Propaganda

Noir Flower Woman Blue AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2022 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Woman Holding Large Lotus Flower. "The Obey Noir Flower Woman print is inspired by Art Deco design and Dark Wave album art. The image has a few avenues for interpretation. I primarily see it as a tribute to idealists who protect the environment, cultivate justice, and hold optimism close to their hearts. We all face challenges and hostilities, but exterior forces don't control our inner strength and idealism. We do! Idealism leads to action. Those who perpetrate injustice rely on apathy to get away with their misdeeds. Nurture your inner idealism, and your constructive actions will follow. A portion of the proceeds from this print will benefit Greenpeace to support its work to enhance environmental protections and combat climate change." -Shepard Fairey. Shepard Fairey's "Noir Flower Woman Blue AP" is a testament to the harmonious blend of pop and street art, with a unique nod to graffiti culture. With the hand-pulled silkscreen method on fine art paper, this 18x24 print captures a woman delicately holding a giant lotus flower. This captivating artwork, released as an Artist Proof in 2022, is not only a rare find due to its limited edition run but also because of the personal touch added by Fairey through his signature and the distinctive "AP" mark. At a glance, the "Obey Noir Flower Woman" appears to be heavily influenced by Art Deco elements and Dark Wave album art aesthetics. Yet, beneath its visual layers lies a profound message. Shepard Fairey draws inspiration from those idealists who remain committed to environmental protection, champion justice, and foster a deep-seated optimism, even in the face of adversity. His work argues that external challenges can never overshadow the radiant light of one's inner resilience and idealism. Rather than being passive spectators, Fairey calls upon individuals to harness their inner idealism, transforming it into actionable change. This sentiment reverberates even more when considering that a portion of the proceeds from the sale of this print aids Greenpeace in its relentless battle against climate change and for enhanced environmental protections. This piece by Fairey isn't merely an artwork; it's an emblem that showcases the intersection of visual allure and impactful advocacy, a hallmark that distinguishes much of the art from the pop, street, and graffiti genres. As viewers immerse themselves in the intricate details of "Noir Flower Woman Blue AP," they are invited to reflect, respond, and act on the world around them.

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Drop the Bomb- Zombie Apocalypse Propaganda Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ron Guyatt Graffiti Street Artist Modern Pop Art. Artist Ron Guyatt created this great propaganda poster to help support our fight against the looming zombie apocalypse. The posters educate the population to the need to military respond to the threat. Each poster is signed and numbered, measures 18″ x 24″, and is available in a limited edition of 100.

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Warp Zones! Mario Propaganda Artwork Giclee Limited Edition Print on Light Fine Art Paper by Pop Culture Graffiti Artist Fernando Reza (Fro). Super Mario as we all know has been a sensational video-game character in the world. He is well known as the hero jumping character who tries to rescue Princess Peach from the enemy Bowser and his minions. But what if, Mario was the one who causes chaos through the land? Today, we will see a slightly different plot from the usual. Fernando Reza is a Los Angeles-based illustrator who has created Mario WW2 Propaganda. It is a series of World War II inspired poster illustrations that depict a revolution of the Koopa race against “The Red Menace” – Mario

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AK-47 Lotus- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Custom Cotton Coventry Rag Paper by Graffiti Street Artist Shepard Fairey. 2022 Signed & Numbered Limited Edition of 100 Artwork Size 30x41 In the rich tapestry of modern art, the AR-15 Lily serigraph by Shepard Fairey holds a distinct place. A contemporary masterpiece, this large-format print, sized at an impressive 30x41, is a testament to Fairey's impeccable craftsmanship and profound insight into social issues. A product of the year 2022, the AR-15 Lily, alongside its counterpart, the AK-47 Lotus, reflects Fairey's inspiration from the iconic Vietnam War protesters. These brave souls, in a symbolic gesture of peace, would insert flowers into the gun barrels of the National Guard, who were present to curtail their passionate calls for peace. Shepard Fairey, a renowned graffiti street artist, is known for intertwining pop culture, street art, and pressing social issues in his works, and this piece is no exception. His choice of a 4-color serigraph technique for this limited edition of 100 pieces exudes exclusivity and class. The print, meticulously crafted on Custom Cotton Coventry Rag Paper, evokes feelings of nostalgia and the age-old conflict between violence and peace. Fairey’s perspective, as he expresses, is deeply pacifistic. His work is not just an artistic expression but a call for diplomacy and harmony, both on international terrains and domestic fronts. While he does not challenge the Second Amendment, his emphasis is on reducing unnecessary deaths due to gun violence. In a world where the lines between art and activism often blur, Fairey's commitment to supporting causes shines through. A portion of the proceeds from this artwork, for instance, aids Brady United, an organization dedicated to preventing gun violence. The AR-15 Lily is not just a piece of art; it's a bold statement, a call for reflection, and a testament to Fairey’s unwavering commitment to promoting peace. "The AK-47 Lotus and AR-15 Lily large format serigraphs are inspired by Vietnam War protesters who would put flowers in the gun barrels of the National Guard who were brought in to suppress their protests for peace. I’m a pacifist, whether that means finding diplomatic solutions to prevent and avoid war internationally or finding diplomatic solutions to prevent and avoid gun violence at home. I’m not anti- Second Amendment, so trolls can calm down… I’m not interested in macho blathering, I just want fewer people to die unnecessarily. Brady United is doing good work preventing gun violence so they will receive a portion of proceeds from these two prints. Thanks for caring.⁠" -Shepard Fairey

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Money and Power- Yellow Hand-Pulled 1-Color Silkscreen Print on Hand Deckled 290gsm Arches Rag Paper by Artist Cleon Peterson Limited Edition Art Artwork. 2022 Signed & Numbered Limited Edition of 75 Artwork Size 18x18 "Money and Power have become primary drivers in the modern world, pushing us toward a corrupt society. The days when our leaders looked out for the people's interests have become a thing of the past—replaced by the strong man who squashes the voices of dissent to set things straight. Money elects leaders; in return, they owe a debt to the people that put them in Power—enacting our new public policy of greed and gangster capitalism. We slowly accept corruption, Law slowly fades away, and people begin to feel like democracy and a fair and equitable society were always just an illusion, a dream from the past that never really even existed." -Cleon Peterson Money and Power by Cleon Peterson – Yellow Edition Silkscreen Print in Street Pop Art & Graffiti Artwork Money and Power by Cleon Peterson is a visually forceful hand-pulled 1-color silkscreen print produced in a striking yellow edition. Created in 2022 as a signed and numbered limited edition of only 75, this 18x18 inch artwork is printed on 290gsm Arches rag paper with hand-deckled edges, reinforcing its raw and crafted authenticity. Set against a saturated yellow background, the black silhouettes of uniformed figures march in unison beneath a banner marked with a dollar sign. This aggressive formation of faceless, weapon-bearing agents symbolizes how capital and authority have become intertwined forces shaping modern life. The contrast of black on yellow sharpens the urgency of the message, evoking caution signs and industrial warnings, reflecting the dangers of unchecked power. It is a bold statement, stark and deliberately unambiguous in its critique of political and economic systems. Cleon Peterson’s Visual Protest Against Gangster Capitalism American artist Cleon Peterson, born in 1973, has become known for creating art that exposes the mechanics of dominance, submission, and systemic violence. In Money and Power, Peterson addresses what he terms gangster capitalism—the merging of financial interest and authoritarianism. This yellow edition is not merely an aesthetic variation; it magnifies the intensity of the warning. The figures are rendered without individuality, acting not as civil servants or protectors but as enforcers of a corrupt economic order. Each character, with one hand saluting and the other gripping a firearm, marches without deviation under a banner where money is the emblem. Peterson’s use of militarized repetition critiques the dehumanization that occurs when loyalty is bought and dissent is extinguished by force. The visual simplicity masks a deeply complex message: society has drifted from democratic ideals into a structure where the value of life is weighed against the price of power. Symbolism and Execution in the Yellow Silkscreen Edition This edition’s choice of yellow background plays a crucial role in reinforcing the thematic content. Yellow, typically associated with visibility and warning, brings a harsh clarity to the disturbing unity of the figures. It forces the viewer to confront the image directly, without distraction or ambiguity. The hand-pulled technique and 1-color silkscreen process ensure that each print carries the physical presence of the artist’s vision, resisting digital detachment. Hand-deckled paper adds an organic imperfection that contrasts with the mechanical rigidity of the marchers, underscoring the tension between individual craftsmanship and institutional conformity. The entire composition operates as a visual manifesto, presenting a world where money is not simply a tool but a banner under which violence, obedience, and corruption are normalized. Money and Power as a Defining Work in Street Pop Art & Graffiti Artwork Money and Power belongs squarely in the tradition of Street Pop Art & Graffiti Artwork. It communicates political urgency through direct visual language, staying rooted in the protest origins of graffiti and the bold iconography of pop art. Peterson’s work challenges systems of authority by confronting viewers with uncomfortable truths, using art not for decoration but for disruption. This yellow edition distills contemporary disillusionment into one unforgettable image, showing how democracy erodes when capital becomes the highest power. As with all of Peterson’s most impactful works, it does not ask for quiet reflection—it demands awareness and accountability. It stands as a limited yet forceful artifact of protest, frozen in print but echoing across modern political consciousness.

