Rock N Roll Music

Pearl Jam Nov 18th Melbourne Gig Poster Silkscreen Print by Ben Frost Hand-Pulled on Fine Art Paper Limited Edition 6 Color Screenprint Artwork. 2024 Signed & Numbered Limited Edition of 100 Artwork Size 24x18 Silkscreen Print Official Pearl Jam Holographic Sticker on Back. Pearl Jam, Pixies & Teen Jesus and the Jean Teasers, Marvel Stadium, Melbourne, Australia. Pearl Jam Melbourne Gig Poster by Ben Frost The Pearl Jam November 18th 2024 Melbourne gig poster by Ben Frost is a striking silkscreen print that merges the visual voltage of contemporary Street Pop Art & Graffiti Artwork with the live energy of one of rock’s most iconic bands. This officially licensed concert print commemorates Pearl Jam’s appearance at Marvel Stadium in Melbourne, joined by legendary alternative rock band Pixies and rising Australian act Teen Jesus and the Jean Teasers. Hand-pulled on fine art paper using six vibrant colors, this limited edition print is signed and numbered by Ben Frost and comes with an official Pearl Jam holographic sticker affixed to the back, affirming its authenticity. Visual Energy and Symbolism The artwork presents an explosive mirrored composition featuring two yellow cockatoos—native to Australia—locked in a bold and symmetrical confrontation. Their wings are ablaze with flames, rendered in a high-contrast palette of crimson, amber, and electric yellow. The birds’ feathers pulse with intensity, each form carefully delineated through Frost’s precise graphic technique. Their talons meet at the center, interlocking to form a clenched gesture that suggests solidarity, power, and resistance. Between the wings, flames rise upward, forming the spiritual and literal heat of the print—mirroring the fire and urgency that has always defined Pearl Jam’s music. Emblazoned on one wing is the date of the concert, NOV 18 2024, while the other wing marks the venue: MARVEL STADIUM MELBOURNE. The typography is seamlessly integrated into the design, serving both function and form, rooted in graffiti styling but refined through the lens of fine art silkscreen work. Artist Background and Street Pop Context Ben Frost is an internationally recognized Australian artist known for his ability to appropriate pop culture, pharmaceuticals, corporate logos, and advertising language into subversive and often satirical compositions. Through his Street Pop Art & Graffiti Artwork, Frost explores consumer culture, identity, and rebellion. This poster carries those same hallmarks of his wider body of work—exaggerated color palettes, clean linework, and a dense sense of visual stimulation. While Frost is renowned for his critiques of media saturation and capitalist spectacle, this piece celebrates a specific cultural moment. The visual style reflects his skill at mixing commercial and countercultural influences into something both collectible and critical, blending the immediacy of street art with the polish of screenprinted fine art editions. Concert Culture and Contemporary Collectibles As with all official Pearl Jam gig posters, this print serves as a functional keepsake but transcends into the realm of visual art. At 24x18 inches, the scale is significant, ideal for collectors and fans who appreciate not just the music but the iconography it inspires. Limited to only 100 hand-signed and numbered prints, it represents an exclusive collaboration between music and visual art communities. Pearl Jam has consistently aligned themselves with socially conscious and artistically progressive projects, and their ongoing partnership with artists like Ben Frost reinforces their legacy. With added support from the Pixies and Teen Jesus and the Jean Teasers on this tour stop, the print also captures a cross-generational exchange within alternative music. Ben Frost’s poster is more than promotional material—it is a symbolic totem of sound, culture, and resistance, crystallized through the fire of silkscreen artistry.

Read more less

Andrew Bird- Santa Cruz, CA 2013 Music Limited Edition Gig Poster 2-Color Hand-Pulled Silkscreen Print Artwork on 100 French Bubblegum Cover Paper by John Vogl for Andrew Bird and The Handsome Family.

Read more less

StarFucker- Fun Fun Fun Fest 2012 Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Clint Wilson for StarFucker.

Read more less

Iron Maiden- Piece of Mind Limited Edition Silkscreen Skateboard deck art by street pop culture artists ZERO x Iron Maiden.

Read more less

Marvin Berry and the Starlighters 1.21 Gigawatts Limited Edition Giclee Print on Fine Art Paper by Robin Boyden counter-culture street artist art. New Rule collective presents, 1.21 GIGAWATTS, an illustrated tribute to the classic movie trilogy Back To The Future! The classic tale of young Marty McFly and Doc Brown as they haphazardly travel through the space-time continuum inspired a generation of sci-fi and time travel fanatics around the world, and still stands up as a defining piece of cinema from the 80s.

Read more less

Black Sabbath Silver Black Crescent Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2013 Signed & Numbered Limited Edition of 125 Artwork Size 18x24 Silkscreen Print of Metal Roc n' Roll Music Band Black Sabbath Featuring Ozzy Osbourne. "Black Sabbath has been one of my favorite bands for 25 years. I was fortunate to meet Jack Osbourne through my friend Big Dave in 2000. My relationship with Jack and Big Dave has led to several great Ozzy and Sabbath projects. One of my biggest “I’m not worthy!” moments occurred when Dave took me backstage to meet the Sabbath guys in 2004 at Ozzfest, and bassist and lyricist Geezer Butler was wearing an Obey shirt! Sabbath is still a phenomenal live band, and I’m incredibly honored to do my second(the first was in 2005) Sabbath/Obey tour poster. Sabbath released a great new record called “13” recently(produced by Rick Rubin) and are touring in support of the album." -Shepard Fairey- OBEY. Shepard Fairey's Interpretation of Black Sabbath's Legacy In 2013, Fairey, inspired by Black Sabbath's influence on his life and art, created a limited edition silkscreen print to commemorate the band's U.S.A. tour. This signed and numbered edition, limited to 125 pieces and sized at 18x24 inches, became an emblem of Black Sabbath's enduring impact on rock music and a collectible piece of street pop art. The artwork, hand-pulled on cream speckletone fine art paper, features iconic Black Sabbath symbols, such as the cross and the winged disc, alongside Fairey's signature style, which often includes elements like the star and the stylized imagery of the eye. The fusion of street pop art with music often manifests in gig posters, a medium that Shepard Fairey, known widely for his OBEY brand, has mastered with a distinctive style that resonates deeply within the pop culture landscape. His work for the iconic metal rock n' roll music band Black Sabbath, particularly the silver and black crescent silkscreen print, encapsulates the essence of the artist's and the band's legacies. The significance of Fairey's Black Sabbath artwork lies in its ability to bridge music's auditory experience with art's visual stimulus. The print does not merely represent the band; it evokes the rebellious spirit of Black Sabbath's music, the dark and mystical themes they explore, and the cultural movement they spearheaded within the heavy metal genre. Fairey's artistic trademarks, such as the word 'obey,' infuses the piece with a sense of authority and provocation that complements the band's ethos. Collectibility and Influence in the Art World Fairey's anecdote about meeting the band and finding Geezer Butler wearing an OBEY shirt is a testament to the reciprocal influence between artist and musician. It underlines how street pop art and music often come full circle, with artists influencing musicians and vice versa. The print is a celebration of the band's return with the album "13" and a nod to the historical relationship between the artist and Black Sabbath. It is this narrative that imbues the artwork with a personal touch, making it a profound statement within the realms of both pop culture and street art. As a collectible, the Black Sabbath silkscreen print by Shepard Fairey stands at the intersection of music memorabilia and fine art. Its scarcity and the reputation of its creator heighten its value not only in monetary terms but also as a cultural artifact. Collectors and fans seek such pieces for their aesthetic appeal and their ability to capture a moment in history, a period where music and street pop art intertwine to create a tangible representation of a musical era. In the broader spectrum of street pop art and graffiti artwork, Shepard Fairey's Black Sabbath print represents the genre's potential to transcend the streets and enter into the world of high art and collector's items. The piece, with its intricate design work and deep cultural connections, stands as a testament to the power of visual art to celebrate and immortalize the spirit of music.

