Propaganda

Money and Power- Yellow Hand-Pulled 1-Color Silkscreen Print on Hand Deckled 290gsm Arches Rag Paper by Artist Cleon Peterson Limited Edition Art Artwork. 2022 Signed & Numbered Limited Edition of 75 Artwork Size 18x18 "Money and Power have become primary drivers in the modern world, pushing us toward a corrupt society. The days when our leaders looked out for the people's interests have become a thing of the past—replaced by the strong man who squashes the voices of dissent to set things straight. Money elects leaders; in return, they owe a debt to the people that put them in Power—enacting our new public policy of greed and gangster capitalism. We slowly accept corruption, Law slowly fades away, and people begin to feel like democracy and a fair and equitable society were always just an illusion, a dream from the past that never really even existed." -Cleon Peterson Money and Power by Cleon Peterson – Yellow Edition Silkscreen Print in Street Pop Art & Graffiti Artwork Money and Power by Cleon Peterson is a visually forceful hand-pulled 1-color silkscreen print produced in a striking yellow edition. Created in 2022 as a signed and numbered limited edition of only 75, this 18x18 inch artwork is printed on 290gsm Arches rag paper with hand-deckled edges, reinforcing its raw and crafted authenticity. Set against a saturated yellow background, the black silhouettes of uniformed figures march in unison beneath a banner marked with a dollar sign. This aggressive formation of faceless, weapon-bearing agents symbolizes how capital and authority have become intertwined forces shaping modern life. The contrast of black on yellow sharpens the urgency of the message, evoking caution signs and industrial warnings, reflecting the dangers of unchecked power. It is a bold statement, stark and deliberately unambiguous in its critique of political and economic systems. Cleon Peterson’s Visual Protest Against Gangster Capitalism American artist Cleon Peterson, born in 1973, has become known for creating art that exposes the mechanics of dominance, submission, and systemic violence. In Money and Power, Peterson addresses what he terms gangster capitalism—the merging of financial interest and authoritarianism. This yellow edition is not merely an aesthetic variation; it magnifies the intensity of the warning. The figures are rendered without individuality, acting not as civil servants or protectors but as enforcers of a corrupt economic order. Each character, with one hand saluting and the other gripping a firearm, marches without deviation under a banner where money is the emblem. Peterson’s use of militarized repetition critiques the dehumanization that occurs when loyalty is bought and dissent is extinguished by force. The visual simplicity masks a deeply complex message: society has drifted from democratic ideals into a structure where the value of life is weighed against the price of power. Symbolism and Execution in the Yellow Silkscreen Edition This edition’s choice of yellow background plays a crucial role in reinforcing the thematic content. Yellow, typically associated with visibility and warning, brings a harsh clarity to the disturbing unity of the figures. It forces the viewer to confront the image directly, without distraction or ambiguity. The hand-pulled technique and 1-color silkscreen process ensure that each print carries the physical presence of the artist’s vision, resisting digital detachment. Hand-deckled paper adds an organic imperfection that contrasts with the mechanical rigidity of the marchers, underscoring the tension between individual craftsmanship and institutional conformity. The entire composition operates as a visual manifesto, presenting a world where money is not simply a tool but a banner under which violence, obedience, and corruption are normalized. Money and Power as a Defining Work in Street Pop Art & Graffiti Artwork Money and Power belongs squarely in the tradition of Street Pop Art & Graffiti Artwork. It communicates political urgency through direct visual language, staying rooted in the protest origins of graffiti and the bold iconography of pop art. Peterson’s work challenges systems of authority by confronting viewers with uncomfortable truths, using art not for decoration but for disruption. This yellow edition distills contemporary disillusionment into one unforgettable image, showing how democracy erodes when capital becomes the highest power. As with all of Peterson’s most impactful works, it does not ask for quiet reflection—it demands awareness and accountability. It stands as a limited yet forceful artifact of protest, frozen in print but echoing across modern political consciousness.

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Rise Against the System- Pink 8-Color Hand-Pulled Limited Edition Silkscreen Print on 300gsm Bristol Paper by MAD Rare Street Art Famous Pop Artwork Artist. 2021 Signed & Numbered Limited Edition of 30 Artwork Size 19.7x27.6 "Rise Against the System - Pink" presents itself as a profound visual statement in the portfolio of the artist known as MAD, whose identity often remains as enigmatic as the messages embedded within their art. This piece is particularly remarkable, not only for its vibrant aesthetic but also for its rarity and the technique used in its creation. It is a limited edition silkscreen print with only 30 pieces, each meticulously signed and numbered by the artist. It underscores its value to collectors and enthusiasts of street art and pop art alike. The artwork spans a generous 19.7x27.6 inches and is printed on robust 300gsm Bristol paper, a choice that speaks to the durability and high quality of the print. The artwork is an eight-color hand-pulled silkscreen, a traditional technique that imbues each print with a unique touch, diverging from the uniformity of mass-produced art. The image itself—a figure entrapped within a bottle—acts as a metaphor for the constraints and pressures of societal systems. The use of a Pink palette not only draws the eye but also may represent the idea of 'going Pink' or womanhood consciousness, a theme often explored in contemporary street art. The figure's pose, one of active resistance against the confines of the bottle, is symbolic of the fight against oppressive structures, a recurring theme in street art's lexicon, which often seeks to challenge the status quo. MAD's piece resonates within the broader context of pop art through its accessible imagery and bold coloration, yet it retains the edginess and subversion characteristic of street art. This duality ensures "Rise Against the System - Pink" speaks a universal language, appealing to a broad audience while remaining deeply rooted in the cultural and political commentary that defines much of the street art movement. Through this work, MAD offers a compelling narrative on personal agency and liberation, creating a lasting visual impact that transcends the moment of its creation, cementing its place in the discourse of modern art.

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Reality Television- PP Archival Pigment Print Limited Edition Trump Artwork Print on Fine Art Paper by Modern Pop Culture Artist Scott Listfield. PP Printers Proof 2014 Signed 13x19 Archival Pigment Print 5 of 5

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In Honor of Vincent Jen Chin 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x Gordon Cheung Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print IN HONOR OF VINCENT JEN CHIN 18 inches by 24 inches Edition of 350 August 18, 2021 Minor Bumbs To Extreme LowerLeft Facing Side In this politicised pandemic crisis through which the previous leader of the most powerful nation in the world labelled coronavirus as China-Virus and its various forms, the consequences of racist blame has led to manifold increases in hate crimes against Asians. I hope this collaboration between Shepard and myself can raise awareness about the long history of anti-Asian hate and the important legacy of Vincent Chin whose untimely death in 1982 galvanised the people to demand Asian American civil rights. This current crucial moment in history calls for a gathering of momentum where Asian diaspora voices should go loud and proud. To stand together, advocate for change and collectively build bridges of understanding over glass ceilings and walls of hate. -Gordon Cheung

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Presidents Day- Punk 6-Color Hand-Pulled Limited Edition Silkscreen Print on Hand-Deckled Fine Art Paper by Mr Brainwash- Thierry Guetta Rare Street Art Famous Pop Artwork Artist. 2018 Signed & Numbered Limited Edition of 50 Artwork Size 18x22 In recognition of President's Day, Mr. Brainwash is proud to announce the release of a new screenprint honoring America's first president, George Washington. An image depicting four different poses was designed by Mr. Brainwash. A 6 color screenprint on hand-torn archival art paper. Also available will be individual prints of the four images that make up the large print. Each screenprint is on hand-torn archival art paper and is signed and numbered, with a thumbprint on the back. Individual print size: 22 x 18 in

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Eyes On The King Verdict 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x Ted Soqui Rare Street Art OBEY Pop Artwork Artist. 2022 Signed by Shepard Fairey & Ted Soqui, Numbered 18x24 inches. Screenprint on thick cream Speckletone paper. Numbered edition of 600. "I based this “Eyes on the King Verdict” print on photos taken by Ted Soqui during the LA riots of spring 1992. Ted has a long history of photographing activists and protests, which began after the “not guilty” verdicts on April 29, 1992, for the four officers who severely beat Rodney King. I especially love the central pic of a young woman protester in a Malcolm X hat contemplating the scene. I think it is important to consider the symbolic weight of the Rodney King verdict and the emotional impact on communities of color seeking justice and accountability. At the time, 30 years ago, I remember feeling enraged that such a blatant act of police brutality was going unpunished when it was captured on video. It is heartbreaking how frequently similar acts of violence and abuse of power by law enforcement have gone unpunished, even when caught on camera. I don’t ever condone violence or looting, but I understand why LA erupted in riots and protests after the King verdict. When people feel that the American system has failed them repeatedly, things can reach a boiling point. The urge to protest injustice and the right to do so are legitimate, even if looting is not legitimate. The LA riots were a tragic mixture. However, beware of those who try to conflate protest with “criminal agitation” or “inciting a riot.” When the system fails the people, it is nothing short of patriotic for the people to protest for a solution. Ted Soqui and I both signed the “Eyes on the King Verdict” print.” – Shepard

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Bias by Numbers- Large Format 30X42 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered, Bias by Numbers 30 inches by 42 inches Edition of 89 June 3, 2019 “Bias by Numbers” addresses racial bias in policing, criminal justice, and media culture. Racial bias in policing and criminal justice has a long history, including stats like – black people being five times more likely to be stopped and searched than white people, and four times more likely to be subjected to unnecessary use of force, or four times more likely to be killed by the police when unarmed. The statistics revealing racial bias in prosecution and sentencing are compelling as well. Though recreational drug use is equally common in both predominantly black communities and predominantly white communities, convictions for drug possession are almost six times higher for blacks. Blacks frequently receive longer prison sentences than whites contributing to African Americans being incarcerated at more than five times the rate of whites.

