Rock N Roll Music

Jerry Moth Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Matt Gordon pop culture LSD artwork. Matt Gordon is a mixed media artist who strives to make well-crafted and highly detailed acrylic paintings and pencil drawings, along with the occasional 3-D fabrication thrown in there to satisfy sculptural needs and to provide live models for things that don't really exist but need to look like they do.

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Furthur Holmdel NJ 2013- The Garden State Music Limited Edition Gig Poster 5-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by AJ Masthay. Artist Edition, Hand deckled bottom edge.

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Grateful Dead Steal Your Face 100% & 400% Be@rbrick Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. 2022 Bearbrick Medicom Collectible Size 100% & 400% New In Box

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Hitohatausagi 100% & 400% BE@RBRICK Limited Edition Vinyl Art Toy Urban Collectable Art Figures This Be@rbrick celebrates the 50th Celebration of the King of Rock Imawano Kiyoshiro and stands approximately 2.75 and 11.02 inches tall.

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Lucy Georges Guitar Hand-Pulled 4-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited Edition of 150 Artwork Size 9x24 Metallic Ink "LUCY (in the sky of diamonds). This print is the first of a “famous guitar series” that I am working on. It depicts George Harrison’s famous ’57 Les Paul, “Lucy.” -Nate Duval

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Hi-Fi AP Dance Floor Riot Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled 1-Color Screen Print on Fine Art Paper Limited Edition Graffiti Pop Street Artwork. AP Artist Proof 2011 Signed & AP Marked Limited Edition Artwork Size 13x13 "Long before I knew about art galleries or even street art, I was excited about album cover art, if only because it was the visual counterpart to the music on the records I loved. Album covers conjured a euphoric association with the listening experience. Most of my earliest home-made tee shirts were stencils based on punk album covers… No matter how much I love art, or try to convince myself of its relevance in society, the fact remains that music is a lot cooler and way more able to reach people’s hearts and minds… but I’m a populist and I look at it this way: I may not play an instrument, but I’m gonna rock it hard as nails anyway. With my art I try to capture the same energy and spirit that makes music so powerful and democratic. REVOLUTIONS is a celebration of all the great music and accompanying art that has inspired me over the years." -Shepard Fairey Hi-Fi AP by Shepard Fairey: A Tribute to Punk and Graffiti Pop Street Art The Hi-Fi Artist Proof silkscreen print by Shepard Fairey is a bold exploration of the intersection between music, rebellion, and Street Pop Art. Created in 2011, this limited-edition Artist Proof measures 13 by 13 inches and was hand-pulled as a one-color silkscreen print on fine art paper. Signed and marked as an Artist Proof by Fairey, this piece is a rare collector’s item that pays homage to the aesthetic and cultural impact of punk music and album art. The design features a figure with a sharp, stylized jacket adorned with music-inspired elements. The phrases Burn It Down, Lost Souls, The Enemy, F.S.U., and Movin On cascade down the image like a punk rock playlist, evoking the raw energy of the punk scene. A leopard-print border adds texture and contrast, reflecting the bold, unapologetic attitude associated with punk culture. Fairey’s meticulous use of line work and negative space emphasizes the dynamic interplay between the central figure and the surrounding design elements, creating a visually arresting composition. The Influence of Music on Shepard Fairey’s Art Shepard Fairey has often credited music as one of the most significant influences in his artistic journey. Hi-Fi AP exemplifies his ability to channel the spirit and energy of music into visual form. The design draws heavily on the DIY ethos of punk rock, where album covers and merchandise served as canvases for artistic expression. Fairey’s work reflects this connection by incorporating elements that evoke the tactile and immediate qualities of vinyl records, zines, and handmade posters. The leopard-print motif and gritty typography reinforce the rebellious aesthetic of punk, while the inclusion of track titles creates a narrative that connects music to the emotions and experiences it represents. Fairey’s ability to encapsulate the cultural significance of music in his work highlights his deep understanding of its role as a unifying force. Hi-Fi AP is not just a piece of art; it is a visual celebration of the energy, individuality, and community that music fosters. The Craft of Silkscreen Printing The silkscreen printing process used for Hi-Fi AP is a testament to Shepard Fairey’s dedication to his craft. Each print is meticulously hand-pulled, allowing for a high level of precision and detail. The one-color design emphasizes the bold contrasts and sharp lines that define Fairey’s style. Printed on fine art paper, the piece achieves a refined finish that enhances its visual and tactile appeal. As an Artist Proof, this print holds a special significance within the edition, often representing the artist’s experimentation and refinement of the design. The choice of silkscreen printing aligns with Fairey’s roots in graffiti and street art, where stencils and hand-pulled prints are integral to the medium. This traditional approach, combined with modern graphic sensibilities, makes Hi-Fi AP a compelling example of contemporary Street Pop Art. Shepard Fairey: Elevating Graffiti Pop Street Art Shepard Fairey has become a pivotal figure in the evolution of Street Pop Art and Graffiti Artwork. His ability to blend bold graphic elements with cultural commentary has established him as a voice for individuality and social awareness. Hi-Fi AP reflects his commitment to exploring the intersections of music, art, and activism, creating pieces that resonate with audiences on multiple levels. Through works like Hi-Fi AP, Fairey demonstrates the enduring influence of punk culture and its ability to inspire new forms of artistic expression. This piece is a celebration of the raw energy and democratic spirit that define both music and art, making it a significant addition to Fairey’s body of work and a must-have for collectors and fans of contemporary Street Pop Art.

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Grateful Dead Dancing Bear 100% & 400% Be@rbrick Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. 2022 Bearbrick Medicom Collectible Size 100% & 400% New In Box

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Rollins 50 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print 18 x 24 inches Edition of 700 February 4, 2011 "Henry Rollins has a birthday coming up that only comes along once every half-century… YES, he’s turning 50. This calls for a Rollins fortnight celebration with two prints spanning 30 years. This week the ROLLINS 50 tour poster drops. Next week on 2/13/11 I’ll release a print collaboration with Glen E. Friedman based on a Black Flag ’81 shot. . I hold Henry in high regard for his many talents as a singer, writer, radio DJ, TV host, political and social commentator, etc… but above all I love his energy and gusto. Henry has been doing it his way hardcore for 30+ years. This 50 poster is ridiculous not because Henry is getting older, but because Henry would never lounge around long enough for the reaper to get a jump on him. " -Shepard Fairey

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Emo's Austin Fifth Anniversary 1997 Texas Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1997 Signed by Kozik & Numbered Limited Edition of 400 Artwork Size 22.5x35 Silkscreen Print Band Gig Poster by Frank Kozik. Lord High Fixers, Mudhoney, Prima Donnas, Emo's, Austin TX 06-21-1997

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The Mermen AP 1996 San Francisco CA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 1996 Signed by Kozik & Numbered Limited Edition of AP 50 Artwork Size 17.5x22 Silkscreen Print Band Gig Poster by Frank Kozik. The Mermen AP 1996 San Francisco CA Silkscreen Print by Frank Kozik Fort Point Pier The Mermen AP 1996 San Francisco, CA silkscreen print is a symbolic piece by the acclaimed artist Frank Kozik, whose work is often associated with the vibrant energy of pop and street art. Kozik's distinctive style is characterized by a blend of bold colors, cartoon-like figures, and a touch of satirical humor, all of which are palpably present in this artwork. This piece, crafted explicitly as a gig poster for a performance at Fort Point Pier on October 4, 1996, captures the essence of the San Francisco music scene of the time. Hand-pulled on fine art paper, the print is part of an exclusive Artist Proof (AP) edition, limited to 50 signed and numbered pieces. Measuring 17.5x22 inches, it's a significant work that embodies the culture and vibrancy of its era. Kozik's use of the silkscreen technique lends the piece a tactile quality that is often lost in digital reproduction, giving each print a unique texture and depth. The imagery in this particular print, featuring a park ranger character brandishing a sign that protests against beach parties, flanked by an unconscious figure surrounded by litter, serves as a witty commentary on environmental conservation and personal responsibility. This reflects Kozik's knack for engaging with social and cultural themes through his art, a trait he shares with many street artists who use public spaces to comment on societal issues. Kozik's work has been instrumental in defining the visual landscape of music culture in the 1990s, with his posters becoming synonymous with the era's underground music scene. The Mermen AP print is not just a piece of memorabilia but also a slice of pop culture history, encapsulating the intersection of music, art, and social commentary. Its existence as a limited edition work heightens its collectibility. It serves to preserve a moment when street art aesthetics infiltrated mainstream visual culture, thereby solidifying Kozik's legacy within the art community.