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Presidents Day- Punk 6-Color Hand-Pulled Limited Edition Silkscreen Print on Hand-Deckled Fine Art Paper by Mr Brainwash- Thierry Guetta Rare Street Art Famous Pop Artwork Artist. 2018 Signed & Numbered Limited Edition of 50 Artwork Size 18x22 In recognition of President's Day, Mr. Brainwash is proud to announce the release of a new screenprint honoring America's first president, George Washington. An image depicting four different poses was designed by Mr. Brainwash. A 6 color screenprint on hand-torn archival art paper. Also available will be individual prints of the four images that make up the large print. Each screenprint is on hand-torn archival art paper and is signed and numbered, with a thumbprint on the back. Individual print size: 22 x 18 in

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Shoplifters Welcome Silkscreen Print by Shepard Fairey- OBEY x Jamie Reid Hand-Pulled Screen Print on Cream Speckletone Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 450 Artwork Size 18x24 Created to Commemorate Reid's Ragged Kingdom Exhibition, March 16 to April 14, 2012. Shows a Hand Removing Laws From A Brief Case Infering Wall Street Money Regulations. "Jamie has been one of my biggest influences, and I'm honored that we worked on some collaborative images for the show. The new images deal with the mutual interests of Jamie and I, addressing the timeless problems of corruption and wealth inequality, but tie into the current themes of Occupy Wall Street and the dead end of fossil fuel consumption." -Shepard Faire.y Shepard Fairey's Collaboration with Jamie Reid in Street Pop Art The "Shoplifters Welcome Silkscreen Print" is a remarkable intersection of street pop art and political commentary, created by the influential Shepard Fairey in collaboration with Jamie Reid. This limited edition hand-pulled screen print on cream speckletone art paper is a testament to the potency of visual art as a tool for social critique. Released as part of Jamie Reid's Ragged Kingdom exhibition from March 16 to April 14, 2012, this artwork resonates with anti-establishment and dissent themes common in street pop art and graffiti artwork. Shepard Fairey, renowned for his OBEY campaign and the iconic Obama "Hope" poster, has a history of infusing his work with sharp political insights. The artwork in discussion depicts a hand removing laws from a briefcase, a direct inference to the deregulation of Wall Street and the unshackling of financial institutions from legal constraints. This visual metaphor conveys the message of wealth inequality and corruption, both highly relevant to the zeitgeist of the early 2010s, especially in the Occupy Wall Street movement. Artistic Expression of Sociopolitical Issues The collaborative nature of this artwork, involving both Shepard Fairey and Jamie Reid, underscores a shared commitment to addressing pressing societal issues through art. Fairey's statement about the collaboration highlights their mutual interest in tackling the "timeless problems of corruption and wealth inequality," themes that are also deeply embedded in the philosophy of street pop art. The artwork becomes a canvas for discourse, echoing the sentiments of public protests and movements that call for justice and economic reform. In creating the "Shoplifters Welcome" piece, Fairey and Reid tap into the legacy of street pop art's ability to reach a broad audience. Street pop art, often found in public spaces, speaks directly to the masses, unfiltered by the gatekeeping of traditional art venues. Though housed within the confines of an exhibition, this print carries the spirit of street art by being a piece of graffiti artwork that one can own—a symbol of both rebellion and commodification. The limited edition nature of the print, being one of only 450, adds a layer of exclusivity to a piece that speaks about wealth disparity, creating an exciting tension between the artwork's message and its status as a collectible item. Each print, signed and numbered by Fairey, is a piece of art and a statement about the artist's role in society—as an observer, a critic, and a participant in the cultural dialogue about power and money. This artwork, sized 18x24, encapsulates a period of intense socio-political activism, serving as a historical document that captures the essence of the early 2010s. The stark imagery, reminiscent of propaganda art, is both a nod to the past and a commentary on the current state of affairs. It draws a parallel between the actions on Wall Street and the broader issues of regulatory oversight and the power imbalance, which remain relevant in discussions about the economy and governance. In the larger context of street pop and graffiti artwork, Shepard Fairey and Jamie Reid's "Shoplifters Welcome" print is a powerful reminder of art's role in society. It bridges the gap between aesthetic appeal and social commentary, functioning as a visual manifesto that calls for reflection and action. The piece is not merely an artwork to be viewed but a conversation starter, a call to arms, and a historical artifact.

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Legislative Influence For Sale AP Artist Proof 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. AP Artist Proof 2011 Signed & Marked AP Artwork Size 18x24 Silkscreen Democrat Propaganda Print of United States President Ronald Regan Holding Sign That Reads "Legislative Influence For Sale" like one side is innocent. "Legislative Influence For Sale AP Artist Proof" stands as a testament to the profound intersection of politics, pop art, and street aesthetics, epitomizing the essence of the genre through the lens of Shepard Fairey, a defining figure in the contemporary street art scene. Created in 2011, this 2-color, hand-pulled limited edition silkscreen print on fine art paper captures not just the vibrancy and rawness of Fairey's visual language, but also a poignant commentary on the nature of political power and influence in the United States. Marked by its emblematic use of stark contrasts, the print features a depiction of the 40th United States President, Ronald Reagan, clutching a sign with the audacious declaration "Legislative Influence For Sale". Such a visual rhetoric draws attention to the controversial claims about money's role in shaping political outcomes, highlighting the nuances of the relationship between governance and monetary interests. At the same time, by juxtaposing Reagan – who often stands as a symbol of conservative ideals – with a sign suggesting political malfeasance, Fairey challenges the viewer to question and confront their preconceived notions about innocence and guilt in the political arena. In context, Shepard Fairey's artwork – often released under the OBEY moniker – has continually been at the vanguard of pushing the boundaries of street art, evolving it from mere visual spectacle to a medium that communicates pressing societal messages. This piece is no exception. Merging the populist overtones of street art with the iconographic representation reminiscent of pop art, Fairey's "Legislative Influence For Sale AP Artist Proof" is more than just an artwork. It's an embodiment of a time, a statement, and a call to awareness in a world where art and activism seamlessly intersect.

