Rock N Roll Music

Curt Wild 73 Tour 2011 Movie Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Pink Fine Art Paper by Jeremy Wheeler. Music group Curt Wild from the movie Velvet Goldmine.

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Rollins Capitalism- Signed by Henry Rollins 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed by Henery Rollins, Signed & Numbered Screen Print ROLLINS CAPITALISM Screen Print 18 x 24 inches Edition of 1200 August 28, 2012 Henry Rollins has been a hero of mine since I got into Black Flag in 1984. Henry is a role model in his amazing taste and output in music, his political engagement, his monumental work ethic, and his social consciousness. Henry tours a ton and stays very aware of the world. Back before the 2008 recession started, Henry had an editorial segment on his TV show where he said “the president says the fundamentals of the economy are strong…I say start learning Chinese”. Henry’s new tour is called CAPITALISM and I’m sure he will have a lot of wise, funny, and maybe prophetic things to say. I was given the honor by Henry of illustrating his concept for the tour, him as a beaten-down Uncle Sam. I have a few of the prints available on my site signed by both me and Henry. The rest will be available on Henry’s tour which everyone should see. Pick a print up before the American brand of capitalism crumbles under the weight of its own ego. -Shepard Fairey

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Cybertronic Spree 2019 Music Limited Edition Gig Poster 8-Color Hand-Pulled Silkscreen on Foil Paper Print Artwork on Fine Art Paper by Tim Doyle for The Cybertronic Spree, Transformers band. Small crease to the extreme left facing lower corner out of the image.

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The Guns of Brixton- Paul Simonon Hand-Pulled 2-Color Silkscreen Print on Cream Speckletone Art Paper by Pop Graffiti Artist Shepard Fairey- Obey x Kate Simon Rare Street Art Limited Edition Artwork. 2011 Signed by Shepard Fairey/Kate Simon & Numbered Limited Edition of 450 Artwork Size 18x24 Small bump crease to upper edge. Shepard Fairey X Kate Simon The Guns of Brixton (Paul Simonon), 2011 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered and dated in pencil along the lower edge Published by Obey Giant, Los Angeles. "The Guns of Brixton" is a song by the British punk rock band The Clash, written by their bassist Paul Simonon. It was featured on their 1979 album, "London Calling." Paul Simonon's artwork has become iconic in its own right, as he has pursued a successful career as an artist since the dissolution of The Clash. Shepard Fairey is a well-known American street artist, graphic designer, and activist, best known for his "OBEY Giant" campaign and the iconic "Hope" poster created for Barack Obama's 2008 presidential campaign. Combining his own artistic style with the legacy of punk rock, Fairey has created numerous works inspired by musicians and bands. Shepard Fairey created a silkscreen print inspired by "The Guns of Brixton" and featuring Paul Simonon. In this hypothetical artwork, Fairey would likely incorporate elements of his own signature style, such as bold colors, strong lines, and thought-provoking imagery, while paying tribute to the influence of The Clash and their music. The artwork might include references to the song's lyrics or imagery from the London Calling album cover, which features a photograph of Simonon smashing his bass guitar on stage based on photo by Kate Simon.

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Andrew Bird- Santa Cruz, CA 2013 Music Limited Edition Gig Poster 2-Color Hand-Pulled Silkscreen Print Artwork on 100 French Bubblegum Cover Paper by John Vogl for Andrew Bird and The Handsome Family.

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Andrew Bird Hands of Glory- Yellow 2013 Music Limited Edition Gig Poster 2-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by John Vogl.

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Mark Lanegan 60 White Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 100 Artwork Size 15x24 Silkscreen Print. "This print is a tribute to my friend, Mark Lanegan, released in honor of his 60th birthday. I’ll never forget our walks through the light and dark" -Cleon Peterson A Tribute to Mark Lanegan’s Influence Cleon Peterson, an American artist, created this limited edition silkscreen print as a celebration of friendship and creative inspiration. The piece honors Mark William Lanegan, an American singer from the United States who passed away on February 22, 2022. It is intended as a symbolic homage on what would have been Lanegan’s 60th birthday, capturing both the spirit of his music and the bond shared with Peterson. The composition features vivid red flames, a devil-like figure, and a looming human silhouette, all arranged against a clean white background. These elements evoke an interplay of dark and light themes that are familiar to admirers of Lanegan’s evocative artistic persona. Peterson’s style often delves into conflict, tension, and the human psyche. This print channels that approach through intense contrasts and symbolic positioning of figures. Viewers are drawn to the swirling red shapes that frame the central subject, as if referencing passionate creativity and the turbulent journeys that can shape a musician’s path. Despite the stark color palette, the details remain bold yet minimal, prompting those who see it to reflect on personal battles, triumphs, and the lasting impact of influential artists. Symbolism and Visual Dynamics The 15x24-inch format provides ample space for the dramatic interplay of silhouettes and vibrant hues. The devil-like figure on the left clutches the black shape representing a human form, suggesting a struggle with internal or external forces. Red flames dance around them, hinting at transformative experiences. Peterson’s characteristic approach to color and contrast emerges vividly, making the artwork eye-catching while hinting at deeper layers of meaning. The piece is printed on hand deckled 290gsm Coventry Rag Fine Art Paper, giving each edition a delicate edge and artisan feel. This physical quality aligns with the emotionally charged subject matter, reinforcing how art can capture both intangible memory and tangible craftsmanship. The red and black imagery echoes aspects of Street Pop Art & Graffiti Artwork, where bold lines, stark contrasts, and simplified forms deliver powerful messages without the need for elaborate detail. Street Pop Art & Graffiti Artwork Inspirations Street Pop Art & Graffiti Artwork themes resonate strongly in Peterson’s prints, and this piece continues that tradition. Observers familiar with urban art often appreciate how the print’s flat planes and intense outlines create a dynamic statement reminiscent of public murals or bold graffiti tags. Elements of subversive energy, common in street-based art forms, echo through the stylized flames and exaggerated demon figure. The layout underscores a sense of confrontation and collaboration between opposing forces. This duality mirrors how Street Pop Art & Graffiti Artwork can be both visually arresting and socially engaging. By bridging personal narratives and symbolic imagery, Peterson’s work remains connected to the underground sensibilities that inform his larger body of creations, merging a refined process with raw thematic concerns. A Timeless Limited Edition Produced as a 2024 signed and numbered edition of 100, the Mark Lanegan 60 White Silkscreen Print has quickly drawn the attention of collectors who value both its emotional resonance and artistic sophistication. Each piece serves as a physical artifact commemorating not just Lanegan’s 60th milestone, but also the enduring impact of creative collaboration between friends. The hand deckled edges and quality paper reflect a commitment to preserving the authenticity of the original design. This print represents a slice of contemporary art that has roots in personal memory and universal themes of struggle and redemption. Peterson’s decision to dedicate a work to Lanegan conveys the deep respect and admiration shared among fellow artists. This sentiment is captured in the graphic interplay of color, shape, and content. By uniting the intensity of Street Pop Art & Graffiti Artwork with a meaningful tribute, Peterson offers a compelling piece that stands as a thoughtful reminder of Mark Lanegan’s artistic legacy and the bond that fueled its creation.

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Interpol NYC Calling Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on White Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2019 Signed & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print "Interpol is one of my favorite bands, and I’ve been lucky enough to collaborate with them throughout the years. My first introduction to them was when I stalked them backstage at Coachella and offered to create art for them if they ever needed it… to my surprise, they knew my work already and decided to take me up on my offer. My first project with Interpol was in 2004, when I created art to follow up their debut album, “Antics.” Ten years later, in 2014, I was approached with another opportunity to create a print and paint a mural for their fifth studio album, “El Pintor.” I’m excited to announce that I’ll be releasing a new print that I created in honor of their upcoming show in New York at Madison Square Garden" -Shepard Fairey- OBEY Shepard Fairey's "Interpol NYC Calling" is a silkscreen print that pays homage to the band Interpol, an act close to the artist's heart. Hand-pulled on white speckletone fine art paper, this 2019 limited edition artwork expresses the symbiotic relationship between street pop art and contemporary music culture. Limited to a series of 550 signed and numbered prints, each piece measures 18x24 inches, echoing the vibrancy of both Fairey's visual language and Interpol's sonic identity. Fairey's connection to Interpol began with a backstage meeting at Coachella, and this piece marks a continuity of collaboration that spans over a decade. His admiration for the band's work translated into the creation of art for their 2004 album "Antics" and their fifth studio album "El Pintor" in 2014. The print captures the energy and atmosphere of their anticipated show at Madison Square Garden, encapsulating the essence of the live music experience within the static medium of print. The print is an example of how street pop art and graffiti artwork intersect with other cultural phenomena, bridging the gap between visual art and music. Fairey's iconic style, characterized by bold lines, a striking color palette, and politically charged imagery, is evident in this print. The central image of the broadcasting tower, surrounded by hypnotic swirls, conveys a sense of communication and dissemination, themes that are recurrent in both Fairey's artwork and Interpol's music. This piece is not just a collectible for fans but a visual dialogue that extends Fairey's exploration of art as a tool for engagement and influence within the urban landscape.

