Rock N Roll Music

Rollins Capitalism- Signed by Henry Rollins 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed by Henry Rollins, Signed & Numbered Screen Print ROLLINS CAPITALISM Screen Print 18 x 24 inches Edition of 1200 August 28, 2012 Henry Rollins has been a hero of mine since I got into Black Flag in 1984. Henry is a role model in his amazing taste and output in music, his political engagement, his monumental work ethic, and his social consciousness. Henry tours a ton and stays very aware of the world. Back before the 2008 recession started, Henry had an editorial segment on his TV show where he said “the president says the fundamentals of the economy are strong…I say start learning Chinese”. Henry’s new tour is called CAPITALISM and I’m sure he will have a lot of wise, funny, and maybe prophetic things to say. I was given the honor by Henry of illustrating his concept for the tour, him as a beaten-down Uncle Sam. I have a few of the prints available on my site signed by both me and Henry. The rest will be available on Henry’s tour which everyone should see. Pick a print up before the American brand of capitalism crumbles under the weight of its own ego. -Shepard Fairey Shepard Fairey Rollins Capitalism 2012 Screen Print Shepard Fairey, born Frank Shepard Fairey in the United States, created the Rollins Capitalism screen print in 2012 as a collaboration with Henry Rollins, the American musician, writer, and former Black Flag frontman who joined the band in 1981. This 18 x 24 inch two-color hand-pulled silkscreen print on fine Speckletone art paper was released in a signed and numbered edition of 1200 on August 28, 2012, with select examples signed by both Fairey and Rollins. The work was produced to coincide with Rollins’ Capitalism tour and reflects Fairey’s long-standing engagement with political messaging through Street Pop Art & Graffiti Artwork. Known for his disciplined graphic approach and activist-driven themes, Fairey used this collaboration to merge Rollins’ outspoken social commentary with his own iconic visual strategies rooted in poster culture and urban art traditions. Visual Symbolism and Political Commentary in Street Pop Art & Graffiti Artwork The composition reinterprets the historic Uncle Sam recruitment poster, replacing the traditional patriotic figure with a stylized portrait of Henry Rollins rendered in a limited red, cream, and dark blue palette. Rollins points directly outward in a confrontational gesture, echoing early twentieth-century propaganda design while shifting the tone toward critique rather than recruitment. The cracked dollar symbol on the chest and the bold CAPITALISM text at the bottom reinforce the print’s focus on economic instability and cultural strain in the years following the 2008 financial crisis. Fairey’s use of sharp contrasts, heavy linework, and simplified color blocking reflects the graphic clarity that defines much of his Street Pop Art & Graffiti Artwork, drawing from constructivist influences, punk aesthetics, and wheatpaste poster traditions that have shaped urban visual culture for decades. Cultural Significance of the Henry Rollins Collaboration Henry Rollins has long been recognized for his rigorous touring schedule, political engagement, and outspoken commentary on social and economic issues, and this print visually amplifies those attributes through the language of Street Pop Art & Graffiti Artwork. Fairey publicly expressed admiration for Rollins’ work ethic and social consciousness, noting that the image depicts Rollins as a worn and battle-tested Uncle Sam figure, symbolizing a critical examination of American capitalism rather than blind allegiance to it. As a signed and numbered limited edition, the Rollins Capitalism screen print holds importance not only as a collectible work but also as documentation of a moment when music, activism, and graphic art converged in a sharply focused political statement.

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The Guns of Brixton- Paul Simonon Hand-Pulled 2-Color Silkscreen Print on Cream Speckletone Art Paper by Pop Graffiti Artist Shepard Fairey- Obey x Kate Simon Rare Street Art Limited Edition Artwork. 2011 Signed by Shepard Fairey/Kate Simon & Numbered Limited Edition of 450 Artwork Size 18x24 Small bump crease to upper edge. Shepard Fairey X Kate Simon The Guns of Brixton (Paul Simonon), 2011 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered and dated in pencil along the lower edge Published by Obey Giant, Los Angeles. "The Guns of Brixton" is a song by the British punk rock band The Clash, written by their bassist Paul Simonon. It was featured on their 1979 album, "London Calling." Paul Simonon's artwork has become iconic in its own right, as he has pursued a successful career as an artist since the dissolution of The Clash. Shepard Fairey is a well-known American street artist, graphic designer, and activist, best known for his "OBEY Giant" campaign and the iconic "Hope" poster created for Barack Obama's 2008 presidential campaign. Combining his own artistic style with the legacy of punk rock, Fairey has created numerous works inspired by musicians and bands. Shepard Fairey created a silkscreen print inspired by "The Guns of Brixton" and featuring Paul Simonon. In this hypothetical artwork, Fairey would likely incorporate elements of his own signature style, such as bold colors, strong lines, and thought-provoking imagery, while paying tribute to the influence of The Clash and their music. The artwork might include references to the song's lyrics or imagery from the London Calling album cover, which features a photograph of Simonon smashing his bass guitar on stage based on photo by Kate Simon.

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Ramones Globe Collectors Deck Set- Foil Fine Art Limited Edition Print on Resin-7 Canadian Maple Skateboard Deck by Famous Punk Artist Bob Gruen. 2022 Edition of 100 4x Ramones Deck Set with Quilter Case including Punk Rock Legends: Joey Ramone, Johnny Ramone, Dee Dee Ramone, Tommy Ramone The Ramones Collector's Set includes four limited edition 8.25" decks, featuring Dee Dee, Tommy, Johnny and Joey Ramone mid-performance at the CBGB’s in 1976, captured by photographer Bob Gruen. Decks are constructed from Resin-7 Canadian maple and come in an embossed and quilted carry case, inspired by the Ramones’ iconic black leather jackets. Display these boards, store them, hang them on your wall, or skate them. Whatever you choose to do, we hope you are as proud of them as we are. Strictly limited to 100 sets globally.

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Henry Rollins Frequent Flyer Tour 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print 18 x 24 inches Edition of 225 February 19, 2010 Henry Rollins tour poster designed by Shepard Fairey. The Frequent Flyer tour starts 2/18/2010 in Arizona USA.

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Unsane Sweet Diesel Lollipop 1996 The Kilowatt San Francisco Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1996 Signed by Kozik & Numbered Limited Edition of 650 Artwork Size 17.5x22.5 Silkscreen Print Band Gig Poster by Frank Kozik. Unsane Sweet Diesel Lollipop The Kilowatt San Francisco Ca March 9, 1996

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Spin Magazine Webster Hall NYC 2005 Offset Lithograph Print Limited Edition Event Artwork on Fine Art Paper by Shepard Fairey, an urban graffiti pop street artist. 2005 Signed & Numbered Limited Edition of 500 Spin Magazine 20th Anniversary Bash Print by Shepard Fairey Webster Hall, NYC | Sept 28th, 2005 Offset Print on Heavy Paper Signed by the Artist [2005] Size: 23" x 32" Minor creasing and nicks to the outer margins are consistent with age, see photos.

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The Clash Under Westway Overpass Notting Hill London UK 1982 Blotter Paper Print by Tim Page Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2019 Signed & Numbered Limited Edition of XXX Archival Pigment Print on Perforated Blotter Paper Size: 7.5x5 Inches Limited blotter editions are hand-perforated by Zane Kesey. With a keen eye for the counter culture of the 60s and 70s, Tim Page, an author and photojournalist, captured some of the most unforgettable images of the Vietnam War. Despite being wounded in battle four times, Page's thrill-seeking nature kept him undeterred. His eccentric personality inspired Dennis Hopper's character in the famous movie Apocalypse Now. Page's fascinating life has been the subject of numerous documentaries, ten books, and two films. He even served as the UN's Photographic Peace Ambassador in Afghanistan for two years. Recently, he was recognized as one of the "100 Most Influential Photographers of All Time," cementing his place in the pantheon of great artists.