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Presidents Day- Chaplin 6-Color Hand-Pulled Limited Edition Silkscreen Print on Hand-Deckled Fine Art Paper by Mr Brainwash- Thierry Guetta Rare Street Art Famous Pop Artwork Artist. 2018 Signed & Numbered Limited Edition of 50 Artwork Size 18x22 In recognition of President's Day, Mr. Brainwash is proud to announce the release of a new screenprint honoring America's first president, George Washington. An image depicting four different poses was designed by Mr. Brainwash. A 6 color screenprint on hand-torn archival art paper. Also available will be individual prints of the four images that make up the large print. Each screenprint is on hand-torn archival art paper and is signed and numbered, with a thumbprint on the back. Individual print size: 22 x 18 in

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Save Me Limited Run Vinyl Sculpture Artwork by graffiti street artist modern pop artist Rip N Dip. Custom Limited Edition Vinyl Save The World Figure 8.25 in x 6.7 in Only 1000 Made A portion of the proceeds will be donated to The Surfrider Foundation

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Campaign Ad 666 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Jeff Rial Rare Street Art Famous Pop Artwork Artist.

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patRIOT- The Legacy Limited Edition Polystone Sculpture Artwork by graffiti street artist modern pop artist Abell Octovan. From the mind that brought us bold statement pieces such as Anti-Supremacy and The Beauty of Rebellion, comes patRIOT (The Legacy) by Abell Octovan. Inspired by classic Greek sculptures, patRIOT features perfect curls, contrapposto, and a buttery smooth marble-like effect. Crafted using premium polystone, the perennial patRIOT will leave you pondering about the state of the world. The word "PATRIOT" is graffitied across the sculpture's face and partially struck through.

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TRUTH- What Have We Lost Hand-Pulled 2-Color Silkscreen Print on Deckled 290gsm Coventry Rag Paper by Artist Cleon Peterson Limited Edition Pop Art Artwork. 2022 Signed & Numbered Limited Edition of XXX Artwork Size 18x24 "The TRUTH image ran in the New York Times right before the election in the opinion feature, What Have We Lost. The Devil Made Me Do it & Divided We Stand, United We Fall were both made on January 6th in response to the Faustian bargain that Trump and his accomplices made in designing the coup. Today we find ourselves at a crossroads; now, more than ever, is the time we need to come together, take a stand, exercise our voices, and fight for Truth and Democracy. Hopefully, daylight will cast off this right-wing authoritarian spell. I see these posters as markers of a historical time and feel a duty within to share my views. We’re all exhausted by politics, but we must embrace the moment and take action because the threat is fundamental; our democracy could be gone in the blink of an eye." - Cleon Peterson The connection of Peterson with street art is also an aspect of his work worth mentioning. Even though he has created numerous murals all over the world, the artist himself does consider himself a street artist: “I don’t think of myself as a street artist or somebody that does work in that vein, but I love the idea of doing large paintings that confront people.”. This is revealing of his motivation to make his art as accessible as possible, as a way to invite the viewers to interact with it and confront the subjects the artist is interested in addressing. This brings up the following questions concerning the art of Peterson: “What is the meaning of it? Does it have a meaning after all? If yes, is this pre-determined by the artist? In order to better understand the way meaning is created in the world of Cleon Peterson, it is essential to, primarily, understand the way he perceives the media as a field of allegations, unbased rumors, suppositions and outright lies. In the world that the artist has created and, in correlation with our own reality, media is a tool of manipulation in the hands of politicians, leaving us helpless and in the mercy of an exploitative authoritarian system.

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Imagine A World Without Borders 2 Archival Pigment Fine Art Limited Edition Print on 300gsm Somerset Satin Paper by Artist Icy & Sot, Street Pop Art Graffiti Legend. Archival Pigment Print on Somerset paper Signed by the Artists edition of 50 50 x 36 cm 2017

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Reality Television- PP Archival Pigment Print Limited Edition Trump Artwork Print on Fine Art Paper by Modern Pop Culture Artist Scott Listfield. PP Printers Proof 2014 Signed 13x19 Archival Pigment Print 5 of 5

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War Pigs 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Jeff Rial Rare Street Art Famous Pop Artwork Artist.

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Te LoJuro- To Be Fearless Limited Edition Hand-Embellished HPM Spray Paint Archival Pigment Prints on Moab Entrada Rag Bright 290gsm Fine Art Paper by Indie184 Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 15 Artwork Size 13x17 2021 Signed Limited Edition TE LO JURO - TO BE FEARLESS• Autographed archival pigment print • Additional unique paint embellishment on Moab Entrada Rag Bright 290 GSM archival paper • 14 x 17 inches Hand-embellished, signed and numbered by artist Indie184 in a special embellished edition of 15

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In Honor of Vincent Jen Chin 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x Gordon Cheung Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print IN HONOR OF VINCENT JEN CHIN 18 inches by 24 inches Edition of 350 August 18, 2021 Minor Bumbs To Extreme LowerLeft Facing Side In this politicised pandemic crisis through which the previous leader of the most powerful nation in the world labelled coronavirus as China-Virus and its various forms, the consequences of racist blame has led to manifold increases in hate crimes against Asians. I hope this collaboration between Shepard and myself can raise awareness about the long history of anti-Asian hate and the important legacy of Vincent Chin whose untimely death in 1982 galvanised the people to demand Asian American civil rights. This current crucial moment in history calls for a gathering of momentum where Asian diaspora voices should go loud and proud. To stand together, advocate for change and collectively build bridges of understanding over glass ceilings and walls of hate. -Gordon Cheung

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Save The World Deck- Multi-Color Limited Edition Silkscreen Skateboard deck art by street pop culture artist Rip N Dip. Limited Run Designer Skateboard Deck.

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Gun Culture- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Varnished 100% Cotton Rag Archival Paper with hand-deckled edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. 4-Color Serigraph on Varnished 100% Cotton Rag Archival Paper. 30 x 40 inches. Signed by Shepard Fairey. Numbered edition of 100. Jim Marshall captured what at first glance is regarded as an innocent child playing with a toy gun in Greenwich Village, New York, in 1963.

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Factory Stacks- Earth First 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed by Shepard Fairey Numbered 18x24 inches. Screenprint on thick cream Speckletone paper. Numbered edition of 350. "These “Factory Stacks” images combine the austere, angular power of factory architecture with graphic elements commenting on what we promote and embrace as a society even when those things are destructive. The fossil fuel industries have tremendous power economically, but we now know that not only are fossil fuel sources finite but that using them is terrible for climate change and, therefore, the eco-systems that sustain life on our planet. Unfortunately, due to the political power of these industries and public apathy about climate change, the government subsidizes the fossil fuel industries for billions even as they damage the environment. The government works for the citizens, so the choice is ours. Do we support endless power for wealthy fossil fuel corporations? Or policies that put the earth first with the planet before profits? Please read Naomi Klein’s THIS CHANGES EVERYTHING to better understand the conflict between economic interests and climate change. A portion of the proceeds from the sale of this print will go to Greenpeace to fight climate change. Thanks for caring.” – Shepard Factory Stacks – Earth First Silkscreen Print by Shepard Fairey Factory Stacks – Earth First is a powerful 6-color hand-pulled silkscreen print created in 2022 by renowned American artist Shepard Fairey. Measuring 18x24 inches and printed on thick cream Speckletone fine art paper, this signed and numbered limited edition of 350 pieces fuses the political energy of graffiti with the precision and control of modern screenprint design. The work is part of Fairey’s continued focus on environmental activism through art and contributes to the broader conversation around the role of industry, power, and public accountability in climate policy. Industrial Might as Graphic Metaphor The print features a factory with twin smokestacks emitting bold trails of smoke against a fragmented and stylized backdrop of red, yellow, and blue—colors associated with urgency, fire, and warning. The building looms large, rendered with clean vector lines and high-contrast forms, while geometric elements and cultural motifs hover in the background, including currency iconography, flames, and architectural symbolism. The stark visual contrast between the rigid industrial structures and the organic chaos of smoke and fire underscores the clash between mechanized progress and ecological fragility. This image serves as a critique of global dependence on fossil fuels and the prioritization of profit over environmental sustainability. Shepard Fairey is known for embedding meaning within tightly structured visuals, and here he uses the monumental scale of the smokestacks as a metaphor for entrenched systems of power. The print’s backdrop includes references to government currency and propaganda textures, further emphasizing the complicity of institutional economics in environmental destruction. Screenprinting as Political Craft Fairey’s technical skill in hand-pulled silkscreening is evident in the crisp linework, bold palette, and balanced layering of texture and flat color. The artwork’s speckletone paper enhances the handmade quality of the piece, giving it the presence of a protest poster while retaining the refinement of collectible street pop art. The 6-color process allows for vibrant layering and nuanced interplay of light and form, with the red and black palette lending a sense of urgency and confrontation. By combining the visual language of commercial design with fine art methods, Fairey continues his legacy of making politically charged works that are accessible, reproducible, and grounded in visual activism. This piece fits into his broader OBEY aesthetic, which draws from punk, graffiti, and socialist propaganda to awaken public dialogue. Art as Environmental Statement Factory Stacks – Earth First is not merely a visual statement; it is a functional activist tool. A portion of the proceeds from this edition was pledged to Greenpeace, supporting global campaigns to combat climate change. Fairey encourages viewers to reflect on systemic inertia, corporate greed, and the governmental failure to transition away from environmentally destructive practices. His recommendation of Naomi Klein’s book “This Changes Everything” provides further intellectual grounding for the print’s message, aligning the work with contemporary thought leaders in environmental justice. This silkscreen print exemplifies the power of Street Pop Art & Graffiti Artwork as both a form of protest and a call to action. By merging aesthetics with advocacy, Shepard Fairey transforms industrial imagery into a demand for ecological responsibility and human accountability.