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This Machine Kills Fascists AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2006 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Young Denny Laine From Rock Bands Moody Blues & Wings Leaning On Guitar. "This Machine Kills Fascists AP" is a captivating silkscreen print by the renowned street artist Shepard Fairey, commonly recognized by the moniker "OBEY". The artwork stands as a testament to Fairey's ability to merge street art sensibilities with the nuances of pop art, creating pieces that are both visually striking and politically charged. This particular piece is an Artist Proof (AP), a term in the art world that signifies a print from the original run that the artist keeps for personal records or as a reference. Not only is this proof marked with 'AP' and signed by Fairey, it's dated to 2006, highlighting its authenticity. The print's focal point is a meticulous depiction of young Denny Laine, a pivotal figure in the history of rock, having been a member of iconic bands such as Moody Blues and Wings. The image captures Laine leaning on a guitar, an emblem of his musical prowess and legacy. The choice of Laine as the subject adds layers of cultural and historical significance to the piece. Interestingly, the source of this print is a 1967 photo by Peter Webb, ensuring that the artwork encapsulates not only Fairey's interpretation but also the spirit of the original image. Shepard Fairey's decision to use Laine's image and pair it with the provocative statement "This Machine Kills Fascists" not only cements the print's position in pop and street art genres but also encourages the viewer to delve into the deeper socio-political implications and narratives surrounding the artwork. It's a harmonious blend of aesthetic allure and potent messaging, underscoring Fairey's mastery in communicating powerful ideas through visual mediums.

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Led Zeppelin IV 40 Misty Mountain Hop 4-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2014 Signed Limited Edition of 25 Artwork Size 18x24 Silver Metallic Ink “I have always been drawn to the lyrics “So I’m packing my bags for the Misty Mountains where the spirits go now, over the hills where the spirits fly. “ They not only paint a picture of what was going on in the park that famed day in the song, but touch on the oft-mentioned middle-earth interests the guys seem to have had throughout their illustrious career. I wanted to let my mind run wild and send myself off to the misty mountains where I was greeted by this very flying spirit. I modeled our flying friend after the serpents and Dragons Jimmy has been known to adorn on-stage.” Nate Duval

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Tribute To Sammi Curr 2012 Movie Music Limited Edition Gig Poster 2-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Jeremy Wheeler. Lakeridge High October 24th 2012- The Clowns, Black Roses, Holy Moses, Solid Gold, Rockula, Sammi Curr. Band from the horror movie Trick or Treat.

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Dave Matthews Band DMB Camden NJ Rainbow Foil Silkscreen Print by Jeff Soto Hand-Pulled on Rainbow Foil Fine Art Paper Limited Edition Artwork. 2022 Signed & Numbered Limited Rainbow Foil Edition of 50 Artwork Size 18x24 Silkscreen Print Freedom Mortgage Pavilion, NJ 7/16/2022 Music Gig Poster Fine Art Print. #1/50 Jeff Soto's Silkscreen Mastery: Dave Matthews Band's Camden Gig Poster In the vibrant intersection of street pop art, graffiti artwork, and music culture, Jeff Soto's limited edition silkscreen print for the Dave Matthews Band's Camden, NJ, performance celebrates visual and musical synergy. Released in 2022, this hand-pulled print on rainbow foil paper captures the essence of the band's dynamic presence and the spirited essence of their live performances. Limited to an edition of 50, each print is signed and numbered by Soto, establishing its rarity and desirability among collectors and fans alike. The artwork size, at 18x24 inches, is substantial enough to allow the intricate details and the luminous quality of the foil to shine, making it a coveted piece for lovers of music and art. Visual Composition and Symbolism The Dave Matthews Band's artwork is a visual feast, teeming with the fantastical creatures and otherworldly landscape signatures of Soto's style. The central figure, a knight-like helmet, conveys a sense of adventure and boldness akin to the band's exploratory musical style. Around this focal point, Soto weaves a tapestry of images, including enigmatic animal figures and ethereal designs, creating a dream-like atmosphere that complements the band's genre-bending sound. Using rainbow foil as the medium adds an iridescent quality to the print, with colors and light shifting from every angle, echoing music's ever-changing and fluid nature. Artistic Techniques and the Silkscreen Process Creating this print is a testament to Soto's dedication to craftsmanship. Silkscreen printing, a technique with deep roots in pop art, requires precision and patience. The rainbow foil adds challenge, as its reflective surface demands perfect alignment and pressure during hand-pulling. The result is a series of prints where each is a unique art piece, with slight variations that make them individually unique. The tactile quality of the silkscreen print, with its layered inks and metallic sheen, bridges the gap between traditional graffiti art's raw immediacy and the refined qualities of gallery-worthy pieces. Cultural and Artistic Impact Jeff Soto's work for the Dave Matthews Band concert in Camden, NJ, is a powerful representation of the band's ethos and the shared ground between music and visual art. As a gig poster, it serves a functional purpose in promoting the event and stands alone as a piece of fine art, embodying the spirit of street pop art and graffiti artwork in a format that transcends the ephemeral nature of a live concert. This print captures a moment in time, celebrating the confluence of sound and vision and the communal experience of a music event through the lens of an artist who deftly navigates multiple creative worlds. Jeff Soto's "Dave Matthews Band Camden NJ Rainbow Foil Silkscreen Print" is a multifaceted artwork that epitomizes the collaborative spirit of street pop art and music. It's a visual anthem to the band's legendary status and a testament to Soto's innovative approach to art-making. The limited edition nature of the print, coupled with its striking visual narrative, ensures its lasting legacy as a valuable piece of cultural memorabilia and a shining example of contemporary graffiti artwork.

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Lemmy Damaged Case 1-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2021 Signed & Numbered Lemmy Damaged Case 18 inches by 24 inches Edition of 550 September 10, 2021 "I was first intrigued to check out Motörhead because the guys from G.B.H. were in a few photos wearing Motörhead t-shirts with the band’s great “snaggletooth” logo. “Ace of Spades” is the first Motörhead song I heard, and I didn’t know how to categorize it – punk, metal, hard rock?…but I knew it sounded AWESOME!" -Shepard Fairey

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Bad Brains Punk Showcase Rasta AP Artist Proof 5-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist For Musicians Bad Brains. AP Artist Proof 2016 Signed & Marked AP Limited Edition Artwork Size 18x24 Shepard Fairey's "Bad Brains Punk Showcase Rasta AP" is a culturally potent piece within the street pop and graffiti art landscape. As an artist proof of the limited edition series, this 5-color hand-pulled silkscreen print on cream speckle tone paper measures 18x24 inches and was released in 2016. Signed and marked as an artist-proof (AP), it is a collector's piece that delves into the pulsating heart of punk's ethos and reggae's rasta vibrations, manifested through the lens of Fairey's distinct style. This artwork resonates with the energy of Bad Brains, a band that epitomized the hardcore punk scene with its unique blend of punk and reggae, a hybrid that paralleled Fairey's melding of art forms. The print captures the band's spirit with the commanding phrase "Positive Mental Attitude!" a mantra that Bad Brains championed throughout their career. Fairey's work is a visual echo of this ethos, presenting the band members with a backdrop of rasta colors, which not only allude to their music's roots but also serve as a nod to a broader cultural movement. Fairey, known for his influence on street pop art through works like the iconic "OBEY" campaign and the Obama "HOPE" poster, continues his exploration of music's intersection with visual art in this print. The piece is saturated with the motifs of Fairey's "OBEY Propaganda" — the star, the bold lettering, and the stylized imagery. These elements merge, not promote a band, and celebrate an entire cultural movement, reflecting the potency of street pop art in capturing and promoting subcultural movements. The "Bad Brains Punk Showcase Rasta AP" print symbolizes Fairey's engagement with the punk scene and his ability to encapsulate its raw, unfiltered voice within his work. It's a testament to the enduring dialogue between music and visual art, which Fairey has continually fostered through his prints, murals, and street art. This piece doesn't just hang on a wall; it screams with the voice of a movement, echoing from the underground clubs to the sun-soaked streets where street art and graffiti have long found their home.