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Bad Brains Punk Showcase Rasta AP Artist Proof 5-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist For Musicians Bad Brains. AP Artist Proof 2016 Signed & Marked AP Limited Edition Artwork Size 18x24 Shepard Fairey's "Bad Brains Punk Showcase Rasta AP" is a culturally potent piece within the street pop and graffiti art landscape. As an artist proof of the limited edition series, this 5-color hand-pulled silkscreen print on cream speckle tone paper measures 18x24 inches and was released in 2016. Signed and marked as an artist-proof (AP), it is a collector's piece that delves into the pulsating heart of punk's ethos and reggae's rasta vibrations, manifested through the lens of Fairey's distinct style. This artwork resonates with the energy of Bad Brains, a band that epitomized the hardcore punk scene with its unique blend of punk and reggae, a hybrid that paralleled Fairey's melding of art forms. The print captures the band's spirit with the commanding phrase "Positive Mental Attitude!" a mantra that Bad Brains championed throughout their career. Fairey's work is a visual echo of this ethos, presenting the band members with a backdrop of rasta colors, which not only allude to their music's roots but also serve as a nod to a broader cultural movement. Fairey, known for his influence on street pop art through works like the iconic "OBEY" campaign and the Obama "HOPE" poster, continues his exploration of music's intersection with visual art in this print. The piece is saturated with the motifs of Fairey's "OBEY Propaganda" — the star, the bold lettering, and the stylized imagery. These elements merge, not promote a band, and celebrate an entire cultural movement, reflecting the potency of street pop art in capturing and promoting subcultural movements. The "Bad Brains Punk Showcase Rasta AP" print symbolizes Fairey's engagement with the punk scene and his ability to encapsulate its raw, unfiltered voice within his work. It's a testament to the enduring dialogue between music and visual art, which Fairey has continually fostered through his prints, murals, and street art. This piece doesn't just hang on a wall; it screams with the voice of a movement, echoing from the underground clubs to the sun-soaked streets where street art and graffiti have long found their home.

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Antiseen Shiv Stepsister Zen Guerilla 1995 Cleveland Ohio Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1995 Signed by Kozik & Numbered Limited Edition of 650 Artwork Size 18x23 Silkscreen Print Band Gig Poster by Frank Kozik. Antiseen Shiv Stepsister Zen Guerilla Euclid Tavern Cleveland, Ohio 9-15-1995 In concert promotion, Frank Kozik's distinctive silkscreen prints stand as coveted pieces for collectors and fans of the pop and street art movements. His creation for the Antiseen, Shiv, Stepsister, and Zen Guerilla gig, dated September 15, 1995, at the Euclid Tavern in Cleveland, Ohio, is an exemplary piece of this niche. The limited edition print, with only 650 copies signed and numbered by Kozik, showcases the raw and energetic visual language synonymous with Kozik's style. With dimensions of 18x23 inches, this print was more than an announcement; it was a piece of art that captured the spirit of the musical acts it promoted. The imagery is quintessentially Kozik, blending anthropomorphic characters and a whimsical yet provocative arrangement, radiating the punk and hardcore essence of the headlining band Antiseen. Such visual elements are characteristic of Kozik's art, reflecting the underground music scene's gritty and rebellious ethos. The cow and wolf figures, dressed in human attire and engaging in a mock marriage ceremony, serve as a satirical comment, perhaps on the state of society or the inflammatory nature of the bands. In the corner, a pig appears content, contributing to the print's eccentric narrative. This work serves not just as an advertisement for a one-night event but as an artifact that speaks to the cultural and artistic milieu of the mid-90s. Kozik's work is a bridge connecting the subcultural to the mainstream, using the accessible medium of the gig poster to disseminate his unique brand of visual art. These silkscreen prints stand as an intersection where the transitory nature of street art is given permanence, where the voice of underground music is visualized, and where the collectible quality of fine art meets the democratic spirit of street art. This print from the Euclid Tavern event celebrates that union, immortalizing a moment in the continuously evolving narrative of pop and street art.

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This Machine Kills Fascists AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2006 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Young Denny Laine From Rock Bands Moody Blues & Wings Leaning On Guitar. This Machine Kills Fascists AP Silkscreen Print by Shepard Fairey This Machine Kills Fascists is a 2006 Artist Proof silkscreen print by Shepard Fairey, released under his OBEY moniker. Hand-pulled on Speckletone fine art paper, this 18 x 24 inch work comes from the original run and is signed and marked AP by the artist. The image depicts a young Denny Laine, legendary guitarist and songwriter associated with the Moody Blues and Wings, leaning on his guitar in a striking, symmetrical composition rooted in Fairey’s early graphic language. Music as Resistance and Political Symbolism The phrase “This Machine Kills Fascists” famously appeared on Woody Guthrie’s guitar and has long symbolized music as a weapon against authoritarianism, oppression, and cultural decay. By pairing this statement with Denny Laine’s image, Fairey bridges generations of musical dissent, connecting folk protest traditions to British rock’s role in cultural upheaval. The guitar becomes both instrument and emblem, reinforcing the idea that creativity, truth, and expression are tools of resistance. Radiating lines and ornamental borders amplify the icon-like presentation, elevating the musician into a symbol rather than a portrait. Shepard Fairey’s Early Iconography and Cultural Legacy Sourced from a 1967 photograph by Peter Webb, the image reflects Fairey’s early fascination with remixing historical imagery into bold, politically charged compositions. This print sits firmly within the formative years of the OBEY project, where propaganda aesthetics, music history, and anti-fascist messaging converged. As an Artist Proof, this edition carries additional weight for collectors, representing Fairey’s personal archive from a pivotal era in his career. This Machine Kills Fascists remains a powerful example of how street art can honor cultural figures while delivering enduring social commentary through graphic precision and symbolic force.

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Dwarves Big Chief Sub Pop NMS Showcase 1992 New York Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1992 Signed by Kozik & Numbered Limited Edition of 250 Artwork Size 11x35 Silkscreen Print Band Gig Poster by Frank Kozik Dwarves Big Chief Green Magnet School Supersuckers Rein Sanction Pond DJ Larry T and Love Machine Xenon New York City NY

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Inferno Welcome to Hell 2000 Wild Brain Event Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 2000 Signed by Kozik & Numbered Limited Edition of 300 Artwork Size 22x36 Silkscreen Print Band Gig Poster by Frank Kozik. WildBrain.com Event Promo September 8th 2000, Pig with gun in hell surrounded by fire.  Frank Kozik Inferno Welcome to Hell 2000 Wild Brain Silkscreen Print Frank Kozik, born in Spain in 1962 and later based in the United States until his passing in 2023, was a defining force in modern gig poster design and Street Pop Art & Graffiti Artwork. The Inferno Welcome to Hell silkscreen print from September 8, 2000 was created as promotional artwork for a WildBrain.com event and reflects Kozik’s unmistakable fusion of underground comic aggression and graphic precision. This hand-pulled silkscreen on fine art paper measures 22 x 36 inches and was issued as a signed and numbered limited edition of 300. By the year 2000, Kozik had already solidified his reputation for transforming concert and event posters into collectible fine art prints, using bold color separations and confrontational imagery to elevate promotional materials beyond their commercial purpose. Graphic Provocation and Iconography in Street Pop Art & Graffiti Artwork The Inferno Welcome to Hell composition centers on a pig wielding a gun while engulfed in a fiery hellscape, a visual scenario that aligns with Kozik’s recurring use of satirical and politically charged symbolism. The pig motif, often associated with authority or corruption in countercultural language, becomes amplified within an infernal setting filled with flames and exaggerated intensity. Kozik’s mastery of silkscreen printing is evident in the saturated reds, yellows, and blacks that dominate the image, creating a high-impact poster readable from a distance while maintaining intricate linework upon closer inspection. The aggressive headline typography and dramatic scene construction demonstrate how Street Pop Art & Graffiti Artwork frequently borrows from pulp illustration, underground comics, and punk aesthetics to critique power structures while maintaining a sharp graphic appeal. Frank Kozik’s Role in the Evolution of Limited Edition Gig Posters By 2000, Frank Kozik had helped establish the limited edition gig poster as a respected collectible format within Street Pop Art & Graffiti Artwork, shifting perception from disposable advertising to archival printmaking. The signed edition of 300 for Inferno Welcome to Hell reflects the controlled scarcity model that defined much of the late 1990s and early 2000s poster movement. Each hand-pulled print represents a direct connection between artist, event, and audience, reinforcing the cultural exchange between live performance and visual art. Works such as this WildBrain promotional poster highlight Kozik’s ability to combine satire, technical discipline, and bold imagery into a format that remains historically significant within contemporary print culture.