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Icarus Democracy 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed & Numbered Limited Edition of 500 Artwork Size 24x36 "Liberty and equality are principles most people value, but the challenge is to find the proper equilibrium between the two. Democracy is the mechanism our nation has used to balance the freedom and desires of the individual with policies that are fair and beneficial for the collective of society. Democracy requires dedicated maintenance. With the culture of the previous administration and many politicians undermining democracy itself, the folly of over-confidence about the guaranteed endurance of democracy will lead to potential disaster. The threat of fascism is very real. If you value democracy use your voice and your vote. I’d recommend reading Timothy Snyders “On Tyranny” to anyone who does not see the threats to democracy (and the principles it protects) as concerning. This print, “Icarus Democracy,” will also be available in person at Dallas Contemporary." -Shepard Fairey The Icarus Democracy Silkscreen Print is a piece of art created by Shepard Fairey, an American contemporary street artist, graphic designer, and activist. In the Icarus Democracy Silkscreen Print, Fairey uses the myth of Icarus to convey a message about democracy. In Greek mythology, Icarus is a figure who, along with his father Daedalus, escapes imprisonment using wings fashioned from feathers and wax. Despite being warned by his father, Icarus flies too close to the sun, causing the wax in his wings to melt and sending him plummeting into the sea. The story of Icarus is often interpreted as a cautionary tale about hubris and the perils of overconfidence or overreaching. Fairey's print likely uses the Icarus story to comment on the state of democracy, suggesting that democracies can also fall victim to hubris and overconfidence, resulting in negative consequences. Or maybe it's just fearmongering? The piece serves as a reminder of the importance of vigilance in preserving and protecting democratic values and institutions both ironically and literally. The artwork, like many of Fairey's pieces, is created using the silkscreen printing technique. This process involves using a screen to apply ink onto a surface, creating bold, vibrant images. The Icarus Democracy Silkscreen Print showcases Fairey's signature style, characterized by strong lines, bold colors, and iconic imagery, featuring portraiture & symbols that can be easily recognized and interpreted by a wide audience.

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AR-15 Lily- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Custom Cotton Coventry Rag Paper by Graffiti Street Artist Shepard Fairey. 2022 Signed & Numbered Limited Edition of 100 Artwork Size 30x41 In the rich tapestry of modern art, the AR-15 Lily serigraph by Shepard Fairey holds a distinct place. A contemporary masterpiece, this large-format print, sized at an impressive 30x41, is a testament to Fairey's impeccable craftsmanship and profound insight into social issues. A product of the year 2022, the AR-15 Lily, alongside its counterpart, the AK-47 Lotus, reflects Fairey's inspiration from the iconic Vietnam War protesters. These brave souls, in a symbolic gesture of peace, would insert flowers into the gun barrels of the National Guard, who were present to curtail their passionate calls for peace. Shepard Fairey, a renowned graffiti street artist, is known for intertwining pop culture, street art, and pressing social issues in his works, and this piece is no exception. His choice of a 4-color serigraph technique for this limited edition of 100 pieces exudes exclusivity and class. The print, meticulously crafted on Custom Cotton Coventry Rag Paper, evokes feelings of nostalgia and the age-old conflict between violence and peace. Fairey’s perspective, as he expresses, is deeply pacifistic. His work is not just an artistic expression but a call for diplomacy and harmony, both on international terrains and domestic fronts. While he does not challenge the Second Amendment, his emphasis is on reducing unnecessary deaths due to gun violence. In a world where the lines between art and activism often blur, Fairey's commitment to supporting causes shines through. A portion of the proceeds from this artwork, for instance, aids Brady United, an organization dedicated to preventing gun violence. The AR-15 Lily is not just a piece of art; it's a bold statement, a call for reflection, and a testament to Fairey’s unwavering commitment to promoting peace. "The AK-47 Lotus and AR-15 Lily large format serigraphs are inspired by Vietnam War protesters who would put flowers in the gun barrels of the National Guard who were brought in to suppress their protests for peace. I’m a pacifist, whether that means finding diplomatic solutions to prevent and avoid war internationally or finding diplomatic solutions to prevent and avoid gun violence at home. I’m not anti- Second Amendment, so trolls can calm down… I’m not interested in macho blathering, I just want fewer people to die unnecessarily. Brady United is doing good work preventing gun violence so they will receive a portion of proceeds from these two prints. Thanks for caring.⁠" -Shepard Fairey

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We Own the Future Metal Edition Hand-Pulled 2-Color Silkscreen Print on Aluminum Metal by Pop Graffiti Artist Shepard Fairey- Obey x Antonino D'Ambrosio Rare Street Art Limited Edition Artwork. 2015 Signed by Shepard Fairey & Numbered Limited Edition of 3 Artwork Size 18x24 Extremely low edition of only 3! WE OWN THE FUTURE METAL Fine Art Edition: Silkscreen on Metal Silkscreen on Metal (Aluminum) Printed Matters-Detroit 18 x 24 inches (45.7 x 61 cm) 2015. We Own the Future The Makers of Fire Transform Our World With Creative Response "We Own the Future" is a metal silkscreen print created by Shepard Fairey in 2015 as part of his OBEY art campaign. The print features a stylized image of a woman's face, with the words "WE OWN THE FUTURE" in bold letters across the top. The woman in the image is wearing a hat and holding a flame with angel wings. Fairey's use of lettering and metal is a nod to the future punk aesthetic that has influenced much of his work. The message of the print is a call to action for people to take ownership of their future and to strive for positive change in the world. It speaks to Fairey's belief in the power of grassroots activism and the ability of individuals to effect change through their actions. "We Own the Future" was produced in a limited edition of 3 prints, with each print signed and numbered by the artist. The print measures 18 x 24 inches and is printed on aluminum, giving it a sleek and modern look. As with much of Fairey's work, "We Own the Future" has become a popular symbol of resistance and activism, appearing on protest signs and in street art around the world. 0

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By Any Means Necessary Limited Edition Archival Pigment Fine Art Prints on 310gsm Hahnemühle William Turner Art Paper by Graffiti Street Art and Pop Culture Artist Robert Mars. By Any Means Necessary Malcom X archival pigment print on Hahnemühle William Turner Matte Fine Art Paper, 310 GSM Hand-varnished 18 x 24 inches Hand-signed and numbered by artist Robert Mars 2019