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Cybertronic Spree Music Limited Edition Gig Poster 6-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Tim Doyle for The Cybertronic Spree Transformers Band. 2014 Signed & Numbered Limited Edition of 100 Artwork Size 18x24

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Metallica Helping Hands Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2024 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print Featuring a Skull Flower For the Mega Rock bands Metallica, Sammy Hagar & Sistastrings "Metallica recently asked me to create the poster for their Helping Hands concert. Of course, I said yes because Metallica is one of my favorite bands and the tightest live band I have ever seen! Plus, the concert benefits some great causes. This print celebrates triumph over adversity while acknowledging that life is fragile and it’s in our hands to build the world we want for ourselves and our brothers and sisters." -Shepard Fairey- OBEY Metallica Helping Hands Silkscreen Print by Shepard Fairey - OBEY Shepard Fairey’s Metallica Helping Hands silkscreen print fuses raw rock iconography with the sharply tuned visual philosophy of Street Pop Art & Graffiti Artwork. Created for Metallica’s December 13th, 2024 concert at the YouTube Theater in Los Angeles, the artwork stands as both a promotional and cultural artifact—one that reinforces Fairey’s unique position at the nexus of music, politics, and visual rebellion. This limited edition, hand-pulled silkscreen print on 18x24 inch cream Speckletone paper is not only signed and numbered by Fairey himself, but also issued in a strict run of 500 copies, elevating its stature as both a collectible and a testament to contemporary poster art. Design Symbolism and Visual Impact The composition centers around a stark white hand clutching a stylized flower whose petals subtly morph into a skull motif, with the flower’s stem winding in a way that evokes both delicacy and defiance. This emblem, rendered in bold reds, blacks, and whites, signals duality—life and death, fragility and force, compassion and rebellion. The deliberate contrast between the flower’s soft curves and the jagged lines of the skull mirrors the complex ethos of Metallica’s music, where heavy riffs often meet introspective lyrics. Fairey’s hallmark typography and symmetrical layout deliver the immediacy and intensity familiar in his most iconic works, extending the print’s resonance far beyond mere merchandise. Metallica and the Culture of Amplified Resistance Metallica’s presence in pop culture transcends heavy metal. Their brand of amplified resistance, sharpened through decades of visual, sonic, and lyrical output, fits naturally into the framework of Street Pop Art. Fairey’s poster positions the band not just as musicians, but as cultural avatars whose artistic collaborations hold weight in the visual conversation around social change. By visually contextualizing the concert’s philanthropic mission—benefiting Metallica’s All Within My Hands Foundation—Fairey presents rock music not just as expression but as action, and art as an extension of that impact. Shepard Fairey’s Role in Street Pop Art & Graffiti Artwork Fairey’s artistic lineage is defined by disruption, clarity of message, and the subversive use of commercial aesthetics to question power structures. In this print, he leverages those core traits while paying homage to a band whose legacy aligns with his own. The print maintains the stylistic elements synonymous with Fairey’s OBEY imprint—sharp silhouettes, geometric precision, and symbolic weight—while also introducing a warmth and sentimentality not always seen in his politically charged works. The image of the skull flower, set against the backdrop of a performance by Metallica, Sammy Hagar, and Sistastrings, becomes a modern-day reliquary—a symbol of unity through sound, protest, and design. This piece not only enshrines a single event but expands its reach into the broader discourse of art activism, making it a defining example of what happens when two cultural juggernauts—Shepard Fairey and Metallica—merge on canvas within the framework of Street Pop Art & Graffiti Artwork.

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Alice Bag 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x Melanie Nissen Rare Street Art OBEY Pop Artwork Artist. 2022 Signed by Shepard Fairey & Melanie Nissen, Numbered 18x24 inches. Screenprint on thick cream Speckletone paper. Numbered edition of 550. "I was very excited to meet and collaborate with Melanie Nissen because, as co-founder of Slash magazine, she photographed some of the most important figures and moments in the early LA punk scene—a scene that dramatically impacted me as a creative person. Nissen’s new book of her punk photos from 1977-1980, Hard+Fast, is beautifully designed and full of amazing images. After some serious deliberation, I decided I’d like to make an illustration of Alice Bag. I first encountered Alice Bag as a teen in Penelope Spheeris’ documentary “The Decline of Western Civilization,” but The Bags did not put out a lot of music, and it was hard to find. However, in reading books about the LA punk scene like “We Got The Neutron Bomb” and “Lexicon Devil,” as well as the Slash magazine book, I realized that Alice was a very important figure in the LA scene who has continued to make great music and is an outspoken champion of LatinX and feminist causes. She’s also a very nice person. I’m glad to celebrate Alice for her contributions to culture then and now. If you are unfamiliar with The Bags, I’d recommend picking up “All Bagged Up… The Collected Works 1977-1980.” – Shepard

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StarFucker- Fun Fun Fun Fest 2012 Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Clint Wilson for StarFucker.

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Andy Gill Anti-Hero 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist.

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Bob Mould AP Signed Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2008 Signed Autograph by Bob Mould Across The Face in Marker & Shepard Fairey- OBEY Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print Depicting Bob Mould of the Music Bands Hüsker Dü, Sugar & The Jacks. District Line. "Bob Mould was the guitar player and co-songwriter of Husker Du, one of the most progressive hardcore/indy bands of the '80s. Originally one of the most successful bands on SST records, they were among the first American indie bands to sign to a major label. They are credited with paving the way for bands like Sonic Youth, The Pixies, and Nirvana. I borrowed Husker Du's Zen Arcade album from a friend in my 10th-grade year and quickly collected the rest of their catalog. I especially recommend their album Flip Your Wig. After Husker Du broke up, Bob formed Sugar and now performs solo. His new album District Line is awesome." -Shepard Fairey- OBEY Shepard Fairey's Tribute to Bob Mould: Merging Music and Street Art The Bob Mould AP Signed Silkscreen Print by Shepard Fairey, a figure synonymous with OBEY and a towering presence in street pop art, is a limited edition artwork that pays homage to Bob Mould's profound influence on the music scene. As an Artist Proof from 2008, this piece holds a special place within the edition of 500, featuring Fairey's signature 5-color technique on cream speckletone fine art paper, measuring 18x24 inches. Mould's autograph across the face in marker adds a personal touch, intertwining the visual narrative with the tactile memory of the musician's hand. This print captures the likeness of Mould, known for his groundbreaking work with bands Hüsker Dü, Sugar, and The Jacks, and the essence of his impact on the hardcore/indie genres. Fairey's acknowledgment of Mould's legacy, from the seminal album "Zen Arcade" to "Flip Your Wig" and beyond, underscores the print's importance as a piece of cultural history. Fairey, who has a storied history of integrating his art with social commentary and the music industry, uses this print to honor a musician who has been pivotal in shaping the landscape of modern American indie music. Bob Mould and the Evolution of American Indie Music in Visual Art Bob Mould's journey through the evolution of American indie music is intricately woven into the fabric of this silkscreen print. Shepard Fairey's artistic rendering goes beyond mere portraiture; it is a symbolic representation of the era that saw bands like Sonic Youth, The Pixies, and Nirvana reshape the musical landscape, with Mould and Hüsker Dü leading the charge. As a fan who found inspiration in his youth's raw and passionate soundtracks, Fairey's connection to Mold's music informs the artwork's intimate and reverent portrayal. The print is a visual testament to Mould's ongoing relevance, with Fairey highlighting the musician's solo works like "District Line." The piece symbolizes the confluence between street pop art and the visceral energy of the music that often serves as its soundtrack. Fairey's ability to infuse his work with the spirit of the music he admires adds depth to the print, elevating it from a mere collectible to a significant narrative artifact within the canon of street pop art and graffiti artwork. Shepard Fairey's Bob Mould AP Signed Silkscreen Print is not just a confluence of visual art and music but a celebration of the enduring legacy of an artist who has helped shape the sound of a generation. As a street pop art piece, it embodies the rebellious heart of the indie movement. It stands as a testament to the power of art to transcend mediums and become a unifying force for cultural reflection and appreciation. The limited edition nature of the print, coupled with the personal signatures of both Mould and Fairey, cements its status as a collectible piece that captures a pivotal moment in the interplay between music and visual art.

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Brian Slade 73 Tour 2011 Movie Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Pink Fine Art Paper by Jeremy Wheeler. Music group Brian Slade from the movie Velvet Goldmine.

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Lucy Georges Guitar Hand-Pulled 4-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited Edition of 150 Artwork Size 9x24 Metallic Ink "LUCY (in the sky of diamonds). This print is the first of a “famous guitar series” that I am working on. It depicts George Harrison’s famous ’57 Les Paul, “Lucy.” -Nate Duval

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1919- Pelican Tombs- Pennsylvania 2009 Music Limited Edition Gig Poster 4-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Justin Anville. 2019 Signed & Numbered Limited Edition Gig Music Poster Artwork Size 18x24. 919, Pelican Tombs, Music, Event, Theatre of Living Arts, Philadelphia, Pennsylvania, June 3rd 2009, Live Nation The Synthesis of Music and Street Pop Art The convergence of music and visual arts often produces memorabilia that transcends the moment of its creation, embedding itself in the cultural fabric of a time and place. Such is the case with the limited edition gig poster for the event featuring "1919" and "Pelican Tombs" held at the Theatre of Living Arts in Philadelphia, Pennsylvania, on June 3rd, 2009. This striking piece of street pop art and graffiti artwork is a celebration of both the bands and the evocative power of graphic design within the realm of music. This limited edition gig poster is more than just a promotional tool; it is a collectible artwork that reflects the vibrancy and raw energy of the musical acts it represents. Created by the artist Justin Anville, the print is a four-color, hand-pulled silkscreen on fine art paper, a technique that lends the artwork a tactile quality that is both immediate and engaging. The choice of silkscreen printing, a favored method in both street art and pop art for its bold colors and sharp lines, allows the piece to stand out with a visual pop that mirrors the intensity of the live music experience. Visual Elements and Artistic Significance The artwork commands attention with its intricate design and contrasting color palette, which features a dominant red against a backdrop of more subdued tones. At the center, the stylized numerals "1919" are prominently displayed, intertwined with symbolic imagery that suggests a narrative extending beyond the bands' names. This typographic treatment is reminiscent of graffiti art, where letters become an integral part of the visual impact, often carrying meaning in their form as much as in their content. Cultural Imprint of the 2009 Event Poster Limited to a signed and numbered edition, the poster carries with it an aura of exclusivity. Measuring 18x24 inches, it is a sizable piece that was designed to be noticed, to be a talking point, and ultimately, to be remembered. As a piece of memorabilia, it serves as a timestamp, capturing the cultural zeitgeist of the late 2000s Philadelphia music scene, a period marked by a resurgence in indie and alternative genres. The inclusion of the Live Nation brand also signifies the commercial and mainstream acknowledgment of the genres and bands, hinting at their movement from the fringes into the spotlight. The Legacy of Gig Posters in Street Pop Art The significance of gig posters like this one extends beyond the night of the event itself. They are artifacts of cultural history, capturing the essence of musical movements and the artistic styles that accompany them. In the broader context of street pop art and graffiti artwork, gig posters are often the crossroads where music and visual art fans meet, share, and appreciate the interplay between these forms of expression. This particular poster, with its bold aesthetic and connection to a specific time and place, is a perfect illustration of how street art and music can come together to create something enduring. In the ever-evolving dialogue between music and visual arts, the 2009 limited edition gig poster for "1919" and "Pelican Tombs" stands as a testament to the power of this collaboration. It is not just a promotional item; it is a snapshot of a scene, a piece of street pop art, and a collectible that holds within its inks and paper the echoes of a night of music and the spirit of its time.