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Boos- Mario Propaganda Artwork Giclee Limited Edition Print on Light Fine Art Paper by Pop Culture Graffiti Artist Fernando Reza (Fro). Super Mario as we all know has been a sensational video-game character in the world. He is well known as the hero jumping character who tries to rescue Princess Peach from the enemy Bowser and his minions. But what if, Mario was the one who causes chaos through the land? Today, we will see a slightly different plot from the usual. Fernando Reza is a Los Angeles-based illustrator who has created Mario WW2 Propaganda. It is a series of World War II inspired poster illustrations that depict a revolution of the Koopa race against “The Red Menace” – Mario

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War Pigs 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Jeff Rial Rare Street Art Famous Pop Artwork Artist.

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Little Big Man- Black On Red Hand-Pulled 2-Color Silkscreen Print on 290gsm Coventry Rag Paper Deckled Edges by Artist Cleon Peterson Limited Pop Art Artwork. 2018 Signed & Numbered Limited Edition of 150 Artwork Size 18x24 Cleon Peterson (b. 1973) Little Big Man (Black on Red), 2018 Screenprint in colors on Coventry Rag paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 149/150 Signed and numbered in pencil along lower edge Published by the artist "Little Big Man Black On Red" is a silkscreen print by Cleon Peterson, an American artist known for his bold, graphic style and provocative themes. Peterson's work often explores the darker aspects of human nature, such as violence, power struggles, and societal chaos. His art is heavily influenced by his experiences with drug addiction and recovery, which give his work a unique perspective on the human condition. In "Little Big Man Black On Red," Peterson employs his signature high-contrast color palette, featuring black figures puppeteering President Donald Trump set against a bright red/orange background. The silkscreen print depicts a chaotic scene of figures engaged in various acts of violence and domination. This piece is part of a larger body of work by Peterson, which often addresses themes of power dynamics and the cyclical nature of violence. As a silkscreen print, "Little Big Man Black On Red" is produced using a stencil-based printing process. In this method, an artist creates a stencil, or screen, for each color layer in the artwork. Ink is then pushed through the screen onto a surface, such as paper or canvas. This process allows for the creation of multiple identical prints, which are typically produced in limited editions and signed by the artist. The silkscreen technique is often used by artists for its ability to produce bold, vibrant colors and clean, sharp lines, which are evident in Peterson's striking compositions.

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Money and Power- Black Hand-Pulled 1-Color Silkscreen Print on Hand Deckled 290gsm Arches Rag Paper by Artist Cleon Peterson Limited Edition Art Artwork. 2022 Signed & Numbered Limited Edition of 75 Artwork Size 18x18 "Money and Power have become primary drivers in the modern world, pushing us toward a corrupt society. The days when our leaders looked out for the people's interests have become a thing of the past—replaced by the strong man who squashes the voices of dissent to set things straight. Money elects leaders; in return, they owe a debt to the people that put them in Power—enacting our new public policy of greed and gangster capitalism. We slowly accept corruption, Law slowly fades away, and people begin to feel like democracy and a fair and equitable society were always just an illusion, a dream from the past that never really even existed." -Cleon Peterson Money and Power by Cleon Peterson – A Stark Allegory of Corruption in Street Pop Art & Graffiti Artwork Money and Power is a powerful black hand-pulled 1-color silkscreen print created by Cleon Peterson in 2022. Produced in a limited edition of just 75 signed and numbered pieces, this 18x18 inch artwork is printed on 290gsm Arches rag paper with hand-deckled edges, emphasizing its artisanal quality and rarity. The stark yellow figures and flag, laid over a deep black background, serve as a searing visual metaphor of political decay and societal control. With simplified, militaristic forms, Peterson’s composition marches forward in rigid formation, symbolizing a collective submission to authoritarian rule driven by capitalist greed. The central banner bearing a dollar sign encapsulates the theme in one potent glyph: money has become the new god, the flag under which societies now march. Cleon Peterson's Street Pop Art & Graffiti Artwork – A Violent Mirror of Power Structures Cleon Peterson, born in the United States in 1973, is known globally for his uncompromising and provocative style that merges elements of street art, pop iconography, and a graffiti aesthetic into biting social commentary. His work does not rely on subtlety but instead confronts the viewer with raw and unsettling imagery. In Money and Power, Peterson explores how capitalist motives have become indistinguishable from systems of governance. The faceless, weapon-wielding figures invoke totalitarian control, with each character's uniformity and march-step illustrating the erasure of individual thought and freedom. Peterson’s use of a single bold color evokes propaganda art, recalling wartime posters and dictatorial regimes, reinforcing the critique that today’s economic elites and political figures have blended into a single oppressive force. Money and Power as a Visual Manifesto Against Gangster Capitalism This piece stands as a visual thesis against what Peterson terms gangster capitalism. He expresses the idea that leaders are no longer elected to serve the public good but instead owe their power to financial interests. These interests then dictate policy, ensuring that the cycle of wealth consolidation and systemic inequality continues unchecked. In the artwork, the figures do not march for justice or liberty, but for power sustained by money. The gun in each figure's hand underscores how violence or the threat of it is now a normalized tool for maintaining order in this corrupt structure. As law and accountability fade, Peterson’s image becomes a grim prophecy, showing a society where control is absolute and voices of dissent are methodically extinguished. A Defining Work in Modern Political Street Pop Art & Graffiti Artwork Money and Power exemplifies the essential mission of street pop art and graffiti artwork: to challenge viewers, provoke thought, and expose uncomfortable truths. Peterson uses minimalist design to deliver a maximalist message—every line, posture, and symbol communicates urgency and danger. The limited nature of the piece and the labor-intensive silkscreen technique elevate its importance as a collectible while preserving the raw authenticity central to street and graffiti art origins. It operates not merely as a print but as a declaration—one that distills Peterson’s disdain for performative democracy and unregulated capitalism into a concise, unforgettable image. The work’s impact lies in its clarity and its refusal to soften the critique, marking it as a seminal moment in Peterson’s body of work and a critical reflection of our time.

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Burn Baby Burn 2-Color Hand-Pulled Limited Edition Letterpress Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 10 inches by 13 inches Edition of 450 February 2, 2021 About Burn Baby Burn, inspired by the aesthetics of “live fast – die young” rock ’n’ roll, is a critique of some harmful habits we are addicted to. Not just the harmful effects of burning fossil fuels, but also the dangerous psychology of denial and nihilism that underpins the apathy toward the planet’s future (and ours)! Whether it is the defiant greed of the fossil fuel corporations or the indifference of a public comfortable with status quo habits around fossil fuels, further delay in transitioning to renewable energy sources will be catastrophic for the planet and all of its species. I know that none of us like the idea of disrupting a comfortable habit.-Shepard Fairey

