while simultaneously layering them with playful characters and surreal backdrops. Kaws’s early lettering tag, found here under FC and TC5, shows the nascent influence of his cartoon-fusion iconography that later became a signature in fine art and commercial crossover platforms. Legacy of the Black Book Format Black books were the heart of graffiti culture long before digital archives. They were traveling galleries, practice arenas, and intimate communication platforms among writers. This particular journal’s inclusion of personal tags, secret locations, phone numbers, and emotional reflections reveals graffiti as more than exterior expression—it was an interior life. Totem’s aggressive handstyle, Delk’s stylized urban iconography, and Comet’s classic wildstyle fragments reflect years of train-line experimentation brought onto paper. MPV and IBM frequently appear scrawled across sticker surfaces and borders, and while IBM's specific meaning in the context is still ambiguous, it consistently appears next to trusted tags and carries the weight of crew respect. Cultural Weight and Collector Significance This journal functions not only as a record of TC5’s peak graffiti years but also as an artifact of a cultural shift toward stylized Street Pop Art & Graffiti Artwork. The high saturation of media—hand-drawn lettering, collaged music flyers, branded pop references like Richie Rich and Nervous Records, and customized stickers—marks this black book as a multidisciplinary cultural object. In today’s art market, such journals are revered for their honesty, rawness, and the insights they offer into the private side of graffiti’s most public artists. The handstyle signatures from Kaws, Psycho, ZiNk, and Totem in particular make this a museum-worthy record of graffiti’s transformation from train to gallery wall.

    $25,000.00

  • Flower Bouquet 87 Original Oil Painting by Peter Keil

    Peter Keil Flower Bouquet 87 Original Oil Painting by Peter Keil

    Flower Bouquet 87 Original Oil Painting by Peter Keil, is one-of-a-kind artwork on a Masonite Panel by The Wild Man of Berlin, a famous contemporary artist. 1987 Signed by Peter Keil & Dated Oil Painting on Masonite Panel Original Artwork Size 24x24. All of Peter Keil's Art Used Thick Paint & Some Paint Flaking May Be Present Due to the Age and Nature of His Work. Painting of Flower Vase Bouquet. Peter Keil's "Flower Bouquet '87": A Celebration of Color and Form "Flower Bouquet '87," a remarkable original oil painting by Peter Keil, showcases the signature style of the artist known affectionately as "The Wild Man of Berlin." Created in 1987 and boldly signed, this 24x24 inch painting on a Masonite panel captures Keil's work's vibrancy and dynamic energy. Known for his thick application of paint, Keil's artistry in this piece displays the potential for texture and dimension within the medium of oil paint. Over time, some of this textural paint has flaked, which is common in Keil's work, lending a historical quality to the painting that chronicles its journey through time. The artwork features a vase of flowers, a classic still-life subject, which Keil reinterprets with his unique blend of expressionism and street art flair. In "Flower Bouquet '87," the traditional theme of the still life is revitalized through Keil's lens, which introduces the exuberant aesthetic of Street Pop Art and graffiti Artwork. The painting eschews subtlety in favor of bold, direct presentation, with flowers rendered in a style that borders the abstract. The whimsical shapes and exaggerated colors speak to the influence of pop art, while the freeform line work and vivid hues echo the raw appeal of graffiti. The artwork serves as a bridge, merging the historically distinct worlds of fine art and urban street art, and invites viewers to engage with the work on a visceral level. The Artistic Merit of Keil's Approach Keil's "Flower Bouquet '87" artistic merit lies in its unabashed celebration of color and form. Keil's work defies the constraints of traditional still-life painting, breathing new life into the genre with his innovative approach. Using Masonite as a substrate reinforces Keil's preference for sturdy, reliable materials that can support his vigorous application of oil paint. The Masonite's smooth surface is the perfect canvas for the thick, sculptural layers of paint, which add depth and complexity to the composition. Furthermore, Keil's painting is a testament to the enduring nature of art. The presence of paint flaking reveals the effects of time yet also highlights the intrinsic beauty found in the natural aging of artwork. This aspect of Keil's work is particularly resonant with the ethos of street and pop art, which often embrace the concept of impermanence and the beauty inherent in decay. "Flower Bouquet '87" does not just depict a scene; it tells a story of its existence through its evolving state. Keil's Legacy in the Fusion of Art Genres "Flower Bouquet '87" is emblematic of Peter Keil's legacy in the fusion of art genres. His approach to the still life reflects a more significant trend in contemporary art of breaking down barriers between high and low culture, between the gallery and the street. Keil's work challenges preconceived notions of fine art, pushing the boundaries of expression and medium. With its energetic brushstrokes and striking palette, this painting is a powerful example of Keil's influence on modern art, particularly within Street Pop Art and graffiti Artwork. Keil's contribution to contemporary art is significant in his stylistic choices and his philosophy towards the creation and consumption of art. He democratizes art by bringing the sensibilities of street art into the gallery space, making it accessible and relatable to a broad audience. "Flower Bouquet '87," as a representation of Keil's oeuvre, underscores the artist's ability to capture the viewer's imagination and to convey emotion through the vibrant language of paint. "Flower Bouquet"'87" stands as a '87" statement to Peter Keil's profound and positive contribution to art. Its textured surface, vibrant colors, and dynamic presence offer a fresh perspective on the still-life genre while honoring the traditions of Street Pop Art and graffiti Artwork. Keil's painting continues to enchant and engage audiences; it reaffirms the artist's place as a significant figure in contemporary art, whose work transcends time and continues to inspire dialogue and passion for the arts.

