Rock N Roll Music

Moonage Daydream 5-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Artist Shepard Fairey OBEY. 2022 Shepard Fairey Numbered Limited Edition of 1910 18x24 inches. Screenprint on thick cream Speckletone paper. "David Bowie is one of my favorite musicians not only because so many of his songs possess magic, but also because he was creatively fearless and perpetually collaborative. I first discovered David Bowie in 1983 when his Let’s Dance album came out, and its hits like “Let’s Dance,” “China Girl,” and “Modern Love” were getting radio play. I became a die-hard Bowie fan once I picked up Ziggy Stardust and the Spiders From Mars at a flea market a few years later. Ziggy Stardust is one of my favorite albums ever. It makes sense that it was Bowie’s breakthrough album, not just because his newly adopted androgynous glam image was provocative and mesmerizing, but because the songs on the album are incredible! At first, my favorites were obvious rockers like “Suffragette City” and “Ziggy Stardust,” but over the years, folkier songs like “Soul Love” and “Starman” really grew on me. It’s almost impossible to pick a favorite Bowie song from Ziggy Stardust and the Spiders From Mars, much less Bowie’s entire catalog, but if I had to, I’d pick “Moonage Daydream.” –Shepard Shepard Fairey Moonage Daydream Silkscreen Print Moonage Daydream is a 2022 five-color hand-pulled silkscreen print by Shepard Fairey that honors David Bowie through the lens of Street Pop Art & Graffiti Artwork. The portrait captures Bowie during the Ziggy Stardust era, presenting him with stylized contours, cosmic backdrop, and sweeping graphic arcs that suggest motion, sound, and theatrical transformation. The palette of magenta, gold, black, and muted teal reinforces the glam rock atmosphere while maintaining the bold, poster-driven clarity that defines Fairey’s visual language. Printed on thick cream Speckletone fine art paper, the texture enhances the layered inks and gives the piece a tactile presence consistent with traditional screenprinting practices. David Bowie, Ziggy Stardust, and Cultural Impact David Bowie was born David Robert Jones in 1947 in the United Kingdom and died in 2016. He remains one of the most influential musicians and visual innovators of the twentieth century. The song Moonage Daydream appears on the 1972 album The Rise and Fall of Ziggy Stardust and the Spiders from Mars, a landmark release that introduced Bowie’s androgynous alien rock persona to a global audience. The track is widely recognized for its dynamic instrumentation and lyrical futurism, combining theatrical performance with experimental sound. Fairey’s portrait draws from photographic outtakes associated with the Ziggy Stardust era, translating Bowie’s photogenic intensity into a graphic composition that balances reverence with reinterpretation. Within Street Pop Art & Graffiti Artwork, Bowie’s boundary-pushing identity aligns naturally with Fairey’s long-standing interest in cultural icons who challenge convention and expand artistic vocabulary. Edition Details and Artistic Significance This 18 by 24 inch silkscreen print is signed and numbered in a limited edition of 1910. The five-color hand-pulled process requires precise registration to achieve the smooth gradients and bold separations that define the portrait. The cosmic star field background and flowing graphic elements reinforce the sci-fi undertones of the original song while situating Bowie within a timeless visual space. Shepard Fairey’s real name is Frank Shepard Fairey. He was born in 1970 in the United States and remains active. Known for merging music, activism, and graphic design into cohesive visual statements, Fairey approaches Moonage Daydream as both tribute and reinterpretation. As a work of Street Pop Art & Graffiti Artwork, this print connects the rebellious energy of glam rock with the visual immediacy of contemporary screenprinted iconography, making it a significant collectible for admirers of both Bowie and Fairey’s socially engaged artistic practice.

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Hitohatausagi 100% & 400% BE@RBRICK Limited Edition Vinyl Art Toy Urban Collectable Art Figures This Be@rbrick celebrates the 50th Celebration of the King of Rock Imawano Kiyoshiro and stands approximately 2.75 and 11.02 inches tall.

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Mover Record Release Party 1997 San Francisco CA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1997 Signed by Kozik & Numbered Limited Edition of 300 Artwork Size 18x22.5 Silkscreen Print Band Gig Poster by Frank Kozik 7-10-1997

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Reverend Horton Heat Tenderloin Twang Rang Hi-Fi 1994 Chicago IL Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1994 Signed by Kozik & Numbered Limited Edition of 500 Artwork Size 22x18 Silkscreen Print Band Gig Poster by Frank Kozik. Reverend Horton Heat Tenderloin Twang Rang Hi-Fi Road Burners Metro Chicago, Illinois 9-17-1994 The "Reverend Horton Heat Tenderloin Twang Rang Hi-Fi 1994 Chicago IL" silkscreen print is a vibrant representation of the intersection where music meets visual art, crafted by the renowned artist Frank Kozik. Dated in 1994, this limited edition piece, with only 500 signed and numbered prints, captures the essence of the concert gig poster with a distinct pop art flair. Measuring 22x18 inches, it was created to promote a live music event on September 17, 1994, featuring the Reverend Horton Heat alongside Tenderloin and Twang Rang Hi-Fi Road Burners at the Metro in Chicago, Illinois. Kozik's use of bold colors and a cartoonish fox wearing a cowboy hat embodies the energy and eccentricity of the bands, particularly the headlining psychobilly band known for its lively and raucous performances. This artwork is more than a mere announcement of an event; it is a piece of history, a testament to the culture of the mid-90s, and a collector's item for enthusiasts of music, pop art, and street art alike. Frank Kozik's style is evident in the poster's design, which features thick outlines, flat areas of color, and an absence of shading reminiscent of comic book art—a hallmark of Kozik's work. Such posters are not only advertisements but also artifacts of cultural significance. They represent a time when street art was becoming increasingly recognized as a legitimate art form, blurring the lines between the highbrow and the accessible, the elite and the streetwise. These prints also speak to the nature of street art's fleeting existence. While street art is often temporary, subject to the whims of weather and the ever-changing urban landscape, silkscreen prints like this capture ephemeral quality and preserve it in a form that can be collected, traded, and displayed. Kozik's work, especially this print, serves as a physical snapshot of the street art movement as it began to infiltrate and influence the broader pop culture, reflecting a time when the underground started to surface and claim space on the walls of fans and collectors worldwide.

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Tribute To Sammi Curr 2012 Movie Music Limited Edition Gig Poster 2-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Jeremy Wheeler. Lakeridge High October 24th 2012- The Clowns, Black Roses, Holy Moses, Solid Gold, Rockula, Sammi Curr. Band from the horror movie Trick or Treat.

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Blue Snaggletooth B&W- The Elbow Room 2009 Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art. Stoner Rick Night Event. Light creasing on the left lower corner. September 25th, 2009 Featuring Blue Snaggletooth, The Cranks, Black Irish, DJ Wheeler.

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Mixtape Limited Edition Archival Pigment Fine Art Prints on Matte Velvet Rag Paper by Graffiti Street Art Pop Artist Dave Pollot. 2022 Signed & Numbered Limited Edition of 100 Artwork Size 19.82x24 Edition of 100 -Signed and numbered in pencil beneath in image -including 2" white margins -Printed on matte velvet rag paper Exploring Dave Pollot's Mixtape Archival Print Dave Pollot is an American artist known for innovatively integrating street art elements into classical and pop art themes. His work often involves reimagining thrift store paintings by introducing modern elements into the otherwise classical compositions, creating a whimsical and thought-provoking juxtaposition. In his limited edition piece titled "Mixtape," Pollot combines the aesthetic of street pop art with the delicate sensibilities of traditional still life, creating a visually striking artwork that resonates with a broad audience. This artwork, signed and numbered by Pollot himself, is part of a limited edition of 100 pieces, each printed on matte velvet rag paper, emphasizing its exclusivity and appeal to collectors. Characteristics and Medium "Mixtape" features a lush arrangement of flowers, a classical subject in art, contrasted sharply by including a modern cassette labeled "Awesome Mix." This blend of the old and the new is characteristic of Pollot's style, where he seamlessly merges elements from different eras to comment on the transient nature of art and cultural artifacts. The artwork is rendered on matte velvet rag paper, a choice that enhances the colors and gives the piece a soft, tactile quality that complements its visual depth. Matte paper also avoids the glare that glossy prints might exhibit, allowing for a more intimate and engaging viewing experience. The Significance of Street Pop Art and Graffiti Artwork in Modern Culture Street pop art and graffiti have evolved from their rebellious, underground origins to become recognized and celebrated contemporary art forms. Artists like Dave Pollot, who engage with these styles, often do so to make statements about society or to bring a new perspective to traditional art forms. In "Mixtape," the cassette tape – an object that symbolizes the recent past and evokes nostalgia – serves as a reminder of the rapid pace of technological and cultural change. Including this element in a traditional still life disrupts the expected visual narrative and invites the viewer to reflect on the evolution of music media and its impact on personal and collective memory. Like much of Pollot's work, this artwork appeals to a diverse audience. It reaches those who appreciate the technical skill required in traditional art forms and those who enjoy street art's edgy, contemporary feel. Additionally, the limited nature of the print run – only 100 pieces – along with the artist's signature, adds a layer of collectibility and value, making it a prized possession for both art lovers and investors. In the broader context, Pollot's "Mixtape" exemplifies how modern artists are blurring the lines between high art and popular culture. By bringing elements of street pop art into the gallery, these artists are challenging preconceived notions about what constitutes "fine art" and who art is for. This art democratization reflects a more significant cultural shift towards inclusivity and the recognition of diverse artistic expressions. Pollot's work celebrates this shift, showcasing how traditional and modern visual elements can coexist harmoniously and create new meanings. Dave Pollot's "Mixtape" is more than just a visually appealing piece; it is a thoughtful commentary on the intersection of past and present, popular culture's temporary nature, and art's evolving boundaries. Through this work, Pollot captures the essence of street pop art and graffiti artwork and elevates it, offering a sophisticated yet accessible piece that resonates with a contemporary audience.