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Legislative Influence For Sale 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2011 Signed & Numbered Limited Edition of 450 Artwork Size 18x24 Silkscreen Democrat Propaganda Print of United States President Ronald Regan Holding Sign That Reads "Legislative Influence For Sale" like one side is innocent. "Legislative Influence For Sale" is a potent visual commentary by the renowned street artist Shepard Fairey, who rose to global recognition under the moniker OBEY. This artwork, created in 2011, is a limited edition, hand-pulled silkscreen print on fine art paper, and its rarity is underscored by its exclusivity: only 450 signed and numbered copies exist. Measuring 18x24 inches, this piece is not just art; it's a socio-political statement that challenges viewers to confront the intricacies of power, politics, and influence. Fairey's choice of imagery is both bold and thought-provoking. He presents a depiction of the 40th United States President, Ronald Reagan, holding a sign that proclaims, "Legislative Influence For Sale." The audacious portrayal hints at the complex interplay of political agendas, financial influences, and lobbying, suggesting that even the highest office might not be immune to corruption or undue influence. Furthermore, the artist's clever juxtaposition of implying that one side might be innocent plays with the ambiguity of political righteousness, forcing a reflection upon the nuances of political morality. In the realms of pop art, street art, and graffiti, artists often hold a mirror to society, urging introspection, critique, and, at times, activism. Shepard Fairey's piece stands tall within this tradition. His deliberate use of the silkscreen medium, historically associated with both fine art (think Andy Warhol) and protest (recalling posters and flyers), emphasizes the blend of aesthetic beauty and powerful messaging. Through "Legislative Influence For Sale," Fairey not only cements his place in the pantheon of street art legends but also reignites essential conversations about democracy, integrity, and the potential pitfalls of unchecked power.

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Two Americas- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Varnished 100% Cotton Rag Archival Paper with hand-deckled edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. 4-Color Serigraph on Varnished 100% Cotton Rag Archival Paper. 30 x 40 inches. Signed by Shepard Fairey. Numbered edition of 100. Jim Marshall's photograph of a coal mining family in Hazard, Kentucky, taken while he lived with them, says a lot with what it shows, which is a mother and two children huddled together in support of each other, but it says just as much with what it lacks. There is a conspicuous absence of material necessities and a father. I don't know whether the father was working in a coal mine when the photograph was taken or had potentially died young because of the health risks of working under dangerous conditions, but it is clear that the family is struggling and lacking.

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Downward Trajectory Hand-Pulled 4-Color Silkscreen Print on Cream Speckletone Fine Art Paper by Artist Shepard Fairey Limited Edition Pop Art Artwork. 2019 Signed & Numbered Limited Edition of 500 Artwork Size 24x24 “Downward Trajectory is one of the many new works featured in my 30th-anniversary show in Los Angeles, “Facing the Giant: Three Decades of Dissent and New Works,” -Shepard Fairey Shepard Fairey's work is highly political and social, not only because he is incorporating politicians and slogans in it but more importantly because the artist is primarily interested in approaching as many people as possible, exhibiting his work in the covers of the books, which we read, in the music albums, to which we listen, and on the walls of the streets, where we walk. “If I put art in a daring spot, it’s more moving to the viewer and demonstrates my conviction.”, he says. After all, Fairey, in many cases, directly expresses his views on politics and society, whenever he is given the chance. For example, in the aftermath of the “Hope” poster, he commented the following: “Obama has had a really tough time, but there have been a lot of things that he's compromised on that I never would have expected. I mean, drones and domestic spying are the last things I would have thought [he'd support]”. The political aspect of his work can, also, be seen under the spectrum of Fairey’s activism and humanitarian activity. Many of his works have been created as part of activism campaigns or were sold to support causes relevant to the Arts, animal rights, poverty, medical research, the environment, etc. The artist, however, doesn’t identify himself as an activist: “People ask me if I’m an activist, and my answer is no. I’m an artist with a point of view, but I want to do my part to supplement activist causes I believe in. I feel fortunate to connect with people who find my imagery useful and help spread it.”

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Resist Colonialism 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Ernesto Yerena Montejano (Hecho Con Ganas) Famous Mexican American Pop Artwork Artist. 2019 Signed & Numbered Limited Edition of 100 Size 18x24 "Resist Colonialism" is a commanding visual statement by Ernesto Yerena Montejano, a name synonymous with vibrant expressions of cultural identity and political activism within the contemporary art scene. This 2-color hand-pulled limited edition silkscreen print, produced under his studio label Hecho Con Ganas, captures the essence of resistance against colonial powers and their historical narratives. Created in 2019, it is a testament to Yerena Montejano's dedication to fusing art with social commentary. The artwork, sized at 18x24 inches, is a limited edition with only 100 signed and numbered pieces, adding an exclusive aspect to its acquisition. The artist's Mexican-American heritage profoundly influences the imagery and themes present in his works, and "Resist Colonialism" is no exception. The stark contrast of the red and black ink, a hallmark of silkscreen printing, resonates with the simplicity yet power of revolutionary posters, echoing the visual language of protest and propaganda throughout history. Yerena Montejano's choice of symbols, juxtaposing a pirate ship bearing both the emblems of hazardous material and the iconic skull and crossbones, underscores the danger and death associated with colonial conquests. The backdrop, an unyielding red circle, could be interpreted as a reference to the rising sun, symbolizing a new dawn of awareness and opposition to colonialism. The inclusion of the raised fist, a universal sign of solidarity and resistance, further amplifies the print’s message, urging onlookers to acknowledge past transgressions and take a stand against the lingering effects of colonialism. This piece of art resonates within the pop art, street art, and graffiti art movements due to its accessible yet poignant visual language. It uses the aesthetics everyday in these art forms to engage the public discourse on decolonization and indigenous rights. As with many of his works, Yerena Montejano's "Resist Colonialism" print is not just a piece of art to be admired for its aesthetic merits but also serves as a mobilizing agent that encourages viewers to reflect on complex socio-political issues. His ability to distill fervent political messaging into compelling graphic art has cemented his status as a crucial voice in the conversation about identity, culture, and activism within the art world.

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Long Live The People Silkscreen Print by Edward Nachtrieb x Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2020 Signed & Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print "Oct 1 is the 70th anniversary of Communist Party rule in China and the Chinese government is planning an extravaganza of choreographed contentment in the mainland while the people of Hong Kong will hit the streets in an effort to secure their rights. I’ve long believed that protests in the streets are an essential tool for meaningful change because the passion, courage, and visceral force of the participants in a mass protest send a powerful message that they are fully committed to their cause! Ed Nachtrieb photographed many incredible moments of the 1989 Tiananmen Square protests. I’m honored to collaborate with Ed on a set of two images based on his documentation 30 years ago, especially because pro-democracy and human-rights protesters are in the streets of Hong Kong right now! This image “Long Live The People” will be released as a print soon… more details to come. Check out Ed Nachtrieb’s thoughts on the 1989 Tiananmen Square protests." -Shepard Fairey- OBEY "After the People’s Liberation Army was sent in to suppress what is now called the “pro-democracy movement” on June 4, 1989, there was a liberalization of economic rules and policies. China then experienced a remarkable economic transformation. The idea: if people could get rich, they wouldn’t care so much about their freedoms. I think that’s a miscalculation. In Hong Kong today, ideas championed in 1989 have reappeared in a “Revolution of Our Time” in spite of the campaign to erase such “counter-revolutionary” thoughts from history. My images used in these prints are from energetic and optimistic moments of the pro-democracy movement. Victory was in the air. Progress seemed inevitable to those with arms outstretched and smiles beaming from their faces. Shepard’s work reflects their hopes and aspirations. The same ones that fortified those protesters in 1989 are now fuel for the passionate idealists on the streets today." -Edward Nachtrieb The "Long Live The People" silkscreen print is a collaborative work between Edward Nachtrieb and Shepard Fairey, capturing the essence of protest and the enduring spirit of the people. Hand-pulled with five colors on cream speckletone fine art paper, this limited edition artwork stands as a cultural commentary and a historical reflection on the power of mass protest. The print commemorates the 70th anniversary of Communist Party rule in China, juxtaposing the government's celebration with the civil unrest and pro-democracy protests in Hong Kong. Nachtrieb's photographs from the 1989 Tiananmen Square protests provide a poignant visual foundation for the artwork. Fairey's adaptation into the print medium amplifies the message of resilience and the quest for human rights. This intersection of street pop art and graffiti artwork embodies the artists' shared belief in the impact of collective action and the pursuit of freedom, resonating with contemporary movements for democracy and social justice.