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Voodoo Child Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Joe King Graffiti Street Artist Modern Pop Art.

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Blondie Live at the Roundhouse- Black 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Live at the Roundhouse (Black) Screen Print 18 x 24 inches Edition of 150 June 23, 2017 It measures 18" x 24". Blondie the Punk Rock Music Artist Live Performance At The Roundhouse London England 2017 Gig Poster.

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Mans Ruin Zeke AP 1998 Cocodrie San Francisco CA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 1998 Signed by Kozik & Marked AP Artwork Size 18x30.5 Silkscreen Print Band Gig Poster by Frank Kozik Zeke, Hammerlock, Jack Saints, Cocodrie, San Francisco CA 4-03-1998

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Be Reasonable Suburban Pressure Hand-Pulled 3-Color Silkscreen Print on Cream Speckletone Fine Art Paper by Artist Shepard Fairey x Jamie Reid Limited Edition Pop Art Artwork. 2016 Signed & Numbered Limited Edition of 375 Artwork Size 18x24 Be Reasonable Urban Pressure Set Suburban Pressure Sex Pistols Music Tribute With Burning Money Mao From China and ROnald Regan "The Sex Pistols changed my life. When I was a 14-year-old skateboarder, a friend played me “Never Mind the Bollocks, Here’s the Sex Pistols,” and that moment marked a turning point for me. The Sex Pistols provided the adrenaline-inducing soundtrack for my rebellion. If the Sex Pistols provided the soundtrack, the artist behind their imagery, Jamie Reid, provided the visuals for the revolution. Jamie Reid did the iconic art for the Sex Pistols like the “God Save the Queen” sleeve, the “Pretty Vacant” sleeve, and the cover for the album “Never Mind the Bollocks, Here’s the Sex Pistols.” Jamie deserves the majority of credit for the daring aesthetics of Punk Rock. If you’ve ever seen a photocopied, ransom note style, cut & paste punk graphic, then you’ve seen Jamie Reid’s influence. Jamie has been one of my biggest creative inspirations both visually and philosophically, because his work is bold, provocative, irreverent, and political. Jamie Reid also turned me on to Situationism, a movement dedicated to disrupting the conformist trance through pranks and spectacles. I’m honored that I have been able to work with Jamie on some collaborative images and to present a special collection through Obey Clothing in his honor, as well as two limited edition screen-prints. Jamie and I have mutual interest in shaking things up and addressing the problems of corruption, environmental destruction, and wealth inequality, so it is very energizing and meaningful to do a project with him. Enjoy and embrace the chaos!" -Shepard Fairey

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Halloween At The Roxie 1989 San Francisco CA Handbill Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1989 Signed by Kozik Music Concert Handbill Artwork Size 11x17 Silkscreen Print Band Gig Poster by Frank Kozik The iconic Roxy Theatre in San Francisco, CA, famous for its eclectic mix of independent, international, and classic cinema, is joining forces with Frank Kozik, renowned rock poster artist and the visual mastermind behind some of the most memorable music and pop culture imagery of the last three decades. This collaboration is anticipated to introduce a fusion of art and film like never before, reflecting Kozik's bold aesthetic and the Roxy's indomitable spirit. Stay tuned for unique film events, exclusive artwork, and a fresh, vibrant energy emanating from this legendary venue.

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Mixtape Limited Edition Archival Pigment Fine Art Prints on Matte Velvet Rag Paper by Graffiti Street Art Pop Artist Dave Pollot. 2022 Signed & Numbered Limited Edition of 100 Artwork Size 19.82x24 Edition of 100 -Signed and numbered in pencil beneath in image -including 2" white margins -Printed on matte velvet rag paper Exploring Dave Pollot's Mixtape Archival Print Dave Pollot is an American artist known for innovatively integrating street art elements into classical and pop art themes. His work often involves reimagining thrift store paintings by introducing modern elements into the otherwise classical compositions, creating a whimsical and thought-provoking juxtaposition. In his limited edition piece titled "Mixtape," Pollot combines the aesthetic of street pop art with the delicate sensibilities of traditional still life, creating a visually striking artwork that resonates with a broad audience. This artwork, signed and numbered by Pollot himself, is part of a limited edition of 100 pieces, each printed on matte velvet rag paper, emphasizing its exclusivity and appeal to collectors. Characteristics and Medium "Mixtape" features a lush arrangement of flowers, a classical subject in art, contrasted sharply by including a modern cassette labeled "Awesome Mix." This blend of the old and the new is characteristic of Pollot's style, where he seamlessly merges elements from different eras to comment on the transient nature of art and cultural artifacts. The artwork is rendered on matte velvet rag paper, a choice that enhances the colors and gives the piece a soft, tactile quality that complements its visual depth. Matte paper also avoids the glare that glossy prints might exhibit, allowing for a more intimate and engaging viewing experience. The Significance of Street Pop Art and Graffiti Artwork in Modern Culture Street pop art and graffiti have evolved from their rebellious, underground origins to become recognized and celebrated contemporary art forms. Artists like Dave Pollot, who engage with these styles, often do so to make statements about society or to bring a new perspective to traditional art forms. In "Mixtape," the cassette tape – an object that symbolizes the recent past and evokes nostalgia – serves as a reminder of the rapid pace of technological and cultural change. Including this element in a traditional still life disrupts the expected visual narrative and invites the viewer to reflect on the evolution of music media and its impact on personal and collective memory. Like much of Pollot's work, this artwork appeals to a diverse audience. It reaches those who appreciate the technical skill required in traditional art forms and those who enjoy street art's edgy, contemporary feel. Additionally, the limited nature of the print run – only 100 pieces – along with the artist's signature, adds a layer of collectibility and value, making it a prized possession for both art lovers and investors. In the broader context, Pollot's "Mixtape" exemplifies how modern artists are blurring the lines between high art and popular culture. By bringing elements of street pop art into the gallery, these artists are challenging preconceived notions about what constitutes "fine art" and who art is for. This art democratization reflects a more significant cultural shift towards inclusivity and the recognition of diverse artistic expressions. Pollot's work celebrates this shift, showcasing how traditional and modern visual elements can coexist harmoniously and create new meanings. Dave Pollot's "Mixtape" is more than just a visually appealing piece; it is a thoughtful commentary on the intersection of past and present, popular culture's temporary nature, and art's evolving boundaries. Through this work, Pollot captures the essence of street pop art and graffiti artwork and elevates it, offering a sophisticated yet accessible piece that resonates with a contemporary audience.