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This Machine Kills Fascists AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2006 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Young Denny Laine From Rock Bands Moody Blues & Wings Leaning On Guitar. This Machine Kills Fascists AP Silkscreen Print by Shepard Fairey This Machine Kills Fascists is a 2006 Artist Proof silkscreen print by Shepard Fairey, released under his OBEY moniker. Hand-pulled on Speckletone fine art paper, this 18 x 24 inch work comes from the original run and is signed and marked AP by the artist. The image depicts a young Denny Laine, legendary guitarist and songwriter associated with the Moody Blues and Wings, leaning on his guitar in a striking, symmetrical composition rooted in Fairey’s early graphic language. Music as Resistance and Political Symbolism The phrase “This Machine Kills Fascists” famously appeared on Woody Guthrie’s guitar and has long symbolized music as a weapon against authoritarianism, oppression, and cultural decay. By pairing this statement with Denny Laine’s image, Fairey bridges generations of musical dissent, connecting folk protest traditions to British rock’s role in cultural upheaval. The guitar becomes both instrument and emblem, reinforcing the idea that creativity, truth, and expression are tools of resistance. Radiating lines and ornamental borders amplify the icon-like presentation, elevating the musician into a symbol rather than a portrait. Shepard Fairey’s Early Iconography and Cultural Legacy Sourced from a 1967 photograph by Peter Webb, the image reflects Fairey’s early fascination with remixing historical imagery into bold, politically charged compositions. This print sits firmly within the formative years of the OBEY project, where propaganda aesthetics, music history, and anti-fascist messaging converged. As an Artist Proof, this edition carries additional weight for collectors, representing Fairey’s personal archive from a pivotal era in his career. This Machine Kills Fascists remains a powerful example of how street art can honor cultural figures while delivering enduring social commentary through graphic precision and symbolic force.

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The Lonesome Crowded West Apt Block Modest Mouse Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2022 Signed & Numbered Limited Edition of 825 Artwork Size 18x24 Silkscreen Print Apartment Block Urban City Building Stylized. "I’m really happy that Modest Mouse asked me to create some limited edition posters for their tour commemorating the 25th anniversary of their 1997 album The Lonesome Crowded West. I first heard Modest Mouse in 1998. I borrowed a friend’s copy of the album The Lonesome Crowded West, which had come out the year before, and it grew on me quickly to become a favorite. The whole album is great, very multi-dimensional ranging from aggressive and dissonant on songs like “Teeth Like God’s Shoeshine” to folky, jangly, and intimate on “Trailer Trash.” My two favorite songs on The Lonesome Crowded West are “Doin’ the Cockroach,” which builds steadily into an exhilarating staccato guitar frenzy, and the song that follows it, “Cowboy Dan,” which is full of tension, struggle, anger, and beauty. Lyrically, the band’s singer and primary songwriter, Isaac Brock, comes across as an empathetic world-weary sage. I rarely call someone a poet, but Isaac wrote with such depth for someone only 23 years old that I think poet is the only title that properly conveys his elevated craft as a lyricist. I got to do Modest Mouse’s 2000 Black Glass tour poster, which was a huge deal for me." -Shepard Fairey- OBEY In the pantheon of street art, few names are as synonymous with the movement's thrust into mainstream culture as Shepard Fairey. His collaboration with the band Modest Mouse for their tour poster celebrates a milestone—the 25th anniversary of their seminal album, "The Lonesome Crowded West." In true Fairey fashion, he interprets the album's ethos with a limited edition silkscreen print, meticulously hand-pulled with five colors on Cream Speckletone fine art paper. This process ensures each of the 825 pieces is imbued with the artist's personal touch. Measuring 18x24 inches, this signed and numbered print presents an apartment block—an urban icon that exemplifies the crowded isolation in the album's title. Fairey's stylized depiction of the apartment block resonates with the band’s exploration of the paradoxical loneliness of urban existence, embodying the spirit of Modest Mouse's music through visual art. His work is not merely an artistic rendition but a narrative of city life's juxtapositions—connectivity and isolation, sound and silence. This collaboration is particularly significant for Fairey, who has been a fan of Modest Mouse since 1998. The album left an indelible mark on him, with its tonal shifts from the raucous "Teeth Like God's Shoeshine" to the more subdued "Trailer Trash." Fairey extols Isaac Brock's songwriting, acknowledging the profound depth and poetic nature of his lyrics, especially considering Brock's youth. The two tracks that stood out to Fairey, "Doin' the Cockroach" and "Cowboy Dan," exemplify the album's range and Brock's lyrical prowess. Fairey's history with Modest Mouse dates back to the 2000 "Black Glass" tour poster, reinforcing his long-standing connection with the band. This print is another chapter in that narrative, solidifying the kinship between his visual art and their musical expression. The artwork is a tangible piece of pop culture history, intertwining the legacy of Fairey's street art with Modest Mouse's contribution to music. Collectors of Fairey’s work and fans of the band alike cherish this print as a symbol of the enduring relevance of "The Lonesome Crowded West" and the power of art to transcend mediums, capturing the essence of an era.

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Mark Lanegan 60 White Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 100 Artwork Size 15x24 Silkscreen Print. "This print is a tribute to my friend, Mark Lanegan, released in honor of his 60th birthday. I’ll never forget our walks through the light and dark" -Cleon Peterson A Tribute to Mark Lanegan’s Influence Cleon Peterson, an American artist, created this limited edition silkscreen print as a celebration of friendship and creative inspiration. The piece honors Mark William Lanegan, an American singer from the United States who passed away on February 22, 2022. It is intended as a symbolic homage on what would have been Lanegan’s 60th birthday, capturing both the spirit of his music and the bond shared with Peterson. The composition features vivid red flames, a devil-like figure, and a looming human silhouette, all arranged against a clean white background. These elements evoke an interplay of dark and light themes that are familiar to admirers of Lanegan’s evocative artistic persona. Peterson’s style often delves into conflict, tension, and the human psyche. This print channels that approach through intense contrasts and symbolic positioning of figures. Viewers are drawn to the swirling red shapes that frame the central subject, as if referencing passionate creativity and the turbulent journeys that can shape a musician’s path. Despite the stark color palette, the details remain bold yet minimal, prompting those who see it to reflect on personal battles, triumphs, and the lasting impact of influential artists. Symbolism and Visual Dynamics The 15x24-inch format provides ample space for the dramatic interplay of silhouettes and vibrant hues. The devil-like figure on the left clutches the black shape representing a human form, suggesting a struggle with internal or external forces. Red flames dance around them, hinting at transformative experiences. Peterson’s characteristic approach to color and contrast emerges vividly, making the artwork eye-catching while hinting at deeper layers of meaning. The piece is printed on hand deckled 290gsm Coventry Rag Fine Art Paper, giving each edition a delicate edge and artisan feel. This physical quality aligns with the emotionally charged subject matter, reinforcing how art can capture both intangible memory and tangible craftsmanship. The red and black imagery echoes aspects of Street Pop Art & Graffiti Artwork, where bold lines, stark contrasts, and simplified forms deliver powerful messages without the need for elaborate detail. Street Pop Art & Graffiti Artwork Inspirations Street Pop Art & Graffiti Artwork themes resonate strongly in Peterson’s prints, and this piece continues that tradition. Observers familiar with urban art often appreciate how the print’s flat planes and intense outlines create a dynamic statement reminiscent of public murals or bold graffiti tags. Elements of subversive energy, common in street-based art forms, echo through the stylized flames and exaggerated demon figure. The layout underscores a sense of confrontation and collaboration between opposing forces. This duality mirrors how Street Pop Art & Graffiti Artwork can be both visually arresting and socially engaging. By bridging personal narratives and symbolic imagery, Peterson’s work remains connected to the underground sensibilities that inform his larger body of creations, merging a refined process with raw thematic concerns. A Timeless Limited Edition Produced as a 2024 signed and numbered edition of 100, the Mark Lanegan 60 White Silkscreen Print has quickly drawn the attention of collectors who value both its emotional resonance and artistic sophistication. Each piece serves as a physical artifact commemorating not just Lanegan’s 60th milestone, but also the enduring impact of creative collaboration between friends. The hand deckled edges and quality paper reflect a commitment to preserving the authenticity of the original design. This print represents a slice of contemporary art that has roots in personal memory and universal themes of struggle and redemption. Peterson’s decision to dedicate a work to Lanegan conveys the deep respect and admiration shared among fellow artists. This sentiment is captured in the graphic interplay of color, shape, and content. By uniting the intensity of Street Pop Art & Graffiti Artwork with a meaningful tribute, Peterson offers a compelling piece that stands as a thoughtful reminder of Mark Lanegan’s artistic legacy and the bond that fueled its creation.