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Black Sabbath Silver Black Crescent Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2013 Signed & Numbered Limited Edition of 125 Artwork Size 18x24 Silkscreen Print of Metal Roc n' Roll Music Band Black Sabbath Featuring Ozzy Osbourne. "Black Sabbath has been one of my favorite bands for 25 years. I was fortunate to meet Jack Osbourne through my friend Big Dave in 2000. My relationship with Jack and Big Dave has led to several great Ozzy and Sabbath projects. One of my biggest “I’m not worthy!” moments occurred when Dave took me backstage to meet the Sabbath guys in 2004 at Ozzfest, and bassist and lyricist Geezer Butler was wearing an Obey shirt! Sabbath is still a phenomenal live band, and I’m incredibly honored to do my second(the first was in 2005) Sabbath/Obey tour poster. Sabbath released a great new record called “13” recently(produced by Rick Rubin) and are touring in support of the album." -Shepard Fairey- OBEY. Shepard Fairey's Interpretation of Black Sabbath's Legacy In 2013, Fairey, inspired by Black Sabbath's influence on his life and art, created a limited edition silkscreen print to commemorate the band's U.S.A. tour. This signed and numbered edition, limited to 125 pieces and sized at 18x24 inches, became an emblem of Black Sabbath's enduring impact on rock music and a collectible piece of street pop art. The artwork, hand-pulled on cream speckletone fine art paper, features iconic Black Sabbath symbols, such as the cross and the winged disc, alongside Fairey's signature style, which often includes elements like the star and the stylized imagery of the eye. The fusion of street pop art with music often manifests in gig posters, a medium that Shepard Fairey, known widely for his OBEY brand, has mastered with a distinctive style that resonates deeply within the pop culture landscape. His work for the iconic metal rock n' roll music band Black Sabbath, particularly the silver and black crescent silkscreen print, encapsulates the essence of the artist's and the band's legacies. The significance of Fairey's Black Sabbath artwork lies in its ability to bridge music's auditory experience with art's visual stimulus. The print does not merely represent the band; it evokes the rebellious spirit of Black Sabbath's music, the dark and mystical themes they explore, and the cultural movement they spearheaded within the heavy metal genre. Fairey's artistic trademarks, such as the word 'obey,' infuses the piece with a sense of authority and provocation that complements the band's ethos. Collectibility and Influence in the Art World Fairey's anecdote about meeting the band and finding Geezer Butler wearing an OBEY shirt is a testament to the reciprocal influence between artist and musician. It underlines how street pop art and music often come full circle, with artists influencing musicians and vice versa. The print is a celebration of the band's return with the album "13" and a nod to the historical relationship between the artist and Black Sabbath. It is this narrative that imbues the artwork with a personal touch, making it a profound statement within the realms of both pop culture and street art. As a collectible, the Black Sabbath silkscreen print by Shepard Fairey stands at the intersection of music memorabilia and fine art. Its scarcity and the reputation of its creator heighten its value not only in monetary terms but also as a cultural artifact. Collectors and fans seek such pieces for their aesthetic appeal and their ability to capture a moment in history, a period where music and street pop art intertwine to create a tangible representation of a musical era. In the broader spectrum of street pop art and graffiti artwork, Shepard Fairey's Black Sabbath print represents the genre's potential to transcend the streets and enter into the world of high art and collector's items. The piece, with its intricate design work and deep cultural connections, stands as a testament to the power of visual art to celebrate and immortalize the spirit of music.

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Hot Buttered Rum Music Limited Edition Gig Poster 4-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by John Vogl for band Hot Buttered Rum. "You never should have a finished idea in your head. Staring at a blank page is the worst thing you can do—start with anything and just keep letting it evolve.”- John Vogl

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Good To See You Henry Rollins 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckletone Fine Art Paperby Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed & Numbered Limited Edition of 250 Artwork Size 18x24 Silkscreen Print by Shepard Fairey- OBEY "My good friend Henry Rollins is on his “Good to See You” spoken word tour that kicked off earlier this year. I’ve collaborated with Henry many times. I’m constantly in awe and impressed by him. He is the hardest-working guy I know and stays up on social and political issues. I’m excited that he is on the road again and honored to design his 2022 tour art. The posters are available to purchase on his tour if you see him on the upcoming dates, signed by Henry and me." -Shepard Fairey

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Blondie Live at the Roundhouse- Black 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Live at the Roundhouse (Black) Screen Print 18 x 24 inches Edition of 150 June 23, 2017 It measures 18" x 24". Blondie the Punk Rock Music Artist Live Performance At The Roundhouse London England 2017 Gig Poster.

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Phish Stilt Building Windmill 3-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited Edition of 50 Artwork Size 18x24 From A Series Used on Phish Posters

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Mark Lanegan 60 Black Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 100 Artwork Size 15x24 Silkscreen Print. "This print is a tribute to my friend, Mark Lanegan, released in honor of his 60th birthday. I’ll never forget our walks through the light and dark" -Cleon Peterson A Meaningful Tribute to a Resonant Voice Cleon Peterson, an American artist known for arresting imagery and commentary on human conflict, created this limited edition silkscreen print as a personal homage to Mark William Lanegan. Lanegan, an American singer, passed away on February 22, 2022, leaving a profound influence on those who knew him and admired his work. Peterson sought to honor the singer’s 60th birthday through this piece, reflecting the shared journeys and the spirit of discovery that bound them together. The artwork presents a striking composition in red, black, and white, symbolizing both shadowy introspection and bright revelation. Each element in the design conveys tension and release, echoing the emotional depth of Lanegan’s music and the keen observations that define Peterson’s artistic approach. This 15x24-inch print on hand deckled 290gsm Coventry Rag Fine Art Paper captures a powerful exchange between two figures. One figure, rendered in vivid red, suggests an otherworldly presence, while the central human form stands in stark black. Their poses and gestures imply a push and pull of darkness and light, a motif that resonates with Lanegan’s creative path. The swirling shapes around the figures evoke fire, passion, and potential tumult, reinforcing Peterson’s signature use of bold silhouettes and purposeful negative space. By blending minimal details with high-contrast colors, the composition maintains a sharp intensity that draws the observer into its emotional core. Symbolism and Visual Expressions The interplay of color in this silkscreen print reflects the way Lanegan’s music often inhabited spaces of introspection and fervor. The red figure hints at the force of temptation or struggle, while the black figure appears poised between surrender and resistance. These themes connect to Peterson’s broader body of work, which frequently portrays dramatic confrontations between contrasting elements. The text at the top and bottom references Lanegan’s 60th birthday and a notable venue, grounding the imagery in a celebratory yet reflective context. Observers are invited to consider how memory, friendship, and creative expression intertwine, shaping a narrative that transcends a mere birthday commemoration. Street Pop Art & Graffiti Artwork Connections Followers of Street Pop Art & Graffiti Artwork will recognize Peterson’s distinctive style, which employs flat color fields and intense outlines to deliver profound statements. This approach, reminiscent of bold murals and graphic interventions, has a directness that resonates in urban spaces as well as gallery settings. The oversized figures, emphasized by bright red and deep black, maintain the immediacy often associated with graffiti and street-based practices. Peterson’s technique interlaces pop culture influence with raw, street-inspired energy, reflecting a shared heritage of challenging conventional aesthetics. The overall arrangement echoes a modern approach to iconic visuals, where a few simplified shapes transmit a wealth of emotional content. Production Details and Collectibility Created in 2024 as a signed and numbered edition of 100, the Mark Lanegan 60 White Silkscreen Print stands as a carefully crafted testament to the artist’s dedication. Each piece is printed on luxurious 290gsm Coventry Rag Fine Art Paper, hand deckled for a subtle, artisanal feel. The tactile edges offer a nod to the handmade aspect of screen printing, merging contemporary design with time-honored techniques. Collectors value the exclusive nature of this run and the emotional resonance behind the subject matter, as Peterson’s personal connection to Lanegan adds depth to the composition. This artwork embodies the potent blend of reverence, friendship, and Street Pop Art & Graffiti Artwork influences that characterizes Peterson’s portfolio, reminding viewers of the enduring power that creative voices hold, even when they have departed.

