Print Fine Art

End of the Trail Mini Archival Print by Emek Golan Limited Edition on Archival Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2015 Signed & Numbered Print Limited Edition of 500 Artwork Size 8x10 Archival Pigment Fine Art Symbolic Resonance in "End of the Trail" The artwork presents a robotic horse poised atop a tree stump, set against a lunar backdrop, encapsulating themes of technology, nature, and perhaps commentary on progress and its repercussions. This visual narrative is a typical example of Golan's work, where he skillfully intertwines elements of pop culture, street art sensibilities, and more profound social commentary. Including mechanical elements within the horse's design speaks to the intersection of industrial advancement and the natural world, a recurring subject in modern art discourse. Emek Golan's "End of the Trail Mini Archival Print" is a profound statement in street pop art and graffiti artwork. This limited edition piece, available in a print run of just 500, is a signed and numbered artwork that captures the imagination with its intricate detail and poignant symbolism, rendered on high-quality archival fine art paper. Artistic Craft in Limited Edition Prints With the "End of the Trail," Golan showcases his mastery over printmaking. The use of archival pigment ensures the longevity of the image and its resistance to the degradation that often accompanies paper-based art. This attention to preservation is paramount in the street art community, where the transient nature of the art form contrasts sharply with the desire to create lasting visual statements. Sized at 8x10 inches, this artwork is ideal for collectors and admirers who appreciate art that makes a statement without overwhelming space. Emek Golan's Contribution to Street Pop Art As a renowned pop graffiti street artist, Golan's work often reflects a modern sensibility combined with a critical edge. "End of the Trail" is not just an aesthetic accomplishment but also a platform for dialogue on the impact of human actions on the environment. It is a visual metaphor for the 'end of the trail' for specific natural processes and species due to industrialization and human interference. Collectibility and Impact of Golan's Work The limited edition nature of "End of the Trail," along with Golan's signature, adds a level of exclusivity and personal touch that is highly valued in modern artwork. Collectors of Golan's prints are acquiring a piece of art and supporting the narrative of environmental consciousness and the need for balance between progress and preservation. Golan's work is recognized for its ability to transcend the boundaries of street art, taking the conversation from the walls of the urban landscape into the intimate settings of private collections. In summary, Emek Golan's "End of the Trail Mini Archival Print" exemplifies the power of street pop art and graffiti artwork to communicate complex messages through compelling imagery. The print serves as a reminder of the delicate balance between technological advancement and ecological stewardship, which is often explored through contemporary art. Golan's dedication to both craft and message ensures that "End of the Trail" will remain a significant piece within the canon of modern street pop art.

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Knockout 11 Limited Edition 1-Color Hand-Pulled Silkscreen Acrylic, Spray Paint & Collage on 250gsm Paper Print by Greg Gossel Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered HPM Limited Edition of 18 Embleshed Artwork Size 18x22 "The Knockout! series is kind of a companion print to my Superficial! release from last year. This series is the other side of the coin to the aggressive punching character in last year's release, which I look at as a metaphor for the ups and downs of daily life. As for the creative process itself, this series is one of my more heavily layered editions. Each piece began with a layer of collaged vintage comic book pages to create a unique base texture. The pieces were then sanded, hand deckled, and built up with a variety of screen-printed layers, acrylic washes, and spray-painted textures giving the series a very rich and complex surface.This labor-intensive process mimics the layering and decay of old signage & street advertising and leaves each print in the series completely unique from the next." - Greg Gossel

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Marching Into Oblivion Green Pink AP 12-Color Silkscreen Print by Dalek- James Marshall Artist Proof Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. AP Artist Proof 2023 Signed & AP Marked Limited Edition Run Artwork Size 18x24 Marching Into Oblivion Green Pink AP Silkscreen Print by Dalek – James Marshall Dalek, the creative alias of American artist James Marshall, continues to define a distinct voice within Street Pop Art & Graffiti Artwork through his bold visual vocabulary and evolving abstractions. The 2023 artist proof edition of “Marching Into Oblivion” presents a masterclass in color and chaos, combining Marshall’s signature Space Monkey character with a 12-color hand-pulled silkscreen technique. This AP edition print, sized 18x24 inches, showcases a saturated electric pink background contrasted by vibrant greens, yellows, and deep blacks to create a visual rhythm that feels both mechanical and organic. Every line is tightly rendered, while the palette pulses with cartoon surrealism and calculated energy. From Iconic Form to Emotional Abstraction Dalek’s work is often anchored in the evolution of the Space Monkey figure, a character originally born from his exploration of cultural disaffection and emotional detachment. In “Marching Into Oblivion,” the character takes on exaggerated motion, appearing multiplied and caught mid-march with arms raised, mouths agape, and eyes wild. The visual tempo created by repetition and movement invokes both celebration and disorder. This print is less about a literal narrative and more about symbolic propulsion—a march into overstimulation, into synthetic joy, into noise. With vibrant, almost synthetic precision, Dalek uses form to confront modern anxiety through hyperactive repetition and blinding optimism. Street Pop Energy Rendered in Pure Color Printed with archival pigment on fine art paper, each AP in the series carries the artist’s signature and the AP mark, denoting its rarity and place within the studio’s private production. The decision to use 12 individual silkscreen layers to construct the image shows Dalek’s commitment to traditional printmaking and craft. The richness of the ink, coupled with the mechanical consistency of the forms, creates an artwork that feels digitally native yet physically hand-wrought. The graphic explosiveness of this print is unmistakable—its aesthetic draws from video game glitch, graffiti boldness, urban decay, and punk flyers. Every circle, shadow, and color is strategically placed, lending the work a level of sophistication that transcends surface-level pop. Marching Toward the Inevitable Dalek’s work often blurs the line between playfulness and existential critique, and this piece continues that thread. While the colors may shout with confidence and energy, the title “Marching Into Oblivion” hints at a deeper commentary. There is a sense of automation, of characters driven forward without control, perhaps reflecting the cultural malaise of routine consumerism or the emptiness behind the facade of progress. The work exists in a liminal zone between celebration and collapse, between Street Pop Art’s commercial slickness and graffiti’s chaotic truth. It is this duality that gives Dalek’s prints their power—bright and loud, yet full of tension and coded meaning. This limited edition AP offers a vibrant, thought-provoking artifact of contemporary visual language.

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Mother's March Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Mark Bode pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Nosferatu Limited Edition 1-Color Hand-Pulled Glow-In-The-Dark Silkscreen Print on Fine Art Paper by Pop Artist Jacob Borshard. 2014 Signed & Numbered Limited Edition of 100 Artwork Size 18x24 Nosferatu is 18×24, Glow-In-The-Dark, hand-printed, and is signed and numbered in an edition of 100.