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Terry Hall Tribute Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 1-Color on Pure White Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2023 Signed & Numbered Limited Edition of 325 Artwork Size 18x24 Silkscreen Print "Terry Hall, singer of the Specials, one of my favorite bands, died of pancreatic cancer a little less than a year ago. This past Saturday, Musack did an amazing tribute to Terry with a bonkers lineup, including Horace Panter and Lynval Golding of the Specials, Jane Wiedlin of the Go-Go’s, Fishbone, No Doubt (except Gwen), Tom Morello, Tim Armstrong and Jesse Michaels of Operation Ivy, Donita Sparks of L7, and others! I fell in love with the Specials in the summer of 1989, around the time I started listening to Operation Ivy and Fishbone, so to have members of all those bands celebrating Terry was incredible! I was also able to do the poster for the event based on a beautiful photo by Chalkie Davies. There are two versions of the print, one with the event lineup included and another that is a simpler tribute to Terry. The black and white print are editions of 325, but the show lineup print is a smaller quantity (edition of 300) because many were sold at the event, and all proceeds from those benefit Musack, an excellent music charity for kids. On a personal note, Terry came by my studio a couple of times, and we talked for hours. He was kind, thoughtful, and very open about life’s ups and downs. We talked about kids, mental health, insecurity, relationships, the therapeutic benefits of creativity, and many other heavy topics. He was a kindred spirit who I thought I’d be friends with for many years. This print was done with love… thanks for the tunes Terry!" -Shepard Fairey- OBEY The realm of street art, pop culture, and graffiti has witnessed countless legendary figures whose artistry has both challenged and changed perceptions. One such luminary is Shepard Fairey, the renowned artist behind the OBEY campaign, who has consistently melded activism and artistry in his works. A notable tribute by Fairey is the silkscreen print dedicated to Terry Hall, the iconic lead singer of the Specials. Terry Hall's influence in the world of music was significant, and his tragic passing due to pancreatic cancer was a tremendous loss to the music community. This sentiment was palpable when Musack hosted an astounding tribute to Hall, graced by stalwarts like Horace Panter, Lynval Golding, Jane Wiedlin, Fishbone, members of No Doubt, and numerous other eminent artists. This tribute not only celebrated Hall's legacy but also underscored the bond shared by these artists, many of whom were influenced by the Specials during their formative years. The silkscreen print crafted by Fairey serves as a testament to Hall's enduring impact on him and the broader music fraternity. The artwork, pulled by hand on fine art paper, epitomizes the meticulousness synonymous with Fairey's creations. Limited to an edition of 325, the monochromatic rendition of Hall draws inspiration from a poignant photograph by Chalkie Davies. An alternative version features the event lineup, limited to an edition of 300, with a significant portion having been sold during the event. The proceeds from this version were dedicated to Musack, a laudable charity aimed at empowering kids through music. Fairey's connection with Hall went beyond mere admiration. Their conversations, which delved deep into topics like mental health, creativity, and life's intricacies, highlighted the profound respect and mutual understanding they shared. The artist's tribute to Hall is more than just a print; it's a heartfelt homage to a kindred spirit. Through this artwork, Fairey offers the world a glimpse into their shared moments, while simultaneously emphasizing Terry Hall's undying influence in the realms of music and culture.

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Overloading The Grid David Byrne AP Silkscreen Print by Shepard Fairey- OBEY x Bobby Grossman Hand-Pulled Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist Proof. AP Artist Proof 2024 Signed by Shepard Fairey- OBEY & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print of Talking Heads Singer David Byrne Photo by Bobby Grossman. "I’ve been a fan of the Talking Heads since I was a kid and heard songs like “Once in A Lifetime” and “Burning Down the House” on the radio, well before I discovered punk rock and understood the Talking Heads’ important role in the nascent punk scene as it developed in NYC at CBGB’s in the mid-70’s. I remember seeing the film Stop Making Sense on HBO as a teen and thinking the Talking Heads singer, David Byrne, was very weird and very fearless to dance around in an absurdly oversized suit. I didn’t yet realize that exploring the awkward nature of existence was precisely Byrne’s strong suit! Later, as I got a little more sophisticated, I realized how creatively adventurous the Talking Heads were both musically and with their visuals." -Shepard Fairey Overloading The Grid David Byrne AP by Shepard Fairey and Bobby Grossman The Overloading The Grid Artist Proof silkscreen print from 2024 brings together two highly influential figures of countercultural visual language: Shepard Fairey and Bobby Grossman. This hand-pulled screen print features the likeness of David Byrne, the iconic frontman of the Talking Heads, based on a classic photograph by Grossman and reimagined through Fairey’s unmistakable graphic aesthetic. Printed on cream Speckletone fine art paper and signed and marked AP by Shepard Fairey, this 18x24 inch edition merges photography, music history, and political design into a single portrait that reflects both artistic legacy and cultural disruption. The Legacy of David Byrne in Visual and Sonic Innovation David Byrne’s influence transcends music and bleeds into the worlds of performance art, fashion, and design. As the lead singer of Talking Heads, Byrne’s cerebral yet experimental style embodied the sensibilities of the downtown New York scene during the punk explosion of the 1970s. With an offbeat stage presence and a flair for embracing discomfort as a thematic device, Byrne made awkwardness a mode of expression and communication. His contributions to music videos, album artwork, and stage productions helped define the visual language of new wave and post-punk, laying the groundwork for a visual narrative style that continues to influence contemporary art and design. Shepard Fairey’s Graphic Interpretation Through Street Pop Art & Graffiti Artwork Shepard Fairey’s reinterpretation of Bobby Grossman’s photograph speaks directly to the ethos of Street Pop Art & Graffiti Artwork. With signature grid overlays, limited color palettes, and stark shadows, Fairey constructs a visual tension between formality and rebellion. His use of contrast and stylized design imbues the portrait with a power often reserved for propaganda art, reflecting his career-long interest in political messaging and iconography. The screen print format itself holds deep roots in street art and DIY culture, enhancing the piece’s connection to underground aesthetics. Fairey's technique amplifies Byrne’s gaze, turning the portrait into a symbol of creative defiance and urban sophistication. Bobby Grossman’s Influence on Cultural Memory Photographer Bobby Grossman captured the raw, behind-the-scenes energy of New York’s downtown scene with honesty and intimacy. His photography functioned not just as documentation but as an active component of the era’s aesthetic. This collaboration with Fairey pays tribute to Grossman’s influence as an image maker and archivist of punk, pop, and street art culture. His image of Byrne—now stylized, reframed, and elevated—finds new resonance within the larger context of contemporary art. By pairing Grossman’s lens with Fairey’s visual voice, the print becomes more than a portrait; it is a statement on the enduring impact of artists who shaped the language of resistance and reinvention through Street Pop Art & Graffiti Artwork.

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Dylansteen 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Ron English- POPaganda Rare Street Art Famous Pop Artwork Artist. Signed 18x21 Limited Edition of 30 2019

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StarFucker- Fun Fun Fun Fest 2012 Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Clint Wilson for StarFucker.

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Jimi Hendrix- Dark Gradient Limited Edition 5-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Mr Brainwash- Thierry Guetta Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of 70 Artwork Size 22.5x30 Unique #7 Variant "Jimi", a five-color screen-print on hand torn archival art paper. Print is signed and numbered #7 with a thumbprint on the back. Print Size: 22.5in. x 30in.