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No Bees No Honey Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed & Numbered Limited Edition of 325 Artwork Size 18x24 Gold Metallic Ink "The Clash are my all-time favorite band and their frontman, Joe Strummer, is a hero of mine for his music, lyrics, wit, compassion for the underdog, and stance against injustice. To celebrate the release of JOE STRUMMER 002 and in honor of Joe’s 70th birthday, a limited edition print inspired by the Joe Strummer and the Mescaleros song, JOHNNY APPLESEED. Joe’s lyric “If you’re after getting the honey, then you don’t go killing all the bees” applies to lots of things, like mistreating factory workers, but for me the idea that bees are pollinators who are crucial to sustaining Earth’s fragile eco-systems is a powerful idea. I hope to honor Joe’s music and extend his ideas with my No Bees No Honey print. A portion of proceeds will go to the Joe Strummer Foundation." -Shepard Fairey The intersection of street art, pop art, and graffiti has often found its voice through artists who transcend the confines of traditional media to bring forth powerful messages. One such eminent figure in this realm is Shepard Fairey, known widely for his iconic designs and thought-provoking artistry. His piece, "No Bees No Honey," is a color hand-pulled limited edition silkscreen print that stands as a testament to Fairey's artistic prowess and his ability to interweave poignant messages with his art. Created on cream speckle tone paper, the print embodies a vibrant play of colors and is accentuated by gold metallic ink that gives it a unique touch. The allure of this piece, however, isn't just its visual appeal but also its rarity. With only 325 signed and numbered pieces available, it stands as a collector's item and a beacon of Fairey's dedication to his craft. Sized at 18x24, the artwork captures attention with its intricate details and the symbolic imagery it presents. What elevates this piece from merely being a work of art to a profound statement is the backstory that inspired it. The artwork draws its essence from the legacy of Joe Strummer, frontman of "The Clash" and a stalwart figure revered by Fairey. Strummer's dedication to justice, his compassion for the marginalized, and his undying spirit resonate deeply with Fairey, making him a consistent source of inspiration. The inception of "No Bees No Honey" can be traced back to a song by Joe Strummer and the Mescaleros titled "JOHNNY APPLESEED." A line from this song, "If you’re after getting the honey, then you don’t go killing all the bees," serves as the driving philosophy behind Fairey's artwork. At a glance, this lyric speaks volumes about sustainability and the delicate balance of nature. By delving deeper, one recognizes its applicability to a myriad of societal issues, ranging from the exploitation of factory workers to the broader challenges faced by our ecosystem. The role of bees as indispensable pollinators, ensuring the continuation of life on Earth, is cleverly juxtaposed with Strummer's lyrics, creating an artwork that's as profound in its message as it is stunning in its design. Fairey's commitment to social causes and his admiration for Strummer converge in "No Bees No Honey," but they also manifest in tangible contributions. A part of the proceeds from this artwork is dedicated to the Joe Strummer Foundation, thereby furthering the cause and ensuring that art acts as a vehicle for positive change. In the world of contemporary art, pieces like "No Bees No Honey" remind us of the transformative power of creativity. Shepard Fairey's art is not just an aesthetic pleasure; it's a call to introspection, an invitation to ponder deeper societal issues, and a celebration of the indomitable spirit of figures like Joe Strummer.

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The Lonesome Crowded West Tower Modest Mouse Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2022 Signed & Numbered Limited Edition of 825 Artwork Size 18x24 Silkscreen Print "I’m really happy that Modest Mouse asked me to create some limited edition posters for their tour commemorating the 25th anniversary of their 1997 album The Lonesome Crowded West. I first heard Modest Mouse in 1998. I borrowed a friend’s copy of the album The Lonesome Crowded West, which had come out the year before, and it grew on me quickly to become a favorite. The whole album is great, very multi-dimensional ranging from aggressive and dissonant on songs like “Teeth Like God’s Shoeshine” to folky, jangly, and intimate on “Trailer Trash.” My two favorite songs on The Lonesome Crowded West are “Doin’ the Cockroach,” which builds steadily into an exhilarating staccato guitar frenzy, and the song that follows it, “Cowboy Dan,” which is full of tension, struggle, anger, and beauty. Lyrically, the band’s singer and primary songwriter, Isaac Brock, comes across as an empathetic world-weary sage. I rarely call someone a poet, but Isaac wrote with such depth for someone only 23 years old that I think poet is the only title that properly conveys his elevated craft as a lyricist. I got to do Modest Mouse’s 2000 Black Glass tour poster, which was a huge deal for me." -Shepard Fairey- OBEY Marking the 25th anniversary of Modest Mouse's influential album "The Lonesome Crowded West," celebrated street artist Shepard Fairey, known as OBEY, crafted a striking limited edition silkscreen print. This 2022 piece, meticulously hand-pulled and comprising five colors on Cream Speckletone fine art paper, mirrors the layered complexity of the album it honors. The work measures 18x24 inches, a testament to the album's monumental impact on the alternative rock scene and Fairey's own artistic journey. Each of the 825 signed and numbered prints encapsulates Fairey's personal connection with the album, having first encountered its raw and eclectic sound in 1998, a year after its release. He describes the album as "multi-dimensional," resonating through its varied tones from the "aggressive and dissonant" to the "folky, jangly, and intimate." His favorite tracks, "Doin’ the Cockroach" and "Cowboy Dan," evoke contrasting emotions of exhilaration and introspective tension, revealing the dexterity of Modest Mouse's music and the profound lyrical skill of frontman Isaac Brock. In this piece, Fairey channels the essence of the album's themes, depicting an isolated tower amidst a vast, red-streaked landscape, symbolizing the album's exploration of urban isolation and the Western American experience. The contrast between the solitary building and the surrounding expanse eloquently captures the album's title, "The Lonesome Crowded West." This visual representation goes beyond mere album art; it is an intersection of Fairey's iconic style and Modest Mouse's sonic influence, bridging visual and auditory art forms. Fairey's engagement with Modest Mouse extends back to their 2000 "Black Glass" tour, for which he also created a poster. This long-standing relationship emphasizes the mutual respect between the artist and the band, illustrating how music and visual art can coalesce to form powerful cultural statements. His artistic expression is not only a tribute to the music but also an homage to Brock's poetic lyrics, which left an indelible impression on Fairey, prompting him to label Brock a true poet. As an influential figure in street art and pop culture, Fairey’s creation for Modest Mouse cements his position at the forefront of contemporary art. It serves as a visual anchor for the album’s legacy, ensuring that its cultural resonance extends into the visual realm. Collectors and fans of both the band and Fairey find in this print a confluence of two forms of rebellion and expression, solidified on paper but echoing far beyond.

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Friendship and Support 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2011 Signed & Numbered Friendship and Support, 2011 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered, and dated in pencil along the lower edge Published by Obey Giant, Los Angeles. The Harrison Foundation! “Friendship and Support” supporting UNICEF! Today I am proud to honor the legacy of George Harrison and the very first major music concert for a cause “The Concert for Bangladesh”. Join me in supporting the great work of the George Harrison Fund for UNICEF and their work with the children affected by the famine in Africa. - Shepard Fairey

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Be Reasonable Suburban Pressure Hand-Pulled 3-Color Silkscreen Print on Cream Speckletone Fine Art Paper by Artist Shepard Fairey x Jamie Reid Limited Edition Pop Art Artwork. 2016 Signed & Numbered Limited Edition of 375 Artwork Size 18x24 Be Reasonable Urban Pressure Set Suburban Pressure Sex Pistols Music Tribute With Burning Money Mao From China and ROnald Regan "The Sex Pistols changed my life. When I was a 14-year-old skateboarder, a friend played me “Never Mind the Bollocks, Here’s the Sex Pistols,” and that moment marked a turning point for me. The Sex Pistols provided the adrenaline-inducing soundtrack for my rebellion. If the Sex Pistols provided the soundtrack, the artist behind their imagery, Jamie Reid, provided the visuals for the revolution. Jamie Reid did the iconic art for the Sex Pistols like the “God Save the Queen” sleeve, the “Pretty Vacant” sleeve, and the cover for the album “Never Mind the Bollocks, Here’s the Sex Pistols.” Jamie deserves the majority of credit for the daring aesthetics of Punk Rock. If you’ve ever seen a photocopied, ransom note style, cut & paste punk graphic, then you’ve seen Jamie Reid’s influence. Jamie has been one of my biggest creative inspirations both visually and philosophically, because his work is bold, provocative, irreverent, and political. Jamie Reid also turned me on to Situationism, a movement dedicated to disrupting the conformist trance through pranks and spectacles. I’m honored that I have been able to work with Jamie on some collaborative images and to present a special collection through Obey Clothing in his honor, as well as two limited edition screen-prints. Jamie and I have mutual interest in shaking things up and addressing the problems of corruption, environmental destruction, and wealth inequality, so it is very energizing and meaningful to do a project with him. Enjoy and embrace the chaos!" -Shepard Fairey

