Police & Cops

4 artworks

  • Seppuku Serigraph Print by ABCNT

    ABCNT Seppuku Serigraph Print by ABCNT

    Seppuku Limited Edition Hand-Embellished 6-Color Serigraph on 130lbs Mohawk Fine Art Paper by Abcnt Graffiti Street Artist Modern Pop Art. "I wanted to portray dead cops, but keeping with the tradition of non-violent resistance. So the problem solving was trying to figure out how I would communicate that dilemma.I don't condone violence against police, but I'm okay with self-inflicted violence by police for the sake of honor."- ABCNT

    $255.00

  • Hands Up Green Silkscreen Print by Sever

    Sever Hands Up Green Silkscreen Print by Sever

    Hands Up- Green Limited Edition 11-Color Hand-Pulled Silkscreen Print on 50pt Chipboard by Sever Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 50 Artwork Size 24x18 "Hands Up," a limited edition artwork by Sever, is a compelling embodiment of the street pop art and graffiti movement. This 9-color hand-pulled silkscreen print, created on robust 50pt chipboard, showcases Sever's intelligent approach to modern pop art through street-inspired graphics. Completed in 2016, each piece within the limited edition of 50 is meticulously signed and numbered by the artist, marking its authenticity and exclusivity in the world of collectible art. The artwork, measuring 24x18 inches, presents a flipped police car with the words "Police" clearly visible, surrounded by a crowd of silhouetted figures with their hands raised. The scene is both a graphic exploration of form and color and a stark commentary on the societal tensions and confrontations that have become synonymous with street protests and public demonstrations. Sever uses the visual language of graffiti, with its bold lines and vivid colors, to capture the intensity and energy of such moments, transforming them into a statement that resonates on both aesthetic and sociopolitical levels. "Hands Up" is not merely a reflection of Sever's skills as an artist but also a mirror to the times, capturing the essence of street art's ability to comment on and engage with current events. The artwork's raw and expressive style is characteristic of Sever's oeuvre, often characterized by a blend of satire and critique leveled at modern society's issues. Through works such as "Hands Up," Sever contributes to the broader narrative of street pop art and graffiti artwork, continually serving as a barometer for cultural sentiment and a platform for expression within the urban landscape.

    $352.00

  • Police Shooting Black Silkscreen Print by Cleon Peterson

    Cleon Peterson Police Shooting Black Silkscreen Print by Cleon Peterson

    Police Shooting Black Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2015 Signed & Numbered Cleon Peterson Limited Edition of 150 Artwork Size 14x18 Silkscreen Print. Cleon Peterson's 2015 Silkscreen Print “Police Shooting Black” – A Stark Voice in Street Pop Art & Graffiti Artwork Cleon Peterson’s 2015 limited edition silkscreen print titled Police Shooting Black is a powerful example of politically charged Street Pop Art & Graffiti Artwork that holds nothing back. Printed on hand-deckled 290gsm Coventry Rag fine art paper, this 14 x 18 inch piece was released in a signed and numbered edition of 150. The print is rendered in stark black silhouette, showing a faceless police officer mid-strike over a defenseless figure on the ground. Peterson employs a style that is instantly recognizable—clean, aggressive, and intentionally stripped of detail to focus entirely on the narrative of power, submission, and societal conflict. It is more than a commentary. It is a visual confrontation. Cleon Peterson: American Artist With a Vision Rooted in Violence and Power Dynamics Cleon Peterson was born in 1973 in the United States and continues to create work that deeply engages with themes of chaos, institutional abuse, and systemic violence. A former street artist who has also worked in illustration and fashion, Peterson often centers his practice around the representation of violent struggle. His works are filled with archetypal figures that reenact the brutal power plays of modern society. Police Shooting Black stands out in his body of work not only for its limited edition fine art format but for its focused depiction of racialized police violence. It is not an ambiguous image. The figures speak with immediacy, channeling real-world incidents into high-contrast allegory. The facelessness of both the oppressor and the oppressed creates a disturbing universality, implicating systems rather than individuals. The Visual Economy of Violence in Street Pop Art & Graffiti Artwork This print carries forward the street-level urgency found in graffiti while leveraging the formal control of screenprinting and gallery presentation. Street Pop Art & Graffiti Artwork often borrows visual language from commercial signage, propaganda, and rebellion, and Peterson’s work is no exception. The figures are iconographic, each line intentional, each silhouette loaded with symbolic weight. Peterson reduces the image to its emotional and psychological core, amplifying the sense of dehumanization and systemic brutality. The use of black-and-white further enforces the emotional starkness while refusing to distract with color. Every inch of the composition is confrontational and calculated to provoke response, conversation, and discomfort. Coventry Rag Paper and Silkscreen Technique as Mediums of Resistance The use of 290gsm Coventry Rag paper—known for its archival quality and textured surface—adds gravity and permanence to what might otherwise feel like a transitory protest image. Silkscreen printing, traditionally used in mass production, is elevated here as a fine art method, offering precision and boldness while still invoking its underground and street origins. Peterson’s choice of material and medium serves to highlight the duality in Street Pop Art & Graffiti Artwork: existing between gallery walls and political walls, between collectability and dissent. Each print is hand-deckled, giving it an edge—literally and figuratively—that speaks to the raw emotion and crafted message embedded in the work. Would you like write-ups for any of Peterson’s other prints or projects?