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Selfie Gun Pink Silkscreen Print by Joan Cornellà Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2024 Signed & Numbered Limited Edition of 250 Artwork Size 16.14x22.44 Silkscreen Print Selfie Gun Pink Silkscreen Print by Joan Cornellà Selfie Gun Pink is a 2024 hand-pulled silkscreen edition by Spanish satirical artist Joan Cornellà. Measuring 16.14 by 22.44 inches and produced in a limited edition of 250, this signed and numbered artwork reflects Cornellà’s unmistakable blend of polished visual simplicity and biting social commentary. The image features a cheerfully smiling man in a peach-toned suit, holding a selfie stick that supports not a camera, but a handgun aimed squarely at himself. The background is rendered in soft pink, enhancing the ironic dissonance between the subject’s cheery disposition and the underlying theme of violence masked as casual narcissism. Joan Cornellà’s Critique Through Absurdist Imagery Born in Barcelona in 1981, Joan Cornellà has become a global force in Street Pop Art & Graffiti Artwork by using minimalistic cartoon aesthetics to unveil the absurdities of modern life. His figures are intentionally void of individuality, often grinning unnaturally as they perform disturbing or nonsensical acts. In Selfie Gun Pink, the character’s satisfied expression juxtaposes the grim symbolism of a weapon aimed at his own head. The stick, traditionally used for self-promotion and attention-seeking behavior, is transformed into an object of quiet destruction. This visual metaphor encapsulates Cornellà’s critique of digital culture, social vanity, and the dangerous detachment that technology can breed. Color, Style, and Technique in Contemporary Satire The silkscreen process used in this print is emblematic of Cornellà’s commitment to precision and high-quality presentation. Bold lines, solid color fields, and flat shading are used to mimic corporate mascots or health-and-safety cartoons, only to subvert their intent with disturbing undertones. The use of pink as a background in Selfie Gun Pink offers a candy-colored contrast to the dark humor within the scene. It speaks to Cornellà’s deliberate strategy of using playful palettes to disarm viewers, forcing them into a second glance where the deeper commentary emerges. This pop-art coloration coupled with street-level critique is what places his work firmly within Street Pop Art & Graffiti Artwork. Impact and Relevance in the Modern Visual Landscape Selfie Gun Pink exemplifies how Joan Cornellà’s work transcends traditional boundaries, moving seamlessly between fine art prints, gallery walls, and viral memes. Yet the impact of his imagery is not just visual novelty. His recurring themes—violence, self-obsession, irony, and commodification—mirror urgent social conversations. The 2024 print captures this moment in time where performative happiness masks inner turmoil and where devices meant to connect us may instead isolate and endanger. With each new piece, including this limited edition print, Cornellà continues to be one of the most searing voices in the contemporary art world, pushing viewers to confront uncomfortable truths through deceptively light-hearted visuals.

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Eat Me Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Denial pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown. Denial has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continue to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.

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Macho Man Randy Savage Limited Edition Giclee Print on Fine Art Paper by Robert Bruno counter-culture street artist art. Fine Art Giclee Print 12' in. x 12' in. Edition of 150 Signed/Numbered.

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In Transit Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Ces One- Rob Provenzano Graffiti Street Artist Modern Pop Art. "This piece was created for the Detroit Beautification Project in 2012. The original is painted on a New York City MTA vinyl train letterline from the 1980s. A friend of mine works for the Metropolitan Transit Authority (MTA) and was able to remove the train line letters before they sent the old trains out to be dumped into the ocean to create coral reef. The original is a true one of a kind and so are the prints, each piece will be hand-embellished by me, making each completely unique. " - CES

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Caged HPM Embellished Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Nicole Gordon, Street Pop Art Graffiti Legend. 2021 Signed & Numbered Limited Edition of 10-HPM Each Unique 18x24

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Parrotfish Hand-Pulled 2-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2014 Signed Limited Edition Artwork Size 10x6

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Cut The Record- MF Doom Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Tavar Zawacki- ABOVE Graffiti Street Artist Modern Pop Art. "The 'Cut The Record' series was made solely for this release and was part of my most recent exhibition Remix. This was a very personal series for me, as I selected 10 of my favorite musicians to portray and Remix. All of the 10 musicians I selected to make for this series are personal favorites of mine. Music I actually listen to on a day-to-day basis. For my exhibition, I kinda tweaked the meaning of Remix to fit the swapping and sampling of different, but similar pieces of woodcuts I had made on the pieces. With the 10 musicians, I selected for the 'Cut The Record series each have either had their music remixed and or remix music themselves. -Above

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Jurassic Galaxy- Glow in Dark Limited Edition 7-Color Hand-Pulled Silkscreen Print on 100lb Cougar White Paper by Tim Doyle Graffiti Street Artist Modern Pop Art.

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Florence Aubenas AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2008 Signed by Shepard Fairey & Blek le Rat & Marked AP, Limited Edition Artwork Size 18x24 Silkscreen Print Shepard Fairey x Blek le Rat Florence Aubenas AP Silkscreen Print 2008 The Florence Aubenas AP Artist Proof silkscreen print from 2008 is a powerful collaborative work by Shepard Fairey, known globally as OBEY, and French stencil art pioneer Blek le Rat. Measuring 18 x 24 inches, this hand-pulled silkscreen on fine art paper exists in an extremely rare Artist Proof edition, each marked “AP” and signed by both artists. Beyond its rarity, the subject matter and dual authorship make it one of the most politically and historically significant works within Street Pop Art & Graffiti Artwork. Subject and Symbolism The work features a portrait of Florence Aubenas, the French journalist abducted in Iraq in 2005 and later released after months in captivity. She is depicted standing calmly against the wall of Place Saint-Michel in Paris, her figure stenciled in stark black and white, contrasting with the detailed urban setting. This juxtaposition symbolizes both her resilience and the precarious realities faced by journalists in war zones. By situating her image in a familiar Parisian context, the print speaks to both the local and international dimensions of her story, grounding a global political issue in a recognizable urban landscape. Collaboration Between Generations Blek le Rat, born Xavier Prou in France in 1951, is widely acknowledged as one of the founders of stencil graffiti, with a career that began in the streets of Paris in the early 1980s. Shepard Fairey, born in 1970 in Charleston, South Carolina, rose to prominence through his OBEY campaign and later works addressing political and social justice issues. Their joint creation of Florence Aubenas bridges the gap between the origins of stencil graffiti in Europe and the evolution of politically driven street art in the United States. The collaboration highlights a shared commitment to using art as a form of activism and public awareness. Artist Proof Rarity and Legacy Artist Proofs, typically reserved for artists and collaborators outside of the standard numbered edition, carry heightened value due to their scarcity and direct connection to the creators. With dual signatures and the AP designation, this edition of Florence Aubenas stands apart as a rare collector’s item. More than a collectible, however, the print underscores how street art can amplify pressing social issues, using public imagery and fine art techniques to spark dialogue. The Florence Aubenas AP silkscreen remains a landmark example of Street Pop Art & Graffiti Artwork where artistic expression, political urgency, and historical moment converge.