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Off! You Will Do What We Say 2-Color Hand-Pulled Limited Edition Silkscreen Print on True White Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2019 Signed Limited Edition Print. 18 inches x 24 inches Edition of 600 July 11, 2019 Punk rock band OFF! which includes members from Black Flag, Circle Jerks, Redd Kross, The Burning Brides, and The Black Heart Procession is making a movie called “Watermelon,” and according to their lead singer Keith Morris, “You will do what we say”…… is an MK Ultra mantra from out of the shadows. - Shepard Fairey

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Demagogue 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist For Musician Franz Ferdinand. Signed & Numbered Screen Print 18 x 24 inches Edition of 500 October 18, 2016 I’ve been a big fan of the band Franz Ferdinand since they first hit the scene in 2003. Stylistically, Franz mixes a pinch of glam rock, a nice serving of post-punk and a bit of dance-punk to create a sound that is irresistibly infectious. The band is undeniably stylish in their fashion and their album artwork which is frequently inspired by Russian Constructivism, one of my biggest inspirations as well. The lyrics of singer Alex Kapranos are witty, charming, and often insightful about human nature. Franz Ferdinand is a band of style and substance. -Shepard Fairey

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Friendship and Support- Gold 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2011 Signed & Numbered Screen Print Friendship and Support (Gold), 2011 Screenprint in colors on speckled cream paper 18x24 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered, and dated in pencil along the lower edge Published by Obey Giant, Los Angeles Due to the enormous popular demand for “Friendship & Support” released last week, we are excited to announce a second colorway at the request of the Harrison Foundation! “Friendship and Support – Gold” supporting UNICEF!

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Mixtape Limited Edition Archival Pigment Fine Art Prints on Matte Velvet Rag Paper by Graffiti Street Art Pop Artist Dave Pollot. 2022 Signed & Numbered Limited Edition of 100 Artwork Size 19.82x24 Edition of 100 -Signed and numbered in pencil beneath in image -including 2" white margins -Printed on matte velvet rag paper Exploring Dave Pollot's Mixtape Archival Print Dave Pollot is an American artist known for innovatively integrating street art elements into classical and pop art themes. His work often involves reimagining thrift store paintings by introducing modern elements into the otherwise classical compositions, creating a whimsical and thought-provoking juxtaposition. In his limited edition piece titled "Mixtape," Pollot combines the aesthetic of street pop art with the delicate sensibilities of traditional still life, creating a visually striking artwork that resonates with a broad audience. This artwork, signed and numbered by Pollot himself, is part of a limited edition of 100 pieces, each printed on matte velvet rag paper, emphasizing its exclusivity and appeal to collectors. Characteristics and Medium "Mixtape" features a lush arrangement of flowers, a classical subject in art, contrasted sharply by including a modern cassette labeled "Awesome Mix." This blend of the old and the new is characteristic of Pollot's style, where he seamlessly merges elements from different eras to comment on the transient nature of art and cultural artifacts. The artwork is rendered on matte velvet rag paper, a choice that enhances the colors and gives the piece a soft, tactile quality that complements its visual depth. Matte paper also avoids the glare that glossy prints might exhibit, allowing for a more intimate and engaging viewing experience. The Significance of Street Pop Art and Graffiti Artwork in Modern Culture Street pop art and graffiti have evolved from their rebellious, underground origins to become recognized and celebrated contemporary art forms. Artists like Dave Pollot, who engage with these styles, often do so to make statements about society or to bring a new perspective to traditional art forms. In "Mixtape," the cassette tape – an object that symbolizes the recent past and evokes nostalgia – serves as a reminder of the rapid pace of technological and cultural change. Including this element in a traditional still life disrupts the expected visual narrative and invites the viewer to reflect on the evolution of music media and its impact on personal and collective memory. Like much of Pollot's work, this artwork appeals to a diverse audience. It reaches those who appreciate the technical skill required in traditional art forms and those who enjoy street art's edgy, contemporary feel. Additionally, the limited nature of the print run – only 100 pieces – along with the artist's signature, adds a layer of collectibility and value, making it a prized possession for both art lovers and investors. In the broader context, Pollot's "Mixtape" exemplifies how modern artists are blurring the lines between high art and popular culture. By bringing elements of street pop art into the gallery, these artists are challenging preconceived notions about what constitutes "fine art" and who art is for. This art democratization reflects a more significant cultural shift towards inclusivity and the recognition of diverse artistic expressions. Pollot's work celebrates this shift, showcasing how traditional and modern visual elements can coexist harmoniously and create new meanings. Dave Pollot's "Mixtape" is more than just a visually appealing piece; it is a thoughtful commentary on the intersection of past and present, popular culture's temporary nature, and art's evolving boundaries. Through this work, Pollot captures the essence of street pop art and graffiti artwork and elevates it, offering a sophisticated yet accessible piece that resonates with a contemporary audience.

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Bad Brains Punk Showcase- Rock For Light 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist For Musicians Bad Brains. 2016 Signed & Numbered Limited Edition of 350 Artwork Size 18x24 Shepard Fairey's "Bad Brains Punk Showcase - Rock For Light" is a striking exemplar of the indelible impact of street pop art and graffiti artwork on the domain of music and culture. This two-color hand-pulled silkscreen print on cream speckle tone paper is a tribute to the legendary punk band Bad Brains, known for their explosive fusion of punk and reggae and their message of "Positive Mental Attitude." The limited edition print, part of a signed and numbered release of 350 pieces measuring 18x24 inches, encapsulates the raw energy and ethos of the band while also showcasing Fairey's iconic style that has become synonymous with the OBEY brand. Fairey, a street artist and graphic designer, rose to fame with his "Andre the Giant Has a Posse" sticker campaign, which later evolved into the OBEY Giant movement. This project aimed to stimulate curiosity and encourage people to question their relationship with their surroundings. The "Bad Brains Punk Showcase" piece continues Fairey's exploration of counterculture and music, prevalent themes throughout his body of work. His distinct approach to art, often characterized by bold, stylized images and a limited color palette, reflects his roots in the skateboarding scene and his admiration for the punk rock ethos. In this artwork, Fairey melds the band's iconography with his aesthetic to create a piece that is both a homage and a standalone work within the street pop art genre. The use of the star emblem, the dynamic composition, and the commanding typography are all hallmarks of Fairey's style while also paying respect to the cultural significance of Bad Brains. The result is a piece that resonates with fans of the band and Fairey's art, bridging the gap between music and visual art in a way symbolic of street pop art's role in contemporary culture. The artwork serves not only as a collector's item but also as an illustration of the synergy between visual art and music. It is a testament to the power of street pop art to transcend its origins and become a part of the cultural lexicon, capable of celebrating and immortalizing the pioneers of subcultures like punk rock. Fairey's "Bad Brains Punk Showcase - Rock For Light" is a vibrant reminder of the enduring legacy of Bad Brains and the rebellious spirit that fuels both their music and the world of street pop art.

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The Lonesome Crowded West Apt Block Modest Mouse Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2022 Signed & Numbered Limited Edition of 825 Artwork Size 18x24 Silkscreen Print Apartment Block Urban City Building Stylized. "I’m really happy that Modest Mouse asked me to create some limited edition posters for their tour commemorating the 25th anniversary of their 1997 album The Lonesome Crowded West. I first heard Modest Mouse in 1998. I borrowed a friend’s copy of the album The Lonesome Crowded West, which had come out the year before, and it grew on me quickly to become a favorite. The whole album is great, very multi-dimensional ranging from aggressive and dissonant on songs like “Teeth Like God’s Shoeshine” to folky, jangly, and intimate on “Trailer Trash.” My two favorite songs on The Lonesome Crowded West are “Doin’ the Cockroach,” which builds steadily into an exhilarating staccato guitar frenzy, and the song that follows it, “Cowboy Dan,” which is full of tension, struggle, anger, and beauty. Lyrically, the band’s singer and primary songwriter, Isaac Brock, comes across as an empathetic world-weary sage. I rarely call someone a poet, but Isaac wrote with such depth for someone only 23 years old that I think poet is the only title that properly conveys his elevated craft as a lyricist. I got to do Modest Mouse’s 2000 Black Glass tour poster, which was a huge deal for me." -Shepard Fairey- OBEY In the pantheon of street art, few names are as synonymous with the movement's thrust into mainstream culture as Shepard Fairey. His collaboration with the band Modest Mouse for their tour poster celebrates a milestone—the 25th anniversary of their seminal album, "The Lonesome Crowded West." In true Fairey fashion, he interprets the album's ethos with a limited edition silkscreen print, meticulously hand-pulled with five colors on Cream Speckletone fine art paper. This process ensures each of the 825 pieces is imbued with the artist's personal touch. Measuring 18x24 inches, this signed and numbered print presents an apartment block—an urban icon that exemplifies the crowded isolation in the album's title. Fairey's stylized depiction of the apartment block resonates with the band’s exploration of the paradoxical loneliness of urban existence, embodying the spirit of Modest Mouse's music through visual art. His work is not merely an artistic rendition but a narrative of city life's juxtapositions—connectivity and isolation, sound and silence. This collaboration is particularly significant for Fairey, who has been a fan of Modest Mouse since 1998. The album left an indelible mark on him, with its tonal shifts from the raucous "Teeth Like God's Shoeshine" to the more subdued "Trailer Trash." Fairey extols Isaac Brock's songwriting, acknowledging the profound depth and poetic nature of his lyrics, especially considering Brock's youth. The two tracks that stood out to Fairey, "Doin' the Cockroach" and "Cowboy Dan," exemplify the album's range and Brock's lyrical prowess. Fairey's history with Modest Mouse dates back to the 2000 "Black Glass" tour poster, reinforcing his long-standing connection with the band. This print is another chapter in that narrative, solidifying the kinship between his visual art and their musical expression. The artwork is a tangible piece of pop culture history, intertwining the legacy of Fairey's street art with Modest Mouse's contribution to music. Collectors of Fairey’s work and fans of the band alike cherish this print as a symbol of the enduring relevance of "The Lonesome Crowded West" and the power of art to transcend mediums, capturing the essence of an era.