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Jane's Addiction El Cinco De Mayo- 2010 Rock Music Event Limited Edition 2-Color Silkscreen Gig Poster Glossy Weatherproof Cardstock by MFG- Matt Goldman Max Goldman. This poster was designed for Jane's Addiction secret show at Bardot in Hollywood on May 5, 2010. The Cinco de Mayo celebration also unveiled their new bassist: Duff McKagan from Guns 'n' Roses and Velvet Revolver. A total of 250 yellow/black posters were printed and entirely handed out at the show. We set aside 50 and they are only available here. These were printed by the venerable and now-defunct Colby Printing Company in Downtown LA. Colby rose to contemporary awareness during a series of their work featured at MOCA's Geffen Contemporary. 22 x 28 inches Screen Print Black, Fluorescent Yellow Glossy Weatherproof Cardstock Printed by Colby Poster Printing Company Limited Edition of 250 Signed and Numbered by MFG- Matt Goldman

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Biohazard Downset Stompbox 1994 Seattle WA AP Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 1994 Signed by Kozik & Limited Edition of AP Artwork Size 18x22.5 Silkscreen Print Band Gig Poster by Frank Kozik Nuke Tank Biohazard Military-Themed Gig Poster. Moore Theater November 18th 1994 Seattle Washington. Frank Kozik is an internationally recognized artist, best known for revitalizing the concert poster scene in the 1990s with his distinctive, edgy designs. Born in Madrid, Spain in 1962, Kozik emigrated to the United States at the age of 14, where his love for punk rock and counter-culture aesthetics began to shape his artistic vision. In the 1980s, he moved to San Francisco, CA, where he began creating concert posters for alternative bands, ultimately designing artwork for major acts such as Nirvana, Pearl Jam, and The Red Hot Chili Peppers. His work, characterized by saturated colors, cartoonish figures, and a subversive, often dark humor, became emblematic of the grunge era. In addition to poster art, Kozik has also made significant contributions to the world of designer toys, most notably with his creation of the Labbit character for Kidrobot. His work across various mediums has earned him a global following, making him a key figure in contemporary pop culture and art.

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Heat Wave Grapeade HPM Stencil Spray Paint Silkscreen by Faile Hand-Painted Multiple on Fine Art Paper Unique Graffiti Street Artist Modern Pop Art. 2023 Signed & Numbered Edition of 12 HPM Unique Acrylic Spray Paint Silkscreen Artwork Size 25x38 Drawing from the vibrant energy of New York City's golden age of hip-hop and the high-octane drama of vintage wrestling, with a quintessential FAILE flair, the Lemonade Heat Wave Print emerges as a joyful embodiment of summer revelry. This unique work of art encapsulates the spirit of warm, carefree summer days in a stunning blend of mediums. The creative journey that led to this vibrant masterpiece spanned a period of about six weeks, during which each print was meticulously crafted by hand. This artistic process involved painting, rolling, spraying, printing, and even blowing each print dry. The painstaking care and detailed attention invested in each step are evident in the final product, capturing an array of beautiful studio nuances. The Lemonade Heat Wave Print is impressive in size, measuring 25 x 38 inches. This limited edition print is an exclusive offering, with only 12 unique pieces created. Employing a diverse mix of mediums, the print combines the vivid hues of acrylic paints with the textures of silkscreen ink and the edge of spray paint on paper. The tactile quality of the print is further enhanced by an embossed finish. Each print is authenticated with a signature and numbered, indicating its place in this exclusive series. As a product of FAILE in 2023, the Lemonade Heat Wave Print carries with it the distinctive stamp of the celebrated art collective. This unique blend of mediums and styles showcases the diverse influences and creative energy of FAILE, making it a standout piece in any art collection. Faile, a collective of two artists hailing from the U.S., namely Patrick McNeil and Patrick Miller, has carved a unique niche in the domain of pop art, street art, and graffiti. Emerging from the gritty skate culture of New York City in the late 90s, Faile quickly rose to global prominence, redefining the visual aesthetics and thematic boundaries of urban artistic expressions. The duo's art is celebrated for its fusion of contemporary pop culture iconography, elements of comic strips, advertising imagery, and sharp socio-political commentary. Their works, often in the form of large scale mural installations, present a kaleidoscopic blend of color, patterns, and text, creating visually engaging narratives. The pop art elements, characterized by bold outlines and vibrant colors, are reminiscent of the legendary pop artist, Andy Warhol, while retaining their distinct Faile aesthetic. The signature elements of their style pay homage to the classic era of comic book art, advertising, and pulp fiction cover designs. As street artists, Faile displays a keen understanding of their environment, integrating their works into the urban landscape with a blend of irreverence and respect. Their techniques often include wheat pasting and stencil graffiti, presenting an intriguing contrast between ephemeral street art traditions and the permanence of their themes. Faile's graffiti art is a testament to their dedication to the medium's rebellious roots. Their pieces, marked by layered visuals and cryptic messages, embody the essence of graffiti as a form of unsanctioned public discourse. This art, rooted in the streets but transcending its confines, resonates in galleries, museums, and art auctions worldwide, demonstrating Faile's versatile appeal and substantial contribution to pop art, street art, and graffiti.

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Cock Sparrer Working Stiffs 2000 San Francisco Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 2000 Signed by Kozik & Numbered Limited Edition of 300 Artwork Size 35x22.5 Silkscreen Print Band Gig Poster by Frank Kozik. Cock Sparrer Working Stiffs 2000 San Francisco silkscreen print by Frank Kozik.  Frank Kozik Cock Sparrer Working Stiffs 2000 San Francisco Silkscreen Print Frank Kozik, born in Spain in 1962 and active in the United States until his passing in 2023, was instrumental in transforming underground gig posters into highly collectible Street Pop Art & Graffiti Artwork. The Cock Sparrer Working Stiffs 2000 San Francisco silkscreen print exemplifies his bold graphic authority at the height of the modern poster movement. Created for a performance at the Great American Music Hall in San Francisco, this hand-pulled silkscreen on fine art paper measures approximately 35 x 22.5 inches and was released as a signed and numbered limited edition of 300. Kozik’s disciplined production standards, combined with his unmistakable visual voice, helped elevate music event posters from ephemeral advertising to enduring fine art objects within contemporary print culture. Punk Iconography and National Identity Reframed The composition prominently features a stylized Union Jack backdrop, immediately signaling Cock Sparrer’s British punk roots while situating the event within a global music exchange. Across the center, a large winged emblem bearing the band’s name stretches horizontally, with dripping black forms adding a raw, confrontational tone consistent with Street Pop Art & Graffiti Artwork. Above, a bulldog wearing a cap reinforces working-class symbolism and punk identity, while the phrase Working Stiffs underscores the band’s long-standing association with street-level realism and labor-driven themes. Kozik’s use of saturated red, white, blue, and deep black fields demonstrates his mastery of high-contrast silkscreen layering, ensuring maximum visual impact both from a distance and at close inspection. The typography is assertive and graphic, merging traditional punk aesthetics with structured poster composition. Gig Posters as Collectible Street Pop Art & Graffiti Artwork By 2000, Kozik had firmly established the limited edition silkscreen gig poster as a legitimate segment of the art market. Signing and numbering editions such as this run of 300 reinforced the collectibility and archival value of each print. The Cock Sparrer Working Stiffs poster captures a specific cultural moment in San Francisco’s live music history while demonstrating how Street Pop Art & Graffiti Artwork channels subcultural identity, political undertones, and bold design into a unified visual statement. Today, works like this stand as enduring documentation of the intersection between punk music, national symbolism, and the handcrafted discipline of fine art silkscreen printing.