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Heat Wave Grapeade HPM Stencil Spray Paint Silkscreen by Faile Hand-Painted Multiple on Fine Art Paper Unique Graffiti Street Artist Modern Pop Art. 2023 Signed & Numbered Edition of 12 HPM Unique Acrylic Spray Paint Silkscreen Artwork Size 25x38 Drawing from the vibrant energy of New York City's golden age of hip-hop and the high-octane drama of vintage wrestling, with a quintessential FAILE flair, the Lemonade Heat Wave Print emerges as a joyful embodiment of summer revelry. This unique work of art encapsulates the spirit of warm, carefree summer days in a stunning blend of mediums. The creative journey that led to this vibrant masterpiece spanned a period of about six weeks, during which each print was meticulously crafted by hand. This artistic process involved painting, rolling, spraying, printing, and even blowing each print dry. The painstaking care and detailed attention invested in each step are evident in the final product, capturing an array of beautiful studio nuances. The Lemonade Heat Wave Print is impressive in size, measuring 25 x 38 inches. This limited edition print is an exclusive offering, with only 12 unique pieces created. Employing a diverse mix of mediums, the print combines the vivid hues of acrylic paints with the textures of silkscreen ink and the edge of spray paint on paper. The tactile quality of the print is further enhanced by an embossed finish. Each print is authenticated with a signature and numbered, indicating its place in this exclusive series. As a product of FAILE in 2023, the Lemonade Heat Wave Print carries with it the distinctive stamp of the celebrated art collective. This unique blend of mediums and styles showcases the diverse influences and creative energy of FAILE, making it a standout piece in any art collection. Faile, a collective of two artists hailing from the U.S., namely Patrick McNeil and Patrick Miller, has carved a unique niche in the domain of pop art, street art, and graffiti. Emerging from the gritty skate culture of New York City in the late 90s, Faile quickly rose to global prominence, redefining the visual aesthetics and thematic boundaries of urban artistic expressions. The duo's art is celebrated for its fusion of contemporary pop culture iconography, elements of comic strips, advertising imagery, and sharp socio-political commentary. Their works, often in the form of large scale mural installations, present a kaleidoscopic blend of color, patterns, and text, creating visually engaging narratives. The pop art elements, characterized by bold outlines and vibrant colors, are reminiscent of the legendary pop artist, Andy Warhol, while retaining their distinct Faile aesthetic. The signature elements of their style pay homage to the classic era of comic book art, advertising, and pulp fiction cover designs. As street artists, Faile displays a keen understanding of their environment, integrating their works into the urban landscape with a blend of irreverence and respect. Their techniques often include wheat pasting and stencil graffiti, presenting an intriguing contrast between ephemeral street art traditions and the permanence of their themes. Faile's graffiti art is a testament to their dedication to the medium's rebellious roots. Their pieces, marked by layered visuals and cryptic messages, embody the essence of graffiti as a form of unsanctioned public discourse. This art, rooted in the streets but transcending its confines, resonates in galleries, museums, and art auctions worldwide, demonstrating Faile's versatile appeal and substantial contribution to pop art, street art, and graffiti.

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Hendrix- Silver Limited Edition 5-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Mr Brainwash- Thierry Guetta Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of 70 Artwork Size 22.5x30 Artist: Mr. Brainwash Title: Hendrix (Silver) Year: 2015 Dimensions: 30in. by 22.5. Edition: From a limited edition of 70 Medium: Color screenprint on hand torn archival paper. Condition: Excellent Signature Details: Hand signed and thumb printed

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Spoon at El Cid- 2009 Music Limited Edition Metallic Gold ink Gig Poster 2-Color Hand-Pulled Silkscreen Print Artwork on Cream Speckletone Paper by MFG- Matt Goldman Max Goldman for Spoon and Deep Sea Diver. 18 x 24 inches Hand Silk-Screen Print Red, Black Cream Speckletone Paper Limited Edition of 100 Printed by Nick Bowers / OBEY Signed and Numbered by MFG- Matt Goldman Released 2010 . This limited edition Spoon poster was designed by Matt Goldman for the January 18th secret show at El Cid. Celebrating the release of their seventh album, Transference, Spoon decided to do a pop-up show in a tiny venue for their fans. The poster features custom typography and original photography. Little known fact: the date on the poster is wrong (should be 2010) but nobody, to this day, has ever noticed or said anything about it... The posters were only available at the show the night of the event and we're selling the remaining copies here on the Dance Right store. The poster was printed in Obey Giant Art's printing facilities.

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God Save The Queen Collage Artwork Giclee Limited Edition Print on 290gsm Hahnemühle Bamboo Paper by Pop Culture Graffiti Artist Jamie Reid. 2019 Signed & Numbered Limited Edition of 300 Artwork Size 32.3x22.8 Blending the worlds of street art, pop culture, and political dissent, Jamie Reid's "God Save The Queen" stands as a poignant reflection of the punk era's raw energy and defiance. Created in 2019, this masterful artwork captures the essence of rebellion, with a striking portrayal of the British monarch, her eyes obscured by the phrase "God Save The Queen." It is not merely a visual spectacle but a statement, encapsulating the punk movement's spirit and challenging the establishment's symbols and authority. The imagery, familiar to many, became emblematic of the punk rock movement in the late 1970s. Its resonance extends beyond the art sphere into music, as it bears a strong association with the controversial track "God Save the Queen" by The Sex Pistols released in 1977. The audacity of the image, combined with the song's provocative lyrics, created ripples in society, making it an iconic piece of cultural history. This particular creation is a limited edition giclee print, with only 300 pieces ever produced. Each print is meticulously crafted on premium 290gsm Hahnemühle bamboo paper, renowned for its exceptional quality and ability to bring out the finest details of the artwork. Measuring 32.3 x 22.8 inches, every piece has been hand-signed and numbered by Reid, ensuring its authenticity. For collectors and art enthusiasts, owning a piece of this limited edition offers not just a visual delight but also a slice of history, representing a moment when art, music, and activism converged to shape a generation.

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Umphreys McGee Red Rocks 2010 Limited Edition Event Poster 8-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by AJ Masthay. Hand deckled bottom edge. Umphrey's McGee and Galactic at Red Rocks in Morrison, CO in 2010.

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Shigeto- The Blind Pig 2013 Limited Edition 11-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art. Shigeto, Charles Trees, Tree City, Beautiful bells, DJ Ease at The Blind Pig on October 8th 2013.

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Heist Eyes HPM Stencil Spray Paint Silkscreen by Prefab77 Hand-Painted Multiple on 300gsm Somerset Fine Art Paper Unique Graffiti Street Artist Modern Pop Art. 2023 Signed & Numbered Edition of 60 HPM Unique Hand Painted Spray Paint Stencil Artwork Size 15x22 Silkscreen of Close Up of Woman's Eyes With Pop Culture Figures. Prefab77 Heist Eyes HPM Stencil Spray Paint Silkscreen Heist Eyes is a 2023 hand-painted multiple by Prefab77, the British artist known for fusing punk attitude, pop culture references, and layered graphic collage into bold Street Pop Art & Graffiti Artwork. Printed as a silkscreen with stencil spray paint elements on 300gsm Somerset fine art paper, this edition of 60 measures approximately 15 x 22 inches and is signed and numbered. The composition centers on a dramatic close-up of a woman’s eyes rendered in stark black and white, framed by fragmented typography, geometric patterning, and cultural iconography. The gaze becomes the anchor within a chaotic visual field of torn headlines, stylized figures, and angular motifs that recall vintage poster design reinterpreted through contemporary urban language. Pop Culture Fragmentation and Graphic Rebellion Prefab77 has built a reputation for integrating references to music, cinema, and countercultural imagery into tightly constructed compositions that feel both nostalgic and confrontational. In Heist Eyes, the central eyes function as both observer and observed, reinforcing themes of surveillance, spectacle, and identity. Surrounding elements include bold lettering, collaged text fragments, and recognizable stylistic nods to classic British punk graphics. The interplay of pastel pinks, muted gold tones, black, and soft blues injects vibrancy without overwhelming the central focal point. This layered fragmentation is characteristic of Street Pop Art & Graffiti Artwork, where appropriation and recontextualization transform familiar imagery into something newly charged. Hand-Painted Multiple Technique and Material Depth As an HPM, or hand-painted multiple, each print carries unique spray paint embellishments layered over the structured silkscreen base. This approach bridges studio printmaking and the immediacy of street practice. The stencil spray paint accents introduce subtle variations in texture and color distribution, ensuring that no two works in the edition are identical. Somerset paper provides a durable archival surface that enhances the crispness of the screenprinted lines while absorbing the spray applications with depth and character. Within Street Pop Art & Graffiti Artwork, Heist Eyes stands as a refined yet rebellious example of how stencil, collage aesthetics, and pop iconography converge into a visually assertive contemporary print.