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Shoplifters Welcome Silkscreen Print by Shepard Fairey- OBEY x Jamie Reid Hand-Pulled Screen Print on Cream Speckletone Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 450 Artwork Size 18x24 Created to Commemorate Reid's Ragged Kingdom Exhibition, March 16 to April 14, 2012. Shows a Hand Removing Laws From A Brief Case Infering Wall Street Money Regulations. "Jamie has been one of my biggest influences, and I'm honored that we worked on some collaborative images for the show. The new images deal with the mutual interests of Jamie and I, addressing the timeless problems of corruption and wealth inequality, but tie into the current themes of Occupy Wall Street and the dead end of fossil fuel consumption." -Shepard Faire.y Shepard Fairey's Collaboration with Jamie Reid in Street Pop Art The "Shoplifters Welcome Silkscreen Print" is a remarkable intersection of street pop art and political commentary, created by the influential Shepard Fairey in collaboration with Jamie Reid. This limited edition hand-pulled screen print on cream speckletone art paper is a testament to the potency of visual art as a tool for social critique. Released as part of Jamie Reid's Ragged Kingdom exhibition from March 16 to April 14, 2012, this artwork resonates with anti-establishment and dissent themes common in street pop art and graffiti artwork. Shepard Fairey, renowned for his OBEY campaign and the iconic Obama "Hope" poster, has a history of infusing his work with sharp political insights. The artwork in discussion depicts a hand removing laws from a briefcase, a direct inference to the deregulation of Wall Street and the unshackling of financial institutions from legal constraints. This visual metaphor conveys the message of wealth inequality and corruption, both highly relevant to the zeitgeist of the early 2010s, especially in the Occupy Wall Street movement. Artistic Expression of Sociopolitical Issues The collaborative nature of this artwork, involving both Shepard Fairey and Jamie Reid, underscores a shared commitment to addressing pressing societal issues through art. Fairey's statement about the collaboration highlights their mutual interest in tackling the "timeless problems of corruption and wealth inequality," themes that are also deeply embedded in the philosophy of street pop art. The artwork becomes a canvas for discourse, echoing the sentiments of public protests and movements that call for justice and economic reform. In creating the "Shoplifters Welcome" piece, Fairey and Reid tap into the legacy of street pop art's ability to reach a broad audience. Street pop art, often found in public spaces, speaks directly to the masses, unfiltered by the gatekeeping of traditional art venues. Though housed within the confines of an exhibition, this print carries the spirit of street art by being a piece of graffiti artwork that one can own—a symbol of both rebellion and commodification. The limited edition nature of the print, being one of only 450, adds a layer of exclusivity to a piece that speaks about wealth disparity, creating an exciting tension between the artwork's message and its status as a collectible item. Each print, signed and numbered by Fairey, is a piece of art and a statement about the artist's role in society—as an observer, a critic, and a participant in the cultural dialogue about power and money. This artwork, sized 18x24, encapsulates a period of intense socio-political activism, serving as a historical document that captures the essence of the early 2010s. The stark imagery, reminiscent of propaganda art, is both a nod to the past and a commentary on the current state of affairs. It draws a parallel between the actions on Wall Street and the broader issues of regulatory oversight and the power imbalance, which remain relevant in discussions about the economy and governance. In the larger context of street pop and graffiti artwork, Shepard Fairey and Jamie Reid's "Shoplifters Welcome" print is a powerful reminder of art's role in society. It bridges the gap between aesthetic appeal and social commentary, functioning as a visual manifesto that calls for reflection and action. The piece is not merely an artwork to be viewed but a conversation starter, a call to arms, and a historical artifact.

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We Own the Future Hand-Pulled 2-Color Silkscreen Print on Cream Speckletone Art Paper by Pop Graffiti Artist Shepard Fairey- Obey x Antonino D'Ambrosio Rare Street Art Limited Edition Artwork. 2013 Signed by Shepard Fairey/Antonino D'Ambrosio & Numbered Limited Edition of 450 Artwork Size 18x24 Shepard Fairey X Antonino D'Ambrosio We Own the Future The Makers of Fire Transform Our World With Creative Response, 2013 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered, and dated in pencil along the lower edge. Published by Obey Giant, Los Angeles The "We Own the Future" silkscreen print by Shepard Fairey is part of his OBEY Giant series, which has become a hallmark of his street artist and graphic designer work. Known for his bold, iconic imagery and thought-provoking messages, Fairey has created numerous artworks that inspire conversation and challenge societal norms. "We Own the Future" is no exception. The print features a striking design with a central figure surrounded by bold typography and a collage of patterns and shapes. The artwork evokes a sense of empowerment and optimism, encouraging the viewer to consider their role in shaping the future. As with many of Fairey's works, the piece incorporates his signature use of color, particularly red, to create a strong visual impact. Although Shepard Fairey is often associated with his iconic "Hope" poster featuring Barack Obama during the 2008 presidential campaign, "We Own the Future" does not have any direct connection to Obama. Instead, this artwork is part of Fairey's broader body of work, which encompasses a range of themes and messages that often revolve around social issues, activism, and the power of the individual.

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Divided We Stand, United We Fall Hand-Pulled 2-Color Silkscreen Print on Hand Deckled 290gsm Coventry Rag Paper by Artist Cleon Peterson Limited Edition Pop Art Artwork. 2022 Signed & Numbered Limited Edition of XXX Artwork Size 18x24 "The TRUTH image ran in the New York Times right before the election in the opinion feature, What Have We Lost. The Devil Made Me Do it & Divided We Stand, United We Fall were both made on January 6th in response to the Faustian bargain that Trump and his accomplices made in designing the coup. Today we find ourselves at a crossroads; now, more than ever, is the time we need to come together, take a stand, exercise our voices, and fight for Truth and Democracy. Hopefully, daylight will cast off this right-wing authoritarian spell. I see these posters as markers of a historical time and feel a duty within to share my views. We’re all exhausted by politics, but we must embrace the moment and take action because the threat is fundamental; our democracy could be gone in the blink of an eye." - Cleon Peterson The connection of Peterson with street art is also an aspect of his work worth mentioning. Even though he has created numerous murals all over the world, the artist himself does consider himself a street artist: “I don’t think of myself as a street artist or somebody that does work in that vein, but I love the idea of doing large paintings that confront people.”. This is revealing of his motivation to make his art as accessible as possible, as a way to invite the viewers to interact with it and confront the subjects the artist is interested in addressing. This brings up the following questions concerning the art of Peterson: “What is the meaning of it? Does it have a meaning after all? If yes, is this pre-determined by the artist? In order to better understand the way meaning is created in the world of Cleon Peterson, it is essential to, primarily, understand the way he perceives the media as a field of allegations, unbased rumors, suppositions and outright lies. In the world that the artist has created and, in correlation with our own reality, media is a tool of manipulation in the hands of politicians, leaving us helpless and in the mercy of an exploitative authoritarian system.

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Te LoJuro- To Be Fearless Limited Edition Hand-Embellished HPM Spray Paint Archival Pigment Prints on Moab Entrada Rag Bright 290gsm Fine Art Paper by Indie184 Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 15 Artwork Size 13x17 2021 Signed Limited Edition TE LO JURO - TO BE FEARLESS• Autographed archival pigment print • Additional unique paint embellishment on Moab Entrada Rag Bright 290 GSM archival paper • 14 x 17 inches Hand-embellished, signed and numbered by artist Indie184 in a special embellished edition of 15