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And Then Things Got Better- Summer Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 24x24 Summer Variant  And Then Things Got Better – Summer Edition by Denial in Street Pop Art & Graffiti Artwork And Then Things Got Better – Summer is a 2021 archival pigment print created by Canadian artist Denial, also known as Daniel Bombardier. Measuring 24 x 24 inches and printed on 330gsm museum-grade fine art paper, this limited edition artwork was released in a run of only 25 signed and numbered prints. The Summer variant infuses the original pop art-inspired composition with intense seasonal heat through a vivid red and warm earth-tone palette. The composition features a close-up of a comic-style female figure, captured in a moment of dramatic contemplation. Her gaze lifts upward while her hair whips across the frame in sweeping strokes of black and fire red. The caption, printed in dark text over a desaturated red background, reads And Then Things Got Better, a line loaded with layered emotional resonance and open interpretation. Color and Emotion in the Summer Variant This Summer edition is characterized by a palette dominated by deep reds, warm beige tones, and subdued mauves. These colors speak to intensity, transformation, and emotional pressure—the type often associated with personal growth in high-heat moments. The red eyes and lips of the character radiate intensity, matching the fiery highlights in her hair. Where other variants may evoke hope or reflection, Summer burns with unresolved passion, giving the print an emotional temperature that borders on eruption. The woman’s expression, as in the other versions, remains ambiguous—poised between vulnerability and defiance—but here, with the heightened red tones, her presence feels louder, more immediate. The composition suggests the heat of survival, the moment after impact, the quiet following the blaze of emotional confrontation. Denial’s Conceptual Power in Street Pop Art & Graffiti Artwork Daniel Bombardier’s work under the name Denial is grounded in the critical language of Street Pop Art & Graffiti Artwork. His bold use of comic book formats, consumerist aesthetics, and emotionally charged phrases speaks to a cultural environment overwhelmed by noise yet yearning for sincerity. In this series, Denial uses the familiar form of a pop art panel to explore how repeated messages—both personal and political—can lose or gain meaning depending on context. The Summer variant reflects his ability to merge psychological insight with graphic composition, using color not only as decoration but as narrative. The interplay of tension and visual rhythm draws viewers in, inviting them to read not only the figure’s face but the underlying emotional structure behind the statement. Craft, Technique, and Collector Appeal Produced using high-resolution archival pigment inks, this print ensures a depth of color and longevity essential for serious collectors. The 330gsm fine art paper enhances the tactile and visual quality, giving richness to the red tones and contrast to the black linework. Each print is hand-signed and numbered by Denial, further establishing the authenticity and rarity of this Summer edition. With only 25 pieces produced, this variant stands out not just for its design but for its place within a tightly curated collection of emotional studies in pop form. It exemplifies the kind of introspective confrontation that makes Street Pop Art & Graffiti Artwork so compelling—personal, provocative, and powerfully unresolved. And Then Things Got Better – Summer radiates with the truth that sometimes healing arrives not gently, but in flames.

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Beautiful Dreamer 2 Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2010 Signed & Numbered Limited Edition of 100 Artwork Size 18x24

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Stone Kidz Archival Print by Woes Martin Limited Edition Print on310gsm Museum Natural Fine Art Paper Pop Artist Modern Artwork. 2017 Signed & Numbered Limited Edition of 100 Artwork Size 13x12 Archival Pigment Fine Art

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Eclipse- White Limited Edition Hand Pulled 2-Color Serigraph Print on 290gsm Coventry Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Year 2017 Class Art Print Status Official Run 150 Technique Screen Print Paper 250gsm Coventry Rag Size 28" x 28" Markings Signed & Numbered The visuality of Cleon Peterson's work is based on a variety of influences, from ancient Greek pottery to comics, resulting in monochromacy and strong color symbolism. In more detail, the figures exist on multiple straight lines, something that, subsequently, creates the illusion that the artwork is divided in levels. The perspective and the impression of depth do moderately exist in the art of Peterson and, just like in Greek vases, the background space is usually left empty or slightly embellished.

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Human Nature Silkscreen Print by D*Face- Dean Stockton x Kai and Sunny Hand-Pulled on Hand Deckled 410gsm Somerset Raident White Fine Art Paper Limited Edition Screenprint Artwork. 2025 Signed & Numbered Limited Edition of 150 Artwork Size 25.6x33.9 Silkscreen Print D*Face x Kai and Sunny Human Nature Silkscreen Print Human Nature is a 2025 collaborative silkscreen print by DFace and Kai and Sunny, blending pop iconography with kinetic abstraction. Hand-pulled on hand-deckled 410gsm Somerset Radiant White fine art paper, the composition features a stylized female profile fractured by sweeping bands of red and blue linear motion. The flowing arcs create a sense of velocity and emotional tension, slicing across the face while preserving its graphic clarity. As a piece of Street Pop Art & Graffiti Artwork, it merges DFace’s bold comic-inspired visual language with Kai and Sunny’s precision-driven line work and atmospheric movement. Collaboration, Contrast, and Visual Energy D*Face, a leading figure in contemporary British street art, is known for subverting pop culture imagery with sharp social commentary and graphic punch. Kai and Sunny, the British duo celebrated for intricate line-based compositions, bring structural rhythm and layered motion into the piece. In Human Nature, the contrast between the clean, iconic portrait and the sweeping, almost wind-tunnel-like bands of color creates visual friction. The red streak cutting across the eyes introduces drama and ambiguity, while the blue gradients soften the surrounding space. Within Street Pop Art & Graffiti Artwork, this collaboration represents a refined fusion of character-driven imagery and environmental abstraction. Edition Details and Craftsmanship This silkscreen print measures approximately 25.6 x 33.9 inches and is signed and numbered in a limited edition of 150. The hand-pulled process enhances the saturation and crispness of the layered color transitions, while the deckled edges of the Somerset Radiant White paper emphasize its fine art quality. The scale allows the viewer to fully experience the motion sweeping across the surface, making the print feel immersive rather than static. As a limited edition Street Pop Art & Graffiti Artwork, Human Nature stands as a technically accomplished and visually dynamic collaboration between two distinct yet complementary artistic voices.

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Dust 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by SSUR- Ruslan Karablin Rare Street Art Famous Pop Artwork Artist. SSUR aka Ruslan Karablin uses gangster references in his artwork perhaps spanning from his Russian experiences and street lifestyle. Drug, pop culture, and concrete playground references dot his art as a gritty sense of what's real and fake becomes apparent to the viewer.

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Prowess Artwork Giclee Limited Edition Print on 300gsm Fine Art Paper by Pop Culture Graffiti Artist Casey Weldon. "Each of the pieces was created using acrylic on a 16x16” piece of birch. Back in 2008, I did about 9 tiny headdress pieces, each featuring strange objects in an ornamental and ceremonial fashion. I liked the idea of using the craft of the headdress to display the objects and ideas we worship in modern society. After abandoning the idea for many years I came back to it last year with the intention of developing the original though in a more intricate, yet ambiguous fashion. Pun intended. These pieces were made in November of 2012 for the Prisma Collective’s group show “Second Sight” at Trifecta Gallery in Las Vegas." - Casey Weldon

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Delectable Duo- Mushroom Cream Pop Artwork Open Edition Giclee Print on Cream Art Paper by Modern Artist Nate Duval. 2014 Signed Artwork Size 11.75x18

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Shakespeare State II Limited Edition Hand-Embellished HPM Silkscreen Print on Canvas by Steve Kaufman Graffiti Street Artist Modern Pop Art. Large Custom Frame. Certificate of tierage verso. Dated 1996. Screenprint on canvas with hand embellishment. Shakespeare State II. Dimensions: (Frame) H 50.75" x W 41.5", (Sight)H 43.5" x W 34.5"Condition: Two small punctures to lower right. By 16, Kaufman was going to Studio 54 and mixing with denizens of the 70’s New York art scene. In 1981 Kaufman met Andy Warhol, who became a significant influence on the 19-year-old Kaufman, who worked under Warhol as his assistant at his studio, The Factory, producing original paintings and silkscreens. During this time Kaufman designed theme parties for various nightclubs, sold paintings to the likes of Calvin Klein and Steve Rubell, and even designed the graphics for NBC’s “Saturday Night Live.”

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Dawn Of The Dead- Horror Show Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Olivier Bonnard. Horror Show is an illustrated homage to the best and worst of schlock-horror flicks from down the years.