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Blondie on Bowery Large Format Silkscreen Print by Shepard Fairey- OBEY 3-Color Silkscreen Hand-Pulled Screen on 320gsm Coventry Rag Paper Mural Pop Street Artwork. 2021 Signed & Numbered Limited Edition of 199 Artwork Size 42x28.75 Shepard Fairey's "Blondie on Bowery" is a striking example of Street Pop Art, capturing the intersection of music and urban visual culture. This large-format silkscreen print is part of a limited edition series, with only 199 signed and numbered prints available. It is a rare collectible for art enthusiasts and fans of the punk rock era. The artwork measures 42 by 28.75 inches, allowing bold graphic qualities and intricate details to command attention and engage viewers. Crafted in 2021, the print pays homage to the iconic punk band Blondie and their connection to the legendary music venue CBGB in New York City. Fairey, known globally for his OBEY campaign and his iconic Barack Obama "Hope" poster, brings his distinctive style to this piece, merging graffiti artwork's aesthetic with pop art's polished finish. The work is screen-printed on 320gsm Coventry Rag Paper, a high-quality substrate that ensures the print's depth of color and durability. The paper's hand-deckled edges add to the bespoke nature of each print, emphasizing the hands-on, street-level ethos of Fairey's artistry. This particular piece reflects a historical moment, channeling the spirit of rebellion and innovation that defined the Bowery's music scene in the 1970s and 1980s. Fairey's choice of subject matter and his stylized portrayal of Debbie Harry, Blondie's frontwoman, underscore the lasting influence of the band and the punk movement. The inclusion of song titles like "Rapture" and "Atomic" in the print's design directly links to Blondie's legacy. At the same time, the motifs and typography are reminiscent of the era's concert posters and album covers. "Blondie on Bowery" was printed by Gary Lichtenstein Editions and published by WCC Editions. The collaborative nature of the piece, with its roots in street art and formal screen printing techniques, showcases Fairey's ability to navigate different artistic realms. Each print is accompanied by a Certificate of Authenticity, assuring its provenance and authenticity within the art market. The mural from which this print takes inspiration was created by Fairey in 2017, further cementing the relationship between his street-level murals and gallery-oriented prints. The transition from a public mural to a limited edition print allows the artwork to be appreciated in personal collections while retaining the raw, expressive quality of street art. Shepard Fairey's work, particularly "Blondie on Bowery," embodies street pop art's rebellious heart and soul, serving as a physical manifestation of the music, fashion, and attitudes that continue to influence contemporary culture.

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Halloween At The Roxie 1989 San Francisco CA Handbill Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1989 Signed by Kozik Music Concert Handbill Artwork Size 11x17 Silkscreen Print Band Gig Poster by Frank Kozik The iconic Roxy Theatre in San Francisco, CA, famous for its eclectic mix of independent, international, and classic cinema, is joining forces with Frank Kozik, renowned rock poster artist and the visual mastermind behind some of the most memorable music and pop culture imagery of the last three decades. This collaboration is anticipated to introduce a fusion of art and film like never before, reflecting Kozik's bold aesthetic and the Roxy's indomitable spirit. Stay tuned for unique film events, exclusive artwork, and a fresh, vibrant energy emanating from this legendary venue.

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Low Fidelity Music Bear Art Toy by Luke Chueh Limited Edition Collectible Sculpture Figure Fine Artwork by Graffiti Pop Street Artist. 2024 Limited Edition Artwork Size 4x7 New In Box Stamped Vinyl Fine Art Toy Figure Sculpture of Bear in Black & White and Headphones Chilling. Low Fidelity Music Bear: A Vinyl Sculpture of Urban Stillness by Luke Chueh The Low Fidelity Music Bear Art Toy by Luke Chueh released in 2024 presents a minimalist and emotionally charged collectible figure sculpted in a monochromatic palette of black and white. This 7-inch tall stamped vinyl art sculpture features a stylized bear standing upright in a matte black hoodie with hands in the pockets and headphones wrapped snugly over the ears. It is a Limited Edition figure created by one of the most significant voices in Street Pop Art & Graffiti Artwork, known for transforming introspection into visual form. Housed in its original box and cast in high-quality vinyl, this sculpture balances simplicity with symbolic power. Emotional Resonance Through Clean Design Luke Chueh’s work is rooted in the quiet depiction of internal struggle and psychological complexity, and the Low Fidelity Music Bear serves as a distilled representation of these themes. The contrast between the stark white bear and its black hoodie is not just a stylistic choice but a visual metaphor for duality—purity and protection, visibility and invisibility, vulnerability and armor. The figure's face remains neutral, devoid of traditional expression, making the silence louder and inviting viewers to project their own feelings onto its blank canvas. This silent narrative is central to Chueh’s style and has defined his contribution to graffiti art and pop culture. The Language of Solitude and Sound The inclusion of headphones on the figure adds a distinct conceptual layer. Music, often a refuge for emotional clarity, is symbolized here not just as entertainment but as isolation and self-containment. In urban environments saturated with noise, the figure’s detachment becomes a form of resistance. The bear does not perform. It listens. It withdraws. The still posture, minimalist features, and grayscale aesthetic form a commentary on loneliness, reflection, and the human impulse to seek peace in sonic retreat. This sculpture encapsulates how graffiti pop street art can address inner conflict using commercial materials and stylized characters. A Collectible Embedded with Narrative This 2024 vinyl sculpture is not only a collectible but a commentary on the weight of stillness in a fast-moving culture. As with other works in the Low Fidelity series, this edition turns the act of listening into a meditative act. The figure’s oversized black hoodie serves as a shell, while the headphones act as a barrier from the world. This object exemplifies how Luke Chueh uses toy design as a platform for expressive storytelling within the framework of Street Pop Art & Graffiti Artwork. Each sculpture, stamped and presented in its box, carries the unmistakable presence of the artist’s vision—a blend of melancholy, humor, and minimalist precision. Chueh's bear is not simply an icon of modern collectible culture; it is a reflection of contemporary emotion made tangible.

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Hendrix- Silver Limited Edition 5-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Mr Brainwash- Thierry Guetta Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of 70 Artwork Size 22.5x30 Artist: Mr. Brainwash Title: Hendrix (Silver) Year: 2015 Dimensions: 30in. by 22.5. Edition: From a limited edition of 70 Medium: Color screenprint on hand torn archival paper. Condition: Excellent Signature Details: Hand signed and thumb printed

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Phish Stilt Building Windmill 3-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited Edition of 50 Artwork Size 18x24 From A Series Used on Phish Posters

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The Devil Likes Lo/Fi Low Fidelity Music Bear Vinyl Art Toy by Luke Chueh Limited Edition Collectible Sculpture Figure Fine Artwork by Graffiti Pop Street Artist. 2024 Limited Edition of 300 Artwork Size 4x7 New In Box Stamped Vinyl Fine Art Toy Figure Sculpture of Devil Bear in Hoodie and Headphones Chilling. The Devil Likes Lo/Fi by Luke Chueh: A Vinyl Meditation on Mood in Street Pop Art & Graffiti Artwork The Devil Likes Lo/Fi is a 2024 limited edition vinyl art toy by artist Luke Chueh, issued in a run of 300 pieces. Standing 7 inches tall and 4 inches wide, the figure features Chueh’s unmistakable bear character reimagined in fiery red, wearing a black hoodie emblazoned with a devil dog graphic and the word Possessed, paired with oversized headphones. This fine art sculpture arrives boxed in a custom-designed display package that mirrors the figure's brooding silhouette and subdued posture. With hands tucked into his hoodie and a stare that reflects both intensity and introspection, the figure taps into the emotional atmosphere of lo-fi culture while grounding itself within the visual and philosophical framework of Street Pop Art & Graffiti Artwork. Design, Posture, and Attitude in Chueh’s Devil Bear The character in The Devil Likes Lo/Fi is calm yet emotionally heavy, caught in a moment of isolation that feels deeply familiar. The bear’s red vinyl body symbolizes temptation, rebellion, and discomfort, softened by the relaxed shape of the hoodie and the universal symbol of personal space: a pair of headphones. The blend of casual clothing and stark character design echoes themes of disconnection and inner retreat. The simple black-on-red contrast and minimalist sculpting highlight Chueh’s commitment to emotional clarity over complexity. This figure is not about narrative—it is about presence. It radiates the feeling of being alone but not lost, withdrawn but still engaged with the quiet rhythm of low fidelity music and thought. In this sense, the toy embodies the kind of inner-world expression that defines Street Pop Art & Graffiti Artwork, using iconography and stylization to communicate deeper emotional truths. Luke Chueh’s Expanding Universe of Emotional Objects Luke Chueh, based in Los Angeles, continues to be one of the most compelling figures in modern designer toy culture and Street Pop Art & Graffiti Artwork. His ability to distill complex emotional experiences into deceptively simple characters has established him as both a visual storyteller and a sculptor of silence. The Devil Likes Lo/Fi is a continuation of Chueh’s exploration into mood, perception, and the aesthetics of withdrawal. With subtle design cues and an emphasis on posture over expression, this piece joins a long lineage of bears and devils used by Chueh to externalize the internal. His work transforms pop figures into cultural touchstones for psychological reflection, and with this edition, he brings contemporary audio culture into conversation with his ongoing visual language of melancholy and solitude. Collectibility and Conceptual Resonance in Street Pop Art Form As a limited edition of 300, The Devil Likes Lo/Fi functions not only as a collectible but also as a sculptural reflection on modern emotional states. The figure's stillness, the headphone motif, and its choice of color all reinforce its narrative of personal space, lo-fi rhythm, and quiet rebellion. Packaged with precision and conceptually bound by Chueh’s visual language, this figure stands out as a meditation on being present without performance. Its small scale amplifies its message, embodying the idea that meaningful expression often comes not through loudness, but through controlled, crafted subtlety. In the broader context of Street Pop Art & Graffiti Artwork, this sculpture is a physical playlist of emotion—rendered in vinyl, wrapped in symbolism, and waiting to be understood in silence.