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Factory Stacks- Endless Power 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed by Shepard Fairey Numbered 18x24 inches. Screenprint on thick cream Speckletone paper. Numbered edition of 350. "These “Factory Stacks” images combine the austere, angular power of factory architecture with graphic elements commenting on what we promote and embrace as a society even when those things are destructive. The fossil fuel industries have tremendous power economically, but we now know that not only are fossil fuel sources finite but that using them is terrible for climate change and, therefore, the eco-systems that sustain life on our planet. Unfortunately, due to the political power of these industries and public apathy about climate change, the government subsidizes the fossil fuel industries for billions even as they damage the environment. The government works for the citizens, so the choice is ours. Do we support endless power for wealthy fossil fuel corporations? Or policies that put the earth first with the planet before profits? Please read Naomi Klein’s THIS CHANGES EVERYTHING to better understand the conflict between economic interests and climate change. A portion of the proceeds from the sale of this print will go to Greenpeace to fight climate change. Thanks for caring.” – Shepard Factory Stacks – Endless Power Silkscreen Print by Shepard Fairey Factory Stacks – Endless Power is a bold 6-color silkscreen print created in 2022 by Shepard Fairey, one of the most influential figures in Street Pop Art & Graffiti Artwork. Measuring 18x24 inches, this signed and numbered limited edition of 350 is printed on thick cream Speckletone paper and embodies Fairey’s hallmark aesthetic: a fusion of propaganda-style composition, socio-political messaging, and graphic design precision. It continues his Factory Stacks series, a visual campaign aimed at confronting environmental and systemic imbalances, particularly those surrounding the fossil fuel industry. Visual Language of Industrial Dominance This piece presents twin smokestacks emerging from a factory, exhaling thick plumes of smoke that bend into geometric arcs against a fractured backdrop. The composition is both imposing and elegant, rendered in Fairey’s signature palette of red, blue, cream, and black with accents of gold and grey. A section in the upper corner features graphic symbols such as currency and uniformed authority figures with the text “Endless Power,” visually connecting fossil fuel dependency to state and corporate control. Below, flames lick at the base of the structure, symbolizing destruction masked as progress. The stylized imagery and bold silhouettes evoke retro political posters, transforming the factory into an icon of unchecked industrial ambition. The title “Endless Power” is a biting irony. It speaks to the illusion of limitless energy consumption enabled by fossil fuels while referencing the political power structure that sustains this destructive system. Fairey uses the visual metaphor of pollution and fire not just as environmental warning signs, but as emblems of capitalism's refusal to pivot toward sustainability. Fine Art Printmaking as Street-Level Protest This edition is hand-pulled and silkscreened, showcasing Fairey’s technical prowess in layering crisp lines and vibrant color fields. The physicality of screenprinting—each layer applied with intention—parallels the artist’s belief in direct action. The Speckletone stock used adds texture and weight, reinforcing the piece’s physical presence and link to protest posters of the past. As a printmaker rooted in the street art tradition, Fairey embraces reproducibility without sacrificing uniqueness. His screenprints are both fine art artifacts and tools of mass communication. Factory Stacks – Endless Power does not rely on abstraction. It forces clarity, making its environmental critique visually immediate and emotionally provocative. Political Commentary Through Graffiti-Inspired Aesthetics Fairey’s work consistently straddles the space between fine art and graffiti, and this piece is no exception. By including symbols of nationalism, money, and smoke stacks, he aligns corporate power and environmental degradation in a single visual language. As part of the OBEY Giant campaign's broader ethos, the artwork invites viewers to question the legitimacy of authority, capitalism, and consumption. In the lower left of the piece, Fairey embeds the edition number and his signature, reinforcing its status as a collectible. Yet unlike conventional gallery art, this piece was made to communicate with the public. A portion of the proceeds from this release was donated to Greenpeace, underscoring the artist’s commitment to activism through art. Factory Stacks – Endless Power is not a lament—it is a visual demand. It reminds viewers that power, both political and industrial, is not endless unless people allow it to be. Through the bold format of Street Pop Art & Graffiti Artwork, Shepard Fairey transforms a grim industrial skyline into a battleground of ideas, urging action before the smoke becomes irreversible.

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Universal Dignity 4-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed Limited Edition Print. 18 inches x 24 inches Edition of 600 June 3rd, 2022 "The “Universal Dignity” print aims to promote peace, equality, and humanity. I’d like to see a fundamental assumption that ALL people deserve respect and human dignity. This applies to the universal meaning of dignity, to be valued, and respected for what you are, what you believe in, and how you live your life. I consider myself a global citizen, and though I think the nations serve a structural function, all people should be equal, and everyone’s life counts the same regardless of where they live." -Shepard Fairey

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Nuestros Exitos Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ernesto Yerena Montejano x Arlene Mejorado Graffiti Street Artist Modern Pop Art. 2015 Signed Edition of 150 “Nuestros Éxitos” translation “Our success are the efforts of our parents” collaboration between Ernesto Yerena & Arlene Mejorado 18”x24” 6 color Screenprint

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Creativity, Equity, Justice Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2019 Signed & Numbered Limited Edition of 450 Artwork Size 18x24 Silkscreen Print "This print is a portrait of Anjel Newmann, Director of Programs and Youth Director of AS220 – a non-profit community arts organization based in downtown Providence with whom I’ve worked since the ’90s. AS220 is important to me because they have cultivated a creative community that continues to have a profoundly transformative impact on the city. I’m inspired by Anjel’s dedication to this organization, where she’s been a member since she was 13 years old, learning from a diverse set of communities and facilitating access to opportunities for young people across the city of Providence. Thank you Anjel and AS220 for all that you do for the people of Rhode Island!⁠" -Shepard Fairey- OBEY In the vibrant intersection where art meets activism, Shepard Fairey’s silkscreen print stands as a testament to the power of creative expression as a tool for social change. Released in 2019, this limited edition piece, signed and numbered with a run of 450, encapsulates Fairey’s longstanding commitment to community engagement through art. The 18x24 artwork, hand-pulled on Cream Speckletone fine art paper, is not only a visual treat but a beacon of inspiration, embodying the themes of creativity, equity, and justice. At the heart of this print is a portrait of Anjel Newmann, a figure who represents the enduring impact of AS220, a non-profit community arts organization in Providence, Rhode Island. Newmann's involvement with AS220 began at the tender age of 13, and her journey to becoming the Director of Programs and Youth Director showcases the nurturing power of such institutions in cultivating artistic talent and leadership among the youth. Fairey, having collaborated with AS220 since the 1990s, celebrates not only the individual journey of Newmann but also the broader ethos of the organization. AS220’s pivotal role in fostering an inclusive arts community and providing a platform for marginalized voices is central to Fairey's narrative. The artwork itself is a visual confluence of Fairey's signature style with poignant messaging. Words like "Creativity," "Equity," and "Justice" are prominently featured, aligning with the larger message that Fairey perpetuates through his work—art as a mechanism for societal upliftment and personal liberation. His use of bold, contrasting colors and geometric patterns draws the eye, compelling the viewer to contemplate the interconnectedness of the artistic elements with the profound themes presented. Fairey’s choice of Anjel Newmann as the subject speaks volumes about the role models that inspire his work. By highlighting Newmann's dedication to AS220, Fairey not only honors her and the organization but also emphasizes the importance of creative communities in driving positive social change. This print transcends its aesthetic appeal, standing as a symbol of hope and a call to action, urging viewers to rise above challenges and contribute to the collective journey towards a just society. It is a celebration of Fairey’s enduring relationship with AS220 and his unwavering belief in art as a catalyst for progress.

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Save The World Deck- Multi-Color Limited Edition Silkscreen Skateboard deck art by street pop culture artist Rip N Dip. Limited Run Designer Skateboard Deck.

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Make Art Not War 18x24 2009 Offset Lithograph Print by Shepard Fairey Limited Edition Graffiti Artwork on Semi Glossy Fine Art Paper. 2009 Make Art Not War Size 18x24 From Shepard Fairey's Art Show in Boston, MA Out of Print

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Resist Colonialism 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Ernesto Yerena Montejano (Hecho Con Ganas) Famous Mexican American Pop Artwork Artist. 2019 Signed & Numbered Limited Edition of 100 Size 18x24 "Resist Colonialism" is a commanding visual statement by Ernesto Yerena Montejano, a name synonymous with vibrant expressions of cultural identity and political activism within the contemporary art scene. This 2-color hand-pulled limited edition silkscreen print, produced under his studio label Hecho Con Ganas, captures the essence of resistance against colonial powers and their historical narratives. Created in 2019, it is a testament to Yerena Montejano's dedication to fusing art with social commentary. The artwork, sized at 18x24 inches, is a limited edition with only 100 signed and numbered pieces, adding an exclusive aspect to its acquisition. The artist's Mexican-American heritage profoundly influences the imagery and themes present in his works, and "Resist Colonialism" is no exception. The stark contrast of the red and black ink, a hallmark of silkscreen printing, resonates with the simplicity yet power of revolutionary posters, echoing the visual language of protest and propaganda throughout history. Yerena Montejano's choice of symbols, juxtaposing a pirate ship bearing both the emblems of hazardous material and the iconic skull and crossbones, underscores the danger and death associated with colonial conquests. The backdrop, an unyielding red circle, could be interpreted as a reference to the rising sun, symbolizing a new dawn of awareness and opposition to colonialism. The inclusion of the raised fist, a universal sign of solidarity and resistance, further amplifies the print’s message, urging onlookers to acknowledge past transgressions and take a stand against the lingering effects of colonialism. This piece of art resonates within the pop art, street art, and graffiti art movements due to its accessible yet poignant visual language. It uses the aesthetics everyday in these art forms to engage the public discourse on decolonization and indigenous rights. As with many of his works, Yerena Montejano's "Resist Colonialism" print is not just a piece of art to be admired for its aesthetic merits but also serves as a mobilizing agent that encourages viewers to reflect on complex socio-political issues. His ability to distill fervent political messaging into compelling graphic art has cemented his status as a crucial voice in the conversation about identity, culture, and activism within the art world.