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20 Years of Above Funny Farm Giclee Print by Tavar Zawacki- Above Artwork Limited Edition  Print on Hahnemuhle Fine Art Paper Graffiti Pop Street Artist. 2022 Signed & Numbered Limited Edition of 291 Artwork Size 20x20. Fine Art Archival Pigment Printing (Giclée) on Hahnemuhle, Cotton, Natural White 270gr. Acid-free + Archival. Proudly printed with Kilford Studio here in Lisbon, Portugal. "In 2013 I painted the large, ABOVE arrow on this barn in Canada. Last month in Sweden, I painted this Target. These two styles of artwork bridge my past style of ABOVE with my current style of, PAPEL. It’s funny to think of the arrow hitting the target and the connection between the two artworks. The set of prints illustrates the journey of my past and present styles over the past 20 years." -Tavar Zawacki- Above 20 Years of Above Funny Farm Giclée Print by Tavar Zawacki 20 Years of Above Funny Farm is a 2022 giclée print by Tavar Zawacki, also known as ABOVE, commemorating two decades of his iconic arrow-based visual language. This signed and numbered limited edition of 291 measures 20 x 20 inches and is produced using fine art archival pigment printing on Hahnemühle cotton paper. Printed on natural white, 270gsm, acid-free paper by Kilford Studio in Lisbon, Portugal, the work reflects both technical precision and long-term archival quality. The ABOVE Arrow, Place, and Personal History The image documents a large-scale barn painting created by Zawacki in Canada in 2013, featuring his instantly recognizable upward-pointing arrow filled with layered color bands and the word “ABOVE” at its center. The arrow functions as both a graphic symbol and a personal signature, representing optimism, direction, and elevation. The setting—a rural barn often referred to as the “Funny Farm”—adds a sense of humor and humility, contrasting monumental symbolism with an everyday structure. The presence of the artist seated atop the roof reinforces themes of risk, freedom, and authorship within the physical act of street art. Evolution of Style and Collector Significance This print is part of a conceptual pairing that bridges Zawacki’s earlier ABOVE identity with his more recent PAPEL work, reflecting an evolution from bold, graphic street interventions toward more refined, geometric abstraction. As Zawacki notes, the arrow imagery metaphorically “hits the target,” connecting past and present across a 20-year artistic journey. For collectors, 20 Years of Above Funny Farm holds significance as both a historical marker and a visual autobiography, capturing a pivotal moment in the artist’s career while preserving the spirit of large-scale graffiti within a finely produced studio print.

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High Time- High All Night Artwork Giclee Limited Edition Print on Photographique Rag Paper by Pop Culture Graffiti Artist Marwan Shahin. Marwan Shahin's "High All Night" Collectors edition of only 5 prints of each. From High Time series, Debuting in 2015, Released for the first time produced by Shahin Studios, released in celebration of the new year. Only 5 Available of each2015 18 inches x 22 inches Giclée on Photographique Rag Signed, Numbered, Embossed and Branded High Time: High All Night by Marwan Shahin – A Timepiece of Surrealism and Symbolic Luxury High All Night from Marwan Shahin’s High Time series is a limited edition giclée print that explores the fusion of luxury iconography with deeply symbolic visual storytelling. Released in 2015 and printed on 18 x 22 inch Photographique Rag paper, this artwork is part of an ultra-exclusive collector’s edition—just five prints exist, each signed, numbered, embossed, and branded by the artist. In this captivating piece, Shahin transforms a luxury wristwatch into a surreal portrait of time, identity, and indulgence. At the heart of the watch face lies a serene, almost celestial human visage, rendered with Shahin’s signature linework. The hypnotic spiral of concentric lines forming the face draws the viewer inward, suggesting a meditation on time as an infinite, psychedelic experience. The eyes glow with a reddish haze, implying both fatigue and euphoria—an embodiment of the High All Night title. The watch bezel is crowned with a reference to the Rolex coronet, placing the work firmly in the cultural orbit of status, consumerism, and power. Luxury Dissected Through the Lens of Street Pop Art Marwan Shahin’s visual language consistently challenges the viewer to re-evaluate societal values through the lens of street pop art and graffiti artwork. In High All Night, he uses the recognizable shape and prestige of a Rolex-style timepiece as a stand-in for themes of capitalist worship, eternal urgency, and the blurred line between high life and high mind. The aesthetic is sharp and deliberate, with bold blues and golds contrasted against spiraling black linework, capturing the cyclical nature of indulgence and repetition. By integrating the human face into the machinery of a watch, Shahin offers commentary on how time has become internalized—both a measure and a master. The red eyes framed within a luxury symbol evoke a culture caught between glamour and exhaustion, where time is both a drug and a debt. The visual metaphor pushes viewers to question what they are measuring with their time: productivity or experience, ambition or presence. Visual Storytelling Across Time Zones and States of Mind High All Night functions on multiple levels—as an homage to traditional craftsmanship, a critique of luxury culture, and a deeply symbolic expression of modern life. The hypnotic details recall both ancient Egyptian engravings and the precision of high-end horology, while the surreal face speaks to the human cost of keeping up with a relentless world. Shahin's decision to use fine art giclée printing enhances the tactile and tonal qualities of the work, creating a luminous, museum-quality piece that captures the nuances of his inking and shading. Unlike many works in the pop or graffiti art genre that rely on brashness or satire alone, Shahin’s High Time series offers layered depth. It invites introspection, yet its polished execution and visual clarity make it immediately arresting. The print's ultra-limited nature—a mere five copies—ensures that it becomes not only a meditation on rarity but also a rare object itself. A Timeless Reflection in the Face of the Clock Marwan Shahin’s High All Night reminds us that luxury is not always liberating, and time is not always linear. It is a portrait of an age where the watch on the wrist says as much about identity as it does about hours passed. In Shahin’s hands, the watch becomes a mirror, a face, and a symbol—watching us as much as we watch it. With this artwork, Shahin once again proves his ability to distill the spirit of contemporary culture into a single, unforgettable image that transcends trend and challenges perception.

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Fortunate Flag Metallic Giclee Print by Risk Rock Artwork Limited Edition Print on 340gsm Metallic Hahnemuhle Photo Rag Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 52 Artwork Size 24x16 Risk Rock, born Kelly Graval, is a distinguished figure in the contemporary world of pop art, street art, and graffiti art. A creative maverick from Los Angeles, he emerged in the 1980s, making a significant impact on the West Coast graffiti scene. His groundbreaking work, characterized by its vibrant colors and intricate lettering, quickly garnered recognition and respect within the graffiti community. Risk Rock's signature style fuses the kinetic energy of graffiti with the aesthetic sensibility of pop art. He is renowned for his innovative use of color, creating a unique palette that distinguishes his work from traditional graffiti art. His approach draws inspiration from a broad spectrum of visual cultures, producing a hybrid form of art that straddles the border between the street and the gallery. In his decades-long career, Risk Rock has taken his art from the urban canvas of Los Angeles streets to the esteemed walls of art institutions and galleries around the world. He has become synonymous with the evolution of graffiti into a recognized and legitimate form of artistic expression. His creativity doesn't stop at aerosol paint; he's known for using unconventional materials like recycled traffic signs, adding a distinct edge to his pieces. Risk Rock's work has been pivotal in shifting public perception of street art, earning it a respected place in the contemporary art scene. His influence has extended to other artists, shaping the next generation of graffiti writers and street artists. Despite his success in the formal art world, Risk Rock remains deeply connected to his graffiti roots, maintaining the same sense of spontaneity and subversive spirit that initially fueled his passion for street art. His story serves as a testament to the transformative power of art, bridging the gap between the underground world of graffiti and the high culture of fine art.

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To Create & Destroy Bone Silkscreen Print by Cleon Peterson Hand-Pulled 2-Color on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 75 Artwork Size 45x36 Silkscreen Print Cleon Peterson is an internationally recognized contemporary artist, known for his stark, provocative works that often grapple with the darker aspects of human nature. Born in Seattle, Washington, Peterson's career has been shaped by his unique experiences and observations of societal dynamics, which he channels into his powerful art pieces. Peterson's signature style incorporates monochromatic figures, often depicted in scenes of brutal conflict or chaotic activity. These figures, lacking clear individuality, serve as a commentary on the universal aspects of human violence and power struggles. The raw, unsettling quality of his work challenges viewers to confront their own perceptions and biases about these challenging topics. His work has been displayed in numerous solo and group exhibitions all over the world, including Los Angeles, Paris, and Tokyo. Peterson's distinct voice in the art world has cemented his place as a significant figure in contemporary art, providing a lens through which we can examine the often uncomfortable realities of the human condition.