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Bob Mould AP Signed Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2008 Signed Autograph by Bob Mould Across The Face in Marker & Shepard Fairey- OBEY Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print Depicting Bob Mould of the Music Bands Hüsker Dü, Sugar & The Jacks. District Line. "Bob Mould was the guitar player and co-songwriter of Husker Du, one of the most progressive hardcore/indy bands of the '80s. Originally one of the most successful bands on SST records, they were among the first American indie bands to sign to a major label. They are credited with paving the way for bands like Sonic Youth, The Pixies, and Nirvana. I borrowed Husker Du's Zen Arcade album from a friend in my 10th-grade year and quickly collected the rest of their catalog. I especially recommend their album Flip Your Wig. After Husker Du broke up, Bob formed Sugar and now performs solo. His new album District Line is awesome." -Shepard Fairey- OBEY Shepard Fairey's Tribute to Bob Mould: Merging Music and Street Art The Bob Mould AP Signed Silkscreen Print by Shepard Fairey, a figure synonymous with OBEY and a towering presence in street pop art, is a limited edition artwork that pays homage to Bob Mould's profound influence on the music scene. As an Artist Proof from 2008, this piece holds a special place within the edition of 500, featuring Fairey's signature 5-color technique on cream speckletone fine art paper, measuring 18x24 inches. Mould's autograph across the face in marker adds a personal touch, intertwining the visual narrative with the tactile memory of the musician's hand. This print captures the likeness of Mould, known for his groundbreaking work with bands Hüsker Dü, Sugar, and The Jacks, and the essence of his impact on the hardcore/indie genres. Fairey's acknowledgment of Mould's legacy, from the seminal album "Zen Arcade" to "Flip Your Wig" and beyond, underscores the print's importance as a piece of cultural history. Fairey, who has a storied history of integrating his art with social commentary and the music industry, uses this print to honor a musician who has been pivotal in shaping the landscape of modern American indie music. Bob Mould and the Evolution of American Indie Music in Visual Art Bob Mould's journey through the evolution of American indie music is intricately woven into the fabric of this silkscreen print. Shepard Fairey's artistic rendering goes beyond mere portraiture; it is a symbolic representation of the era that saw bands like Sonic Youth, The Pixies, and Nirvana reshape the musical landscape, with Mould and Hüsker Dü leading the charge. As a fan who found inspiration in his youth's raw and passionate soundtracks, Fairey's connection to Mold's music informs the artwork's intimate and reverent portrayal. The print is a visual testament to Mould's ongoing relevance, with Fairey highlighting the musician's solo works like "District Line." The piece symbolizes the confluence between street pop art and the visceral energy of the music that often serves as its soundtrack. Fairey's ability to infuse his work with the spirit of the music he admires adds depth to the print, elevating it from a mere collectible to a significant narrative artifact within the canon of street pop art and graffiti artwork. Shepard Fairey's Bob Mould AP Signed Silkscreen Print is not just a confluence of visual art and music but a celebration of the enduring legacy of an artist who has helped shape the sound of a generation. As a street pop art piece, it embodies the rebellious heart of the indie movement. It stands as a testament to the power of art to transcend mediums and become a unifying force for cultural reflection and appreciation. The limited edition nature of the print, coupled with the personal signatures of both Mould and Fairey, cements its status as a collectible piece that captures a pivotal moment in the interplay between music and visual art.

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Marvin Berry and the Starlighters 1.21 Gigawatts Limited Edition Giclee Print on Fine Art Paper by Robin Boyden counter-culture street artist art. New Rule collective presents, 1.21 GIGAWATTS, an illustrated tribute to the classic movie trilogy Back To The Future! The classic tale of young Marty McFly and Doc Brown as they haphazardly travel through the space-time continuum inspired a generation of sci-fi and time travel fanatics around the world, and still stands up as a defining piece of cinema from the 80s.

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Iggy Pop Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by John Wentz Graffiti Street Artist Modern Pop Art. "Iggy has always had a fantastic face. In younger Iggy, you can see that look of wanting to take over the world. In older, more recent Iggy, it’s as if his face is a book in braille. I can’t imagine the stories it could tell! His expression is almost like a mugshot, but there is a certain passivity behind it." - John Wentz

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Blondie on Bowery Large Format Silkscreen Print by Shepard Fairey- OBEY 3-Color Silkscreen Hand-Pulled Screen on 320gsm Coventry Rag Paper Mural Pop Street Artwork. 2021 Signed & Numbered Limited Edition of 199 Artwork Size 42x28.75 Shepard Fairey's "Blondie on Bowery" is a striking example of Street Pop Art, capturing the intersection of music and urban visual culture. This large-format silkscreen print is part of a limited edition series, with only 199 signed and numbered prints available. It is a rare collectible for art enthusiasts and fans of the punk rock era. The artwork measures 42 by 28.75 inches, allowing bold graphic qualities and intricate details to command attention and engage viewers. Crafted in 2021, the print pays homage to the iconic punk band Blondie and their connection to the legendary music venue CBGB in New York City. Fairey, known globally for his OBEY campaign and his iconic Barack Obama "Hope" poster, brings his distinctive style to this piece, merging graffiti artwork's aesthetic with pop art's polished finish. The work is screen-printed on 320gsm Coventry Rag Paper, a high-quality substrate that ensures the print's depth of color and durability. The paper's hand-deckled edges add to the bespoke nature of each print, emphasizing the hands-on, street-level ethos of Fairey's artistry. This particular piece reflects a historical moment, channeling the spirit of rebellion and innovation that defined the Bowery's music scene in the 1970s and 1980s. Fairey's choice of subject matter and his stylized portrayal of Debbie Harry, Blondie's frontwoman, underscore the lasting influence of the band and the punk movement. The inclusion of song titles like "Rapture" and "Atomic" in the print's design directly links to Blondie's legacy. At the same time, the motifs and typography are reminiscent of the era's concert posters and album covers. "Blondie on Bowery" was printed by Gary Lichtenstein Editions and published by WCC Editions. The collaborative nature of the piece, with its roots in street art and formal screen printing techniques, showcases Fairey's ability to navigate different artistic realms. Each print is accompanied by a Certificate of Authenticity, assuring its provenance and authenticity within the art market. The mural from which this print takes inspiration was created by Fairey in 2017, further cementing the relationship between his street-level murals and gallery-oriented prints. The transition from a public mural to a limited edition print allows the artwork to be appreciated in personal collections while retaining the raw, expressive quality of street art. Shepard Fairey's work, particularly "Blondie on Bowery," embodies street pop art's rebellious heart and soul, serving as a physical manifestation of the music, fashion, and attitudes that continue to influence contemporary culture.

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Pearl Jam Nov 18th Melbourne Gig Poster Silkscreen Print by Ben Frost Hand-Pulled on Fine Art Paper Limited Edition 6 Color Screenprint Artwork. 2024 Signed & Numbered Limited Edition of 100 Artwork Size 24x18 Silkscreen Print Official Pearl Jam Holographic Sticker on Back. Pearl Jam, Pixies & Teen Jesus and the Jean Teasers, Marvel Stadium, Melbourne, Australia. Pearl Jam Melbourne Gig Poster by Ben Frost The Pearl Jam November 18th 2024 Melbourne gig poster by Ben Frost is a striking silkscreen print that merges the visual voltage of contemporary Street Pop Art & Graffiti Artwork with the live energy of one of rock’s most iconic bands. This officially licensed concert print commemorates Pearl Jam’s appearance at Marvel Stadium in Melbourne, joined by legendary alternative rock band Pixies and rising Australian act Teen Jesus and the Jean Teasers. Hand-pulled on fine art paper using six vibrant colors, this limited edition print is signed and numbered by Ben Frost and comes with an official Pearl Jam holographic sticker affixed to the back, affirming its authenticity. Visual Energy and Symbolism The artwork presents an explosive mirrored composition featuring two yellow cockatoos—native to Australia—locked in a bold and symmetrical confrontation. Their wings are ablaze with flames, rendered in a high-contrast palette of crimson, amber, and electric yellow. The birds’ feathers pulse with intensity, each form carefully delineated through Frost’s precise graphic technique. Their talons meet at the center, interlocking to form a clenched gesture that suggests solidarity, power, and resistance. Between the wings, flames rise upward, forming the spiritual and literal heat of the print—mirroring the fire and urgency that has always defined Pearl Jam’s music. Emblazoned on one wing is the date of the concert, NOV 18 2024, while the other wing marks the venue: MARVEL STADIUM MELBOURNE. The typography is seamlessly integrated into the design, serving both function and form, rooted in graffiti styling but refined through the lens of fine art silkscreen work. Artist Background and Street Pop Context Ben Frost is an internationally recognized Australian artist known for his ability to appropriate pop culture, pharmaceuticals, corporate logos, and advertising language into subversive and often satirical compositions. Through his Street Pop Art & Graffiti Artwork, Frost explores consumer culture, identity, and rebellion. This poster carries those same hallmarks of his wider body of work—exaggerated color palettes, clean linework, and a dense sense of visual stimulation. While Frost is renowned for his critiques of media saturation and capitalist spectacle, this piece celebrates a specific cultural moment. The visual style reflects his skill at mixing commercial and countercultural influences into something both collectible and critical, blending the immediacy of street art with the polish of screenprinted fine art editions. Concert Culture and Contemporary Collectibles As with all official Pearl Jam gig posters, this print serves as a functional keepsake but transcends into the realm of visual art. At 24x18 inches, the scale is significant, ideal for collectors and fans who appreciate not just the music but the iconography it inspires. Limited to only 100 hand-signed and numbered prints, it represents an exclusive collaboration between music and visual art communities. Pearl Jam has consistently aligned themselves with socially conscious and artistically progressive projects, and their ongoing partnership with artists like Ben Frost reinforces their legacy. With added support from the Pixies and Teen Jesus and the Jean Teasers on this tour stop, the print also captures a cross-generational exchange within alternative music. Ben Frost’s poster is more than promotional material—it is a symbolic totem of sound, culture, and resistance, crystallized through the fire of silkscreen artistry.