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Two Americas- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Varnished 100% Cotton Rag Archival Paper with hand-deckled edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. 4-Color Serigraph on Varnished 100% Cotton Rag Archival Paper. 30 x 40 inches. Signed by Shepard Fairey. Numbered edition of 100. Jim Marshall's photograph of a coal mining family in Hazard, Kentucky, taken while he lived with them, says a lot with what it shows, which is a mother and two children huddled together in support of each other, but it says just as much with what it lacks. There is a conspicuous absence of material necessities and a father. I don't know whether the father was working in a coal mine when the photograph was taken or had potentially died young because of the health risks of working under dangerous conditions, but it is clear that the family is struggling and lacking.

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Vota! Alto Al Fascismo Hand-Pulled 4-Color Silkscreen Print on Fine Art Paper by Artist Shepard Fairey Obey x Ernesto Yerena Montejano- Hecho Con Ganas Limited Edition Artwork. 2020 Signed by Both Artists & Numbered Limited Edition of 450 Artwork Size 18x24 “It’s an honor to once again collaborate with Shepard and NDLON (National Day Laborer Organizing Network) and release this new rendition of the We Are Human poster that we originally made over 10 years ago. This image is titled ‘Vote! Stop Fascism.’ The proceeds will go into printing more posters and also a massive sticker run to be given out in cities all across the country. Let’s ban together to Stop Fascism and make sure that we get Trump out of power! Thanks.” -Ernesto Yerena The realm of contemporary art has often been a platform for political expression, especially in genres like pop art, street art, and graffiti art. One striking example that stands out from recent times is the "Vota! Alto Al Fascismo" artwork, a hand-pulled 4-color silkscreen print on fine art paper. This piece is the brainchild of two phenomenal artists, Shepard Fairey of the Obey fame, and Ernesto Yerena Montejano from Hecho Con Ganas. Both artists are renowned for their bold stances and vibrant portrayals of socio-political issues, and this particular piece showcases their combined brilliance. Released in 2020, the artwork is not just a statement piece but a testament to the urgency and significance of the message it conveys. Limited to an edition of 450, each artwork is meticulously signed by both Shepard and Ernesto, indicating their personal commitment to the cause it represents. The dimensions of 18x24 make it a conspicuous piece, ensuring that the message is both seen and felt. Drawing inspiration from a decade-old "We Are Human" poster, this modern rendition emphasizes the importance of voting and the dire need to halt the rise of fascism. Ernesto's comment further illustrates the core motive behind this collaboration, shedding light on the broader aim of disseminating the message across cities nationwide through posters and stickers. Engaging, evocative, and ever-relevant, the "Vota! Alto Al Fascismo" artwork seamlessly blends the boundaries between art and activism. As pop art and street art evolve, such pieces remain a testament to their profound impact on society, urging viewers to take action and be part of a larger movement.

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Open Minds 4-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print OPEN MINDS 36 inches by 24 inches Edition of 675 February 3, 2022 Handling Creases to Bottom Left & Right Margins. This “Open Minds” print references the language used by the powerful fuel industry lobby to soften political and public resistance to fracking. Fracking is a form of gas extraction which beyond the carbon impact of the gas itself, contaminates groundwater, pollutes the air, and creates strains on water resources because of the high volume of water required for the fracking process. Open-mindedness about any of those detrimental impacts of fracking and other fossil fuel extraction is absurd if one cares about the environment, air and water quality, and global warming. Powerful corporations and their lobbyists spend exorbitant sums to distract from and discredit the science-based conversation about the environment. I’m all for open minds and open eyes when it comes to putting science and the welfare of the planet before corporate profits. A portion of the proceeds from this print will benefit Greenpeace to support its work to enhance environmental protections and combat climate change. – Shepard

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Buy Z-Bonds- Zombie Apocalypse Propaganda Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ron Guyatt Graffiti Street Artist Modern Pop Art. Artist Ron Guyatt created this great propaganda poster to help support our fight against the looming zombie apocalypse. The posters educate the population to the need to military respond to the threat. Each poster is signed and numbered, measures 18″ x 24″, and is available in a limited edition of 100.

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Alternative Facts Hand-Pulled 4-Color Silkscreen Print on Speckletone Fine Art Paper by Artist Shepard Fairey Limited Edition Pop Art Artwork. 2022 Signed & Numbered Limited Edition of XXX Artwork Size 24x24 " We are at a critical moment for the preservation of democracy and non-partisan access to voting for all citizens of voting age. Between the Supreme Court, partisan gerrymandering shaping state legislatures, and the filibuster as a tool of obstruction in Congress, we are already facing tyranny by the minority. The forces dominating our politics do not reflect the values of most Americans. My print, Alternative Facts, addresses the mass confusion about truth that allows the parties who spread the big lie about the 2020 election (and many other lies) fomented the January 6th insurrection and are engaged in voter suppression and other anti-democracy schemes, to flourish unchecked. A portion of proceeds from Alternative Facts will benefit the ACLU in its legal fights against voter suppression and other attacks on the constitution." -Shepard Fairey Shepard Fairey's work is highly political and social, not only because he is incorporating politicians and slogans in it but more importantly because the artist is primarily interested in approaching as many people as possible, exhibiting his work in the covers of the books, which we read, in the music albums, to which we listen, and on the walls of the streets, where we walk. “If I put art in a daring spot, it’s more moving to the viewer and demonstrates my conviction.”, he says. After all, Fairey, in many cases, directly expresses his views on politics and society, whenever he is given the chance. For example, in the aftermath of the “Hope” poster, he commented the following: “Obama has had a really tough time, but there have been a lot of things that he's compromised on that I never would have expected. I mean, drones and domestic spying are the last things I would have thought [he'd support]”. The political aspect of his work can, also, be seen under the spectrum of Fairey’s activism and humanitarian activity. Many of his works have been created as part of activism campaigns or were sold to support causes relevant to the Arts, animal rights, poverty, medical research, the environment, etc. The artist, however, doesn’t identify himself as an activist: “People ask me if I’m an activist, and my answer is no. I’m an artist with a point of view, but I want to do my part to supplement activist causes I believe in. I feel fortunate to connect with people who find my imagery useful and help spread it.”

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Obey Deco Flower Blue AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2019 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Blue Lotus Flower & Words Rise Above Obey 1989. Small Smug To The Red V Arm Only Seen Under Certain Angles of Light From Manufacturing Process. Working Artist Proof. "The Obey Deco Flower is inspired by Constructivism, Art Deco, Black Flag, and my belief that positive symbols can inspire positive actions. There are a lot of assholes pushing fear and division… don’t fall for it… RISE ABOVE!" -Shepard Fairey Shepard Fairey's "Obey Deco Flower Blue AP" stands as a testament to the crossroads of pop art, street art, and graffiti art, brilliantly marrying aesthetic sensibilities from a range of art movements. This hand-pulled silkscreen print is impressively rendered on Speckletone Fine Art Paper, showcasing Fairey's commitment to both technique and quality. The print, issued as a limited edition piece in 2019, features the arresting image of a blue lotus flower, surrounded by the potent words "Rise Above" and "Obey 1989." These phrases echo the cultural undertones and provocations Fairey is renowned for. The design itself is heavily informed by a medley of inspirations, including Constructivism and Art Deco, interspersed with a nod to the band Black Flag. Fairey's dedication to weaving positive symbols into his artwork, hoping they ignite positive actions in society, is evident. The blue lotus, traditionally symbolizing enlightenment and rebirth, coupled with the rallying call to "Rise Above," challenges viewers to transcend the divisive narratives that often plague society. As Fairey himself articulates, there is an overwhelming number of voices promoting fear and division, making the message of this artwork not just timely, but timeless. Shepard Fairey's "Obey Deco Flower Blue AP" not only reaffirms his status as a prominent voice in contemporary art but also serves as a reminder of art's enduring power to inspire change and provoke thought in an ever-evolving world.

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Dead Che Purple Signed Vinyl Bust Sculpture by Frank Kozik Limited Edition Modern Pop Graffiti Street Art Artwork. 2010 Signed on Box & Dated Limited Edition of 50 Artwork Sculpture Size 10x16 2010 Purple Che Variant. The "Dead Che Purple Vinyl Bust Sculpture" by Frank Kozik is a captivating contemporary interpretation of the iconic revolutionary figure, Che Guevara. Crafted in vibrant purple vinyl, the bust showcases Kozik's unique blend of pop culture and political commentary. It features an intricately designed skeletal face, reflecting the title 'Dead Che', with meticulous attention to detail in the sculpting. This piece is a standout work of art that confronts viewers with a stark, bold exploration of history, revolution, and mortality. As with many of Kozik's creations, it serves as a provocative commentary on the ephemerality of life and the enduring impact of iconic figures.