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Modest Mouse- Orlando 2014 Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Fugscreens. 2014 Numbered Limited Edition Artwork Size 18x24 Modest Mouse Music Band, Orlando FL 2014 Beacham Theater. Modest Mouse, Orlando, Flordia, 2014, Beacham Theater, Music, Walkman, Cassette Tape, Band Modest Mouse Orlando 2014 Music Limited Edition Gig Poster by Fugscreens The Modest Mouse Orlando 2014 gig poster by Fugscreens is a striking example of how street pop art & graffiti artwork can merge with music culture to create a visually compelling and collectible piece. This hand-pulled silkscreen print was designed to commemorate the band’s performance at the Beacham Theater in Orlando, Florida. Produced in a limited edition and numbered, this 18x24-inch artwork captures the nostalgia and energy associated with both Modest Mouse’s music and the aesthetic of analog-era sound. The careful craftsmanship of the print, combined with its raw and textural feel, makes it a standout piece in both the world of gig posters and modern street pop art. The Artistic Style and Composition of the Gig Poster Fugscreens’ design for this poster is both minimalistic and deeply evocative, using a limited color palette and bold outlines to create a sense of vintage authenticity. The central image features an old-school Walkman cassette player and a pair of headphones resting on a textured surface. The device itself carries the label Orlando, grounding the piece in its specific concert location while also evoking the personal and intimate nature of listening to music on cassette. The composition places heavy emphasis on nostalgia, making it feel like a snapshot from an era when music was deeply personal and portable in a tangible way. The typography used for Modest Mouse is organic and hand-drawn, with a rough, textured quality that mirrors the do-it-yourself aesthetic of street pop art & graffiti artwork. The uneven, hand-rendered lettering reinforces the raw and unpolished ethos that has always defined Modest Mouse’s sound. The print’s frame, made of thick, uneven lines, gives the illusion of a worn-out music poster, further emphasizing the theme of analog culture and imperfection as an artistic choice. Music and Nostalgia in Street Pop Art & Graffiti Artwork Street pop art & graffiti artwork often draws on themes of nostalgia, repurposing images of outdated technology and cultural artifacts to evoke emotional connections with the past. This gig poster does precisely that, using a Walkman as its centerpiece to reference a time when physical media shaped music consumption. The tactile nature of silkscreen printing enhances this effect, giving the artwork a physical depth that echoes the texture of old album covers and worn-out cassette cases. The sense of impermanence that comes with gig posters and street art is also reflected here, as these prints exist as a momentary documentation of a specific event, much like how street art often responds to a fleeting moment in time. Fugscreens’ work aligns with the ethos of gig posters that have long been associated with underground music scenes and independent artistry. Like street artists tagging walls with unique designs, gig poster artists create one-of-a-kind visuals that both promote and commemorate live performances. The direct, almost hand-made quality of this print ties it back to the roots of punk, indie rock, and alternative music, where visuals play just as big a role in shaping a band’s identity as their sound does. The Impact and Collectibility of the Limited Edition Silkscreen Print As a numbered limited edition piece, the Modest Mouse Orlando 2014 gig poster carries a sense of exclusivity that enhances its desirability among collectors. The 18x24-inch format makes it a substantial yet easily displayable artwork, perfect for music lovers who appreciate the intersection of street pop art & graffiti artwork with music culture. The hand-pulled silkscreen process adds another layer of authenticity, as each print contains slight variations, making every piece unique. Fugscreens has a reputation for blending urban aesthetics with detailed screenprinting techniques, and this poster is no exception. The merging of music history, personal nostalgia, and a distinctly handmade approach make this print more than just a concert souvenir—it becomes an artistic statement. The continued appreciation for gig posters as an art form ensures that works like this remain culturally significant, capturing moments in music history while embracing the raw, expressive qualities of street pop art & graffiti artwork.

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Metallica Helping Hands Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2024 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print Featuring a Skull Flower For the Mega Rock bands Metallica, Sammy Hagar & Sistastrings "Metallica recently asked me to create the poster for their Helping Hands concert. Of course, I said yes because Metallica is one of my favorite bands and the tightest live band I have ever seen! Plus, the concert benefits some great causes. This print celebrates triumph over adversity while acknowledging that life is fragile and it’s in our hands to build the world we want for ourselves and our brothers and sisters." -Shepard Fairey- OBEY Metallica Helping Hands Silkscreen Print by Shepard Fairey - OBEY Shepard Fairey’s Metallica Helping Hands silkscreen print fuses raw rock iconography with the sharply tuned visual philosophy of Street Pop Art & Graffiti Artwork. Created for Metallica’s December 13th, 2024 concert at the YouTube Theater in Los Angeles, the artwork stands as both a promotional and cultural artifact—one that reinforces Fairey’s unique position at the nexus of music, politics, and visual rebellion. This limited edition, hand-pulled silkscreen print on 18x24 inch cream Speckletone paper is not only signed and numbered by Fairey himself, but also issued in a strict run of 500 copies, elevating its stature as both a collectible and a testament to contemporary poster art. Design Symbolism and Visual Impact The composition centers around a stark white hand clutching a stylized flower whose petals subtly morph into a skull motif, with the flower’s stem winding in a way that evokes both delicacy and defiance. This emblem, rendered in bold reds, blacks, and whites, signals duality—life and death, fragility and force, compassion and rebellion. The deliberate contrast between the flower’s soft curves and the jagged lines of the skull mirrors the complex ethos of Metallica’s music, where heavy riffs often meet introspective lyrics. Fairey’s hallmark typography and symmetrical layout deliver the immediacy and intensity familiar in his most iconic works, extending the print’s resonance far beyond mere merchandise. Metallica and the Culture of Amplified Resistance Metallica’s presence in pop culture transcends heavy metal. Their brand of amplified resistance, sharpened through decades of visual, sonic, and lyrical output, fits naturally into the framework of Street Pop Art. Fairey’s poster positions the band not just as musicians, but as cultural avatars whose artistic collaborations hold weight in the visual conversation around social change. By visually contextualizing the concert’s philanthropic mission—benefiting Metallica’s All Within My Hands Foundation—Fairey presents rock music not just as expression but as action, and art as an extension of that impact. Shepard Fairey’s Role in Street Pop Art & Graffiti Artwork Fairey’s artistic lineage is defined by disruption, clarity of message, and the subversive use of commercial aesthetics to question power structures. In this print, he leverages those core traits while paying homage to a band whose legacy aligns with his own. The print maintains the stylistic elements synonymous with Fairey’s OBEY imprint—sharp silhouettes, geometric precision, and symbolic weight—while also introducing a warmth and sentimentality not always seen in his politically charged works. The image of the skull flower, set against the backdrop of a performance by Metallica, Sammy Hagar, and Sistastrings, becomes a modern-day reliquary—a symbol of unity through sound, protest, and design. This piece not only enshrines a single event but expands its reach into the broader discourse of art activism, making it a defining example of what happens when two cultural juggernauts—Shepard Fairey and Metallica—merge on canvas within the framework of Street Pop Art & Graffiti Artwork.