Read more less

1919- Pelican Tombs- Pennsylvania 2009 Music Limited Edition Gig Poster 4-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Justin Anville. 2019 Signed & Numbered Limited Edition Gig Music Poster Artwork Size 18x24. 919, Pelican Tombs, Music, Event, Theatre of Living Arts, Philadelphia, Pennsylvania, June 3rd 2009, Live Nation The Synthesis of Music and Street Pop Art The convergence of music and visual arts often produces memorabilia that transcends the moment of its creation, embedding itself in the cultural fabric of a time and place. Such is the case with the limited edition gig poster for the event featuring "1919" and "Pelican Tombs" held at the Theatre of Living Arts in Philadelphia, Pennsylvania, on June 3rd, 2009. This striking piece of street pop art and graffiti artwork is a celebration of both the bands and the evocative power of graphic design within the realm of music. This limited edition gig poster is more than just a promotional tool; it is a collectible artwork that reflects the vibrancy and raw energy of the musical acts it represents. Created by the artist Justin Anville, the print is a four-color, hand-pulled silkscreen on fine art paper, a technique that lends the artwork a tactile quality that is both immediate and engaging. The choice of silkscreen printing, a favored method in both street art and pop art for its bold colors and sharp lines, allows the piece to stand out with a visual pop that mirrors the intensity of the live music experience. Visual Elements and Artistic Significance The artwork commands attention with its intricate design and contrasting color palette, which features a dominant red against a backdrop of more subdued tones. At the center, the stylized numerals "1919" are prominently displayed, intertwined with symbolic imagery that suggests a narrative extending beyond the bands' names. This typographic treatment is reminiscent of graffiti art, where letters become an integral part of the visual impact, often carrying meaning in their form as much as in their content. Cultural Imprint of the 2009 Event Poster Limited to a signed and numbered edition, the poster carries with it an aura of exclusivity. Measuring 18x24 inches, it is a sizable piece that was designed to be noticed, to be a talking point, and ultimately, to be remembered. As a piece of memorabilia, it serves as a timestamp, capturing the cultural zeitgeist of the late 2000s Philadelphia music scene, a period marked by a resurgence in indie and alternative genres. The inclusion of the Live Nation brand also signifies the commercial and mainstream acknowledgment of the genres and bands, hinting at their movement from the fringes into the spotlight. The Legacy of Gig Posters in Street Pop Art The significance of gig posters like this one extends beyond the night of the event itself. They are artifacts of cultural history, capturing the essence of musical movements and the artistic styles that accompany them. In the broader context of street pop art and graffiti artwork, gig posters are often the crossroads where music and visual art fans meet, share, and appreciate the interplay between these forms of expression. This particular poster, with its bold aesthetic and connection to a specific time and place, is a perfect illustration of how street art and music can come together to create something enduring. In the ever-evolving dialogue between music and visual arts, the 2009 limited edition gig poster for "1919" and "Pelican Tombs" stands as a testament to the power of this collaboration. It is not just a promotional item; it is a snapshot of a scene, a piece of street pop art, and a collectible that holds within its inks and paper the echoes of a night of music and the spirit of its time.

Read more less

Spin Magazine Webster Hall NYC 2005 Offset Lithograph Print Limited Edition Event Artwork on Fine Art Paper by Shepard Fairey, an urban graffiti pop street artist. 2005 Signed & Numbered Limited Edition of 500 Spin Magazine 20th Anniversary Bash Print by Shepard Fairey Webster Hall, NYC | Sept 28th, 2005 Offset Print on Heavy Paper Signed by the Artist [2005] Size: 23" x 32" Minor creasing and nicks to the outer margins are consistent with age, see photos.

Read more less

Emo's Austin Fifth Anniversary 1997 Texas Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1997 Signed by Kozik & Numbered Limited Edition of 400 Artwork Size 22.5x35 Silkscreen Print Band Gig Poster by Frank Kozik. Lord High Fixers, Mudhoney, Prima Donnas, Emo's, Austin TX 06-21-1997

Read more less

Dylansteen 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Ron English- POPaganda Rare Street Art Famous Pop Artwork Artist. Signed 18x21 Limited Edition of 30 2019

Read more less

The Lonesome Crowded West Tower Modest Mouse Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2022 Signed & Numbered Limited Edition of 825 Artwork Size 18x24 Silkscreen Print "I’m really happy that Modest Mouse asked me to create some limited edition posters for their tour commemorating the 25th anniversary of their 1997 album The Lonesome Crowded West. I first heard Modest Mouse in 1998. I borrowed a friend’s copy of the album The Lonesome Crowded West, which had come out the year before, and it grew on me quickly to become a favorite. The whole album is great, very multi-dimensional ranging from aggressive and dissonant on songs like “Teeth Like God’s Shoeshine” to folky, jangly, and intimate on “Trailer Trash.” My two favorite songs on The Lonesome Crowded West are “Doin’ the Cockroach,” which builds steadily into an exhilarating staccato guitar frenzy, and the song that follows it, “Cowboy Dan,” which is full of tension, struggle, anger, and beauty. Lyrically, the band’s singer and primary songwriter, Isaac Brock, comes across as an empathetic world-weary sage. I rarely call someone a poet, but Isaac wrote with such depth for someone only 23 years old that I think poet is the only title that properly conveys his elevated craft as a lyricist. I got to do Modest Mouse’s 2000 Black Glass tour poster, which was a huge deal for me." -Shepard Fairey- OBEY Marking the 25th anniversary of Modest Mouse's influential album "The Lonesome Crowded West," celebrated street artist Shepard Fairey, known as OBEY, crafted a striking limited edition silkscreen print. This 2022 piece, meticulously hand-pulled and comprising five colors on Cream Speckletone fine art paper, mirrors the layered complexity of the album it honors. The work measures 18x24 inches, a testament to the album's monumental impact on the alternative rock scene and Fairey's own artistic journey. Each of the 825 signed and numbered prints encapsulates Fairey's personal connection with the album, having first encountered its raw and eclectic sound in 1998, a year after its release. He describes the album as "multi-dimensional," resonating through its varied tones from the "aggressive and dissonant" to the "folky, jangly, and intimate." His favorite tracks, "Doin’ the Cockroach" and "Cowboy Dan," evoke contrasting emotions of exhilaration and introspective tension, revealing the dexterity of Modest Mouse's music and the profound lyrical skill of frontman Isaac Brock. In this piece, Fairey channels the essence of the album's themes, depicting an isolated tower amidst a vast, red-streaked landscape, symbolizing the album's exploration of urban isolation and the Western American experience. The contrast between the solitary building and the surrounding expanse eloquently captures the album's title, "The Lonesome Crowded West." This visual representation goes beyond mere album art; it is an intersection of Fairey's iconic style and Modest Mouse's sonic influence, bridging visual and auditory art forms. Fairey's engagement with Modest Mouse extends back to their 2000 "Black Glass" tour, for which he also created a poster. This long-standing relationship emphasizes the mutual respect between the artist and the band, illustrating how music and visual art can coalesce to form powerful cultural statements. His artistic expression is not only a tribute to the music but also an homage to Brock's poetic lyrics, which left an indelible impression on Fairey, prompting him to label Brock a true poet. As an influential figure in street art and pop culture, Fairey’s creation for Modest Mouse cements his position at the forefront of contemporary art. It serves as a visual anchor for the album’s legacy, ensuring that its cultural resonance extends into the visual realm. Collectors and fans of both the band and Fairey find in this print a confluence of two forms of rebellion and expression, solidified on paper but echoing far beyond.

Read more less

The Beatles- Anthology 100% & 400% BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. Medicom Toy celebrates The Beatles with The Beatles A'nthology' Bearbrick which features a collection of photographs of the world-renowned rock band. Water transfer technology ensures unique print placements. The 100% and 400% size Bearbricks stand at 7cm and 28cm tall respectively.

Read more less

Furthur Holmdel NJ 2013- The Garden State Music Limited Edition Gig Poster 5-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by AJ Masthay. Artist Edition, Hand deckled bottom edge.