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Rise Against the System- Green 8-Color Hand-Pulled Limited Edition Silkscreen Print on 300gsm Bristol Paper by MAD Rare Street Art Famous Pop Artwork Artist. 2021 Signed & Numbered Limited Edition of 30 Artwork Size 19.7x27.6 "Rise Against the System - Green" presents itself as a profound visual statement in the portfolio of the artist known as MAD, whose identity often remains as enigmatic as the messages embedded within their art. This piece is particularly remarkable, not only for its vibrant aesthetic but also for its rarity and the technique used in its creation. It is a limited edition silkscreen print, with only 30 pieces, each meticulously signed and numbered by the artist, underscoring its value to collectors and aficionados of street art and pop art alike. The artwork spans a generous 19.7x27.6 inches and is printed on robust 300gsm Bristol paper, a choice that speaks to the durability and high quality of the print. The artwork is an eight-color hand-pulled silkscreen, a traditional technique that imbues each print with a unique touch, diverging from the uniformity of mass-produced art. The image itself—a figure entrapped within a bottle—acts as a metaphor for the constraints and pressures of societal systems. The use of a green palette not only draws the eye but also may represent the idea of 'going green' or environmental consciousness, a theme often explored in contemporary street art. The figure's pose, one of active resistance against the confines of the bottle, is symbolic of the fight against oppressive structures, a recurring theme in street art's lexicon, which often seeks to challenge the status quo. MAD's piece resonates within the broader context of pop art through its accessible imagery and bold coloration, yet it retains the edginess and subversion characteristic of street art. This duality ensures "Rise Against the System - Green" speaks a universal language, appealing to a broad audience while remaining deeply rooted in the cultural and political commentary that defines much of the street art movement. Through this work, MAD offers a compelling narrative on personal agency and liberation, creating a lasting visual impact that transcends the moment of its creation, cementing its place in the discourse of modern art.

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Sedation of Millions AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2012 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Number 3 in A Gun Target Retnial With Phrase "IT TAKES THE SEDATION OF MILLIONS TO HOLD US BACK." "The "Sedation Of Millions" print is inspired by the title of my favorite Public Enemy album, "It Takes A Nation Of Millions To Hold Us Back." I think the biggest problem in America is the indifference and complacency about important issues that result from much of the population being perpetually hypnotized by conspicuous consumption, social media, entertainment, and self-medication. Using sedation and escapism for relief from the rat race might make us less aware(blissfully ignorant) but also less empowered to improve our role within the rat race… a vicious cycle of cause and effect." -Shepard Fairey The "Millions AP" silkscreen print by Shepard Fairey stands as a profound commentary on contemporary society through the lens of street pop art and graffiti artwork. As an Artist Proof from 2012, signed and marked by Fairey himself, this limited edition piece presents a powerful visual fused with a direct message characteristic of Fairey's thought-provoking style. Sized at 18x24, the print features the image of a gun target retinal, the number 3 prominently placed at its center, overlaid with the bold phrase "IT TAKES THE SEDATION OF MILLIONS TO HOLD US BACK." This artwork resonates with Fairey's ongoing exploration of control, power, and propaganda. The title and the thematic content pay homage to Public Enemy's album "It Takes A Nation Of Millions To Hold Us Back," channeling the spirit of resistance and the power of voice emblematic of the influential hip-hop group. Fairey's work challenges the viewer to consider the societal implications of complacency and the sedative effects of consumer culture, social media, and entertainment that contribute to a collective indifference toward critical issues. Shepard Fairey, renowned for his OBEY campaign and the iconic Obama "Hope" poster, consistently blurs the lines between fine art and street art, bringing forth discussions that encapsulate the ethos of both genres. The "Millions AP" silkscreen print serves not just as a piece of art but as a call to consciousness, urging a break from the "blissful ignorance" induced by escapism and advocating for empowerment through awareness and action. This work is a visual manifestation of Fairey's critique on the cyclical nature of societal sedation and the importance of awakening from it to enact change within the systems that govern daily life. In the broader scope of street pop art and graffiti, Fairey's "Millions AP" print encapsulates the essence of the medium's capacity to reflect and impact cultural dialogue. It is a testament to the potential of visual art as a medium for social commentary and a marker of the time in which it was created.

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The Devil Made Me Do It Hand-Pulled 2-Color Silkscreen Print on Hand Deckled 290gsm Coventry Rag Paper by Artist Cleon Peterson Limited Edition Pop Art Artwork. 2022 Signed & Numbered Limited Edition of 300 Artwork Size 18x24 "The TRUTH image ran in the New York Times right before the election in the opinion feature, What Have We Lost. The Devil Made Me Do It & Divided We Stand, United We Fall were both made on January 6th in response to the Faustian bargain that Trump and his accomplices made in designing the coup. Today, we find ourselves at a crossroads; now, more than ever, we must come together, take a stand, exercise our voices, and fight for Truth and Democracy. Hopefully, daylight will cast off this right-wing authoritarian spell. I see these posters as markers of a historical time and feel a duty within to share my views. We're all exhausted by politics, but we must embrace the moment and take action because the threat is fundamental; our democracy could be gone in the blink of an eye." - Cleon Peterson. Cleon Peterson's Stark Commentary in "The Devil Made Me Do It" In the stark dichotomy of black and red, Cleon Peterson's "The Devil Made Me Do It" delivers a powerful visual commentary on the socio-political climate surrounding the events of January 6th, marked by the infamous U.S. Capitol riots. This hand-pulled 2-color silkscreen print on hand-deckled 290gsm Coventry Rag Paper emerges as a piece of street pop art and a historical marker, capturing a moment of intense national upheaval. Art as a Reflection of Societal Turmoil Peterson's artwork, a limited edition of 300 signed and numbered pieces, transcends the traditional boundaries of pop art. It embodies the artist's response to a fraught political landscape, reacting to the tumultuous events that shook the foundations of American democracy. The imagery of a man seemingly dancing while overshadowed by demonic figures speaks to the "Faustian bargain," suggesting a dance with the devil that echoes the betrayals and manipulations of political figures and the public seduced by their rhetoric. The title, "The Devil Made Me Do It," offers an ironic twist on the age-old excuse for succumbing to temptations and making morally questionable choices. Peterson's choice to release these works as a direct response to political events positions the artwork within a tradition of artists who use their craft to document and critique the times they live in. The visual language used in this piece is reminiscent of street art's often aggressive and provocative style, meant to engage the public in public spaces. The Role of Street Pop Art in Political Discourse Cleon Peterson's work exemplifies the role of street pop art in political discourse. Street art has always had a voice in the political arena, often serving as a raw expression of the people, unfiltered and unmediated. Through his work, Peterson extends this tradition by creating a piece that is both a reaction to and reflection of the political unrest that has characterized recent times. With its bold, unapologetic lines and vibrant colors, silkscreen printing makes "The Devil Made Me Do It" a commanding presence. It is a testament to the artist's ability to distill complex political and social emotions into a single, impactful image. In the tradition of street pop art, which often involves taking art out of the galleries and into the streets, Peterson's piece is designed to resonate with a broad audience, its message clear and accessible to all who encounter it. "The Devil Made Me Do It" is more than just a piece of pop art; it is a visual essay on the state of contemporary politics, a call to action, and a reminder of the power of art to reflect and affect change. It is a bold statement within the discourse of street pop art and graffiti artwork, capturing a moment when the world watched as democracy appeared to hang in the balance. Cleon Peterson's voice, through his art, adds to the chorus of those who advocate for truth and democracy, and his work remains a powerful example of how art can engage with and influence the political landscape.

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It's Mourning In America 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 18 x 24 Screen Print Signed and Numbered Edition of 450, A portion of the proceeds go to a campaign finance reform organization. Printed on off-white paper

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The Never Sleep- Zombie Apocalypse Propaganda Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ron Guyatt Graffiti Street Artist Modern Pop Art. Artist Ron Guyatt created this great propaganda poster to help support our fight against the looming zombie apocalypse. The posters educate the population to the need to military respond to the threat. Each poster is signed and numbered, measures 18″ x 24″, and is available in a limited edition of 100.