    $676.00

  • Frank Sinatra The Chairman Original Oil Painting by Steve Kaufman SAK

    Steve Kaufman SAK Frank Sinatra The Chairman Original Oil Painting by Steve Kaufman SAK

    Frank Sinatra The Chairman Original One of a Kind Oil Painting on Framed Canvas by Steve Kaufman SAK modern pop artist. 1998 Signed Custom Framed Frank Sinatra The Chairman Original Oil Painting by Steve Kaufman SAK

    $3,910.00

  • You Sound Like A Broken Record Original Metal Screen Painting by House33

    House33 You Sound Like A Broken Record Original Metal Screen Painting by House33

    You Sound Like A Broken Record Screen Original One of a Kind Ink on Nylon Mesh & Aluminum Frame Painting Artwork by Legendary Street Graffiti Artist House33. YOU SOUND LIKE A BROKEN RECORD (Screen), 2021 Ink on nylon mesh & aluminum frame 68 × 52 in 172.7 × 132.1 cm HOUSE33: BAD INFLUENCES, an exhibition celebrating the artists who’ve influenced HOUSE33 through the medium of the silkscreen: a tool that turns everyday objects into inspiring accessible art. The exhibition features a series of one-off screen-printed canvases, large-scale skateboard decks, printed baltic birch panels, a series of utilized original silkscreens, and a limited edition exhibition screenprint. HOUSE33, a deviation of the iconic design studio and font foundry House Industries, originated as a mutated design experiment between commercial and art, born from a conversation about album covers, Hot Rods, Chaos Theory, and Brothel Creepers between Andy Cruz founder of House Industries and British fashion designer Simon “Barnzley” Armitage of London streetwear myth and fame. That conversation led House Industries, Barnzley, and designer Jeremy Dean to collaboratively build HOUSE33 and its flagship store in Soho London in the early 2000s. What began as a muse for typographic and illustrative explorations, became a collaborative creative breeding ground for clothing, art, and lettering, rooted in the art of screen printing.

    $6,517.00

Painting Original Artwork
Graffiti is an art form that originated on the streets and has gained recognition as a legitimate form of artistic expression. Graffiti artists use various materials and mediums to create their works, including spray paint, markers, and stickers. While graffiti is often associated with the urban environment and public spaces, it has also made its way into galleries and museums as fine art. Both canvas and fine art paper are great options for displaying graffiti art, and the choice ultimately depends on the artist's preference and the desired effect of the artwork. Canvas may be preferred for larger, more expressive works, while fine art paper may be better suited for detailed or intricate designs. Graffiti paintings on canvas and fine art paper are two popular mediums for displaying graffiti art. Graffiti paintings on canvas typically involve using spray paint and other materials to create an image on a canvas surface. The canvas provides a durable and long-lasting surface for the artwork and can be easily stretched and framed for display. Fine art paper, on the other hand, is a high-quality paper designed for printing fine art prints. Graffiti artists can create digital designs that are then printed onto the paper, resulting in a high-quality print that can be framed and displayed like traditional art. Nowadays, graffiti art has found its way into the world of more traditional disciplines too, such as painting. In this case, it is not uncommon that the artwork is based on the same techniques and resources as traditional graffiti. As a result, the use of typical spray paint can be used in creating graffiti paintings as well. Nonetheless, it is, also, possible that artists use other kinds of resources, more usually found inside art studios, such as pens, watercolors, oil paint e.tc, which are not conventionally utilized for the creation of works on the streets. Simultaneously, graffiti in the form of paintings, digital or handmade, allows the artists to take their time and focus on the creative process, especially taking into consideration the legal consequences of creating on public sites. Thus, frequently both the preparatory process and the potential exhibition of the painting works can be made indoors, making apparent how much graffiti has evolved over the decades. Finally, graffiti in the form of paintings seems to last longer in comparison with art on the streets, where local authorities tend to clean or cover up numerous pieces due to their illegal status. On the other hand, exactly due to their creation behind closed doors, such pieces tend to win less visibility since they are not exposed to the public on an everyday basis. Graffiti emerged in the US during the late 1960s, and, naturally, almost 50 years later, this art has gone through many stages of reformation. Aspects of the creative process, such as the materials in use and the techniques, have evolved tremendously, as well as the perception of graffiti as a respectable form of art.  On top of that, the former “writers” or “taggers” are now referred to as artists, a development that arose with the evergrowing institutionalization and commercialization of graffiti. Needless to say, graffiti has never ceased to exist in public sight and, with time, authorities all over the world have come to accept to a certain extent the presence of it inside the city web. As a result, the legal status of “writing” has enabled artists to experiment more freely with new materials and techniques, a development that has emerged especially during the past decade. Painting Original Artwork & Painting Original Artwork Graffiti Street Pop Art
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