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Lucy Georges Guitar Hand-Pulled 4-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited Edition of 150 Artwork Size 9x24 Metallic Ink "LUCY (in the sky of diamonds). This print is the first of a “famous guitar series” that I am working on. It depicts George Harrison’s famous ’57 Les Paul, “Lucy.” -Nate Duval

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Hendrix- Silver Limited Edition 5-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Mr Brainwash- Thierry Guetta Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of 70 Artwork Size 22.5x30 Artist: Mr. Brainwash Title: Hendrix (Silver) Year: 2015 Dimensions: 30in. by 22.5. Edition: From a limited edition of 70 Medium: Color screenprint on hand torn archival paper. Condition: Excellent Signature Details: Hand signed and thumb printed

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Emo's Austin Fifth Anniversary 1997 Texas Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1997 Signed by Kozik & Numbered Limited Edition of 400 Artwork Size 22.5x35 Silkscreen Print Band Gig Poster by Frank Kozik. Lord High Fixers, Mudhoney, Prima Donnas, Emo's, Austin TX 06-21-1997

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1919- Pelican Tombs- Pennsylvania 2009 Music Limited Edition Gig Poster 4-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Justin Anville. 2019 Signed & Numbered Limited Edition Gig Music Poster Artwork Size 18x24. 919, Pelican Tombs, Music, Event, Theatre of Living Arts, Philadelphia, Pennsylvania, June 3rd 2009, Live Nation The Synthesis of Music and Street Pop Art The convergence of music and visual arts often produces memorabilia that transcends the moment of its creation, embedding itself in the cultural fabric of a time and place. Such is the case with the limited edition gig poster for the event featuring "1919" and "Pelican Tombs" held at the Theatre of Living Arts in Philadelphia, Pennsylvania, on June 3rd, 2009. This striking piece of street pop art and graffiti artwork is a celebration of both the bands and the evocative power of graphic design within the realm of music. This limited edition gig poster is more than just a promotional tool; it is a collectible artwork that reflects the vibrancy and raw energy of the musical acts it represents. Created by the artist Justin Anville, the print is a four-color, hand-pulled silkscreen on fine art paper, a technique that lends the artwork a tactile quality that is both immediate and engaging. The choice of silkscreen printing, a favored method in both street art and pop art for its bold colors and sharp lines, allows the piece to stand out with a visual pop that mirrors the intensity of the live music experience. Visual Elements and Artistic Significance The artwork commands attention with its intricate design and contrasting color palette, which features a dominant red against a backdrop of more subdued tones. At the center, the stylized numerals "1919" are prominently displayed, intertwined with symbolic imagery that suggests a narrative extending beyond the bands' names. This typographic treatment is reminiscent of graffiti art, where letters become an integral part of the visual impact, often carrying meaning in their form as much as in their content. Cultural Imprint of the 2009 Event Poster Limited to a signed and numbered edition, the poster carries with it an aura of exclusivity. Measuring 18x24 inches, it is a sizable piece that was designed to be noticed, to be a talking point, and ultimately, to be remembered. As a piece of memorabilia, it serves as a timestamp, capturing the cultural zeitgeist of the late 2000s Philadelphia music scene, a period marked by a resurgence in indie and alternative genres. The inclusion of the Live Nation brand also signifies the commercial and mainstream acknowledgment of the genres and bands, hinting at their movement from the fringes into the spotlight. The Legacy of Gig Posters in Street Pop Art The significance of gig posters like this one extends beyond the night of the event itself. They are artifacts of cultural history, capturing the essence of musical movements and the artistic styles that accompany them. In the broader context of street pop art and graffiti artwork, gig posters are often the crossroads where music and visual art fans meet, share, and appreciate the interplay between these forms of expression. This particular poster, with its bold aesthetic and connection to a specific time and place, is a perfect illustration of how street art and music can come together to create something enduring. In the ever-evolving dialogue between music and visual arts, the 2009 limited edition gig poster for "1919" and "Pelican Tombs" stands as a testament to the power of this collaboration. It is not just a promotional item; it is a snapshot of a scene, a piece of street pop art, and a collectible that holds within its inks and paper the echoes of a night of music and the spirit of its time.

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Concrete Blonde 1991 Los Angeles CA Handbill Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1991 Signed by Kozik Music Concert Handbill Artwork Size 11x17 Silkscreen Print Band Gig Poster by Frank Kozik at Wiltern Theater. The Wiltern Theater, an iconic Los Angeles landmark, teams up with Frank Kozik, the renowned rock poster artist and toy designer. This collaboration brings an incredible fusion of music, art, and culture to Southern California. Kozik's distinctive style infuses the Wiltern's Art Deco elegance with a vibrant, contemporary edge. Attendees can expect exclusive merchandise and installations that encapsulate the spirit of both the historic venue and Kozik's edgy aesthetic. This alliance brings a fresh dimension to LA's live music scene, making the Wiltern an unmissable spot for all art and music enthusiasts.

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Off! You Will Do What We Say 2-Color Hand-Pulled Limited Edition Silkscreen Print on True White Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2019 Signed Limited Edition Print. 18 inches x 24 inches Edition of 600 July 11, 2019 Punk rock band OFF! which includes members from Black Flag, Circle Jerks, Redd Kross, The Burning Brides, and The Black Heart Procession is making a movie called “Watermelon,” and according to their lead singer Keith Morris, “You will do what we say”…… is an MK Ultra mantra from out of the shadows. - Shepard Fairey

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Hitohatausagi 100% & 400% BE@RBRICK Limited Edition Vinyl Art Toy Urban Collectable Art Figures This Be@rbrick celebrates the 50th Celebration of the King of Rock Imawano Kiyoshiro and stands approximately 2.75 and 11.02 inches tall.

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Supreme ITS OK TOO Cassette Player- Red Limited Edition Designer Art Object Collectible Artwork by Famous Fashion Artists Supreme. FW22 2022 Transparent stereo cassette player. Bluetooth 5.0-compatible with 3.5mm headphone jack. Back clip included. 4.65" x 3.31" x 1.32". Made exclusively for Supreme.

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Blue Snaggletooth B&W- The Elbow Room 2009 Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art. Stoner Rick Night Event. Light creasing on the left lower corner. September 25th, 2009 Featuring Blue Snaggletooth, The Cranks, Black Irish, DJ Wheeler.

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Bad Brains Punk Showcase- Rock For Light 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist For Musicians Bad Brains. 2016 Signed & Numbered Limited Edition of 350 Artwork Size 18x24 Shepard Fairey's "Bad Brains Punk Showcase - Rock For Light" is a striking exemplar of the indelible impact of street pop art and graffiti artwork on the domain of music and culture. This two-color hand-pulled silkscreen print on cream speckle tone paper is a tribute to the legendary punk band Bad Brains, known for their explosive fusion of punk and reggae and their message of "Positive Mental Attitude." The limited edition print, part of a signed and numbered release of 350 pieces measuring 18x24 inches, encapsulates the raw energy and ethos of the band while also showcasing Fairey's iconic style that has become synonymous with the OBEY brand. Fairey, a street artist and graphic designer, rose to fame with his "Andre the Giant Has a Posse" sticker campaign, which later evolved into the OBEY Giant movement. This project aimed to stimulate curiosity and encourage people to question their relationship with their surroundings. The "Bad Brains Punk Showcase" piece continues Fairey's exploration of counterculture and music, prevalent themes throughout his body of work. His distinct approach to art, often characterized by bold, stylized images and a limited color palette, reflects his roots in the skateboarding scene and his admiration for the punk rock ethos. In this artwork, Fairey melds the band's iconography with his aesthetic to create a piece that is both a homage and a standalone work within the street pop art genre. The use of the star emblem, the dynamic composition, and the commanding typography are all hallmarks of Fairey's style while also paying respect to the cultural significance of Bad Brains. The result is a piece that resonates with fans of the band and Fairey's art, bridging the gap between music and visual art in a way symbolic of street pop art's role in contemporary culture. The artwork serves not only as a collector's item but also as an illustration of the synergy between visual art and music. It is a testament to the power of street pop art to transcend its origins and become a part of the cultural lexicon, capable of celebrating and immortalizing the pioneers of subcultures like punk rock. Fairey's "Bad Brains Punk Showcase - Rock For Light" is a vibrant reminder of the enduring legacy of Bad Brains and the rebellious spirit that fuels both their music and the world of street pop art.