Read more less

-ISMFEST 96 Night 1 Beyond the Criminals Red Max 1996 Lincoln NE Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1996 Signed by Kozik & Numbered Limited Edition of 600 Artwork Size 22.5x17.5 Silkscreen Print Band Gig Poster by Frank Kozik. Beyond the Criminals Red Max Knickerbocker's, Lincoln, NE 8-15-1996 -ISMFEST '96 Night 1 Beyond the Criminals Red Max Silkscreen Print by Frank Kozik -ISMFEST '96 Night 1 is a hand-pulled silkscreen print by legendary artist Frank Kozik, created for the August 15, 1996, concert featuring Beyond the Criminals and Red Max at Knickerbocker's in Lincoln, Nebraska. Measuring 22.5 x 17.5 inches, this limited-edition print was produced in a numbered edition of 600 and is signed by the artist. Known for his bold, irreverent style, Kozik’s work is a defining example of Street Pop Art and Graffiti Artwork, blending underground music culture with the aesthetics of punk rock and lowbrow art. This gig poster encapsulates Kozik’s signature visual language—an electrifying color palette, exaggerated cartoon imagery, and an unapologetic embrace of counterculture aesthetics. The design features a grinning, intoxicated blue dog with drool dripping from its mouth, attached to a beer tap pouring directly into its tongue. The background bursts with vibrant red and yellow rays, enhancing the chaotic energy of the piece. The typography is oversized and confrontational, drawing inspiration from punk zines and DIY screen printing traditions. Every element in this artwork exudes raw energy, aligning perfectly with the rebellious nature of the underground music scene it represents. Frank Kozik and His Influence on Street Pop Art and Graffiti Artwork Frank Kozik is one of the most influential figures in modern poster art, widely credited with revitalizing the concert poster scene during the late 1980s and 1990s. Originally from Spain and later based in the United States, he began his artistic career creating DIY flyers for punk and alternative bands before evolving into a leading name in silkscreen printmaking. His work often draws from underground comics, psychedelic rock posters, and vintage advertising, merging them with an unfiltered punk ethos. This print exemplifies Kozik’s ability to capture the spirit of a moment in time—ISMFEST '96 was not just another concert, but an event that embodied the underground music culture of the era. The design’s mix of absurdity, humor, and confrontational visuals reflects Kozik’s knack for transforming promotional materials into collectible works of art. His contributions to Street Pop Art and Graffiti Artwork extend far beyond the music scene, influencing everything from contemporary poster design to vinyl toy culture. The Art of Silkscreen Printing in Music Poster Culture Silkscreen printing has played a crucial role in the history of concert posters, particularly within the punk and alternative rock movements. Unlike mass-produced digital prints, silkscreen posters are hand-pulled, meaning each piece carries unique imperfections and variations that add to its authenticity. This technique allows for intense, saturated colors and bold contrasts, which are essential in creating visually striking designs that stand out in a crowded promotional landscape. The printing process involves layering different colors one at a time, requiring precise alignment and expert craftsmanship. In this particular piece, the interplay of neon-like hues and bold black outlines demonstrates Kozik’s mastery of the medium. The thick ink application gives the print a tactile quality, reinforcing the handcrafted nature of the work. These qualities make silkscreen concert posters highly collectible, as they represent not only a historical moment in music but also an artistic achievement in printmaking. Collectibility and Cultural Impact of -ISMFEST '96 Night 1 As a signed and numbered limited-edition print, -ISMFEST '96 Night 1 is a sought-after piece for collectors of Street Pop Art and Graffiti Artwork. Kozik’s posters are revered not only for their visual impact but also for their role in shaping the aesthetics of underground music culture. His work has been featured in galleries and museums worldwide, solidifying its place as an important part of contemporary art history. Concert posters like this one serve as artifacts of a bygone era, where hand-printed promotional materials were essential to the identity of a band or event. Unlike today’s digital flyers and social media advertisements, these posters were tangible, often plastered on city walls or collected by fans as mementos. The humor, rebellion, and rawness embedded in this piece ensure that it remains relevant decades later, resonating with those who appreciate both the artistic craft and the cultural movement it represents. Frank Kozik’s influence extends beyond posters, impacting the worlds of graffiti, pop art, and designer toys. His ability to blur the lines between commercial art and fine art has made his work enduringly popular among both street artists and contemporary art collectors. -ISMFEST '96 Night 1 is a prime example of his legacy—a work that continues to inspire, provoke, and celebrate the unapologetic spirit of underground creativity.

Read more less

This Machine Kills Fascists AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2006 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Young Denny Laine From Rock Bands Moody Blues & Wings Leaning On Guitar. "This Machine Kills Fascists AP" is a captivating silkscreen print by the renowned street artist Shepard Fairey, commonly recognized by the moniker "OBEY". The artwork stands as a testament to Fairey's ability to merge street art sensibilities with the nuances of pop art, creating pieces that are both visually striking and politically charged. This particular piece is an Artist Proof (AP), a term in the art world that signifies a print from the original run that the artist keeps for personal records or as a reference. Not only is this proof marked with 'AP' and signed by Fairey, it's dated to 2006, highlighting its authenticity. The print's focal point is a meticulous depiction of young Denny Laine, a pivotal figure in the history of rock, having been a member of iconic bands such as Moody Blues and Wings. The image captures Laine leaning on a guitar, an emblem of his musical prowess and legacy. The choice of Laine as the subject adds layers of cultural and historical significance to the piece. Interestingly, the source of this print is a 1967 photo by Peter Webb, ensuring that the artwork encapsulates not only Fairey's interpretation but also the spirit of the original image. Shepard Fairey's decision to use Laine's image and pair it with the provocative statement "This Machine Kills Fascists" not only cements the print's position in pop and street art genres but also encourages the viewer to delve into the deeper socio-political implications and narratives surrounding the artwork. It's a harmonious blend of aesthetic allure and potent messaging, underscoring Fairey's mastery in communicating powerful ideas through visual mediums.

Read more less

Kurt Skull LND Limited Edition Archival Pigment Fine Art Prints on Fine Art Paper by Graffiti Street Art and Pop Culture Artist Joe King. Kurt LND [Legends Never Die] by Joe King Inspired by Kurt Cobain Archival Print Print Edition of 40 | Signed and Numbered by the Artist Size: 11" x 14" From: Long Beach, CA

Read more less

Mark Lanegan 60 Black Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 100 Artwork Size 15x24 Silkscreen Print. "This print is a tribute to my friend, Mark Lanegan, released in honor of his 60th birthday. I’ll never forget our walks through the light and dark" -Cleon Peterson A Meaningful Tribute to a Resonant Voice Cleon Peterson, an American artist known for arresting imagery and commentary on human conflict, created this limited edition silkscreen print as a personal homage to Mark William Lanegan. Lanegan, an American singer, passed away on February 22, 2022, leaving a profound influence on those who knew him and admired his work. Peterson sought to honor the singer’s 60th birthday through this piece, reflecting the shared journeys and the spirit of discovery that bound them together. The artwork presents a striking composition in red, black, and white, symbolizing both shadowy introspection and bright revelation. Each element in the design conveys tension and release, echoing the emotional depth of Lanegan’s music and the keen observations that define Peterson’s artistic approach. This 15x24-inch print on hand deckled 290gsm Coventry Rag Fine Art Paper captures a powerful exchange between two figures. One figure, rendered in vivid red, suggests an otherworldly presence, while the central human form stands in stark black. Their poses and gestures imply a push and pull of darkness and light, a motif that resonates with Lanegan’s creative path. The swirling shapes around the figures evoke fire, passion, and potential tumult, reinforcing Peterson’s signature use of bold silhouettes and purposeful negative space. By blending minimal details with high-contrast colors, the composition maintains a sharp intensity that draws the observer into its emotional core. Symbolism and Visual Expressions The interplay of color in this silkscreen print reflects the way Lanegan’s music often inhabited spaces of introspection and fervor. The red figure hints at the force of temptation or struggle, while the black figure appears poised between surrender and resistance. These themes connect to Peterson’s broader body of work, which frequently portrays dramatic confrontations between contrasting elements. The text at the top and bottom references Lanegan’s 60th birthday and a notable venue, grounding the imagery in a celebratory yet reflective context. Observers are invited to consider how memory, friendship, and creative expression intertwine, shaping a narrative that transcends a mere birthday commemoration. Street Pop Art & Graffiti Artwork Connections Followers of Street Pop Art & Graffiti Artwork will recognize Peterson’s distinctive style, which employs flat color fields and intense outlines to deliver profound statements. This approach, reminiscent of bold murals and graphic interventions, has a directness that resonates in urban spaces as well as gallery settings. The oversized figures, emphasized by bright red and deep black, maintain the immediacy often associated with graffiti and street-based practices. Peterson’s technique interlaces pop culture influence with raw, street-inspired energy, reflecting a shared heritage of challenging conventional aesthetics. The overall arrangement echoes a modern approach to iconic visuals, where a few simplified shapes transmit a wealth of emotional content. Production Details and Collectibility Created in 2024 as a signed and numbered edition of 100, the Mark Lanegan 60 White Silkscreen Print stands as a carefully crafted testament to the artist’s dedication. Each piece is printed on luxurious 290gsm Coventry Rag Fine Art Paper, hand deckled for a subtle, artisanal feel. The tactile edges offer a nod to the handmade aspect of screen printing, merging contemporary design with time-honored techniques. Collectors value the exclusive nature of this run and the emotional resonance behind the subject matter, as Peterson’s personal connection to Lanegan adds depth to the composition. This artwork embodies the potent blend of reverence, friendship, and Street Pop Art & Graffiti Artwork influences that characterizes Peterson’s portfolio, reminding viewers of the enduring power that creative voices hold, even when they have departed.