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Electric Skull Illuminati 3-Color Hand-Pulled Limited Edition Silkscreen Print on Bright Silver Fine Art Paper by Ron English- POPaganda Rare Street Art Famous Pop Artwork Artist. Signed 2010 Limited Edition of 100 18x24 Reflective Silver Paper

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Wetland Powers Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2023 Signed & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print "This Wetland Powers print examines the repercussions of a Supreme Court largely in the pockets of big oil. The government is supposed to create the greatest good for the greatest number of people. Still, the conservative justices in the current Supreme Court have put the agendas of big oil and wealthy property owners ahead of safe and clean water for the citizenry. The concept of "common assets"… no one owns resources like air and water and needs to be protected for the benefit of all, seems lost on many people in business and government. It is up to us as voters to elect representatives who put the needs of the citizens first. The Supreme Court makeup is always important to consider when voting for our president since the sitting president selects appointees for Supreme Court justices." -Shepard Fairey- OBEY Shepard Fairey's "Wetland Powers": A Statement in Street Pop Art In street pop art, Shepard Fairey stands as a figure of monumental influence; his work is often intertwined with solid socio-political messages. The "Wetland Powers" silkscreen print by Shepard Fairey, also known as OBEY, is a striking example of his commitment to merging art with activism. Released in 2023, this limited edition piece, hand-pulled on cream speckletone fine art paper, is more than a visually arresting image; it's a conduit for a critical conversation about environmental justice and governance. Dissecting "Wetland Powers" by Shepard Fairey The artwork, sized at 18x24 inches, is part of a limited edition of 550 signed and numbered prints. In typical Fairey fashion, the piece combines a bold aesthetic with a message that challenges viewers to consider the impact of political decisions on the environment. The imagery features a female figure with elements that suggest a connection to nature and its defense. Fairey's work is known for its layered visual language; every element serves a symbolic purpose, and "Wetland Powers" is no exception. Environmental Advocacy through Art In "Wetland Powers," Fairey addresses the contentious issue of land rights versus environmental protection, particularly highlighting the Supreme Court's role in shaping the fate of U.S. wetlands. The print serves as a commentary on the court's decisions that Fairey perceives as favoring corporate interests over public environmental health. Through this piece, Fairey expresses his belief in safeguarding common assets — air, water, and land — for the collective good. The Cultural Resonance of Fairey's Work Shepard Fairey's art has always resonated with a broad audience, and his Obey campaign has become a cultural phenomenon. With "Wetland Powers," Fairey continues to tap into the collective consciousness, using his art as a platform to advocate for ecological and social responsibility. The work underscores the power of street pop art to transcend the canvas and become a vehicle for change, urging citizens to reflect on their role as voters and to elect leaders who prioritize the welfare of all. "Wetland Powers" is a testament to Shepard Fairey's enduring role as an artist at the forefront of street pop and graffiti artwork. His ability to address pressing global issues through compelling imagery cements his status as an artist dedicated to the intersection of art and advocacy. As a limited edition print, "Wetland Powers" represents Fairey's artistic prowess and embodies the spirit of street art as a form of engaged public discourse.

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Absolute Power Silkscreen Print by Cleon Peterson Hand-Pulled on Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2018 Signed & Numbered Limited Edition of 150 Artwork Size 26x34 Silkscreen Print Cleon Peterson Absolute Power 2018 Silkscreen Print Cleon Peterson, born in the United States in 1973, is widely recognized for his stark visual narratives exploring dominance, submission, and institutional violence within Street Pop Art & Graffiti Artwork. Absolute Power, released in 2018, is a hand pulled silkscreen print produced on deckled 290gsm Coventry Rag fine art paper. Measuring approximately 26 x 34 inches, the edition is limited to 150 and each print is signed and numbered by the artist. Peterson’s work is defined by flattened silhouettes, restricted color palettes, and confrontational imagery that strips human conflict down to symbolic extremes. Through disciplined screen printing and high contrast composition, Absolute Power reinforces his reputation as a leading contemporary voice in politically charged Street Pop Art & Graffiti Artwork. Inverted Authority and Stark Political Symbolism The composition presents an upside down suited figure suspended in a field of red, black, and white, evoking themes of overturned authority and destabilized power structures. In the background, architectural forms resembling government institutions appear alongside barren trees and stark landscape elements, intensifying the atmosphere of institutional critique. The limited palette amplifies the emotional force of the imagery, allowing negative space and silhouette to carry the narrative weight. Peterson’s approach draws on the visual immediacy associated with Street Pop Art & Graffiti Artwork, where simplified forms and bold contrasts deliver direct commentary without reliance on intricate detail. The inversion of the central figure functions as a visual metaphor for corrupted leadership and the precarious nature of control. Limited Edition Craftsmanship in Contemporary Street Pop Art & Graffiti Artwork Absolute Power is printed on heavyweight Coventry Rag paper with deckled edges, reinforcing its status as a refined fine art multiple rather than a mass produced reproduction. The hand pulled silkscreen process ensures dense ink saturation and crisp edges, hallmarks of Peterson’s meticulous production standards. Limited to 150 signed and numbered impressions, the print follows the scarcity model that defines much of today’s Street Pop Art & Graffiti Artwork market. Through uncompromising imagery and disciplined execution, Absolute Power stands as a powerful example of how contemporary printmakers use bold graphic language to confront themes of authority, imbalance, and systemic violence.

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Useless Idiot- White Limited Edition Hand Pulled 2-Color Serigraph Print on 290gsm Coventry Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Size: 18 x 24 Date: 2019 Condition: NEW Artist: Cleon Peterson Hand-pulled black & red screen prints. Printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Limited Edition of 150 The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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Cost of Oil AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2008 Signed & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print. The "Cost of Oil" silkscreen print by Shepard Fairey is a provocative piece that cuts to the heart of street pop art and graffiti artwork's capacity to confront and question socio-political issues. Released in 2008 as an artist proof (AP), this limited edition artwork is a visual exploration of the themes of energy consumption, environmental impact, and the geopolitical ramifications implicit in the pursuit of oil. Signed and marked as an AP by Fairey, the piece measures 18x24 inches and is printed on cream speckletone fine art paper. Known for his intelligent and critical approach to cultural commentary, Fairey's "Cost of Oil" embodies the essence of his street pop art practice. The artwork is anchored by the bold, declarative question, "What is the cost of oil?" which resonates against the backdrop of a commanding visual narrative. The image features a solitary figure, clad in a shirt emblazoned with "USA," filling up a Hummer's gas tank—a potent symbol of American consumption and the military-industrial complex. The radiant sunburst behind the figure and the dripping blood-red bottom underscores the dichotomy of light and darkness in the discourse around freedom and its costs. This 2-color hand-pulled print is a quintessential example of Fairey's work, aligning itself with the 'OBEY' campaign's goal to stimulate discussion and reflect on the pervasive propaganda in public spaces. The 'OBEY' motif has always sought to challenge observers to question the mechanisms and messages in their environment, and "Cost of Oil" extends this challenge to the global issue of oil dependency and its vast implications. As a piece of street pop art, the "Cost of Oil" is a catalyst for dialogue, pushing the boundaries of what art can communicate and how it can influence public thought. It's a stark reminder of the power of visual art as a means of activism and advocacy and of Fairey's enduring role in using his art to spotlight crucial issues. The print remains a relevant and stirring piece within the oeuvre of Fairey's work and the larger conversation about energy, environmentalism, and the actual price of consumption.

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Rise Against the System- Orange 8-Color Hand-Pulled Limited Edition Silkscreen Print on 300gsm Bristol Paper by MAD Rare Street Art Famous Pop Artwork Artist. 2021 Signed & Numbered Limited Edition of 30 Artwork Size 19.7x27.6 "Rise Against the System - Orange" presents itself as a profound visual statement in the portfolio of the artist known as MAD, whose identity often remains as enigmatic as the messages embedded within their art. This piece is particularly remarkable, not only for its vibrant aesthetic but also for its rarity and the technique used in its creation. It is a limited edition silkscreen print with only 30 pieces, each meticulously signed and numbered by the artist. It underscores its value to collectors and enthusiasts of street art and pop art alike. The artwork spans a generous 19.7x27.6 inches and is printed on robust 300gsm Bristol paper, a choice that speaks to the durability and high quality of the print. The artwork is an eight-color hand-pulled silkscreen, a traditional technique that imbues each print with a unique touch, diverging from the uniformity of mass-produced art. The image itself—a figure entrapped within a bottle—acts as a metaphor for the constraints and pressures of societal systems. The use of an Orange palette not only draws the eye but also may represent the idea of 'going Orange, a theme often explored in contemporary street art. The figure's pose, one of active resistance against the confines of the bottle, is symbolic of the fight against oppressive structures, a recurring theme in street art's lexicon, which often seeks to challenge the status quo. MAD's piece resonates within the broader context of pop art through its accessible imagery and bold coloration, yet it retains the edginess and subversion characteristic of street art. This duality ensures "Rise Against the System - Orange" speaks a universal language, appealing to a broad audience while remaining deeply rooted in the cultural and political commentary that defines much of the street art movement. Through this work, MAD offers a compelling narrative on personal agency and liberation, creating a lasting visual impact that transcends the moment of its creation, cementing its place in the discourse of modern art.