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Marching Into Oblivion Collab Cut AP Silkscreen Print by KEF! Simon Rohlen x Dalek- James Marshall Artist Proof Hand-Pulled 15-Color Screen Print on Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. AP Artist Proof 2022 Signed & AP Marked Limited Edition Run Artwork Size 18x24 The Intricacy and Fusion of Styles in 'Marching Into Oblivion' The collaborative silkscreen print 'Marching Into Oblivion' is a striking example of the synergy between two prominent figures in street pop art and graffiti artwork, KEF! Simon Rohlen and Dalek - James Marshall. This artist-proof, hand-pulled 15-color screen print is not just a piece of art; it's a vivid conversation between artists and between art forms. Created in 2022, the limited edition artwork measures 18x24 inches and is a testament to the meticulous craft of screen printing. Each color is applied layer by layer, requiring precise alignment and a clear vision of the final image. The 'AP' mark signifies that this is an artist proof, a practice in the art world where a small number of prints are pulled for the artist's personal use before the main edition is printed. Collectors often sought these proofs highly for their rarity and the personal touch of the artist's approval. The collaboration between KEF! and Dalek brings together two distinct artistic languages. KEF!, known for his fluid, organic lines that create peaceful and harmonic patterns, contrasts with Dalek's sharper, more geometric forms, reminiscent of his Space Monkey character. The fusion creates a dynamic that is both a visual feast and a conceptual exploration of the artists' styles. Dissecting the Visual Language of 'Marching Into Oblivion' The print's title, 'Marching Into Oblivion,' suggests a narrative of progression or movement towards an unknown, perhaps inexorable end. The visual elements crafted by KEF! and Dalek manifest this theme through a vibrant, almost hallucinatory landscape that seems to pulse with life. The artwork represents movement, energy, and the interplay between two contrasting approaches to street pop art and graffiti artwork. KEF! 's signature style, characterized by black and white swirls, underpins the composition, serving as a visual anchor. Against this backdrop, Dalek's bold, cartoon-like figures appear to march or float, rendered in vivid pinks and yellows that leap off the paper. The juxtaposition of styles creates a sense of depth and complexity as the viewer's eye travels across the interwoven patterns and characters. Significance and Impact on Contemporary Street Pop Art The 'Marching Into Oblivion' print is significant for its visual appeal and its embodiment of contemporary street pop art and graffiti. It captures the essence of a movement that transcends the traditional gallery space, speaking to a broader audience and engaging with the urban environment in a direct and impactful way. As an intersection of street pop art and graffiti, this piece highlights the potential for cross-pollination within the art world, where different styles and perspectives can come together to create something entirely new and more significant than the sum of its parts. It challenges preconceived notions of what street art can be, pushing the boundaries of the genre and opening up new possibilities for artistic expression. In the context of the current art scene, 'Marching Into Oblivion' stands as a compelling example of how collaboration and diversity of technique can elevate street art to new heights. It is a testament to the medium's continued evolution and the artists' ability to adapt and innovate within it. As such, it holds a special place within enthusiasts' collections and is a source of inspiration for aspiring artists. This limited edition run, signed and marked by the artists, carries with it the creative essence of KEF! and Dalek and a piece of street art history. Collectors and fans of the genre recognize the value of such works for their aesthetic contribution and cultural and historical significance. 'Marching Into Oblivion' is a snapshot of a moment when two artists came together to create something as thought-provoking as beautiful, a true reflection of the power and potential of street pop art and graffiti artwork.

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Rise & Fall (& Rise Again) Limited Edition Hand-Embellished with Hand Painted Gold Text, Crown & Splatter in Acrylic, Plus Additional Paint Splatter Strokes in Red, Black & Green Blue Acrylic Archival Pigment on 310gsm Museum Natural Paper by Meggs Graffiti Street Artist Modern Pop Art. "This piece was the hero image for my 'Rise & Fall' solo show almost exactly a year ago with Stolenspace Gallery in London. The show followed my 5-week residency and solo show with Inner State Gallery/1xRun in Detroit and expanded on my perpetual fascination with dualism, urban decay, and finding beauty in tragedy. 'Rise & Fall' toys with current fractures in the social fabric of urban society, such as imploding over-indulgence, fallen idols, and the detriments of pop culture." - Meggs

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JP the Money Bear 20x30 Archival Pigment Fine Art Limited Edition Print on 310gsm Fine Art Paper by Artist King Saladeen, Street Pop Art Graffiti Legend. 2021 Signed- Title: JP the Money Bear 20x30 Size: 20 x 30 in. Edition of 427 Signed and numbered by King Saladeen

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Ram of the Dead 1-Color Hand-Pulled Limited Edition Gold Metallic Ink Silkscreen Print on Black Fine Art Paper by Ernesto Yerena x Philip Lumbang Rare Street Art Famous Pop Artwork Artist. 2014 Signed & Numbered Limited Edition of 150 Artwork 10x8

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Heart #063 Letterpress Print by Swoon- Caledonia Curry Limited Edition on 300gsm Velvet White Somerset Fine Art Paper Graffiti Street Pop Artwork. 2020 Signed & Numbered Limited Edition of 75 Artwork Size 11x8 Letterpress Print Heart #063 Letterpress Print by Swoon – A Delicate Fusion of Intimacy and Activism Heart #063 by Swoon, also known as Caledonia Curry, is a letterpress artwork that embodies her intricate aesthetic while anchoring itself in the deeper emotional language that defines her Street Pop Art & Graffiti Artwork. Released in 2020 as a signed and numbered limited edition of only 75, this 11 x 8 inch piece is printed on heavyweight 300gsm Velvet White Somerset fine art paper, a surface renowned for its rich texture and archival quality. Each impression reveals the tactile qualities of letterpress printing, with ink pressed deeply into the paper fibers, enhancing the visual and physical weight of Swoon’s organically composed imagery. Intricate Design and Symbolism Embedded in the Heart Motif Swoon’s distinctive style draws from paper cutting, traditional printmaking, and site-specific installation work. Heart #063 merges this sensibility into a single unified symbol — a heart formed through hypnotic geometric loops, floral radial patterns, and architectural interlaces. The design evokes sacred geometry and botanical growth while maintaining a human warmth that is a hallmark of her portrait-driven work. Rather than focusing on human figures, this abstracted composition speaks to the emotional framework of care, connection, and renewal, particularly poignant during the 2020 period of social and public health upheaval. Street Pop Art & Graffiti Artwork in Fine Art Contexts Swoon is internationally recognized for pushing Street Pop Art & Graffiti Artwork into museum and gallery spaces without losing the grassroots essence of her practice. Her interventions in public space are just as important as her fine art prints and sculptures. By releasing Heart #063 as a letterpress edition, she elevates her graffiti-infused visual vocabulary into collectible form while preserving the accessibility and messaging that grounds her legacy. The piece becomes a portable mural of sorts, a distilled fragment of her much larger visual universe. With a size that lends itself to intimate display, Heart #063 becomes a personal artifact of one of the most influential female figures in global street art. Swoon’s Legacy and Continued Influence Caledonia Curry was born in the United States in 1977 and continues to produce socially driven artwork rooted in compassion and healing. She has remained a leader in expanding the expressive capacity of Street Pop Art & Graffiti Artwork into community-focused practices, public intervention, and fine art printmaking. Heart #063 is a prime example of her ability to blend technical mastery with profound emotional storytelling. It carries forward her signature ability to combine mythic elements, street aesthetics, and personal iconography into works that are both visually dense and spiritually resonant. The limited edition and handcrafted quality of this letterpress print ensure its status as a coveted piece in contemporary art collections.