Read more less

Curt Wild 73 Tour 2011 Movie Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Pink Fine Art Paper by Jeremy Wheeler. Music group Curt Wild from the movie Velvet Goldmine.

Read more less

Supernova - Dec. 20th, 1995 at The Whiskey Limited Edition 7-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Coop Graffiti Street Artist Modern Pop Art. 2016 Supernova Dec 20th 1995 The Whiskey Silkscreen Print by Coop Coop has become popular with certain bands and labels and has provided art for several Sympathy for the Record Industry releases as well as the posters for Reverend Horton Heat, Lords of Acid, Green Day, Nirvana, Soundgarden and The Foo Fighters.

Read more less

Tribute To Sammi Curr 2012 Movie Music Limited Edition Gig Poster 2-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Jeremy Wheeler. Lakeridge High October 24th 2012- The Clowns, Black Roses, Holy Moses, Solid Gold, Rockula, Sammi Curr. Band from the horror movie Trick or Treat.

Read more less

Supreme ITS OK TOO Cassette Player- Red Limited Edition Designer Art Object Collectible Artwork by Famous Fashion Artists Supreme. FW22 2022 Transparent stereo cassette player. Bluetooth 5.0-compatible with 3.5mm headphone jack. Back clip included. 4.65" x 3.31" x 1.32". Made exclusively for Supreme.

Read more less

Butthole Surfers 1989 Houston Austin Dallas Texas Handbill Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1989 Signed by Kozik Music Concert Handbill Artwork Size 11x17 Silkscreen Print Band Gig Poster by Frank Kozik in Texas April 27 28 30 1989 With Flaming Lips & Deccaration Of Love "Butthole Surfers x Frank Kozik" represents an iconic collaboration between the audacious rock band, Butthole Surfers, and acclaimed graphic artist, Frank Kozik. Known for their experimental, often outlandish sound, Butthole Surfers have made a name for themselves in the alternative rock scene. On the other hand, Kozik has been influential in revitalizing the concert poster art scene, and his designs are coveted for their distinctive, vivid style. This partnership brings together the edgy, anarchic spirit of the band with Kozik's striking visual aesthetics, creating a truly unique blend of sound and imagery that promises to be a feast for the senses.

Read more less

Voodoo Child Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Joe King Graffiti Street Artist Modern Pop Art.

Read more less

Cock Sparrer Working Stiffs 2000 San Francisco Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 2000 Signed by Kozik & Numbered Limited Edition of 300 Artwork Size 35x22.5 Silkscreen Print Band Gig Poster by Frank Kozik Cock Sparrer Working Stiffs 2000 San Francisco silkscreen print by Frank Kozik. Frank Kozik is a well-known graphic artist, especially famous for his concert posters and album covers for various punk, grunge, and rock bands. He has worked with Nirvana, Pearl Jam, The Red Hot Chili Peppers, and many other bands. Cock Sparrer, who are one of the most influential bands from the first wave of British punk in the 1970s.

Read more less

Shigeto- The Blind Pig 2013 Limited Edition 11-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art. Shigeto, Charles Trees, Tree City, Beautiful bells, DJ Ease at The Blind Pig on October 8th 2013.

Read more less

Happy Bears Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Matt Gordon pop culture LSD artwork. Matt Gordon is a mixed media artist who strives to make well-crafted and highly detailed acrylic paintings and pencil drawings, along with the occasional 3-D fabrication thrown in there to satisfy sculptural needs and to provide live models for things that don't really exist but need to look like they do.

Read more less

Reverend Horton Heat Tenderloin Twang Rang Hi-Fi 1994 Chicago IL Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1994 Signed by Kozik & Numbered Limited Edition of 500 Artwork Size 22x18 Silkscreen Print Band Gig Poster by Frank Kozik. Reverend Horton Heat Tenderloin Twang Rang Hi-Fi Road Burners Metro Chicago, Illinois 9-17-1994 The "Reverend Horton Heat Tenderloin Twang Rang Hi-Fi 1994 Chicago IL" silkscreen print is a vibrant representation of the intersection where music meets visual art, crafted by the renowned artist Frank Kozik. Dated in 1994, this limited edition piece, with only 500 signed and numbered prints, captures the essence of the concert gig poster with a distinct pop art flair. Measuring 22x18 inches, it was created to promote a live music event on September 17, 1994, featuring the Reverend Horton Heat alongside Tenderloin and Twang Rang Hi-Fi Road Burners at the Metro in Chicago, Illinois. Kozik's use of bold colors and a cartoonish fox wearing a cowboy hat embodies the energy and eccentricity of the bands, particularly the headlining psychobilly band known for its lively and raucous performances. This artwork is more than a mere announcement of an event; it is a piece of history, a testament to the culture of the mid-90s, and a collector's item for enthusiasts of music, pop art, and street art alike. Frank Kozik's style is evident in the poster's design, which features thick outlines, flat areas of color, and an absence of shading reminiscent of comic book art—a hallmark of Kozik's work. Such posters are not only advertisements but also artifacts of cultural significance. They represent a time when street art was becoming increasingly recognized as a legitimate art form, blurring the lines between the highbrow and the accessible, the elite and the streetwise. These prints also speak to the nature of street art's fleeting existence. While street art is often temporary, subject to the whims of weather and the ever-changing urban landscape, silkscreen prints like this capture ephemeral quality and preserve it in a form that can be collected, traded, and displayed. Kozik's work, especially this print, serves as a physical snapshot of the street art movement as it began to infiltrate and influence the broader pop culture, reflecting a time when the underground started to surface and claim space on the walls of fans and collectors worldwide.

Read more less

Butthole Surfers Concert Handbill 1991 Texas Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1991 Signed by Kozik Music Concert Handbill Artwork Size 11x17 Silkscreen Print Band Gig Poster by Frank Kozik. April 12th, 1991 The Unicorn The Butthole Surfers and Frank Kozik collaboration is an electrifying fusion of psychedelic punk and iconic design. The Surfers, known for their chaotic, surreal sounds, paired their unconventional musical ethos with Kozik, an artist revered for his vibrant rock poster art and vinyl toy designs. The result? An immersive sensory experience that intertwines the Surfers' audio mayhem with Kozik's visual pandemonium. This collaboration is a must-experience for fans of both, promising an unpredictable journey through the edgy fringes of music and art.