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Reverend Horton Heat Tenderloin Twang Rang Hi-Fi 1994 Chicago IL Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1994 Signed by Kozik & Numbered Limited Edition of 500 Artwork Size 22x18 Silkscreen Print Band Gig Poster by Frank Kozik. Reverend Horton Heat Tenderloin Twang Rang Hi-Fi Road Burners Metro Chicago, Illinois 9-17-1994 The "Reverend Horton Heat Tenderloin Twang Rang Hi-Fi 1994 Chicago IL" silkscreen print is a vibrant representation of the intersection where music meets visual art, crafted by the renowned artist Frank Kozik. Dated in 1994, this limited edition piece, with only 500 signed and numbered prints, captures the essence of the concert gig poster with a distinct pop art flair. Measuring 22x18 inches, it was created to promote a live music event on September 17, 1994, featuring the Reverend Horton Heat alongside Tenderloin and Twang Rang Hi-Fi Road Burners at the Metro in Chicago, Illinois. Kozik's use of bold colors and a cartoonish fox wearing a cowboy hat embodies the energy and eccentricity of the bands, particularly the headlining psychobilly band known for its lively and raucous performances. This artwork is more than a mere announcement of an event; it is a piece of history, a testament to the culture of the mid-90s, and a collector's item for enthusiasts of music, pop art, and street art alike. Frank Kozik's style is evident in the poster's design, which features thick outlines, flat areas of color, and an absence of shading reminiscent of comic book art—a hallmark of Kozik's work. Such posters are not only advertisements but also artifacts of cultural significance. They represent a time when street art was becoming increasingly recognized as a legitimate art form, blurring the lines between the highbrow and the accessible, the elite and the streetwise. These prints also speak to the nature of street art's fleeting existence. While street art is often temporary, subject to the whims of weather and the ever-changing urban landscape, silkscreen prints like this capture ephemeral quality and preserve it in a form that can be collected, traded, and displayed. Kozik's work, especially this print, serves as a physical snapshot of the street art movement as it began to infiltrate and influence the broader pop culture, reflecting a time when the underground started to surface and claim space on the walls of fans and collectors worldwide.

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The Double Neck Bros Archival Print by Dr Revolt Limited Edition on 300gsm Moab Entrada Pop Graffiti Street Artist Modern Artwork. 2025 Signed & Numbered Print Limited Edition of 50 Artwork Size 17.5x24 Archival Pigment Fine Art  The Double Neck Bros by Dr. Revolt The Double Neck Bros is a 2025 limited edition archival pigment print by Dr. Revolt, released as a signed and numbered edition of just 50. Printed on 300gsm Moab Entrada fine art paper, the artwork measures 17.5 x 24 inches and showcases Dr. Revolt’s unmistakable fusion of graffiti culture, music iconography, and layered urban storytelling. The piece features two spray-can-headed figures sharing a double-neck electric guitar, set against a richly detailed New York City subway map background. Graffiti, Music, and the Language of the City At the center of the composition, the double-neck guitar acts as both a visual anchor and a metaphor for collaboration, excess, and creative ambition. The figures’ raised hands echo the energy of live performance, while the aerosol can heads root the piece firmly in graffiti culture. The subway map beneath the figures functions as a living grid of movement, influence, and connection, reinforcing the idea of the city as both instrument and stage. Dr. Revolt’s bold color palette, sharp outlines, and layered textures give the print a sense of motion and volume that feels loud, electric, and unapologetically urban. Limited Edition Street Art with Rock-and-Roll Attitude The Double Neck Bros captures the spirit of modern graffiti as a multidisciplinary art form, where street art, music, and city infrastructure collide. With its small edition size, hand signature, and detailed execution, the print stands as a collectible statement piece that reflects Dr. Revolt’s deep roots in graffiti while celebrating the raw, rebellious energy of rock culture. It’s a vivid tribute to creative partnership, amplified expression, and the soundtrack of the streets.

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Prince Giclee Print by Adam Lister Artwork Limited Edition Print on 300gsm Hot Press Matte Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 8x10 The Prince Giclee Print by Adam Lister serves as a testament to the artist's innovative perspective in the world of pop art, merging elements of street and graffiti art. Lister's print, a homage to the iconic musician Prince, is imbued with the spirit of the legendary pop star. The 8-bit art style for which Lister is renowned has revolutionized the contemporary art scene, turning classic figures into intricate pixel-like compositions. His unique style is inspired by the early graphic aesthetics of computer and video game culture, thus tapping into an element of nostalgia for viewers. A remarkable facet of the Prince Giclee Print lies in its multi-dimensionality that captures the essence of graffiti and street art. The piece retains the spontaneity and vibrancy inherent to these art forms. Even though his work is meticulously planned and executed, the final output mirrors the raw energy and liveliness found on the streets. Lister's usage of watercolor to execute his geometric representations introduces an element of unpredictability, something graffiti art shares. The watercolor bleeds and diffuses, its organic unpredictability contrasting the sharp, calculated angles of his 8-bit renditions, adding depth to the otherwise flat digital aesthetic. Adam Lister's Prince Giclee Print is therefore a visual melting pot of pop, street, and graffiti art. It showcases an amalgamation of pop culture icons, nostalgic pixelated imagery, and elements of street art, ultimately contributing a unique dimension to the contemporary art scene. This work continues to resonate with enthusiasts of pop, street, and graffiti art, reinforcing Lister's position as a pivotal figure within these artistic movements.

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Rollins Capitalism- Signed by Henry Rollins 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed by Henry Rollins, Signed & Numbered Screen Print ROLLINS CAPITALISM Screen Print 18 x 24 inches Edition of 1200 August 28, 2012 Henry Rollins has been a hero of mine since I got into Black Flag in 1984. Henry is a role model in his amazing taste and output in music, his political engagement, his monumental work ethic, and his social consciousness. Henry tours a ton and stays very aware of the world. Back before the 2008 recession started, Henry had an editorial segment on his TV show where he said “the president says the fundamentals of the economy are strong…I say start learning Chinese”. Henry’s new tour is called CAPITALISM and I’m sure he will have a lot of wise, funny, and maybe prophetic things to say. I was given the honor by Henry of illustrating his concept for the tour, him as a beaten-down Uncle Sam. I have a few of the prints available on my site signed by both me and Henry. The rest will be available on Henry’s tour which everyone should see. Pick a print up before the American brand of capitalism crumbles under the weight of its own ego. -Shepard Fairey Shepard Fairey Rollins Capitalism 2012 Screen Print Shepard Fairey, born Frank Shepard Fairey in the United States, created the Rollins Capitalism screen print in 2012 as a collaboration with Henry Rollins, the American musician, writer, and former Black Flag frontman who joined the band in 1981. This 18 x 24 inch two-color hand-pulled silkscreen print on fine Speckletone art paper was released in a signed and numbered edition of 1200 on August 28, 2012, with select examples signed by both Fairey and Rollins. The work was produced to coincide with Rollins’ Capitalism tour and reflects Fairey’s long-standing engagement with political messaging through Street Pop Art & Graffiti Artwork. Known for his disciplined graphic approach and activist-driven themes, Fairey used this collaboration to merge Rollins’ outspoken social commentary with his own iconic visual strategies rooted in poster culture and urban art traditions. Visual Symbolism and Political Commentary in Street Pop Art & Graffiti Artwork The composition reinterprets the historic Uncle Sam recruitment poster, replacing the traditional patriotic figure with a stylized portrait of Henry Rollins rendered in a limited red, cream, and dark blue palette. Rollins points directly outward in a confrontational gesture, echoing early twentieth-century propaganda design while shifting the tone toward critique rather than recruitment. The cracked dollar symbol on the chest and the bold CAPITALISM text at the bottom reinforce the print’s focus on economic instability and cultural strain in the years following the 2008 financial crisis. Fairey’s use of sharp contrasts, heavy linework, and simplified color blocking reflects the graphic clarity that defines much of his Street Pop Art & Graffiti Artwork, drawing from constructivist influences, punk aesthetics, and wheatpaste poster traditions that have shaped urban visual culture for decades. Cultural Significance of the Henry Rollins Collaboration Henry Rollins has long been recognized for his rigorous touring schedule, political engagement, and outspoken commentary on social and economic issues, and this print visually amplifies those attributes through the language of Street Pop Art & Graffiti Artwork. Fairey publicly expressed admiration for Rollins’ work ethic and social consciousness, noting that the image depicts Rollins as a worn and battle-tested Uncle Sam figure, symbolizing a critical examination of American capitalism rather than blind allegiance to it. As a signed and numbered limited edition, the Rollins Capitalism screen print holds importance not only as a collectible work but also as documentation of a moment when music, activism, and graphic art converged in a sharply focused political statement.