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Make Art Not War 18x24 2009 Offset Lithograph Print by Shepard Fairey Limited Edition Graffiti Artwork on Semi Glossy Fine Art Paper. 2009 Make Art Not War Size 18x24 From Shepard Fairey's Art Show in Boston, MA Out of Print

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Flower Power Blue AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2021 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Blue Lotus Flower &Electric Power Lines. "These Flower Power prints are a symbolic urge for a concerted effort to transition off of fossil fuels and to sustainable energy sources. Life, as we know it on Earth, will depend on this transition happening with the support of citizens, government, and corporations. Read "This Changes Everything" by Naomi Klein if you'd like a strong analysis of the severity of the climate crisis and the urgency to transition off of fossil fuels. Proceeds from these prints will benefit 350.org to support their work around the climate emergency. Thanks for caring." -Shepard Fairey Shepard Fairey, the mind behind the iconic OBEY imagery, once again channels his signature blend of street and pop art in the "Flower Power Blue AP" silkscreen print. An emblem of countercultural movement, Fairey's piece presents a striking juxtaposition of the serene blue lotus flower against the industrial backdrop of electric power lines. Cast on Speckletone Fine Art Paper, this hand-pulled screen print not only exemplifies the artist's meticulous craftsmanship but also carries a poignant and timely message. The "Flower Power" series, which this print is a part of, stands as a clarion call for humanity's pivot from environmentally harmful fossil fuels to more sustainable energy sources. This transition, as Fairey suggests, is not just a matter of technological or economic feasibility; it is an imperative for the continuity of life as we understand it. The reference to Naomi Klein's "This Changes Everything" underscores the severity of the looming climate crisis, offering readers a comprehensive analysis of our current ecological predicament and the urgency with which we must act. Beyond its aesthetic appeal and socio-political commentary, the artwork demonstrates Fairey's commitment to environmental advocacy. Proceeds from the sale of these prints are directed to 350.org, an organization at the forefront of the global movement to address climate change. Such initiatives are emblematic of Fairey's approach to art — one that is not just visually stimulating but also deeply rooted in activism and the broader call to collective action. Through this masterful piece, Shepard Fairey once again reiterates the power of art in shaping conversations, influencing change, and fostering a more conscious global community.

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Flower Power Red AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2021 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Red Lotus Flower & Electric Power Lines. "These Flower Power prints are a symbolic urge for a concerted effort to transition off of fossil fuels and to sustainable energy sources. Life, as we know it on Earth, will depend on this transition happening with the support of citizens, government, and corporations. Read "This Changes Everything" by Naomi Klein if you'd like a strong analysis of the severity of the climate crisis and the urgency to transition off of fossil fuels. Proceeds from these prints will benefit 350.org to support their work around the climate emergency. Thanks for caring." -Shepard Fairey Shepard Fairey, the mind behind the iconic OBEY imagery, once again channels his signature blend of street and pop art in the "Flower Power Red AP" silkscreen print. An emblem of countercultural movement, Fairey's piece presents a striking juxtaposition of the serene blue lotus flower against the industrial backdrop of electric power lines. Cast on Speckletone Fine Art Paper, this hand-pulled screen print not only exemplifies the artist's meticulous craftsmanship but also carries a poignant and timely message. The "Flower Power" series, which this print is a part of, stands as a clarion call for humanity's pivot from environmentally harmful fossil fuels to more sustainable energy sources. This transition, as Fairey suggests, is not just a matter of technological or economic feasibility; it is an imperative for the continuity of life as we understand it. The reference to Naomi Klein's "This Changes Everything" underscores the severity of the looming climate crisis, offering readers a comprehensive analysis of our current ecological predicament and the urgency with which we must act. Beyond its aesthetic appeal and socio-political commentary, the artwork demonstrates Fairey's commitment to environmental advocacy. Proceeds from the sale of these prints are directed to 350.org, an organization at the forefront of the global movement to address climate change. Such initiatives are emblematic of Fairey's approach to art — one that is not just visually stimulating but also deeply rooted in activism and the broader call to collective action. Through this masterful piece, Shepard Fairey once again reiterates the power of art in shaping conversations, influencing change, and fostering a more conscious global community.

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Noir Flower Woman Red AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2022 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Woman Holding Large Lotus Flower. "The Obey Noir Flower Woman print is inspired by Art Deco design and Dark Wave album art. The image has a few avenues for interpretation. I primarily see it as a tribute to idealists who protect the environment, cultivate justice, and hold optimism close to their hearts. We all face challenges and hostilities, but exterior forces don't control our inner strength and idealism. We do! Idealism leads to action. Those who perpetrate injustice rely on apathy to get away with their misdeeds. Nurture your inner idealism, and your constructive actions will follow. A portion of the proceeds from this print will benefit Greenpeace to support its work to enhance environmental protections and combat climate change." -Shepard Fairey. Shepard Fairey's "Noir Flower Woman Red AP" is a testament to the harmonious blend of pop art and street art, with a unique nod to graffiti culture. With the hand-pulled silkscreen method on fine art paper, this 18x24 print captures a woman delicately holding a giant lotus flower. This captivating artwork, released as an Artist Proof in 2022, is not only a rare find due to its limited edition run but also because of the personal touch added by Fairey through his signature and the distinctive "AP" mark. At a glance, the "Obey Noir Flower Woman" appears to be heavily influenced by Art Deco elements and Dark Wave album art aesthetics. Yet, beneath its visual layers lies a profound message. Shepard Fairey draws inspiration from those idealists who remain committed to environmental protection, champion justice, and foster a deep-seated optimism, even in the face of adversity. His work argues that external challenges can never overshadow the radiant light of one's inner resilience and idealism. Rather than being passive spectators, Fairey calls upon individuals to harness their inner idealism, transforming it into actionable change. This sentiment reverberates even more when considering that a portion of the proceeds from the sale of this print aids Greenpeace in its relentless battle against climate change and for enhanced environmental protections. This piece by Fairey isn't merely an artwork; it's an emblem that showcases the intersection of visual allure and impactful advocacy, a hallmark that distinguishes much of the art from the pop, street, and graffiti genres. As viewers immerse themselves in the intricate details of "Noir Flower Woman Blue AP," they are invited to reflect, respond, and act on the world around them.

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Rise Against the System- Pink 8-Color Hand-Pulled Limited Edition Silkscreen Print on 300gsm Bristol Paper by MAD Rare Street Art Famous Pop Artwork Artist. 2021 Signed & Numbered Limited Edition of 30 Artwork Size 19.7x27.6 "Rise Against the System - Pink" presents itself as a profound visual statement in the portfolio of the artist known as MAD, whose identity often remains as enigmatic as the messages embedded within their art. This piece is particularly remarkable, not only for its vibrant aesthetic but also for its rarity and the technique used in its creation. It is a limited edition silkscreen print with only 30 pieces, each meticulously signed and numbered by the artist. It underscores its value to collectors and enthusiasts of street art and pop art alike. The artwork spans a generous 19.7x27.6 inches and is printed on robust 300gsm Bristol paper, a choice that speaks to the durability and high quality of the print. The artwork is an eight-color hand-pulled silkscreen, a traditional technique that imbues each print with a unique touch, diverging from the uniformity of mass-produced art. The image itself—a figure entrapped within a bottle—acts as a metaphor for the constraints and pressures of societal systems. The use of a Pink palette not only draws the eye but also may represent the idea of 'going Pink' or womanhood consciousness, a theme often explored in contemporary street art. The figure's pose, one of active resistance against the confines of the bottle, is symbolic of the fight against oppressive structures, a recurring theme in street art's lexicon, which often seeks to challenge the status quo. MAD's piece resonates within the broader context of pop art through its accessible imagery and bold coloration, yet it retains the edginess and subversion characteristic of street art. This duality ensures "Rise Against the System - Pink" speaks a universal language, appealing to a broad audience while remaining deeply rooted in the cultural and political commentary that defines much of the street art movement. Through this work, MAD offers a compelling narrative on personal agency and liberation, creating a lasting visual impact that transcends the moment of its creation, cementing its place in the discourse of modern art.