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Scratch on the Wire 1-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckletone Paper by Shepard Fairey x Dennis Morris Rare Street Art Famous Pop Artwork Artist. 24 x 24 inches. Silver Metallic Ink Screenprint on thick cream Speckletone paper. Original photo by Dennis Morris. Signed by Shepard Fairey and Dennis Morris. Numbered edition of 600. Max order: 1 per customer/household. "Legendary reggae producer and pioneer of the dub sound, Lee “Scratch” Perry passed away on Aug. 29. I first discovered Lee Perry when I got deep into Bob Marley and the Wailers found out Perry had produced several seminal Wailers tracks. I also loved the Clash song “Police and Thieves” which I learned was a cover of the version by Jamaican artist Junior Murvin which Lee Perry had produced. Perry also co-produced the song “Complete Control” by the Clash." -Dennis Morris

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Iron Maiden- Piece of Mind Limited Edition Silkscreen Skateboard deck art by street pop culture artists ZERO x Iron Maiden.

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Nomads 15th Anniversary Party 1996 Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1996 Signed by Kozik & Numbered Limited Edition of 675 Artwork Size 22.5x17.5 Silkscreen Print Band Gig Poster by Frank Kozik Nomads, Studion, Stockholm Sweden 5-6-1996 Depicts A Muscle Car Burning Out Celebrating the 15th anniversary of the legendary Nomads, this distinctively vibrant silkscreen print from 1996 holds a significant place in the world of pop street art. Created by the inimitable Frank Kozik, renowned for his poster art, this artwork is more than a mere decoration - it serves as a testament to the era it embodies, an artifact of the vibrant street art culture of the late 20th century. Hand-pulled on high-quality fine art paper, this print radiates a raw, authentic feel. Its dimensions, 22.5x17.5 inches, make it a robust statement piece. With a limited edition of just 675, each copy is signed by Kozik himself and meticulously numbered. This meticulousness in the production process elevates the work beyond the ephemeral nature usually associated with street art, making it a collectible piece. Staged at the Studion in Stockholm, Sweden, on the 5th of June, 1996, the Nomads' anniversary gig was immortalized by this striking print. It depicts a muscle car engaged in an electrifying burnout, a bold image that vibrates with the punk-infused energy of the Nomads' music and the rebellious street art spirit that Kozik champions. The imagery is both a tribute to the heady power of the automobile and a symbol of the band's audacious spirit. This piece doesn't merely commemorate a concert, but a particular moment in time and the cultural shifts happening within it. The explosive vehicular illustration is a tangible representation of the era's energy, capturing the essence of the Nomads' music, and the fiery spirit of Kozik's artistry. The juxtaposition of a refined fine art print with a subject steeped in grit and rebellion makes for a captivating paradox. The 1996 Nomads 15th Anniversary silkscreen print by Frank Kozik is indeed a hallmark of pop street art, a tangible connection to a pulsating past.

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Blue Snaggletooth Warrior Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art.

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Demagogue 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist For Musician Franz Ferdinand. Signed & Numbered Screen Print 18 x 24 inches Edition of 500 October 18, 2016 I’ve been a big fan of the band Franz Ferdinand since they first hit the scene in 2003. Stylistically, Franz mixes a pinch of glam rock, a nice serving of post-punk and a bit of dance-punk to create a sound that is irresistibly infectious. The band is undeniably stylish in their fashion and their album artwork which is frequently inspired by Russian Constructivism, one of my biggest inspirations as well. The lyrics of singer Alex Kapranos are witty, charming, and often insightful about human nature. Franz Ferdinand is a band of style and substance. -Shepard Fairey

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Mens Club Zen Guerilla Crutch 1997 San Francisco CA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1997 Signed by Kozik & Numbered Limited Edition of 300 Artwork Size 17x22.5 Silkscreen Print Band Gig Poster by Frank Kozik. Men's Club Zen Guerilla Crutch The Kilowatt Club San Francisco, California 6-14-1997

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Obey Punk Girl AP Dance Floor Riot Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled 1-Color Screen Print on Fine Art Paper Limited Edition Graffiti Pop Street Artwork. AP Artist Proof 2011 Signed & AP Marked Limited Edition Artwork Size 13x13 "Long before I knew about art galleries or even street art, I was excited about album cover art, if only because it was the visual counterpart to the music on the records I loved. Album covers conjured a euphoric association with the listening experience. Most of my earliest home-made tee shirts were stencils based on punk album covers… No matter how much I love art, or try to convince myself of its relevance in society, the fact remains that music is a lot cooler and way more able to reach people’s hearts and minds… but I’m a populist and I look at it this way: I may not play an instrument, but I’m gonna rock it hard as nails anyway. With my art I try to capture the same energy and spirit that makes music so powerful and democratic. REVOLUTIONS is a celebration of all the great music and accompanying art that has inspired me over the years." -Shepard Fairey Obey Punk Girl AP by Shepard Fairey: A Celebration of Music and Graffiti Pop Street Art The Obey Punk Girl Artist Proof silkscreen print by Shepard Fairey encapsulates his ability to merge music-inspired imagery with the raw aesthetics of Street Pop Art and Graffiti Artwork. Created in 2011, this hand-pulled, one-color screen print is a limited-edition Artist Proof, signed and marked by Fairey, measuring 13 by 13 inches. The piece is printed on fine art paper, showcasing Fairey’s dedication to craftsmanship and his iconic graphic style. Punk Girl reflects Fairey’s deep admiration for music and its cultural impact, drawing from his long-standing connection to album art and punk aesthetics. The central figure in the print is a bold, punk-inspired woman holding a vinyl record. Her intense gaze and sharp styling evoke the rebellious energy of the punk movement, while the ornate border design adds a layer of complexity to the composition. The intricate patterns surrounding the figure create a sense of rhythm and movement, echoing the dynamic nature of music. By combining the gritty essence of graffiti art with the visual language of punk rock, Fairey captures the democratic and visceral power of both mediums. Music as a Driving Force in Street Pop Art Shepard Fairey has always been deeply influenced by music, particularly punk rock, and its role in shaping countercultural movements. The Obey Punk Girl silkscreen print reflects this influence, using imagery that celebrates the rebellious spirit and DIY ethos of punk music. Fairey’s work often draws parallels between the energy of music and the power of visual art, creating pieces that resonate with a broad audience. The inclusion of a vinyl record in the design serves as a nod to the analog era of music, emphasizing its raw authenticity and tactile nature. The bold monochromatic palette and sharp contrast in Punk Girl pay homage to the aesthetics of punk zines and album covers, where minimalism and directness were used to powerful effect. Fairey’s use of street art techniques, such as stenciling and silkscreen printing, mirrors the immediacy and accessibility of punk music, reinforcing the connection between the two art forms. This interplay between music and visual art is central to Fairey’s work, creating pieces that are both visually striking and culturally resonant. Shepard Fairey’s Silkscreen Process The hand-pulled silkscreen process used for Obey Punk Girl highlights Shepard Fairey’s dedication to traditional printing techniques. This approach allows for a high level of detail and texture, capturing the intricate patterns and bold lines that define his style. The use of fine art paper enhances the tactile quality of the print, creating a piece that is both durable and visually engaging. As an Artist Proof, this print holds a special place within the edition, often regarded as a testament to the artist’s experimentation and refinement of his vision. Fairey’s commitment to silkscreen printing stems from its roots in graffiti and street art, where stenciling and printing techniques are integral to the medium’s DIY ethos. The one-color design of Punk Girl underscores the power of simplicity, using contrast and composition to create an impactful image that commands attention. Shepard Fairey: A Voice of Counterculture in Modern Art Shepard Fairey, an American artist and activist, has established himself as a leading figure in Street Pop Art and Graffiti Artwork. His work often explores themes of social justice, rebellion, and cultural identity, drawing inspiration from punk rock, political movements, and propaganda art. Obey Punk Girl exemplifies Fairey’s ability to merge cultural commentary with striking visual design, creating art that speaks to both personal and collective experiences. Fairey’s exploration of music as a source of inspiration is a recurring theme in his work, reflecting his belief in its transformative power. Punk Girl serves as a celebration of the intersection between music and visual art, capturing the raw energy and democratic spirit that make both forms so impactful. Through his art, Fairey continues to challenge conventions and inspire dialogue, cementing his place as a pivotal figure in contemporary Street Pop Art and Graffiti Artwork.