Read more less

Endless Winter Chicago 2013-2014 Silkscreen Print by CHema Skandal! Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2014 Signed & Numbered Limited Edition of 30  Artwork Size 18.5x24.5 Silkscreen Print for The Chancers Music Album Age of Rudeness. Endless Winter Chicago 2013-2014 Silkscreen Print by CHema Skandal! Endless Winter Chicago 2013-2014 is a limited edition silkscreen print created by CHema Skandal! in 2014. This hand-pulled screenprint, sized at 18.5x24.5 inches, was produced in a signed and numbered edition of 30. The artwork was designed in connection with The Chancers' music album Age of Rudeness, merging the themes of ska, punk, and underground music culture with the raw energy of Street Pop Art & Graffiti Artwork. Known for his bold visual storytelling, CHema Skandal! brings a chaotic yet playful aesthetic to this piece, embodying the spirit of independent art and music scenes. Visual Aesthetics and Composition The print features a dynamic and cartoon-like character, exaggerated in expression and motion, dressed in winter gear while playfully engaged in a snowball fight. The character’s mischievous grin and energetic pose add a sense of rebellious joy, reminiscent of classic underground comic book styles and punk poster design. The typography, hand-drawn and slightly distressed, contributes to the raw and unfiltered nature of the composition. The color palette, limited to bold blue and magenta, enhances the high-contrast aesthetic commonly associated with DIY printmaking and graffiti-style artwork. The rough textures and imperfect ink application highlight the hand-crafted silkscreen process, reinforcing the authenticity of the print as a piece of urban street-inspired art. Street Pop Art & Graffiti Artwork Influence CHema Skandal! has long been associated with Street Pop Art & Graffiti Artwork, blending traditional printmaking with the immediacy and accessibility of urban street culture. Endless Winter Chicago 2013-2014 reflects this influence through its punk-infused design and the incorporation of playful yet subversive imagery. The piece evokes the energy of independent gig posters, zine culture, and protest art, all of which have roots in the underground scenes that define street art movements. The hand-pulled silkscreen process further cements the connection to DIY aesthetics, where imperfections and variations in each print contribute to its unique identity. The layered use of texture and negative space gives the composition a spontaneous quality, aligning with the raw nature of street-based artwork. Connection to Music and Cultural Impact This print was created for The Chancers’ album Age of Rudeness, reflecting the strong relationship between visual art and independent music. CHema Skandal! has frequently collaborated with musicians, designing posters and album covers that capture the rebellious and energetic spirit of ska, punk, and rock. The imagery in Endless Winter Chicago 2013-2014 reflects both the harsh reality of Chicago’s winter and the resilience of underground culture, where creativity thrives regardless of external conditions. The scarcity of this edition, with only 30 prints in circulation, makes it a highly sought-after collectible among fans of Street Pop Art & Graffiti Artwork. The continued relevance of CHema Skandal!’s work in both gallery and street settings highlights his influence in shaping contemporary print-based street art movements.

Read more less

Pair Banana Chuck Taylor Men's Size 12 Loose No Box Skating Shoe Sneaker by Converse x Andy Warhol Limited Edition Rare Art Object Clothing Artwork Collectible. 2015 Limited Edition/Out of Print Converse x Andy Warhol Banana Fruit Shoe Size 12 New Loose, No Box with Tags, Never Worn. Experience iconic art and classic style fusion with the Converse Chuck Taylor Andy Warhol Banana Low Top Sneaker. Crafted with a sleek all-black leather upper that seamlessly contours the timeless Chuck Taylor Low Top silhouette, this shoe features a striking yellow banana design inspired by the legendary Velvet Underground album. A standout piece for any collection, this Converse low top merges pop art charm with enduring sneaker fashion. Converse x Andy Warhol: The Banana Chuck Taylor as a Cultural Artifact The Converse Chuck Taylor Andy Warhol Banana Low Top Sneaker stands out as a cultural artifact that fuses the iconic artistry of Andy Warhol with the timeless design of Converse's seminal skate shoe. Released in 2015, this limited edition size 12 sneaker has become a rare collector's item, highly sought after for its distinctive design and art historical significance. Though this pair comes loose without a box, the presence of tags and the pristine, never-worn condition of the shoes ensure they retain their value as a collectible. These sneakers represent a seamless integration of Pop Art into the fabric of contemporary fashion, transforming an everyday object into a piece of collectible art. Warhol's influence on pop culture and art is indisputable, and his iconic banana print — created for the Velvet Underground's album cover — has become synonymous with his exploration of commercialism and artistic expression. Converse's collaboration with the Andy Warhol Foundation brought this striking image to life on a literal and figurative canvas, crafting a sneaker that is as much a wearable piece of art as a statement of style. The Intersection of Art and Streetwear in the Converse x Warhol Collaboration The collaboration between Converse and Andy Warhol represents a significant intersection of art and streetwear, encapsulating the ethos of Street Pop Art & Graffiti Artwork. The bold yellow banana design against the stark black leather of the sneaker captures the eye, demanding attention and contemplation, much like a piece of provocative street art. These sneakers cross the boundary between utility and artistry, offering an example of how functional design can serve as a vessel for artistic endeavors. While the world of streetwear is no stranger to artistic collaborations, the Converse x Andy Warhol Banana Chuck Taylors hold a special place in this narrative. They are not merely branded merchandise but are a homage to the legacy of an artist who changed the course of modern art. The limited edition nature of these sneakers has cemented their status as rare art objects, and even without the original packaging, they carry the aura of exclusivity and the prestige of Warhol's groundbreaking aesthetic. The Lasting Impact of Converse x Andy Warhol on Collectible Fashion The lasting impact of the Converse x Andy Warhol Banana Chuck Taylor sneakers on collectible fashion is multifaceted. Not only do they represent a bold statement in the world of sneaker design, but they also showcase the potential for fashion items to become vehicles for fine art. As collectibles, these sneakers speak to the heart of pop culture, resonating with those who value the crossover between the art world and the realm of street fashion. Collectors of these sneakers are often drawn to the narrative that they embody: a story of collaboration across industries, a testament to the enduring influence of a pop art icon, and a piece of fashion history that captures a moment when the lines between art and commerce were blurred in new and exciting ways. The Converse x Andy Warhol sneakers are not just footwear; they are artifacts that tell the story of art's ability to infiltrate and enhance the objects of our everyday lives. The Banana Chuck Taylor Men's Size 12 Sneaker by Converse x Andy Warhol is a testament to the power of artistic collaboration and a symbol of the synergies between pop art, street art, and contemporary fashion. As a limited edition release, they stand as a rare art object, appealing to a broad spectrum of collectors and enthusiasts who appreciate the intersection of art, history, and style.

Read more less

Bob Mould AP Signed Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2008 Signed Autograph by Bob Mould Across The Face in Marker & Shepard Fairey- OBEY Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print Depicting Bob Mould of the Music Bands Hüsker Dü, Sugar & The Jacks. District Line. "Bob Mould was the guitar player and co-songwriter of Husker Du, one of the most progressive hardcore/indy bands of the '80s. Originally one of the most successful bands on SST records, they were among the first American indie bands to sign to a major label. They are credited with paving the way for bands like Sonic Youth, The Pixies, and Nirvana. I borrowed Husker Du's Zen Arcade album from a friend in my 10th-grade year and quickly collected the rest of their catalog. I especially recommend their album Flip Your Wig. After Husker Du broke up, Bob formed Sugar and now performs solo. His new album District Line is awesome." -Shepard Fairey- OBEY Shepard Fairey's Tribute to Bob Mould: Merging Music and Street Art The Bob Mould AP Signed Silkscreen Print by Shepard Fairey, a figure synonymous with OBEY and a towering presence in street pop art, is a limited edition artwork that pays homage to Bob Mould's profound influence on the music scene. As an Artist Proof from 2008, this piece holds a special place within the edition of 500, featuring Fairey's signature 5-color technique on cream speckletone fine art paper, measuring 18x24 inches. Mould's autograph across the face in marker adds a personal touch, intertwining the visual narrative with the tactile memory of the musician's hand. This print captures the likeness of Mould, known for his groundbreaking work with bands Hüsker Dü, Sugar, and The Jacks, and the essence of his impact on the hardcore/indie genres. Fairey's acknowledgment of Mould's legacy, from the seminal album "Zen Arcade" to "Flip Your Wig" and beyond, underscores the print's importance as a piece of cultural history. Fairey, who has a storied history of integrating his art with social commentary and the music industry, uses this print to honor a musician who has been pivotal in shaping the landscape of modern American indie music. Bob Mould and the Evolution of American Indie Music in Visual Art Bob Mould's journey through the evolution of American indie music is intricately woven into the fabric of this silkscreen print. Shepard Fairey's artistic rendering goes beyond mere portraiture; it is a symbolic representation of the era that saw bands like Sonic Youth, The Pixies, and Nirvana reshape the musical landscape, with Mould and Hüsker Dü leading the charge. As a fan who found inspiration in his youth's raw and passionate soundtracks, Fairey's connection to Mold's music informs the artwork's intimate and reverent portrayal. The print is a visual testament to Mould's ongoing relevance, with Fairey highlighting the musician's solo works like "District Line." The piece symbolizes the confluence between street pop art and the visceral energy of the music that often serves as its soundtrack. Fairey's ability to infuse his work with the spirit of the music he admires adds depth to the print, elevating it from a mere collectible to a significant narrative artifact within the canon of street pop art and graffiti artwork. Shepard Fairey's Bob Mould AP Signed Silkscreen Print is not just a confluence of visual art and music but a celebration of the enduring legacy of an artist who has helped shape the sound of a generation. As a street pop art piece, it embodies the rebellious heart of the indie movement. It stands as a testament to the power of art to transcend mediums and become a unifying force for cultural reflection and appreciation. The limited edition nature of the print, coupled with the personal signatures of both Mould and Fairey, cements its status as a collectible piece that captures a pivotal moment in the interplay between music and visual art.