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Flower Power Red AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2021 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Red Lotus Flower & Electric Power Lines. "These Flower Power prints are a symbolic urge for a concerted effort to transition off of fossil fuels and to sustainable energy sources. Life, as we know it on Earth, will depend on this transition happening with the support of citizens, government, and corporations. Read "This Changes Everything" by Naomi Klein if you'd like a strong analysis of the severity of the climate crisis and the urgency to transition off of fossil fuels. Proceeds from these prints will benefit 350.org to support their work around the climate emergency. Thanks for caring." -Shepard Fairey Shepard Fairey, the mind behind the iconic OBEY imagery, once again channels his signature blend of street and pop art in the "Flower Power Red AP" silkscreen print. An emblem of countercultural movement, Fairey's piece presents a striking juxtaposition of the serene blue lotus flower against the industrial backdrop of electric power lines. Cast on Speckletone Fine Art Paper, this hand-pulled screen print not only exemplifies the artist's meticulous craftsmanship but also carries a poignant and timely message. The "Flower Power" series, which this print is a part of, stands as a clarion call for humanity's pivot from environmentally harmful fossil fuels to more sustainable energy sources. This transition, as Fairey suggests, is not just a matter of technological or economic feasibility; it is an imperative for the continuity of life as we understand it. The reference to Naomi Klein's "This Changes Everything" underscores the severity of the looming climate crisis, offering readers a comprehensive analysis of our current ecological predicament and the urgency with which we must act. Beyond its aesthetic appeal and socio-political commentary, the artwork demonstrates Fairey's commitment to environmental advocacy. Proceeds from the sale of these prints are directed to 350.org, an organization at the forefront of the global movement to address climate change. Such initiatives are emblematic of Fairey's approach to art — one that is not just visually stimulating but also deeply rooted in activism and the broader call to collective action. Through this masterful piece, Shepard Fairey once again reiterates the power of art in shaping conversations, influencing change, and fostering a more conscious global community.

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Save Me Limited Run Vinyl Sculpture Artwork by graffiti street artist modern pop artist Rip N Dip. Custom Limited Edition Vinyl Save The World Figure 8.25 in x 6.7 in Only 1000 Made A portion of the proceeds will be donated to The Surfrider Foundation

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Freedom/Prosperity At Any Price- Red Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 18 x 24" screenprint. Printed on 290gsm Arches Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125. The visuality of Cleon Peterson's work is based on a variety of influences, from ancient Greek pottery to comics, resulting in monochromacy and strong color symbolism. In more detail, the figures exist on multiple straight lines, something that, subsequently, creates the illusion that the artwork is divided in levels. The perspective and the impression of depth do moderately exist in the art of Peterson and, just like in Greek vases, the background space is usually left empty or slightly embellished.

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Downward Trajectory Hand-Pulled 4-Color Silkscreen Print on Cream Speckletone Fine Art Paper by Artist Shepard Fairey Limited Edition Pop Art Artwork. 2019 Signed & Numbered Limited Edition of 500 Artwork Size 24x24 “Downward Trajectory is one of the many new works featured in my 30th-anniversary show in Los Angeles, “Facing the Giant: Three Decades of Dissent and New Works,” -Shepard Fairey Shepard Fairey Downward Trajectory Silkscreen Print Downward Trajectory by Shepard Fairey is a 2019 hand-pulled four-color silkscreen print that distills industrial architecture, environmental symbolism, and graphic precision into a powerful example of Street Pop Art & Graffiti Artwork. The composition features a modernist factory complex with three smokestacks releasing pale emissions into a sharply segmented sky of red, black, teal, and cream. In the foreground, two gas pumps sit beneath a minimal canopy, directly referencing fossil fuel infrastructure. The geometry is clean and deliberate, recalling mid-century industrial poster design while maintaining the confrontational clarity that defines Fairey’s visual identity. Printed on cream speckletone fine art paper, the subtle texture of the surface enhances the bold color blocking and reinforces the handcrafted quality of the silkscreen process. Environmental Commentary and Graphic Structure The title Downward Trajectory communicates a clear environmental warning, suggesting decline tied to industrial expansion and energy dependence. The angular divisions in the sky create tension and imbalance, visually reinforcing instability and ecological disruption. The dominant red fields introduce urgency, while the cooler industrial tones emphasize machinery, production, and systemic consumption. Fairey’s use of minimal forms and controlled palette ensures immediate legibility, a hallmark of effective Street Pop Art & Graffiti Artwork. Rather than relying on dense imagery, he reduces the scene to essential elements, allowing viewers to interpret the relationship between architecture, pollution, and resource extraction without distraction. The oil drop emblem placed in the upper corner functions as a subtle but direct reference to petroleum industry influence. Shepard Fairey Background and Edition Details Shepard Fairey’s real name is Frank Shepard Fairey. He was born in 1970 in the United States and remains active. Emerging from early street sticker campaigns and evolving into a globally recognized figure in contemporary urban art, he has consistently addressed themes of authority, corporate power, and environmental responsibility. Downward Trajectory continues that trajectory of socially engaged printmaking. This 24 by 24 inch silkscreen print is signed and numbered in a limited edition of 500. The four-color hand-pulled process demands precise registration and layering, ensuring sharp edges and consistent saturation throughout the edition. As a work of Street Pop Art & Graffiti Artwork, Downward Trajectory merges disciplined design with pointed ecological critique, making it a compelling addition for collectors who prioritize concept-driven contemporary printmaking.

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Rise Against the System- Blue 8-Color Hand-Pulled Limited Edition Silkscreen Print on 300gsm Bristol Paper by MAD Rare Street Art Famous Pop Artwork Artist. 2021 Signed & Numbered Limited Edition of 30 Artwork Size 19.7x27.6 "Rise Against the System - Blue" presents itself as a profound visual statement in the portfolio of the artist known as MAD, whose identity often remains as enigmatic as the messages embedded within their art. This piece is particularly remarkable, not only for its vibrant aesthetic but also for its rarity and the technique used in its creation. It is a limited edition silkscreen print with only 30 pieces, each meticulously signed and numbered by the artist. It underscores its value to collectors and enthusiasts of street art and pop art alike. The artwork spans a generous 19.7x27.6 inches and is printed on robust 300gsm Bristol paper, a choice that speaks to the durability and high quality of the print. The artwork is an eight-color hand-pulled silkscreen, a traditional technique that imbues each print with a unique touch, diverging from the uniformity of mass-produced art. The image itself—a figure entrapped within a bottle—acts as a metaphor for the constraints and pressures of societal systems. The use of a Blue palette not only draws the eye but also may represent the idea of 'going Blue' or environmental consciousness, a theme often explored in contemporary street art. The figure's pose, one of active resistance against the confines of the bottle, is symbolic of the fight against oppressive structures, a recurring theme in street art's lexicon, which often seeks to challenge the status quo. MAD's piece resonates within the broader context of pop art through its accessible imagery and bold coloration, yet it retains the edginess and subversion characteristic of street art. This duality ensures "Rise Against the System - Blue" speaks a universal language, appealing to a broad audience while remaining deeply rooted in the cultural and political commentary that defines much of the street art movement. Through this work, MAD offers a compelling narrative on personal agency and liberation, creating a lasting visual impact that transcends the moment of its creation, cementing its place in the discourse of modern art.

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Broken Page Original Hand-Painted Multiple Mixed Media Spray Paint Artwork on Laser Cut Wood Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. "My work speaks of impending doom and a lot of crass sinister themes, but that should not mean I desire this to happen at all. I hope my work would suggest only the opposite: to show the ridiculousness of it all and how we may find better solutions for the future." -Denial In the world of Denial, memory is important, because it is the basis of his work, as it nostalgically encourages the audience to engage with it. As a result, his art is as familiar, as it is disturbing because it reveals the most unsettling parts of society, the ones we are in a “denial” of. No matter its controversial history, graffiti is less and less viewed as a form of vandalism.

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Gun Culture- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Varnished 100% Cotton Rag Archival Paper with hand-deckled edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. 4-Color Serigraph on Varnished 100% Cotton Rag Archival Paper. 30 x 40 inches. Signed by Shepard Fairey. Numbered edition of 100. Jim Marshall captured what at first glance is regarded as an innocent child playing with a toy gun in Greenwich Village, New York, in 1963.

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