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Too Tough To Die Silkscreen Print by Paul Hanley Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2014 Signed & Numbered Limited Edition of 100 Artwork Size 12x12 Silkscreen Print of the Ramones Rock n Roll Band in a Cemetary  Too Tough To Die Silkscreen Print by Paul Hanley Paul Hanley’s Too Tough To Die silkscreen print is a bold and striking tribute to the legendary punk rock band, the Ramones. Hand-pulled on fine art paper and released in a signed and numbered limited edition of 100, this 12x12-inch screenprint captures the raw energy and rebellious spirit of the band in a way that seamlessly blends street pop art and graffiti artwork aesthetics. The print, created in 2014, features the iconic band members standing in a graveyard, rendered in a gritty, comic book-inspired style, with dramatic lightning bolts illuminating the eerie scene. Visual Elements and Artistic Execution This piece is a masterclass in bold linework, expressive shading, and a moody color palette. Hanley employs a deep, electric blue background that accentuates the heavy contrast between light and dark tones. The illustration depicts three of the Ramones dressed in their signature leather jackets, ripped jeans, and classic punk rock attitudes, standing defiantly in a cemetery setting. The ghostly presence of tombstones, jagged lightning bolts, and a horror-inspired aesthetic transforms this piece into a punk rock nightmare. Hanley’s use of silkscreen techniques ensures a textured and layered quality to the print, with rich, saturated ink that gives depth to the composition. The high contrast between black and white elements combined with the selective use of blue tones reinforces the intensity of the imagery. The characters appear almost undead, with stitched-up wounds, pale complexions, and an overall zombie-like presence, reinforcing the title Too Tough To Die. The Influence of Punk Rock and the Ramones The Ramones have long been icons of the punk rock movement, and their influence on visual art is undeniable. Their aesthetic, deeply rooted in rebellion and DIY culture, has inspired countless street pop art and graffiti artwork pieces over the years. Hanley’s Too Tough To Die embodies this punk ethos, not only in its subject matter but in its execution—bold, raw, and unapologetically energetic. The imagery is a direct nod to the band’s 1984 album of the same name, Too Tough To Die, which marked a return to their harder, more aggressive punk roots. This print celebrates that legacy, immortalizing the band in a form that is both darkly humorous and aggressively stylish. The setting, with its graveyard and horror elements, aligns perfectly with the raw and untamed nature of punk rock, making this piece an essential tribute to one of the most influential bands in music history. The Cultural Impact of the Print This silkscreen print resonates deeply with both punk rock fans and collectors of street pop art and graffiti artwork. Hanley’s ability to blend the raw attitude of punk culture with a refined, hand-pulled screenprint technique results in a piece that feels both vintage and contemporary. The limited edition nature of the print adds to its collectibility, ensuring that each piece remains a prized possession among art collectors and music lovers alike. Hanley’s work in Too Tough To Die exemplifies the intersection of music and visual art, proving that punk is more than just sound—it is a visual statement, an attitude, and an aesthetic that continues to inspire generations. His distinctive style, with its emphasis on bold lines, high-contrast visuals, and a rebellious spirit, makes this print a standout example of how street pop art and graffiti artwork can immortalize music legends in an electrifying way.

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New England Hand-Pulled 1-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2014 Signed Limited Edition Artwork Size 11x14

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Dirty South Dance Hand-Pulled 4-Color Silkscreen Print on Cream Speckletone Art Paper by Pop Graffiti Artist Shepard Fairey- Obey Rare Street Art Limited Edition Artwork. 2007 Signed & Numbered Limited Edition of 300 Artwork Size 18x24 A few faint scratches to black areas. Shepard Fairey (b. 1970) Dirty South Dance, 2007 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 300 Signed, numbered, and dated in pencil along lower edge Published by Obey Giant, Los Angeles Dirty South Dance Silkscreen Print is a piece of artwork created by Shepard Fairey, the American contemporary street artist, graphic designer, and activist best known for his "OBEY Giant" and Barack Obama "HOPE" campaigns. Fairey's artwork is often characterized by its bold and thought-provoking imagery, combining elements of graffiti, pop art, and political activism. The Dirty South Dance Silkscreen Print is part of Fairey's OBEY series, which is derived from the "OBEY Giant" sticker campaign he started in 1989. The series aims to promote critical thinking and question societal norms, government control, and the influence of media and advertising on our lives. The Dirty South Dance print may feature Fairey's signature style, including bold colors, striking design elements, and a mix of typography and imagery. The piece may focus on the "Dirty South" music scene, which refers to a subgenre of hip-hop that originated in the southern United States, particularly in cities like Atlanta, Houston, and New Orleans. The artwork may attempt to capture the spirit of the music, its artists, and the culture surrounding it while also incorporating Fairey's sociopolitical messages. As a silkscreen print, the Dirty South Dance artwork would have been created using a stencil-based printmaking technique in which ink is pushed through a mesh screen to transfer the design onto paper or canvas. This process allows for the production of multiple copies, each considered an original print, and is a popular method for creating street art and posters. Collectors and fans of Shepard Fairey's work may be interested in acquiring the Dirty South Dance Silkscreen Print for its unique design and strong cultural commentary.

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Anatomical Meluxine Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Jason Levesque. 2014 Signed & Numbered Limited Edition of 50 Artwork Size 12x12