Read more less

Come Together Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Richard Pellegrino. 2014 Signed & Numbered Limited Edition of 500 by Rich Pellegrino Artwork Size 13x17.4 Rich Pellegrino - "Come Together" fine art giclee print edition of 500 copies 13" x 17.4" Each print comes hand-signed and numbered by the artist.

Read more less

Brian Slade 73 Tour 2011 Movie Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Pink Fine Art Paper by Jeremy Wheeler. Music group Brian Slade from the movie Velvet Goldmine.

Read more less

Friendship and Support 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2011 Signed & Numbered Friendship and Support, 2011 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered, and dated in pencil along the lower edge Published by Obey Giant, Los Angeles. The Harrison Foundation! “Friendship and Support” supporting UNICEF! Today I am proud to honor the legacy of George Harrison and the very first major music concert for a cause “The Concert for Bangladesh”. Join me in supporting the great work of the George Harrison Fund for UNICEF and their work with the children affected by the famine in Africa. - Shepard Fairey

Read more less

Heads Mao Tinitus 10" Vinyl Album Release Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1997 Signed by Kozik & Numbered Limited Edition of 100 Artwork Size 33.5x11.5 Silkscreen Print Band Gig Poster by Frank Kozik The 1997 release of "Mad Tinnitus" by The Heads marks a creative collaboration between the band and renowned artist Frank Kozik, who brought his distinctive style to the limited edition silkscreen print for the album's 10" vinyl release. Known for his ability to encapsulate the spirit of the music scene within his art, Kozik's design for "Mad Tinnitus" celebrates pop art through the lens of street aesthetics, a testament to the synergy between auditory and visual experiences in the cultural landscape. Measuring 33.5x11.5 inches, the artwork stands out with its vivid color scheme and striking imagery, characteristic of Kozik's bold design ethos. The piece features a dual portrait that commands attention, utilizing a contrast that pops against the print's background. This limited edition silkscreen, hand-pulled on fine art paper, was signed and numbered by Kozik, with only 100 copies made, adding to its exclusivity and appeal among collectors and music enthusiasts alike. Kozik's artwork for The Heads' release is a dialogue between music and graphic art, a physical embodiment of the album's energy and the era's artistic tendencies. It's a slice of the 90s music scene captured in print, echoing the band's raw sound with Kozik's basic visual punch. As a piece of pop and street art, it bridges the gap between two realms traditionally seen as separate. The artwork has a magnetic pull, reminiscent of the gritty yet vibrant walls of urban landscapes, where music often serves as a backdrop to the visuals. Collectors of Kozik's work appreciate not only the visual impact of his art but also the stories they tell and the histories they encapsulate. This print, serving as a band gig poster as well, is a narrative piece, conveying a moment in time when "Mad Tinnitus" became a visual experience as much as an auditory one. Such pieces have carved out their niche in the art world, celebrated for their crossover appeal and for capturing the essence of a particular musical epoch.

Read more less

Mick Jagger New York Original Oil Painting by Peter Keil One of a Kind Artwork on Foam Board Framed Panel by The Wild Man of Berlin,  a Famous Contemporary Artist. 1985 Signed by Peter Keil & Dated Oil Painting on Masonite Panel Original Artwork Size 28.5x37.5. All of Peter Keil's Art Used Thick Paint & Some Paint Flaking May Be Present Due to the Age and Nature of His Work. Painting of Rolling Stones Mick Jagger Head & Face Smoking a Cigarette. The Foam Panel is Bowing Inward Out The Back of the Frame and hangs Slightly Off the Wall. Capturing the Iconic: Peter Keil's Portrayal of Mick Jagger Peter Keil's "Mick Jagger New York" is an original oil painting that captures the essence of one of rock and roll's most iconic figures. Created in 1985 and framed on a foam board panel, this piece represents Keil's vibrant and expressionistic style. The artwork, signed and dated by the artist known as The Wild Man of Berlin, measures 28.5 x 37.5 inches, reflecting Keil's penchant for creating bold art. Within the pop art tradition, Keil's depiction of the Rolling Stones' lead singer is a perfect amalgam of celebrity culture and artistic innovation. The use of thick, textured paint is typical of Keil's technique, adding depth and intensity to the image of Mick Jagger, portrayed with a cigarette elegantly dangling from his lips. The potential presence of paint flaking adds a dimension of authenticity and history to the piece, speaking to the natural aging process of Keil's chosen mediums and the enduring nature of his works. The painting is more than a mere likeness of the famed musician; it is a narrative piece that conveys Jagger's persona's raw charisma and enduring legacy. Keil's use of color and form breaks from conventional portraiture, instead providing a window into the subject's soul, capturing the essence of Jagger's public and private personas. In the broader context of street pop art and graffiti artwork, Keil's painting stands out for its embrace of pop culture icons and its ability to translate that into a fine art context. The work aligns with the spirit of street art, which often appropriates popular imagery to make statements about society, fame, and the passage of time. Keil's painting does this with reverence and creativity, ensuring that "Mick Jagger New York" is not just a portrait but a piece of cultural history. In essence, Keil's work is a testament to the fusion of street art sensibilities with the sophistication of fine art. His portrayal of Mick Jagger is imbued with a sense of immediacy and intimacy, often the hallmark of the best street-inspired art. Through this painting, Keil continues to challenge and expand the boundaries of contemporary art, securing his place as a pivotal figure in the evolution of pop art and its intersection with street aesthetics.

Read more less

Time To Totality I AP Silkscreen Archival Print by Prefab77 Artist Proof Hand-Pulled 3-Color Screen Print on 350gsm Somerset Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. AP Artist Proof 2018 Signed & AP Marked Limited Edition Run Artwork Size 22.05x29.92 Silkscreen & Archival Pigment Print Mixed Media on Somerset Paper Hand Finished. Decoding the Visual Language of "Time To Totality I AP" by Prefab77 "Time To Totality I AP" by Prefab77 is an expressive embodiment of Street Pop Art and graffiti Artwork that captures the viewer's attention through its visual complexity and cultural references. As an Artist Proof of a limited edition run, this piece is a crucial part of the printmaking process, standing as a testament to the artist's initial vision and the integrity of the work. Measuring 22.05x29.92 inches, the artwork is a hand-pulled 3-color screen print that utilizes the resilience and texture of 350gsm Somerset fine art paper, known for its superior quality and ability to enhance the depth of the pigments. This particular print, marked by the artist as an AP, signifies its role as a benchmark against which all subsequent prints are measured. The Artist Proof designation also suggests a closer connection to the creators, as the artists themselves typically retain these proofs. In the case of "Time To Totality I AP," the hand-finishing indicates a level of individual attention and intention that goes beyond the standard edition, making it a unique collector's item. The artwork is an amalgamation of silkscreen and archival pigment print techniques, blending the precision of screen printing with the richness of pigment inks. This mixture allows for a range of textures and finishes, from the bold flatness of solid colors to the subtle variations of hand-applied details. The print's mixed media elements add a tactile dimension that invites the viewer to consider the surface a vital component of the artwork's narrative. Reflecting on the Significance and Impact of "Time To Totality I AP" In "Time To Totality I AP," Prefab77 delivers a powerful visual statement that goes beyond aesthetic appeal. The content of the work delves into the themes of temporality and transformation, as suggested by the title. "Time to Totality" may evoke the idea of a countdown to a significant event, perhaps an eclipse or a moment of complete change, paralleling the way street art often captures the spirit of a specific time and place. Like much of Prefab77's work, this piece is marked by a fusion of graphic elements that draw from various sources such as music, politics, and popular culture. The artwork's intricate layers and the juxtaposition of images create a dynamic interplay, engaging viewers in the discovery process as they decipher symbols and messages embedded within the composition. The choice of Somerset paper is particularly significant in the context of Street Pop Art and graffiti Artwork. This high-end material typically associated with traditional printmaking is brought into street art, challenging perceptions of value and class within the art world. Hand-finishing on such a medium underscores the collective's commitment to craftsmanship and the elevation of street art techniques to an OK art status. The cultural impact of "Time To Totality I AP" is multifaceted. It serves as a bridge connecting different artistic communities and raises questions about the ephemeral nature of street art versus the longevity of fine art prints. As street art continues to gain recognition in the fine art world, works like this play a critical role in shifting the narrative and opening up conversations about the legitimacy and importance of graffiti and street-inspired artworks within the broader art market. Cultural Commentary and Artistic Expression in "Time To Totality I AP" Prefab77's "Time To Totality I AP" is not merely a static image but a cultural commentary, a snapshot of the zeitgeist encapsulated in a blend of iconography and color. The screen print medium, often associated with mass production and widespread dissemination, is used here to create something profoundly personal and finite. The limited edition nature of the work echoes the fleeting moments that graffiti art often captures on city walls, while the archival quality of the print ensures its enduring presence. The artwork captures the ethos of Street Pop Art and graffiti Artwork, where the rebellious spirit and public accessibility of street art merge with the calculated, thoughtful processes of pop art. "Time To Totality I AP" represents a dialogue between these worlds, showcasing the beauty and complexity that arises from their convergence. In this piece, Prefab77 continues to push the boundaries of street art, expanding the canvas from urban environments.