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Jimi Hendrix- Cream Limited Edition 5-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Mr Brainwash- Thierry Guetta Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of 70 Artwork Size 22.5x30 Artist: Mr. Brainwash Title: Hendrix (Cream) Year: 2015 Dimensions: 30in. by 22.5in. Edition: From a limited edition of 70 Medium: Color screenprint on hand torn archival paper. Condition: Excellent Signature Details: Hand signed and thumb printed

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27 Club- Morrison 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by DKNG Rare Street Art Famous Pop Artwork Artist. Signed & Numbered 2012 Edition of 200 Blunt Graffix in Oregon invited us to be a participating artist in their upcoming group show "Dead Rockstars: A Tribute to the Mortal Gods of Sound". We decided to explore the 27 Club, a meme regarding popular musicians who all died at the age of 27. Each print is a mini 4.625" x 5.375" four color screen print with an edition of 200.

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The Lonesome Crowded West Tower Modest Mouse Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2022 Signed & Numbered Limited Edition of 825 Artwork Size 18x24 Silkscreen Print "I’m really happy that Modest Mouse asked me to create some limited edition posters for their tour commemorating the 25th anniversary of their 1997 album The Lonesome Crowded West. I first heard Modest Mouse in 1998. I borrowed a friend’s copy of the album The Lonesome Crowded West, which had come out the year before, and it grew on me quickly to become a favorite. The whole album is great, very multi-dimensional ranging from aggressive and dissonant on songs like “Teeth Like God’s Shoeshine” to folky, jangly, and intimate on “Trailer Trash.” My two favorite songs on The Lonesome Crowded West are “Doin’ the Cockroach,” which builds steadily into an exhilarating staccato guitar frenzy, and the song that follows it, “Cowboy Dan,” which is full of tension, struggle, anger, and beauty. Lyrically, the band’s singer and primary songwriter, Isaac Brock, comes across as an empathetic world-weary sage. I rarely call someone a poet, but Isaac wrote with such depth for someone only 23 years old that I think poet is the only title that properly conveys his elevated craft as a lyricist. I got to do Modest Mouse’s 2000 Black Glass tour poster, which was a huge deal for me." -Shepard Fairey- OBEY Marking the 25th anniversary of Modest Mouse's influential album "The Lonesome Crowded West," celebrated street artist Shepard Fairey, known as OBEY, crafted a striking limited edition silkscreen print. This 2022 piece, meticulously hand-pulled and comprising five colors on Cream Speckletone fine art paper, mirrors the layered complexity of the album it honors. The work measures 18x24 inches, a testament to the album's monumental impact on the alternative rock scene and Fairey's own artistic journey. Each of the 825 signed and numbered prints encapsulates Fairey's personal connection with the album, having first encountered its raw and eclectic sound in 1998, a year after its release. He describes the album as "multi-dimensional," resonating through its varied tones from the "aggressive and dissonant" to the "folky, jangly, and intimate." His favorite tracks, "Doin’ the Cockroach" and "Cowboy Dan," evoke contrasting emotions of exhilaration and introspective tension, revealing the dexterity of Modest Mouse's music and the profound lyrical skill of frontman Isaac Brock. In this piece, Fairey channels the essence of the album's themes, depicting an isolated tower amidst a vast, red-streaked landscape, symbolizing the album's exploration of urban isolation and the Western American experience. The contrast between the solitary building and the surrounding expanse eloquently captures the album's title, "The Lonesome Crowded West." This visual representation goes beyond mere album art; it is an intersection of Fairey's iconic style and Modest Mouse's sonic influence, bridging visual and auditory art forms. Fairey's engagement with Modest Mouse extends back to their 2000 "Black Glass" tour, for which he also created a poster. This long-standing relationship emphasizes the mutual respect between the artist and the band, illustrating how music and visual art can coalesce to form powerful cultural statements. His artistic expression is not only a tribute to the music but also an homage to Brock's poetic lyrics, which left an indelible impression on Fairey, prompting him to label Brock a true poet. As an influential figure in street art and pop culture, Fairey’s creation for Modest Mouse cements his position at the forefront of contemporary art. It serves as a visual anchor for the album’s legacy, ensuring that its cultural resonance extends into the visual realm. Collectors and fans of both the band and Fairey find in this print a confluence of two forms of rebellion and expression, solidified on paper but echoing far beyond.

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Hendrix- Purple Limited Edition 5-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Mr Brainwash- Thierry Guetta Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of 70 Artwork Size 22.5x30 Artist: Mr. Brainwash Title: Hendrix (Purple) Year: 2015 Dimensions: 30in. by 22.5in. Edition: From a limited edition of 70 Medium: Color screenprint on hand torn archival paper. Condition: Excellent Signature Details: Hand signed and thumb printed

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Red Hot Chili Peppers Primus 1989 Fillmore Silkscreen San Francisco CA Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1989 Kozik Artwork Size 13x19 Silkscreen Print Band Gig Poster by Frank Kozik. Bill Graham San Francisco The Fillmore Poster F115 Red Hot Chili Peppers Mary's Danish Primus September 15 16, 1989 Red Hot Chili Peppers Primus 1989 Fillmore Silkscreen Print by Frank Kozik The Red Hot Chili Peppers Primus 1989 Fillmore silkscreen print by Frank Kozik is an iconic piece of Street Pop Art & Graffiti Artwork that embodies the rebellious energy of late 1980s underground music and poster culture. Created for the Red Hot Chili Peppers' performance at the legendary Fillmore in San Francisco, this 13x19-inch hand-pulled silkscreen print was commissioned as part of the Bill Graham Presents concert series. Featuring bold colors, surrealist imagery, and an unmistakable punk aesthetic, this piece captures the raw intensity of the era’s alternative rock movement. The inclusion of supporting acts Primus and Mary’s Danish further cements its significance as a relic of an explosive time in live music history. Visual Composition and Artistic Style Frank Kozik’s artistic style is instantly recognizable in this print, with its bold neon hues, high-contrast linework, and provocative subject matter. The composition features a flaming skeleton with an exaggerated grin, clad in a polka-dotted bikini bottom, with its tongue out in a defiant gesture. The presence of a stylized, curvy female figure in the background adds a surreal, almost psychedelic touch, reinforcing the wild, chaotic energy associated with the Red Hot Chili Peppers' music. The background consists of swirling patterns in bright pink and purple, creating a hypnotic effect that draws the viewer into the image. The heavy use of black outlines and exaggerated cartoonish elements reflect Kozik’s influence from underground comics, skate culture, and punk zine aesthetics. The typography follows a classic gig poster format, with large block lettering announcing the headlining act in bright pink against a dark background, while additional text in cyan provides details of the event. This mix of playful, irreverent imagery and structured design highlights Kozik’s mastery in blending controlled chaos with striking visual appeal. Street Pop Art & Graffiti Artwork Influence Frank Kozik’s work stands at the crossroads of Street Pop Art & Graffiti Artwork, merging countercultural aesthetics with fine art printmaking techniques. The poster's aggressive, high-contrast design is reminiscent of graffiti stencils, while the hand-pulled silkscreen process ensures that each print carries a unique, raw texture. The exaggerated punk-inspired figures, combined with psychedelic color palettes, align with the visual language found in 1980s street art and underground concert promotion. This piece reflects the DIY spirit of gig poster culture, where artists crafted promotional artwork that doubled as collectible art. Kozik’s ability to merge lowbrow sensibilities with high-impact design has made his prints some of the most sought-after in the gig poster scene. His background in self-published artwork and street-level design tactics translates into compositions that feel alive, rebellious, and unfiltered. Collectibility and Cultural Impact As an official Fillmore poster, this silkscreen print holds immense historical and artistic value. The late 1980s were a defining era for the Red Hot Chili Peppers, as they blended funk, punk, and rock to create a sound that would later dominate alternative music. The collaboration with Primus, a band equally known for its genre-defying sound, adds to the poster’s significance as a symbol of musical innovation. Frank Kozik’s gig posters have become highly collectible, with limited-edition prints from this era commanding high demand among both art collectors and music fans. The handcrafted nature of the silkscreen process ensures that each piece has its own unique character, reinforcing the authenticity and individuality of the work. Kozik’s influence continues to shape modern poster design, and this print remains a testament to his ability to translate the raw energy of live music into visually arresting artwork. This piece is not just a concert advertisement; it is a statement of the era, an artifact of underground culture, and a masterpiece within the world of Street Pop Art & Graffiti Artwork.

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Brian Slade 73 Tour 2011 Movie Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Pink Fine Art Paper by Jeremy Wheeler. Music group Brian Slade from the movie Velvet Goldmine.

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Low Powers Dept Tour 1997 Domestic Mika Band Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1997 Signed by Kozik & Numbered Limited Edition of 450 Artwork Size 18.5x31 Silkscreen Print Band Gig Poster by Frank Kozik Frank Kozik Low Powers Dept Tour 1997 Domestic Mika Band Silkscreen Print Frank Kozik, born in Spain in 1962 and later based in the United States until his passing in 2023, was instrumental in redefining the gig poster as collectible Street Pop Art & Graffiti Artwork during the 1990s. The Low Powers Dept Tour 1997 silkscreen print created for Domestic Mika Band exemplifies his sharp political edge and graphic discipline. This hand-pulled silkscreen on fine art paper measures approximately 18.5 x 31 inches and was released as a signed and numbered limited edition of 450. By issuing posters in controlled editions and applying fine art printmaking standards, Kozik elevated music promotion into a serious visual art practice that resonated with collectors and underground culture alike. Propaganda Aesthetics and Political Graphic Language The composition references early twentieth-century propaganda imagery, featuring a stylized figure in a commanding pose set against an industrial skyline. Rendered in bold pink, red, yellow, and black color fields, the image mirrors the visual authority of constructivist poster design while reframing it within the context of contemporary music culture. The slogan The Power of Music Is the Wealth of the Nation anchors the central field, blending political rhetoric with cultural commentary. Kozik’s use of stark silhouettes, factory smokestacks, and raised-arm gestures reflects how Street Pop Art & Graffiti Artwork frequently appropriates historical visual language to critique power structures and mass messaging. The typography is assertive and highly legible, reinforcing the immediacy that defines effective gig poster design. 1990s Gig Poster Culture and Street Pop Art & Graffiti Artwork During the 1990s, Kozik’s posters became synonymous with a movement that fused underground music scenes with high-quality silkscreen production. The Low Powers Dept Tour print demonstrates how bold ideological imagery could coexist with alternative rock promotion, creating a layered cultural artifact rather than disposable advertising. By signing and numbering the edition of 450, Kozik reinforced the permanence and collectibility of the work. Posters such as this stand as historical markers of a time when Street Pop Art & Graffiti Artwork intersected with independent music, industrial iconography, and sharp graphic minimalism, producing enduring works that continue to hold significance within contemporary print culture.