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Dead Che SDCC Orange Vinyl Bust Sculpture by Frank Kozik Limited Edition Modern Pop Graffiti Street Art Artwork. 2010 Limited Edition of 50 Artwork Sculpture Size 10x16 2010 San Diego Comic Con SDCC California Orange Variant. The "Dead Che Orange Vinyl Bust Sculpture" by Frank Kozik is a captivating contemporary interpretation of the iconic revolutionary figure, Che Guevara. Crafted in vibrant orange vinyl, the bust showcases Kozik's unique blend of pop culture and political commentary. It features an intricately designed skeletal face, reflecting the title 'Dead Che', with meticulous attention to detail in the sculpting. This piece is a standout work of art that confronts viewers with a stark, bold exploration of history, revolution, and mortality. As with many of Kozik's creations, it serves as a provocative commentary on the ephemerality of life and the enduring impact of iconic figures.

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Money and Power- Black Hand-Pulled 1-Color Silkscreen Print on Hand Deckled 290gsm Arches Rag Paper by Artist Cleon Peterson Limited Edition Art Artwork. 2022 Signed & Numbered Limited Edition of 75 Artwork Size 18x18 "Money and Power have become primary drivers in the modern world, pushing us toward a corrupt society. The days when our leaders looked out for the people's interests have become a thing of the past—replaced by the strong man who squashes the voices of dissent to set things straight. Money elects leaders; in return, they owe a debt to the people that put them in Power—enacting our new public policy of greed and gangster capitalism. We slowly accept corruption, Law slowly fades away, and people begin to feel like democracy and a fair and equitable society were always just an illusion, a dream from the past that never really even existed." -Cleon Peterson Money and Power by Cleon Peterson – A Stark Allegory of Corruption in Street Pop Art & Graffiti Artwork Money and Power is a powerful black hand-pulled 1-color silkscreen print created by Cleon Peterson in 2022. Produced in a limited edition of just 75 signed and numbered pieces, this 18x18 inch artwork is printed on 290gsm Arches rag paper with hand-deckled edges, emphasizing its artisanal quality and rarity. The stark yellow figures and flag, laid over a deep black background, serve as a searing visual metaphor of political decay and societal control. With simplified, militaristic forms, Peterson’s composition marches forward in rigid formation, symbolizing a collective submission to authoritarian rule driven by capitalist greed. The central banner bearing a dollar sign encapsulates the theme in one potent glyph: money has become the new god, the flag under which societies now march. Cleon Peterson's Street Pop Art & Graffiti Artwork – A Violent Mirror of Power Structures Cleon Peterson, born in the United States in 1973, is known globally for his uncompromising and provocative style that merges elements of street art, pop iconography, and a graffiti aesthetic into biting social commentary. His work does not rely on subtlety but instead confronts the viewer with raw and unsettling imagery. In Money and Power, Peterson explores how capitalist motives have become indistinguishable from systems of governance. The faceless, weapon-wielding figures invoke totalitarian control, with each character's uniformity and march-step illustrating the erasure of individual thought and freedom. Peterson’s use of a single bold color evokes propaganda art, recalling wartime posters and dictatorial regimes, reinforcing the critique that today’s economic elites and political figures have blended into a single oppressive force. Money and Power as a Visual Manifesto Against Gangster Capitalism This piece stands as a visual thesis against what Peterson terms gangster capitalism. He expresses the idea that leaders are no longer elected to serve the public good but instead owe their power to financial interests. These interests then dictate policy, ensuring that the cycle of wealth consolidation and systemic inequality continues unchecked. In the artwork, the figures do not march for justice or liberty, but for power sustained by money. The gun in each figure's hand underscores how violence or the threat of it is now a normalized tool for maintaining order in this corrupt structure. As law and accountability fade, Peterson’s image becomes a grim prophecy, showing a society where control is absolute and voices of dissent are methodically extinguished. A Defining Work in Modern Political Street Pop Art & Graffiti Artwork Money and Power exemplifies the essential mission of street pop art and graffiti artwork: to challenge viewers, provoke thought, and expose uncomfortable truths. Peterson uses minimalist design to deliver a maximalist message—every line, posture, and symbol communicates urgency and danger. The limited nature of the piece and the labor-intensive silkscreen technique elevate its importance as a collectible while preserving the raw authenticity central to street and graffiti art origins. It operates not merely as a print but as a declaration—one that distills Peterson’s disdain for performative democracy and unregulated capitalism into a concise, unforgettable image. The work’s impact lies in its clarity and its refusal to soften the critique, marking it as a seminal moment in Peterson’s body of work and a critical reflection of our time.

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It's Mourning In America 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 18 x 24 Screen Print Signed and Numbered Edition of 450, A portion of the proceeds go to a campaign finance reform organization. Printed on off-white paper

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LIE Edward Snowden Original Painting Spray Paint Watercolor Mixed Media on Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2014 Signed Original Mixed Media Spray Paint Watercolor Artwork Size 15x22

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Dead Che SDCC Orange Signed Vinyl Bust Sculpture by Frank Kozik Limited Edition Modern Pop Graffiti Street Art Artwork. 2010 Signed on Box & Dated Limited Edition of 50 Artwork Sculpture Size 10x16 2010 San Diego Comic Con SDCC California Orange Variant. The "Dead Che Orange Vinyl Bust Sculpture" by Frank Kozik is a captivating contemporary interpretation of the iconic revolutionary figure, Che Guevara. Crafted in vibrant orange vinyl, the bust showcases Kozik's unique blend of pop culture and political commentary. It features an intricately designed skeletal face, reflecting the title 'Dead Che', with meticulous attention to detail in the sculpting. This piece is a standout work of art that confronts viewers with a stark, bold exploration of history, revolution, and mortality. As with many of Kozik's creations, it serves as a provocative commentary on the ephemerality of life and the enduring impact of iconic figures.

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Box Cutter Clownz 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Jeff Rial Rare Street Art Famous Pop Artwork Artist.