Read more less

Crossroads Guitar Festival 2010 Music Limited Edition Gig Poster Giclee Print Artwork on Fine Art Paper by Richard Pellegrino. 2012 Signed & Numbered Limited Edition of 75 by Rich Pellegrino Artwork Size 17x22

Read more less

Andy Gill Anti-Hero 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist.

Read more less

Rollins Capitalism- Signed by Henry Rollins 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed by Henery Rollins, Signed & Numbered Screen Print ROLLINS CAPITALISM Screen Print 18 x 24 inches Edition of 1200 August 28, 2012 Henry Rollins has been a hero of mine since I got into Black Flag in 1984. Henry is a role model in his amazing taste and output in music, his political engagement, his monumental work ethic, and his social consciousness. Henry tours a ton and stays very aware of the world. Back before the 2008 recession started, Henry had an editorial segment on his TV show where he said “the president says the fundamentals of the economy are strong…I say start learning Chinese”. Henry’s new tour is called CAPITALISM and I’m sure he will have a lot of wise, funny, and maybe prophetic things to say. I was given the honor by Henry of illustrating his concept for the tour, him as a beaten-down Uncle Sam. I have a few of the prints available on my site signed by both me and Henry. The rest will be available on Henry’s tour which everyone should see. Pick a print up before the American brand of capitalism crumbles under the weight of its own ego. -Shepard Fairey

Read more less

Andrew Bird Hands of Glory- Yellow 2013 Music Limited Edition Gig Poster 2-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by John Vogl.

Read more less

The Doors Strange Days 1000% BE@RBRICK Limited Edition Vinyl Artwork Medicom Toy Collectable Art Figure. 2021 The Doors Strange Days Music x Bearbrick 1000%

Read more less

God Save Margaret Thatcher Giclee Print Record CD Box Set by Billy Childish x Jamie Reid Artwork Limited Edition Print With Safety-pin On Distressed Fine Art Paper Graffiti Pop Street Artist. 2013 Signed & Numbered Limited Edition of 200 Artwork Size 27.6x20.5 2013 Thatcher's Children Boxed Record CD & Letter Box Set Plus L-13 Brown Bag The collaborative artwork "God Save Margaret Thatcher" by Billy Childish and Jamie Reid is a sharp and provocative commentary rendered through the lens of street pop art and graffiti artwork. The limited edition giclee print, part of a collection that includes a boxed record CD and letter box set, is a fusion of political narrative and artistic expression that captures the cultural zeitgeist of its time. Political Satire and Artistic Expression The giclee print is a bold statement within the pop art movement, a genre known for blurring the lines between high art and popular culture. Billy Childish and Jamie Reid, known for their aggressive aesthetics, use the iconography associated with Margaret Thatcher, the former Prime Minister of the UK, to create a layered discourse on power, policy, and patriotism. The artwork, sized 27.6x20.5 inches, employs the distressed look typical of street art and the precision of fine art printing techniques, with the addition of a safety pin that punctuates the piece with an emblem of punk culture. The image of Thatcher, presented with a stylized rendition of the Union Jack and the phrase "God Save," evokes the nationalistic fervor and divisive politics of her era. The choice of giclee printing ensures that each piece in the limited edition of 200 retains the vibrancy and detail of the original work, making it not just a political statement but also a collector's item. Reid and Childish's Distinctive Styles Jamie Reid, famously associated with the punk rock band the Sex Pistols, brings his characteristic ransom-note typography to the collaboration, complementing Childish's raw and expressive style. The layered text over Thatcher's image creates a visual cacophony that mirrors the social and political turbulence associated with her tenure as Prime Minister. The aesthetics of the print are reminiscent of Reid's work on album covers, while Childish's influence is evident in the vibrant and unrefined quality of the imagery. This limited edition print, signed and numbered by the artists, is a testament to their shared ethos of challenging authority and convention through art. The use of distressed fine art paper adds a layer of authenticity, emulating the ephemeral nature of street art and graffiti while simultaneously offering the permanence of fine art. Boxed Record CD and Letter Box Set Accompanying the giclee print is the "Thatcher's Children" boxed record CD and letter box set, an extension of the narrative explored in the print. This set, a combination of visual art and music, encapsulates the multifaceted approach to storytelling that both Childish and Reid employ. Including music and the written word with the optical components enriches the dialogue initiated by the print, offering a more immersive experience of the artwork's thematic content. Cultural Packaging: The L-13 Brown Bag The entire collection is presented in an L-13 brown bag, a packaging choice that is both practical and symbolic. The unassuming brown bag, often associated with the bland transportation of goods, is a vessel for transporting powerful artistic and political statements. The L-13 stamp on the bag indicates the involvement of the L-13 Light Industrial Workshop, known for supporting avant-garde and counter-culture artists, further aligning the collection with the spirit of rebellion and dissent. Significance in Modern Art The "God Save Margaret Thatcher" giclee print and accompanying items hold a significant place in the narrative of modern art. They represent a confluence of street art's accessibility, pop art's use of popular imagery, and the personal touch of graffiti art. The collection is not only a reflection of the political climate of the 1980s but also a timeless exploration of the power dynamics and societal structures that continue to shape contemporary discourse. Billy Childish and Jamie Reid's collaborative effort in creating the "God Save Margaret Thatcher" collection is a masterful blend of street pop art and graffiti artwork that resonates with cultural and political relevance. The print's limited edition nature, the giclee medium's quality, and the boxed set's comprehensive nature all contribute to the collection's appeal as a significant piece of art history and a poignant commentary on the social and political landscape.

Read more less

Be Reasonable Suburban Pressure Hand-Pulled 3-Color Silkscreen Print on Cream Speckletone Fine Art Paper by Artist Shepard Fairey x Jamie Reid Limited Edition Pop Art Artwork. 2016 Signed & Numbered Limited Edition of 375 Artwork Size 18x24 Be Reasonable Urban Pressure Set Suburban Pressure Sex Pistols Music Tribute With Burning Money Mao From China and ROnald Regan "The Sex Pistols changed my life. When I was a 14-year-old skateboarder, a friend played me “Never Mind the Bollocks, Here’s the Sex Pistols,” and that moment marked a turning point for me. The Sex Pistols provided the adrenaline-inducing soundtrack for my rebellion. If the Sex Pistols provided the soundtrack, the artist behind their imagery, Jamie Reid, provided the visuals for the revolution. Jamie Reid did the iconic art for the Sex Pistols like the “God Save the Queen” sleeve, the “Pretty Vacant” sleeve, and the cover for the album “Never Mind the Bollocks, Here’s the Sex Pistols.” Jamie deserves the majority of credit for the daring aesthetics of Punk Rock. If you’ve ever seen a photocopied, ransom note style, cut & paste punk graphic, then you’ve seen Jamie Reid’s influence. Jamie has been one of my biggest creative inspirations both visually and philosophically, because his work is bold, provocative, irreverent, and political. Jamie Reid also turned me on to Situationism, a movement dedicated to disrupting the conformist trance through pranks and spectacles. I’m honored that I have been able to work with Jamie on some collaborative images and to present a special collection through Obey Clothing in his honor, as well as two limited edition screen-prints. Jamie and I have mutual interest in shaking things up and addressing the problems of corruption, environmental destruction, and wealth inequality, so it is very energizing and meaningful to do a project with him. Enjoy and embrace the chaos!" -Shepard Fairey