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Dead On Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Herbie Greene pop culture LSD artwork. 2021 Signed & Numbered with COA Archival Pigment Print on Perforated Blotter Paper Artwork Size: 7.5 x 7.5 Inches Release: April 19, 2021. Limited blotter editions are hand-perforated by Zane Kesey. Dead On by Herbie Greene: Grateful Dead, Haight-Ashbury, and the Psychedelic Core of Street Pop Art & Graffiti Artwork Dead On is a 7.5 x 7.5 inch archival pigment print on perforated blotter paper by Herbie Greene, released April 19, 2021, as a signed and numbered limited edition. Each print includes a certificate of authenticity and was hand-perforated by Zane Kesey, reinforcing the historical tie to LSD blotter art. This striking composition, both nostalgic and confrontational, features a black-and-white image of the Grateful Dead standing on the iconic corner of Haight and Ashbury in San Francisco. Greene injects color sparingly but strategically: flames erupt from a vintage car, the sidewalk bursts with a red-white-and-blue Steal Your Face logo, and the text DEAD FIFTY YEARS glows in red and gold in the upper right corner. The result is a collision of eras, attitudes, and iconography that embodies the rebellious core of Street Pop Art & Graffiti Artwork. Herbie Greene, born in the United States, rose to prominence documenting the psychedelic explosion of the 1960s, especially as the unofficial photographer of the Grateful Dead. In Dead On, he transforms a historic moment into a symbolic monument of counterculture energy. The band's casual stance at the heart of San Francisco's hippie revolution feels timeless and alive, made more powerful by the blotter format. LSD and the Dead have long shared intertwined legacies, and placing this image on perforated paper makes the print an artifact of both visual and chemical transformation. Greene's use of selective color against grayscale lends a raw immediacy that echoes the emotional sharpness found in wheatpaste murals, stencil tags, and handmade gig posters. Documenting Counterculture Through Psychedelic Media The corner of Haight and Ashbury is not just a location in this print—it is a symbol of a social and artistic uprising that defined an era. By capturing the Grateful Dead there, Herbie Greene documents more than a band. He preserves a time when art, music, and consciousness were all being redefined through collective experimentation and resistance. The vintage cars, residential buildings, and storefronts are left untouched in grayscale, reinforcing the photographic reality of the moment, while the graffiti-like color accents bring the spirit of protest, psychedelia, and spiritual fire to the forefront. The use of blotter paper adds a deeper layer of symbolism. This was not a material chosen for novelty. It is a deliberate nod to the role visual art played in enhancing or reflecting LSD experiences during the 1960s and beyond. Zane Kesey’s involvement in perforating the print adds continuity to that history. His connection to the original Merry Pranksters and his stewardship of psychedelic print traditions ensure that each sheet holds more than ink—it carries the energy of a cultural lineage that never stopped questioning the status quo. Visual Resistance and the Street Pop Art Aesthetic Dead On blurs the line between documentation and confrontation. The addition of fire—literally exploding from the background—turns a peaceful street portrait into a moment of surreal spectacle. The visual message aligns closely with the tenets of Street Pop Art & Graffiti Artwork, where public spaces are transformed through color, message, and distortion. The Dead’s stoic faces contrast with the intensity of the fire and the bold pop typography, creating a tension between calm defiance and burning revolution. This technique of mixing photographic realism with stylized additions mirrors the way street artists use paste-ups or painted overlays on photographs or prints in urban spaces. It evokes a world where memory is always edited by experience, where sacred moments can be revisited and recontextualized through art. By adding a psychedelic floor mural and ominous flames, Greene does not just celebrate the past—he reimagines it for now. The message becomes one of persistence, cultural renewal, and unfiltered truth. Herbie Greene and the Printed Memory of Sound and Vision Herbie Greene’s contribution to American visual culture spans music, photography, and psychedelic art. Through Dead On, he presents not just a band, not just a corner, but a living monument to a movement that still resonates today. The Grateful Dead’s relationship with visual art has always been central to their mythos—from album covers to poster design—and Greene’s work amplifies that history with a tactile surface that recalls a time when the experience of seeing was inseparable from the experience of feeling. Dead On is more than a photograph. It is a constructed memory made physical on a material that once altered consciousness and inspired revolution. It speaks to the roots of Street Pop Art & Graffiti Artwork, where visual language is raw, urgent, and built for both permanence and decay. With this piece, Herbie Greene secures a place where nostalgia is not passive and history remains lit with the fires of psychedelic rebellion.

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Crystal Cranium- Printers Select Edition 5-Color Hand-Pulled Limited Edition Silkscreen Print with Rainbow Roll on 10pt Beaded Glass Holographic Board by Sheefy McFly- Tashif Turner Rare Street Art Famous Pop Artwork Artist. 2021 Signed & Numbered Limited Edition of 100 Artwork Size 18x24 Signed 9-Color Screen Print on Citrine 290gsm Colorplan Fine Art Paper Size: 18 x 24 Inches Release: August 06, 2021 Run of: 100

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Medivac- Orange Labbit 4-Color Hand-Pulled Limited Edition Silkscreen Print on Glossy Fine Art Paper by Frank Kozik Rare Street Art Famous Pop Artwork Artist. #50 of 50. Medivac 2004 Art Print 21x24 Print Signed and Numbered by Frank Kozik Run of 50. Orange Variant of Smoking Labbit, US FLag, and Medical Cross.

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Devil's Night 2013 Limited Edition 1-Color Hand-Pulled Silkscreen Print on Orange Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art. Devils Night Halloween Music Event, 2013 Featuring Chit Chat

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Afterglow 2019 Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Rodrigo Rod Luff. Rod Luff - 24x16 inches / 60.9x40.6 cm Fine art print on 290gsm paper Edition of 20 Hand-signed and numbered by the artist 2019

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Ceci N'est Pas Une Spongebob PP Archival Print by Shark Toof Limited Edition Print on 310gsm Museum Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2019 Signed & Marked PP Limited Edition Artwork Size 24x18 Archival Pigment Fine Art. "Ceci N'est Pas Une Spongebob, This Is Not A Spongebob" Decoding "Ceci N'est Pas Une SpongeBob" by Shark Toof "Ceci N'est Pas Une SpongeBob" is a provocative piece by the renowned street pop artist Shark Toof, challenging the boundaries of pop culture iconography within the context of modern street art. The artwork is a Printer's Proof (PP) archival print from 2019, meticulously signed and marked by the artist, denoting its status as a rare collector's item. Printed on 310gsm Museum Fine Art Paper, this piece exemplifies the high-quality medium Shark Toof employs to ensure durability and depth of color, crucial for the archival pigment fine art that this work represents. A Fusion of Street Art and Pop Culture This piece is a testament to the collision of street pop art and graffiti artwork with mainstream pop culture symbols. Shark Toof takes the universally recognized figure of SpongeBob SquarePants and distorts it, presenting an image that both acknowledges and subverts the original character. The title itself, a nod to René Magritte's "The Treachery of Images," prompts viewers to question the nature of representation and reality in art. Shark Toof's work suggests that the image of SpongeBob we see is not the character itself but a representation skewed by the artist's perspective and the cultural context in which it is viewed. Shark Toof's Artistic Commentary In "Ceci N'est Pas Une SpongeBob," Shark Toof is not simply replicating a beloved character; he is initiating a dialogue about the saturation of media icons in society and the consumption of these images. The distortion and decomposition of SpongeBob's features invite the audience to reflect on how mass media shapes and sometimes distorts our perceptions. This work captures the spirit of street pop art by using graffiti artwork's spontaneous and rebellious essence to comment on and criticize phenomena. The layered textures and vibrant colors reveal the complex relationship between commercial imagery and artistic expression. The art piece explores the tension between street art's ephemeral nature and fine art prints' enduring quality. Shark Toof bridges two seemingly disparate worlds by choosing SpongeBob, an icon from an animated children's show, and placing it in the sophisticated realm of limited edition prints. This juxtaposition challenges the viewer's understanding of what constitutes 'legitimate' art, questioning the hierarchies within the art world. Through "Ceci N'est Pas Une SpongeBob," Shark Toof contributes to the discourse on the value and significance of street pop art and graffiti artwork in contemporary culture. By recontextualizing a figure from the lexicon of popular media, he endows it with new meaning and elevates it within the art canon. This artwork is a visual spectacle with an intellectual engagement, prompting conversations about the nature of art, media's influence, and street art's power to transform and transcend ordinary objects and characters into extraordinary pieces of cultural commentary.