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Living Color 1991 San Diego CA Handbill Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1991 Signed by Kozik Music Concert Handbill Artwork Size 11x17 Silkscreen Print Band Gig Poster by Frank Kozik "Living Color x Frank Kozik" presents an audacious fusion of sound and vision that redefines the boundaries of art and music. Living Color, the legendary rock band known for their explosive performances and genre-blurring sound, collaborate with Frank Kozik, the acclaimed graphic artist whose iconic posters and vinyl figures have become fixtures of the underground art scene. This collaboration presents an immersive experience, wherein Kozik's bold, psychedelic artwork spectacularly complements Living Color's thunderous riffs and dynamic rhythms, creating a unique symbiosis between rock and art that fans of both will not want to miss.

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Supersuckers New Bomb Turks AP 1994 Seattle WA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 1994 Signed by Kozik & Numbered Limited Edition of AP Artwork Size 22.5x17.75 Silkscreen Print Band Gig Poster by Frank Kozik Supersuckers, New Bomb Turks, Putters, Weathered Wall, Seattle WA 1st of July 1994

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The Lonesome Crowded West Tower Modest Mouse Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2022 Signed & Numbered Limited Edition of 825 Artwork Size 18x24 Silkscreen Print "I’m really happy that Modest Mouse asked me to create some limited edition posters for their tour commemorating the 25th anniversary of their 1997 album The Lonesome Crowded West. I first heard Modest Mouse in 1998. I borrowed a friend’s copy of the album The Lonesome Crowded West, which had come out the year before, and it grew on me quickly to become a favorite. The whole album is great, very multi-dimensional ranging from aggressive and dissonant on songs like “Teeth Like God’s Shoeshine” to folky, jangly, and intimate on “Trailer Trash.” My two favorite songs on The Lonesome Crowded West are “Doin’ the Cockroach,” which builds steadily into an exhilarating staccato guitar frenzy, and the song that follows it, “Cowboy Dan,” which is full of tension, struggle, anger, and beauty. Lyrically, the band’s singer and primary songwriter, Isaac Brock, comes across as an empathetic world-weary sage. I rarely call someone a poet, but Isaac wrote with such depth for someone only 23 years old that I think poet is the only title that properly conveys his elevated craft as a lyricist. I got to do Modest Mouse’s 2000 Black Glass tour poster, which was a huge deal for me." -Shepard Fairey- OBEY Marking the 25th anniversary of Modest Mouse's influential album "The Lonesome Crowded West," celebrated street artist Shepard Fairey, known as OBEY, crafted a striking limited edition silkscreen print. This 2022 piece, meticulously hand-pulled and comprising five colors on Cream Speckletone fine art paper, mirrors the layered complexity of the album it honors. The work measures 18x24 inches, a testament to the album's monumental impact on the alternative rock scene and Fairey's own artistic journey. Each of the 825 signed and numbered prints encapsulates Fairey's personal connection with the album, having first encountered its raw and eclectic sound in 1998, a year after its release. He describes the album as "multi-dimensional," resonating through its varied tones from the "aggressive and dissonant" to the "folky, jangly, and intimate." His favorite tracks, "Doin’ the Cockroach" and "Cowboy Dan," evoke contrasting emotions of exhilaration and introspective tension, revealing the dexterity of Modest Mouse's music and the profound lyrical skill of frontman Isaac Brock. In this piece, Fairey channels the essence of the album's themes, depicting an isolated tower amidst a vast, red-streaked landscape, symbolizing the album's exploration of urban isolation and the Western American experience. The contrast between the solitary building and the surrounding expanse eloquently captures the album's title, "The Lonesome Crowded West." This visual representation goes beyond mere album art; it is an intersection of Fairey's iconic style and Modest Mouse's sonic influence, bridging visual and auditory art forms. Fairey's engagement with Modest Mouse extends back to their 2000 "Black Glass" tour, for which he also created a poster. This long-standing relationship emphasizes the mutual respect between the artist and the band, illustrating how music and visual art can coalesce to form powerful cultural statements. His artistic expression is not only a tribute to the music but also an homage to Brock's poetic lyrics, which left an indelible impression on Fairey, prompting him to label Brock a true poet. As an influential figure in street art and pop culture, Fairey’s creation for Modest Mouse cements his position at the forefront of contemporary art. It serves as a visual anchor for the album’s legacy, ensuring that its cultural resonance extends into the visual realm. Collectors and fans of both the band and Fairey find in this print a confluence of two forms of rebellion and expression, solidified on paper but echoing far beyond.

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StarFucker- Fun Fun Fun Fest 2012 Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Clint Wilson for StarFucker.

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Overloading The Grid David Byrne AP Silkscreen Print by Shepard Fairey- OBEY x Bobby Grossman Hand-Pulled Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist Proof. AP Artist Proof 2024 Signed by Shepard Fairey- OBEY & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print of Talking Heads Singer David Byrne Photo by Bobby Grossman. "I’ve been a fan of the Talking Heads since I was a kid and heard songs like “Once in A Lifetime” and “Burning Down the House” on the radio, well before I discovered punk rock and understood the Talking Heads’ important role in the nascent punk scene as it developed in NYC at CBGB’s in the mid-70’s. I remember seeing the film Stop Making Sense on HBO as a teen and thinking the Talking Heads singer, David Byrne, was very weird and very fearless to dance around in an absurdly oversized suit. I didn’t yet realize that exploring the awkward nature of existence was precisely Byrne’s strong suit! Later, as I got a little more sophisticated, I realized how creatively adventurous the Talking Heads were both musically and with their visuals." -Shepard Fairey Overloading The Grid David Byrne AP by Shepard Fairey and Bobby Grossman The Overloading The Grid Artist Proof silkscreen print from 2024 brings together two highly influential figures of countercultural visual language: Shepard Fairey and Bobby Grossman. This hand-pulled screen print features the likeness of David Byrne, the iconic frontman of the Talking Heads, based on a classic photograph by Grossman and reimagined through Fairey’s unmistakable graphic aesthetic. Printed on cream Speckletone fine art paper and signed and marked AP by Shepard Fairey, this 18x24 inch edition merges photography, music history, and political design into a single portrait that reflects both artistic legacy and cultural disruption. The Legacy of David Byrne in Visual and Sonic Innovation David Byrne’s influence transcends music and bleeds into the worlds of performance art, fashion, and design. As the lead singer of Talking Heads, Byrne’s cerebral yet experimental style embodied the sensibilities of the downtown New York scene during the punk explosion of the 1970s. With an offbeat stage presence and a flair for embracing discomfort as a thematic device, Byrne made awkwardness a mode of expression and communication. His contributions to music videos, album artwork, and stage productions helped define the visual language of new wave and post-punk, laying the groundwork for a visual narrative style that continues to influence contemporary art and design. Shepard Fairey’s Graphic Interpretation Through Street Pop Art & Graffiti Artwork Shepard Fairey’s reinterpretation of Bobby Grossman’s photograph speaks directly to the ethos of Street Pop Art & Graffiti Artwork. With signature grid overlays, limited color palettes, and stark shadows, Fairey constructs a visual tension between formality and rebellion. His use of contrast and stylized design imbues the portrait with a power often reserved for propaganda art, reflecting his career-long interest in political messaging and iconography. The screen print format itself holds deep roots in street art and DIY culture, enhancing the piece’s connection to underground aesthetics. Fairey's technique amplifies Byrne’s gaze, turning the portrait into a symbol of creative defiance and urban sophistication. Bobby Grossman’s Influence on Cultural Memory Photographer Bobby Grossman captured the raw, behind-the-scenes energy of New York’s downtown scene with honesty and intimacy. His photography functioned not just as documentation but as an active component of the era’s aesthetic. This collaboration with Fairey pays tribute to Grossman’s influence as an image maker and archivist of punk, pop, and street art culture. His image of Byrne—now stylized, reframed, and elevated—finds new resonance within the larger context of contemporary art. By pairing Grossman’s lens with Fairey’s visual voice, the print becomes more than a portrait; it is a statement on the enduring impact of artists who shaped the language of resistance and reinvention through Street Pop Art & Graffiti Artwork.