Read more less

The Beatles Mystery of Love AP Giclee Print by Serge Gay Jr Archival Pigment Fine Art Limited Edition Print on Fine Art Paper Pop Artist Modern Artwork. AP Artist Proof 2012 Signed & Marked AP Limited Edition Artwork Size 16x16 John Lennon, Paul McCartney, George Harrison, Ringo Starr of the mUsic Group The Beatles

Read more less

My Rules Silkscreen Print by Glen E Friedman Hand-Pulled on Fine Art Paper Limited Edition Artwork. 2004 Signed & Numbered Limited Edition of 200 Artwork Size 16x20 Silkscreen Print Glen E. Friedman's My Rules: A Testament to Street Pop Art & Graffiti Artwork Glen E. Friedman's "My Rules" silkscreen print is a visual manifesto that embodies the spirit of street pop art and graffiti artwork. This 16x20 limited edition print, part of a series of 200 signed and numbered editions, captures the raw energy and DIY ethos of the underground punk and skateboarding scenes. Published in 2004 on the occasion of the groundbreaking "Beautiful Losers: Contemporary Art and Street Culture" exhibition, the artwork is a testament to the profound influence of subcultures on mainstream art and society. The photozine format of "My Rules," with its collage of expressive faces and anarchic energy, speaks to the rebellious heart of street culture. Friedman, a seminal figure in the documentation of punk, skateboarding, and hip-hop subcultures, uses the silkscreen print to transcend the temporality of the zine medium, cementing its contents in the annals of art history. The work is not just an object to be admired but a historical document that captures the zeitgeist of a pivotal moment in cultural history. The Significance of "My Rules" in the Evolution of Street Art The significance of "My Rules" in the evolution of street art is manifold. The artwork bridges the ephemeral nature of street culture and the permanence of fine art. By translating the dynamic imagery of his photography into the medium of silkscreen print, Friedman elevates the transient moments captured in his photographs to the status of high art. This elevation is a commentary on the value of street culture and its unwavering influence on contemporary aesthetics. Friedman's work has always been about more than just documenting subcultures; it is about understanding and conveying the underlying messages of defiance, creativity, and freedom that these movements embody. "My Rules" encapsulates this understanding, presenting the viewer with a raw and unfiltered look at the individuals who define these movements. The faces and moments he captures are not passive; they are charged with an energy that demands engagement and recognition. Provenance and Cultural Impact of "My Rules" The provenance of "My Rules" is rooted in the Beautiful Losers Archive and Iconoclast Editions, collections that celebrate the work of artists who have profoundly impacted the dialogue between street culture and fine art. These institutions are custodians of a history that might otherwise have been overlooked, preserving the artifacts of street culture's incursion into the art world. "My Rules," as part of these collections, is a piece that not only reflects the history of street art but also contributes to its ongoing narrative. The cultural impact of "My Rules" and the work of Glen E. Friedman is far-reaching. The print and its exhibition have played a crucial role in shaping perceptions of street art, demonstrating its depth and complexity. Street pop art and graffiti artwork, often relegated to the peripheries of the art world, are brought to the forefront through Friedman's lens, asserting their place as vital components of contemporary art discourse. Through "My Rules," Friedman challenges the art establishment, questions the boundaries of art, and celebrates the indomitable spirit of street culture. The artwork stands as a reminder of the power of visual documentation in capturing and preserving the essence of cultural movements. In the hands of Glen E. Friedman, the camera is as much a tool for creating art as it is for recording it, and "My Rules" is a vibrant illustration of this dual capability. The print is not just a reflection of a bygone era but a beacon for future generations to understand the cultural undercurrents that have shaped and will continue to shape the world of art and expression.

Read more less

Red Hot Chili Peppers Primus 1989 Fillmore Silkscreen San Francisco CA Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1989 Kozik Artwork Size 13x19 Silkscreen Print Band Gig Poster by Frank Kozik. Bill Graham San Francisco The Fillmore Poster F115 Red Hot Chili Peppers Mary's Danish Primus September 15 16, 1989 Red Hot Chili Peppers Primus 1989 Fillmore Silkscreen Print by Frank Kozik The Red Hot Chili Peppers Primus 1989 Fillmore silkscreen print by Frank Kozik is an iconic piece of Street Pop Art & Graffiti Artwork that embodies the rebellious energy of late 1980s underground music and poster culture. Created for the Red Hot Chili Peppers' performance at the legendary Fillmore in San Francisco, this 13x19-inch hand-pulled silkscreen print was commissioned as part of the Bill Graham Presents concert series. Featuring bold colors, surrealist imagery, and an unmistakable punk aesthetic, this piece captures the raw intensity of the era’s alternative rock movement. The inclusion of supporting acts Primus and Mary’s Danish further cements its significance as a relic of an explosive time in live music history. Visual Composition and Artistic Style Frank Kozik’s artistic style is instantly recognizable in this print, with its bold neon hues, high-contrast linework, and provocative subject matter. The composition features a flaming skeleton with an exaggerated grin, clad in a polka-dotted bikini bottom, with its tongue out in a defiant gesture. The presence of a stylized, curvy female figure in the background adds a surreal, almost psychedelic touch, reinforcing the wild, chaotic energy associated with the Red Hot Chili Peppers' music. The background consists of swirling patterns in bright pink and purple, creating a hypnotic effect that draws the viewer into the image. The heavy use of black outlines and exaggerated cartoonish elements reflect Kozik’s influence from underground comics, skate culture, and punk zine aesthetics. The typography follows a classic gig poster format, with large block lettering announcing the headlining act in bright pink against a dark background, while additional text in cyan provides details of the event. This mix of playful, irreverent imagery and structured design highlights Kozik’s mastery in blending controlled chaos with striking visual appeal. Street Pop Art & Graffiti Artwork Influence Frank Kozik’s work stands at the crossroads of Street Pop Art & Graffiti Artwork, merging countercultural aesthetics with fine art printmaking techniques. The poster's aggressive, high-contrast design is reminiscent of graffiti stencils, while the hand-pulled silkscreen process ensures that each print carries a unique, raw texture. The exaggerated punk-inspired figures, combined with psychedelic color palettes, align with the visual language found in 1980s street art and underground concert promotion. This piece reflects the DIY spirit of gig poster culture, where artists crafted promotional artwork that doubled as collectible art. Kozik’s ability to merge lowbrow sensibilities with high-impact design has made his prints some of the most sought-after in the gig poster scene. His background in self-published artwork and street-level design tactics translates into compositions that feel alive, rebellious, and unfiltered. Collectibility and Cultural Impact As an official Fillmore poster, this silkscreen print holds immense historical and artistic value. The late 1980s were a defining era for the Red Hot Chili Peppers, as they blended funk, punk, and rock to create a sound that would later dominate alternative music. The collaboration with Primus, a band equally known for its genre-defying sound, adds to the poster’s significance as a symbol of musical innovation. Frank Kozik’s gig posters have become highly collectible, with limited-edition prints from this era commanding high demand among both art collectors and music fans. The handcrafted nature of the silkscreen process ensures that each piece has its own unique character, reinforcing the authenticity and individuality of the work. Kozik’s influence continues to shape modern poster design, and this print remains a testament to his ability to translate the raw energy of live music into visually arresting artwork. This piece is not just a concert advertisement; it is a statement of the era, an artifact of underground culture, and a masterpiece within the world of Street Pop Art & Graffiti Artwork.

Read more less

Smokey Robinson- Red 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed by Fairey & legendary music artist Smokey Robinson. Screen Print 18 x 24 inches Edition of 450 2010 "I was amazed when Smokey contacted me to do a portrait to commemorate his 50 years in the music business, and a little nostalgic at the thought of his impact on me as a kid. Smokey came into the studio to hang out and sign them. He's a really nice, upbeat guy who has a real lust for life, maybe that's why he looks like he hasn't aged in 30 years. Believe it or not, Smokey signed every single print with his very beautiful and painstaking signature. It's worth picking up a print for that alone. Mention the name Smokey Robinson and the first thing that automatically comes to mind is Motown. It's understandable given that it was Robinson's hits, first as the leader of the Miracles, and then later as a solo artist that propelled the famed label during the 60s." -Shepard Fairey

Read more less