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Metallica in Bucharest 2019- Blue Music Limited Edition Gig Poster 4-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Zi Xu for band Metallica. Metallica, Music, Rock N Roll, Band, Concert, Bucharest, Romania, Monster, Griffin

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Smokey Robinson- Red 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed by Fairey & legendary music artist Smokey Robinson. Screen Print 18 x 24 inches Edition of 450 2010 "I was amazed when Smokey contacted me to do a portrait to commemorate his 50 years in the music business, and a little nostalgic at the thought of his impact on me as a kid. Smokey came into the studio to hang out and sign them. He's a really nice, upbeat guy who has a real lust for life, maybe that's why he looks like he hasn't aged in 30 years. Believe it or not, Smokey signed every single print with his very beautiful and painstaking signature. It's worth picking up a print for that alone. Mention the name Smokey Robinson and the first thing that automatically comes to mind is Motown. It's understandable given that it was Robinson's hits, first as the leader of the Miracles, and then later as a solo artist that propelled the famed label during the 60s." -Shepard Fairey

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Overloading The Grid David Byrne AP Silkscreen Print by Shepard Fairey- OBEY x Bobby Grossman Hand-Pulled Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist Proof. AP Artist Proof 2024 Signed by Shepard Fairey- OBEY & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print of Talking Heads Singer David Byrne Photo by Bobby Grossman. "I’ve been a fan of the Talking Heads since I was a kid and heard songs like “Once in A Lifetime” and “Burning Down the House” on the radio, well before I discovered punk rock and understood the Talking Heads’ important role in the nascent punk scene as it developed in NYC at CBGB’s in the mid-70’s. I remember seeing the film Stop Making Sense on HBO as a teen and thinking the Talking Heads singer, David Byrne, was very weird and very fearless to dance around in an absurdly oversized suit. I didn’t yet realize that exploring the awkward nature of existence was precisely Byrne’s strong suit! Later, as I got a little more sophisticated, I realized how creatively adventurous the Talking Heads were both musically and with their visuals." -Shepard Fairey Overloading The Grid David Byrne AP by Shepard Fairey and Bobby Grossman The Overloading The Grid Artist Proof silkscreen print from 2024 brings together two highly influential figures of countercultural visual language: Shepard Fairey and Bobby Grossman. This hand-pulled screen print features the likeness of David Byrne, the iconic frontman of the Talking Heads, based on a classic photograph by Grossman and reimagined through Fairey’s unmistakable graphic aesthetic. Printed on cream Speckletone fine art paper and signed and marked AP by Shepard Fairey, this 18x24 inch edition merges photography, music history, and political design into a single portrait that reflects both artistic legacy and cultural disruption. The Legacy of David Byrne in Visual and Sonic Innovation David Byrne’s influence transcends music and bleeds into the worlds of performance art, fashion, and design. As the lead singer of Talking Heads, Byrne’s cerebral yet experimental style embodied the sensibilities of the downtown New York scene during the punk explosion of the 1970s. With an offbeat stage presence and a flair for embracing discomfort as a thematic device, Byrne made awkwardness a mode of expression and communication. His contributions to music videos, album artwork, and stage productions helped define the visual language of new wave and post-punk, laying the groundwork for a visual narrative style that continues to influence contemporary art and design. Shepard Fairey’s Graphic Interpretation Through Street Pop Art & Graffiti Artwork Shepard Fairey’s reinterpretation of Bobby Grossman’s photograph speaks directly to the ethos of Street Pop Art & Graffiti Artwork. With signature grid overlays, limited color palettes, and stark shadows, Fairey constructs a visual tension between formality and rebellion. His use of contrast and stylized design imbues the portrait with a power often reserved for propaganda art, reflecting his career-long interest in political messaging and iconography. The screen print format itself holds deep roots in street art and DIY culture, enhancing the piece’s connection to underground aesthetics. Fairey's technique amplifies Byrne’s gaze, turning the portrait into a symbol of creative defiance and urban sophistication. Bobby Grossman’s Influence on Cultural Memory Photographer Bobby Grossman captured the raw, behind-the-scenes energy of New York’s downtown scene with honesty and intimacy. His photography functioned not just as documentation but as an active component of the era’s aesthetic. This collaboration with Fairey pays tribute to Grossman’s influence as an image maker and archivist of punk, pop, and street art culture. His image of Byrne—now stylized, reframed, and elevated—finds new resonance within the larger context of contemporary art. By pairing Grossman’s lens with Fairey’s visual voice, the print becomes more than a portrait; it is a statement on the enduring impact of artists who shaped the language of resistance and reinvention through Street Pop Art & Graffiti Artwork.

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Off! You Will Do What We Say- Aqua Drab 2-Color Hand-Pulled Limited Edition Silkscreen Print on True White Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed Limited Edition Print. 18 inches x 24 inches Edition of 400 May 26, 2022 Punk rock band OFF! which includes members from Black Flag, Circle Jerks, Redd Kross, The Burning Brides, and The Black Heart Procession is making a movie called “Watermelon,” and according to their lead singer Keith Morris, “You will do what we say”…… is an MK Ultra mantra from out of the shadows. - Shepard Fairey

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Suburban Pressure Hand-Pulled 3-Color Silkscreen Print on Cream Speckletone Fine Art Paper by Artist Shepard Fairey x Jamie Reid Limited Edition Pop Art Artwork. 2016 Signed & Numbered Limited Edition of 375 Artwork Size 18x24 Be Reasonable Urban Pressure Set Suburban Pressure Press Building Burning Sex Pistols Music Tribute "The Sex Pistols changed my life. When I was a 14-year-old skateboarder, a friend played me “Never Mind the Bollocks, Here’s the Sex Pistols,” and that moment marked a turning point for me. The Sex Pistols provided the adrenaline-inducing soundtrack for my rebellion. If the Sex Pistols provided the soundtrack, the artist behind their imagery, Jamie Reid, provided the visuals for the revolution. Jamie Reid did the iconic art for the Sex Pistols like the “God Save the Queen” sleeve, the “Pretty Vacant” sleeve, and the cover for the album “Never Mind the Bollocks, Here’s the Sex Pistols.” Jamie deserves the majority of credit for the daring aesthetics of Punk Rock. If you’ve ever seen a photocopied, ransom note style, cut & paste punk graphic, then you’ve seen Jamie Reid’s influence. Jamie has been one of my biggest creative inspirations both visually and philosophically, because his work is bold, provocative, irreverent, and political. Jamie Reid also turned me on to Situationism, a movement dedicated to disrupting the conformist trance through pranks and spectacles. I’m honored that I have been able to work with Jamie on some collaborative images and to present a special collection through Obey Clothing in his honor, as well as two limited edition screen-prints. Jamie and I have mutual interest in shaking things up and addressing the problems of corruption, environmental destruction, and wealth inequality, so it is very energizing and meaningful to do a project with him. Enjoy and embrace the chaos!" -Shepard Fairey a piece of punk rock history with the Suburban Pressure Hand-Pulled 3-Color Silkscreen Print on Cream Speckletone Fine Art Paper by renowned artists Shepard Fairey and Jamie Reid. This limited edition artwork, released in 2016, holds significant value for fans of the Sex Pistols and enthusiasts of pop art, street art, and graffiti art. The collaboration between Shepard Fairey and Jamie Reid celebrates the influential punk rock band, the Sex Pistols, and their lasting impact on culture. As a skateboarder at the age of 14, Fairey's life was forever changed when he heard the album "Never Mind the Bollocks, Here's the Sex Pistols." The band's music became the adrenaline-inducing soundtrack for his rebellion, while Jamie Reid's iconic artwork provided the visuals for the revolution. Jamie Reid's artistic contributions to the Sex Pistols cannot be overstated, as he designed iconic artworks such as the "God Save the Queen" sleeve, the "Pretty Vacant" sleeve, and the album cover for "Never Mind the Bollocks, Here's the Sex Pistols." His daring and provocative aesthetics played a crucial role in shaping the punk rock movement. The influence of Reid's cut-and-paste punk graphics, resembling photocopied ransom notes, can be observed in numerous punk art pieces. The collaboration between Shepard Fairey and Jamie Reid goes beyond admiration for the punk rock era; they both share a mutual interest in addressing societal issues. The duo seeks to disrupt the conformist trance through their art and address problems like corruption, environmental destruction, and wealth inequality. For Fairey, working with Reid has been an honor and a source of creative inspiration, both visually and philosophically. The Suburban Pressure print, a signed and numbered limited edition of 375, captures the essence of punk rock and Jamie Reid's bold and political artistic style. Measuring 18x24, this artwork showcases the rebellious spirit that defined the punk rock era. The collaboration also extends to a special collection presented through Obey Clothing, further honoring Jamie Reid's impact on the art world. If you're a fan of pop art, street art, or graffiti art, owning the Suburban Pressure print is an opportunity to own a piece of history. Embrace the chaos and appreciate the powerful messages behind this iconic artwork by Shepard Fairey and Jamie Reid.