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Suburban Pressure Hand-Pulled 3-Color Silkscreen Print on Cream Speckletone Fine Art Paper by Artist Shepard Fairey x Jamie Reid Limited Edition Pop Art Artwork. 2016 Signed & Numbered Limited Edition of 375 Artwork Size 18x24 Be Reasonable Urban Pressure Set Suburban Pressure Press Building Burning Sex Pistols Music Tribute "The Sex Pistols changed my life. When I was a 14-year-old skateboarder, a friend played me “Never Mind the Bollocks, Here’s the Sex Pistols,” and that moment marked a turning point for me. The Sex Pistols provided the adrenaline-inducing soundtrack for my rebellion. If the Sex Pistols provided the soundtrack, the artist behind their imagery, Jamie Reid, provided the visuals for the revolution. Jamie Reid did the iconic art for the Sex Pistols like the “God Save the Queen” sleeve, the “Pretty Vacant” sleeve, and the cover for the album “Never Mind the Bollocks, Here’s the Sex Pistols.” Jamie deserves the majority of credit for the daring aesthetics of Punk Rock. If you’ve ever seen a photocopied, ransom note style, cut & paste punk graphic, then you’ve seen Jamie Reid’s influence. Jamie has been one of my biggest creative inspirations both visually and philosophically, because his work is bold, provocative, irreverent, and political. Jamie Reid also turned me on to Situationism, a movement dedicated to disrupting the conformist trance through pranks and spectacles. I’m honored that I have been able to work with Jamie on some collaborative images and to present a special collection through Obey Clothing in his honor, as well as two limited edition screen-prints. Jamie and I have mutual interest in shaking things up and addressing the problems of corruption, environmental destruction, and wealth inequality, so it is very energizing and meaningful to do a project with him. Enjoy and embrace the chaos!" -Shepard Fairey a piece of punk rock history with the Suburban Pressure Hand-Pulled 3-Color Silkscreen Print on Cream Speckletone Fine Art Paper by renowned artists Shepard Fairey and Jamie Reid. This limited edition artwork, released in 2016, holds significant value for fans of the Sex Pistols and enthusiasts of pop art, street art, and graffiti art. The collaboration between Shepard Fairey and Jamie Reid celebrates the influential punk rock band, the Sex Pistols, and their lasting impact on culture. As a skateboarder at the age of 14, Fairey's life was forever changed when he heard the album "Never Mind the Bollocks, Here's the Sex Pistols." The band's music became the adrenaline-inducing soundtrack for his rebellion, while Jamie Reid's iconic artwork provided the visuals for the revolution. Jamie Reid's artistic contributions to the Sex Pistols cannot be overstated, as he designed iconic artworks such as the "God Save the Queen" sleeve, the "Pretty Vacant" sleeve, and the album cover for "Never Mind the Bollocks, Here's the Sex Pistols." His daring and provocative aesthetics played a crucial role in shaping the punk rock movement. The influence of Reid's cut-and-paste punk graphics, resembling photocopied ransom notes, can be observed in numerous punk art pieces. The collaboration between Shepard Fairey and Jamie Reid goes beyond admiration for the punk rock era; they both share a mutual interest in addressing societal issues. The duo seeks to disrupt the conformist trance through their art and address problems like corruption, environmental destruction, and wealth inequality. For Fairey, working with Reid has been an honor and a source of creative inspiration, both visually and philosophically. The Suburban Pressure print, a signed and numbered limited edition of 375, captures the essence of punk rock and Jamie Reid's bold and political artistic style. Measuring 18x24, this artwork showcases the rebellious spirit that defined the punk rock era. The collaboration also extends to a special collection presented through Obey Clothing, further honoring Jamie Reid's impact on the art world. If you're a fan of pop art, street art, or graffiti art, owning the Suburban Pressure print is an opportunity to own a piece of history. Embrace the chaos and appreciate the powerful messages behind this iconic artwork by Shepard Fairey and Jamie Reid.

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27 Club- Joplin 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by DKNG Rare Street Art Famous Pop Artwork Artist. Signed & Numbered 2012 Edition of 200 Blunt Graffix in Oregon invited us to be a participating artist in their upcoming group show "Dead Rockstars: A Tribute to the Mortal Gods of Sound". We decided to explore the 27 Club, a meme regarding popular musicians who all died at the age of 27. Each print is a mini 4.625" x 5.375" four color screen print with an edition of 200.

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Dylansteen 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Ron English- POPaganda Rare Street Art Famous Pop Artwork Artist. Signed 18x21 Limited Edition of 30 2019

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Heat Wave Lemonade HPM Stencil Spray Paint Silkscreen by Faile Hand-Painted Multiple on Fine Art Paper Unique Graffiti Street Artist Modern Pop Art. 2023 Signed & Numbered Edition of 12 HPM Unique Acrylic Spray Paint Silkscreen Artwork Size 25x38 Drawing from the vibrant energy of New York City's golden age of hip-hop and the high-octane drama of vintage wrestling, with a quintessential FAILE flair, the Lemonade Heat Wave Print emerges as a joyful embodiment of summer revelry. This unique work of art encapsulates the spirit of warm, carefree summer days in a stunning blend of mediums. The creative journey that led to this vibrant masterpiece spanned a period of about six weeks, during which each print was meticulously crafted by hand. This artistic process involved painting, rolling, spraying, printing, and even blowing each print dry. The painstaking care and detailed attention invested in each step are evident in the final product, capturing an array of beautiful studio nuances. The Lemonade Heat Wave Print is impressive in size, measuring 25 x 38 inches. This limited edition print is an exclusive offering, with only 12 unique pieces created. Employing a diverse mix of mediums, the print combines the vivid hues of acrylic paints with the textures of silkscreen ink and the edge of spray paint on paper. The tactile quality of the print is further enhanced by an embossed finish. Each print is authenticated with a signature and numbered, indicating its place in this exclusive series. As a product of FAILE in 2023, the Lemonade Heat Wave Print carries with it the distinctive stamp of the celebrated art collective. This unique blend of mediums and styles showcases the diverse influences and creative energy of FAILE, making it a standout piece in any art collection. Faile, a collective of two artists hailing from the U.S., namely Patrick McNeil and Patrick Miller, has carved a unique niche in the domain of pop art, street art, and graffiti. Emerging from the gritty skate culture of New York City in the late 90s, Faile quickly rose to global prominence, redefining the visual aesthetics and thematic boundaries of urban artistic expressions. The duo's art is celebrated for its fusion of contemporary pop culture iconography, elements of comic strips, advertising imagery, and sharp socio-political commentary. Their works, often in the form of large scale mural installations, present a kaleidoscopic blend of color, patterns, and text, creating visually engaging narratives. The pop art elements, characterized by bold outlines and vibrant colors, are reminiscent of the legendary pop artist, Andy Warhol, while retaining their distinct Faile aesthetic. The signature elements of their style pay homage to the classic era of comic book art, advertising, and pulp fiction cover designs. As street artists, Faile displays a keen understanding of their environment, integrating their works into the urban landscape with a blend of irreverence and respect. Their techniques often include wheat pasting and stencil graffiti, presenting an intriguing contrast between ephemeral street art traditions and the permanence of their themes. Faile's graffiti art is a testament to their dedication to the medium's rebellious roots. Their pieces, marked by layered visuals and cryptic messages, embody the essence of graffiti as a form of unsanctioned public discourse. This art, rooted in the streets but transcending its confines, resonates in galleries, museums, and art auctions worldwide, demonstrating Faile's versatile appeal and substantial contribution to pop art, street art, and graffiti.

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