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1919- Pelican Tombs- Pennsylvania 2009 Music Limited Edition Gig Poster 4-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Justin Anville. 2019 Signed & Numbered Limited Edition Gig Music Poster Artwork Size 18x24. 919, Pelican Tombs, Music, Event, Theatre of Living Arts, Philadelphia, Pennsylvania, June 3rd 2009, Live Nation The Synthesis of Music and Street Pop Art The convergence of music and visual arts often produces memorabilia that transcends the moment of its creation, embedding itself in the cultural fabric of a time and place. Such is the case with the limited edition gig poster for the event featuring "1919" and "Pelican Tombs" held at the Theatre of Living Arts in Philadelphia, Pennsylvania, on June 3rd, 2009. This striking piece of street pop art and graffiti artwork is a celebration of both the bands and the evocative power of graphic design within the realm of music. This limited edition gig poster is more than just a promotional tool; it is a collectible artwork that reflects the vibrancy and raw energy of the musical acts it represents. Created by the artist Justin Anville, the print is a four-color, hand-pulled silkscreen on fine art paper, a technique that lends the artwork a tactile quality that is both immediate and engaging. The choice of silkscreen printing, a favored method in both street art and pop art for its bold colors and sharp lines, allows the piece to stand out with a visual pop that mirrors the intensity of the live music experience. Visual Elements and Artistic Significance The artwork commands attention with its intricate design and contrasting color palette, which features a dominant red against a backdrop of more subdued tones. At the center, the stylized numerals "1919" are prominently displayed, intertwined with symbolic imagery that suggests a narrative extending beyond the bands' names. This typographic treatment is reminiscent of graffiti art, where letters become an integral part of the visual impact, often carrying meaning in their form as much as in their content. Cultural Imprint of the 2009 Event Poster Limited to a signed and numbered edition, the poster carries with it an aura of exclusivity. Measuring 18x24 inches, it is a sizable piece that was designed to be noticed, to be a talking point, and ultimately, to be remembered. As a piece of memorabilia, it serves as a timestamp, capturing the cultural zeitgeist of the late 2000s Philadelphia music scene, a period marked by a resurgence in indie and alternative genres. The inclusion of the Live Nation brand also signifies the commercial and mainstream acknowledgment of the genres and bands, hinting at their movement from the fringes into the spotlight. The Legacy of Gig Posters in Street Pop Art The significance of gig posters like this one extends beyond the night of the event itself. They are artifacts of cultural history, capturing the essence of musical movements and the artistic styles that accompany them. In the broader context of street pop art and graffiti artwork, gig posters are often the crossroads where music and visual art fans meet, share, and appreciate the interplay between these forms of expression. This particular poster, with its bold aesthetic and connection to a specific time and place, is a perfect illustration of how street art and music can come together to create something enduring. In the ever-evolving dialogue between music and visual arts, the 2009 limited edition gig poster for "1919" and "Pelican Tombs" stands as a testament to the power of this collaboration. It is not just a promotional item; it is a snapshot of a scene, a piece of street pop art, and a collectible that holds within its inks and paper the echoes of a night of music and the spirit of its time.

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Marvin Berry and the Starlighters 1.21 Gigawatts Limited Edition Giclee Print on Fine Art Paper by Robin Boyden counter-culture street artist art. New Rule collective presents, 1.21 GIGAWATTS, an illustrated tribute to the classic movie trilogy Back To The Future! The classic tale of young Marty McFly and Doc Brown as they haphazardly travel through the space-time continuum inspired a generation of sci-fi and time travel fanatics around the world, and still stands up as a defining piece of cinema from the 80s.

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Smokey Robinson- Red 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed by Fairey & legendary music artist Smokey Robinson. Screen Print 18 x 24 inches Edition of 450 2010 "I was amazed when Smokey contacted me to do a portrait to commemorate his 50 years in the music business, and a little nostalgic at the thought of his impact on me as a kid. Smokey came into the studio to hang out and sign them. He's a really nice, upbeat guy who has a real lust for life, maybe that's why he looks like he hasn't aged in 30 years. Believe it or not, Smokey signed every single print with his very beautiful and painstaking signature. It's worth picking up a print for that alone. Mention the name Smokey Robinson and the first thing that automatically comes to mind is Motown. It's understandable given that it was Robinson's hits, first as the leader of the Miracles, and then later as a solo artist that propelled the famed label during the 60s." -Shepard Fairey

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Red Hot Chili Peppers Primus 1989 Fillmore Silkscreen San Francisco CA Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1989 Kozik Artwork Size 13x19 Silkscreen Print Band Gig Poster by Frank Kozik. Bill Graham San Francisco The Fillmore Poster F115 Red Hot Chili Peppers Mary's Danish Primus September 15 16, 1989 Red Hot Chili Peppers Primus 1989 Fillmore Silkscreen Print by Frank Kozik The Red Hot Chili Peppers Primus 1989 Fillmore silkscreen print by Frank Kozik is an iconic piece of Street Pop Art & Graffiti Artwork that embodies the rebellious energy of late 1980s underground music and poster culture. Created for the Red Hot Chili Peppers' performance at the legendary Fillmore in San Francisco, this 13x19-inch hand-pulled silkscreen print was commissioned as part of the Bill Graham Presents concert series. Featuring bold colors, surrealist imagery, and an unmistakable punk aesthetic, this piece captures the raw intensity of the era’s alternative rock movement. The inclusion of supporting acts Primus and Mary’s Danish further cements its significance as a relic of an explosive time in live music history. Visual Composition and Artistic Style Frank Kozik’s artistic style is instantly recognizable in this print, with its bold neon hues, high-contrast linework, and provocative subject matter. The composition features a flaming skeleton with an exaggerated grin, clad in a polka-dotted bikini bottom, with its tongue out in a defiant gesture. The presence of a stylized, curvy female figure in the background adds a surreal, almost psychedelic touch, reinforcing the wild, chaotic energy associated with the Red Hot Chili Peppers' music. The background consists of swirling patterns in bright pink and purple, creating a hypnotic effect that draws the viewer into the image. The heavy use of black outlines and exaggerated cartoonish elements reflect Kozik’s influence from underground comics, skate culture, and punk zine aesthetics. The typography follows a classic gig poster format, with large block lettering announcing the headlining act in bright pink against a dark background, while additional text in cyan provides details of the event. This mix of playful, irreverent imagery and structured design highlights Kozik’s mastery in blending controlled chaos with striking visual appeal. Street Pop Art & Graffiti Artwork Influence Frank Kozik’s work stands at the crossroads of Street Pop Art & Graffiti Artwork, merging countercultural aesthetics with fine art printmaking techniques. The poster's aggressive, high-contrast design is reminiscent of graffiti stencils, while the hand-pulled silkscreen process ensures that each print carries a unique, raw texture. The exaggerated punk-inspired figures, combined with psychedelic color palettes, align with the visual language found in 1980s street art and underground concert promotion. This piece reflects the DIY spirit of gig poster culture, where artists crafted promotional artwork that doubled as collectible art. Kozik’s ability to merge lowbrow sensibilities with high-impact design has made his prints some of the most sought-after in the gig poster scene. His background in self-published artwork and street-level design tactics translates into compositions that feel alive, rebellious, and unfiltered. Collectibility and Cultural Impact As an official Fillmore poster, this silkscreen print holds immense historical and artistic value. The late 1980s were a defining era for the Red Hot Chili Peppers, as they blended funk, punk, and rock to create a sound that would later dominate alternative music. The collaboration with Primus, a band equally known for its genre-defying sound, adds to the poster’s significance as a symbol of musical innovation. Frank Kozik’s gig posters have become highly collectible, with limited-edition prints from this era commanding high demand among both art collectors and music fans. The handcrafted nature of the silkscreen process ensures that each piece has its own unique character, reinforcing the authenticity and individuality of the work. Kozik’s influence continues to shape modern poster design, and this print remains a testament to his ability to translate the raw energy of live music into visually arresting artwork. This piece is not just a concert advertisement; it is a statement of the era, an artifact of underground culture, and a masterpiece within the world of Street Pop Art & Graffiti Artwork.