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The Meices Nine Pound Hammer 1995 San Francisco CA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1995 Signed by Kozik & Numbered Limited Edition of 650 Artwork Size 17.5x22.5 Silkscreen Print Band Gig Poster by Frank Kozik. Tractor The Meices Nine Pound Hammer The Kilowatt Club San Francisco, California 10-21-1995 Capturing the dynamic essence of 1990s rock culture, Frank Kozik’s silkscreen prints are a fusion of music and visual art, with a distinct nod to the vibrant pop art movement. His poster for the October 21 performance of The Meices and Nine Pound Hammer at The Kilowatt in San Francisco, CA, is a prime example of his craft. The print, decorated with bold colors and striking imagery, was more than just promotional material; it was an artistic celebration of the bands and the era. This piece features a stark, contrastive color palette, primarily using black, bright yellow, and red, which captures the eye and invokes the energetic and raw spirit of the bands it represents. The central image of a vintage tractor, marked by the number 70, symbolizes Kozik’s ability to blend everyday objects with a certain edginess, making them resonate with the punk and alternative genres his work often accompanied. Such images not only promoted the event but also commented on the mechanization of society, a recurring theme in pop art, making Kozik’s work resonate with both underground and mainstream audiences. With each of Kozik’s prints, like this one from 1995, collectors and enthusiasts receive more than a simple piece of paper. They acquire a snapshot of cultural history, immortalizing the music and the moment within the fabric of pop, street, and graffiti art. His work is a reminder of the powerful intersection between the visual and the auditory, where each gig poster serves as a conduit for the artistic energy of the time. This San Francisco event’s print is a bold statement within this genre. It is a lasting visual record of the night that The Meices and Nine Pound Hammer brought their distinctive sounds to an eager audience, now eternally etched into the legacy of 90s music and art.

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Heat Wave Lemonade HPM Stencil Spray Paint Silkscreen by Faile Hand-Painted Multiple on Fine Art Paper Unique Graffiti Street Artist Modern Pop Art. 2023 Signed & Numbered Edition of 12 HPM Unique Acrylic Spray Paint Silkscreen Artwork Size 25x38 Drawing from the vibrant energy of New York City's golden age of hip-hop and the high-octane drama of vintage wrestling, with a quintessential FAILE flair, the Lemonade Heat Wave Print emerges as a joyful embodiment of summer revelry. This unique work of art encapsulates the spirit of warm, carefree summer days in a stunning blend of mediums. The creative journey that led to this vibrant masterpiece spanned a period of about six weeks, during which each print was meticulously crafted by hand. This artistic process involved painting, rolling, spraying, printing, and even blowing each print dry. The painstaking care and detailed attention invested in each step are evident in the final product, capturing an array of beautiful studio nuances. The Lemonade Heat Wave Print is impressive in size, measuring 25 x 38 inches. This limited edition print is an exclusive offering, with only 12 unique pieces created. Employing a diverse mix of mediums, the print combines the vivid hues of acrylic paints with the textures of silkscreen ink and the edge of spray paint on paper. The tactile quality of the print is further enhanced by an embossed finish. Each print is authenticated with a signature and numbered, indicating its place in this exclusive series. As a product of FAILE in 2023, the Lemonade Heat Wave Print carries with it the distinctive stamp of the celebrated art collective. This unique blend of mediums and styles showcases the diverse influences and creative energy of FAILE, making it a standout piece in any art collection. Faile, a collective of two artists hailing from the U.S., namely Patrick McNeil and Patrick Miller, has carved a unique niche in the domain of pop art, street art, and graffiti. Emerging from the gritty skate culture of New York City in the late 90s, Faile quickly rose to global prominence, redefining the visual aesthetics and thematic boundaries of urban artistic expressions. The duo's art is celebrated for its fusion of contemporary pop culture iconography, elements of comic strips, advertising imagery, and sharp socio-political commentary. Their works, often in the form of large scale mural installations, present a kaleidoscopic blend of color, patterns, and text, creating visually engaging narratives. The pop art elements, characterized by bold outlines and vibrant colors, are reminiscent of the legendary pop artist, Andy Warhol, while retaining their distinct Faile aesthetic. The signature elements of their style pay homage to the classic era of comic book art, advertising, and pulp fiction cover designs. As street artists, Faile displays a keen understanding of their environment, integrating their works into the urban landscape with a blend of irreverence and respect. Their techniques often include wheat pasting and stencil graffiti, presenting an intriguing contrast between ephemeral street art traditions and the permanence of their themes. Faile's graffiti art is a testament to their dedication to the medium's rebellious roots. Their pieces, marked by layered visuals and cryptic messages, embody the essence of graffiti as a form of unsanctioned public discourse. This art, rooted in the streets but transcending its confines, resonates in galleries, museums, and art auctions worldwide, demonstrating Faile's versatile appeal and substantial contribution to pop art, street art, and graffiti.

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Obey Long Playing AP Dance Floor Riot Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled 1-Color Screen Print on Fine Art Paper Limited Edition Graffiti Pop Street Artwork. AP Artist Proof 2011 Signed & AP Marked Limited Edition Artwork Size 13x13 "Long before I knew about art galleries or even street art, I was excited about album cover art, if only because it was the visual counterpart to the music on the records I loved. Album covers conjured a euphoric association with the listening experience. Most of my earliest home-made tee shirts were stencils based on punk album covers… No matter how much I love art, or try to convince myself of its relevance in society, the fact remains that music is a lot cooler and way more able to reach people’s hearts and minds… but I’m a populist and I look at it this way: I may not play an instrument, but I’m gonna rock it hard as nails anyway. With my art I try to capture the same energy and spirit that makes music so powerful and democratic. REVOLUTIONS is a celebration of all the great music and accompanying art that has inspired me over the years." -Shepard Fairey Obey Long Playing AP by Shepard Fairey: A Fusion of Music and Street Pop Art The Obey Long Playing Artist Proof silkscreen print by Shepard Fairey is a striking homage to the enduring influence of music on visual culture. Created in 2011, this limited-edition Artist Proof measures 13 by 13 inches and is hand-pulled as a one-color screen print on fine art paper. Signed and marked as an Artist Proof by Fairey, the print is a part of his Revolutions series, which celebrates the intersection of music and art. Through its bold, monochromatic design, this artwork captures the timeless appeal of vinyl records and the cultural legacy they represent. The design prominently features a stylized vinyl record encased in a decorative frame with ornate flourishes. The bold typography reading Obey Long Playing Records evokes the aesthetic of vintage album covers, blending nostalgia with Fairey’s contemporary Street Pop Art sensibilities. The intricate detailing in the border contrasts with the minimalist central image, creating a composition that is both visually dynamic and conceptually rich. This piece reflects Fairey’s deep connection to music as a driving force in his art, highlighting the shared energy and accessibility of music and street art. Music as a Visual and Cultural Inspiration Shepard Fairey’s connection to music runs deep, influencing much of his work, including Obey Long Playing. Growing up immersed in the punk rock scene, Fairey drew inspiration from the DIY ethos and rebellious spirit of the music. This influence is evident in his bold graphics and use of stencils, techniques rooted in the graffiti art tradition. In this piece, Fairey channels the energy and democracy of music into a visual form, celebrating its ability to unite people and transcend boundaries. The vinyl record featured in the design symbolizes a golden era of music, where physical albums and cover art played a crucial role in defining an artist’s identity. Fairey’s choice to emphasize this cultural artifact speaks to his admiration for the tangible connection between music and its audience. The print serves as a tribute to the artistry of album design and its ability to evoke powerful emotions, much like the music it represents. The Craft of Silkscreen Printing Obey Long Playing is a testament to Shepard Fairey’s mastery of the silkscreen printing process. Each print is meticulously hand-pulled, ensuring a high level of precision and quality. The one-color design allows for bold contrasts and sharp details, highlighting the intricacies of the decorative border and the clean lines of the central typography. Printed on fine art paper, the piece has a refined finish that enhances its visual impact and durability. The Artist Proof designation adds an element of rarity and exclusivity to this work, often representing the initial versions of a print used to refine the design. Fairey’s dedication to the silkscreen medium reflects his commitment to the traditions of graffiti and street art, where stenciling and hand-printing are integral to the art form. This choice of medium further emphasizes the tactile and authentic qualities that define Fairey’s work. Shepard Fairey: A Voice in Street Pop Art and Graffiti Artwork Shepard Fairey, an American artist and activist, has become synonymous with Street Pop Art and Graffiti Artwork. Known for his iconic designs that blend cultural commentary with bold aesthetics, Fairey’s work often draws on his love of music, particularly punk and hip-hop. Obey Long Playing exemplifies this connection, serving as both a celebration of music’s cultural significance and a reflection of its influence on Fairey’s art. Through his Revolutions series, Fairey explores the symbiotic relationship between music and visual art, creating works that resonate across generations. Obey Long Playing stands out as a powerful tribute to the legacy of vinyl records, blending nostalgia with modern artistic techniques. Fairey’s ability to capture the energy and spirit of music in visual form cements his place as a leading figure in contemporary Street Pop Art and Graffiti Artwork.