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The Devil Made Me Do It Hand-Pulled 2-Color Silkscreen Print on Hand Deckled 290gsm Coventry Rag Paper by Artist Cleon Peterson Limited Edition Pop Art Artwork. 2022 Signed & Numbered Limited Edition of 300 Artwork Size 18x24 "The TRUTH image ran in the New York Times right before the election in the opinion feature, What Have We Lost. The Devil Made Me Do It & Divided We Stand, United We Fall were both made on January 6th in response to the Faustian bargain that Trump and his accomplices made in designing the coup. Today, we find ourselves at a crossroads; now, more than ever, we must come together, take a stand, exercise our voices, and fight for Truth and Democracy. Hopefully, daylight will cast off this right-wing authoritarian spell. I see these posters as markers of a historical time and feel a duty within to share my views. We're all exhausted by politics, but we must embrace the moment and take action because the threat is fundamental; our democracy could be gone in the blink of an eye." - Cleon Peterson. Cleon Peterson's Stark Commentary in "The Devil Made Me Do It" In the stark dichotomy of black and red, Cleon Peterson's "The Devil Made Me Do It" delivers a powerful visual commentary on the socio-political climate surrounding the events of January 6th, marked by the infamous U.S. Capitol riots. This hand-pulled 2-color silkscreen print on hand-deckled 290gsm Coventry Rag Paper emerges as a piece of street pop art and a historical marker, capturing a moment of intense national upheaval. Art as a Reflection of Societal Turmoil Peterson's artwork, a limited edition of 300 signed and numbered pieces, transcends the traditional boundaries of pop art. It embodies the artist's response to a fraught political landscape, reacting to the tumultuous events that shook the foundations of American democracy. The imagery of a man seemingly dancing while overshadowed by demonic figures speaks to the "Faustian bargain," suggesting a dance with the devil that echoes the betrayals and manipulations of political figures and the public seduced by their rhetoric. The title, "The Devil Made Me Do It," offers an ironic twist on the age-old excuse for succumbing to temptations and making morally questionable choices. Peterson's choice to release these works as a direct response to political events positions the artwork within a tradition of artists who use their craft to document and critique the times they live in. The visual language used in this piece is reminiscent of street art's often aggressive and provocative style, meant to engage the public in public spaces. The Role of Street Pop Art in Political Discourse Cleon Peterson's work exemplifies the role of street pop art in political discourse. Street art has always had a voice in the political arena, often serving as a raw expression of the people, unfiltered and unmediated. Through his work, Peterson extends this tradition by creating a piece that is both a reaction to and reflection of the political unrest that has characterized recent times. With its bold, unapologetic lines and vibrant colors, silkscreen printing makes "The Devil Made Me Do It" a commanding presence. It is a testament to the artist's ability to distill complex political and social emotions into a single, impactful image. In the tradition of street pop art, which often involves taking art out of the galleries and into the streets, Peterson's piece is designed to resonate with a broad audience, its message clear and accessible to all who encounter it. "The Devil Made Me Do It" is more than just a piece of pop art; it is a visual essay on the state of contemporary politics, a call to action, and a reminder of the power of art to reflect and affect change. It is a bold statement within the discourse of street pop art and graffiti artwork, capturing a moment when the world watched as democracy appeared to hang in the balance. Cleon Peterson's voice, through his art, adds to the chorus of those who advocate for truth and democracy, and his work remains a powerful example of how art can engage with and influence the political landscape.

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Anarchy Symbol- Glow in the Dark Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Frank Kozik. GID Jumango

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Dead Che Purple Signed Vinyl Bust Sculpture by Frank Kozik Limited Edition Modern Pop Graffiti Street Art Artwork. 2010 Signed on Box & Dated Limited Edition of 50 Artwork Sculpture Size 10x16 2010 Purple Che Variant. The "Dead Che Purple Vinyl Bust Sculpture" by Frank Kozik is a captivating contemporary interpretation of the iconic revolutionary figure, Che Guevara. Crafted in vibrant purple vinyl, the bust showcases Kozik's unique blend of pop culture and political commentary. It features an intricately designed skeletal face, reflecting the title 'Dead Che', with meticulous attention to detail in the sculpting. This piece is a standout work of art that confronts viewers with a stark, bold exploration of history, revolution, and mortality. As with many of Kozik's creations, it serves as a provocative commentary on the ephemerality of life and the enduring impact of iconic figures.

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Stop The Virus Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 28 x 19" black and red screen print. Printed on 290gsm Arches Rag paper with decked edges. Each print is signed and numbered. Limited edition of 100. Cleon Peterson’s world is full of merciless cruelty, chaotic debauchery, and a never-ending struggle to subvert power and oppression. His simple compositions entail complex connotations and an unsettling critique of society’s ever-growing disenfranchisement, isolation, and desperation. Looking at his work, one can easily understand that the artist is not advocating for violence, which he, instead weaponizes in the battle with apathy.

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Rise Against the System- Blue 8-Color Hand-Pulled Limited Edition Silkscreen Print on 300gsm Bristol Paper by MAD Rare Street Art Famous Pop Artwork Artist. 2021 Signed & Numbered Limited Edition of 30 Artwork Size 19.7x27.6 "Rise Against the System - Blue" presents itself as a profound visual statement in the portfolio of the artist known as MAD, whose identity often remains as enigmatic as the messages embedded within their art. This piece is particularly remarkable, not only for its vibrant aesthetic but also for its rarity and the technique used in its creation. It is a limited edition silkscreen print with only 30 pieces, each meticulously signed and numbered by the artist. It underscores its value to collectors and enthusiasts of street art and pop art alike. The artwork spans a generous 19.7x27.6 inches and is printed on robust 300gsm Bristol paper, a choice that speaks to the durability and high quality of the print. The artwork is an eight-color hand-pulled silkscreen, a traditional technique that imbues each print with a unique touch, diverging from the uniformity of mass-produced art. The image itself—a figure entrapped within a bottle—acts as a metaphor for the constraints and pressures of societal systems. The use of a Blue palette not only draws the eye but also may represent the idea of 'going Blue' or environmental consciousness, a theme often explored in contemporary street art. The figure's pose, one of active resistance against the confines of the bottle, is symbolic of the fight against oppressive structures, a recurring theme in street art's lexicon, which often seeks to challenge the status quo. MAD's piece resonates within the broader context of pop art through its accessible imagery and bold coloration, yet it retains the edginess and subversion characteristic of street art. This duality ensures "Rise Against the System - Blue" speaks a universal language, appealing to a broad audience while remaining deeply rooted in the cultural and political commentary that defines much of the street art movement. Through this work, MAD offers a compelling narrative on personal agency and liberation, creating a lasting visual impact that transcends the moment of its creation, cementing its place in the discourse of modern art.

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Anarchy Symbol- Black Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Frank Kozik. Signed 2009 Limited Edition of 800 Black Jumango

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Sedation of Millions AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2012 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Number 3 in A Gun Target Retnial With Phrase "IT TAKES THE SEDATION OF MILLIONS TO HOLD US BACK." "The "Sedation Of Millions" print is inspired by the title of my favorite Public Enemy album, "It Takes A Nation Of Millions To Hold Us Back." I think the biggest problem in America is the indifference and complacency about important issues that result from much of the population being perpetually hypnotized by conspicuous consumption, social media, entertainment, and self-medication. Using sedation and escapism for relief from the rat race might make us less aware(blissfully ignorant) but also less empowered to improve our role within the rat race… a vicious cycle of cause and effect." -Shepard Fairey The "Millions AP" silkscreen print by Shepard Fairey stands as a profound commentary on contemporary society through the lens of street pop art and graffiti artwork. As an Artist Proof from 2012, signed and marked by Fairey himself, this limited edition piece presents a powerful visual fused with a direct message characteristic of Fairey's thought-provoking style. Sized at 18x24, the print features the image of a gun target retinal, the number 3 prominently placed at its center, overlaid with the bold phrase "IT TAKES THE SEDATION OF MILLIONS TO HOLD US BACK." This artwork resonates with Fairey's ongoing exploration of control, power, and propaganda. The title and the thematic content pay homage to Public Enemy's album "It Takes A Nation Of Millions To Hold Us Back," channeling the spirit of resistance and the power of voice emblematic of the influential hip-hop group. Fairey's work challenges the viewer to consider the societal implications of complacency and the sedative effects of consumer culture, social media, and entertainment that contribute to a collective indifference toward critical issues. Shepard Fairey, renowned for his OBEY campaign and the iconic Obama "Hope" poster, consistently blurs the lines between fine art and street art, bringing forth discussions that encapsulate the ethos of both genres. The "Millions AP" silkscreen print serves not just as a piece of art but as a call to consciousness, urging a break from the "blissful ignorance" induced by escapism and advocating for empowerment through awareness and action. This work is a visual manifestation of Fairey's critique on the cyclical nature of societal sedation and the importance of awakening from it to enact change within the systems that govern daily life. In the broader scope of street pop art and graffiti, Fairey's "Millions AP" print encapsulates the essence of the medium's capacity to reflect and impact cultural dialogue. It is a testament to the potential of visual art as a medium for social commentary and a marker of the time in which it was created.

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