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Heat Wave Lemonade HPM Stencil Spray Paint Silkscreen by Faile Hand-Painted Multiple on Fine Art Paper Unique Graffiti Street Artist Modern Pop Art. 2023 Signed & Numbered Edition of 12 HPM Unique Acrylic Spray Paint Silkscreen Artwork Size 25x38 Drawing from the vibrant energy of New York City's golden age of hip-hop and the high-octane drama of vintage wrestling, with a quintessential FAILE flair, the Lemonade Heat Wave Print emerges as a joyful embodiment of summer revelry. This unique work of art encapsulates the spirit of warm, carefree summer days in a stunning blend of mediums. The creative journey that led to this vibrant masterpiece spanned a period of about six weeks, during which each print was meticulously crafted by hand. This artistic process involved painting, rolling, spraying, printing, and even blowing each print dry. The painstaking care and detailed attention invested in each step are evident in the final product, capturing an array of beautiful studio nuances. The Lemonade Heat Wave Print is impressive in size, measuring 25 x 38 inches. This limited edition print is an exclusive offering, with only 12 unique pieces created. Employing a diverse mix of mediums, the print combines the vivid hues of acrylic paints with the textures of silkscreen ink and the edge of spray paint on paper. The tactile quality of the print is further enhanced by an embossed finish. Each print is authenticated with a signature and numbered, indicating its place in this exclusive series. As a product of FAILE in 2023, the Lemonade Heat Wave Print carries with it the distinctive stamp of the celebrated art collective. This unique blend of mediums and styles showcases the diverse influences and creative energy of FAILE, making it a standout piece in any art collection. Faile, a collective of two artists hailing from the U.S., namely Patrick McNeil and Patrick Miller, has carved a unique niche in the domain of pop art, street art, and graffiti. Emerging from the gritty skate culture of New York City in the late 90s, Faile quickly rose to global prominence, redefining the visual aesthetics and thematic boundaries of urban artistic expressions. The duo's art is celebrated for its fusion of contemporary pop culture iconography, elements of comic strips, advertising imagery, and sharp socio-political commentary. Their works, often in the form of large scale mural installations, present a kaleidoscopic blend of color, patterns, and text, creating visually engaging narratives. The pop art elements, characterized by bold outlines and vibrant colors, are reminiscent of the legendary pop artist, Andy Warhol, while retaining their distinct Faile aesthetic. The signature elements of their style pay homage to the classic era of comic book art, advertising, and pulp fiction cover designs. As street artists, Faile displays a keen understanding of their environment, integrating their works into the urban landscape with a blend of irreverence and respect. Their techniques often include wheat pasting and stencil graffiti, presenting an intriguing contrast between ephemeral street art traditions and the permanence of their themes. Faile's graffiti art is a testament to their dedication to the medium's rebellious roots. Their pieces, marked by layered visuals and cryptic messages, embody the essence of graffiti as a form of unsanctioned public discourse. This art, rooted in the streets but transcending its confines, resonates in galleries, museums, and art auctions worldwide, demonstrating Faile's versatile appeal and substantial contribution to pop art, street art, and graffiti.

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Good To See You Henry Rollins 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckletone Fine Art Paperby Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed & Numbered Limited Edition of 250 Artwork Size 18x24 Silkscreen Print by Shepard Fairey- OBEY "My good friend Henry Rollins is on his “Good to See You” spoken word tour that kicked off earlier this year. I’ve collaborated with Henry many times. I’m constantly in awe and impressed by him. He is the hardest-working guy I know and stays up on social and political issues. I’m excited that he is on the road again and honored to design his 2022 tour art. The posters are available to purchase on his tour if you see him on the upcoming dates, signed by Henry and me." -Shepard Fairey

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Treepeople 7-Year Bitch Gnome Nubbin 1992 Seattle WA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1992 Signed by Kozik & Numbered Limited Edition of 250 Artwork Size 11x35 Silkscreen Print Band Gig Poster by Frank Kozik. Treepeople 7 Year Bitch Gnome Nubbin RKCNDY Seattle Washington 5-15-1992 In the vibrant landscape of early 90s pop culture, Frank Kozik's "Treepeople 7-Year Bitch Gnome Nubbin" silkscreen print emerges as a vivid artifact of the era's music scene, particularly that of Seattle, Washington. Dated May 15, 1992, and designed for a concert at the now-legendary venue RKCNDY, the poster represents a visual symphony of the zeitgeist, highlighting the grit and raw energy that defined the grunge movement. This hand-pulled print on fine art paper is a limited edition, with Kozik signing and numbering each of the 250 pieces, underscoring the exclusivity and cultural value of the work. With its size stretching to an impressive 11x35 inches, the artwork presents a striking design that embodies the anarchic spirit associated with Kozik's work and the music of the featured bands—Treepeople, 7 Year Bitch, Gnome, and Nubbin. The central figure in the print is a clown-like character, a recurring motif in Kozik's work, which often blends the grotesque with the whimsical. The figure's exaggerated features and the explosion of colors around it create a sense of celebration and parody, a duality that often permeates street art. Such pieces are more than mere promotional items; they are snapshots of a cultural moment. They reflect the aesthetic and ethos of the underground music scenes of the time, where the visual art was as much a part of the experience as the music itself. Kozik's prints, like this one, connect the energy of live performances with the tangible world of art collecting, offering fans a piece of history that encapsulates the sound, mood, and rebellion of the period. The poster's inclusion in the annals of pop, street, and graffiti art is undeniable. It captures the do-it-yourself essence and the anti-establishment stance that the visual and musical arts expressed during the early nineties. For collectors and enthusiasts alike, it stands not just as a piece of memorabilia but as a symbolic work that continues to influence the aesthetic trajectories of street and pop art to this day.

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Jane's Addiction El Cinco De Mayo- 2010 Rock Music Event Limited Edition 2-Color Silkscreen Gig Poster Glossy Weatherproof Cardstock by MFG- Matt Goldman Max Goldman. This poster was designed for Jane's Addiction secret show at Bardot in Hollywood on May 5, 2010. The Cinco de Mayo celebration also unveiled their new bassist: Duff McKagan from Guns 'n' Roses and Velvet Revolver. A total of 250 yellow/black posters were printed and entirely handed out at the show. We set aside 50 and they are only available here. These were printed by the venerable and now-defunct Colby Printing Company in Downtown LA. Colby rose to contemporary awareness during a series of their work featured at MOCA's Geffen Contemporary. 22 x 28 inches Screen Print Black, Fluorescent Yellow Glossy Weatherproof Cardstock Printed by Colby Poster Printing Company Limited Edition of 250 Signed and Numbered by MFG- Matt Goldman

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Island Of Aladdin Sane PP Printer Proof Archival Print by Scott Listfield Limited Edition Print on 290gsm Moab Entrada Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2019 Signed & Marked PP Limited Edition Artwork Size 15x12 Archival Pigment Fine Art Scott Listfield's "Island Of Aladdin Sane" "Island Of Aladdin Sane" by Scott Listfield is a limited edition archival print that interweaves pop culture imagery with the enigmatic presence of his astronaut subject. As a Printer's Proof from 2019, signed and distinctly marked, this artwork captures a moment of contemplation, featuring the astronaut gazing upon the iconic visage of David Bowie's Aladdin Sane character etched into a solitary island. Printed on 290gsm Moab Entrada fine art paper, the piece measures 15x12 inches, and its limited availability adds to its collectibility and significance as a modern artwork within pop, street, and graffiti art.

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Hot Buttered Rum Music Limited Edition Gig Poster 4-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by John Vogl for band Hot Buttered Rum. "You never should have a finished idea in your head. Staring at a blank page is the worst thing you can do—start with anything and just keep letting it evolve.”- John Vogl

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Chain & The Gang- Elks Lodge 2010 Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art. Elks Lodge. October 7th 2010 Featuring Chain & The Gang, Danny and the Darleans, Richie Are The Whip, DJ Forest.

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Jim Morrison's Doors, an Original Mixed Media Acrylic Painting by Bobby Hill, a Kind of Artwork on Fine Art Paper by a Street Art Pop Artist. 2010 Signed Mixed Media Acrylic Spray Paint Painting Original Artwork Size 14x22 Matted on Board 20.5x29 Artwork Size 14x22 Capturing the spirit of the legendary frontman of The Doors, Jim Morrison, artist Bobby Hill delivers a powerful mixed-media acrylic painting street art's raw intensity with the vibrant poppaletteettep art. Created in 2010, this original piecombinesher acrylic and spray paint techniques onto fine art paper, resulting in a visual experience as enigmatic as Morrison's persona. The artwork is 14x22 inches and matted on board to 20.5x29 inches, the piece is a substantial tribute that harmoniously fits within the collector's space and the gallery wall. Hill's portrayal of Morrison is not just a link but is an echo of the singer's influence, with every brushstroke and spray of paint adding to a narrative as layered as the music Morrison left behind. The vivid colors and the way they overlay and interact with each other reflect the complexity of Morrison's character and his legacy, resonating with fans and art lovers alike. Signed by the artist, this one-of-a-kind artwork carries the authentic flair that one would expect from a piece inspired by one of rock's most iconic figures. In this creation, Bobby Hill has successfully married the spontaneity and defiance of street art with the iconic, bold imagery characteristic of pop art. This piece does not merely showcase Jim Morrison's image but instead communicates a larger story about the impact of a cultural icon. It is a manifestation of how street art and pop art can cross paths to produce something that is not only visually striking but also emotionally stirring. The legacy of Morrison is thus perpetuated through this contemporary artistic lens, inviting viewers to explore the depths beneath the celebrity's surface. This painting by Bobby Hill serves as a testament to the enduring nature of Jim Morrison's influence, capturing the essence of his spirit in a way that continues to speak to the rebellious, the dreamers, and those who find beauty in the unconventional. It's a piece that, much like Morrison's own life, challenges the norm and invites more profound contemplation, mirroring the complexities of the human experience through street and pop art.