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Rollins 50 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print 18 x 24 inches Edition of 700 February 4, 2011 "Henry Rollins has a birthday coming up that only comes along once every half-century… YES, he’s turning 50. This calls for a Rollins fortnight celebration with two prints spanning 30 years. This week the ROLLINS 50 tour poster drops. Next week on 2/13/11 I’ll release a print collaboration with Glen E. Friedman based on a Black Flag ’81 shot. . I hold Henry in high regard for his many talents as a singer, writer, radio DJ, TV host, political and social commentator, etc… but above all I love his energy and gusto. Henry has been doing it his way hardcore for 30+ years. This 50 poster is ridiculous not because Henry is getting older, but because Henry would never lounge around long enough for the reaper to get a jump on him. " -Shepard Fairey

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Grateful Dead Steal Your Face 100% & 400% Be@rbrick Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. 2022 Bearbrick Medicom Collectible Size 100% & 400% New In Box

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The Beatles Anthology 1000% BE@RBRICK Limited Edition Vinyl Artwork Medicom Toy Collectable Art Figure. 2021 Medicom Toys Anthology Medicom Toy celebrates The Beatles with The Beatles A'nthology' Bearbrick which features a collection of photographs of the world-renowned rock band. Water transfer technology ensures unique print placements. This is a 1000% Bearbrick and it stands at 70 cm tall.

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This Land Is Your Land AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2012 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Neil Young Music Inspired Man Mountains Barbed Wire & The Phrase "No Trespassing This Land Is My Land" This Land Is Your Land AP Silkscreen Print by Shepard Fairey This Land Is Your Land is a 2012 Artist Proof silkscreen print by Shepard Fairey, the American artist known for his OBEY project and his role in shaping contemporary Street Pop Art & Graffiti Artwork. The print was hand-pulled on speckletone fine art paper and released as a signed and AP marked work from the original run. Measuring 18 x 24 inches, this Artist Proof edition stands apart from the standard release due to its rarity and direct connection to Fairey’s studio practice. The image features a solemn male figure set against mountainous terrain, intersected by horizontal strands of barbed wire, accompanied by the confrontational text No Trespassing This Land Is My Land. The work draws conceptual inspiration from American folk and protest music, including themes associated with Neil Young, while reframing them within Fairey’s established visual language. Imagery, Typography, and Political Symbolism The central figure is rendered in Fairey’s signature graphic style, combining sharp contrasts with layered textures that evoke both screen printing traditions and weathered urban surfaces. The mountains in the background function as symbols of natural heritage and national identity, while the barbed wire cutting across the composition introduces tension, restriction, and exclusion. The bold typography anchors the message, transforming familiar patriotic phrasing into a statement of conflict rather than unity. By altering the sentiment from shared land to contested territory, Fairey highlights contradictions within American narratives around ownership, borders, and access. The red, white, and blue palette reinforces the political undertone, referencing national symbolism while simultaneously critiquing how those symbols are deployed. Cultural Context and Lasting Relevance Created during a period of heightened debate around land use, private ownership, and civil liberties, This Land Is Your Land reflects Shepard Fairey’s ongoing engagement with power structures and social justice. The work aligns with his broader practice of using Street Pop Art & Graffiti Artwork to provoke dialogue rather than offer comfort. By blending music inspired cultural references with visual barriers like barbed wire, Fairey underscores how ideals of freedom and equality are often constrained by policy, economics, and ideology. The Artist Proof status further emphasizes the significance of this piece, positioning it as both a collectible artifact and a pointed cultural statement. Within Fairey’s body of work, this print remains a clear example of how graphic art can function as visual protest, rooted in historical symbolism while addressing contemporary realities.

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Blondie Live at the Roundhouse- Black 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Live at the Roundhouse (Black) Screen Print 18 x 24 inches Edition of 150 June 23, 2017 It measures 18" x 24". Blondie the Punk Rock Music Artist Live Performance At The Roundhouse London England 2017 Gig Poster.

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Jane's Addiction El Cinco De Mayo- 2010 Rock Music Event Limited Edition 2-Color Silkscreen Gig Poster Glossy Weatherproof Cardstock by MFG- Matt Goldman Max Goldman. This poster was designed for Jane's Addiction secret show at Bardot in Hollywood on May 5, 2010. The Cinco de Mayo celebration also unveiled their new bassist: Duff McKagan from Guns 'n' Roses and Velvet Revolver. A total of 250 yellow/black posters were printed and entirely handed out at the show. We set aside 50 and they are only available here. These were printed by the venerable and now-defunct Colby Printing Company in Downtown LA. Colby rose to contemporary awareness during a series of their work featured at MOCA's Geffen Contemporary. 22 x 28 inches Screen Print Black, Fluorescent Yellow Glossy Weatherproof Cardstock Printed by Colby Poster Printing Company Limited Edition of 250 Signed and Numbered by MFG- Matt Goldman

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The Clarke Nova Stiff Richards AP 1995 San Francisco CA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 1995 Signed by Kozik & Numbered Limited Edition of AP 50 Artwork Size 17.5x22.5 Silkscreen Print Band Gig Poster by Frank Kozik. The Clarke Nova Stiff Richards Loudspeaker The Kilowatt Club San Francisco California 10-19-1995 The Clarke Nova Stiff Richards gig poster, created by the renowned artist Frank Kozik in 1995, is a quintessential piece of pop and street art history. As a silkscreen print, it captures the vibrant energy of San Francisco's underground music scene of the mid-90s. Kozik's work is widely recognized for its strong visual impact and its commentary on culture, which is vividly displayed in this particular artwork. Limited to an artist-proof (AP) edition of only 50, each piece was meticulously hand-pulled on fine art paper, ensuring a high level of quality and individuality. Measuring 17.5x22.5 inches, the print features bold colors and a cartoonish design characteristic of Kozik's style during that era. It reflects an intersection of music and art that Kozik navigated so well, capturing the essence of the performances by The Clarke Nova, Stiff Richards, and Loudspeaker at The Kilowatt Club on October 19, 1995. Frank Kozik's approach to band gig posters was instrumental in defining the visual language of pop art within the music industry at the time. The striking use of color and the playful imagery are not only indicative of the pop art style but also convey the dynamism of the San Francisco street art movement. The artwork has become an iconic piece, sought after by collectors and enthusiasts who see Kozik's prints as a valuable part of the narrative that documents the alternative culture and its influence on the aesthetics of the time. This particular silkscreen print not only advertised an event but also served as a standalone piece of art, merging commercial intent with artistic expression. Its collectibility lies not just in its visual appeal but also in the unique story it tells about a specific time, place, and subculture within San Francisco. The gig poster has become a historical reference point, an artifact that encapsulates the spirit of a vibrant scene and continues to influence contemporary pop and street artists.

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Hammerhead Liquor Bike 1996 Nyabinghi West Virginia Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1996 Signed & Numbered Limited Edition of 675 Artwork Size 17.5x22.5 Silkscreen Print Music Gig Poster Art by Frank Kozik Nyabinghi Dance Hall, West Virginia February 2nd 1996 Frank Kozik Hammerhead Liquor Bike 1996 Nyabinghi Dance Hall Silkscreen Frank Kozik, born in Spain in 1962 and raised in the United States, became one of the most influential figures in modern gig poster culture before his passing in 2023. His 1996 Hammerhead Liquor Bike silkscreen print created for a February 2nd performance at Nyabinghi Dance Hall in Morgantown, West Virginia stands as a strong example of his impact on Street Pop Art & Graffiti Artwork. This hand-pulled silkscreen on fine art paper measures approximately 17.5 x 22.5 inches and was issued in a signed and numbered limited edition of 675. During the 1990s, Kozik helped redefine the concert poster as a collectible art object rather than disposable promotion, bringing sharp graphic sensibility, bold color blocking, and underground attitude into mainstream visibility through music-driven visual culture. Comic Book Noir Aesthetics and Graphic Impact The Hammerhead poster features a stern, hard-edged central figure rendered in a comic book noir style, framed by segmented panels depicting a firearm, a stack of cash, and secondary narrative elements that suggest crime pulp storytelling. The composition uses saturated blues, yellows, greens, and reds separated by thick black outlines, reflecting Kozik’s mastery of high-contrast screen printing techniques. The bold HAMMERHEAD headline dominates the upper register in block typography, while the event details anchor the lower portion with clear promotional hierarchy. This structured yet aggressive layout mirrors the raw energy of 1990s alternative and noise rock scenes, aligning music culture with the visual language of Street Pop Art & Graffiti Artwork. Kozik’s approach drew from underground comics, mid-century advertising graphics, and punk zine layouts, synthesizing them into a format that was immediately readable from a distance yet rich in stylistic detail up close. Legacy of the 1990s Gig Poster Movement in Street Pop Art & Graffiti Artwork The 1990s marked a pivotal era when silkscreen gig posters became collectible fine art, and Frank Kozik played a central role in that transformation. By producing limited edition, signed prints for live music events, he elevated ephemeral show advertising into enduring visual artifacts. The Nyabinghi Dance Hall print reflects that transition, capturing a specific date and venue while standing independently as a work of Street Pop Art & Graffiti Artwork. Kozik’s disciplined screen printing process, layered inks, and confident linework established a standard that influenced generations of poster artists who followed. Today, works like Hammerhead Liquor Bike are recognized not simply as memorabilia but as historically significant examples of how underground music scenes and graphic art movements merged to shape contemporary print culture.