    $563.00

  • Razor Gun Silkscreen Print by Maximilian Wiedemann

    Maximilian Wiedemann Razor Gun Silkscreen Print by Maximilian Wiedemann

    Razor Gun Limited Edition 5-Color Hand-Pulled Silkscreen Print on 130lbs Mohawk Vellum Fine Art Paper by Maximilian Wiedemann Graffiti Street Artist Modern Pop Art. "Looking at the current media coverage and shocking violence that has spread around the world, I felt it was time to release an anti-gun/crime piece. In the wider sense and anti-violence statement. Don't pull the trigger! As you see in the detail, the trigger is the razor, making it impossible or painful to shoot. It's a fine little detail in the gun that turns the meaning of weapons around. All you need is love. This design and coloring have exclusively been done for 1XRUN. This Idea has been shown first in New York in 2011 in the Vanity Unfair Show - I felt it has more relevance than ever these days." - Maximilian Wiedemann

    $217.00

Police & Cops Graffiti Street Pop Artwork

Authority in Art: Police Depictions in Street Pop Art and Graffiti

The imagery of police and law enforcement has been a significant and provocative subject within street pop art and graffiti. Artists often utilize the symbol of the police officer to discuss power structures, critique social issues, and express a range of emotions from respect to resistance within their work.

Authority Figures in Urban Art Narratives

In the narrative of urban art, the figure of the police officer often appears as a symbol of authority. Their depiction can vary greatly among artists and artworks. For some, police are portrayed as guardians, contributing to the safety and order of city life. For others, they become representations of state power and are depicted in ways that critique their role in societal control and surveillance.

Cultural Commentary Through Police Imagery

Street pop art and graffiti have long been mediums for cultural commentary, and the depiction of police within these forms is particularly charged. In this context, police can be portrayed heroically, satirically, or even villainously, depending on the artist’s message. The representation of police in urban art often reflects current events and societal tensions, making it a form of real-time historical documentation.

Graffiti and Street Art as Dialogue with Law Enforcement

The act of creating graffiti itself can be a point of contention with law enforcement, as it often falls in legal gray areas. This relationship adds a layer of complexity to the depiction of police in street pop art, where the very act of painting can be seen as an act of defiance against the authority that police represent. In many cases, artists use their work to engage in a visual dialogue about the role of policing, creating pieces that respond to the community's perceptions and interactions with law enforcement.

Pop Art's Influence on Police Portrayals

Pop art's influence extends into the portrayal of police, often using bold colors and recognizable iconography to draw attention to their presence within society. The use of pop art aesthetics can serve to amplify the impact of the artwork’s message, whether it is a critique or an endorsement of police and their role.

Police in Street Art: A Reflective Mirror

Street art often serves as a reflective mirror of society, and depictions of police within this art form can reveal much about a community's relationship with law enforcement. These artworks can evoke conversations, challenge perceptions, and sometimes even offer a space for healing and understanding between the public and police. In the evolving canvas of the urban landscape, depictions of police in street pop art and graffiti are a testament to the nuanced and sometimes contentious relationship between authority and expression. As street artists continue to engage with this theme, the portrayal of police in their work remains a powerful commentary on community, power, and the role of art in society.
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