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Hellacopters 1998 AP Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 1998 Signed by Kozik & Numbered Limited Edition of AP 50 Artwork Size VERIFY Silkscreen Print Band Gig Poster by Frank Kozik Frank Kozik Hellacopters 1998 Artist Proof Silkscreen Print Frank Kozik, born in Spain in 1962 and active primarily in the United States until his passing in 2023, was a major force in elevating gig posters into respected examples of Street Pop Art & Graffiti Artwork. The Hellacopters 1998 Artist Proof silkscreen print was created to promote the Swedish rock band’s North American release and reflects Kozik’s unmistakable graphic intensity during the late 1990s. This hand-pulled silkscreen on fine art paper was issued as a signed and numbered Artist Proof edition of 50, a smaller subset separate from the standard run and traditionally reserved for the artist. Artist Proof prints are especially valued within Street Pop Art & Graffiti Artwork due to their rarity and their direct connection to the printmaking process, reinforcing the poster’s status as a collectible fine art object rather than disposable promotional material. Skull Iconography and High-Impact Graphic Design The composition centers on a skull framed by crossed mechanical pistons, flanked by bold numerals and engulfed in stylized flames, creating a visual fusion of hot rod culture, heavy rock symbolism, and underground comic aesthetics. The dramatic Hellacopters masthead dominates the upper portion in sharp, flame-like typography, while the phrase Supershitty to the Max anchors the design with aggressive humor characteristic of the band’s identity. Kozik’s use of saturated reds, yellows, blacks, and purples produces a high-contrast layout that commands attention from a distance, a hallmark of effective Street Pop Art & Graffiti Artwork. The clean separations and flat color fields demonstrate disciplined silkscreen craftsmanship, ensuring durability and vibrancy decades after production. Additional promotional text such as Ask for it by name and 100 percent pure rock reinforces the energy of late 1990s rock marketing while remaining visually cohesive within the overall composition. 1990s Gig Poster Movement and Street Pop Art & Graffiti Artwork Legacy By 1998, Frank Kozik had firmly established the limited edition silkscreen gig poster as an important collectible within Street Pop Art & Graffiti Artwork. His work for bands such as The Hellacopters bridged underground music scenes with fine art print culture, helping to legitimize posters as archival works worthy of preservation. The Artist Proof designation further enhances this example’s significance, as such editions typically reflect early pulls from the print run and closer oversight by the artist. Posters like this document a period when rock music, bold graphic experimentation, and hand-crafted silkscreen production converged, shaping the visual identity of alternative culture at the close of the twentieth century.

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Kurt Skull LND Limited Edition Archival Pigment Fine Art Prints on Fine Art Paper by Graffiti Street Art and Pop Culture Artist Joe King. Kurt LND [Legends Never Die] by Joe King Inspired by Kurt Cobain Archival Print Print Edition of 40 | Signed and Numbered by the Artist Size: 11" x 14" From: Long Beach, CA

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Ramones Globe Collectors Deck Set- Foil Fine Art Limited Edition Print on Resin-7 Canadian Maple Skateboard Deck by Famous Punk Artist Bob Gruen. 2022 Edition of 100 4x Ramones Deck Set with Quilter Case including Punk Rock Legends: Joey Ramone, Johnny Ramone, Dee Dee Ramone, Tommy Ramone The Ramones Collector's Set includes four limited edition 8.25" decks, featuring Dee Dee, Tommy, Johnny and Joey Ramone mid-performance at the CBGB’s in 1976, captured by photographer Bob Gruen. Decks are constructed from Resin-7 Canadian maple and come in an embossed and quilted carry case, inspired by the Ramones’ iconic black leather jackets. Display these boards, store them, hang them on your wall, or skate them. Whatever you choose to do, we hope you are as proud of them as we are. Strictly limited to 100 sets globally.

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The Last Card in the Deck- Why? Boston 2013 Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Speckletone Fine Art Paper by James R Eads for Why?. The Last Card in the Deck" is an 18" x 24" three-color screen printed gig poster for WHY?'s June 19th tour date at Brighton Music Hall, Boston, MA. The gig poster is inspired by WHY?'s album Mumps

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Ween Roach Motel- Vermont 2007 Music Limited Edition Gig Poster 2-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Todd Slater. 24 x 32 – 2 color silkscreen – S/N edition of 200 – 2 blends. South Burlington, Vermont November 26 2007 Higher Ground

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Ramones '76 Blotter Paper Print by Tim Page Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2019 Signed & Numbered Limited Edition of XXX Archival Pigment Print on Perforated Blotter Paper Size: 7.5x5 Inches Limited blotter editions are hand-perforated by Zane Kesey. Having a sharp eye for the counterculture movement of the 60s and 70s, Tim Page, a photojournalist and author, managed to capture some of the most striking images of the Vietnam War. Despite being injured in combat on four separate occasions, Page's love for adventure kept him undaunted. He possessed a peculiar personality that inspired Dennis Hopper's character in the renowned film Apocalypse Now. With his intriguing life serving as the subject of numerous documentaries, ten books, and two films, Page even held the role of the UN's Photographic Peace Ambassador in Afghanistan for two years. His recent recognition as one of the "100 Most Influential Photographers of All Time" has cemented his place among the most exceptional artists.

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Cybertronic Spree 2019 Music Limited Edition Gig Poster 8-Color Hand-Pulled Silkscreen on Foil Paper Print Artwork on Fine Art Paper by Tim Doyle for The Cybertronic Spree, Transformers band. Small crease to the extreme left facing lower corner out of the image.

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Happy Bears Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Matt Gordon pop culture LSD artwork. Matt Gordon is a mixed media artist who strives to make well-crafted and highly detailed acrylic paintings and pencil drawings, along with the occasional 3-D fabrication thrown in there to satisfy sculptural needs and to provide live models for things that don't really exist but need to look like they do.

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Interpol NYC Calling Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on White Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2019 Signed & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print "Interpol is one of my favorite bands, and I’ve been lucky enough to collaborate with them throughout the years. My first introduction to them was when I stalked them backstage at Coachella and offered to create art for them if they ever needed it… to my surprise, they knew my work already and decided to take me up on my offer. My first project with Interpol was in 2004, when I created art to follow up their debut album, “Antics.” Ten years later, in 2014, I was approached with another opportunity to create a print and paint a mural for their fifth studio album, “El Pintor.” I’m excited to announce that I’ll be releasing a new print that I created in honor of their upcoming show in New York at Madison Square Garden" -Shepard Fairey- OBEY Interpol NYC Calling Silkscreen Print by Shepard Fairey The Interpol NYC Calling silkscreen print was created by Shepard Fairey (OBEY) in 2019 to commemorate Interpol’s performance at Madison Square Garden in New York City on February 16, 2019. Hand-pulled on white Speckletone fine art paper, the print measures 18 x 24 inches and was released as a signed and numbered limited edition of 550. Bold, graphic, and architecturally precise, the composition reflects both the band’s sharp, atmospheric sound and Fairey’s disciplined visual language rooted in propaganda-era design and modern street art. Visual Language, Geometry, and Sound Made Visible At the center of the composition stands a broadcast tower radiating concentric signal waves, visually translating music into transmission, reach, and resonance. The tower pierces a field of layered geometric forms, including concentric circles, angular blocks, and diagonal striping that create a sense of motion and tension. Fairey’s restrained palette of red, black, white, and teal reinforces the stark, nocturnal mood long associated with Interpol’s identity, while also nodding to Constructivist and Bauhaus influences. The symmetry and precision evoke control and clarity, yet the radiating signal suggests energy, volume, and emotional impact spreading outward from a single source. Context, Collaboration, and Collectibility This print holds particular significance within Shepard Fairey’s body of music-related work, as it reflects a relationship with Interpol that spans more than a decade. From early collaborations tied to Antics to later projects surrounding El Pintor, Fairey’s visual interpretations have consistently aligned with the band’s aesthetic sensibilities. Interpol NYC Calling functions not only as a concert poster, but as a standalone piece of Pop Street Art that bridges music culture and fine art printmaking. For collectors, it represents a convergence of cultural relevance, graphic strength, and historical continuity, capturing a specific moment in both Interpol’s career and Fairey’s ongoing dialogue with music, design, and urban culture.

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