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MUSACK Terry Hall Tribute Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on True White Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2023 Signed & Numbered Limited Edition of 300 Artwork Size 18x24 Silkscreen Print. Lynval Golding & Team Specials, Billy Idol, Jane Wiedlin, Tim Armstrong, Tony Kanal, Tom Dumont, Adrian Young, Fishbone, Jerry Harrison, Tre Cool, Fred Armisen, Jesse Michaels. Donita Sparks.The Jg All-Stars. Bite Me Bambi. Record Safari Gig Poster "Terry Hall, singer of the Specials, one of my favorite bands, died of pancreatic cancer a little less than a year ago. This past Saturday, Musack did an amazing tribute to Terry with a bonkers lineup, including Horace Panter and Lynval Golding of the Specials, Jane Wiedlin of the Go-Go’s, Fishbone, No Doubt (except Gwen), Tom Morello, Tim Armstrong and Jesse Michaels of Operation Ivy, Donita Sparks of L7, and others! I fell in love with the Specials in the summer of 1989, around the time I started listening to Operation Ivy and Fishbone, so to have members of all those bands celebrating Terry was incredible! I was also able to do the poster for the event based on a beautiful photo by Chalkie Davies. There are two versions of the print, one with the event lineup included and another that is a simpler tribute to Terry. The black and white print are editions of 325, but the show lineup print is a smaller quantity (edition of 300) because many were sold at the event, and all proceeds from those benefit Musack, an excellent music charity for kids. On a personal note, Terry came by my studio a couple of times, and we talked for hours. He was kind, thoughtful, and very open about life’s ups and downs. We talked about kids, mental health, insecurity, relationships, the therapeutic benefits of creativity, and many other heavy topics. He was a kindred spirit who I thought I’d be friends with for many years. This print was done with love… thanks for the tunes Terry!" -Shepard Fairey- OBEY MUSACK's tribute to the legendary Terry Hall, the iconic singer of the Specials, is encapsulated in a visually arresting silkscreen print crafted by Shepard Fairey, renowned for his OBEY art movement. This piece, hand-pulled in 2-color on True White Speckletone Fine Art Paper, is a testament to the profound influence Terry Hall had on the music industry and its fans. The artwork is an exquisite fusion of pop art, street art, and graffiti art, embodying the very essence of Terry Hall's spirit and impact on the world. Released in 2023 as a signed and numbered limited edition, with only 300 prints in circulation, the artwork measures 18x24 inches. The artistry is profound, drawing inspiration from a poignant photograph Chalkie Davies took. Two versions of this print exist, one showcasing an event lineup and the other serving as a more streamlined homage to Hall. While the black and white prints are available in editions of 325, the one bearing the event lineup is more exclusive, with a count of 300, many of which were already acquired during the event. The backstory of this piece is equally captivating. MUSACK's heartfelt tribute event celebrated Terry's life, boasting a staggering lineup of eminent musicians, from Horace Panter and Lynval Golding of the Specials to Jane Wiedlin of the Go-Go’s, Fishbone, and members of No Doubt, among others. Shepard Fairey's interactions with Terry add depth to the artwork. Terry, in his visits to Shepard's studio, revealed layers of his personality, discussing topics ranging from mental health to the therapeutic nature of creativity. Shepard saw him as a kindred spirit, and their interactions were laden with deep understanding and mutual respect. This artwork, hence, is not just an aesthetic masterpiece but a heartfelt tribute, reverberating with the essence of Terry Hall's life and legacy.

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Blue Snaggletooth Warrior Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art.

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Ian Curtis Heart and Soul Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 3-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2023 Signed & Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print "I first discovered Joy Division through my friend Jay Haley in 1985-86. Jay was a little more open-minded than I was, so he was listening to aggressive punk and hardcore, but also, more moody music like The Smiths, The Cure, early Cult, and Joy Division. I initially liked some of Joy Division’s melodies, but I generally found the music a bit cold, sparse, and haunting on the verge of depressing. However, the music grew on me over time and the qualities I just described as liabilities became assets. As I grew out of my punk rock orthodoxy phase I realized no band sounded quite like Joy Division. My love of Joy Division has only grown over the years along with my appreciation for their imagery. Joy Division’s image of elegant austerity is often connected to their artwork by Peter Saville, but a lot of credit should go to Kevin Cumminsfor his noir portraits of the band. I’ve loved Cummin’s photography for years, so I was delighted when he agreed to collaborate on a portrait of Ian Curtis, Joy Division’s singer who took his own life in 1980 at 23. Curtis was a unique singer but also a powerful lyricist, so the lyrics to the song Heart and Soul are woven through the art along with an angular divide through Curtis’s figure symbolizing the tension between heart and soul. Since Kevin actually knew Ian, I appreciated that he would allow me to interpret his iconic photo!" -Shepard Fairey- OBEY Shepard Fairey's "Ian Curtis Heart and Soul" silkscreen print is a powerful tribute to the enigmatic Joy Division frontman and his profound impact on music and visual culture. Released in 2023, this limited edition print encapsulates Fairey's deep personal connection to Curtis and the band's enduring legacy. The artwork, sized at 18x24 inches and limited to a series of 500, is meticulously hand-pulled, showcasing three colors on cream speckletone fine art paper, underscoring the raw and textured essence of the subject matter. Fairey's engagement with Joy Division's work began in the mid-1980s, a time marked by a musical awakening as he transitioned from a strict punk perspective to a broader appreciation of the haunting, sad sounds that defined Joy Division's discography. Fairey candidly discusses how the initial perception of the music as 'cold and haunting' eventually morphed into an understanding of its depth and uniqueness, revealing a narrative of personal and artistic growth. Integral to this print is Fairey's collaboration with Kevin Cummins, a photographer renowned for his poignant portraits of Joy Division, which have significantly shaped the band's visual narrative. The decision to weave the lyrics of "Heart and Soul" into the fabric of the portrait is both a literal and figurative intertwining of Curtis's lyrical genius with his visual representation. This design choice also hints at the complexities of Curtis's personal struggles, echoed in the stark contrast that bisects his figure in the artwork—a poignant reminder of the internal discord between passion and reason, emotion and intellect. Fairey's print is not merely a visual piece but a narrative collage that pays homage to the artistic influence and legacy of Ian Curtis. By embedding the soul-stirring lyrics of "Heart and Soul" within the artwork, Fairey invites viewers to engage with the piece on multiple levels: aesthetically, emotionally, and intellectually. The print transcends mere representation, becoming a conduit for the artist's reverence for Curtis's talents as a singer and lyricist and the enduring impact of Joy Division on music and popular culture, ensuring that the heart and soul of Ian Curtis's artistry continue to resonate through time.

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This Land Is Your Land AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2012 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Neil Young Music Inspired Man Mountains Barbed Wire & The Phrase "No Trespassing This Land Is My Land" "This Land Is Your Land AP" is a captivating silkscreen print, hand-pulled by the renowned artist Shepard Fairey, commonly known as OBEY. Crafted in 2012 and marked as an Artist Proof (AP), this piece stands out as a limited edition artwork, underscoring the artist's reputation for producing iconic street and pop art. Measuring 18x24 inches, this print is meticulously executed on Speckletone Fine Art Paper, enhancing its visual appeal and ensuring its longevity. Shepard Fairey's inspiration for this artwork emanates from Neil Young's rendition of Woody Guthrie's song, "This Land Is Your Land." At its core, the artwork delves deep into the subjects of immigration policy reform, societal attitudes towards immigrants, and the inherent promise of America. Fairey, a known advocate for immigration policy reform, captures a thought-provoking message, highlighting a lost verse from Guthrie's song. This particular verse poignantly juxtaposes a "No Trespassing" sign with its blank reverse, suggesting that the land is truly meant for everyone, irrespective of societal divisions. The imagery — a man, mountains, barbed wire, and the stark phrase "No Trespassing This Land Is My Land" — is a potent blend of aesthetics and ideology. Woody Guthrie, who wrote the original song, was revered for addressing societal issues such as class inequality and the abuse of power. While some labeled Guthrie as "socialist," Fairey's interpretation celebrates him as a compassionate figure who championed the rights of the marginalized. In embracing this theme, Shepard Fairey's artwork becomes not just a visual delight but a profound commentary on contemporary issues, making it an invaluable piece in the realms of pop, street, and graffiti art.

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