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The Doors Strange Days 1000% BE@RBRICK Limited Edition Vinyl Artwork Medicom Toy Collectable Art Figure. 2021 The Doors Strange Days Music x Bearbrick 1000%

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Voodoo Child Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Joe King Graffiti Street Artist Modern Pop Art.

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Jim Morrison's Doors, an Original Mixed Media Acrylic Painting by Bobby Hill, a Kind of Artwork on Fine Art Paper by a Street Art Pop Artist. 2010 Signed Mixed Media Acrylic Spray Paint Painting Original Artwork Size 14x22 Matted on Board 20.5x29 Artwork Size 14x22 Capturing the spirit of the legendary frontman of The Doors, Jim Morrison, artist Bobby Hill delivers a powerful mixed-media acrylic painting street art's raw intensity with the vibrant poppaletteettep art. Created in 2010, this original piecombinesher acrylic and spray paint techniques onto fine art paper, resulting in a visual experience as enigmatic as Morrison's persona. The artwork is 14x22 inches and matted on board to 20.5x29 inches, the piece is a substantial tribute that harmoniously fits within the collector's space and the gallery wall. Hill's portrayal of Morrison is not just a link but is an echo of the singer's influence, with every brushstroke and spray of paint adding to a narrative as layered as the music Morrison left behind. The vivid colors and the way they overlay and interact with each other reflect the complexity of Morrison's character and his legacy, resonating with fans and art lovers alike. Signed by the artist, this one-of-a-kind artwork carries the authentic flair that one would expect from a piece inspired by one of rock's most iconic figures. In this creation, Bobby Hill has successfully married the spontaneity and defiance of street art with the iconic, bold imagery characteristic of pop art. This piece does not merely showcase Jim Morrison's image but instead communicates a larger story about the impact of a cultural icon. It is a manifestation of how street art and pop art can cross paths to produce something that is not only visually striking but also emotionally stirring. The legacy of Morrison is thus perpetuated through this contemporary artistic lens, inviting viewers to explore the depths beneath the celebrity's surface. This painting by Bobby Hill serves as a testament to the enduring nature of Jim Morrison's influence, capturing the essence of his spirit in a way that continues to speak to the rebellious, the dreamers, and those who find beauty in the unconventional. It's a piece that, much like Morrison's own life, challenges the norm and invites more profound contemplation, mirroring the complexities of the human experience through street and pop art.

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Phantom Surfers - Jan. 24th, 1997 at The Trocadero Limited Edition 8-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Coop Graffiti Street Artist Modern Pop Art. Phantom Surfers Jan 24th 1997 The Trocadero Silkscreen Print by Coop Coop, real name Chris Cooper, is a hot rod artist working from Los Angeles. He was born in Tulsa, Oklahoma in 1968, and describes his occupation as "Insensitive Artiste". His work consists primarily of barely clothed Bettie Page-style 1950s soft pornography and/or B-movie monsters, with the female characters often taking the role of "Devil-Women". The image most often associated with his work is however slightly more tame: the face of a grinning devil with a smoking cigar clamped in its teeth.

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Off! You Will Do What We Say 2-Color Hand-Pulled Limited Edition Silkscreen Print on True White Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2019 Signed Limited Edition Print. 18 inches x 24 inches Edition of 600 July 11, 2019 Punk rock band OFF! which includes members from Black Flag, Circle Jerks, Redd Kross, The Burning Brides, and The Black Heart Procession is making a movie called “Watermelon,” and according to their lead singer Keith Morris, “You will do what we say”…… is an MK Ultra mantra from out of the shadows. - Shepard Fairey

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Clementine AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2012 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Neil Young Music Influenced Woman Floating In Water Clementine AP Silkscreen Print by Shepard Fairey Clementine is a 2012 Artist Proof silkscreen print by Shepard Fairey, released as part of his ongoing exploration of music, emotion, and visual symbolism within Street Pop Art & Graffiti Artwork. This hand-pulled screen print was produced on speckletone fine art paper and marked AP, indicating its status as an Artist Proof from the original run. Signed by Shepard Fairey, the work measures 18 x 24 inches and exists outside the standard numbered edition, making it especially sought after by collectors. The composition depicts a woman floating horizontally in water, her body suspended between stillness and motion, evoking both serenity and vulnerability. The title Clementine references musical and lyrical influences often associated with Neil Young, whose themes of introspection and melancholy align closely with the tone of the image. Visual Atmosphere and Symbolic Elements The artwork is built around layered textures and earthy tones, with deep browns, blacks, and golds forming a dense, almost submerged environment beneath the figure. The waterline near the top of the composition creates a threshold between consciousness and surrender, while the woman’s outstretched arms and relaxed posture suggest a moment of release rather than distress. Subtle ornamental patterns and shadowed forms beneath her body add depth and complexity, hinting at unseen histories or emotional weight below the surface. Fairey’s use of contrast, both in color and negative space, reinforces the feeling of quiet tension, where beauty and unease coexist. The typography at the bottom anchors the image without overpowering it, allowing the scene to remain contemplative and open-ended. Music Influence and Place in Fairey’s Work Clementine fits squarely within Shepard Fairey’s body of work that draws inspiration from music as a vehicle for memory, mood, and social reflection. Much like his other Neil Young influenced pieces, this print prioritizes emotional resonance over overt political messaging, while still engaging with themes of fragility, endurance, and inner conflict. The floating figure can be read as a metaphor for navigating personal or cultural uncertainty, suspended between resistance and acceptance. As an Artist Proof, this edition carries added significance, reflecting Fairey’s direct involvement in the printing process and his commitment to craftsmanship. Clementine stands as a quieter, more introspective example of his Street Pop Art & Graffiti Artwork, demonstrating how restraint and atmosphere can be just as powerful as bold iconography.

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Umphreys McGee Vampire AP Silkscreen Print by Todd Slater Artist Proof Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. AP Artist Proof 2008 Signed & AP Marked Limited Edition Run Artwork Size 15.5x21 Metallic Ink Halloween Monster Mash Up The Warfield San Francisco 2008 Umphrey's McGee Vampire AP Silkscreen Print by Todd Slater Todd Slater’s ability to merge music, pop culture, and surreal imagery is exemplified in the Umphrey's McGee Vampire AP Silkscreen Print. Created as a limited artist proof in 2008, this hand-pulled screen print brings together elements of horror, humor, and street pop art aesthetics. Designed for the band's Halloween Monster Mash Up concert at The Warfield in San Francisco, this piece captures the eerie energy of the event while maintaining Slater’s signature bold style. This print features a haunting depiction of a ghoulish vampire mummy leaning over a gravestone, where the band’s name is prominently displayed in dripping typography. The background is layered with classic Halloween treats, including pies and snack cakes, adding an unexpected playful contrast to the eerie scene. The metallic ink further enhances the visual appeal, creating a print that shimmers with texture and depth. Todd Slater's Unique Approach to Street Pop Art Todd Slater has built his reputation through a fusion of street pop art, graffiti artwork, and bold graphic design. His work is known for its intricate details, layered textures, and surreal interpretations of cultural references. This piece is no exception, as it incorporates his signature approach to screen printing, with bold outlines and a highly stylized central figure. The artist’s use of metallic ink and Halloween-inspired color palettes gives this print a dimensionality that makes it stand out among traditional gig posters. The character’s green face and eerie white bandages contrast sharply against the darker tones, while the inclusion of snack cakes in the background adds a whimsical touch that keeps the piece from being purely sinister. The Connection Between Music and Visual Art Umphrey's McGee is a band known for their progressive rock and improvisational performances, making them an ideal subject for a visually striking print. The fusion of horror imagery with music culture is a recurring theme in gig posters, as it allows artists to create collectible memorabilia that extends beyond the concert experience. This print serves as both a promotional piece and a standalone work of art, designed to be displayed and appreciated beyond the event itself. Concert posters have long been an essential part of music history, especially in the street pop art and graffiti artwork movements. These prints often blur the lines between commercial design and fine art, making them highly sought after by collectors. Slater’s approach ensures that his work remains unique, drawing inspiration from the concert’s theme while incorporating his own artistic influences. A Highly Collectible Limited Edition Print With its artist proof designation, this screen print is a rare and highly collectible piece for both music and street pop art enthusiasts. The limited-edition nature ensures that each print remains a valuable artifact, particularly among those who appreciate hand-pulled screen printing techniques. Todd Slater’s ability to infuse his artwork with both visual depth and cultural significance makes this piece a must-have for fans of modern pop art. Its combination of horror aesthetics, music culture, and street art influences solidifies it as a standout example of contemporary gig poster design.

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The Beatles- Anthology 100% & 400% BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. Medicom Toy celebrates The Beatles with The Beatles A'nthology' Bearbrick which features a collection of photographs of the world-renowned rock band. Water transfer technology ensures unique print placements. The 100% and 400% size Bearbricks stand at 7cm and 28cm tall respectively.

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