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Sidewalk Hymn PP Silkscreen Print by Jim Houser Hand-Pulled 7-Color Screen Print on 290gsm Coventry Rag Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. PP Printers Proof 2019 Signed & PP Marked Limited Edition Run Artwork Size 24x18 Sidewalk Hymn PP Silkscreen Print by Jim Houser: A Fusion of Street Pop Art and Graffiti Artistry The "Sidewalk Hymn PP Silkscreen Print" by Jim Houser represents a remarkable convergence of street pop art and graffiti artwork, elements that define the contemporary urban art scene. This piece, a hand-pulled 7-color screen print, exemplifies the intricate process and meticulous craftsmanship that goes into creating fine art prints. Produced on 290gsm Coventry Rag fine art paper, the artwork resonates with the quality and texture that are hallmarks of high-end art pieces. Jim Houser, an artist whose name is synonymous with the street pop art movement, brings his distinctive style to this artwork. His approach often marries visual elements of graffiti, such as bold lines and vibrant colors, with the more structured and deliberate techniques of pop art. In the "Sidewalk Hymn," Houser's adept use of color and form captures the viewer's attention, drawing them into a world where street art's rebellious spirit coexists with pop art's refined aesthetics. The print is designated a Printer's Proof (PP), a term used in the art world to describe a special subset of prints set aside from the main edition for the artist's and printer's use. Typically, these proofs are marked 'PP' and are highly sought after by collectors for their rarity and unique position within the edition. The "Sidewalk Hymn" PP print, released in 2019, is part of a limited edition run. It is a coveted item for enthusiasts of Houser's work and collectors of street pop and graffiti artwork. Measuring 24x18 inches, the artwork is a significant size, allowing the viewer to immerse themselves in the detail and narrative of the piece. Each aspect of Houser's design is accentuated by the scale, from the intricate linework to the layered use of color, which all come together to form a cohesive and striking image. The limited edition nature of this print, combined with its PP marking and Houser's signature, elevates its status in the art world. It's a representation of Houser's artistic vision and a tangible piece of the history and evolution of street pop art and graffiti. The artwork is a testament to the genre's growing recognition and acceptance in the broader context of fine art. In summary, Jim Houser's "Sidewalk Hymn PP Silkscreen Print" is more than just a visual treat. It's a fusion of artistic disciplines, a blend of street savvy and OK art sophistication. The artwork stands as a powerful expression of contemporary urban art, capturing the dynamism and vitality of street pop art and graffiti in a format that appeals to art lovers and casual observers alike. Its limited edition status, PP marking, and the artist's signature make it a valuable and sought-after piece in modern art.

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Tequila Carousel Limited Edition 5-Color Hand-Pulled Silkscreen Print on 100% Cotton Rag Archival Paper by Dave Kinsey Graffiti Street Artist Modern Pop Art.

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Nematona Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Rodrigo Rod Luff. 2016 Signed & Numbered Limited Edition of 30 Giclee Artwork Size 16x20 Artistic Expression in "Nematona" Rodrigo Luff, known for his meticulous and atmospheric works, presents "Nematona," a limited edition giclée print showcases his distinctive style—a blend of ethereal grace and intricate detail enveloped in a dreamscape setting. This artwork is a fine example of his unique contribution to the art scene, merging pop culture elements with fine art's meticulousness. "Nematona" is a captivating piece featuring a serene female figure immersed in a lush natural setting, exuding a sense of tranquility and introspection. The artwork, measuring 16x20 inches, is a testament to Luff's skill in capturing the delicate interplay between humanity and nature. This giclée print, produced in a limited run of just 30 signed and numbered pieces in 2016, represents a collector's piece, coveted for its artistic merit and exclusivity. Technique and Visual Narrative The giclée printing process used for "Nematona" is known for producing high-quality, long-lasting prints with a depth of color that rivals traditional gallery prints. Luff's choice of this medium underscores his work's commitment to quality and longevity. The visual narrative of "Nematona" speaks to the viewer through its soft color palette, detailed rendering, and the harmonious composition of the figure against the natural elements, inviting contemplation and connection. Cultural Impact and Collectability As a piece of pop culture graffiti artwork, "Nematona" stands out for its ability to transcend the traditional confines of street pop art. While it may not be graffiti in the conventional sense, it embodies the essence of what street pop art represents: accessibility, narrative strength, and emotional resonance. The limited availability and the artist's personal touch with each signature add to the desirability of the piece among collectors and fans of Luff's work. In summation, Rodrigo Luff's "Nematona" is a compelling representation of his artistic vision, fusing the sensibilities of pop culture and the precision of fine art to create a profound and aesthetically pleasing piece. Through this work, Luff contributes a unique voice to the conversation of contemporary art, blurring the lines between genres and challenging the viewer to see the natural world through a lens of wonder and mysticism.

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Captain Cool Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Stanley Mouse pop culture LSD artwork. 2021 Signed & Numbered Limited Edition of 135 Artwork Size 7.5x7.5 "Captain Cool Blotter Paper" is a limited edition work by the renowned artist Stanley Mouse, whose contributions to pop culture and psychedelic art are well-documented. This piece, signed and numbered as part of a limited run of 135, was released in 2021 and is a prime example of archival pigment print art on perforated blotter paper, a medium with deep roots in the countercultural movements of the 1960s and 70s. The artwork, measuring 7.5x7.5 inches, portrays a hauntingly beautiful skull adorned with vibrant red roses, invoking themes of mortality and beauty reminiscent of the Mexican Day of the Dead iconography. The skull, a motif often explored in Mouse's work, is not just a symbol of death but also of life's vibrancy, contrasting the ephemeral existence with the timeless allure of art. Mouse, recognized for his role in shaping the visual language of the psychedelic movement through concert posters and album covers, brings his distinctive style to the realm of street pop art and graffiti. "Captain Cool" continues this legacy, blending classic iconography with modern techniques to produce a piece that resonates with historical significance and contemporary appeal. This artwork is not merely a decorative piece; it is steeped in the tradition of blotter art, which has often served as both a canvas for artistic expression and a medium for psychedelic compounds. The collectible nature of such prints, combined with the cultural weight they carry, makes them a significant addition to the world of street pop art and graffiti, symbolizing the crossover between underground artistry and mainstream recognition. Stanley Mouse's "Captain Cool Blotter Paper" is a testament to the enduring influence of psychedelic art in contemporary culture and its ability to comment on deeper themes through street pop art and graffiti. His work captures the essence of a genre that continues to challenge, inspire, and provoke thought through its bold visuals and subversive undertones.

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Trick Trucks HPM Unique Silkscreen Print by Jay Kaes x El Pez Mixed Media Hand-Pulled 5-Color on 300gsm Cotton Somerset Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed Unique Original One-of-a-Kind Silkscreen HPM Embellished Mix Media Artwork Size 27.5x19.7 Print "22 Years Smiling With Friends" The Trick Trucks HPM Unique Silkscreen Print is an exceptional mixed media piece by the acclaimed artists Jay Kaes and El Pez, created in the year 2023. The print, which measures 27.5x19.7, showcases an amalgamation of their distinct styles and is an embodiment of the thriving Pop and Street Art culture. This art piece is carefully hand-pulled, utilizing a 5-color silkscreen process on a 300gsm Cotton Somerset Fine Art Paper, noted for its superior texture and durability. This one-of-a-kind artwork is the epitome of the mixed media technique, featuring an incredible blend of textures and hues that capture the dynamism of street art. It is a unique exploration of pop culture motifs, expressed through the vivid palette characteristic of Jay Kaes and El Pez's works. Their artistry shines through every intricate detail of this limited-edition print, which is both signed and embellished by the artists themselves, accentuating its exclusivity. Jay Kaes and El Pez, both revered figures in the global art scene, have produced this exquisite piece as a testament to their creative ingenuity. Jay Kaes, a Spanish street artist, is known for his striking, often provocative, graffiti art that challenges societal norms. El Pez, on the other hand, is recognized for his playful and vibrant murals, which often feature his signature 'Happy Fish' characters. Their collaborative effort has resulted in a bold and captivating artwork that speaks volumes about the diverse forms and potential of street art. The Trick Trucks HPM Unique Silkscreen Print, with its fusion of pop and street art elements, not only exemplifies the prowess of its creators but also offers a refreshing and insightful look at contemporary art. The vibrancy and intricacy of this limited-edition piece make it a sought-after collector's item, a testament to the enduring influence of Pop and Street Art culture.

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